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Tuber, steps into the spotlight with his debut EP, a calculated assault tailored for dark and smoke-filled rooms. Five meticulously programmed tracks, each designed to unleash visceral sensations when played on top-tier sound systems. The result is a heady, sweat-soaked experience, drawing dancers into a relentless rhythm that captivates the mind and drives bodies in motion

After two albums inspired by vast northern landscapes, the forces of nature, and an ever-present sense of duality, Glass Museum shifts gears. The Brussels-based group-originally formed in 2016 by pianist Antoine Flipo and drummer Martin Grégoire-welcomes bassist Issam Labbene as an official third member, opening up a richer, more immersive sound and setting its sights on the rhythms of the modern city.

A true turning point in Glass Museum's career, the new album 4N4LOG CITY twists the codes of electronic music, explores the depths of jazz, and asserts its eclecticism through a fresh and infectious groove.

Signed to the forward-thinking Belgian label Sdban Records, the group shapes its identity within the vaulted ceilings of Volta, a creative hub in Brussels frequented by the vanguard of Belgium's "new scene." Sharing space with acts like ECHT!, Lander & Adriaan, and Tukan, the band continues to push its boundaries through collaboration and reinvention.

Recorded between the French countryside of Drôme, the industrial edges of Brussels, and Volta, 4N4LOG CITY features striking guest appearances. Swiss drummer Arthur Hnatek-known for his work with Tigran Hamasyan and Erik Truffaz, and praised by Gilles Peterson and Laurent Garnier-drives the opener "GATE 1" into hypnotic, krautrock-inspired territory. Meanwhile, rising vocalist JDS lends soulful grace to "Call Me Names", evoking the emotive textures and elegance of vintage soul-jazz reminiscent of the likes of Jordan Rakei or Tom Misch & Yussef Dayes.

Without abandoning their melodic roots and foundational approach, the trio takes daring steps into new terrain. The experimental centerpiece "III" explores the piano as a textural and rhythmic force, drifting between ambient and breakbeat. Elsewhere, the gritty "VAN GLAS"-a hip-hop-tinged track featuring rapper JAZZ BRAK of STIKSTOF-the band ventures far beyond their comfort zone, injecting streetwise lyricism in their mix of electronics and jazz.

Fueled by the heartbeat of the city, 4N4LOG CITY captures the mechanical ebb and flow beneath concrete towers-the anonymous rhythms of daily life moving over the asphalt, and the fleeting, meaningful connections made along the way. Produced by Antoine Flipo and mixed by Elsa Grelot (Avalanche Kaito), the album stands at the intersection of human emotion and urban architecture-a post-modern, deeply cinematic work that asserts Glass Museum's place at the cutting edge of European music.

Crazed Behaviour's second vinyl release features Volruptus, the Alien Boogie Commander, with his electrifying EP Overload. This intense, alien-infused electro journey delves into the chaos of extraterrestrial encounters and technological overload. With pulsating rhythms and otherworldly synths, Overload transports listeners to a distant, uncharted galaxy where alien forces and scientific anomalies collide. Each track pulses with the frenetic energy of a world consumed by alien invasions and cosmic chaos, blending futuristic electro with a sense of impending alien discovery. Get ready for a high-energy ride into the unknown.

Following the vinyl release of Delfonic's reworks of Roy Ayers tracks taken from the BBE Music compilation Roy Ayers-Virgin Ubiquity, it's now Osunlade's turn to add his production and remix enchantment to the music of the master craftsman with these remixes of Brand New Feeling. Featuring the exceptional vocal talents of Merry Clayton, perhaps best known for her blistering performance on the Rolling Stones' Gimme Shelter and her own Webster Lewis penned hit Emotion, alongside Jazz vocalist and Earth, Wind & Fire, Ubiquity and Harvey Mason collaborator Silvia Cox, Osunlade's Yoruba Soul remixes have added new dimensions to this track. Hailing from St Louis, USA Osunlade's CV includes writing music for Sesame Street to working with and producing artists as varied as Patti Labelle, Freddie Jackson, Eric Benet, Martha Wash, Salif Keita, Nadirah Shakoor and Cesaria Evora. He started the Yoruba Soul project and label after his move to New York because of 'the continued need to create the music I wanted' and it is this musical freedom that has made him one of the most distinctive music makers, producers, DJs and remixers around today. Brand New Feeling is released as a vinyl EP featuring two tracks, the Yoruba Soul Mix Parts 1 & 2.

