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Almost halfway through 2023, Voitax returns with a bass heavyweight of the highest order.

Marc alias Tymotica has been showcasing his musical ambitions not only as a founding member of the Munich-based label »Ruffhouse«, but also through his sonic ventures as a DJ and producer. Luca, on the other hand, an equally ambitious DJ and producer going by the name of DJ Ion, has his roots in hip-hop, jazz, and 90s techno. His debut on Don Williams’ a.r.t.less imprint proves that adequately. Their fusion turned out to be quite fruitful, as shown by their diverse yet well-centred record »Anthea« on Club Qu.
With »Bionic Gradient«, their promising collaboration enters another chapter, a representation of their precise curation of musical components, as well as an impressive design of their sounds. This progressive bass EP features dubstep-, grime-, trap-, and hip- hop influences, nuanced with dub and IDM. Through each track, the duo links crispy polyrhythms with well-chosen samples that perfectly complement the contemporary, high defined sound. Catchy leads, long reverb tails, metallic soundscapes, and detailed drum programming are carefully fused with the underlying warm bass body. All this comes down to an astonishingly eclectic bass EP that is built to be dropped on the dance floor, yet invites you to dive into an abstract and dreamy world on its own.

As both are continuously working on new material, we are more than excited about what is to come!

Amy Douglas should need no introduction, having supplied song-writing and vocal duties for Horse Meat Disco, Róisín Murphy, Luke Solomon, Soul Clap, and worked with Joe Goddard on their Hard Feelings project,

Here she teams up with Craig Bratley, who dusts off the analogue synths to produce something which clearly wears its influence on its sleeve, taking in elements of Balearic, Street Soul and early Sheffield Bleep.

On the Ashigaru Dub, Craig explores these influences further, the result reminiscent of Mad Professors take on Massive Attack.

Respect The Craft's archives keep growing. After a double-hitter with Ricardo Villalobos, Tripmastaz is back on solo duties for the third iteration of RTC with "Rare Sensation EP". 

Filling the a-side with the warmest summery vibes, 'Rare Sensation' perfectly displays Andrei's deep love for house music - groove, rhythm, emotional chords and club-ready, euphoria-inducing samples very tightly reminiscent of the world's best beach parties. A "deeper dub" version is also available, stripping down some elements and bringing a classier, less euphoric tone to the forefront. 

'3000' has the virtuosic producer back to exploring the minimal and deep tech-house realms while, in essence, still targetting the summer-drenched tropical raves. And where the original version is a driving, slightly dryer, percussion-infused affair, its dubbier 'Space Program' version brings all its elements to the astral plain, filling the space with melody and atmosphere. 

Respect The Craft - a goal, a call, and a mission.

London based label and collective Cartulis Music announce their fifteenth release titled “Twilight Expanse” by New-York producer Ebeats. A reissue from the early noughties featuring a previously unreleased Ebeats cut plus two new remixes by the legendary Radioactive Man and FOLD associate Voicedrone. The title track is one near and dear to the spirit of Cartulis – an emotive journey through hazy breakbeats, sirens from faraway lands, dramatic narratives battling through each other in a nine minute long piece of music. The rest of the record swings from club-ready techno grooves to various shades of electro – dark and dubby or bright and punchy.

Here we are - the new release from the italian project Club Soda is finally here!

The trio, made up of Nicola on bass, Simone on drums and samplers, and Filippo on keys, is bringing some real, raw, authentic sounds to the table. Their first LP, "Vibin' Places" dropped in 2020 and it's a versatile homemade electronic album that hits different, whether you're a listener, DJ, or clubber.

This new EP is fire too. A1 track "Basso e Batteria" with Sara Loreni on lyrics and vocals, has clear echoes of a '00s vocal-house joints, but sounds like it was recorded in a Chicago basement. The dirty grooves, thumping bass, and enveloping pads create a free-form vibe that's perfect for you summer madness.

But then they go and take it to the next level with the remixes on B side. Cristalli Liquidi's remix is on some current dance floor-ish, with bouncing rhythms, a wild bassline, and a catchy vocal cut. And Hill's dub mix is straight up trippy - like you're lost in a warehouse at 6am, with dreamy pads, a solid bassline, and rhythms that are distant but still pull you in.

And let's not forget "Gin Tonic" (A2) - it's a dope sunset jam session that's pure “Club Soda style”, with congas, DX7 keys, funky bass, and an MPC chop. This EP is the real deal, from start to finish! Shout out to Giulia Dall’ Ara for the sick artwork on the cover and label too - she killed it!

Freestyle Records presents Albert "Alchemist" Thompson's Promise Land, an EP featuring vocals from reggae & dancehall greats Frankie Paul, Joseph Cotton, Prince Malachi & Anthony John, representing a musical collection that has gradually evolved, matured & marinated over the course of the past 32 years - now finally seeing it's first ever release.

