Hot Creations Autumn 2025 Vinyl Sampler featuring four of the Hottest recent release on Hot Creations.
When Jamie Jones and Nicole Moudaber first collaborated on Hot Creations in 2020 with ‘Pepper Shake’, five years on, the pair return with ‘Where All My People’, a powerful anthem that merges Jamie’s signature groove-led style with Nicole’s unmistakable drive and energy. The record is further elevated by the infectious vocals of London-based duo House Of Molly, ‘Where All My People’ is a celebration of rhythm, anchored by a rolling bassline and crisp percussion that form a tight, understated groove. House of Molly’s commanding vocal hook runs through the track like a thread of energy, adding a human touch that feels both intimate and anthemic. Marking his second outing on Hot Creations, OMRI. is back with ‘Release The Pressure’, a pulsating, groove-driven heater made for full-throttle moments featuring Benny Ola on vocals. Crisp percussion, hooky vocals, sharp synths, and low-end pressure come together in a track that simmers with controlled intensity.
On the flip Joshwa makes a much-anticipated return to Hot Creations with ‘Lost In Music’ which reimagines a timeless disco classic through a contemporary house lens, delivering textured percussion, sparkling funk-laced synths, and an infectious groove that captures the euphoria of sweat-drenched dancefloors.As Hot Creations celebrates its 15th anniversary in 2025, label co-founder Lee Foss makes a long-awaited return to the imprint for the first time in half a decade with a powerful new collaboration alongside Colorado based talent GS5. ‘In The Ghetto’ hits with low-slung swagger and vibrant vocal energy, channelling a bass-heavy strut and hypnotic vocal loops that nod to early Hot Creations flavours while pushing into contemporary terrain.
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- A1: Paul Beaver And Bernard L. Krause - As I Hear It
- A2: Edwin Hawkins - (Reprise) You Gave Your All
- A3: Patrick Marcel - Bagnols
- A4: Bernard Larquet - Océan
- A5: François Bréant - 8 Août, 0H15, 125Ème Rue
- B1: Gamma - Endless
- B2: Ector Davis - Fountain In Love
- B3: Jean-Claude Petit - The Age Of The Breaking Down
- B4: Third Eye - Bloodstream
- B5: Wlodek Guldowski - Love Is Back
Endless – Universal Cosmic Sounds
Endless is a journey through cosmic soundscapes, where jazz-funk, early electronics, and ambient experimentation meet.
Carefully curated by Charles Maurice from his personal collection, this compilation brings together 10 rare recordings from 1969 to 1985, revealing an era of fearless creativity and sonic exploration.
Marking 10 years since Charles Maurice’s first compilation in 2015, Endless also celebrates a milestone — his 13th release in a decade of unearthing rare and beautiful music from forgotten archives.
From Beaver & Krause and their pioneering Moog experiments to the lush electronic symphonies of Jean-Claude Petit, the dreamy synth work of Ector Davis, and the cinematic beauty of Bernard Larquet, each track opens a window into a different musical galaxy.
Highlights include Patrick Marcel’s privately pressed 1985 recording “Bagnols”, an atmospheric fusion of ambient textures and ECM-inspired jazz, and Wlodek Gulgowski’s Scandinavian jazz-funk masterpiece that bridges groove and cosmic elegance.
Unearthed from obscurity, Endless – Universal Cosmic Sounds celebrates a timeless vision of music without boundaries — a rediscovery of the rare, the beautiful, and the endlessly imaginative.
On 9th December Modern Obscure Music presents Cascades, the new album from Pedro Vian & Mana, which premiered during their immersive live set at the most recent Sonar Festival in Barcelona.
Cascades was recorded over a three-day studio session in Turin during the winter months, which is reflected in the musical narrative, as the eleven tracks flow gently like an icy river, filled with a mixture
of hazy melancholy, uncanny dream-states and euphoria.
Various recording techniques and instrumentation was utilised, including the Lyra-8 organismic analogue synthesiser, which takes principles from living organisms to produce sounds resembling a
conversation between nature and technology. The result is a spellbinding ambient odyssey that features a luminous synthesis of neo-classical strings and orchestral drones, together with strange
voices, and abstract passages designed to evoke Dante’s Inferno, which represent the soul’s journey.
