This score is pound-for-pound the funkiest with its heavy bass and drum groove throughout each movement of the score. Most of the pieces from this soundtrack also include killer samples and breaks, my favourites being 'The Diamond Fortress' with Ronnie Scott on solo sax and Chris Karan on Drums and 'Thief On The Prowl' featuring Tubby Hayes and Daryl Runswick on Bass. This release also has an exclusive edit. The Main Theme (vocal by The Three Degrees) and instrumental scores have been combined to deliver an unforgettable version of this great title theme. Now for the first time, Dynamite Cuts brings you yet another exclusive 2x7' 45 collection featuring some of Roy Budd's finest work.
DIAMONDS Musicians
Roy Budd Key boards - Harpsichord, Clavinet, Electric Piano
Paul Fishman - ARP 2600, Electronic programmed
Daryl Runswick - Bass & Double bass
Brain Daly & Judd Proctor - Guitar
Ronnie Verrell - Drums,
Tristian Fry - Percussion
Frank Riccotti - Vibraphone
Ronnie Scott - Alto Sax
Tubby Hayes - Baritone & Flute
The Three Degrees - vocals on 'Diamonds theme'
String orchestral parts led by violinist Sidney Sax: 1974 The National philharmonic
Recorded at CTS Wembley
Roy Budd - Arranger
Suche:frank !
- A1: White Blindness
- A2: Appledore Fayre
- A3: Voyager
- B1: Lady Lovibonde/Goodwin Pavane
- B2: Lionel Mettle
- C1: Fanhare
- C2: I Was A Scientist (1892)
- C3: Did I Dream Pts. 1-4
- D1: The Terror Of Melton
- D2: The Ballade Of Layser Manne
- D3: Chromium Dioxide And The Crazy Data
- D4: Hanfare
- D5: Cold Blows The Whistle, Lonely Night
What kind of band would choose a double vinyl, gatefold LP for their first release The Hare and Hoofe. Their eponymous first release consists of two discs. Disc One rounds up their 'hits' so far - 2018's smash hit White Blindness, the space gregorian
chant that is Voyager, and the pastoral tale of Appledore Fayre. The second consists of their rock opera, The Terror of Melton. Time-travelling scientists. Giant laser-eyed robots. A rock opera to end all rock operas...
Pitched somewhere between The Who, The Stooges, ELO, Sparks, Pink Floyd, Voivod, Pete Townshend, Brainiac, Bowie and Judas Priest, The Terror of Melton is a headspinning,
ambitious journey. In turns stomping, tear-jerking, full-on rocking and dreamlike, it will transport you. Prog Magazine's Dom Lawson described it as 'absurdly entertaining and deliciously weird... An unmissable trip for fans of the fuzzy and farout'.
2018 saw the band recording a BBC6Music Marc Riley session before even releasing a physical record. In addition, they've had plays on Stuart Maconie's Freak Zone. The band have also gained a monstrously good live reputation, playing an instantly
legendary set at Hastings' Beatwave festival, as well as headlining Tannerfest, Pitch Fest, playing with Focus and The Fierce and The Dead, and the John Snow Society's annual celebration of the eminent epidemiologist.
Some describe them as 'educational psych', others prefer 'polytechnic beat', still more as 'a seventies garage band'. There's certainly primeval drums, fuzz bass, lashings of guitar and synth noises from another planet.
Formed from a gang of friends from Folkestone, Hoofe members have played in groups including The Heliocentrics, The Priscillas, Ye Nuns, Jail Cell Recipes, The Frank Sidebottom Oh Blimey Big Band, Chalet and Hyperglo.
- Four Secret Weapons for the Night' wäre sicher auch ein
passender Titel für Katalognummer 11 aus dem Hause
Polyfon gewesen. Doch das erschien den stets angenehm
zurückhaltenden Label-Aktivisten aus Thüringens MiniMetropole Erfurt vielleicht ein ganz klein wenig zu dick
aufgetragen. Gerechtfertigt wäre der Name auf jeden Fall
gewesen. Schlussendlich aber haben wohl die gefühlten 12000
Jahre Danceoor-Erfahrung der beteiligten Protagonisten die
EP benannt. Dass das Ganze dabei absolut fresh rüberkommt,
steht außer Frage. Den Auftakt zu der Mini-Compilation liefern
Tino Bohne und Benjamin Brunn aka The Hangout Project mit
- I´m crazy about you', einer charmanten Elektronik-Nummer,
die durch ein wunderschön und dezent eingesetztes VocalSample sowie einer sowas von überraschend loslegenden 4/4-
Bassline überzeugt. Diese erinnert auch sofort daran, dass
man zum tanzen auf der Welt ist. Weiter geht es mit Le
Rubriques Abenteuern in der - Bar Celona'. Ob diese nun in
Katalonien oder Hessen steht, weiß man nicht. Die Tonart ist
auf jeden Fall nach Frankfurter Art, so dass der Bembel bebt.
