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These tracks were taken from the album ‘Head’s Above Water’. Over the last one and half years, we have been on a journey to record this album. A journey that has enabled us to discover more about ourselves, our surroundings, our desires, and our fears. We are thankful to be able to share this and we hope you’ll enjoy this music we’ve worked hard to create. - David & Frank

2024 Repress

“Nostalgia Por Mesozo´ica” is an exploration of "experimental exotica" consisted of synthesized tropical attributes — an artificial landscape isolated behind the glass frame. Reminiscent of recording techniques and sonorities ubiquitous in the 60’s and 70’s, it could conceivably have been intended as a soundtrack for the Mesozoic Era exhibition at your favorite Natural History museum.

Calling all fans of cult soundtracks and genre-bending scores! Four Flies is thrilled to present a limited edition gatefold beauty containing the premiere vinyl release of the complete score to Matalo!, one of the most captivatingly unique Spaghetti soundtracks ever.

Matalo! is a 1970 'western crépusculaire' by Milanese director Cesare Canevari, known for his visually striking genre films, starring Swedish enfant terrible Lou Castel and Italian theatre actor Corrado Pani. Canevari adopts an experimental, atmospheric approach, relying heavily on out-of-focus effects and framing his shots unconventionally. This gives a dark and atmospheric turn to thewestern genre, with the typical dusty plains transformed into a windswept ghost town, while action sequences replace dialogues almost entirely, leaving actors with very little to say – and, therefore, putting the music center stage.

Composer Mario Migliardi – who was also a conductor, pianist, and Hammond organist – throws out the rulebook for Italian Westerns. Prepare for a wild ride of psych-rock textures, swirling electronic filters, haunting reverbs, and concrete sounds – a sonic tapestry that seamlessly blends influences ranging from Jimi Hendrix to Luciano Berio.

Migliardi masterfully combines traditional folk instruments like acoustic guitars and percussion withnon-canonical electronic processing, creating an electro-acoustic alchemy thatfeels both fresh and timeless today, probably way more than it did in the1970s. In particular, the Leslie filter, a hallmarkin the Hammond organs popular at the time, is applied to the entire soundtrack, resulting in a very distinctive and dynamic phaser effect.

The soundtrack's highlight is probably the rock song featuring vocals from Giano Ton, aka Giacomo Tosti, the only track to have found its way on vinyl prior to this LP (it wasthe B-side ofa forty-five released by RCA Italy at the time). Its 9-minute extended version, previously unavailable on vinyl, is a fantastichard-blues-rock jam à la Hendrix.

This limited-edition double vinyl LP comes in a stunning gatefold jacket with artwork by Eric Adrien Lee, who drew inspiration from the film's original posters and promo materials.

Definitely a must-have for collectors of unique soundtracks and adventurous music!



a Matalo! (Theme Song) feat. Giano Ton






h Matalo! (Theme Song) Instrumental





n Matalo! (Theme Song) [Single Version]




[s] Matalo! (Hey Gente) [feat. Corrado Pani]

[a] Matalo! (Theme Song) [feat. Giano Ton]






[h] Matalo! (Theme Song) [Instrumental]





[n] Matalo! (Theme Song) [Single Version]




[feat. Corrado Pani]

Bread & Souls is a new project dreamt up by Italian entrepreneur and music lover Franco Fusari. Franco invited Mark de Clive-Lowe on board to direct and produce an album of collaborations with some of our favorite artists including the likes of Bembé Segué, Vanessa Freeman, Paul Randolph, Rich Medina, Tommaso Cappellato and more...

Presenting Chapter 4! Working On It (here’s the original - you heard the remix on Chapter 3), a mid tempo bossa-inspired track features the wordsmithery of Philadelphia’s Rich Medina speaking on the idiosyncrasies and journey of life, joined by Bembe Segue. Together features Vanessa Freeman on vocals - previously heard in remix form on Chapter 2 - a timelessly uplifting soulful house excursion. Domu returns to the project with a second remix of Little Did I Know - this time flipping it for the broken beat dancefloor in classic Domu style, and we wrap up with Neroli’s Volcov remixing Anybody Out There for the 4/4 lovers.

After a duo of floor-stomping releases, Rhythm by Nature is back for its third release with one of the most prolific producers in the game — Tommy Vicari Jnr. The Sheffield-based musician went from being an enigmatic figure to becoming a true example of musical discipline, boasting a seemingly endless musical output under several aliases. With "Francis Bacon Size Hangover EP," Vicari presents a diverse four-track EP that showcases his ability to traverse various soundscapes without ever losing grip on rhythm.

