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Lancey Foux - THE TIME OF OUR LIVES
  • 1: Wait For The Sun (Sugar)
  • 2: Reap What You Sow
  • 3: Seeing To It
  • 4: I Don't Wanna Know
  • 5: To The Money
  • 6: Miss The Night
  • 7: Lingo Bingo
  • 8: Body
  • 9: Who Do You Love?
  • 10: Tell Em Who It Is
  • 11: Therapist
  • 12: Change Your Mind
  • 13: When It Rains It Pours
  • 14: Naked On A Yacht
  • 15: Trying My Best
  • 16: All My Girls
  • 17: Rockstar Rider
  • 18: Everything Works Out
  • 19: All The Time
  • 20: A Whole Lot
  • 21: Porsche Poet

Part celebration, part reflection, THE TIME OF OUR LIVES arrives as both the final release of Lancey’s twenties and the closing chapter of a creative world he has spent the last decade constructing. The most expansive statement of his career to date, moving freely between trap, alternative R&B, dance music, Afro-influenced rhythms and more, Lancey explores triumphant highs and lows of stark vulnerability across the album, interrogating ideas of success, freedom, loneliness and what it truly means to have the time of your life. Lancey Foux stands at the forefront of UK rap’s evolution, blending elements of hip-hop, cloud rap, trap, Jersey club, drill, and more into a sound that’s uniquely his own. Since emerging from Newham, East London in 2015 with a clutch of freestyles and SoundCloud singles, Lancey has occupied a lane entirely of his own making. As he closes out his twenties, Lancey looks ahead to the next decade full of more unpredictable artistry as he continues to break the rules and change the game.

ships from06.10.2026

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28,99 €
Leroy Burgess - Big Time / Let's Do It
  • 1: Let's Do It (Live)
  • 2: Big Time (Live)

Anyone who has had the sheer pleasure of seeing and hearing Leroy Burgess perform in concert will know just how amazing the live renditions of his iconic compositions of Disco Boogie hits and classics sound with a full band and a fully fueled audience. Accompanied by the ten piece French band and long time Leroy Burgess collaborative outfit Saving Coco, BBE Music is releasing live versions of two of those classics Let’s Do It and Big Time. Recorded and released by Rick James in 1980 Big Time is an absolute killer of a track that sounds so fresh decades later in this crowd energising performance. Famously released by Convertion Let’s Do It was a huge club hit in the early 1980s and is the perfect track to accompany Big Time on this release. Leroy Burgess is a certifiably genuine legend of Black music; his compositions have moved dancefloors across the world since the early 1970s as a member of Black Ivory, then Convertion, Paradise Garage favourites LOGG, Kleer and electro outfit Aleem. His collaborations with Patrick Adams, Inner Life, Dazzle and solo artists such as Eddie Kendricks, Rick James and Fonda Rae have cemented Leroy Burgess’ place in the annals of Black Music History. As a founder-member of the Universal Robot Band he co-wrote the massive perennial favourite Barely Breaking Even. Leroy Burgess feat. Saving Coco-Big Time/Let’s Do It is released as a 12″ vinyl and digital download and definitely belongs in the ‘make sure you get this’ category. Mixed by Marc Mac and mastered at the Grammy-nominated Carvery Studio by Frank Merritt. Available as 12″ vinyl and digital download. Release date September 25th, 2026

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23,74 €
Roman Flügel - Mega EP

Roman Flügel

Mega EP

12inchRB105
Running Back
02.10.2026

2026 Repress

Even if Ancient Greek isn’t part of general knowledge anymore, the word mega is. Hence, you might admire our modesty to say that Roman Flügel’s first outing on Running Back in 2022 is perfectly headed. Greta, large, mighty and somewhat the love- or brainchild of his earlier Garden Party and the previous D.I.S.C.O., Mega pulls out all the stops: hi-nrg melodies, circus bells, cowboy funk and honey hooks at 140 beats per minute. While it is nearly impossible not to take this bait or decorate it with the Bobby-O medal of honor, Roman proves one more that you can be catchy and classy at the same time.
Rules on the other hand, puts some of these stylistic devices in reverse or down-tempo mode and feels like brushing your teeth after an extended feast or the perfect hors d’oeuvre.
Completing the picture with Film 1, Film 2 and Film 3, Flügel flexes his freethinking muscles and lands in-between art school new wave bands and soundscape science. Music that is masterly made, magical in its impact and perfectly described with a misquoted line from Get The Balance Right: it’s never predictable.

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Mousse T. - Defected & Peppermint Jam present House Masters: Mousse T (3x12")
  • Dennis Ferrer - 'Hey Hey' (Mousse T.'s House Masters Re-Rub)
  • Mike Dunn - 'If I Can't Get Down' (Mousse T.'s Funky Shizzle Re- Edit)
  • Martin Solveig - 'I'm A Good Man' (Mousse T. Breakbeat Mix)
  • Mousse T. featuring Davie - 'Take It Back' (Extended Mix)
  • Moloko - 'Sing It Back' (Mousse T.'s Feel Love Mix)
  • Horse Meat Disco featuring Fi McCluskey - 'Love If You Need It' (Mousse T.'s Dub You Need Re- Shizzle)
  • The Vision featuring Andreya Triana - 'Heaven' (Mousse T.'s Disco Shizzle Extended Remix)
  • Shakedown - 'At Night' (Mousse T.'s Feel Much Better Mix)
  • CamelPhat & Elderbrook - 'Cola' (Mousse T.'s Glitterbox Mix)
  • S.A.M. featuring Sarah Ikumu - 'Spotlight' (Mousse T. Piano Shizzle Re-Edit)
  • Spiller & Sophie Ellis-Bextor - 'Groovejet (If This Ain't Love)' (Mousse T.'s 80's Shizzle Remix)
  • Amira - 'Walk' (Mousse T.'s Full Vocal)

Grammy-nominated German producer and DJ, Mousse T is set to headline the next installment of Defected's celebrated House Masters vinyl series with a sprawling three-LP retrospective of his remix career. Spanning six sides of wax, the collection pulls together two decades of dancefloor alchemy, tracing his signature style from disco- inflected house to breakbeat- tinged funk and back again. Including four brand new "Shizzle" and "Re-Rub" productions that are exclusive to this compilation and one remix that has previously never been released on vinyl before, makes this a particularly essential release, offering vinyl access to mixes that may otherwise circulate only in DJ pools or digital crates. House Masters Mousse T. features classic and fresh takes on the likes of Dennis Ferrer, Martin Solveig, Moloko, Camelphat, Spiller, Shakedown and many more, cementing Mousse's reputation as one of house music's most versatile and prolific talents.

pre-order now06.10.2026

expected to be published on 06.10.2026

42,44 €
Sebastian Mullaert & Tamarma - Holds The Sky

Acclaimed, Swedish composer, producer and live artist Sebastian Mullaert, and Georgian electronic artist Tamarma (Tamara Davitashvili), are set to release the deeply personal and genre-fluid album ‘Holds the Sky’ on the 25th September via Awesome Soundwave, the label curated by Christopher Coe and Carl Cox.

Spanning ambient, experimental and alternative electronic forms, alongside a set of dancefloor-oriented reworks that expand the project’s sonic spectrum, at its core, the album is the result of an unusual artistic convergence that traces back to 2020. Tamarma entered Mullaert’s successful In Bloom mentorship programme on a scholarship, and over a year-long deep exploration of album creation, her work revealed a rare clarity and emotional depth.

One piece in particular became the catalyst. Developed further through Mullaert’s 4 step studio process, it unfolded into a full length album collaboration. What began as a single composition has since grown into an album that documents an organic and intuitive exchange between two distinct artistic voices.