Pedro Vian is a renowned Catalan artist who has released three solo albums (Beautiful Things You Left Us For Memories, Pedro Vian and Ibillorca) and a collection of singles on his Modern Obscure
Music imprint – a multi-disciplinary platform based on deep listening and music research. The ‘PRSNT’ compilation, which Pedro curated in 2021 and featured Laurie Spiegel, Ryuichi Sakamoto, and Visible Cloaks, received support from Pitchfork, Crack, Brooklyn Vegan, The Quietus, The Wire and Metal. Pedro has been remixed by Inga Copeland and Pye Corner Audio, and has recorded mixes for of Bleep, Self-Titled and Juno Daily.
As part of a new generation of Italian electronic music artists, Piedmont born composer and producer Mana has released two full length albums (Seven Steps Behind and Asa Nisi Masa) on Kode 9's
Hyperdub imprint, plus an EP on Nicolas Jaar's Other People label under his Vaghe Stelle alias.
Earlier in his musical journey, Mana supported Laurent Garnier, James Holden and Skream across the Torino club scene, and in 2011 teamed up with Italian friends Lorenzo Senni and A:RA to form
the experimental group One Circle.
Pedro Vian & Mana’s previous work as solo producers has pushed the limits of electronic music, and together they’ve garnered critical acclaim from the likes of Pitchfork, The Quietus, The Vinyl
Factory, Resident Advisor and more. They now join forces to traverse new sonic territories between electronica, ambient, drone, and trance-inducing soundscapes.
The Natural Yogurt Band returns from the Derbyshire hills with another trippy record. We find again his signature sound
of raw neo-library and exotica grooves, with an electronic twist. Soulful string synths, modular chirps and crunchy electric
pianos will bring you in a colourful soundscape that only The Natural Yogurt Band can paint.
- A1: Delightful 3 38:00
- A2: Freaky Dancin' 3 42:00 7" Edit
- A3: Tart Tart 4 18:00
- A4: 24 Hour Party People 3 20:00 Radio Edit
- A5: Wrote For Luck 3 41:00 7" Edit 18:39:00
- B1: Lazyitis - One Armed Boxer (With Karl Denver) 3 53:00
- B2: Hallelujah 3 46:00 Oakenfold 7" Edit
- B3: Step On 4 20:00 7" Edit
- B4: Kinky Afro 3 58:00 Radio Edit
- B5: Loose Fit 3 46:00 Radio Edit 19:43:00
- C1: Judge Fudge 3 58:00 7" Edit
- C2: Stinkin' Thinkin' 4 18:00 Hague 7
- C3: Sunshine & Love 3 23:00 7" Edit
- C4: Angel 4 05:00 Edit 15:44:00
- D1: Hallelujah (Club Mix) 6 29:00
- D2: Step On (Twistin' My Melon Mix) 5 55:00
- D3: W F.l. (Think Abou The Future Mix) 7 05:00 19:29:00
Black Vinyl[28,99 €]
2025-2026 marks the 40th anniversary of the Happy Mondays, a milestone celebration of one of Britain's most iconic and era-defining bands.
To celebrate, London Records will launch a series of special anniversary releases, beginning with a fully remastered brand-new compilation: The Factory Singles. This definitive collection captures the band's ground-breaking output from 1985-1992, celebrating their pivotal role in shaping UK music culture. Classic remixes from Paul Oakenfold, Andrew Weatherall, Terry Farley and Jon Carter make up bonus tracks on the 2CD and 2LP.
The release will be available across multiple formats, appealing to collectors and fans alike.
Complementing the physical editions, a series of brand-new digital remixes will be unveiled from world-renowned artists Daniel Avery, Paul Oakenfold, Mella Dee, and Shadow Child and more, bridging the Mondays' legacy with today's electronic innovators, and a revisit from Paul Oakenfold.
This campaign marks the beginning of an extensive celebration of the Happy Mondays' 40-year legacy, bringing their iconic sound to both devoted fans and new generations
Cosmic Romance proudly presents "Amour Propre", the new album by Berlin-based multinational band Stella & The Longos and 5 release on the label.