Kez YM ist sowieso egal, in welcher Region oder Galaxie sich
etwas bendet. Mit - CL05VER06' lässt er Raum und Zeit auf
jeder Tanzäche links und rechts der Milchstraße zerießen,
wie es auf unserem Planeten noch am ehesten die großen
Meister in Michigan zelebrieren. Und dass Johannes Albert
seinen ganz eigenen - Style of House' hat, sollte nun wirklich
jeder wissen. Ob in der Waldschänke Dornheim oder im Boiler
Room Amsterdam! Check!
Sussex Records are an iconic 70s label, and from their catalogue Soul Brother Records bring you two of their gems back to back on one 7' single for Record Store Day 2019. 'Where Did You Learn To Love Me The Way You Do' is a mid-tempo ballad in the style of an Aretha Franklin track from the period. It comes from the 1971 album 'Stay A While From Me' by Sharon Ridley, a musician and vocalist closely associated with genius producer Van McCoy.
Original copies of the track on a 7' have recently exchanged hands for £400 on Discogs ane eBay. 'Ain't No Need' is by singer/songwriter Ralph Graham from the album 'Differently' and has never previously been made available on 7' single. A sought after track it's only previous reissue was on the Soul Brother CD/LP 'Shaun Robbin' Sunday Soul Selection'. The song was later covered by Skye.
Propriété Privée is the pinnacle of Congolese musician Sammy Massamba’s style: a successful fusion of African and American music heritage, halfway between Franco and Otis Redding, Fela and Wilson Picket, King Sunny Ade and Aretha Franklin.
Home made in Paris, self-released in 1987, with only 1000 copies hand
distributed, the 4 tracks EP features the nastiest funk, boogie, soukous, rumba and electro pop soundclash the Eighties could offer.
Carefully restored, remastered and repackaged in total respect with its original release. The vinyl lacquer reissue was even made by its original author, the legendary André ‘Dédé’ Perriat. Sammy Massamba’s life story is printed together with photos and liner notes on the inner sleeve of the 12". He still
lives in France and is available for interviews, showcases, live shows and any
sign of the gratitude he deserves
2019 repress of this 1981 digi tune! Version on the flip...
Laid back and chilled out, Andrew never lets anything or anyone bother him. He has an air of mystique about him which others often envy.
(Andrea Solitario) ANDREW SOUL Andrew from his real name, Soul as the part where his inspiration come from, is a native italian producer born in 1986.
Music has been the first and everlasting love for this guy who soon came into his city's underground scene: he was 15 years old when he walked into a club for the first time. Then everything came by itself: a fusion of house and techno, the passion for the acidized sounds filled his mind and his heart.
But listening wasn't enough: the love for the music was to much for not to create something.
So Andrew started a path made by wicked grooves, dropping acid synths and emotional vibes, huge baseline, soulfoul vocals, roland tr-707 on the drums: these featuring characterize at best Andrew's sound.
The love for the analog sound push him over the years to purchase some vintage drum machine and keyboards, to make his sound as better as he can, and to add to his sound some cool old flavour.
Having DJd for years in his native Italy, Andrew turned his hand to production a few years back and promptly set about making some of the most emotive and engaging analogue house and techno around.
Vinyl collector, record lover, for him there's nothing better than watching a wax riding a turntable and listen the music that come from it.
As an eclectic artist, in his sets, Andrew likes to mix from deep to techno, through the house, but people never know what to expect from his large underground music knowledge; old, classic, brand new tunes and own productions makes his set really sophisticated and different each time.
After working on music collaborations for several years, with some friends , early 2011 was time to start sharing solo productions with his first release on Paulatine Records, wellknowed Uner's label. 4 tracks that take attention of many wellknowed djs, like X-Press2 that played the tracks at MOS and on their radioshow, Adam Port who said "Finally something different..." and many others..