The result is less a collection of tracks than a continuous unfolding; a dialogue shaped by trust, listening and shared curiosity. Rather than aiming for a fixed genre position, the album operates as a living process: a meeting point between tradition and experimentation, between voice and synthesis, between two artists allowing something larger to emerge through their collaboration.

With compositions such as the chiming ‘Being Colours’ and hypnotic ‘Holds The Sky,’ Mullaert and Tamarma have created a body of work that resists easy categorization. The album moves through intimate, meditative passages and more rhythmically driven moments, always anchored in a sense of presence and emotional immediacy. The flickering beats of ‘Winnow’ and ambient manifestations of ‘Lost In Dimension’ and ‘Field of Us’ add a sense of tranquillity, stillness and convergence.

Tamarma’s voice carries both a personal and cultural depth throughout the album, while remaining fluid and responsive to the moment. The result is a sound that feels both intimate and spatial, where voice, texture and atmosphere are closely connected. Her Georgian musical heritage combined with Mullaert’s open-ended electronic exploration, allows something beautiful to emerge, shaped by listening, space and a sense of something larger than either artist alone.

Widely celebrated in the electronic music community, Mullaert has spent the last three decades moving beyond the boundaries of electronic music, from shaping the sound of cult duo Minilogue to creating the fully improvised global platform, Circle of Live, which has seen him perform and collaborate with artists such as Mathew Jonson, Âme, Amp Fiddler, Aurora Halal, Speedy J, Sam Barker, Dorisburg, Move D, Sleep D, Kuniyuki, Pantha du Prince, Leafar Legov, Wayne Snow, Laurence Guy, VRIL, Neel and Erika.

Initially making a name for himself in the world of techno, his performances have moved fluidly between environments, from underground spaces including Berghain’s Panorama Bar to festivals around the world, and venues including the Barbican, London, where he has appeared alongside artists including Joep Beving, Laura Misch and JakoJako. Platforms such as ARTE have featured his performances, placing his work within a broader European cultural context, while support from Resident Advisor and Boiler Room reflect his continued presence within the core of electronic music culture. He has received a Swedish Grammy and the P3 Guld award from Swedish National Radio.

His 2020 album ‘Natthall,’ developed in collaboration with Tonhalle Orchestra Zürich and performed with Subchamber Ensemble, saw Mullaert enter the world of contemporary composition, and merged electronics with chamber music and improvisation. The album was later named among the top post classical releases of the year by BBC Music Magazine.

A new documentary film by Ableton, set for release this summer, captures Mullaert’s Circle of Live project through a performance at Brighton Dome in the UK, featuring Mullaert and electronic artists Clark and Rival Consoles. The film offers a rare insight into the inner workings of collective improvisation at a high artistic level, further cementing Mullaert’s role as a leading voice in contemporary live electronic practice.

Tamara's background is rooted in the landscapes and traditions of Georgia. Raised near the Caucasus Mountains, classically trained in piano and shaped by years as a jazz vocalist, her work carries traces of Georgian polyphonic singing and a strong connection to nature and place. Her transition into electronic music is not stylistic but transformational; a recontextualisation of heritage into new sonic forms.

‘Holds The Sky’ will be available on vinyl and digitally on the 25th September via Awesome Soundwave. The digital release includes three exclusive album track reworks from Mullaert.

pre-order now06.10.2026

expected to be published on 06.10.2026

19,29 €
Louie Vega & Msaki - Mercy Of Time

Vega Records proudly presents "Mercy Of Time," a breathtaking new collaboration between Grammy Award-winning producer, DJ, and songwriter Louie Vega and acclaimed South African composer, singer, songwriter, and multidisciplinary artist Msaki.

Widely regarded as one of Africa's most powerful and influential musical voices, Msaki has earned international recognition through her award-winning solo work and celebrated collaborations with Black Coffee, Sun-El Musician, and Prince Kaybee, including the multi-platinum anthem "Fetch Your Life." A South African Music Award winner, recipient of the prestigious 2022 Standard Bank Young Artist Award for Music, and Basadi in Music Songwriter of the Year, Msaki's artistry has resonated with audiences around the world. Her songwriting and vocal contributions to Black Coffee's Grammy Award-winning album further cemented her place among the continent's most revered contemporary artists.

Born from a creative meeting of musical minds, "Mercy Of Time" brings together the extraordinary talents of Msaki, Louie Vega, and renowned Cuban pianist, composer, and producer Axel Tosca. Written by Msaki, with music composed by Louie Vega and Axel Tosca, the song is elevated by the unmistakable rhythmic touch of internationally respected producer and dj Manoo, whose infectious drums provide the heartbeat of the record.

At its core, "Mercy Of Time" is a deeply moving and uplifting composition that blends deep songwriting, rich musicianship, and powerful rhythms into a timeless musical journey. Msaki's evocative lyrics and captivating vocal performance intertwine seamlessly with Axel Tosca's virtuoso musicianship and Louie Vega's signature production style, creating a sound that transcends borders, cultures, and genres.

Rooted in soul and infused with African Electronic and global influences, "Mercy Of Time" speaks to resilience, hope, healing, and the wisdom that comes with life's journey. The song beautifully captures the spirit of collaboration between artists from different corners of the world, united by a shared commitment to authenticity, artistry, and musical excellence.

With all forces combined, "Mercy Of Time" is poised to resonate with audiences across dance floors, airwaves, and listening spaces worldwide. A powerful fusion of soulful expression, world-class musicianship, and timeless rhythm, the release stands as a testament to the creative magic that happens when visionary artists come together.

pre-order now06.10.2026

expected to be published on 06.10.2026

16,60 €
Amiri Baraka - Black And Beautiful Soul And Madness LP
  • 01: Beautiful Black Woman
  • 02: (Black And Beautiful) Miss Natural Soul
  • 03: Form is Emptiness
  • 04: Mishap (So Much Soul)
  • 05: Madness
  • 06: Nineteen Sixty Something
  • 07: Sacred Chant
  • 08: Unity
  • 09: Fight

Ursprünglich 1968 in New York auf Barakas eigenem Label Jihad veröffentlicht, ist "Black And Beautiful Soul And Madness" ein leidenschaftliches Zeitdokument der 1960er Jahre. Man könnte es leicht für eine verschollene Veröffentlichung von ESP-DISK halten, fügt es sich doch nahtlos zwischen Sun Ra, The Fugs und Albert Ayler ein. Die Band nutzte ihre Stimmen auf vielfältige Weise: mal singend im Stil von Doo-Wop und Soul, mal rappend im Stil der Last Poets, und oft auch beides gleichzeitig. Emotional fesselnd und von enormer Kraft, wird dieses Werk nun erstmals wieder auf Vinyl zugänglich.

pre-order now06.10.2026

expected to be published on 06.10.2026

29,62 €
Siete Catorce - El Valle

Siete Catorce

El Valle

12inchDNTB009
Discos Nutabe
02.10.2026
 
4

“Neither from here nor from there” is often used to describe migrant identities in territorial terms. In the case of Siete Catorce, it works better temporally: his music has always been so far ahead of its moment that it ultimately carved out a space of its own within both Latin American and global electronic music.

Born in Mexicali and shaped between the Bay Area and northern Mexico, his musical identity emerged through hip hop, dubstep, and the independent borderland scenes. After several years in Mexico City — without a clear place inside the local circuit — he created his own space through his music, developing a distinctive DJ/live set and a singular vision of contemporary Mexican electronic music, becoming a key figure within the city’s most forward-thinking underground.

In 2026, he releases El Valle, his first album in nearly three years. The record moves through different currents of electronic music — ambient, techno, cumbia, and tribal — filtered through a unique rhythmic language marked by syncopation, unpredictable breaks, and a constant tension between restraint and energy.

The album opens with “Mexicali,” alongside Andre Pereda, a tribal track stripped down to its percussive essence, evoking the genre through an ambient and synthetic approach. From there, “Aragón” and “El Rancho” progressively increase the tempo and intensity, combining cadenced phrases with minimalist tribal beats and unexpected turns.

