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Emily Jeanne presents quỳnh, her new label founded on psychedelic club music expressions. Call Of The Sea is the debut, 4 tracks unfurling experimental dancefloor movements of half step hypnosis and deep percussive explorations.

Loosely nicknamed “queen of the night” in Vietnamese, quỳnh thrives as a nocturnal flower. It serves as a light-hearted metaphor for Emily Jeanne and her authentic approach to late-night electronic music. Previous releases for PM+ explored devious peak time sounds, but her new label quỳnh launches with a fresh look. Its inaugural release Call Of The Sea showcases an adventurous new side to Emily, away from convention into something more ambitious and excitingly new.

Opener Wet Skin rumbles deep and quick with hypnotic fervour, plummeting kicks into its stark rotating abyss. Rolling taut, Count Me Out steps further with minimal guise as it moves sprightly on its reduced DnB dynamics. Đồ Sơn At Night unfurls differently, a change of pace where percussion and gurgling synths drift loosely down the track’s hallucinatory stream. Gone Water flexes stranger, its martillo polyrhythm transfixed heavily on the psychedelic chamber it inhabits. A fascinating first entry into the quỳnh canon from an artist in her finest form.

The late great Cosmic AC's vast catalogue again yields some posthumous treasure with part two of the For Now album. It's another record that is as sophisticated as it is adventures with plenty of painstakingly crafted but effortless smooth breakbeats on 'Larvy' topped with pensive synths. Elsewhere there are logic-defying rhythm structures on 'Snood', hooky synth shimmers and more raw textures on 'Wisconsin Desert' and jazzy, cosmic motifs on the wonderful 'Setting Sun'. This is a high-class mini-album full of next-level sound designs and turbo-brain drum patterns. It makes for a compelling listen wherever you may be.

Oulu-based label Elektorni returns with a 12” by Swedish mastermind Daniel Savio.

The EP starts off with Noel Skum, a downtempo scorcher that creeps and crawls into your earhole and activates the body rock. Dubbed out ominous chords haunt the skies as the track squelches on. Next up Savio conjures the force of Mighty Thor to smack some sense into humanity. A classic electro banger infused with funky licks. B-side opens with No A.I, the definitive man-machine manifesto. Crunched out and ominous, an end-of-times underground resistance activator. Last track Reverse Cowgirl is a time-travelling digi-dub transmission carrying a reverberated message of caution from the Great Filter.

Collecting Orders For Repress

Debut EP on Grape City Records for French young wizard Alpine DJ, full-heart producer, profoundly musician, formerly known behind the decks for depicting his high intensity creativity through energetic DJ skills, or sharing machines with his companions of Hanna & Robbie, delivering entrancing and shamanic live acts.

Alpine DJ evolves in « Illusions » with playful synths, epic adventurous lines, shooting star lasers, penetrating colors and pearlescent layers, and delivers a glazed 4-track EP rooted in post disco heritage gloomily twisted with new-school trancy house oddities and futuristic techno driven bass lines. Propulsive gear for peak time and ascensions of euphoria, settled in dreamy and spacey energies, proving Alpine’s shrewdness in musical and production search exploration, a juvenile yet extra-sharp lucidity.

Gangsta rap history makes a comeback for RSD 2025 with the re-release of Tweedy Bird Roc’s 1994 album, 'No Holds Barred.' This album, which was previously only available on CD, is now available for the first time as a LP vinyl after 30 years. It was the second and final project produced by the Compton rapper, who passed away in 2020 at the age of 52. One of his most significant achievements was organising and recording a collaborative album featuring both Bloods and Crips rappers and gang members (Tweedy Bird Roc, an active Crips member), aiming to promote peace between the rival gangs. Limited edition.

Anneleen Boehme is a prominent figure in the Belgian jazz scene, known for her work as a double bassist across various projects.
Her virtuosity on the double bass was already evident in LABtrio, and her skill as both a composer and bandleader was showcased in Grand Picture Palace. Now, in her solo work, we experience Anneleen's genuine vulnerability, as she explores the deep connection with her ever-present companion: the double bass. Her music is a balm for the soul, and her playing is deeply moving, leaving no listener unaffected.