Then two vinyl release: first one on the great Barcelona based Kiara Records "Too Much Love Will Kill You", Julien Chaptal on remix, and second one on the New York based imprint Stranjjur Inc, on remix Kris Wadsworth and Baldo; "Close To You" placed 29th on RA Chart.
A great tune with the close friend Frank Naht alongside a remix for Fabio Monesi on friend's label Blackrose Records, and an EP on Espai Music to follow.
End of 2012 was good: EP come out on the Defected's sub label "Tenth Circle"
November 2012 was also time for releasing on Safari Numerique with David Labeji on remix, and the track "No Way" played by Richie Hawtin.
2013 full of work and innovation, with 2 remixes on italian Moan Rec for Meeph, and U.S. based Undulate Recordings for Frank Nath, a really deep EP on his new family Popcorn Records, and jacking mode on for the new release on Safari Numerique.
2014 starts with a vinyl only release on Popcorn Records Ltd, special collaboration with Peter JD and remixes from Amir Alexander and Franco Cinelli.
The path is long and Andrew's research is still long way to end...
- A1: Birth Of The Sparkchild (Ft. O. Watson & S. Novsky)
- A2: Schizophrenia (Ft. H. Feraud & J. Jt Thomas
- A3: We Play What We Want (Ft. The Insane Vocal Society, No Dfinition+Brother P.)
- A4: Bobby Sparks Sr.s Famous Chili (Ft. M. Miller, K. Anderson & M. Letteri)
- A5: The Comanche Are Coming (Ft. R. Sput Searight & Mononeon)
- B1: Girls From Tahiti (Interlude)
- B2: So Fine (Ft. J. Rob, I. Sharkey & E. Gales)
- B3: I Miss U (Ft. F. Mccomb)
- B4: Black Man Running From The Police (Ft. S. Novsky, M. Mitchell & T. Parsnow)
- B5: Stono River (Ft. L. Peterson & M. Simmons)
- C1: Lio Is Weird As Hell (Ft. M. Letteri & Mononeon)
- C2: All Mine (Ft. Mental Chaos & Damascus)
- C3: Lets Take A Journey (Ft. S. Novsky & G. Maret)
- C4: Too Late Now, Boss Man!(Interlude)(Ft. C.sweet Thang Sparks & B.r. Sparks S
- C5: Islam (Hadjdj From India) (Ft. S. Novsky & Dj Ernie G.)
- D1: Take It! (Ft. R. Hargrove & Rev. H.l. Stegar)
- D2: Zelin (Ft. D.g. Bonaventure & Y. Edorh)
- D3: Black Change (Ft. J. Rob, Verb & S. Carrol)
Bobby Sparks II ist vielen ein Begriff. Sei es als Keyboarder bei Snarky Puppy, Marcus Miller, Prince oder Liz Wright, Bobby hat überall markante musikalische Spuren hinterlassen. Und nun ist es endlich soweit: Mit "Schizophrenia - The Yang Project" steht Bobby Sparks Debutalbum (2CD Set) zur Veröffentlichung bei LEOPARD an. Es hat gedauert, um diese außergewöhnliche Sammlung unterschiedlichster Songs zu produziern. Aber es hat sich mehr als gelohnt: zeigt sich darin doch das breite musikalische Vokabular und der schier unerschöpfliche Schaffensdrang des Keyboarders. Vom slammenden Funk bis zu langsamen, groovigen Soul-Balladen und Streifzügen in die Genres Straight-ahead-Jazz, Fusion, Orchester- und Weltmusik: das sehr passend betitelte Album "Schizophrenia - The Yang Project" vereinigt eine Vielzahl verschiedener Musikstile in sich, ohne dabei das Gesamtbild aus den Augen zu lassen. Mit an Bord auf dieser außergewöhnlichen musikalischen Reise sind eine Reihe seiner alten Freunde aus Dallas, sowie viele Stars des Genres - etwa die Bassisten Marcus Miller, Pino Palladino, MonoNeon und Hadrien Feraud, der Trompeter Roy Hargrove, die Sänger Frank McComb und James - J. Rob' Robinson, Snarky Puppys Michael League und Jason - JT' Thomas, die Gitarristen Lucky Peterson und Eric Gales sowie die Drummer Mark Simmons, Brannen Temple und John - Li'l John' Roberts.
