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Back in stock due to popular demand, the 33rd release in our signature Brazil 45’s series. A spellbinding pairing of Marcio Lott’s rarer than hen’s teeth, sun-soaked groover ‘Tema de Baby’ and the samba-rock fusion flavours of Silvio Cesar ‘A Festa’.

Marcio Lott’s ‘Tema de Baby’ is a REALLY rare one. We spent a long time trying to license this and were delighted to be able to release it as part of this series. Laid back sunshine samba-rock/funk/MPB, laced with Ramsey Lewis-esque piano and wah-wah guitars and lovely vocals top it off. Originally released on 7” by Tapecar in 1974.

Silvio Cesar’s ‘A Festa’ was brought to our attention - like many others in this series - by the almighty duo Brazilian Beats Brooklyn. A firm favourite here with everyone at Mr Bongo it’s a certified stormer from the opening beat. Jazzy, samba-rock fusion that touches on disco when the hi-hats open up. Floating synth lines, tough drums and crowd noise throughout add to the scintillating vibe. Taken from his LP ‘Som E Palavras’ released in 1977, as also featured on our Brazilian Beats Brooklyn compilation.

Enjoy The Silence (Smoove Multitrack Rework)

The original version is loved by everyone, so rather than attempting a rework, Smoove decided to swap the original electronic synths and have them replayed with live strings, grand piano, guitar, bass, drums, and percussion, leaving only the original vocal intact.

The end result is very different from the original and more effective as a revision.

Let’s Stay Together (Smoove Multitrack Rework)

Right from the start, we are treated to drums and percussion, building with bass, strings, and backing vocals, before dropping into the stripped back lead vocals with maximum effect.

B2. Blind Alley (Smoove Multitrack Rework)

Smoove switches up the middle-eight drum break and moves it to the intro section, creating a Hip Hop-style build-up to the beautiful female harmonies in this beat-heavy version of Blind Alley

Swiss DJ and composer Dexter Troy has made a name for himself with notable productions on labels such as King Street Sounds, Groove Culture, and Mood Funk Records, alongside iconic artists like Kerri Chandler, Dennis Ferrer, Masters At Work, Satoshi Fumi and Dimitri From Paris.

For over 15 years, he has shared his passion for electronic music in bars, clubs, and festivals in Switzerland and abroad. His rich and diverse musical universe draws from multiple influences :house, funk, disco, all enhanced with a touch of electro-techno.

2025 Repress

Midnight In Tokyo 2, the second installment to the compilation series that rounds up hidden gems by Japanese artists that's perfect for listening at night in Tokyo, is here. This time the collection brings together some tasty electric jazz fusion from the '80s , compiled by Dubby, the man behind the online record store Ondas.

The compilation begins with "Hikobae," a dark and slow cosmic jazz by saxophonist Genji Sawai, followed by "Danza Lucumi," an odd Caribbean-style jam by Today's Latin Project, a band fronted by Tadaaki Misago of Tokyo Cuban Boys, with arrangements by Yasuaki Shimizu. "On The Coast" is a soulful and mellow vocal track arranged by Ryuichi Sakamoto, from guitarist Shigeru Suzuki's album White Heat, and fusion boogie cut "In The Hot City" is by Mr. Theodore, which was a one-off project by a mysterious artist.

The melancholic soul jazz number "So Long America" is the title track from the album Yasunori Soryo released in '82, following a stint in America with the band Brown Rice. "Twisty" is a tropical reggae tune from the album Samba Kathy, an underrated classic by Jugando which was released on Trash, a sublabel of one of Japan's finest jazz labels, Trio. "Samarkand" is an electric Latin jazz jam that sounds like something Miles Davis and Santana could have played on, performed by a Latin funk band from Fussa. "Imagery" is a primal African fusion track by Katsutoshi Morizono, a member of the prog rock band Yoninbayashi.

"Windmill" is the most acoustic sounding tune on this compilation, a breezy Brazilian affair with a Hermeto Pascoal feel. "Mystery Of Asian Port" is by the band Parachute, which consisted of Japa-nese fusion giants like Akira Inoue, Tatsuo Hayashi and Masaki Matsubara. The cosmic jazz record sounds like something Daniele Baldelli would play in his sets. "Bay Sky Provincetown 1977" is a classic Japanese fusion tune by guitarist Yuji Toriyama.

