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2026 Repress

For SIDE B's fourth release, an EP by Portugal's own DJ Dextro is in line. Ultra efficient, fine tuned techno is put under a microscope by the international mainstay for this record. Using high pressure in the low-end and creative textures to decorate the tracks, Dextro solidifies his place as a mainstay with a biting performance on home turf. Balancing his uncompromising sound with mystical synth work, Dextro opens 'Lost Frame' with the title track. In this A1, he rolls straight into a tunnel with flashing percussion and lurking melodies far out in the stereo field. Dancefloor focused but with a hint of mysticism, 'Lost Frame' creates a captivating ambiance to introduce the project with promises of earworm groove. Quick to follow up, 'Disclosure Of Who We Are' sees more space between the elements, creating a whipping effect in the rhythm and rich in sound design. Synth stabs cut through a booming kick, creating urgency in an EP that was lacking none to begin with.

This spirit is maintained on the record's flip to the B side - this time with an added bit of funk and shuffle. 'Liberdade' throws a vicious synth sequence forward for peaktime use and sees Dextro define his space with concentrated transitions and booming percussive hits. Swinging along with the occasional vocal sample to emphasize the obscurity, the producer maintains his delivery of razor sharp focus in all of his elements. To conclude, 'Panoplia Abstracta' settles things with an ambient, even meditative fourth track. Staying insistent with his kick, Dextro lets go of the wheel to drift his record from the body to the mind with progressive arrangement and soothing textures to see off a whirlwind of an EP for SIDE B records. Words by Noah Hocker

2026 Repress

Gerd returns to his own Frame Of Mind imprint with another fine selection of tracks. The breakbeat-driven groove of "Brave New Era" aside, all tracks offer different perspectives on early Motor City techno and house. Gerd is showcasing his love for metallic FM-synthesis driven sounds once again. Deep, moody and uplifting.

2026 Reress

Frame Of Mind is back with another piece of art. Synaptic Voyager delivers 6 amazing classic house and techno tracks. Beautifully produced deep and analogue moods!

Limited Edition COLOR Green Dark mixed Vinyl – 75 units Hand numbered

Mourad started djing in the mid-eighties. His mixing style and musical knowledge have taken him all over Europe and all the way to Asia. Born and raised in Tunis, Tunisia where he sharpened his skills by playing hip hop and electro but also soul, reggae and rare groove. His love for soul and jazz came from an eclectic father who was and still is very serious about his music. As a DJ Mourad plays a blend of Detroit techno and deep house. His sets are known for being diverse and highly loaded with soul and funk. He has played alongside people like Larry Heard, Farley jack master funk, Derrick May, Juan Atkins, Alexi Delano, Dimitri from Amsterdam, Olivier le Castor, BRS, Club Session,Darren Price, Joel Mull , Cari Lekebusch , Subject 13, Alex Reece, Ivan Smaghe , Alton Miller, Jeff Mills , Damon Wilde, 4 Hero , etc. (too many to mention all of them here). Production wise Mourad started producing music during the early 90s and Put out his first release in 1995 as CHRISMOUR Production, in collaboration with his soul brother Calico (svek, deep touch, lace, etc ) The journey continues…

HOUSEWAX welcomes Barry Christie aka Milton Jackson to the family!
We are very happy to have him on board for the 30th edition of the main HOUSEWAX label! "Sunset in A Frame" will be out 1st of June. Highly recommended House Music!

Info Milton Jackson:
Released his first EP aged 19 on Solemusic's Tronicsole imprint. Known for his dark, almost techno influenced deep house music. Milton Jackson tends to fuse straight driving beats with eclectic, techy production styles. His debut long player, 'The Bionic Boy' was received well by critics and the house fraternity and it spawned the Pepe Bradock influenced 'Sunlight'. After having mainly appeared on Glasgow labels such as Solemusic and Glasgow Underground, 2006 sees Milton spread his wings with EPs due out on Freerange, Silver Network, Urbantorque and Luke Sardello's Icon Recordings.

He has also recorded under a variety of pseudonyms, even venturing into the down-tempo domain as Napoleon Solo. His Bear Trax imprint released Mylo's first vinyl release when the pair recorded as 'The Pretty Boys'.

