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Written and recorded throughout 2025 in their longtime ex-taxi-office-turned studio 'Cherry Lips', and produced by frontman Richard Archer alongside longtime collaborator Wolsey White.

The album looks outside the window to the fractured present, and paints it in bold musical strokes, with the same sharp- eyed social commentary that powered their classic debut Stars of CCTV, but with fresh perspective, new sounds and hard-earned freedom.

Written and recorded throughout 2025 in their longtime ex-taxi-office-turned studio 'Cherry Lips', and produced by frontman Richard Archer alongside longtime collaborator Wolsey White.

The album looks outside the window to the fractured present, and paints it in bold musical strokes, with the same sharp- eyed social commentary that powered their classic debut Stars of CCTV, but with fresh perspective, new sounds and hard-earned freedom.

Arguably one of Get Physical’s most influential tracks, ‘O Superman’ sees a new release with remixes from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now classic original. Man Power kicks off the new interpretations with an epic, ten and half minute version that patiently stretches the original’s melodies into pads and held bass tones across crisp, micro-house styled beats before unleashing loose, clattering breakbeats after a striking, extended breakdown. SIS’s dreamy, percussive version sees the German producer in hypnotic, and tracky form, focussing on the ebb and flow of the original’s tuneful vocoder and synth work that drift across his perfect groove. Robag’s Pumper-Nikkel remix, for those that missed it some years back, is yet another funky, chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever. M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman Remixes are released on Get Physical 12” in late July with a digital release following in the Autumn.

2026 Repress

Laurie Torres is a Canadian musician and composer raised in Montréal, Québec by Haitian parents. Since 2008, she has been a trusted stage and studio performer for Julia Jacklin, Pomme, and Land of Talk, as well as being a founding member of Folly & The Hunter, with whom she recorded four studio albums and toured Canada, Europe and the UK.

In 2023, Laurie shifted focus to work on her own creations, a process of making time - the will and the need becoming omnipresent. Drawing creative inspiration from contemporary artists like Tirzah, Gia Margaret, Valentina Magaletti, Tara Clerkin Trio and ML Buch, 'Après coup' finds Torres intersecting at a pivotal moment where artists whose marginalized identities are at the forefront in creating a beautiful array of "other options".

"Being othered and tokenized as a woman who plays music, as well as a queer and black person, takes a toll, while also positively feeding a strong urge to push and be seen."

Centering around piano, drums and synthesizer with interweaving field recordings, 'Après coup' follows the precursor ep 'Correspondances' in the form of a sprawling 11-track album. Translating directly from French - afterwards, after the event - its title subliminally points at something deeper between the lines. Recorded in 2023 between tours in a small window of time where 'normal' life hadn't quite recommenced, Torres meticulously crafted her debut solo material in view of surrounding nature, all providing the perfect nourishment for long streams of improvisation. Built right up to the edge of a lake, Studio Wild in St-Zénon, Québec offered an unparalleled location and set up for her freeform creativity.

Instrumental music seemed like a natural response and evolution for Torres who had long basked in the world of "pop music" as she elaborates: "I had an urge to use creativity as a sort of resting place, a place where things can unfold slowly and take time to reveal themselves. In other worlds words, I felt the need to make something slower, more elusive"

The immediacy of Torres' recorded takes doubled with minimal overdubs create a fiercely direct, intimate and unpolished lo-fi beauty. 'Après coup' then is self-reflective, open and inclusive with Torres allowing herself to be fully seen. An album to be felt at close distance with unrivalled authenticity. This album stands as a testament to Laurie's artistic evolution and serves as a beacon, inspiring her to continue nurturing her own creative pursuits and finding exhilarating freedom.

Baby Rollén and Wilba (Fraise), embark on their new collaborative project Heartbreak Hombres. Straight ahead dancefloor house cuts and no nonsense!

Already drawing support from a diverse spread of DJs including Raresh, Ben UFO, Dr Banana, Eris Drew, Chris Stussy, Wallace, Louise Chen (NTS) and more - the Heartbreak sound is designed for the DJ; a selectors handy weapon at the ready!