RedNilo is an Italian-Moroccan duo composed of Reda Zine and Danilo Mineo, two musicians based in Bologna linked by a deep passion
for world music, particularly African music. Their ongoing and tireless musical exploration has led them to collaborate for over a decade
on numerous artistic and recording projects. Their new album, eponymously titled RedNilo, features six tracks characterized by a sound
reminiscent of Gnawa, Hassani, Tuareg, and experimental rock. The psychedelic, raspy riffs of the electric guitar, the repetitive rhythms
of the percussion, and the rhythmic-melodic lines of the guembri represent and evoke their journey. The resulting sound material is the
culmination of their journey and their encounters with masters, artists, griots, artisans, and instrument makers in the Draa Valley in
southeastern Morocco, bringing together the two musicians' urban and experimental backgrounds and souls. The album's artwork was
designed by Moroccan artist Aali Wica, initiator and mentor of their spiritual and artistic journey to the southern African continent,
across the long black snake.
Réda Zine, a musician and documentary filmmaker born in 1977 in Casablanca, launched his musical career in the 1990s, contributing
to L'Boulevard, Africa's largest independent festival. Raised in the Casablanca medina, he was introduced to Gnawa music by various
Maallems. After studying at the Paris 3 Sorbonne University, he founded Café Mira, a project that has performed at several international
events.
From 2011 to 2014, Zine was artistic director for Creative Commons (Middle East and North Africa), where he won the #CC10 Korea
award in 2012 with the project "It will be Wonderful," which brought together musicians from over 12 countries. He has also been
involved in exhibitions on music and censorship, participating in events in major cities such as Paris, Buenos Aires, and Seoul. In Italy,
he continued his musical research with the Hardonik project and was part of the Afrobeat group Voodoo Sound Club, recording the
album Mamy Wata. Zine collaborates with artists such as Seun Kuti and has initiated educational activities related to Gnawa music,
contributing to initiatives such as the African Symphony Laboratory for improvisers. He is the co-founder of Fawda, a Gnawa-based
project, and is part of the Gnawa Rumi collective, which explores the music of the Moroccan diaspora in Italy. He directed the documentary "The Long Road to the Hall of Fame" about Public Enemy, which won an award at the Pan African Film Festival in 2015.
Danilo Mineo graduated as a national educator from the AMMnationalscholl music academy in Milan, with a thesis entitled "Afro-Cuban
Music and the Rhythm Section." Over the years, he has attended workshops and masterclasses with international artists and masters
of percussion and drums, including Horacio El Negro Hernandez, Airto Moreira, Trilok Gurtu, Luis Agudo, Arto Tuncboyaciyan, Dudu
Tucci, Dom Famularo, Karl Potter, Rodney Barreto, and Eno Zangoun, exploring the rhythmic language of various musical genres and
styles.
In addition to publishing several educational manuals for percussionists, music critics consider him a versatile percussionist, active in
various musical productions and recordings: Mop Mop, Fawda, Guglielmo Pagnozzi "Voodoo Sound Club," Fabrizio Puglisi "Guantanamo," Panaemiliana, The Mixtapers, and many others, with whom he has performed at numerous national and international music festivals (in Europe and Africa). As a percussionist and side man he has recorded numerous albums and collaborated with Italian and
international artists including: Giancarlo Schiaffini, Gianluca Petrella, Roy Paci, Roberto Freak Antoni, Famoudou Konate, Melaku Belay, Baba Sissoko, Kalifa Kone, Jamal Ouassini, Deda, Dj Lugi, Bioshi.

Palham Music releast post mortem eine Zusammenstellung von Tracks des Künstlers Flavio Diners. Seine Sassy Bearbeitung versprüht leichten sommerlichen Vibe, auf Bubblejam freestylt er sich der untergehenden Sonne entgegen. Auf Ohhhs and Yeahs werden auf krautig transzendente Weise Körper und Geist getrennt. Auf der B-Seite werden 2 Bearbeitungen seines A Night at Finsbury Park angeboten, die uns gönnerhaft durch die Blackstock Road vorwärts schieben. Bei Some Deep Vibes halten wir dann nach durchtanzter Nacht unsere Beine ins Wasser und genießen diese. Pew pew.