In the second half of the album, now moving through territories of 140 BPM and beyond, tracks like “Montecarlo 1” and “Tierra Roja” drift between futuristic bass music and large-scale techno structures. This is followed by the 8-minute epic “East LA,” where Siete Catorce expands the energy of syncopated techno before releasing it into a pre-Hispanic tribal journey with flute and all the drums required for the occasion.

The closing section arrives with “Tlatelolco,” accelerating into an epic cumbia infused with trance references, and “Los Pinos,” a direct and forceful finale sustained by some of the album’s most precise sound design.

More than genres, Siete Catorce’s work is defined by meticulous sound design and an exceptional rhythmic sensibility — qualities that have established him as one of the most respected drum programmers of his generation.

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PLEASUREWOOD - Electric Telepathy LP

Pleasurewood return with 'Electric Telepathy', their second full-length LP offering Simla Space Funk, Psych-Library and Vintage-Cinematic Raga-Rock grooves.

This new offering from the band embraces more of their vintage Hindi Cinema soundtrack influences — "Chump Change", "The Hoverfly" and "RAMMM" could easily fit into the middle of an R.D. Burman score, each with their incongruous synthesis of different genres, infectious percussion, classical modes and funk chops.

There is also a slight sweep across a too-slow-to-disco tempo and feel with the moody Johnny Guitar Watson-esque slow burn of "Good Falcon" up to the nonchalant four-to-the-floor of "Last Dance Saloon" with its lyrical warning of digital over-saturation in our social-media saturated world and a foreboding of the mini-monoliths sat in the palms of our hands that in a Kubrickian way threaten to cosmically absorb us all as a species into their individual jet-black abysses.

And then, coming into focus like a sweet slice of disjointed, lo-fi, 8 bit space disco, "Mojave Desert" is a slacker-strut with telephone vocals dub guitars, dry cosmic synths and futurist Farfisa organ driven by an almost Acid-Jazz meets Post-Punk Bass line. The song is autobiographical in its account of an excursion along the 29 Palms Highway reflecting on an escape from the City of Angels not so far away, up into the stark psychedelic desert realm.

There is a lot to unpack in this record and yet more to discover so it will be best to allocate 40 minutes in a comfortable dimly-lit room with eyes closed and maybe a cognac in hand, to have a deep-dive into its well-travelled and esoterically funky grooves.

pre-order now06.10.2026

expected to be published on 06.10.2026

22,48 €
MASAYOSHI TAKANAKA - T-Wave LP
  • A1: EARLY BIRD
  • A2: WILD MOW-MOW
  • A3: MAMBO No.6
  • A4: CRYSTAL MEMORIES
  • B1: MY SECRET BEACH
  • B2: SORADOSHIROSO
  • B3: PALM STREET
  • B4: LE PREMIER MARS

T-WAVE (original release date: 1 June 1980): 180g vinyl weight, clear orange vinyl.
Remastered & cut by Alex Wharton (Abbey Road Studios, London).
Sixth original album. The album is bursting with exhilarating funky sounds, including ‘Early Bird’, which starts with the sound of an alarm,
and ‘My Secret Beach’, a commercial song for the Mazda Familia.

pre-order now06.10.2026

expected to be published on 06.10.2026

40,29 €
Villalobos - Baby EP

Villalobos

Baby EP

12inchMUSIK085-RP2
raum...musik
02.10.2026

2026 repress :)

The long-awaited repress of "Baby EP" - Ricardo Villalobos's first solo single on raum...musik under the Villalobos moniker - is finally here. Featuring two tonally and energetically distinct cuts of dancefloor minimalism that are undoubtedly Ricardo. "Baby EP" sounds as cutting-edge as when it was initially released 12 years ago.

From the slightly euphoric and light-hearted atmosphere of 'hansup' (A) to the emotionally charged groove of 'Baby' (B), "Baby EP" travels through a world of intricately layered micro/macro percussions, eloquently programmed synths, and Ricardo's own vocals spread across the frequency spectrum - an added human touch to his usual machine funk. And while rhythm seems to be at centre stage here, in usual Villalobos fashion, both tracks resolve into pure jazzy melancholy. After dragging the listener into a world of (very) human feelings so uncommon in electronic dance music, "Baby EP" makes it very clear you are listening to Villalobos.

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14,08 €
Unknown - PVC09

Unknown

PVC09

exclPVC09
PVC Records
06.10.2026

Black Vinyl Repress

Pirka Vinyl Cuts returns with a new chapter in its unknown edits series, featuring four anonymous cuts built strictly for the dancefloor.

From the rolling grooves of “KINR” and the raw energy of “Ruffneck”, to the sun-soaked swing of “Sun Goes Back” and the late night vibes of “Get Me Down”, the record delivers four funky house tools packed with classic samples, tight drums and peak-time flavor.

A no-nonsense DJ weapon designed for long blends, sweaty rooms and proper moments behind the decks. Limited vinyl release on Pirka Vinyl Cuts.

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14,24 €
Gerardo Frisina, Francesco Borelli - Meridio 7"

a collaboration forged over the years with Francesco Borrelli, a sound engineer, musician and performer who has shaped Gerardo’s recordings for the last ten years and more. It embodies the natural evolution and fulfillment of a shared journey, a dedicated pursuit of sound and vision, and a creative dialogue where concept and execution become one.



“Meridio” primarily defines the project’s geographical roots: Francesco, from Naples, and Gerardo, with ties to southern Calabria, carry a Mediterranean sensibility that emerges organically, not as a mere reference but as an attitude: a sense of fluid rhythm, a constant tension between order and improvisation, between elegance and instinct. The titles of the two tracks included on this 7-inch single – ‘Partenope’ and ‘Ligea’, muses and symbols of the Mediterranean Sea – draw on mythological imagery and further reinforce the connection to a profound cultural dimension.



The result is a dense yet layered sound that openly embraces the funk and progressive aesthetics of the 70s and 80s, reprocessing them in a contemporary spirit; a language effortlessly moving between arrangement and production, between timbral exploration and rhythmic immediacy.

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10,04 €
René Audiard - Makes Me Feel

René Audiard

Makes Me Feel

12inchYARNLTD010
YARN RECORDS
02.10.2026

YARN welcomes René Audiard for its tenth release with "Makes Me Feel", a four-track EP from one of underground electronic music’s most singular voices.

Across years of dub techno, minimal and leftfield electronic experimentation, René has developed an approach to stripped-down music that feels anything but limited. Where minimalism can often become an exercise in taking things away, his work finds possibility in what remains. "Makes Me Feel" is a particularly fitting example: immersive, at times strange, but always full of feeling.

‘Lovin’ opens the EP in familiar Audiard territory: murky low-end, locomotive groove, reduced rhythmic compositions and an understated framework swimming in a pool of detail. 'Possession' lets in more light. Vocal echoes, persistent rhythms and occasional string phrases give it a cinematic quality, while a groove that seems to circle endlessly takes on an almost shamanistic pull. The EP’s 11-minute behemoth, 'Flesh', fills most of the release’s B-side while making a convincing case for patience and sophistication. There are echoes of minimal’s golden age here, but Audiard never mistakes repetition for standing still. Tiny rhythmic fragments sit alongside expansive orchestral gestures, with samples working at every scale of the arrangement. Warmth and cinematic drama run through the track, but it's the playful programming underneath that keeps it moving. 'Night' closes the record on a different note, recalling Audiard’s work with Ali Çakır in Düve. Percussive samples, accordion and Middle Eastern guitar phrases bring a more acoustic character to his reduced 808-infused broken beats, making for a playful, occasionally melancholic ending with a distinctly microtonal feel.