Volume 2 of 3 vinyls containing all the extended mixes on Claude VonStroke’s 5th original artist album, “Wrong Number.” Whilst the first vinyl was all deep cuts, this second record is full of bumpy, quirky, club tools with unique properties. “Two Line Groove” features vocals “in the round” from both of his children, Jasper and Ella, and can be imagined working well on the DC10 terrace this summer. “A Little Drizzle” is a classic wonky VonStroke bassline with vocal chops all getting twisted like Matthew Herbert meets Akufen. Lastly, “Busted Ass Deejays” is a little bit of shade going out to $100+ tickets to see generic Deejays playing Beatport top 10s. Just poking a little bit of fun, we love you all!

Following the critical success of last year’s ‘Cold Feet’ LP, producer, DJ, and multi-instrumentalist Alek Lee returns to Isle of Jura with his most introspective work to date, the ‘Blue Bird’ album. Across eight tracks, the Athens-based artist explores what he describes as a "Peculiar state of minds & Dub Orientated Feelings," blending his signature guerrilla style production with deep, organic soul.

The album’s centerpiece and title track, ‘Blue Bird’ features the haunting vocals of singer-songwriter Keren Ilan. It is a raw, heartfelt exploration of the aftermath of a breakup. The lyrics speak of a "desert heart" and a "loss that grows tall and loud," eventually finding a path toward healing as the "blue bird sings the dawn." Musically, the track is anchored by hazy, sun drenched guitars, a central instrument that weaves a consistent Balearic thread throughout the LP.

The journey through ‘Blue Bird’ is one of shifting shadows and unexpected textures. ‘Treasures’ is a standout instrumental, leaning into a grit-flecked, bluesy "twang" reminiscent of Duane Eddy, while ‘The Beach Road’ sees long time collaborator and ‘Shame On Us’ bandmate, Yovav, lending his magical bass and guitar work to a track that feels like a slow drive toward the horizon.

Side B shifts the energy toward the dancefloor and the sophisticated leftfield pop of the 80s. ‘First Rain’ is a subtle house leaning gem underpinned by a kick drum and lush, synth heavy emotive chord progression. ‘Thanks to Sade’ is a seductive downtempo groove with epic guitar lines shifting through, while ‘Remember the Good’ brings a subtle reggae skank and a French-influenced organ sound into the mix. The LP comes full circle with a smoked out Dub version of the title track ‘Blue Bird’.

A 180 gram pressing in a 3mm spine full colour sleeve and sticker designed by Bradley Pinkerton.

Ruby My Dear returns to Analogical Force with Iterations EP -- five cuts of precision-engineered electronica forged from repetition and control. Originally conceived for a videomapping project by Barcelona-based studio VPM and premiered at SIGNAL and MIRA festivals the music quickly evolved beyond its audiovisual origins into a fully independent sonic work. Razor-edged IDM, glitched breakcore and high-velocity drum programming collide with dark harmonic pressure and microscopic detail. Brutal yet deliberate. Chaotic yet exact. This is Ruby My Dear operating at full resolution.

Stop playing games and get your hands on this new 6-track Various Artists EP. From Electro-Wave in Dutch, to rolling synths in the club (anthem alert!), to Breakbeats that are hard to tame, to a contemporary version of the Moonlight Sonata, to a guided Tryp by Varum and Hayter's freezing cold Fortune Four. What you want is what we got.

DJ support comes from Roger Sanchez, Bob Sinclar, Claptone, Purple Disco Machine, Audiojack, David Penn, Sam Divine, Laurent Garnier, Chloe Caillet, Nicole Moudaber, Carlita, Groove Armada, Barry Can’t Swim, Bakermat, Danny Howard, Gorgon City and more!

Toolroom’s next Sampler showcases 4 big releases from Jesus Fernandez, Alex Preston, CASSIMM and Jewel Kid.