Following the acclaimed 2022 release "Détends-Toi", the first electrifying collaboration between lead singer Stella Zekri and producer Ed Longo, "Amour Propre" crowns two years of relentless touring, growth, and evolution. On the road, the duo forged a powerful live ensemble of Berlin’s finest musicians. That synergy now explodes onto record, expanding Stella & The Longos’ sound into something more organic, daring, and deeply alive.
On "Amour Propre", Stella’s sultry, magnetic voice weaves through lush layers of live drums and percussion, funky guitar riffs, shimmering keyboards, intricate brass lines, and the unmistakable hi-fi production flair of Ed Longo. The rhythms oscillate in a melting pot of musical styles, where Afro-Caribbean influences overlap with vintage boogie beats and quelching synths flirt with smoky Parisian midnight moods. Stella’s voice remains the heart of it all, sensual, husky, and brimming with raw emotion. Her lyrics explore love, longing, and reflection, while also capturing moments of dancefloor euphoria and universal connection.
With The Longos as her powerhouse backing band, every track radiates the energy of a live performance: intimate, enchanting, and unforgettable.
For Synthology's debut, we are thrilled to present “Synthesis Emotion EP,” signed by host Mathi.
An artist inspired by Acid, Electro, and Italo sounds, Mathi takes us on a four-track sonic journey, where futuristic rhythms and deep synths blend in perfect balance.
Robotic voices and sensory nuances accompany the listener, projecting them into the mind and making each vibration a unique experience
SYNTHOLOGY an immersive experience that was born to give voice to electronic stories, exploring every nuance between sound innovation and emotional narration.”
A complex exploration of influences and styles, such as a multisensational journey through spaces, environments and futuristic rhythms
The bridge that connects the mind to sound.
Party thrower in the land of French volcanoes, BAZⱯR takes a wax turn with the release of their very first EP!
Bringing together artists and friends from across the globe, this record reflects the crew’s journey and showcases the full spectrum of their musical vision.
From peak-time tension to trippy after-hours vibes, and sunny open-air delights, this debut vinyl is crafted to find its place both on the shelf and at the heart of every dancefloor moment.
A testimony to years of shared experiences and late-night adventures, it embodies the spirit of community that fuels BAZⱯR. With this release, the crew opens a new chapter ; one that resonates far beyond the night.
Activity FM returns with AFM002, a high-impact VA exploring the outer edges of electro and breaks. On the A-side, two US heavyweights lead the charge: Detroit’s AMX kicks off with Out My Mind, a sleek and soulful cut with razor-sharp bass and icy vocals, followed by Florida’s Exzakt, a true legend, who drops Fvck That Sh1t - a no-holds-barred club weapon full of pressure and punch.
On the flip, Venezuelan pioneers step in: ARA-U (London-based), head of No Static / Automatic, delivers Feels Like Dancing, a gritty analog heater dripping with machine funk, while Barcelona’s Phran, co-founder of ACA and Vimana, closes with Archivo Criminal, a playful yet driving track built for deep, late-night moments.
Vibe Ride is the sixth release of Adam Rudolph's Hu Vibrational project and marks his 60th release as a leader or co-leader. Comes with insert and download code.
“With every record, the goal is to explore new creative territory,” explains Rudolph. Vibe Ride continues a deeper exploration of a trance-like groove and a conceptual framework known as Sonic Mandala. This album marks the most complete realization of that idea, partly due to the group's experience touring beforehand. That time on the road helped to refine ideas and strengthen musical chemistry. The recording process unfolded organically—likely due to the long-standing collaboration within ensembles like Go: Organic Orchestra and Moving Pictures, where the musicians have developed a deep familiarity with the shared musical language.
Sonic Mandala refers to a musical approach distinct from traditional linear structures of theme and development. Found in cultures across the globe, it may represent one of the oldest forms of musical expression—predating written history by tens of thousands of years. Today, it is most vividly preserved in the music of the Ituri Forest peoples (Aka, Baka, Ba Benzele, Mbuti), whose sound traditions revolve in cyclical, orbit-like patterns. Vibe Ride seeks to bring that ancient sense of circularity into a contemporary—and perhaps even futuristic—context.