What makes René Audiard’s music so rewarding is how readily you recognize his hand in it. There is a particular grain to the sounds, a way of placing details within a groove, and a willingness to follow an idea wherever it leads. Across “Makes Me Feel”, those instincts give four quite different tracks a shared identity. Even when working within familiar forms, Audiard makes them sound entirely his own. It’s the holy grail of music production: a personal sound signature. And a thoughtful addition to YARN’s growing repertoire of reduced, sophisticated dancefloor music.

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14,24 €
Soundtrek / Sog - Haspel Haze

Soundtrek / Sog

Haspel Haze

12inchEG02
Erdgeschoss
06.10.2026

Erdgeschoss (The ground floor) makes no distinction between old and new. And certainly not between old and young.

On the new record, two generations of KöPi uninhibitedly indulge in a brand of dirty minimal purism between Schranz and Glanz (glamour) between bouncing and banging.

Romance for everyone, you revelers.

Purity and dirt - from 133 1/3 bpm upwards, things really take off, and another door opens and closes again. Because. Bass drum on, bass drum off.

Kölsch meets Pils.

Trance meets Kraut - Haspel Haze goes loud.

So what. Your backpack is about to burst open.
Erdgeschoss unterscheidet nicht zwischen alt und neu. Und schon gar nicht zwischen alt und jung.

Auf der neuen Scheibe frönen zwei Generationen KöPi hemmungslos dem Dirty-Minimal-Purismus zwischen Schranz und Glanz - zwischen hämmern und pimpern.

Romantik für alle ihr Jecken.

Reinheit und Dreck - ab 133 1/3 bpm plus geht die Post ab und eine andere Tür auf und wieder zu. Denn. Bassdrum an Bassdrum aus .

Kölsch trifft Pils.

Trance trifft Kraut - Haspel Haze goes laut.

Na und. Da geht dir gleich der Rucksack auf.

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15,34 €
KIKKO ESSE - WISDOM OF MANY MINDS EP

Southern Italian producer Kikko Esse makes his debut on Four Framed Music with Wisdom of Many Minds. Rooted in funk and soul, his sound draws on the timeless spirit of Chicago, deep and Detroit house, while adding a warm musical touch of his own. The result is a collection of four deep house cuts built on groove, musicality and timeless appeal.

Opening track Solo Imperiale sets the tone with warm Rhodes chords, organic percussion and a rolling bassline. Its hypnotic groove strikes the perfect balance between musicality and timeless dancefloor appeal. Detroit legend Rick Wade puts his unmistakable stamp on the original with a signature Detroit deep house reinterpretation. Dusty chords, loose percussion and a deep rolling groove come together in a timeless remix that perfectly reflects his iconic sound.

On the flip, Echoes of The Tribe explores a more organic and spiritual direction, combining earthy rhythms, warm melodies and hypnotic grooves. Trinidadian Deep rounds off the release with a signature deep dub house remix, blending organic percussion, warm sub bass, lush pads and organ improvisations into a spacious, meditative groove.

With two original productions from Kikko Esse and remixes by Rick Wade and Trinidadian Deep, Wisdom of Many Minds brings together three distinctive artists, each with their own take on timeless deep house.

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16,39 €
Sunaas - Altered Reality E.P

Bypassing legacy protocols, Sunaas has evolved the Psy-fi sound algorithm. The Altered Reality E.P reconstructs the timeless blueprint with precision-engineered synth design, evolving sequences, and rhythms that ripple through parallel layers of perception. With each composition, the architecture expands further into uncharted sectors of hyperdimensional sound… a new reality is now live…

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13,03 €
Jesse You - Detour EP

Jesse You

Detour EP

12inchENT002
Entered Records
02.10.2026

A time in passing, a time of note. A release created in a moment of profound fondness, within a studio front of memory. A detour delivered to and released on Entered Records via the Zodiacs way of life. Jesse You is here to create the doorway of sound via his 4 tracks of driving psycho players.

Opening the release with Violet Expander a track driven with keys of suspense and basslines for the feet. Rudolf C’s V.E mechanical overhaul remix then hits with the peak funk head melt.

On the Bs a deeper journey tact is delivered through Sorti. A similar drive and suspense yet with a delicate melodic role. Final track Planet Malfunction is exactly that, a wobbly circular loop double backing on itself for the collision of sound, ultimately that malfunction.

A release that takes you on the detour you didn’t know was coming.

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15,34 €
Soft Cell - Danceteria LP

Die Legenden der elektronischen Musik, Soft Cell, bestehend aus Sänger & Frontmann Marc Almond und Multiinstrumentalist & Produzent Dave Ball, veröffentlichen mit "Danceteria" ihr sechstes und letztes Studioalbum - zugleich ein Liebesbrief an das New York der frühen 80er Jahre, wo Soft Cell ihre ersten drei Alben aufnahmen. "Danceteria" ist ein großartiger, stilvoller und verspielter Abschied von 47 Jahren gemeinsamer Musikgeschichte von Marc & Dave als Soft Cell und präsentiert Darbietungen, die für die Karriere dieser Electro-Pop-Legenden prägend sind. Mit Anklängen an Sparks und die Pet Shop Boys sowie Texten, für die Lady Gaga töten würde, nimmt das Album den Hörer mit auf eine lebendige Reise durch einen Tag im New York der frühen 80er Jahre – eine Reise, die rund um die Uhr von der Nacht über den verschwommenen Tagesanbruch bis zum direkten Wiedereintritt in den Club führt.

"Danceteria" ist gleichermaßen eine Hommage an den verstorbenen, großartigen Dave Ball. Dieses letzte Album gehört zu den letzten Werken, an denen Ball als Co-Autor und Produzent mitwirkte, bevor er am 22. Oktober 2025 auf tragische Weise viel zu früh verstarb. Marc Almond führte die Reihe der Nachrufe an und bezeichnete Dave als "geniales musikalisches Genie". Die weltweiten Medien und Musikstars wie Neil Tennant & Chris Lowe (Pet Shop Boys), Daniel Miller (Mute Records), Cabaret Voltaire sowie Richard Norris aus Daves Techno-Duo The Grid würdigten ihn voller Anerkennung und Wehmut als Pionier der elektronischen Musik. Dave stellte "Danceteria" zwei Tage vor seinem Tod fertig, und ganz in seinem Sinne wurde die Veröffentlichung des Albums wie geplant durchgeführt. Auch aufgrund von Daves Tod muss "Danceteria" zwangsläufig das letzte Soft Cell-Album sein, wie Marc erklärt: "Ohne Dave kann es keine weiteren Aufnahmen von Soft Cell geben; das wäre schlichtweg unmöglich. Die traurige Realität ist, dass Dave Ball die eine Hälfte von Soft Cell war, und abgesehen von Live-Auftritten kann ich ohne ihn keine Soft-Cell-Songs schreiben."

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Danny Howells - Godsexy

GodSexy (the best unused track title in Prince’s sadly now dormant Future Titles notebook) throbs and bounces in all the right places. Positively sprightly whilst also oozing depth, it unveils itself layer after beautiful layer. In true Howells style, it sits alone and imperious in a world above and beyond mere genres, sonically cerebral yet simultaneously 100% dancefloor ready. Urgently uplifting, inspirationally intense.

Shut Down is House Heaven meets Danny Does Disco in characteristically off-kilter (and peerless) fashion. Driven by a twisted percussive loop and a seductive vocal sample, aided and abetted by hypnotically funky guitar licks and lush chords that duck and dive like the (original) Artful Dodger, it’s all about the tension between analogue evangelism and digital futurism.

Hotrocks, your bonus vinyl only offering, will have you heading through the door marked ‘Magic Black Plastic’ at a rate of techno-infused knots. This is serious heads down business, a rave monster, Joey Beltram and Patrick Cowley’s mystery lovechild. Blistering, breathless, bounteous, bloomin’ brilliant.