Albert Thompson (brother to the great Peter Chemist) was chief engineer at the storied I&I Sound Recording Studio after it moved it's base from Los Angeles to Jamaica in 1989, working with a wide range of heavyweight artists such as Dennis Brown, Bunny Wailer, Mighty Diamonds, Gregory Isaacs & many many more. During some studio downtime in early 1991, Albert laid down the rhythm track (itself a take on Aswad's Love Fire riddim, made most famous by Dennis Brown's iconic Promised land vocal track) with musical assistance from Tony Thomas.

16 years and a move to London later, Albert had founded his Alchemist Recording Studio on Brixton's Acre Lane in a space above the legendary Supertone Records - recording dubplates with talented local artists and touring Jamaican artists alike. Digging out the Promise Land tape, he proceeded to cut these 4 vocals on the version during the course of 2007. Another 16 years gone, and after hearing the tracks following a chance encounter with Albert in South East London, we felt they were finally ready to see release!

InnerCore Project brings us two 2 brand new 12" releases 'Innercore Project Dubs' Vol 1 & 2

"You will find a nice vary of styles in my Dubs Volume releases, ranging from Jungle Techno, Old Skool Hardcore, Jungle, Rave and anything in between. Big shouts to all that made these tunes possible! Respects to you all, I hope you enjoy these tunes." - InnerCore

Vinyl Only

With open arms, Sous-Vide Records welcomes one of the genre's most celebrated producers Silat Beksi for our latest vinyl release SVR004.

The Ukrainian mainstay offers up three deeply submerged late night grooves that come dusted in tasteful sound design. Flexing his rhythmic aptitude, Beksi applies percussive elements and dubby electronic motifs to craft melancholic tones throughout the EP. Melodies may be in short supply, but Beksi's signature style creates invigorating and emotively fueled productions without them.

Silat Beksi writes a new chapter in minimal education for those versed in the field.

This EP was carefully crafted in celebration of our 5 year anniversary, with the aim to bring back some of our favourite flavours from back in the day. It took us more than 2 years to put this record out for you and we hope you enjoy it as much as we do! THANK YOU FOR YOUR SUPPORT

Italy-born, Ibiza-based producer and DJ, Tuccillo, joins the roster of Kerri Chandler’s Kaoz Theory with ‘The Waves’ EP, made up of five original compositions.

Based on the balearic island of Ibiza, Giuseppe Tuccillo, better known simply by his last name is a producer synonymous with a groove driven sound which blurs the lines between House, Deep House, Disco and Micro House with unparalleled finesse. Over the years his music has graced the likes of Nu Groove, Kwench, 20:20 Vision, Defected and Holic Trax, run by Tomoki Tamura with whom he collaborates on the Doublet project.

Here though, Tuccillo’s latest works come via the much-loved Kerri Chandler helmed, Kaoz Theory. Title-track ‘The Waves’ leads the way and winds through bright stab sequences, crisp drums and processed vocal textures. ‘Breaking Leds’ follows next and divers deep with diva vocals, classic house chords, pulsating subs and skippy drums before ‘Apple Eyes’ shifts the focus over to reduced percussion, dubbed out stabs and a snaking bass line.

Opening the flip side is ‘Good Vibration’, as the name would suggest a feel good journey through a bouncy bass line, intricately programmed organic drums and hypnotic vocal chants before ‘Around Five’ then concludes the EP, piecing together gritty bass flutters, a bumpy drum workout, subtly unfurling atmospherics and psychedelic, swirling guitars.

Aptly named, Tranquilizer is a potent, six track EP from Brazilian producer Felix. As part of Piratao Records; a label that merges everything from baile funk, to electro and techno, Mutual Pleasure is a fitting home for the electric nature of Felix’s sound; something that is fully exercised in this EP.

Tranquilizer is a mind-expanding selection of dynamic tracks. Unrelenting, with a deeply contagious energy that acts as the engine to this project. It is entirely soaked with acid, and layered with a plethora of squelching basslines, manipulated Brazilian Vocals and trance-infused synths and melodies.

Felix coordinates a masterful blend of dark, gruelling tones, with funk-fuelled flavours of his native Brazil: an electrifying and devastating marriage that sets this Ep in motion. While tracks like Alpha Helix bring forward a more trance-ladened side to his sound, the devious breakbeat and infectious vocals of Ta Pegando Fogo bring a cutting edge to his undefinable sound.

Within this searing melting pot of genres and influences, Felix traverses from dark dubstep, to four-to-the-floor techno, and everywhere in between. It is a suitably devilish project, and a statement of his ever-evolving musical personality.