DJ Support: Phil Mison (Cantoma/Ambala), Charlie Bones (Do!You!!!), Frank Booker, Trujillo, Alice Palace, CIAN, DJ Aficionado, No Plastic, Jad & The, Leon D, Moe, Sadeedo, Longboss (Strangelove), Tom Kutsche, Marian Tone, Andy Pye (Balearic Social), Soft Rocks, Wrekin Havoc, Alfresco Disco, Manuel Darquart, Tom Bolas, Danny Russell, Craig Christon (Passport to/Beyond Paradise)
Many Hands - Basement Versionz #2, continuing from #1 with further excursions into Basement Balearica. From Bunker to Beach: Wiggy Dread Italo, Rebel Disco Reggae, Thai Boogie Funk and freshly creased 80s Steppers to help clever selectors get out of, or into trouble.

Fresh off an EP on Semantica and an album on MORD, Uun returns to his imprint Ego Death with the Panopticon EP. Uun showcases his range on these 6 tracks, running the gamut from dissonance to chord driven grooves.

The A side focuses on intensity. “Aesthetic Descent” features dual synth lines, slipping between melody and atonality. The straightforward percussion allows the listener to focus on the everchanging dynamics in the leads. “Structural Obedience” begins with a chugging groove, out of which a buzzsaw synth emerges. This track is a display of Uun’s ability to walk the line between minimalism and maximalism.

The B side focuses on the interplay between melody and groove. “Ralph’s Track” channels the dub chords of Basic Channel while applying a modern edge. “The Hidden System” features the lone vocal on the EP, sampled from the work of the late great David Lynch. The interplay between the 7⁄8 lead synth and 4/4 percussion creates a feeling of anticipation, where the patterns develop in unpredictable ways.

The digital exclusive tracks go into more experimental territory. “Queen’s Chamber” is a broken beat dirge, consisting of reverb drenched percussion and synths reminiscent of Dead Can Dance. The final track, “Shokunin”, is the counterpoint to Aesthetic Descent, closing out the release on a crushing yet hopeful note.

Pressed onto a unique custom turquoise and black hand poured color mix record inside a full printed jacket. The evocative artwork was created by Minneapolis based graphic designer Ryote.

Five years after his previous album, Khetzal returns with Nectar, a brand-new digital double album accompanied by a limited physical vinyl EP. Matthieu Chamoux, a name that needs little introduction, is the creator of Corolle, still considered a milestone of 21st-century Goa-trance. With Nectar, he once again delivers his unmistakable signature: spiritual, Eastern-influenced, blissful Goa-trance. With Nectar, he dives back into his signature world of spiritual, Eastern-tinged, blissful Goa-trance. The first CD weaves a brand-new fairytale-like journey, with four standout tracks also pressed onto vinyl. Alongside these, you'll find a second bonus cd, set of unique live remixes, complete with violin, breathing fresh energy into classics like Ganesha Pramana and Listening Winds. Enjoy the journey

Samo DJ, undeniable legend of global oddball house, finally debuts on hometown label Studio Barnhus after a decade-long, winding courtship and frequent collaborations with SB mainstays like Baba Stiltz and Pedrodollar. Every atom of his singular craft is on display as tracks like Third Guitar distill disco
tradition, club futurism and hip-hop attitude into cuts only Samo could deliver. Pressed on DJ-friendly 12'' vinyl, complete with a printed love letter from Stockholm underground hero, Nasty Nate

Protocolo SysEx aka Fabio Vinuesa lanza este EP en su sello con cuatro pelotazos originales y dos remixes de Boris Divider y Heinrich Mueller.

GEOMETRÍA VIRTUAL documents a scenario in which mechanisms of control cease to function as external layers and instead become the very foundation of the system. The album does not propose a future dystopia, but rather a reality in which decision-making is automated and artificial intelligence is established as a structure of social control.Protocolo SysEx, a project by Fabio Vinuesa, is conceived as a narrative and sonic framework from which to examine the political and philosophical implications of a world governed by artificial intelligence. The release includes reinterpretations by Boris Divider and Heinrich Mueller and constitutes the first chapter of a trilogy focused on the progressive normalization of algorithmic control.