Palham Music presents a posthumous collection of tracks by artist Flavio Diners. His Sassy rework exudes an easy, summery vibe, while on Bubblejam, he freestyles his way into the sunset. With Ohhhs and Yeahs, body and mind drift apart in a transcendent, kraut-inspired soundscape. On the B-side, two reinterpretations of A Night at Finsbury Park guide us graciously along Blackstock Road. And with Some Deep Vibes, after a night spent dancing, we cool our legs in the water and simply savor the moment. Pew pew.

Aer making everyone dance with "I'm Gonna Dance," Muzic Family Vs. Stylóo is ready to ignite the
dancefloors again with "Sweat," an adrenaline-fueled track that unites the tradi!on of Italo Disco with a
modern pop-dance sound.
At the helm of "Sweat" is Roberto Tura, one of the most influen!al producers in the Italian and
interna!onal dance scene. A key figure of 80s Italo Disco, Tura( has shaped !meless hits for ar!sts like Den
Harrow, Joe Yellow, Albert One, and Stylóo themselves, helping to define the sound of an era that s!ll
makes fans' hearts beat faster all over the world. With "Sweat," Tura( once again proves his ability to
merge the magic of those years with a modern, powerful sound, capable of winning over new genera!ons of
listeners and ge(ng everyone dancing.
By his side is Silvio Melloni, a top-level musician and arranger, who is now part of the historic band Ma"a
Bazar. Melloni brings his experience and musical sophis!ca!on to the project, cura!ng arrangements rich in
detail and nuance, where every element is calibrated to maximize the emo!onal and rhythmic impact of the
track. His ar!s!c sensi!vity perfectly matches Tura('s energy, crea!ng a winning combina!on of technique,
passion, and crea!vity.
The release of "Sweat" doesn't stop at the original version: two exclusive remixes are included to enrich the
project, promising to make the track explode on the most demanding dancefloors.
 Italoconnec"on Remix – The duo formed by Fred Ventura and Paolo Gozze( (aka Italoconnec!on)
transforms "Sweat" with their characteris!c touch: sonic elegance, pulsa!ng energy, and a refined
sound that blends dance-pop rhythms with the vibrant nostalgia of Italo Disco. It's an interpreta!on
that leaves no room for rest and pushes you to listen and move.
 A.P. Mono Remix – A.P. Mono infuses an 80s-flavored electro-disco soul: funk syncopa!on,
enveloping synths, and an irresis!ble groove. His reinterpreta!on turns the track into a true
energe!c vortex, perfect for making anyone who dances to it sweat.

This plate is about to welcome back one of the unsung heroes from the 45 Seven lands of dub, meditating with us from day one. Weather it may be about 4578's foundations of the rolling Dub Over Distance along the shuffly Dub Pacifico or the later forward lurking tribal jungles of Black Lake flipped by Lack Blake on 45719: Dub Across Borders always knows to amaze with both a contemplating deep inner focus of well laid-out hand-made instrumentation and vintage dubbing as well as refreshing ear-opening sounds and soul-pleasing vibes collected from all over the world, creating a very own sphere of what feels like some kind of ancient sci-fi riddim, rooting upwards to the phuture.

When sweating over a hot mixing desk and hoping for a fresh breeze, the roots of Come Rain were laid in a form of bassdrums knocking at the sky's gates, stabby infra subs foreseeing well-wished thunders and moist dark skank works are calling for storm. An inner shout for the elements, incarnating in a certainly minimal yet pretty heavy 160 stepper, rolling over all the dry hot air out there.

Yeh Sih Dub comes after the rain: new branches grow, fresh leaves spread, foggy clouds reach up for a mountain-high rainforest. Awakening the world bass side of Dub Across Borders, it gives you ceremonial Bhuddist horns as well as houting sounds of the tantric Khamak, a poundy stab bass and the shimmering spring-splashing ride sitting on top as its crown. Only rarely 80 bpm bass has been as easily touching and moving at the same time.

Take a deep breath and dive into this piece of both mindful and reflective space bass, launching sub-heavy Jungle onto imaginery moons of spacial perception. We are actually just about to start this journey, feel free to get aboard!