2023 Repress

fantastic man teams up with tokyo’s mule musiq to deliver his debut lp in 2020. comprising of nine tracks, utopioid advances further into the realm of sci-fi influenced club and esoteric electronica - a vacation through an imaginary pleasure-dome by means of am-bient house, airy dub and at-times schizophrenic breakbeat.

written in 2019 and 2020 across berlin, the carioca spheres of rio and his hometown of mel-bourne, utopioid expands and adapts fantastic man’s much loved musical tropes for long for-mat. it’s a well-balanced and deeply crafted album and features a cameo by fellow melbourne rising-star memphis lk on ‘mazes’, resurrects the spirit of the nineties rompler on ‘forbidden fiction’ and glides you through peak-acid euphoria with ‘d’oxygen’ and ‘diaspora’.

utopioid follows a series of recent 12s, which include ‘dj mentality’ on his own superconscious records and ’solar surfing’ on stuttgart’s kitjen along with his 2016 lp titled ‘altitude attitudes’ under the alias mind lotion on parisian label antinote.

Reekee returns on Time To Play rec. after his first release “don’t look back” last year.

“No One” offers a laidback beat driven by the soulful and jazzy vocals of of Anna C.. A real Soulful house tribute!

On the other side the Italian talent Gary Superfly reinterprets the essential elements of the original track providing a Detroit inspired, dub instrumental version with a killer bass line and deep texture.

Reekee concludes the ep with his instrumental version.

Italian DJ and producer DIMMISH is one of the most appreciated artists of the high energy, yet minimal panorama thanks to his innovative sound and style. He began studying Sound Engineering and Music Technologies at Scuola di Alto Perfezionamento Musicale, and then embarked on the path of music production.

Later his passion for analog synths and modular systems prompted him to experiment more until he found his own sound and musical imagery. This four-track EP is nothing short of his high-energy, up-beat, groovy flavour. ‘Orbit’ kicks things off with dubby effects and a deep bass power, ready for any peak dancefloor moment.

Continuing to ‘Lemon Life’, which squeezes soft synths over an understated house groove. ‘Singularity’ has a slightly tougher feel, with the chugging bassline and rolling synths for a darker club side. Finally concluding with ‘Dissolve’, a delightfully deep and breezy minimal dub house roller with pensive chords draped over hypnotic lyrics.

Dennis Quin returns to his own self-titled imprint with the ‘Temptation’ EP, comprised of four sturdy original House cuts from the Dutch producer and DJ.

Throughout the past decade, Dutch artist Dennis Quin has amassed widespread support from many leading figures in the underground house scene through material on the likes of PIV, Cecille, Defected, Jerome Sydenham’s Iconic Ibadan and Kaoz Theory, as well as collaborating with the latter label’s founder, Kerri Chandler, and yet another icon of House, Todd Terry amongst others. Here though, Dennis tips the focus towards his own label to deliver more of his raw grooves, crisp beats, and bouncy bass lines.

Title-track ‘Temptation’ leads and lays down a choppy bass line, euphoric piano keys, classic rave stabs and a hooky vocal lick alongside his signature swinging, robust drum style. ‘Ascending’ follows next and sees Quin lean towards a more percussive led feel via heavily shuffled drums, dubbed out vocal chants and twitchy stab sequences.

Opening the flip side of the EP is ‘Odessey’, this time bringing a wavey, elongated bass line into the limelight, subtly nuanced throughout for hypnotic effect while a bouncy drum workout carries the groove throughout. ‘Love Fiyaa’ then rounds out the EP on a raw and reduced tip, fusing ethereal pad swells and murky bass flutters with a stripped-back and sporadic dub vocals.


DJ Support:

Enzo Siragusa
Archie Hamilton
Chrissy
Okain
Freedom
Severino
Jimpster
Mr. V

We are happy to announce that Ruf Dug, the Mancunian record producer, radio host, and self-professed video game freak is the latest artist to climb aboard the Pinchy train.

Well known for his kaleidoscopic approach both in the DJ booth and in the studio, Ruf Dug has touched on genres as diverse as street soul, vaporwave, and acid house over the years. He has released material on labels such as Rhythm Section, Klasse Wrecks, and his own Moodymann approved Ruf Kutz.

For his Pinchy & friends’ debut (there's a 6-song EP in the works as well) the NTS radio host distils some of these aforementioned influences and presents a two-track 12" that explores dub techno, Chicago acid, and atmospheric balearica.

Built around a solid, techy thud, "Thru The Night!" rides seismic bass waves and reverb-laden stabs to more tropical climes, thanks to gusts of echoed flutes and a catchy, 8-bit vocal hook.

On the flip, "I Love You" takes a minor-key synth riff and sends it off to music school for some late-night nasty dance floor bliss.