After years of friendship and sound fragmentation, Felipe Valenzuela and Federico Molinari have succeeded in capturing and distilling their unique musical perspective into a single frame.Throughout this process, these two minds from across the Andes have developed numerous productions with a broad, multidirectional genre range.This release features four tracks, each with its own distinct identity. The A1 track, FORCED TO THE SCALES, which lends its name to the EP, blends elements of Spanish classical music with a futuristic edge, seamlessly adapting to various moments within a set.The second track on side A, RAPS TIGHT, is an experiment born from the same session, where a subtle sensitivity is expressed through a a slow beat, enveloped in a harmonious world.On side B, 503 emerges from a different creative process, combining two divergent paths that naturally intersect, resulting in a track full of energy and dynamism.The EP closes with DEAD MAN, a one-shot recording that, through its raw spontaneity, encapsulates the conclusion of a fragmented journey within a frame full of versatility.

Die vier norwegisch-schwedischen Musiker von Kalandra haben ihre Wurzeln im melancholischen nordischen Folk und düsteren Gitarren, die
ätherische Melodien in raue und unheimliche Musiklandschaften weben. Wie es sich für Kalandra gehört, erzählt das neue Album der Band, "A Frame
Of Mind", nicht nur eine Geschichte, sondern verkörpert sie auch.
Das Norwegisch-Schwedische Quartett hat Elemente des nordischen Folks, des skandinavischen Pops und des Alt- und Progressive-Rocks miteinander
verbunden. Im Laufe des Prozesses und dank des erhabenen, schwebenden Gesangs von Frontfrau Katrine Stenbekk, der in die gleichen feinen
Gefilde gehört wie der von Künstlern wie Eivør, Aurora und Gåtes Gunnhild Sundli, haben sie ihre eigene rastlose und doch eindringliche Welt
geschaffen.

Die vier norwegisch-schwedischen Musiker von Kalandra haben ihre Wurzeln im melancholischen nordischen Folk und düsteren Gitarren, die
ätherische Melodien in raue und unheimliche Musiklandschaften weben. Wie es sich für Kalandra gehört, erzählt das neue Album der Band, "A Frame
Of Mind", nicht nur eine Geschichte, sondern verkörpert sie auch.
Das Norwegisch-Schwedische Quartett hat Elemente des nordischen Folks, des skandinavischen Pops und des Alt- und Progressive-Rocks miteinander
verbunden. Im Laufe des Prozesses und dank des erhabenen, schwebenden Gesangs von Frontfrau Katrine Stenbekk, der in die gleichen feinen
Gefilde gehört wie der von Künstlern wie Eivør, Aurora und Gåtes Gunnhild Sundli, haben sie ihre eigene rastlose und doch eindringliche Welt
geschaffen.

Mahne Frame (sprich: mah-nay frame) bringt seinen pan-pazifischen Rave-Pop mit einer abweichend klingenden EP auf seinem neuen Berliner Label Monkeytown Records zurück. Mit der Rückkehr von Tokio in seine winzige Heimatstadt Katoomba kehrt der australische Musiker und Produzent in die Annehmlichkeiten des weiten Raums und der geografischen Isolation zurück. Auf 'I gave my legs to a snake' verlagert er seinen Schwerpunkt von früheren, von Beats geprägten Sprechgesängen zu einem folkloristisch angehauchten Songwriting, das an Yung Leans Hinwendung zu zerbrechlichem Gesang erinnert. Doch Frame folgt nicht den globalisierten Trends des Undergrounds, sondern reagiert auf seine Umgebung: er tauscht den Lärm und die kompakte Mobilität seines Rollers in der dicht besiedelten japanischen Metropole gegen die ungestörten akustischen Erkundungen einer Gitarre in der Abgeschiedenheit des australischen Busches aus.

»Picture a Frame,« the debut album by the Belgian composer Elisabeth Klinck, was born out of strict isolation and is nonetheless a result of a collaborative process that saw her working closely with artist Oscar Claus. Enriching her compositions for violin with electronic soundscapes and field recordings from their surroundings, the two entered an artistic dialogue that took place inside its own idiosyncratic space outside of conventional time. It is an intimate record in which Klinck’s expressive playing that incorporates unconventional techniques forms the basis of something much bigger: an invitation to inhabit a specific space at a specific time together with the two of them.