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Veerus & Mattia Saviolo - Move Your Body

Veerus & Mattia Saviolo bring their A-game for the brilliant ‘Move Your Body’. The Italian compatriots aren’t new faces to Drumcode. Veerus has earned his stripes via five fantastic EP over an eight-year period, highlighted by ‘Hypnosis’, ‘System’ and ‘Cycle’. Meanwhile Mattia Saviolo is a recent debutant dropping the excellent ‘Parallel Dimension’ on A-Sides Vol.10. When Veerus suggested a collaboration to Mattia, he didn’t mince his words. “Yes, but it has to be a bomb!” Over two days the pair locked in to build an outstanding peak-time production from the ground up. “We started completely from scratch, with no ideas prepared in advance and no project exchanges before meeting. In just two days the track was finished and everything happened very naturally. We both brought our own vision into the process without stepping on each other’s toes, which made the collaboration feel effortless from start to finish,” Veerus shares. ‘Move Your Body’ has a distinct charismatic appeal not commonly found in techno tracks, highlighted by a stomping riff throughout and tension-filled break, before it turns into a pumping cut in the final stanza. A straight-up belter! Accompanying it is a captivating solo track from Mattia, ‘Mindframe’. An absolute gem, file under futuristic techno that sounds like no other.

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Per Hammar - Ontario EP

Per Hammar

Ontario EP

12inchDH011
Dirty Hands
02.10.2026

Per Hammar returns to his own Dirty Hands imprint with the four-track ‘Ontario EP’, once again showcasing his raw, robust and groove-led style.

Swedish producer and DJ Per Hammar has steadily carved out a reputation as one of the most distinctive voices in contemporary underground electronic music. As the founder of the acclaimed Dirty Hands imprint, Hammar has built a platform synonymous with deep, groove-led and uncompromising club music, while other productions have found homes on some of the scene's most respected labels including Sushitech, Kalahari Oyster Cult and Craigie Knowes. Here we see him returning to his own home and delivering stripped-back late-night tools, psychedelic excursions and deep, hypnotic dancefloor journeys. Hammar consistently balances functionality with personality, a quality that has established him as one of Europe's most respected underground talents.

Title cut ‘Ontario’ leads with Per laying down crisp, crunchy drums alongside dubby bass tones, fluttering stab sequences and intricate modulations, all delicately ebbing and flowing throughout the composition. ‘Off Disk’ follows, fusing organic percussive elements with weighty sub-bass, shifting synth flourishes and bubbling, delayed melodies that steadily unfold across the groove.

On the flip side, ‘Oops All Sixes’ shifts into more acid-tinged House territory, built around a squelchy acid bass hook and saturated drums, while sporadic, expansive delays and hypnotic reverberations drift atop the track’s raw, loopy foundation. ‘Airex’ concludes the release by diving deeper, stripping things back to oscillating percussion, a snaking low-end pulse and airy chords.

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Various Artists / Rainer Trüby - Root Down 30 compiled by Rainer Trüby 2x12

DAYBREAKERS Records proudly presents ROOT DOWN 30, a celebration of one of Europe's most influential club institutions. Curated by legendary DJ, producer and tastemaker Rainer Trüby, the compilation marks three decades of Root Down, the Freiburg party that has quietly shaped dancefloors, record collections and musical conversations since 1996.

Long before genre boundaries dissolved into today's eclectic club culture, Root Down championed a unique musical vision. Jazz, Brazilian grooves, soulful house, broken beat, Afro-Latin rhythms and future-facing electronic sounds were brought together under one roof, creating a community that became a vital meeting point for adventurous dancers and deep music lovers alike.

Across thirty years, Root Down has hosted an extraordinary roll call of artists and DJs including Jazzanova, Gilles Peterson, Theo Parrish, Kyoto Jazz Massive, Jimpster, Laurent Garnier, Dixon, Peter Kruder, Richard Dorfmeister and countless others, helping establish Freiburg as an unlikely but essential stop on the global underground music map.

ROOT DOWN 30 captures that spirit perfectly. Handpicked by Trüby, the collection brings together a selection of artists whose music embodies the warmth, sophistication and dancefloor energy that have defined the party since day one. Featuring music and remixes from Jimpster, Osunlade, Da Lata, Jazzanova, Crackazat and more, the compilation moves effortlessly between soulful house, jazz-inflected club music, Brazilian influences, broken beat rhythms and deep electronic grooves.

ROOT DOWN 30 is a snapshot of an enduring musical philosophy. Thirty years after the first Root Down dancefloor came to life in Freiburg, the spirit remains unchanged: open-minded, soulful and rooted in discovery.

ROOT DOWN 30 stands as both a celebration of that remarkable journey.

Released on DAYBREAKERS Records.

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30,67 €
Elyas - Cabale

Elyas

Cabale

12inchCEPX003
CEP Records
02.10.2026

CEPX003 continues the X-Series on CEP Records with a four track release by Elyas. As a long standing figure in the international techno scene, he has built a strong name through many years of dedication. Known for releases on labels such as Soma Records and Player, Elyas stands for raw and uncompromising techno with influences from ghetto and acid. Alongside vinyl and digital releases, he also runs two own labels and continues to shape the scene with a clear and functional sound. A1 'Cabale' and A2 'Bop Gun' move in a similar direction. Bouncy kicks meet acid lines and atmospheric pads that give both tracks a deep and driving feeling. Straight forward 4 to the floor techno for sweaty warehouse mornings. Small twists, rough transitions and unexpected moments keep the tracks moving from start to finish. On the B side, 'Gimme The Loot' and 'Ghetto Sneak Assault' bring a strong ghetto influence. Playful arrangements, raw vocals and sharp one shots create a loose but powerful groove. The tracks feel direct and slightly chaotic in the best way, while still keeping full control.

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Funkadelic - One Nation Under A Groove
  • 1: One Nation Under A Groove
  • 2: Groovallegiance
  • 3: Who Says A Funk Band Can't Play Rock?
  • 4: Promentalshitbackwashpsychosis Enema Squad (The DooDoo Chasers)
  • 5: Into You
  • 6: Cholly (Funk Getting Ready To Roll!)
  • 7: Lunchmeataphobia (Think! It Ain't Illegal Yet!)
  • 8: P. E. Squad / DooDoo Chasers ("Going All-The-Way-Off" Instrumental Version)
  • 9: Maggot Brain (Live)
also available

Black Vinyl[30,67 €]


Regarded by many as the greatest funk album of all time, ‘One Nation Under A Groove’ was recorded at United Sound in Detroit & included a live track from their concert appearance at the Monroe Civic Center in Louisiana in April 1978. The band’s tenth studio album released during September 1978 was also their most commercial & gave the band their first platinum disc. The iconic title track was an international hit and a US R&B No.1. With lead guitarists Michael Hampton & Eddie Hazel dazzling, the personification of funk Bootsy Collins on bass, Bernie Worrell & Walter “Junie” Morrison’s keyboard wizardry & many more, the album was produced by the genius of George Clinton. Regularly ranked at or near the top of various “best album” lists, ‘One Nation Under A Groove’ is mastered for vinyl in a deluxe facsimile gatefold sleeve with booklet & lyric inner sleeves, all housed in a protective PVC sleeve. The albums’ original bonus songs are now included on a second 12-inch “Special EP” which adds the rare 11-minute “Disco Mix” of ‘One Nation Under A Groove’ to replicate the original first UK pressing from 1978. FUNKADELIC Masterminded by the larger-than-life figure of George Clinton, Funkadelic was a key component of his influential P-Funk empire. Funkadelic’s unique combination of Rock, Psychedelia, R&B & Soul led to the band crossing over to the pop mainstream & gaining a vast international following, becoming one of the most important & influential groups in music. On 6 May 1997, Parliament / Funkadelic were inducted into the Rock & Roll Hall Of Fame by Prince. To commemorate six decades of thrilling & delighting fans, George Clinton returned to the stage in 2022 for a series of concerts. To celebrate, Charly have reissued Funkadelic’s classic four albums ‘Hardcore Jollies’; ‘One Nation Under A Groove’; ‘Uncle Jam Wants You’; & ‘The Electric Spanking Of War Babies’ (originally released by Warner Bros during a golden period for the band between 1976-1981). Each album will be available as deluxe gatefold Digi-Sleeve CDs in PVC wallets + obi-strip & facsimile-edition gatefold LPs on 180-gram black vinyl & limited edition 180-gram colored vinyl + 1970s-style obi-strip in a protective PVC sleeve. “They played a HUGE role in creating the future of music.” PRINCE

pre-order now06.10.2026

expected to be published on 06.10.2026

27,94 €
Lady Jane - Here I Am Baby LP
  • 01: Here I Am Baby
  • 02: Never Lived in the Ghetto
  • 03: Space Flight
  • 04: Things Have Got to Change
  • 05: Don't Nobody Love You Like I Do
  • 06: Do You Know What You're Talking About
  • 07: She's A Star