- A1: You Make It Better
- A2: Been Thru
- A3: Weed Gunna
- A4: Voice Note #1
- B1: Strane Roses
- B2: Best Friend
- B3: Something To Say Feat. Frankie Stew
- B4: Outro
Recorded in Stockholm and produced by FAMILY_TIME and Maths Time Joy, who produced 'Best Friend', the mixtape follows the release of Ady's critically acclaimed debut album, 'Memories' in March 2018. Having worked on his debut album for some time, Ady wanted to release a collection of songs, ahead of writing and recording his second album.
A deft songwriter and a singer with soulful brilliance, Ady Suleiman has a rich era-spanning appreciation of music, and an innate need to turn life experiences into narrative. His timelessly classic yet fresh sound and lyrical distinctiveness has garnered him a broad range of influential fans from both sides of the Atlantic - from Chance the Rapper, Leon Bridges and Joey Bada$$ through to Labrinth, Michael Kiwanuka, Laura Mvula and Lianne Le Havas. Awarded 'Breakthrough Act of the Year' at Gilles Peterson's Worldwide Awards, Ady has been supported by the likes of The Fader, NME, Complex, The Line of Best Fit and Mahogany to The Independent and GQ (to name but a few).
A collection of songs which originated as voice memos on his phone, Ady comments, 'I wanted to make a project that is a bit more free, I originally wanted to do an interludes or outtakes project, but over time it changed form. 'Thoughts & Moments Vol 1' is the result."
- A1: Arranha Céu (Skyscrapers) (Eumir Deodato)
- A2: Flap (Marcos Valle & P.s. Valle)
- A3: Rodando Por Aí (Rudy\'S) (Eumir Deodato)
- A4: O Jogo (Soccer Game) (Pacifico Mascarenhas)
- A5: Atire A 1A Pedra (Ataulfo Alves & Mario Lago)
- B1: Puma Branco (The White Puma) (Marcos Valle & P.s. Valle)
- B2: Passarinho Diferente (The Byrd) (Eumir Deodato)
- B3: Extremo Norte (The Gap) (Eumir Deodato)
- B4: Tô Fazendo Nada (Down The Hill) (Eumir Deodato)
- B5: Menina (Boy Meets Girl) (Eumir Deodato)
- B6: Carlota E Carolina (Carly & Carole) (Eumir Deodato)
One of Brazil's most prolific artists, Eumir Deodato has participated in the creation of over 450 albums, racked up 16 platinum records, won a Grammy (and received two more nominations), and sold over 250 million records in the USA alone. Over the course of his career, he has written for, arranged music by and played with artists including Frank Sinatra, Tom Jobim, Kool & The Gang, Earth, Wind & Fire, Marcos Valle, Aretha Franklin and Bjork, among others.
At the height of Deodato's productivity in the early 70s, Os Catedraticos 73 was recorded between Rio de Janeiro and New York, featuring a Brazilian rhythm section comprising Azymuth drummer Ivan 'Mamão' Conti, percussion master Orlandivo, and Sergio Barroso on bass, while the horn section features some of the big apple's top players from the CTI in-house brass.
A firm favourite with rare-groove enthusiasts and fans of Latin jazz alike, Deodato melds the musical sensibility of post-bossa nova Brazilian jazz with North American soul & funk, and the explosive Latin influences of '70s New York. Os Catedraticos 73 certainly swings harder than some of Deodato's earlier releases and opening track 'Arranha Ceu' (Skyscrapers) is a euphoric dance floor classic, which has been lighting up clubs for years.
With the blessing of Deodato himself, this official Far Out reissue has been remastered and pressed to 180g vinyl, with replica original artwork from the OG Equipe release.
After the Swedish grammy-award winning "Sunday" and the 2017 EP 'Ta Paus', here is the third and last part of the 'Hemma'-trilogy.
The end of an exploration of HNNY's home ('hemma' in Swedish) where he both lives and makes all of his music.
Named after a turning point in the life of the artist, the EP is a deeply personal record about being at and away from your home. D
estinations and places fly by in and between tracks, with the track titles giving more hints about the journey.
German producer, DJ and label-owner Phonk D, who has risen fast to stardom in 2018, is back once again on NDYD Records with his sequel-release Disco Goodies Pt.2, an outstanding four-tracker that should instantly do the trick to boost his career even further.