For an entire week in the spring of 2021, Klinck and Claus stayed at an abandoned monastery surrounded by beautiful gardens, but with no power or running water. The intention was to record some of Klinck’s musical ideas on violin, experiment with electronics and acoustic spaces and to get to know each other on a musical level. This proved to be an inspiring and deeply moving process—and the starting point for more. In the winter of that year, the duo set out to the Spanish Pyrenees to build a DIY studio in a small village on a mountain top and record the eight pieces that form »Picture a Frame.« The idea of losing track of time and space is a theme that found its way in these recordings. The two spent their days and nights reading, walking, talking, cooking and taking care of the animals living there but also experimenting with sound, improvising together and making field recordings.

This deep focus on being present in the moment, listening to the world around them and each other resulted in a holistic experience that was translated into music and sound. Klinck and Claus understand this album as a collage, an attempt to evoke the implicit, an essay that suggests a time and space, and a gentle collision between two people that deeply resonate with one another. It’s impossible to argue with that, and even harder not to be drawn into it.

We’re pleased to announce the very first solo release of our dear friend Benales on Construct Re- Form, delivering a five dancefloor bangers EP and bringing delightful techno vibes from his singular
signature.

CRF017 sounds great, and we are really excited and proud to welcome Benales on board with this huge milestone to our Construct.

Remastered Deluxe-Ausgabe von Braids legendärem Album 'Frame & Canvas' (1998) zum 25-jährigen, ein genredefinierendes Grundnahrungsmittel und laut Rolling Stone US Rang #5 der Top40 Emo-Alben aller Zeiten. Im neuen Mix von Originalproduzent J. Robbins (The Promise Ring, Against Me!). Braids Einfluss auf zahlreiche Bands und DIY-Szenen, die in ihrem Gefolge entstanden sind, ist enorm und unbestritten. Silberfarbenes Vinyl im neuen Packaging mit zusätzlichen Linernotes von jedem einzelnen Bandmitglied.

Frame Of Mind returns with yet another amazing outing. Previously unreleased tracks by David Spaans. Recorded in the mid 90's, a period during which David created his classic Roadrunner, 3D Bingo and Festival la Freak EP's. Expect a combination of Detroit orientated techno, Moody electro and tough acid. Big 6 tracker!

A wide open range of industrial techno ways... but none are EBM. It's more like Reload style if we talk about the kicks... somehow space DJ's to Atom-X or Accelerator.
About the ambiances we defenitly are into news/Wave, Dark electro sounds...

the melt of both brings a fresh thrid rway... surprising record !

ENJOY !

In 2006 ARPANET returned with new LP "Inertial Frame".

Linked with both Drexcyia and Dopplereffekt camps, no one really knows for sure who ARPANET is.
Following on from their mighty "Wireless Internet" on Record Makers set a couple of years back and 2d "Quantum Transposition" on Rephlex in 2005, this album for Record makers develops their conceptual electronic fragmentation into yet another evocative and mysterious strand of sub-marine electro.

Though Inertial Frame serves the usual amount of killer loops, mysterious percussive treads and midnight melodies, Arpanet returns here for our greatest joy with BEATS and - please note the issue held in such an assessment- a whole bunch of fully SUNG tracks.

An instantly recognizable tapestry of Motor City soundscaping updated from the most seminal of archives, Inertial Frame TALKS the listener into derivative reflections on quantic physics and pays tribute to the works of 20th century great scientists.

MOTOR CITY addicts: this is your new holy grail..

Repress

Clear Vinyl

A long-awaited vinyl-only sampler showcases some of the most seminal and vanguard recordings from one of the finest minds behind the American electro and Miami bass scene. The four tracks listed here are all original recordings from 1984-85 fully licensed by the author himself James McCauley and accurately remastered via Omaggio Records. Thirty-five years later, its still the case to say: "Welcome to the Future".

Repress
This repress comes on black vinyl.



A long-awaited vinyl-only sampler showcases some of the most seminal and vanguard recordings from one of the finest minds behind the American electro and Miami bass scene. The four tracks listed here are all original recordings from 1984-85 fully licensed by the author himself James McCauley and accurately remastered via Omaggio Records. Thirty-five years later, its still the case to say: "Welcome to the Future".

It's with great pleasure that we announce the return of New York's synth wizard Steve Moore to KOMPAKT - pretty much exactly 10 years after his much lauded first appearance 'Bayern Kurve' on our SPEICHER series.