"Absolute gold, thanks a bunch" Will be supporting lots" Pugilist
"Epic Dub pressure, big fan of Dub Across Borders" Sun People
"Sounding great as usual, will play for sure!" Tracy & E3 of Zamzam

Repress of the early works from the french producer Franck Kartell. Originally released on the french label Elektrofon (elk09) in 2006. Limited edition

Experience the magic of a timeless classic reborn: this exclusive 7" vinyl features a brand-new remake of the iconic "I Believe in Miracles", produced by French groove maestro MonsieurWilly and performed by the radiant soul vocalist Natalie Nova. With a perfect balance of vintage disco vibes and fresh production finesse, this release breathes new life into the legendary track, making it both nostalgic and clubready. Adding to its irresistible charm, the remake is infused with a Latin summerinspired rhythm—a driving, syncopated beat that designs the heartbeat of Latin music. Ment to be upbeat and danceable, the track incorporates percussive grooves, rhythmic guitars, and tasteful electronic elements to create a vibrant, sun-soaked atmosphere that feels right at home from beach bars to dancefloors. The collaboration between MonsieurWilly and Natalie Nova delivers a unique blend of soulful warmth, infectious energy, and rhythmic flair. Natalie Nova’s powerful vocals shine with emotion and style, while MonsieurWilly’s production wraps it all in a groove-heavy, analog-inspired soundscape. This 7" is pressed on high-quality vinyl and is ideal for collectors, DJs, and lovers of soul, disco, and feel-good summer anthems. Don't miss this limited edition release - proof that miracles still happen on wax.

Retrospective of British mod / fReakBeat / pop-aRt heroes the eYes including all their cult classic 45s (“When the night falls”, “i’m RoWed out”, “MY degeneRation”...) plus cool rare tRacks souRced fRoM demos and acetates.
foRmed in london in 1964, the eYes took the earlY feedback experiments and pop aRt iMage of bands like the Who one step further. the band wore dyed parkas in various pastel colouRs and bRightly colouRed rugBY shiRts with huge eye symBols on the chest.
theiR raw, eneRgetic sound and distinctive stYle comBined aggRessive, fuzz-dRiven guitaR riffs with catchy melodies and a Youthful defiance that captuRed the eneRgy of the london mod scene. theiR music bRidged rawness fReakBeat with the eMeRging psYchedelic sound that would dominate the latteR half of the decade.
tracks like the feedback-laden “When the night falls” oR the fuzzed-out “you’re too Much” sounded YeaRs ahead of its time and they would influence the mod, garage revival and indie / shoegaze scene of the folloWing decades.
the eYes only released a handful of singles betWeen 1965 and 1966. theY disBanded in 1967 and unfortunatelY they never released a full album during their shoRt lifespan. heRe it is!
*ReMastered sound / *eight-page color insert with liner notes by paul “smiler” andeRson and rare photos / memorabilia / *doWnload card

2025 Repress

In 2022, Daniele “Shield” Contrini of Rebirth Records proposed Paraíso to the great man himself, a compilation honouring Alfredo’s legacy. After Alfredo’s passing in December 2024, the project was final; with artists rallying to honour his vision and memory.

Before becoming a global clubbing hotspot, Ibiza embodied freedom—a place where sunrises blurred into sunsets and music became a way of life. In the 1950s and '60s, the island drew artists, hippies, and outsiders seeking escape and creative liberty.

In 1976, Alfredo Fiorito, fleeing political repression in Argentina, arrived in Ibiza and stayed. A former music journalist, he soon began DJing at Amnesia, a farmhouse-turned-club where time bent and boundaries dissolved. With eclectic, genre-defying sets, Alfredo blended reggae, flamenco, soul, rock, and early house, crafting a hypnotic energy that captivated a generation.

British DJs like Trevor Fung, Paul Oakenfold and Danny Rampling brought this “Balearic Beat” back home. But Balearic wasn’t a style it was a mindset. As DJ Leo Mas said, it was “a state of mind,” where rhythm, spirit, and psychedelia merged.

Other clubs like KU, Es Paradis, Pacha, and Lola’s amplified the movement. Visual artists such as Yves Uro gave it a striking identity, and DJs like César de Melero, DJ Pippi, and Jon Sa Trinxa carried the sound into a new era. José Padilla’s sunset sessions at Café del Mar birthed chill-out music as breath, not just beat.

But the 1990s brought change. Laws requiring roofs on clubs altered the open-air magic. Commercialisation followed; freedom became luxury, and many pioneers left.

Still, the Balearic spirit lives—raw and untamed. It pulses in hidden parties, intimate venues like Pikes and Hostal La Torre, and sacred places like Benirrás and Las Dalias.