From Talking Vintage, an quite energetic floor-filler with a feel-good sound thanks to the percussions that will last in your memory for some time, to Gettin Down, a homage to the French 70s on the southern shores of the Cote dAzur, the charismatic producer keeps the level at the very top of the game. The b-side complements the funky ride with the pumping disco-sensation Can Do It while Disco Africana, with its lovely afro disco-touch rounds up the picture of the 30th release on the emerging German label from the city of Frankfurt.
From his HOME studio in Detroit, Javonntte gives another nice emotion. As well as having collaborated with
amazing musicians like Trinidadian Deep, Brawther, Patrick Gibin, Mark De Clive-Love, Nikki O, Andres, Amp Fiddler
and many others ... He was part of dancer for Aretha Franklin live. This new release made by Le Disque Records label from Verona, has the intent to get excited the dancefloor all around the world and the hearts of Soulful House lovers. Don't miss it !!
- A1: Part 1
- B1: Part 2
- C1: Part 1
- D1: Part 2
Livemiles is the sixth live album and thirty-fifth overall by German electronic music group Tangerine Dream. It is the last album with Chris Franke. The first half of the album purports to be a recording of the June 8, 1986 concert in Albuquerque, New Mexico, USA. The second half of the album is a remixed version of part of the August 1, 1987 concert in West Berlin, Germany.
- A1: Hold On To My Love
- A2: You Make Me Feel Like Dancing
- A3: Reflections
- A4: When I Need You
- A5: No Business Like Love Business
- B1: I Hear The Laughter
- B2: Magdalena
- B3: How Much Love
- B4: I Think We Fell In Love Too Fast
- B5: Endless Flight
- C1: Thunder In My Heart
- C2: Easy To Love
- C3: Leave Well Enough Alone
- C4: I Want You Back
- C5: It's Over
- D1: Fool For Your Love
- D2: World Keeps On Turning
- D3: There Isn't Anything I Wouldn't Do
- D4: Everything I've Got
- D5: We Can Start All Over Again
- E1: Stormy Weather
- E2: Dancing The Night Away
- E3: I Can't Stop Loving You (Though I Try)
- E4: La Booga Rooga
- E5: Raining In My Heart
- F1: Something Fine
- F2: Running To My Freedom
- F3: Frankie Lee
- F4: Don't Look Away
- F5: No Looking Back
In a career spanning 45 years, Leo Sayer has sold more than 80 MILLION records worldwide.
To coincide with Leo's forthcoming return to the UK for his 22-date 'Just A Boy At 70' tour, 'The Hollywood Years
1976-1978' is the second of a series of three Vinyl LP box sets.
'The Hollywood Years 1976-1978' comprises Leo's three studio albums. 'Endless Flight' (released 1976/UK
#4) 'Thunder In My Heart' (released 1977/UK #8) and 'Another Year' (released 1978/UK #15) and marked a
clear departure from his early albums.
Leo recorded these three albums with legendary producer Richard Perry, who brought in a variety of songwriters
and collaborators to work on the projects with Leo; it was a venerable Who's Who of the record industry.
Each vinyl LP Box set in this Limited Edition release, will be pressed on heavyweight 180g clear vinyl and contain
a signed 12'x12' print.
This project has been overseen by Leo Sayer, who remains one of the UK's great singer/songwriters of all time.
ZAUBERBERG - Wolfgang Voigt's most fundamental (and foreboding) release under his alias GAS and perhaps of all in his untold discography - finally stands alone once again and is released in the way its original splendour.
Originally released in 1997 on the iconic Frankfurt imprint Mille Plateaux, and then reissued in 2016 as a part of GAS 'BOX', ZAUBERBERG is now released on his own label KOMPAKT on 180 gram vinyl in its original.
Though this narcotic symphony is not the first release under the GAS moniker, ZAUBERBERG is the first to disclose the true nature of Wolfgang Voigt's unified sound and ideology as GAS. Layers of ominous intensity supported by muffled kick drums as classical music loops incessantly swirl with no direction, ZAUBERBERG is the definitive GAS album and a perfect starting point for those not familiar with his music.
ZAUBERBERG - Wolfgang Voigts grundlegendstes Album als GAS und vielleicht das vorahnungsvollste aus seinem Katalog wird nun in seiner ganzen ursprünglichen Pracht wiederveröffentlicht und steht somit wieder für sich.
