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EIGHT ARTIST,ONE ANALOG SPACE WRITTEN FOR THE DANCEFLOOR.

Anthoney J Hart continues to leave an indelible impression on the underground with his latest album as Basic Rhythm, returning to Sneaker Social Club after a string of incendiary EPs to deliver his definitive statement on 8 Bar Techno. The clue's in the name — a deadly fusion of grime sonics strapped to the pummelling locomotion of peak-time techno.

Hart's roots in pirate radio reach back to the 90s, forming a bedrock of uncompromising attitude that has permeated his work ever since. Between his work as Basic Rhythm, East Man and Imaginary Forces he's split the difference between incisive UK club sounds and experimental intention, applying artistic thinking to the physical impulses of grime, techno, D&B, drill and more. It's no wonder his work has been held aloft by labels as respected as Planet Mu, Metalheadz, Future Retro and The Trilogy Tapes.

On 8 Bar Grime Hart stretches out with a potent statement on his vision for club music in 2026. The thrust of the title track's opening 4/4 stomp is quickly interrupted by a none-grimier gun lock and load — an unambiguous thesis for the direction the album is heading in. The pressure stays high for the duration, barrelling through the distorted kicks and rabid wobble breakdowns of 'Weed Killer' before bringing the flawless flow of NyNy into the mix for half step sheller 'Vibez'. Elsewhere Lyrical Strally brings savage bars to 'Clutch' and Eklipse takes it deep and moody on 'Who, You'

In between the vocal spots, Hart maintains the flexibility to bend between styles with poise, edging a touch of UK funky's staggered groove to 'Teutonic' and wreaking havoc with a Drexcyian sound palette on 'More Pricks Than Kicks'. 12 tracks deep and without a moment of respite among them, the first Basic Rhythm album in five years finds Hart operating a peak strength, firing off neck-snapping payloads of ferociously infectious club gear for the more advanced kind of dance.

SML is a Los Angeles based quintet featuring Anna Butterss, Jeremiah Chiu, Josh Johnson, Booker Stardrum, and Gregory Uhlmann. Spontaneous Music Live contains two side-length pieces of unedited improvisation, recorded live at Los Angeles venue Zebulon during SML"s December 2025 three-night residency, just weeks after the release of the band"s second album HOW YOU BEEN. It was recorded and mixed live to stereo tape by Bryce Gonzales (the same engineer/wizard known for his gorgeous live captures/mixes of Jeff Parker"s ETA IVtet). Between HOW YOU BEEN and their 2024 debut SMALL MEDIUM LARGE (both of which were heavily edited, shaped and post-produced) the band has developed a reputation for records that are heavily fused, polished, and punchy. The medium is on full post-modern display on those LPs, and the band"s post-production knife can be responsible for much of the perspective - the tastiest morsels collected, arranged, and rearranged just so. But the source material from both those albums were live recordings. Longform, unwieldy, ebbing and flowing. On top of that, every performance the band has ever done has been fully improvised in that spirit. So in the sphere of live performance the band"s esteem has grown down a different path - one of linear, hypnotic, expansion. It"s a perceived split persona shared by some of SML"s most inspiring conceptual bedfellows: compare the extended madness of Can"s Live in Paris 1973 to the relative tight form of Future Days from the same year; the speed-funk chaos of Miles Davis" Dark Magus to the heavily deconstructed On The Corner or Big Fun. Spontaneous Music Live removes the curatorial perspective and pulls the curtain back on that search-pluck-reconstruct editing process. What we"re left with is the psychedelic realism of the band in situ, in their home town, collectively improvising, fully in-the-moment, mining for that moment of discovery. We hear, in macro, each nugget of sound which could be the basis for a future SML album track, spattered amongst the collective chaos-and-control like stars in the night sky.

Four explosive tracks, three powerhouse artists, one essential wax. Experience the ultimate Afro-Funk-Disco fusion—strictly vinyl, purely devastating, only via Bud Records.