The set also features the mellow but danceable "Heatwave" by keyboardist Keiichi Oku, featuring a female vocalist (which some have identified as Rie Ida), and last but not least, closing out the 13 track compilation is "Day Dream At The Bob's Beach," a wonderful urban fusion with a beautiful vibraphone melody, from the Japanese fusion classic album that was a one-off project by studio musicians

Occult Vision; a new LP based imprint, offers a space for artists to share a more complete body of their work. We create windows into the deeper, alternative and often more authentic sounds of carefully selected artists. It's rare a producer in the underground house and techno scene has this type of platform and Occult Vision aims to fill the void. Our first album is from one of Frankfurt's finest producers, Frank Heinrich. Known to most as Reboot and sharing what will be his first solo LP since 2016, we have here an intricately crafted collection of music that was brought to life during the lockdown phase of the pandemic. This unique time had a resounding impact on Franks creativity in the studio, leading to a sound that strongly represents his emotions throughout that period. The tracks we have helped to curate for this release are often melancholic, yet hopeful with carefully placed textures and rhythms carrying a stripped back yet emotive energy throughout. This isn't your typical club music; it's more personal and meant as a listening experience. "On A Grind" presents the harshness and rawness of that period for so many of us and whilst you will hear Reboots style weaved into these tracks, Frank hopes that you will feel the passion and emotions put into this record accompanying you in your own moments of reflection.

The first release on B.I.T. Productions new ALTERNATIVE label features UK DJ & Producer, Stu Chapman's first Rave House track that then has had a Vinyl release.

The original mix is a Banging rave synth driven track with a hands in the air piano break, wailing vocal and the catchy chorus.

The Retropolis Remix is a breakbeat monster with dirty synth lines and piano melodies.

The Crowdpleasers Remix is an uplifting house stomper with organ melodies with a massive piano break in the middle.

The M-ULATE Remix is a full on piano driven breakbeat rave banger with a 1992 feel.

The fifth release on Les Enfants Records showcases a captivating EP from Felipe Bravo.

This record features four tracks that skillfully explore diverse sonic landscapes while keeping Felipe's distinctive touch. Side A opens with "Adapt Or Die", an energetic statement track brimming with hypnotic grooves, followed by "High Volatility," a refined piece that blends intricate rhythms with deep, melodic undertones.

Flipping to Side B, "Love That Keys (Priku Remix)" delivers a fresh reinterpretation infused with Priku's unmistakable minimalistic charm. The EP closes with the original "Love That Keys," a vibrant and soulful journey that ties the record together seamlessly.

***** AUGMENTED REALITY COVER *****

For the third release on Dust In Grooves, Olivia Mendez curates a compilation EP that honours the boundary pushing spirit of the vinyl-only imprint and presents a collection of mind bending tracks by emerging and established techno producers. The first VA instalment on DIG showcases adventurous, challenging, and dynamic cuts while maintaining the groovy and raw signature sound of the label. Bridging the analog format with a forward thinking design is the animated cover created by visual artist Deniz Bicer, she is also known as Ojelibalon.

LKY - Bitter
Bitter by Manchester based producer LKY is a direct immersion in the atmospheric depths conveyed within a minimalistic tool track. With trippy loops and changing beats, this opener leaves a bitter taste of the sweaty, trance-infused 90s.

Deluka - R.A.W
R.A.W glistens with a mind-bending sound design, produced by the No Signal Records founder Deluka. He delivers a visceral, hypnotising track with quirky highs and stomping, rhythmic lows, captivating the attention all throughout the end.

Metapattern - Tamakotuma
On the B side, the relentlessly driving and layered Tamakotuma by Metapattern, beams with melting synths, intense rhythm and skewed melodies. After joining the Mord and HAYES families, Metapattern contributes a dynamic track with evolving retro-futuristic design, journeying across dimensions.

Dotdat - Take me to Detroit
An homage to the roots of timeless sound and community, Take me to Detroit by Dot Dat is a soothing dance-floor energy tamer, filled with melodic arpeggios and spacious drums. After his release on Truncate records, Dot Dat closes out the DIG VA with a slower-paced track, laced with classic synths.

Words by Lora Mateeva

Animation - Deniz Bicer
Master - Nihad Tule
Graphist - Ferdinand Prat

London party crew Balearic London are back following their sold-out-and-repressed Macarena-infused Vol. 1 release with another four tasty edits, this time focusing squarely on the '90s after the mostly '80s focus of their debut.

A piano house classic de-cheesed and rearranged for maximum dancefloor effect, a total re-fit of an ambient techno opus beloved by the master Jose Padilla, an all-time pop banger taken in an even sleazier direction and a lesser known piano-powered progressive beauty's outro gets expanded for a dramatic dancefloor moment. Feel Balearic or your money back!

Memoria Recordings proudly presents its latest vinyl release, MEM059, featuring three original tracks from the talented Romanian artist Lumieux. Known for his deep, hypnotic soundscapes and intricate rhythms, Lumieux delivers his signature blend of minimal and groove-driven house music across these new productions. His meticulous attention to detail and evolving sonic textures make this a must-have for fans of his work.