Steve Moore is widely recognized as one half of Italo Disco-tinged horror-prog project ZOMBI, his numerous thriller movie soundtrack works (The Guest, VFW, Mayhem, Bliss, The Mind's Eye) as well has his clubbier output on Ron Morelli's L.I.E.S. imprint.

The title track of this 4 track EP, "Frame Dragging" sees Moore in full spine tingling mode. In case you've ever stepped into a hot bath on a cold day (in case you haven't you should try it) you should be well familiar with the phenomenon of being incredibly cold and hot at once. That's exactly what 'Frame Digging' does to the dance floor. Goosebump massacre.

"Gamma Quadrant" combines emotive balearic elements with a rolling minimal house track that reminds us of early Playhouse glory. Or is it early Kompakt?

'Gravity Well' and 'Protostar' are both taking a more chilled out route. They perfectly bookend both sides of the record and showcase Moore's stunning ability of creating suspenseful, spaced out beauty.

Repress

Last edition from the Nature Boy re-issue series. You know the score: five pumpin' club tunes in that typical Nature Boy style. Out with a bang!

Depeche Mode - A Broken Frame

After starting out with EP's showcasing tracks by various artists, Invite's Choice is back with a 3 track EP by Drafted.

The EP is opened by Detached with it's dominating, repeating tom/percussive low-end sound. The frequential spectrum is filled up by other percussive elements and reverb-filled effects, which give the track a spacious feel. Oxidian starts out in your face with it's droning and repetitive synth. The track evolves into an abstract apogee with intense synthesis before it breaks down again, allowing for a smooth mix to be made. Sphere closes down this 3-track EP on the B-side and does so with lot's of fast changing hi-hat and ride patterns and one sharp sounding synthesizer, which makes it a perfect B-side closing track. Once again a great showcase of sustainable modern day electronic music by Invite's Choice!

New 9-track EP and inaugural release from Detroit label 100 LIMOUSINES.

A fixture in the Detroit DJ world—Todd Modes has spent the last decade quietly releasing music on Going Good, FIT Sound, Golf Channel, M1 Sessions, Still Music, Fat Finger Cosmic, and Detroit Electronic Quarterly. Inspired by the birth of his son and the death of his grandfather—New Life is a deeply personal meditation on the cycles of life and time. An examination of the past and present assembled from recordings spanning the last 20+ years—this EP is an outstanding representation of Modes musical depth and artistic purpose—a prime example of the quality to be expected from 100 LIMOUSINES in the future.

Obsession is a solo piano album written and recorded by Kit Grill during 2018.

Boum Boum Boum! 25 years of KOMPAKT. When a record label still thrives after a quarter of a century thanks to a focus of what was expected to be a short lived music phenomenon called TECHNO, then it stands to prove two things; that it techno has taken its place amongst serious, multilayered musical genres like rock'n'roll, pop and folk music. And that KOMPAKT has never been only for techno, but KOMPAKT stands as a broad-minded, genre-defying entity that has set out to cross-pollinate all kinds of musical inventions within the realm of electronic music. Through its course, KOMPAKT has sent 'Around The World', all kinds of sub-genres, concept series and crossover adventures based on the non- negotiable 4/4 beat. And back again.

Without a doubt, the 100% kickdrum-free POP AMBIENT series is the most endearing and enduring concept that I have had the pleasure to curate. From the start, I felt there was a strong need to add a certain pop- elegance - ensouled by discourse as much as hedonism - to a sound that was recognized as 'Chill Out' music that could be heard in seedy techno club back rooms and forgotten festival areas. Over the years, I like to imagine that POP AMBIENT has crystallized into a highly recognizable trademark sound and a multi-facetted musical universe of its own.

So once again, I had the pleasure to put together this year's edition by plowing through an ocean of sonic jewelry that had been submitted from all over the world by new and old friends. The task was clear: for this special edition, I must create a homogenous listening experience that would both appeal to our trusting followers, to continue our tradition while integrating new micro facets , variations and influences from neighboring musical universes as possible. Obligatory while being innovative. Conspirative while being cosmopolitan. Albeit the headline 'Ambient' might sound a little too humble for a compilation that encompasses aspects of neo classic, atonal music and the most beautiful aural kitsch imaginable, it still helps as a necessary means of orientation in the best possible sense. Same goes for another dear tradition: Veronika Unland's abstract-floral cover design that keeps on pleasing our sore eyes year after year.