A definitive archival release documenting the formative years of one of Detroit techno’s most influential acts. Spanning nearly a decade of visionary production, The Collective 1989–1998 Deluxe Edition captures Octave One at their most raw, soulful, experimental, and uncompromising.

Curated from the groundbreaking early period of the Burden brothers’ output, this deluxe collection traces the evolution of Octave One’s unmistakable sound from deep underground machine funk and futuristic rhythm science to emotionally charged Detroit techno classics that continue to shape dance floors worldwide.

This special collector’s edition has been fully remastered and expanded for 430West Records, featuring restored audio, deluxe packaging, and essential selections from a pivotal era in independent electronic music history.

More than a retrospective, The Collective [1989–1998] stands as a document of Detroit innovation: fearless, mechanical, human, and timeless.

Essential for collectors, DJs, and anyone serious about the foundations of techno.

DJ Support: Louie Vega, Kenny Dope, Dave Lee, Dj Spen, Terry Hunter, Jimpster, Kevin Yost, Brian Tappert and more.

For the true listeners who still value the art of the record.

This project pays homage to the funk-disco aesthetic that defined the 70s and 80s crime-thriller genre. Paolo Fedreghini’s personal, cinematic journey through the American cityscape: an atmospheric landscape of high-speed chases, corrupt lawmen, and V8-powered escapes. The narrative weaves through gritty criminal underworlds and shady dealings, always balanced by the allure of the disco era. Rather than a mere imitation, the album distills the essential Blaxploitation sound for a modern audience, blending jazz-funk and disco with subtle, sophisticated electronic layers.

More Modern Soul madness from the team at Celestial Echo. No Stranger To Love is one of those rare tracks that crosses over both Modern and Northern scenes & has long been a favourite of collectors and selectors with original copies regularly changing hands for £100 + on the second hand market.

This lead to the synth laden funk track being picked up by Dam Funk & the Stones Throw crew, who shone a new light on the track via online mixes which has only increased the demand.

Officially reissued for the first time in 40 years and as always, officially licenced and remastered by Celestial Echo Records. Needless to say, buy or cry.

Repress on Transparent Red Vinyl

Jorge Ben is someone who needs no introduction. Since his first hits in the early 60s, this the greatest icons of the greatest icons of Brazilian pop music. His anthems 'Mais Que Nada' or 'Pais Tropical' are among two of the most ever listened Brazilian songs of all time. Ben's self-titled 1969 album is a true samba-soul masterpiece from one of Brazil's most creative voices. This isn't your typical late-'60s LP: Jorge Ben blends the hypnotic swing of samba with funk, psychedelia, and sun-soaked soul in a way that feels both classic and ahead of its time. Released in November 1969, this was Jorge Ben's sixth studio record, and his first back with the Philips label after a creative hiatus. He recorded it with the tight-knit, percussive groove of Trio Mocoto -- whose rhythms lock in beautifully with Ben's laid-back guitar and vocals. On top of that, the album features lush orchestral arrangements from Jose Briamonte and Rogerio Duprat, adding a soaring, psychedelic dimension to Ben's sound. Standout tracks? You've got the joyous anthem 'Pais Tropical', a perfect celebration of Brazilian life.



Then there's 'Take It Easy My Brother Charles', a socially conscious number that tells the story of a rebellious sailor -- Ben weaves in themes of race, identity, and resilience. And songs like 'Que Pena' bring in that sweet, soulful melancholy, while breezy cuts like 'Criola', 'Domingas', and 'Barbarella' highlight his playful, poetic side. This record is a rare blend of genres -- samba, soul, funk, psychedelia -- and it's got a timeless energy. Whether you're already into Brazilian music or just looking for something fresh and soulful, Jorge Ben's 1969 album is a joyous entry point. Reissue on 180g vinyl.

2026 Repress

Alarico returns to Mutual Rytm with his 'Drops Of You' EP, packed with his mind-bending signature rhythms while focussing on a more minimal and atemporal approach than before.