In this solo project, Anneleen Boehme pushes the boundaries of the double bass, striving to transcend them in all their forms. She places particular emphasis on the instrument's acoustic sound, subtly highlighting its rich, resonant voice. The music that warms her heart is at the core of this exploration: both her original compositions written specifically for the double bass, as well as solo arrangements of existing works and improvisations. Her passion for both jazz and classical music is beautifully expressed throughout. This is an embrace of the double bass, its deep tones, and pure musicality.

Eunoia is Anneleen Boehme's debut solo album, set for release on April 18th, 2025, and it is a dedication to herself.
"I wrote a story about who I am, about the path I've walked so far. About how the mind can drive you mad and how, amidst it all, you can find peace. I hope it will offer you the same. Sadness, joy, and comfort for your soul."

The double bass has the unique ability to convey our most melancholic emotions, and this album is no exception. Yet, its warm tones also offer a sense of healing and comfort. In most tracks, the double bass stands alone in its simple elegance, but in Fuga Ante Proelium, Anneleen's voice joins her instrument, adding a new layer to the musical experience.

”Operation Timeframe” is a fusion of styles between two artists who have made waves in their careers: Franco Falsini and Saverio Celestri. On one side, we have a pioneer of electronic music; on the other, the product of years of evolution.

Franco has a rich musical history and a diverse array of influences: starting from progressive rock and arriving at electro-pop, he approached electronic music with a substantial musical background. After founding and participating in various bands across the United States and England, he collaborated with the renowned record label Polydoor. In the early 1990s, he combined his skills as a guitarist and producer, beginning to perform worldwide. In track A2, “A Molecular Affair,” you can clearly hear this blend, which transports us back a few decades and lets us savor a gem deeply rooted in a quality-rich past.

Saverio also had an initial approach to electronic music partly rooted in rock, though more toward alternative rock. Moving to Berlin at a young age, he developed his sense of electronic music in a city teeming with inspiration. Here, he combined his background in electronic, pop, and rock to create brilliant tracks that captivate dance floors worldwide with his Electro, EBM, Synth-Pop, and more. With the B1 track “Veleno,” Saverio follows in the footsteps of his friend Franco, closing the album with “Traveling,” a track structured in Synth Pop, enhanced by the crystal-clear voice of Brazilian artist Lourene.

This is a record that focuses on that frame in which the two artists perfectly align their past and future, projecting it directly into the present, as only two geniuses can.

For the second vinyl release of GNC Records we got five tracks meant for a dark night at the club, produced straight out of the Patagonia by argentine heavyweight Saigg. This EP has four Electro Techno cuts and it also includes a killer remix by argentine EBM live duo KRSSV. Throughout the release, playful basslines interact with arpeggiated synthesizers generating a fun climate that becomes more and more tense while reverberant atmospheres bring the night to its climax. On the side A, we can appreciate how sharp drums build up intensity on the dancefloor in order to leave everything on point for side B, where breakbeats and diffused vocals transport the listener to an induced psychedelic state, a dystopic void representative of the producer and his sonic quest.

Eddie Amador returns with House Music Dos (Doin’ It House Style) a follow up to the classic late 90's anthem 'House Music'.

Eddie exploded onto the scene in 1998 by penning the infamous lyrics...'not everyone understands house music, it's a spiritual thing, a body thing, a soul thing.’ He set them to a hypnotic pulsating beat and the seminal dance classic 'HOUSE MUSIC' was born. 'House Music' went on to become a global hit and secured Eddie an album deal with Deep Dish's Yoshitoshi label. However, it was his next single 'RISE' which proved that Eddie was no one hit wonder.

Now he's back with a dbl header taking the House Music theme onto another level with 'House Music Dos (Doin’ It House Style)' & 'Househeads in Full Effect'.

GIVE IN TO SIN. From within the long-locked tombs of lesbian lore smoke rises
and draws its whispering curtain across the wide open sky…and where there’s
smoke, there’s fire. Secrets concealed by thick drunken clouds resurfaces naked
truths in the last gasps of smouldering ashes.