The ensemble of Vibe Ride—Alexis Marcelo, Jerome Harris, Harris Eisenstadt, Neel Murgai, Tim Kieper, and Tripp Dudley—brings exceptional creativity and skill to the project. While grounded in the sonic languages of today, their performance channels an ancient vibrational lineage, connecting with ancestral sound makers who were attuned to the rhythms of the sun, moon, stars, and seasons. Human beings have always been deeply responsive to natural cycles.
Like a mandala, where the circle reveals itself as a spiral—always returning, but never to the exact same point—the Sonic Mandala musical experience spirals through motion. Refined signal patterns emerge through overtone-rich instrumentation. The groove becomes a threshold, shifting the listener from passive observation into active, even transcendent, participation. With open ears and an open mind, the sound spirals inward—toward a primal center—and outward into the cosmos. When this elevated state is shared among participants, it creates what mystics describe as resonance.
Vibe Ride thrives on the distinctive sonic voices of its players, interwoven with care and nuance into the compositions. Hu Vibrational merges elements of world music, electronica, and improvised jazz into something both funky and spiritual, intense and soothing.
Using signature techniques of organic orchestration, layered arrangement, and electronic processing, the compositions are sculpted from percussion, electronics, and ethereal textures. Rhythmic foundations drawn from diverse traditions serve not as endpoints, but as building blocks. As the saying goes, “Orchestration is the key.” In shaping the sound, the aim was to discover fresh ways of balancing structure and sonic color. As Don Cherry once said: “The swing is in the sound.”
The audiophile LP was carefully recorded, mixed, and mastered by James Dellatacoma—longtime engineer for both Bill Laswell and Rudolph—at Laswell’s Orange Studio.
“This crew artfully blends together to create a seamless tapestry of rhythm… the end results are mesmerizing. Hu Vibrational is all about communing with the groove spirits and creating worlds where earthy rhythms and other-worldly sounds are one.”
— Dan Bilawsky, All Music Guide
“You can be sure that when Adam Rudolph and an ensemble of breathtaking drummers get together mystical and wonderful things will happen.”
— Raul da Gama,
“A stunning effort, enjoyable and grows with repeated listening.”
— Stefan Wood, Freejazzcollective
- A1: Amedeo Tommasi - Brasilia (The Sound)
- A2: Max Rocci & His Friends - Colorombo (Il Mondo Dei Giovani, Vol 4)
- A3: Max Rocci & His Friends - Niagara Falls (Il Mondo Dei Giovani, Vol 4)
- A4: Alessandroni E Il Suo Complesso - Via Mare (L'ora Del Cocktail)
- A5: Joël Vandroogenbroeck - Electronic Jungle (Images Of Flute In Nature)
- A6: Kema - Pescatori (Canto Femminile) (La Natura E L'uomo)
- B1: Desert - Leaving (Desert)
- B2: The Swingers - Depressione (Jazz Video)
- B3: Latrudi - Feeling (Teleobiettivo)
- B4: Narassa, Amedeo Tommasi Trio - Lalo (Made In The Usa)
- B5: The Swingers Feat Marco Di Marco - Meditazione (Il Mondo Dei Giovani, Vol. 1)
- B6: The Swingers - Nostalgia (Il Mondo Dei Giovani, Vol 3)
Blue note / Schema / Far Out recordings artist shares a new compilation of golden age italian library music.
Following his acclaimed five-part Viagem compilation series celebrating Brazil's forgotten bossa nova and samba jazz, Far Out, Blue Note and Schema recording artist and international DJ Nicola Conte turns his curatorial attention homeward with Viaggio, an extraordinary exploration of Italy's library music renaissance 1970-79.
The 12-track compilation spotlights the remarkable creative explosion that occurred during the seventies: when some of the greatest yet most historically overlooked composers, including Amedeo Tommasi, Alessandro Alessandroni and Max Rocci, were composing and recording huge amounts of original music for film and television libraries.