'Francis Bacon Size Hangover' (A1) opens the EP in pure Vicari style, plunging atmospheric dub-infused pads, delayed drums and competently edited vocal breaks on a cosmos of shifting sound signatures. The result is an infectious dance floor weapon drenched in mind-boggling groove with funky, light-hearted undertones. 'B Doll' (A2) goes a bit jazzier, delivering an analogue-driven, breakbeat-tinted track with intricate percussion and deep, resonant synth work. B1: "Newdays" finds Vicari immersing himself in the essence of house music, powerfully rooted in Chicago's disco and proto-house aesthetics: punchy drums and propulsive basslines keep the track in constant motion while atmospheric textures forge an irresistible soundscape of skillfully layered, ingeniously sampled sounds. Originally crafted in 2004, 'Vommer' (B2) closes the EP by showcasing Vicari's longstanding dedication to his craft — a slow-burning, minimalistic dub track that's as beautifully understated as it is gracefully spaced out.

"Francis Bacon Size Hangover EP" is a testament to Tommy Vicari Jnr's enduring influence in the electronic music scene and proof that Rhythm by Nature is perfectly capable of continuing to build momentum.

Matching breezy, Bossa nova-tinged sophistication with softly spiralling psychedelia, Testbild! arrive in the Quindi lounge as though they've always been there. On their 12th album, Bed Stilt, the Swedish collective cast their attention back to the earlier days of their 25-year trip through sweetly mysterious pop-not-pop rendered in warm tones and shot through with surrealism. It's tricky to get a precise fix on the story and structure of Testbild! The project was spearheaded by Petter Herbertsson in his hometown of Malmö in the late 90s, although the story on their website credits the inspiration and source material to a chance meeting and unpublished manuscript from a retiring scientist. The collective's evolution since then is a tangled web of facts and fiction spun by a revolving cast of collaborators including Siri af Burén, Katja Ekman, Rikard Heberling, Douglas Holmquist, Mattias Nihlén and Petter Samuelsson. Along the way, their music has touched on chamber pop, post-punk and modern jazz with the elaborate harmonies and catchy songwriting charm of the Canterbury scene. The tracks which make up Bed Stilt were in fact track recorded in Malmö back in the mid- 00s, lying in wait for the right opportunity to be brought to light with some delicate overdubs and finishing flourishes in the here and now. The core musicians working on the record were Herbertsson and Douglas Holmquist on a similarly expansive list of vocals, guitars, bass, synths and keys, Siri af Burén on lead vocals and Mattias Nihlén on synths and additional mixing. Meanwhile Tomas Bodén - better known as Civilistjavel - lent some additional synth work as well as mastering the record. Musically, Testbild! stay true to their idiosyncratic approach on Bed Stilt with six immaculately rendered sojourns through lilting harmonies and brushed rhythms, feeling nostalgic but beguiling in equal measure. Theirs is a luxurious sound, not least on the opening strains of 'The First New Years Eve,' which purrs to life draped in silky Rhodes and chiming vibes. Behind this comfortable veneer the enigmatic lyrical themes unfurl through Herbertsson, Holmquist and af Burén's vocal harmonies like fractalized puzzles waiting to be solved. The finger-picking delicacy and languid harmonica of 'Streams' strike a pastoral mood neatly countered by the elegant slide into dislocated ambience for the track's final stretch. By contrast, 'And Her Eyes Are Red' surges with a big beat urgency which plays beautifully with the mellow jazziness of the chord sequences, boldly toying with song structure to dart down curious tangents without losing the immediate impulse of a great pop record. Somewhere in this tension between clarity and chaos we can understand the addictive charm of Testbild! - a band steeped in the considerable craft of making accomplished and unconventional music so very easy to sink into. If that doesn't make for a perfect addition to the Quindi catalogue, we don't know what does.

Uruguayan Label as it is characterized, introduces the third conceptual 12” album that brings deep roots from Uruguayan culture once again. Unveiling truth bringing to light the hidden past known historical fact of Carlos Gardel "El Mago“ the most prominent figure in the history of Tango genre. One of the trailblazers of the video clip long before this term existed, promoter of the Radio broadcasting in Uruguay, and the first Movie shorts with sound from “el Río de la Plata”.

Gardel was one of the first artists to use “Lunfardo” and show it to the world in his lyrics, and long has been the debate of his nationality, but this time all is left clear.