Erstveröffentlicht 1997 auf dem Frankfurter Kult-Label Mille Plateaux, dann wiederveröffentlicht als Teil der GAS BOX 2016, erscheint ZAUBERBERG jetzt auf 180-Gramm-Vinyl bei Kompakt.
Auch wenn diese narkotische Symphonie nicht die erste GAS-Veröffentlichen war, offenbarte sich mit ZAUBERBERG die wahre Natur der Voigt'schen Einheit von Klang und Ideologie. Schichten von ominöser Intensität werden durch gedämpfte Kick-Drums unterstützt, wenn Loops aus klassischer Musik ununterbrochen und richtungslos wirbeln - ZAUBERBERG ist das definitive GAS-Album und ein perfekter Ausgangspunkt für diejenigen, die nicht mit dieser Musik vertraut sind.
- A1: Dim Grimm -Drivel To Balsam
- A2: Zimpel / Ziolek - Wrens
- A3: Tujiko Noriko - Tennisplayer Makes A Smile
- A4: Gerhard Zander - Wabi Sabi 35
- A5: A.p.a.t.t - Young Free & Parasite
- A6: Ssellf - Visitors
- B1: The Reboot Joy Confession - Enjoy Solitude
- B2: Merz Feat. Sartorius Drum Ensemble - The Hunting Owl (Julian Sartorius Drum & Vocal Rendition)
- B3: Helen Money - Mf
- B4: Oceaneer - The Sea
'For The Colleagues Of Ubu & Their Authorities' is the brainchild of Vienna based vinyl enthusiast, DJ & producer The Reboot Joy Confession. What once started as a series of mixes has been expanded into this compilation, on which he brings together diverse genres of music like electronica, modern minimalism, folk, post-rock, avant-garde or modular music, which also reflect his own versatile musical taste. 'As I stopped thinking in genres, my attempt was to merge my musical taste in the most fluent way possible onto one record. There are mesmerizing songs from some of my favourite contemporary artists - I feel a timelessness in their music, I can ´t get tired of. With the compilation I wanted to create a contemplative, fictitious, surreal world, merging those different styles together. Giving it that title, I wanted the listener to be able to imagine a tale that is building up with each song. I am really happy about the outcome of this compilation and hope that many other listeners can feel the magic.' The compilation includes the surreal work of Swiss producer Dim Grimm (also known as Dimlite), as well as a collaboration between Merz & Julian Sartorius Drum Ensemble who radically altered the original version of 'The Hunting Owl' into a monstrous percussive live version. Taken off the debut album from one of Poland ´s most interesting musicians at the moment, Waclaw Zimpel & Kuba Ziolek, 'Wrens' is a fusion of folk, jazz and modern minimal music. Experimental pop musician & filmmaker Tujiko Noriko appears with an emotional piece that challenges the paths between pop and avant-garde. Gerhard Zander, whose musical work started on the outskirts of experimental pop music in the early seventies in Germany, delivers a modular synth masterpiece with unique sounds, textures and a far-out synth choir. Rock and ambient influenced musician Helen Money (also known as Alison Chesley) is a Los Angeles based cellist and composer who appears with a massively dark post-rock song called 'MF', which was recorded at Steve Albini's Electrical Audio studio in Chicago in 2009. Often compared to Frank Zappa and known for their richness of ideas, Liverpool's a.P.A.t.T. contribute the hypnotic 'Young Free & Parasite', with references to British glam, post-punk or synth rock, but in a fresh and obscure sounding outfit. SSELLF, the moniker of New Zealand ´s Christoph El Truento, inspired by post-punk and noise. 'Visitors' is simple and simply in your face, with lo-fi drums, distorted synths and raw vocals by Christoph himself. After a few seclusive years, The Reboot Joy Confession returns with a new, crispy and soulful track. Cinematic strings written by Martin Riedler, arranged by Flip Phillip, and recorded at the established Vienna Konzerthaus, based on a properly arranged drum outfit and played by a villain named Gurlimu. Both strings and drums are guiding through the whole song and culminate in Glockenspiel and Rhodes melodies. Oceaneer aka Japanese pianist Oneechan Nanashi completes the compilation with her beautiful and profound composition 'The Sea, Forever'. She describes her music as 'improvised instrumental underwater music from the bottom of the Pacific Ocean, played with broken instruments, directed by the spirit of drowned people who are talking through the hands of the pianist. It's lonely and bleak music for the dead.'




