Oh you thought it would stay a secret? We’ve let sleeping lezzies lie long enough.
It’s time to face the music. Welcome to BIG WHOOPS… Maara’s inaugural
offering on her new label, Ancient Records. With this driving debut, Maara
excavates the scrolls, archives, and dossiers upon which our past was built and our
future depends.

A wish for a world of sweet sapphic symbiosis—a fantasy, perhaps, or a waking
dream? Nothing is promised except for right now. The past manifests in the
present, both a blessing and a curse. Ancient Records fulfills your dark club
fantasies as Maara unearths simmering secrets and hidden truths in a rapturous
ushering in of a new era. Never forget where you came from, and just wait until
you see where we’re going…

“Peace and Harmony in the Lesbian Community” — Ancient Records

DJ Support: Danny Krivit, Mark Knight, The Shapeshifters, Michael Gray, John Morales, Young Pulse, Hector Romero, Birdee, Hot Mood, Mark Lower

Da Lukas's Doin’ Me Wrong EP is a Two-track full of disco goodness that opens with the title track, a driving, percussive workout with a powerful vocal performance. ‘Good Man’ continues the party music with a dynamic horn section and disco breakdown. Da Lukas' tracks are nicely crafted, with a deep understanding of the disco and Funk genres. This 45 is a must-have for fans of disco and nu disco alike.

Spread across two discs for maximum fidelity, this is sound system music with grooves primed for mixing and dialed-to-a-Tee bass weight, but hovering above the grounded structures are fleeting rhythmic textures that veer things off into a world worth getting lost in. Throughout its 11 tracks, “Club Dream” plays out like a full mix, ebbing and flowing through a variety of energy levels and moods. Some of the range you’ll find here includes half-time dream-step, peak time pulses, and dubbed out mid-tempo tech, all done with a cohesive restraint and appreciation of atmosphere. The record imparts it’s own kind of dance floor dream logic onto the listener, inviting us to let go of making sense of things and trust in its fuzzy logic.

- Everything Is Connected Too is the second instalment of Blancmange's finest moments on vinyl.

- The companion to 2024's Everything is Connected, Everything is Connected Too delves further from recent moments like 2024's 'Again I Wait For The World' and 'Bliss' (both on vinyl for the very first time) to 'Sad Day (Original)', one of their very first outings from 1981. The collection traverses 4 decades of the band's inspired take on leftfield pop.

- Limited Crystal Clear vinyl - Record Store Day 2025 Exclusive.

**Gangster Music Vol.3: The Most Gangster Music Trilogy of All Time Comes to a Triumphant Close**

Imagine curating a dream lineup of MCs and producers from every corner of the rap world—sounds impossible, right? Not for artist and illustrator Gangster Doodles, who has been bringing this vision to life for the past decade. Now, with “Gangster Music Vol.3”, the trilogy reaches its grand finale, and it’s bigger, bolder, and more unpredictable than ever before.

Gangster Doodles himself puts it best:
"It’s hard to believe that I’ve been actively working on this Gangster Music series for the past 10 years. The most gangster music trilogy of ALL TIME is almost complete!! And in my humble opinion Vol.3 is the most exciting out of the 3, both from a music standpoint (special shout-out to all my music heroes on Vol.3) and artistically speaking this is the most fun I’ve had in years”

Since launching Volume 1 in 2019 and following up with the second volume in 2022, Gangster Doodles has been shaping the Gangster Music series into a one-of-a-kind sonic universe—an unfiltered mix of underground titans, unsung legends, and rising stars. Volume 3 is the biggest installment yet, boasting a staggering 30 tracks that traverse the entire spectrum of rap and beat culture.

This time around, the lineup is as eclectic as ever. From legendary pioneers like Lee Perry and Tommy Wright III, to veteran producers such as Mr. Scruff and Peanut Butter Wolf, the album pays homage to hip-hop’s roots while pushing forward into fresh territory. The roster also includes established up-and-comers like Devin Morrison, Low Leaf, DJ Harrison, Quelle Chris, Homeboy Sandman, and Suzi Analogue, ensuring a mix of classic flavors and new-school innovation. The bubbling underground is well represented too, with artists like Raz Fresco, Atlanta’s 645AR, and Pro Era’s Chuck Strangers bringing their own distinct heat.