This is how Lunfardo, brings 4 artists to represent this unique story divided into three nationalities Charlou from France with his track Les infernes tranquilleus, Fakk from Argentina with “Murmullo del chanta”, and the two Uruguayans “Cabanelas - Marivo” and Arturo with “ Bohemio”, the mystery will be unveiled...

Part 3 in Legowelt's latest project "Hermit in a Rave Cave". Even lower slung house tracks with a twist from the unpredictable and unparalleled brain that roams the dunes of the Hague. Also responsible for Salamandos, Squadra Blanco, Polarius and a swath of other mysterious aliases.

A decade has passed since we released our first vinyl in 2014 through the infamous ILLEGAL SERIES imprint.
To celebrate this milestone, we've invited Miki to create a mix that weaves together tracks from our entire catalogue, reminiscing of our journey over the past decade. We chose to release this mix on a classic tape cassette to better capture the essence of this special occasion.

Frankey & Sandrino make their HABITAT debut with *The Moment,* a thrilling three-track EP that reimagines early trance and house through a contemporary lens. The title track "The Moment" features a haunting female vocal line, "The moment is eternity and now is just a dream," set against lush, layered synths that evoke the euphoria of rave's golden era. Balancing out the EP are “Intrinsic”, with its hypnotic grooves and futuristic vocals, and “Motivation,” with its powerful, driving synths that are sure to take over any dance floor.

Here, the celebrated German duo has crafted a package that balances underground credibility with mainstream appeal, offering a masterclass in immersive electronic music. With a rich legacy releasing on labels like Innervisions, Diynamic and their own label Sum Over Histories, Frankey & Sandrino make for a welcome addition to HABITAT, pushing new boundaries, and solidifying their impact on the global electronic music scene with this mesmerizing new release.

Season by season, we raise a toast to our artists and guests by creating a new collection of sounds. Cafe Soda Selects Volume One captures all the memories of the past year. The A-side starts with Crymes . The track captures the essence of summer with its vibrant dub rhythms and sultry 90s vibes, featuring irresistibly sexy vocals that embody pure feel-good energy. A2 sets the stage for Ben Balances , a vibrant track that seizes the eclectic energies of people, weaving together dynamic rhythms and the deep essence of souls. It is a musical journey that celebrates the unique spirit and rhythmic soulfulness inherent in us all. On the flip, check out the two originals from FMN, the latest project by Frag Maddin and Najeh. is a catchy groove that easily grabs every dancer with its rolling bassline. The song has no breaks, allowing ravers to stay in trance. With , B2 celebrates a raw house anthem with a memorable theme, thick kick, banging clap, and a wild hi-hat swing. An homage to the 90s powerhouse era.

Celebrating thirty years of collaboration, Loren Connors and Alan Licht performed for two nights at OTO on May 5 and 6th, 2023. The shows celebrated a new release titled “At The Top of the Stairs”; a document of the pair's reunion in 2018 after a period of 8 years not playing together. It’s a dark, swirling two-sided spectral noir session, put out by the duo’s home label, Family Vineyard, and we expected a similar kind of atonal abyss to appear at the OTO residency. On the second night however, with the stage lit in blue, Connors took up a seat on the piano stool whilst Licht picked up the guitar. What followed was the duo’s first ever set with Connors on piano - one of only a few times Connors has played piano live at all - here captured and issued as The Blue Hour. Its spacious warmth came as a total surprise live, but makes complete sense for a duo whose dedicated expressionism takes inspiration from a vast spectrum of emotion. Both opening with single notes to start, it doesn't take long before a surface rises and begins to shimmer between the pair. A run up the keys, the drop of a feedback layer on a sustained and bent note. When the two begin to exchange notes in tandem, brief touches of melody and chord hover and the hush of the room is palpapale. After a while, Connors picks up the guitar, stands it in his lap and sweeps a wash of colour across Licht’s melody. Sharp, glassy edges begin to form, open strings and barred frets darkening the space. When his two pedals begin to merge, Licht finds a dramatic organ-like feedback and it’s hard not to imagine Rothko’s Chapel, its varying shades of blue black ascending and descending in the room. When Connors goes back to the piano for the second side, the pair quickly lock into a refrain and light pours in. It’s a kind of sound that Licht says reminds him of what he and Connors would do when the duo first started playing together 30 years ago. It’s certainly more melodic than some of their more recent shows, and the atonal shards of At The Top of the Stairs seem to totally dissolve. What is always remarkable about Licht is that his enormous frame of reference doesn't seem to weigh him down, and instead here he is able to delicately place fractures of a Jackson C Frank song (“Just Like Anything”,) amongst the vast sea of Connors’ blues. Perhaps it's the pleasure of playing two nights in a row together, or the nature of Connor’s piano playing combined with Licht’s careful listening, but the improvisation on The Blue Hour feels remarkably calm and unafraid. There’s nothing to prove and no agenda except the joy of sounding colour together. Totally beautiful.