Although each and every POP AMBIENT edition doesn't shy away from diving into the relevant question of 'What is contemporary discourse music' - in the end it all boils down to that elevated moment where all theory dissolves into ambient air, into a higher state of cosmic bliss. POP AMBIENT is sacral music for non-believers.

Wolfgang Voigt Cologne, October 2018

Bum Bum Bum. 25 Jahre KOMPAKT. Wenn ein Musiklabel, das seine inhaltliche Ausrichtung im Wesentlichen auf den anfangs als schnelllebig und vor allem kurzlebig apostrophierten - hype' Techno setzt, nach 25 Jahren in jeder Beziehung immer noch voll im Saft steht, dann zeigt das zwei Dinge: Das erstens mittlerweile jeder bemerkt haben du¨rfte, dass Techno eben kein kurzftristiger hype ist, sondern vielmehr ein vielschichtiges, ernstzunehmendes Genre, das sich ebenso wie Rock'n'Roll oder Schlager fest in der Musikgeschichte etabliert hat.

Und zweitens, dass KOMPAKT nie nur ein reines Technolabel war und ist, sondern ein nach vielen Seiten aufgeschlossenes Experimentierfeld, das sich von Anfang an der Grenzu¨berschreitung und dem musikalischen Erfindungsreichtum verschrieben hat. U¨ber die Jahre wurden unter dem KOMPAKT-Signet etliche Subgenres, Konzeptreihen und Crossoverwagnisse auf Basis der unverhandelbaren geraden Bassdrum - around the world' und wieder zuru¨ck geschickt.

Eine der wohl scho¨nsten und nachhaltigsten Konzeptreihen du¨rfte wohl die bassdrumfreie POP AMBIENT-Serie sein, die ich als KOMPAKT-- Altvorderer' nach wie vor die ja¨hrliche Freude habe, zu kompilieren. Dabei hat sich u¨ber die Jahre aus dem anfa¨nglichen Bedu¨rfnis der seit den fru¨hen 90er Jahren in den sogenannten - Chilloutrooms ' grossra¨umiger Technoclubs, - Lounges' und - Muzakkneipen' entstandenen - Entspannungsmusik' etwas entgegenzusetzen, eine eher von Pop-Eleganz, Diskurs und Hedonismus beseelte, eigene Spielart ambienter Musik, eine vielschichtige programmatische Musik mit hohem Widererkennungswert entwickelt.

So hatte ich auch im Jubila¨umsjahr einmal mehr die Qual der Wahl, aus den aus aller Welt kommenden, grossartigen Klangpreziosen guter alter sowie neuer Freunde die subjektiv besten zu einem homogenen Ho¨rerlebnis zusammenzufu¨hren. Dabei ist mir immer sehr wichtig, einerseits den Erwartungen der treuen Ho¨rerschaft im Bezug auf Traditionsverpflichtung gerecht zu werden und andererseits auch immer mo¨glichst viele Mikrofacetten, Varianten und Einflu¨sse angrenzender Stile und Universen aufzugreifen. Innovativ und verbindlich. Konspirativ und weltoffen. Auch wenn der U¨berbegriff Ambient, fu¨r eine Kompilation die sowohl Aspekte von Neuer Klassik, Atonalita¨t und Kunstmusik mit den allerscho¨nsten Seelenkitschklangwelten zu vereinen sucht, zu eng gefasst ist, so hilft er doch bei der notwendigen Orientierung im besten Sinne. Ebenso wie die Tradition gewordenen, wunderscho¨n abstrakt-floralen Kunstblumenwelten der von Veronika Unland gestalteten Cover, die ein ums andere Jahr auch die Augen in Verzu¨ckung versetzten.

Auch wenn jede Kompilation sich aufs Neue an den relevanten Fragen zeitgema¨sser Diskursmusik abarbeitet, so ist der erhabene Moment am Ende doch der, in dem sich alles zu Gunsten eines - ho¨heren, kosmischen' Ho¨rerlebnisses, im wahrsten Sinne des Wortes in ambiente Luft auflo¨st.

POP AMBIENT ist die sakrale Musik der Ungla¨ubigen.