Adding an extra layer of brilliance, Argentinian maestro Alexis Cabrera joins the release with a stunning remix, infusing his unique flair to elevate the record even further. A true collectors item for vinyl lovers!

This vibrant musical compilation captures the ideal balance of groove and depth, showcasing the creative energies of Andrey Djackonda, Etzu Mahkayah, and TooRare. Radiating joy and positivity, this release is filled with intricate sounds designed to create a feeling of uplift.

Boasting diversity, each track has a character of its own, yet aligns and contributes to the overarching narrative of the compilation—a voyage through emotive rhythms and audible expressions that ignite the soul. With its infectious grooves and immersive depth, the record radiates a refreshing energy and stands as a celebration of music’s power to connect and uplift.

Perfect for welcoming 2025 in style and with spirits high, Say Сheeze is more than just a collection of tracks. It delivers a resonant message of positivity and energy, making it a must-have for anyone on the hunt for tunes that inspire movement and joy.

Panna Cotta Music, a division of MixCult Records.

Returning to his roots in live production, OTON shares the 4-track EP Aurora on his imprint Alliance Club. Following his previous neo-rave stylings on the label, Aurora is the product of hours spent in OTON’s Brussels-based studio, where he worked with a DAW-less setup and a newly acquired tangle of gear. Such tools remained instrumental in crafting the sonically rich textures of Aurora and OTON’s forthcoming album, New Forms Of Silence, drawing from a palette of mental techno, hypnotic tribe, and psy tek. Two tracks from the album—due for release in spring 2025—feature on Aurora, comprising the title track and ‘Voltage Controls’.

‘Subtle Bodies’ is the new album by US-based sound artist and composer Francis Morning, released on Ltd. cassette via Lo Recordings, which contemplates the concept of the non-physical, energetic layers of a person that exist alongside the physical body. Being the next installment of Lo Recordings' ongoing SPACIOUSNESS series, the album features 15 tracks that embrace the theme through hints of electric piano melodies buried under layers of tape hiss, meandering sine wave bass notes, and expansive ambient textures.

The compositions on ‘Subtle Bodies’ are meditations on impermanence, imperfection, and the natural process of decay, approached without judgment. They arise from moments of introspection, often inspired by the contemplation of inner channels, energies, mindfulness, breath, and other Tibetan Buddhist practices. Deliberately recorded using minimal equipment, each piece explores and pushes against the thresholds in an attempt to strike a balance of texture and noise. About Francis Morning:

Francis Morning is a US-based sound artist, musician, and composer known for crafting gently textured sonic environments using a simplified palette of musical hardware, including analog tapes and cassettes, field recordings, synths, pedals, pianos, and acoustic and electric guitars. His work embraces imperfection, human quality and touch, and the transient nature of life. The music began to take shape as simple, personal daybreak rituals with no audience or expectations. Each piece was recorded live in single takes, with the original elements eventually discarded or recorded over, as a statement and exercise in impermanence and letting go.

After his furious comeback, STARTER frontman Francis Foss has fallen in love. In “True Love”, one of the two new tracks on the upcoming maxi-single, he sings about the most overwhelming of all feelings. “Love is and always will be the most beautiful thing in the world,” says the young-at-heart Francis with conviction.

But when you turn the orange record over, you quickly realize: “Vision on My Mind” sounds more melancholic, darker. “Being in love has its mysterious side,” Francis explains. “Dreams and reality often go hand in hand. Especially when the full moon rises over New York.

Behind this production is once again the Swiss duo VISION, who brought STARTER back to life with “Future Shock”. For “True Love” they were able to use a demo tape by Reto Keller, alias “Gary Gray”, who was active for STARTER from 1985-1989. The result is an exciting mix of genres in the experimental style of the 80s.

The 12″ double A-side maxi single “True Love/Vision on My Mind” by STARTER is strictly limited to 300 copies and is pressed on orange transparent vinyl. It comes in a disco sleeve (opening at the top) and is protected by a sturdy plastic cover.

KEY Vinyls 47th release dives into a silver-plated, machine driven world crafted by Eduardo De La Calle: Kapila. Across four chapters, De La Calles veteran touch shaped by over 25 years of sonic innovation brings to the label a sleek yet abrasive metallic landscape.

The A side opens with Kardama, unfolding a funky yet metallic interplay with sharp bells and stinging rides slicing through a round, acidic bassline. The track proposes a wide spatial range of sounds, a continuous exchange and interplay of elements.

Khatvanga follows, soft yet needle-sharp a lullaby evoking complexity through simplicity. Deceptively minimalistic, its delicate construction disguises its robust power, marking a signature De La Calle moment: feeling held by a soft energy which is equally pungent. With Kankas, the tempo intensifies.