First Word Records is proud to bring you 'The Making of Silk', the brand new album from Allysha Joy.

Allysha Joy is a deeply-expressive singer, songwriter, producer & keys player hailing from Naarm (Melbourne), known for both her solo work and as front woman for 30/70. A uniquely-talented artist, her husky soulful voice, formidable Fender Rhodes prowess and raw poeticism has garnered legions of attentive fans the world over.

As an integral performer in the modern day jazz-soul scene, previous support has included selectors Gilles Peterson & Jamz Supernova (BBC 6 Music), Jamie Cullum (BBC Radio 2), China Moses (Jazz FM) & Laurent Garnier (PBB France), along with stations such as NTS, Lot Radio, KEXP & KCRW, and publications including OkayPlayer, Dazed and The Vinyl Factory.

Along with a recent foray into the USA market with a string of successful shows, Allysha Joy has performed alongside acts such as Snarky Puppy, PJ Morton, The Teskey Brothers, Kokoroko and Children of Zeus, to name a few.

Joy has previously released two full-length solo albums 'Acadie : Raw' in 2018, 'Torn : Tonic' in 2022 and an EP, 'Light It Again' in 2020, along with countless collaborations and features over the past few years.

Entirely self-produced and affectionately poured over, 'The Making of Silk' is about a new understanding of the meaning of love.

Joy says, "it's the kind of love that bell hooks writes about, that lives in the poetry of Mary Oliver, Hafiz and the passionate dreaming of a Koryusai painting. It's about a love that is compassionate, that lives in open conversation, deep listening, the front lines of social movement and would never seek to stifle the light in you. It's about accepting our aloneness, the impermanence of all things and still forever wanting to prove it wrong, to say that I understand that all things change, all things end, hurt exists, but I will love regardless."

Riding on the waves of rich string arrangements, layers of vocal harmony and the raw poeticism she is known for, Allysha Joy's next album is embodying love.

'The Making of Silk' is due to be released on vinyl & digital worldwide, September 13th 2024.

Markus Guentner returns to his longstanding label, A Strangely Isolated Place following the triptych of ‘Theia’, ‘Empire’, and ‘Extropy’, presenting eight inspiring collaborations on ‘Kontrapunkt’.

Collaborations are nothing new to Markus, but it’s hard to see beyond his strong singular presence as a pioneer of long-form ambient and drone. Collabs have punctuated his albums in various places over the years, and he is no stranger to working as a duo amongst other projects, with such a strong conceptual thread throughout his prior ASIP releases, Kontrapunkt represents a literal pivot and counterpoint in his production approach. Instead of music encapsulating a strong conceptual narrative, Kontrapunkt sees Markus create a dialogue between himself and a collection of inspiring production partners.

Kontrapunkt opens with ‘Vanish’, a widescreen cinematic odyssey created in collaboration with fellow German and Affin label-head Joachim Spieth, forming the perfect opener with its modest subtleties. Australian-born Karen Vogt, renowned for her voice layering and looping, brings a beautiful, and natural addition to ‘All Light Will Remain’.

Sonae, who appeared on ASIP’s early digital releases, demonstrates her evolution into experimental flourishes with ‘Farbe Der Nacht’, adding pulsating techno tendencies and a menacing, metallic approach to Markus’ foundations. Multi-instrumentalist Pepo Galán harmonizes beautifully with Markus on ‘Ancestral Images’, adding complex nuances to a slowly evolving euphoric piece.
A master of synthesis, Arovane delivers a powerful display of supercharged electronics and coils of energy on ‘Utopian Fragments’. Benoît Pioulard's renowned expertise with guitars and tape distortion become a perfect counter to the electronics of Markus, blending styles seamlessly on ‘Father Of Waters’.

‘An unstoppable force meets an immovable object’ on ‘While Hunting Nightmares And Dreaming For Peace’, as Abul Mogard adds powerful restraint in a meeting of two drone titans. The album concludes with ‘Presence’, where Hollie Kenniff’s uplifting vocals provide a shimmering finish, perfectly bookending an album of perfected counterpoints and evolutions on the Markus Guentner sound.
Kontrapunkt will be available on Gatefold Black/Grey/Blue marble 2LP, digital and streaming on August 30th 2024. Mastered by Gio at Artefacts Mastering, Berlin, and featuring artwork by Noah M / Keep Adding.