Geometría Virtual EP – Distrito 91 15

a A1 - Geometría Virtual Part I
b A2 - Geometría Virtual Part II

¡NO PASARAN! is the extension to Extrawelt's DYSTORTION, from brooding tension to playful relief, the album took listeners on a six-year-crafted exploration. Their next EP picks up where this epic chapter left off and is clearly related. It's a hypnotic dive into shadow and dream, darkness and melancholy with subtle flashes of light.
The title track of the EP, already known from the album (D1 - Extrawelt - ¡No Pasaran!) carries a commanding presence, pulses with a rolling, insistent bassline that anchors shifting rhythmic currents and evolving sonic layers. Between tension and release, shadows and melody, it's a track that moves like a living entity.
Arctic Dead Run hits like a surge of raw energy. Acid lines roll relentlessly, building tension that feels alive. Then a melody sneaks in - soft, almost fragile - cutting through the intensity, until hi-hats erupt and the groove snaps into full focus. Maximal yet controlled, every element finds its place.
Clipping Me Softly dissolves the pressure with a dark, playful groove. Precise rhythms meet spacious pads, opening into a dreamlike state where night slowly gives way to warmth and light.
A focused and uncompromising continuation of Extrawelt's sonic language: Dense grooves, acid pressure, and dreamlike relief collide in a release built for deep listening and late-night floors.

During a job in Cologne, I stayed in a room with a loft bed that had no electrical outlets at the top. Every night, I would listen to my TB303, which runs on batteries, through headphones to help me fall asleep. I loved the sequences, it was like meditation. The TB-303 bassline is iconic in acid music, so I created the Acid Lullabies to bring these two elements together. In 2017, the label Doom Chakra Tapes released ten of the Acid Lullabies on tape. Last year, I felt the urge to rework the tracks, so I mixed them again and created some new ones. I also
asked friends to contribute their own versions.

I’m very glad that the following artists contributed the Acid Lullabies: 47IN4 (Pudel Produkte, Doom Chakra Tapes), Museum of No Art (Séance Center, Cosima Pitz), N:in and Philipp Otterbach (Music from Memory, Offen Music). Two violinists from Ensemble Resonanz performed my piece 'Afternoon Lights' for Acid Lullaby 6. Alex Solman designed the cover, which captures the essence of the project perfectly. Have fun with the Acid Lullabies!

Emalkay is famous for his club smashing hits 'When I Look At You' 'Fabrication' 'Explicit' and 'Crusader' to name just a few! A side 'The World' feat ft. Lena Cullen is taken from the album 'Eclipse' and yes its yet another club anthem. On the flip 'Transpose shows how he can switch up the filth like no-one. Check the official video.

Please Note: This format is 3×12' Vinyl in a gatefold sleeve with the full 11 track CD inside. Dub Police are proud to announce the release of their first artist album courtesy of Birmingham-based producer Emalkay, who is set to release his hotly anticipated debut LP 'Eclipse' this Spring. First making a name for himself with early releases on his own Morphic Sounds imprint, Emalkay has continued to push the boundaries of underground bass music ever since, delivering a slew of huge releases on the way. Having been an integral part of the Dub Police stable ever since his 'Explicit / Heroics' 12' for the label in 2009, Emalkay has gone from strength to strength with a series of heavyweight tracks that includes the phenomenal 'When I Look At You' and recent smash 'Crusader'.Comprised of 11 tracks, 'Eclipse' is a bold and powerful album encapsulating perfectly everything that makes Emalkay such a prodigious talent, effortlessly showcasing the depth and diversity of his sound while always remaining true to his inimitable style. As addictive as it is hard-hitting, the album doesn't just provide a collection of dancefloor tracks, but a confident and coherent artistic statement.A brilliantly confident and varied debut album, 'Eclipse' is set to cement Emalkay's place as one of the biggest and most exciting producers working in bass music today.

a Emalkay - Flesh & Bone
b Emalkay - Metropolis
c Emalkay - Keep Goin On
d Emalkay - True Romance
e Emalkay - Space Hopper
f Emalkay - When I Look At You