Wolfgang Voigt / September 2018

"Square Landscapes" is the latest album of Tbilisi based producer Rezo Glonti under the Aux Field moniker. This work is a synth-curved journey influenced by mutated urban landscapes of his native city. Art-work by Amsterdam based artists Graphic Surgery.

Belgian DJ & producer Mugwump performs an about-face with a new sound and live show and unveils the first extract of his second album 'Drape' and it's first extract,'No Trepidation', a fast-paced postpunk/electronic hybrid and a punch in the face of conformity, formatting and self-censorship.

Borrowing his name from a character from William Burroughs' famed novel Naked Lunch, Mugwump is an elusive presence, a reputation preceded by infamous DJ residencies at Belgian clubs and a longstanding recording relation with Cologne's Kompakt records, ongoing DJ support from Andrew Weatherall as well as a large catalogue of electronic 'disco-techno' records, released on leading labels R&S, Gigolo, Cocoon, Endless Flight, Eskimo, Permanent Vacation or International Feel. Mugwump is also well known for running the Leftorium clubnight in Brussels where like-minded DJ guests such as Ivan Smagghe, Andrew Weatherall, Superpitcher, Matias Aguayo, Optimo, Prins Thomas, Sascha Funke, Gerd Janson, Ata or Roman Flügel share decks leftorium
'Drape' is the follow-up to 2015's debut studio album 'Unspell', which boasted many guest vocalists, garnered media plaudits across the board internationally and was supported with live appearances at Benelux, French, UK and Dutch festivals & venues.Taking it further and morphing into a full live band with new members, Mugwump released the 'Metempsycho EP' in November 2016 on which Geoffroy made his singing debut. Driven by this live band experience, Mugwump's new album 'Drape' will release May 4th 2018

Visible Cloaks' Lex proposes a utopian dream language and its accompanying sound, a limitless, delicate space developed by fluid musical techniques and subconscious voices. The six pieces comprising Lex simulate a more peaceful future, their mysteries telling a new tale in an unknown but imaginable melodic language. Visible Cloaks are the Portland-based musicians Spencer Doran and Ryan Carlile. Utilizing software-based composition rooted in randomization, MIDI-translation and chance operations, the duo has established an improbable humanist mode of music from esoteric processes. Following their self-titled debut album, Visible Cloaks offered Reassemblage, an album simultaneously honoring the post-Yellow Magic Orchestra school of avant musical adventure and diverging from it. Veering from the paths cleared by Japanese and Italian electronic pop and ambient artists of the mid-80s / early-90s, Reassemblage established Visible Cloaks' own camp in a forest of deep sound canopied by trees grown from synthetic seeds.The sound represented on Lex is webbed with sculptural arrangements and interpolated by the sounds of alien speech. These strange and serene utterances were created by Doran feeding a chain of multiple dialects and accents through a language translation software to create an auditory poetry of an evolved place and time.

Lex features both the final version of this process and earlier, simplified experiments with it ( Keys'). The idea - building on 'fourth world' or 'global village' type concepts - was to create a projected language that was a fusion of many,' Doran explains. The result was a very disorienting form of non-language that amplifies the lapses in meaning that occur with the inaccuracy of auto-translation software.'

Permutate Lex, a companion short film to Lex made by Visible Cloaks in collaboration with artist Brenna Murphy (who also created the artwork for Reassemblage and several virtualist videos for the album), is an integral counterpart, both visualizing an aesthetic alive with human form and guiding the sonic experience of the first five pieces: Wheel,' Frame,' Transient,' Keys,' and title track Lex.' World,' the longest piece presented on Lex, is redrawn from a generative composition originally produced for an installation Doran made with Murphy.

The original work incorporates LFOs and randomized MIDI-information, and was intended to variate indefinitely. In this 'fixed' version, World' provides a more conclusive view into the impossible musical environments Visible Cloaks make real. Longer than any track on
Reassemblage, World' expresses the deepening, patient intimations suggested by Lex.

Doran says the Lex attempts to communicate the essence of a world distant enough that it can't be captured or comprehended from the present, appearing only surreal and inscrutable.' The statement reveals a broader musical philosophy fueling this new moment, an awakened voice woven through complex melodic shapes and phrases establishes communication between listeners and the unknown, here presented by Visible Cloaks as sounds coloring the very edge of the envisionable.