Milan-based artist Alarico has firmly arrived on the world stage in recent years. Taking cues from the harder realms of techno of the 90s, he adds his own quirky rhythms and quickened sense of groove to showcase his modern take on the genre. Building on material dropping via his own Katana Records, with high-profile support from bigname DJs across the scene, he breaks new ground again here on this compelling new EP as he returns to SHDW's label Mutual Rytm with 'Drops Of You'.

Excellent opener '0 Kelvin' races out of the blocks with wiry synths and percussion that sounds like knives being sharpened, all over tight, punchy techno drums. 'One More' then gets more twisted with freaky synth line scurrying about the mix while hammering hits and bouncy drum programming races onwards into an unknown future.

'Asma' slips into a deeper but no less impactful groove - the tightly coiled drum funk is overlaid with soulful vocal whispers and militant snares that cannot fail to sweep dancers away. Next, the slick 'Sunburn' keeps the pace high and is another warp-speed techno excursion with bold drum patterns and dry hi-hats cutting up the beats. It's a fulsome sound fleshed out with great synth detail and euphoric vocal cries, before closer 'Drops Of You' layers broken beats, vocal snippets and psychedelic synth colours into an intense and emotional workout.

Alongside the vinyl cuts, three digital-only offerings are also loaded into this one as a trio of treats in the form of 'Sino', 'What For' and 'Erased', with each track harnessing pacy, energetic rhythms, a mix of bright and murky sonics, and tunnelling grooves crafted for maximum impact.

Alarico 'Drops Of You' drops via Mutual Rytm on 8th September 2023

Japan's Takuya Matsumoto returns to Inhale Exhale with a new six-track EP entitled 'Song Of The Ocean'.
Japanese DJ and producer Takuya Matsumoto has quietly established himself as one of the most distinctive voices to emerge from Japan's contemporary house scene. Known for his warm, deeply musical approach to production, Matsumoto blends classic house
sensibilities with jazz, funk and soulful influences, crafting records that balance dancefloor functionality with rich musicality. Through releases on respected international labels like Clone's Jack For Daze and Royal Oak, Vibes and Pepper, and Fina he's built a
reputation for refined grooves, elegant arrangements and a timeless approach to house music.
Across the six tracks Matsumoto once again radiantly showcases the depth of his production skills as the project sonically traverses Balearic-tinged House, bouncy acid- laced electro, cosmic nu-disco, breaks driven jungle and dub infused deep house.

Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.

The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."

With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.

With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.

Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.

Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.

Techno is the game. Realm United is the team. Powerful, direct, uncompromising club vibes.
K S R "collective works".

Special UK Import from the headquarters of Stay Up Forever; Low Quantity Available ! Benji 303 delivers one of the best Acid Techno EPs he’s produced so far for Triple A (Acid Artists In Action) with loads of attitude and funked up 303’s, and a strong anti racist message on the A1 !

Nina Kraviz launches a new label.

treats is the younger, bratty sister label to trip, specialised in cool music for the dance floor that seems to ignore the idea of genres. To prove this point the first release brings together two tracks that have been roasted in Nina's sets for months and are genre bending.

On the A-side, Brazilian phenomenon and SoundCloud cowboy Joao Lagrima de Ouro teams up with Baile Funk legend MC Pogba. "Pitbull de Glocada" is an excessively naughty heater, with a serious nod to the regional Brazilian electronic music, creating an authentic blend of sounds.

On the B-side, Nina herself teams up with Rio de Janeiro marvel Mc Nick. The two met online, as Nina came across Nick's sensual hit "Mete com forza e com talento" and made her own version of it. Later during a Brazilian tour, the two finally met up on the mythical beach of Mc Nick's hometown where "sem amor" was recorded. Nina's signature minimalist production and approach to vocals pairs idyllically with Mc Nick's fiercely carnal and feminine raps.

treats 001 consists of two tracks with a fluctuating identity, spilling over with risque playfulness that might require parental advisory for some, but it's hard to deny the sheer joy these tracks exude.