Fast ein Jahrzehnt hat sich Jamie xx seit Veröffentlichung seines Solodebüts Zeit gelassen. „In Waves“, das zweite Album des Londoners, der mit seiner Band The xx zu den prägendsten Figuren der jüngeren Musikgeschichte gehört. Erneut lässt er seiner Liebe zur elektronischen Musik freien Lauf und entwirft die Geschichte einer Nacht, in der man in den himmlischen Puls von Schatten, Licht und Dancefloor-Rhythmen hinabtaucht.



“In Waves” hat seinen Ursprung in einem Mix, den Jamie 2020 für BBC Radio 1 machte. Hier tauchten neben Tracks der aktuellen Generation an UK-Dancemusic auch diverse musikalische Helden auf, etwa Roy Ayers, Fela Kuti, Tom Zé oder Philip Glass. Auch erste Versionen von Songs, die nun auf dem Album erscheinen werden, waren zu hören. “Es erinnerte mich daran, warum ich diese Musik liebe“, so Jamie, der zuvor lange mit der Frage gehadert hatte, wie es für ihn weitergehen würde. “Ich fand einfach Spaß am kreativen Prozess, ohne dabei an ein Ergebnis zu denken.“



Jamie xx pflügt auf „In Waves“ durch die Subgenres und Dekaden und fügt Northern Soul, Disco, Garage, Acid House, Techno, Tropicalia. Hip-Hop, Funk und den Sound der UK Underground Pirate Radios zusammen. Die kleinen Momente sind dabei so eindrucksvoll wie das übergreifende Ganze. Etwa jener Part bei “Treat Each Other Right“, der parallel zum Album-Announcement erscheinenden neuen Single: Zunächst wird man herausgerissen aus dem breiten Breakbeat-meets-Future-Soul-Vehikel, um sich mit den gepitchten Motown-Vocals plötzlich im Mittelwellenradio der 60er wiederzufinden. Die Worte “I’ll never let you down“ werden in die Ewigkeit gezogen, bevor ein biepender Puls über atmosphärischen Synths einsetzt und man direkt zurückgeführt wird in die schweißnasse Katharsis des Dancefloors.



Im Zeitalter der Algorithmen ist “In Waves” Zeugnis für pure menschliche Empfindung, ein lebensbejahendes Gegengift, das über den Kopfhörer in eine andere Dimension führt und zugleich gemeinsam auf der Tanzfläche erlebt werden will. Mit dabei sind u. a. Romy und Oliver, The Avalanches, Robyn und John Glacier.

Samosa Records dips its toes back into the Afrikano waters with Volume 3 of the Afro themed, genre-busting series and features four deadly tracks from some of Samosa’s most trusted lieutenants.

Breaking the ice as the first track of this exceptional EP is Vincent Galgo and ‘African Rebel’. Mr Galgo has clearly read the brief here – giving us a 125bpm marauder that’s a melting pot of unstoppable horns, furious rhythms and an Afro-pop style bass that is the beating heart of the track.

Track 2 is Samosa regular Frank Virgilio who introduces us to his ‘Mistress’. As a straight up jazz-infused, mid-tempo rhythmic chugger, ‘Mistress’ quickly gets down to the important business of racking up the beats and instrumentation. The generous spread of guitar riffs, assertive bass and organ stabs are expertly lifted by the layered and always rolling drums and bongos induce a trance-like state of mind, so be warned!

On the B-Side Samosa newcomer Casper Leo wears his Tribal heart on his sleeve with the enchanting and utterly captivating jangler - ‘Tom Tom’. You can never have too much Kora guitar and ‘Tom Tom’ has lashings of it, with delicious sprinkles of melodic Marimba – perfect for West African sunsets.

Closing the EP off in style is Afro beats grand master, Lego Edit and the filthy-sexy ‘El Safari’. No other producer can take the essence of the Afro beat structure and bend it to their will like Lego Edit can. Like a late night fist-fight in Club Coco Bongo, ‘El Safari’ punches its way out of the doors. A slinky, wily alley cat of a tune that digs deep with its claws and doesn’t let go and another masterpiece from Lego Edit.

Afrikano Vol.3 has done the impossible and set the bar even higher for this wonderfully diverse Samosa series. We want more. We want ‘4’. With this in your record box, you’ll come with a warning.

2024 Reissue

a new break beat version of the booka shade burner !!!!! now repressed !!!