From pioneering SoundCloud rappers like Pouya to genre-bending composer John Carroll Kirby, from Birmingham’s Romderful to Chile’s RVYO, the album encapsulates a truly global soundscape, proving once again that Gangster Doodles’ ear for cutting-edge talent is second to none.

As always, the cover art is a vital piece of the puzzle. This time, Bootleg Garfield & Friends take center stage, bringing the same playful irreverence that has defined Gangster Doodles’ artwork for years. Fans are encouraged to engage, remix, and make the cover their own, staying true to the spirit of interactive creativity that has always fueled the series.

After years of meticulous curation, countless DMs, emails, and behind-the-scenes wrangling, Gangster Music Vol.3 is here to complete the trilogy in legendary fashion. Expect boundary-pushing beats, next-level lyricism, and a lineup that celebrates hip-hop in all its many forms.

“Thanks to everyone who’s actively supported and continues to tap-in. Believe & trust when I say I've got more dope stuff cookin’. STAY TUNED!! GANGSTER DOODLES 4EVER. 1LUV."

Gangster Music Vol.3 is out April 7th on All City. Stay tuned, stay tapped in, and get ready for the most gangster music experience yet.

Sciahri and Sublunar are proud to present Kameliia's first solo EP on the label, Dont Be Naive. After debuting on Sublunar with the various artists release Veil of Echoes I, she now returns with a record that fully embodies her artistic identity. With a distinct sound shaped by releases on SK11, Token, and Unterwegs Records, Kameliia continues to carve her own path.The journey begins with "MM6", a hypnotic and forceful track driven by sweeping strings that expand and contract like a living entity. "Aspects" follows, a piece of refined minimalism where every element feels meticulously placed.

On the B-side, the title track "Dont Be Naive" sets a relentless pace, steadily building tension with masterful restraint. "Eventide" introduces eerie, spellbinding vocals that weave through the track like an incantation. Closing the EP, "Keepers of the Secret" slows the tempo, its haunting female vocal etching itself into the subconscious.

2025 Reissue

Exhibiting a solid background as a mastering engineer, Inner Lakes has spent quite some years locked in his studio (located between two of the biggest internal lakes in the north of Italy), to perfect his vast experimental sound. The use of modular synths, modified machines and sequencers is prevalent throughout his work. Defined in his own words as a "contemporary DJ tool" the forthcoming four tracker debut EP is set to be released via Vae Victis Records. The record is far from just a 'tool' with multilayered textures encompassed in dreamy soundscapes and a heavy driving energy throughout. His perfection in his work and passion for all things sound are a major catalyst for his sets. A mixture of unreleased material, futuristic sounds and hard hitting classics is what you can expect.

Funkyjaws is the Belarusian DJ and producer Sergey Abramov, who has been dropping his funky disco heat on the likes of Kolour LTD and Shadeleaf Music before now, as well as his own fledgling self-titled imprint. This one kicks off with 'WME' which has some big horn action and stomping disco drums to liven up any party. 'Snapshot' has a raw vocal and atmospheric energy that is sure to uplift and 'Dancin' then brings some sweet hip-swinging claps. It's a string-laced disco affair to close with the majestic 'You'.

Kicking off the New Year with a release that truly stands out, Slamm! EP is a high-energy, retro-inspired journey through house and techno. This record is particularly special, featuring a remix by none other than Diego Krause—an artist whose work with the Beste Modus crew was instrumental in shaping my journey into music production. Having admired his craft for years, it’s a privilege to collaborate on this project, especially with both of us sharing roots in Berlin.

The title track, Slamm!, delivers a driving groove packed with punchy percussion and hypnotic synth work, setting the tone for the EP. Diego Krause’s remix refines the original, layering it with intricate textures and deep, rolling basslines that showcase his signature sound. Soul of Fantasy (House Mix) brings a touch of classic house warmth, blending soulful chords with a steady rhythm, while Euro Phase leans into a progressive flow, building tension through evolving layers. Closing out the EP, Landing Time (Digital Bonus) captures the deeper, late-night essence of house, rounding off a versatile and dynamic release.