Featuring 16 tracks of classic and true Balearic sound; alongside House & proto-House tracks that Mr Fiorito spun, the album also includes an unreleased Alfredo track and stands as a tribute to the man, the music, and the enduring spirit of true Ibiza.

The Electro boss from Schagen returns with yet another classic in the rebound. After 'I Don't Care' Dexter presents 'Intruder' from 2001 in a remastered form.

From the dark, reverberating echoes of Kadinjaca Hill to the relentless march of Odjek Koraka, each track reverberates with an intense energy that speaks of defiance and unity in the face of adversity. Pad Okova is driven by a haunting chord that cuts through the pounding beat like a sharpened blade, while Tebi, Moja Dolores brings a haunting melancholy to the battlefield, encapsulating the unyielding spirit of the resistance movement.

Every beat in this EP is infused with the underground force of techno, laced with the struggle for freedom, equality, and justice. The artwork - stark, militant, and gritty - reflects the uncompromising ethos of the partisan fighters, drawing a direct line between the sounds of today and the ideals ofthose who fought for a better tomorrow.

Bedouin return with their first release on their Human By Default label of 2025, ‘Heavy On My Mind’ – a super-group collaboration with London-born mainstay Robin M and Morcheeba co-founder and lead vocalist SKYE.

A masterclass in blending live instrumentation with subtle musicality for the dancefloor, ‘Heavy On My Mind’ brings SKYE’s entrancing original vocals to the fore over a grooving backdrop of organic beats, lush Spanish guitars, and rippling piano chords. The result is a seven-minute ethereal odyssey set to dazzle wide-eyed dancers as they march into the cosmic unknown.

Widely renowned DJ and producer duo Bedouin have cemented their status as global tastemakers, known for their deep, hypnotic, and worldly musical sensibilities. As they gear up for another standout summer season, including high-profile festival appearances at Sonus, Sziget, and the return of their award-winning SAGA residency on the White Isle, Bedouin team up with Robin M and SKYE to deliver one of their most intimate productions to date.

"We made this tune with summer on our mind... our new collab with Robin M and Skye is now ready to be your soundtrack on and off the dance floor" Bedouin

"I’m delighted to be part of this stunning track. It has an energised spiritual vibe. Lyrically speaks of yearning and desire. I cannot wait to hear it played loud in the club” SKYE

“Heavy on Your Mind came together in one of those rare, effortless sessions, where it just clicked. Bedouin and I went back and forth after, refining the track with such a natural flow. We knew it needed a fresh vocal to really elevate it, and the first person who came to mind was my friend Skye from Morcheeba. She absolutely nailed it and her top line brought the whole track to life" Robin M

Philipp Priebe returns to his own Stólar imprint this August with his ‘Layers Of Longing’ EP, comprising four original compositions. Berlin artist Philipp Priebe’s now extensive back catalogue and his Stólar label has firmly cemented him as a coveted figure in the underground deep house and
techno scene over the past decade, garnering an array of widespread attention from DJ’s and media like through numerous EP’s, debut album on his own imprint and most recently another long player for Freund Der Familie’s new Paradijs Boogie imprint. Here we see Priebe’s sonic story
continue with four fresh cuts for Stólar, leading the way is ‘Need & Desire’, a seven and a half minute excursion through hazy textural elements, hypnotic spoken word and raw reduced drums before ‘A Functional Piece Of Different Nature’ lays down a sturdy, heavily swung and saturated
rhythm section alongside boomy low end swells, delayed vocal chants and spiralling dub echoes. Opening the flip-side is ‘A Sculpture’, diving deeper into dub realms via ever evolving murky atmospherics, dub flutters and resonant synth licks intertwined with stripped down percussion.

‘To Find A Seat’ then concludes the release, employing more classic dub techno tropes as warbled stabs sequences, cavernous reverberations and cinematic stings float atop crisp hats, crunchy claps and a weighty 4/4 kick.

TCHDWN — former DMC Vice World Champion and Barcelona-based artist — makes his vinyl debut on Track Deluxe with BCN City Of Mind Spring Collection, a sonic tribute to the city that shaped his journey.

The EP includes five original tracks, an intro, interlude, outro, and a unique scratch bank sourced from the project itself. A locked groove nods to TCHDWN’s turntablism roots, making this a treat for vinyl heads.

“Every beat is infused with the energy and inspiration I’ve found here,” says the artist. The result is a fresh, timeless soundtrack that captures the essence of a Barcelona spring.

Early support from: Velasco, Gabbs, Lukas...