Lost Soul Super Rarity “Here I Am Baby” by Lady Jane reissued by Athens of the North

Rare 1980 Detroit funk-soul LP finally surfaces after 45 years, revealing a powerful story of survival and artistic resilience

Edinburgh based label Athens of the North is pleased to announce the reissue of Here I Am Baby, the only studio album by soul and funk vocalist Lady Jane (Jane Brice), originally recorded at Studio A, in Dearborn Heights and privately released in 1980.

Lady Jane recorded these sessions during a turbulent period in Detroit in the late 1970s, working with respected engineer Eric Morgeson and a studio band on material largely written by her then-husband. The album remained virtually unknown for decades, with copies destroyed in a flood and masters held by her ex-husband. A chance discovery by Friends of Sound Records founder David Haffner in 2022 set the reissue in motion. Remarkably, before his death, Jane’s ex-husband returned the original master tapes to her—yielding not only the complete multitracks for Here I Am Baby, but an entire album’s worth of unreleased material, also coming soon on AOTN.

Here I Am Baby showcases Jane’s extraordinary voice across a compelling blend of soul, funk, and disco, from the opening ballad through heavy funk excursions like “Never Lived In The Ghetto” and “Space Flight.” The album’s final track, “She’s A Star” - the only song Janewrote herself - carries profound personal significance. Recorded without her husband’s knowledge, the song directly addresses her survival of childhood sexual abuse and stands as a moving testament to resilience and self-belief.

Now an ordained minister, Jane Brice has spent decades away from the spotlight. But her voice—at once forceful, delicate, and vulnerable—deserves to be heard. Newly mastered from the recovered tapes, Here I Am Baby and the forthcoming Miss Disco present not merely a rare funk-soul artifact, but a powerful document of a woman’s courage in reclaiming her own story.

pre-order now06.10.2026

expected to be published on 06.10.2026

25,63 €
PLEASURE VOYAGE PRES. DANZA ESTETICA - MAGNETISMO EP

POLYAMORE presents Magnetismo, a sun‑drenched blend of Mediterranean grooves, disco, funk and house from Budapest duo Pleasure Voyage. The EP includes the Original Mix, a deeper House Dub, a laid‑back Sunset Mix, and a dancefloor‑focused Disco Mix by Neapolitan producer Whodamanny, a key figure of the Neapolitan Periodica records and owner of the new imprint Biloba. Label founder Bruno Belissimo adds a groove‑driven remix infused with his signature Italo/space‑disco touch. The release closes with “Equator Funk”, a standalone cut that broadens the palette. A timeless, Mediterranean‑soaked record that moves effortlessly between dancefloor heat, sunset moods and late‑night flow.

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Pepe Bradock / Braccio Dpoco - Baby Steps Ep

ATA00BS will be released in a Number Stamped Edition, with Full Cover Art made by Pepe and will be Sealed / Shrinkwrapped.

'Keep it simple' 103636;"Reissue- Tracklist A1. Unknown A2. Pain Is Full B1. Damaged Memory B2. Damaged Memory ( Iori Remix ) Shortinfo: Roberto Bosco has selected Kiny's music to better prepare his first 12, consisting of four tracks, named 'Damaged Memory'.The track Unknown (A1) leads off the dance of the release on Last Drop Records imprint. It's a proper exploration in an unknown sonic territory to most of the people, and also a difficult element to make out for those who are novice to the visonary component in the musical poetic of Kiny. The track starts with rounds of recurring sirens, almost deafening, framed by dark and ghostly noises. Something not easily identifiable, ambiguous and unknown, as the title itself says, is perceptible in its sound. All this helps to shape a bad presage that fades away into the mystery. On the same side we find Pain Is Full (A2) that, according to the producer, was born in a moment of pain which can be overcome only by fighting. In fact, the track is characterized by a more combative and insistent tone, made up by the sound of snare and tom entering since the start and determining an atmosphere of contrast able to shake the listener until the end. Shouts of encouragement suggest an initiation rite in which there is struggle for survival. The titletrack, Damaged Memory (B1) has more quiet register with less ghostly vocals, perceived at times, unlike the previous tracks. The sounds have a vanished effect, such as when you create a halo on a white sheet with the dust of a pencil just sharpened. You will hear a sort of democracy among the sounds held together by the voice, a metaphor of a damaged memory, as the title itself recite, that always makes the same process till the end: it commences by recalling but then forgets. Last, is the version of the producer Iori, Damaged Memory (B2), on the same side.

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Dexter Wansel - Time is Slipping Away
  • I'll Never Forget (My Favorite Disco)
  • The Sweetest Pain
  • Funk Attack
  • Time is Slipping Away
  • It's Been Cool
  • Let Me Rock You
  • New Beginning
  • One For the Road

"Time Is Slipping Away is an album by American R&B/jazz fusion producer, composer, keyboardist and vocalist Dexter Wansel. It is the last of four studio albums released at Philadelphia International Records. The album contains songs with different styles from P-funk to sophisticated quiet storm music to instrumental jazz-funk. It features the two popular songs ""The Sweetest Pain"" and ""I'll Never Forget (My Favorite Disco)"". The former song features vocals by soul singer Terri Wells. Time Is Slipping Away is available as a limited edition of 500 copies on purple coloured vinyl and includes an insert with lyrics."

pre-order now06.10.2026

expected to be published on 06.10.2026

31,89 €
ESG - Come Away With

ESG

Come Away With

12inchFIRELP140
Fire Records
06.10.2026
  • 1: Come Away
  • 2: Dance
  • 3: You Make No Sense
  • 4: Parking Lot Blues
  • 5: Chistelle
  • 6: About You
  • 7: It’s Alright
  • 8: Moody (Spaced Out)
  • 9: Tiny Sticks
  • 10: The Beat
  • 11: My Love For You