Rugged surfaces and strong high frequencies merge with a type of construction that leans heavily on rhythm, channeling the pulse of a machine in its element. And lastly, Kala mutates into a sci-fi fever dream.

Tense atmospheres build, the machines world grows fuller, and shimmering synths take on a life of their own. The result is a dense, captivating finale that mirrors the increasingly blurred line between man and
machine.

repress !

Paranoid London, the electronic band of Gerardo Delgado and Quinn Whalley, has become synonymous with stripping acid house back down to its basics, rescuing the sound from smiley faces, rave, and sugary excess while paying respects to its gay, black, American roots. Performing mainly live with hardware only, often with vocal guests, as well as unique hybrid DJ sets, the duo has established a tongue in cheek, grumpy punk sound and attitude without taking it too seriously.

Following 2019’s latest album PL and a bunch of 12” singles and edits, their new long-player Arseholes, Liars, and Electronic Pioneers refers to the cavalcade of c***s we find ourselves surrounded by. Our only respite being the joy that musical geniuses bring. The cover artwork and gatefold of the vinyl reflect this with a collage-like poster including personalities of all kinds, from politicians and royalty to music legends. When we asked them to highlight key music pioneers from their picks, they mentioned American electro don Aldo Marin, British producer Andrea Parker and Post Punk band WIRE.

Inspired by early ‘90s British prog house on the likes of Sabres Of Paradise Records and Guerilla Records, the album presents a step up on their production while the anarchic attitude remains unaltered, unadulterated and undiluted.

In Quinn’s words: the album has a slightly more Hi-Fi sound than previous efforts, but retains the urgency and punk rock attitude that we're known for. It was tested over the summer, where it lit up festival stages at Glastonbury, Houghton, Love International, and many, many others.

As expected, PL has recruited a bunch of special guests on vocals including Primal Scream’s Bobby Gillespie, US house veteran Monica “DJ Genesis” Lockett, the novo-New Romantic/gothic, Jennifer Touch, and Joe Love, from Fat Dog, Brixton’s current ones-to-watch. As well, previous collaborators Josh Caffe and Mutado Pintado return for new recordings. All bring something unique to the party, while integrating perfectly with PL’s Fuck you! circuitry.

75. Jahrestag dreier Top-10-R&B-Singles - 'Hobo Blues', 'Hoogie Boogie' und 'Crawlin' King Snake'. Diese 4-Track-EP enthält den Bonustrack 'Hastings Street Boogie', der ebenfalls seinen 75. Jahrestag feiert.
1952, lange bevor die Mods in ihren schicken Anzügen von John Lee Hookers ebenso gut geschnittenem Aussehen und seiner mitreißenden Musik angezogen wurden, hatte das britische Vogue-Label 'Hoogie Boogie' veröffentlicht, aufgenommen 1949, auf einer 78-rpm-Platte. Bluesmusik war damals etwas für Liebhaber, und die vier Titel auf dieser EP erinnern an diese frühesten Aufnahmen von John Lee Hooker. Drei Tracks dieser EP landeten 1949 in den Top 10 der US-R&B-Charts. John Lee Hooker pur, der zum Kern seines Blues und Boogie vordringt, nur Gitarre, Gesang und mit dem Fuß mitwippend. Diese EP ist in einem schönen, zeitgenössischem Sleeve untergebracht, die von Niall McCormack gezeichnet und gestaltet wurde.

New full-length LP from Toronto producer, DJ and recording artist Tony Price on his Maximum Exposure label. Tony Price is a multi-time Juno and Polaris Prize nominated producer, having worked on a wide variety of records on labels like 4AD, DFA, Slumberland and more. Host of “The Maximum Exposure Power Hour” on NTS Radio

“Requiem For The Ontario Science Centre” is Tony’s ninth full-length LP since 2017, following a series of acclaimed records on labels like L.I.E.S. Records and Telephone Explosion which received coverage and reviews from established outlets like Pitchfork and Resident Advisor. “Requiem For The Ontario Science Centre” pays homage to the beloved 1960’s Canadian landmark and renowned brutalist architectural marvel, which was abruptly closed in the summer of 2024.

The album features longtime collaborator and Caribou touring band member Colin Fisher on Saxophone. The music is Rich with kaleidoscopic saxophone loops, surrealist sound collages, and retro-futuristic synthesizer mirages and will surely resonate with fans of Boards of Canada, Terry Riley and Don Cherry’s “Brown Rice”

James Bernard's 1994 ambient masterpiece Atmospherics is now 30 years old. To mark its anniversary the landmark record has been meticulously remastered and paired with a brand-new, track-by-track reinterpretation by Bernard's longtime friend and collaborator, bvdub. Together, these works span four slabs of wax and offer a profound exploration of ambient soundscapes that honour the original while also presenting some fresh, emotive perspectives. A must-have work for your ambient section.