Rooted in the uptempo energy of early ‘90s house and techno, Slamm! EP fuses past influences with a fresh, modern approach—making it a must-have for house music lovers.

Red Pig Flower brings you her sensational debut album Practice Love, available on Sound Of Vast from 10th April. Her unique sound sits upon the apex of a three-sided pyramid. With Berlin, Tokyo and Seoul as the base, Red is a third culture kid, greater than the sum of her parts. The centre is filled with her incredible appreciation and knowledge of house and electronic music from every pin drop through history.

So taken with Red Pig Flower’s sound, Honey Dijon invited Red to her Southbank Centre show to play alongside her. Moxie loves her that much, that she invited Red to record a mix and to guest on her NTS show. Alan Fitzpatrick, and Just Her are amongst Red’s growing posse of followers.

Practice Love is a culmination of all of Red Pig Flower’s life experiences, brimming with her positive energy and an outlook on life of pure love. Red has collaborated with like-minded artists at every level: the music, the cover art and video all produced with talented friends, who get Red as the wonderful person she is and understand her vision. Her label partner and good friend, Knock in particular helped make Practice Love the incredible album it is. So intuitive is their musical symbiosis, they made 20 tracks and carefully curated and ordered nine of these, making an album of tracks that stand out on their own, yet flow perfectly as an album. Practice Love will make you feel joyous when you play it. By the end, you will feel like you know Red like a friend.

Practice Love kicks off with I don’t care, it makes you feel good: a dreamy, tribal mantra of a track that does exactly what it says on the tin. Next up is I Love To Dance. Red’s beautiful soft vocal is sweet yet poignant, leaving you in no doubt of her sincerity. Thirdly comes Feel Good Music. Are you getting a feel from the track names yet that this is an album of warmth and positivity? You can imagine this one at a Café Del Mar sunset, where those who get the spirituality of Ibiza come together, in the moment to appreciate the beauty of a sunset and understand that no matter how many you see, each is magical and unique.

The three tracks so far have taken you to twilight. The titular Practice Love takes you by the hand onto the dancefloor. There is a double meaning to ‘Practice Love’- The first is to make love your practice. The second is that you need to practice love to be able to become a practitioner of love. The video, shot by her friend Jelly, features Red Pig Flower in Brick Lane, London, wearing a little piggy mask and offering free hugs. The first passersby ignore her sign, but Red isn’t disheartened, spreading the right message, dancing with joy. Her optimism is rewarded, making peoples day better on a cold English afternoon.

Fifth track Sax and Drugs takes things a little sleazier, the beat is filthy and the synths are sexy. Your body starts to move to this one before your brain even realises. The incredible Declan McDermott joins on saxophone, the funkiest synths and Red’s sultry vocal washing your soul with Laurent Garnier inspired sunlight. On Thisiz House Music, again featuring Declan, Red takes you even further back. About Frankie Knuckles O’Clock, with a portal straight to 2025.

By now, you will agree with me that Practice Love flows so, so well. I Wanna Meet Somebody follows incredibly, continuing the feeling that if you close your eyes, you’re dancing with David Mancuso at the Loft. No Money completes this EP-within-an-album. Perfect vocal samples, valve synth riff and 808 drum patterns showing that producers as good as Red Pig Flower make it sound effortless. The best albums finish memorably and No Genre is one of those perfect finishers. Think Andrew Wetherall’s production on Screamadelica. The lights are up in the club, nobody wants to go home, arms in the air wanting more.

Red Pig Flower explains: Practice Love resonates deeply with me because house music has always been a sanctuary—a place for unity, joy, and self-expression. As a nomad and outsider, club culture and house music became my shelter. The cities I’ve lived in—Seoul, Tokyo, Berlin, and London and more—nurtured me and shaped who I am today. That’s why the cover, by the incredible Carlos Sulpizio features their skylines, and the album is multilingual, representing the diverse influences in my life.

Practice Love is like a meal that has been prepared lovingly. They always taste better. And there’s plenty more to come from Red Pig Flower. How was your appetizer?