Unlike commercial releases designed for mass consumption, library music was created specifically to accompany images on screen. This meant creative freedom for composers who imagined scenarios, feelings and worlds to soundtrack. Pressed in limited quantities, these recordings were distributed only to internal circles of music supervisors, journalists, and television professionals – making them virtually invisible to the general public for decades.
"This is a journey through a largely forgotten world," explains Conte. "While major jazz recording opportunities were scarce, an incredible network of small labels owned by publishing companies – often created by the composers themselves – began to flourish. This created an open space where musicians could express more experimental and free thinking sounds."
At the heart of Viaggio stands Amedeo Tommasi, the sophisticated jazz pianist who emerged in 1960 backing international stars like Chet Baker, Bobby Jaspar, and Jacques Pelzer. Tommasi was among Italy's earliest artists to introduce Black US modal jazz influences, and when traditional recording opportunities dwindled, he pivoted to soundtrack and library music, helping define a distinctly Italian sound that bridged experimental jazz with the emerging possibilities afforded by developments in synthesizer and recording technologies.
The compilation features rare gems from small label outputs, namely the Cenacolo and Rotary label catalogs. Tommasi's contemporaries include the great Alessandro Alessandroni and his vocalist wife Giulia De Mutiis (Kema), Stefano Torrosi (under the alias Farlocco - meaning fake/phony), and Belgian composer Joël Vandroogenbroeck. The recordings capture the technological evolution of the era as beguiling synthesis often combines with global influences spanning Brazilian rhythms, jazz-funk explorations, and Middle Eastern scales.
"You can hear both the haunting melodies and sun-kissed atmospheres so typical of Italian culture from that era," Conte observes. "Some of these albums could have been proper artist releases, while others were specifically designed for accompanying images on screen, yet all were crafted with exploratory creativity that still resonates powerfully today."
Knowone! Fully recycled vinyl, recycled cover. 180g. Analog mastering, vinyl only. Manufactured by Matter Of Fact Vinyl - Andre Kronerts own pressing plant.
fter a series of long-form cassette releases on MAL Recordings, Berceuse Heroique, and his own Ideal State imprint, Samson A.K shifts focus to the club with Heavy Birds Drop - his first 12” EP. Mastered by Rainy Miller and pressed in a limited run of 150 copies, the record distills the grit and atmosphere of his tape work into a direct, floor-focused form.
Opening with the heaving distortion and low-end churn of Frog Bite, the EP moves through the fractured percussion of Forever Cold, then the hypnotic, deep-hours roll of the title track Heavy Birds Drop, before closing with Ballast, stripped back to skeletal dread and tense negative space. Across all four cuts, Samson A.K shapes a sound that is raw, functional, and uncompromising, setting the tone for the future of Ideal State.
The Finnish imprint Vuo Records continues its exploration of deep dub techno textures with Split Dubs Vol. 2, an essential follow-up to the series that bridges timeless atmospheres and dancefloor-focused grooves. This time, Gradient, Star Dub, and label-head Tm Shuffle join forces for four heavyweight cuts that perfectly capture the label’s raw, analog spirit.
Gradient opens the record with “Stone Jungle”, a masterclass in restraint and tension, the kind of dub techno that feels alive in its own pulse, crafted from only the bare essentials yet rich in texture and movement. Tm Shuffle’s Housedubreshapes the original with reverb-soaked accents and elastic low-end energy, turning it into a deep, head-nodding trip tailor-made for late-night systems.
On the flip, Star Dub delivers “Rubber Dub”, a funk-infused roller driven by breaky percussion, floating echoes, and a deep-rooted bassline that vibrates straight through the chest. Once again, Tm Shuffle takes the controls for the remix, pushing the dub dimension even further: thick layers of delay, washed-out atmospheres, and sub-heavy pressure built for those endless outdoor jams and sweaty basement sessions.
Split Dubs Vol. 2 embodies everything Vuo Records stands for, authentic, handcrafted dub techno from Finland’s underground. Warm, analog, and irresistibly groovy, this record continues the label’s commitment to pushing deep frequencies into new, soulful territory.
12” vinyl, full sleeve artwork with Mordançage front cover artwork by artist Jo Torres, design & centre labels by Ciaran birch. Limited run of 300.