DJ Support: Mousse T, Todd Terry, Young Pulse, Angelo Ferreri, Melvo Baptiste, Richard Earnshaw, Micky More & Andy Tee, Dr Packer, Hatiras, DJ Rae, Mark Picchiotti, Birdee, Shaka Loves You, Yasmin, Saison, Michael Gray, DJ Spen and Hatiras

A Touch Of Love goes from strength to strength with EP8 in the vinyl series. Label boss Seamus Haji reps the A side with his latest faves ‘Fire’ with his good friend Mike Dunn serving up the unmistakable vocals on a funk fuelled Firestarter followed by his collab with the New York diva Kathy Brown over the sexually charged disco chugger ‘Dancing’. On the AA side new kid on the block from Barcelona Osner hit big with his outing ‘It’s Good’ with a nod to the 70’s with a modern twist for peak-time dancefloors whilst Italy’s fast rising underground hero Gledd continues the theme with the blues & soul injected thumper ‘Move Me’.

Disco figurehead Purple Disco Machine celebrates his return to the White Isle and forthcoming Pure Ibiza residency with the release of the appropriately titled ‘Disco Cherry’. Drawing on the elegant, unmistakable energy of the legendary Ibiza nightclub, the Grammy Award winner delivers a historic first - a release dedicated to a Pacha residency.

Sampling the 80s Italo-disco classic ‘Walkman’ from Kasso, the track embodies Pure Pacha’s feel-good mantra and instantly captures that effervescent feeling of confidently strolling through the streets of Ibiza. Layered with irresistible energy and punctuated with a subtle but effective call to ‘party’ weaved throughout the mix, Purple Disco Machine effortlessly carries listeners onto the dancefloor. Through driving rolling drums and that signature funk flair, the multi-Platinum award winner melds production precision with timeless emotion in a way that only Purple Disco Machine can. The Dresden-born producer has once again assertively stepped into his role as disco’s modern-day ambassador, with this release serving as the cherry on top of a stunning 13-night residency that is set to bring disco back to t

DiscoGram's self-titled label is quickly becoming our disco dealer of choice. This third massive gets us further hooked on the groovy goods. After a Brazilian flex last time out, there is more of an Afro overtone to this 12": 'Africa Tribal' is a percussive sun-soaked sound with expressive horns and equally expressive vocals over a ton of percussion, hand claps and wiggly grooves. 'Chillin' Out' is more US-flavoured with a low-slung and breezy vibe and sunny vocals. 'Coconut' ups the pace and injects florid feels with Philly strings and stomping drums. 'Hi Tension' then keeps its foot down with a heavy but funky disco sound and irresistible double-claps.

Nite Hawk is a new name to us, but one we'll be keeping an ear on, just off the back of this new EP on York-based John Deevechis's The Owl label. The opener plays with a classic rhythm and serves it up with a bleeping synth sequence that will also be familiar, while the rickety drums unfold in off-grid patterns. It's a great start before 'Shake Ya Rump' brings machine-made disco with sugary synths and playful vocals over funky basslines, then 'Be Together' closes with another cold analogue groove that ramps up the pressure and is the sort of tasteful and timeless crowd pleaser you will be playing forever.

Simon W returns to Borft Records with 5 funky analog tracks moving somewhere in the borderlands between Acid House, EBM, Electro and dirty slow Housey Techno. It's slightly skewed and wobbly, disharmonic, distorted and twisted in ways that will make asses wobble robotically on the floor. Go get! Review by Joakim Cosmo

Blending elements of Disco and House, deep and funky the EP delivers a rich and highly effective sound palette built on infectious basslines, crisp drums, and a strong feel for arrangement. There is a playful elegance running through the whole release, balancing feel-good vibes with enough depth and musicality to keep things sophisticated. It is a record made for crowded floors, open smiles, and long nights.