Repressed LP on Neon Orange Vinyl. Come Away With ESG - 35-year anniversary release of the classic genre-busting debut album by the Bronx sisters ESG. The sample-friendly opus that’s the inspiration for hip-hop, house and post punk. Music that falls outside of the no wave, new wave and post punk library, it’s for the dance floor but it’s not funk, there’s no horns, no driving organ; it’s the opposite of Sly And The Family Stone but no less cool and no less groovy. “A lasting document of their unique brand of minimal funk that would influence subsequent post-punk, hip-hop, and dance music acts. Stripped down to the most basic of drumbeats and rudimentary bass lines, ‘Come Away’ confirms the notion that the real rhythm is what happens between the beats. AllMusic // “This is dub disco with a punk edge.” Paste // “Uncut punk-funk straight off the streets of the South Bronx.” Record Collector // “ESG are that rare thing” Guardian // “Come Away with ESG sounds so shockingly current.” Paste // “A musical snapshot of New York City at the beginning of the '80s.” Allmusic

pre-order now06.10.2026

expected to be published on 06.10.2026

22,27 €
Sciama - Celetal Form LP

Sciama

Celetal Form LP

12inchSMDELP20
Samurai Music
02.10.2026

Mining the rich seam between transcendental escapism and crushing physical pressure, Sciama delivers his first album for Samurai Music. Exploring an energetic pitch between half-time and full-tilt 170, the London-based producer sculpts brooding soundscapes of sheer peaks and deep pits, driven by unrelenting but light-footed forward motion and an imposing strain of sound design. As Sciama, Michael Watters has been marking out his exacting sound since 2019 with an assured run of albums on ASC's Auxiliary label. His second EP for Samurai — the Wave Interaction 12" released earlier this year — pointed to his current area of focus inspired by the teachings of electronic music pioneer Daphne Oram. Contemplating the relationship between precise electronic frequencies and human perception, Celetal Form now delivers the full findings of his exploration. Oram coined the term 'celetal' in her 1972 book An Individual Note of Music, Sound and Electronics, trying to sum up a connection between the celestial and electrical. It's this spiritual dimension contained within sound waves Watters is concerned with, and the shape of the music on Celetal Form follows suit. In an opening statement of abyssal ambience, 'Overload Into Silence' establishes an atmosphere that endures throughout the album. Caught between steely textures, vaporous reverb tails and subtle harmonic interactions, the glacial shift of the many layers under Watters' control reveals an intense amount of detail at play even before drums and bass come into play. From there on in, the intensity ramps up from one heavyweight stepper to the next. There is agile, brittle top-end percussion at work on the likes of 'Induced Resonance' and 'Consuming Pulse', perhaps the most closely connected to D&B, while 'Rational Echoes' and 'Scanning Waveband' deal in urgency and techno-coded tension. A half-time roll guides the huge kick drum undulations of 'No Panacea', and 'Celetal Emergence' opens up into more spacious surroundings to let the subtle microtonal inflections of the synth tones set a curious mood. The two 'Intermodulation' tracks bring Watters' exacting approach into sharp focus, pushing the drums back and foregrounding alien frequencies that coalesce into unfamiliar yet strangely uplifting forms. Throughout Celetal Form this uncanny sensation charges the music with a power that reaches beyond its immediate, surface level impact. This intentional reflection on Oram's visionary thinking charges the current sound of Sciama with energetic intrigue that stands apart and invites a mindful, maybe even spiritual, engagement.

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S-TONE INC. & TOCO - Dona Diva / Funky Gafieira 7"

Italian producer Stefano Tirone aka S-Tone Inc. and Brazilian singer-songwriter Toco join forces for DONA DIVA / FUNKY GAFIEIRA, an exciting two-track project celebrating the golden era of Brazilian soul-funk from the 1970s. Released by Schema Records, the project will be available digitally and on limited 7-inch vinyl from 26th June 2026.
DONA DIVA, released as a stand-alone digital single in May, is built around Tirone’s infectious bass lines and guitar work; it pays tribute to the golden era of the late ’70s and early ’80s Brazilian funk and soul music, and to Rio de Janeiro’s vibrant spirit party scene. This record’s B-side FUNKY GAFIEIRA dives even deeper into the duo’s rich tropical groove, a lush, cinematic journey straight into the heart of Rio — evoking smoky dancefloors, tropical nights and the timeless spirit of Brazilian dance parties.
Both tracks benefit from Tirone’s warm production and feature Toco’s silky melodies, the captivating vocal colours of Priscila Ribas and special contributions from trombonist Gianluca Petrella, creating a warm groove-laden atmosphere where retro flavour blends with contemporary production, creating a sound that feels both timeless and fresh.

ships from06.10.2026

The item is already on it's way to us and is expected to be shipped from 06.10.2026.

10,04 €
Electric Circus - High Fever / Ogres (7")

Killer Groove Records presents a new 7" by Electric Circus, pairing "High Fever" and "Ogres": raw, hypnotic funk built on obsessive bass lines, sharp horns, dub delays and wah-wah guitars.

Both tracks are taken from Rites, the band's second studio album, out November 27 on limited-edition LP, CD and digital. The 7" is limited to 500 copies worldwide and is out September 25.
On the A-side, "High Fever" maps Electric Circus's territory: '70s funk, Afrobeat and psychedelia meet in a steady build toward a climax of synths and groove. The track grew from a bass line written over one feverish weekend and runs as a single continuous rise in tension.
The groove takes its cue from The Meters, locking syncopated accents into place while a punchy horn section cuts through from the opening bar. Dub delays and layered textures then open the arrangement out, trading space with wah-wah guitars and a treated clavinet that sounds vintage without dating the mix. After a darker, nocturnal passage, the saxophone rises over percussion and synths for the climax.

On the B-side, "Ogres" was the first track conceived for the album and the last to be completed. It began as a bass-and-percussion ostinato in an Ethiopian pentatonic scale, modelled on a war march, and grew into a dense groove with psychedelic and trip-hop textures. Its rhythm conjures a twilight bestiary of dark, menacing or perhaps merely curious creatures, building to a tense climax before resolving into a smooth, dreamlike finale that suggests awakening, or re-emergence.

Like the rest of Rites, both tracks started in jam sessions and were recorded in stages: live takes of the core arrangements first, then dedicated sessions for synths, horns and overdubs. Marco Sirio Pivetti engineered at Metrò Rec Studio in Riva del Garda, Gio Solo at Sberdia Studio in Turin. Overdubs were reamped through tube amplifiers and analog outboard. The band co-produced with Pivetti, who also mixed; Riccardo Ricci mastered at Velvet Room Mastering Studio in Brighton.

Electric Circus are based in Turin. They released their debut album, Canicola, in 2018 and have toured the U.S. Scoring Contrecourant (2021), a documentary series shot in Senegal and Mali, led them to Sahel Roots, a duo from the north of the country. The two groups recorded On est ensemble (Mieruba, 2023) remotely between Turin and Bamako, each writing two pieces for the other to finish.

For fans of The Heliocentrics, Calibro 35, BADBADNOTGOOD.

pre-order now06.10.2026

expected to be published on 06.10.2026

14,08 €
MIRROR PEOPLE - I FEEL 4 U (7")

‘I Feel 4 U’ was written by Rui Maia in collaboration with Kyle Quest and marks a new chapter in the journey of Mirror People, the alter ego of the musician, producer, and DJ. The track further deepens the collaborative spirit and connection to dance music that have defined the project since its inception.

Recorded last year, the song blends elements of disco, funk, and electronic music in a composition shaped by rhythmic fluidity and Kyle Quest’s melodic vocal approach. João Cabrita contributes saxophone and backing vocals, reinforcing the track’s organic and collective character.

The 7″ only vinyl-exclusive B-side, “Gordon Glu,” is a journey through the warm and melodious trademark sound of Mirror People, drawing on classy synth-pop, Balearic influences, and organic, jazz-funk-inspired grooves.

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The Cool-Notes - Spend The Night (Dimitri From Paris Remixes)

Influential UK Jazz/Funk/Disco outfit THE COOL-NOTES' biggest hit 'Spend The Night', originally released in 1985, is back on Dafia Records with a set of brand new, never before released remixes by French Disco icon DIMITRI FROM PARIS.

The original, which reached #11 in the UK Top 40 in the Spring of 1985, is regarded as a mid-tempo UK classic by many since its first appearance. Known for his luxurious, groove-driven productions and remixes, Dimitri From Paris has reworked tracks for artists including Björk, Quincy Jones, Chic and New Order, while helping define the sound of modern disco and house music in a way only he can.