“Singing Vessels” draws inspiration from the sonorities and aesthetics of Amazonian medicine ceremonies and traditional Andean music. At its heart is a collection of clay whistles from ancient South America, whose timbres conjure the vibrant soundworld of the Andes. The piece also incorporates shamanic instruments from the Amazon, such as the shacapa — a bundle of dry leaves whose rustling produces a deep, soothing texture with remarkable sensory resonance.
Interwoven with generative electronics, live looping and synthesisers, these organic timbres create evolving psychoacoustic spaces where the mystery of nature meets inner realms of perception and consciousness. The piece unfolds as a ceremonial passage through a shamanic ritual: beginning in a dense jungle of sounding entities, rising into moments of cathartic purging, dissolving into states of blessing and communion, and finally returning to the here and now with renewed awareness.
Nervio Cosmico is an electroacoustic experimental duo based in Bristol, formed by Chilean composer Daniel Linker and Italian sound artist Matteo Amadio. Blending acoustic instruments from ancient South American shamanic traditions with live looping, generative sound design, and live electronics, they craft sonic journeys that explore perception, consciousness, and a spiritual connection with nature.
"I have two new records, just full of smells. "
from Scanners Live in Vain by Cordwainer Smith
Lutto Lento's new 2568 E.P. is an album in 7-inch single form. Lutto, real name Lubomir Grzelak, has for years been one of the most acclaimed sonic storytellers around. His first outing on Meakusma is another trip beyond the constraints of musical logic, interweaving elements from industrial music, early avant-garde influences, post-club tendencies, and more, conjuring up a mini-album of huge scope.
Not unlike The Residents, 2568 E.P. touches upon stories from the deep, with an absurdist touch that is at the same time forgiving and inviting. It has a hauntological feel to it, but contradicts it at the same time. It is purring and cold, whispering and layered. Beatific and up close. There is a space ship in the swimming pool, but the cocktail party goes on, kind of. On the edge of industrial music, with a choir thrown in for good measure. On the fringes of club music. Toss the wire-sphere into the air and pay the price for space. Fake composure and dive in.
Lutto Lento is Lubomir Grzelak, a sound artist, composer, music producer, and DJ. Known for his idiosyncratic productions and eclectic sets that break barriers between genres, he has steadily built a reputation for adventurous electronic music that resists easy categorization. Beyond records, he composes for theatre, film, and contemporary dance, weaving diverse influences into a distinctive sonic language.
- A1: Free Spirit - Get On Up
- A2: Le Cop - Le Roc 'Move Your Body
- A3: Eddie Russ - I Heard That
- A4: Luciano Perrone E Seus Ritmistas Brasileiros - Samba Vocalizado
- B1: Eva & Friends - Fantasia Theme (Original Theme)
- B2: Brian Eno & David Byrne - Regiment
- B3: Zaza - Zauberstab (Instrumental)
- B4: Manteca - Afro Funky
Straight from Detroit! With BP004 “Comeback City”, Biblical Proportion assembles a dream-team of Motor City pioneers and torchbearers: Thomas Barnett, Cloud Young, Suburban Knight and Biblical Proportion themselves. The result is a deeply rooted EP that feels like Detroit through and through – equal parts techno blueprint, house soul and street poetry.
Comeback City isn’t just a title, it’s a narrative. It’s about rebuilding, reimagining and reclaiming space, framed in crisp drum programming, thick low-end and shimmering synth work. Every track feels like a love letter to Detroit: tough but emotional, functional yet full of character.
Coast-to-coast stripped back hypnotic techno with a funky edge.
Words from the label:
NYC’s premiere live techno maestro, Kanyon dials in three cerebral melters on the A-side that resemble the spiraling sound design of early Surgeon releases with his signature locked groove approach. Headbanger cuts from a hardware rockstar.
B.ROD hits the B-side with a Sterac-like touch that showcases the ease of his West Coast finesse. Both “Exit” and “Down With It” will be a TIP! for all long-blend DJs and perfectly molded for the turntable jugglists too. Vinylists take note!




