When he got the chance by Dafia label head Mannix to get his hands on the original multitrack tapes, he didn't hesitate to deliver two classic DFP revisions in the making. His Main version leaves all the essential elements of the timeless Original, highlights the parts that have deserved more exposure whilst adding crisp beats and nice effects to the game. The result is a greatly updated version that surely will have many fans within the Soul/Funk/Disco scene.

On his Dub Dimitri Form Paris delivers a spaced out stripped back version with great use of vocal snippets to great effect on any dancefloor.

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15,92 €
DJ Funk 909, 808 & 303 - Bloc Weekend 2015 (TAPE)

DJ Funk 909, 808 & 303

Bloc Weekend 2015 (TAPE)

CassetteNSRTAPE018
Never Sleep
07.10.2026

Never Sleep charity spins through The City of Big Shoulders via Butlins Minehead for an electric live recording and history lesson.

Certified foe nem DJ Funk forecasts disorder with a retrospective of Booty, Ghetto and Club.. A mission statement featuring anthemic discography, lauded signature quotables and the rawest of machine funk.

Synergising live 909, 303 and 808 alongside an encyclopedic knowledge of genres that he practically invented, the mix moves at breakneck speed and does not relent for one minute. Funk keeps the crowd sweating and reminds them on the mic that this party is for now and forever. A non stop roller rink of hit after hit and delivered with such panache it would make anyone's Aunt start weighing up the dancefloor.

DJ Funk is known worldwide for his contribution to Dance musics diaspora and remains a huge influence on that the freedom of expressionism isn't to be curtailed

All proceeds go to DJ Funks family as this recording is released posthumously.

pre-order now07.10.2026

expected to be published on 07.10.2026

16,18 €
CARMEN VILLAIN - MEMORIA

,Memoria", das neueste Album von Carmen Villain auf Smalltown Supersound, beginnt wie ein geöffnetes Ventil; ausatmende Flötenakkorde füllen langsam eine weite Klanglandschaft und laden den Zuhörer dazu ein, das Tempo zu drosseln und in einen Zustand des tiefen Zuhörens einzutreten. Es ist eine Einleitung, die gekonnt in ein Album aus verlangsamten, spektralen Dub-Klängen führt, die schimmern, knurren und über die narrativ geordneten sieben Titel hinweg ausklingen. In dieser Hinsicht knüpft ,Memoria" dort an, wo Villain mit ihrem 2022 erschienenen Album ,Only Love from Now On" aufgehört hatte, auch wenn der Schwerpunkt des aktuellen Albums auf Klang als Erinnerung liegt - und auf Erinnerungen als sich wandelnde, nicht statische Unvollkommenheiten. Wiederholung fungiert als neu erzählte Erinnerung; die Bearbeitung zersetzt und formt den Klang neu, und Abstraktion ermöglicht eine Art Freiheit von Linearität. Inspiriert von Pauline Oliveros' Schriften über innerlich abrufbare Klänge, die für andere unhörbar sind, sowie von Apichatpong Weerasethakuls Film ,Memoria" aus dem Jahr 2021, betrachtet Villain die Erinnerung sowohl als kognitive Fähigkeit als auch als Form der Komposition und formt Samples aus ihrem eigenen Archiv zu einer kosmischen Selbstbeobachtung - wenn auch zu einer, die das Gegenteil von Solipsismus ist. Der nach innen gerichtete Blick des Albums lässt sich vom tiefen Zuhören als Form der Empathie inspirieren, das uns gleichzeitig mit uns selbst und unserer Umgebung verbindet. Die Arbeit der letzten Jahre an Kompositionen für zeitgenössischen Tanz und Installationen - darunter Kooperationen mit der Choreografin Eszter Salamon und ein Aufenthalt am IRCAM, bei dem sie erstmals ambisonische Räumlichmachung erforschte - prägt ebenfalls die verstärkte Aufmerksamkeit, die ,Memoria" dem Klang als physischem Raum und immersiver Umgebung widmet. Ein Großteil von ,Memoria" basiert auf einer Kombination aus neuen Aufnahmen und älterem Archivmaterial: Aufnahmesessions mit der häufigen Mitwirkenden Johanna Orellana (Flöten) sowie Eivind Lonning (Trompete) werden neben Villains eigenen Klarinettenaufnahmen zerlegt und zu einer dichten, aber luftigen Sample-Bank neu zusammengesetzt. Die viszerale menschliche Präsenz (Atem, Wind, die Körperlichkeit der Luft, die durch Instrumente strömt) und harmonische Stränge des Free Jazz treten durch mehrere Bearbeitungsschichten hindurch zutage, als hörte man sie aus der Ferne - oder durch die Zeit hindurch. Rhythmen und Texturen lösen sich auf. Der Klang erodiert. Erinnerungen werden neu gestaltet. Und Melodien sind, anders als auf Villains früheren Veröffentlichungen, weniger deutlich und weichen anderen musikalischen Leitmotiven. Es lässt sich eine Tradition zurückverfolgen, die zu Rhythm & Sound, Clicks-and-Cuts, Pharoah Sanders, Jon Hassell, Actress und Ricardo Villalobos führt - wenn auch oft in abstrakten Formen: Kleine Klänge werden groß, während große in einen feinkörnigen Rhythmus zurücktreten. Minimalismus ist der Schlüssel, um die Details wahrzunehmen: knisternde Elektronik, Einatmen und Seufzer hallen in weiten Räumen nach und ruhen auf einem Fundament aus Rhythmus. Diese Zurückhaltung unterstreicht Villains Neigung, Klänge und ihre geisterhaften Klanggedächtnis-Doppelgänger nach Frequenzen chirurgisch voneinander zu trennen. Paradoxerweise lässt sich jedes Artefakt als Annäherung an eine Erinnerung mit äußerster Präzision hören. Für Villain scheint die Erinnerung im Klang bequem hinter dem Mischpult eines Dub-Labors Platz zu nehmen und dort gekonnt und unvorhersehbar Lautstärken, Texturen, Filter und alle anderen Parameter - bekannte wie unbekannte - in einer sich ständig wandelnden Erinnerung zu steuern.

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23,49 €
TALKING DRUMS - VOL.9

TALKING DRUMS

VOL.9

12inchTD009
TALKING DRUMS
07.10.2026

Phwoar! TD go four for the floor on Volume 9, letting loose with a set of sure-shot hits from all corners of their sonic spectrum.
A tag team match up, this action spectacular trades peak-time pump, Balearic cool, Italo thrust and dance-punk theatrics on its way to snatch the championship.

Obviously TD ooze subtlety and taste, so as we sat sipping Schnapps from our Stanley cups, we couldn't help but take a little inspo from our kitchen decor. 'Live Love Pump' - what a mantra. In musical form, this philosophy takes the shape of a capital D-isco delight, equal Pats Cowley & Adams, EQ-freaked and filtered into something dafter than a pair of chrome clad millionaires. Big room mirrorball magic if ever we've heard it.
The A2 sees the drunk AOR funk of 'Sure Line' take a leisurely stroll down the coast, a Gauloises in the gob and tattered Baldwin in the back pocket, flipping and flopping along the prom to buoyant bass, melting brass and more than a little melancholy.

Booting off the B-side, 'Un America' is a massive mid-tempo chugger replete with laser fire, synth scree and nipple high guitar. Powering along on a serious bass sequence armed with hooks-a-plenty, mostly incomprehensible lyrics and a groove which won't quit, this has all the ingredients required for an Italo all-timer.
The finale finds us in the company of some punk pioneers at their absolute silliest, bringing the kind of whacky vocal vibe, surf-centric style and off kilter groove the B-52s made a career of. Add in animal chatter and scratchy guitars and you've got the sort of secret weapon the Idjuts unleash waaaay post peak.

Limited Press - Numbered Insert - Drum Fun Guaranteed

ships from07.10.2026

The item is already on it's way to us and is expected to be shipped from 07.10.2026.

15,55 €
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