Search:g i disco

Così come sei" is a 1978 film directed by Alberto Lattuada, a sentimental drama starring Marcello Mastroianni and Nastassja Kinski, still very young but already an acclaimed actor
The soundtrack was composed, orchestrated and directed by Ennio Morricone and was infused with romance and ethereal melodies played with wind instruments but set like a symphony. With the contribution of I Cantori Moderni di Alessandro Alessandroni's choir and Oscar Valdambrini's trumpet. Unusually within Morricone's repertoire is the presence of funk-rock and disco songs "Dance
On" and "Space 1999", reflecting the late '70s pop sound.

Originally released in 1978 and subsequently reissued a few times, the
soundtrack of "Così come sei" was not released on vinyl for almost 40 years and is now finally re- released with remastered audio and a new sleeve layout, on 180gr. solid pink vinyl

4x LP and Zine (ft. photos, historical text and track narrations by the artist) set. Nation bring it.
An essential delve in to the retrospective works of SSPS. Limited edition. No repress. HUGE TIP ON THIS!

" You can't fake the funk, as they say and SSPS is pure funk embodied in all he does, the man oozes the funk 24-7!
One of my earliest encounters with SSPS was at one of the infamous Rubulad parties out in Brooklyn....
the man was decked out extravagantly...a cross between Blowfly and some futuristic being zapped
down to earth directly from the P-Funk mothership. Who was this masked man?
The disco vampire, was beating fast disco tracks relentlessly while slamming in his 707 over the records in real time...
not an easy feat, the beauty of the imperfections making it that much more exciting hearing the gallop and wild energy
he was bringing to the crowd, we were eating it up. This is SSPS, fearless in his approach and execution,
a modernist looking to the future but rooted in the past, an artist committed to his art...
all presented with unhinged emotion. It's all or nothing...everything on the table....do or die...the true epitome of style!!!!

Declaring someone a "cult figure" or a "legend" is a huge weight to carry and is often a term that is carelessly thrown around,
but those of us who have dwelled in this "underground" over the last 30 years can say with confidence that SSPS is just that
to many of us, no questions asked, it's not up for debate.

Now, many years later we see the culmination of his electronic works from 2002-2021 committed to record in this 4xlp,
16 track boxed set (plus 45 page booklet) titled SSPS, "The Life and Times of GiGi Black" thus solidifying
Mr. Nicholson's place in the secret world of dance not dance music.

The only way to describe this offering is "full spectrum electronic musical madness" not to be categorized,
never to be pigeonholed, full of surprises and straight from the gut with a direct hit to the heart.
We could go on about the production processes, about his Furr City studio space or his cross country excursions
for work with a truck packed with paintings (but also his music equipment) plugging in and recording during his
pit stops in Motel 6's across the US. But again it doesn't do justice to simply have a small peek inside the man's mind...
the music is beyond the mind. The process is the process and nothing has or can stand in the way of what the SSPS
has done in his long musical life. Punk Rock, Hardcore, House, No-Wave, Industrial, Jakbeat/Slow-Beat and Noise.
it's all there for the taking, it's all intertwined. If you want it, you will find it within SSPS's works.

Nicholson's path is the embodiment of true culture within "dance music" cultivated from years of learning, experimenting,
and pushing the limits with total commitment and immersion. "The Life and Times of GiGi Black" is true life experience,
it is a reflection of someone delving deep into his craft and presenting it with care in opposition to the fast, disposable,
self gratifying click bait culture we see dominating the pages today. The proof is here, drop the needle, enter the world of SSPS.














n G2 1000 Truths Balearic Inaugural Mix

Originally released in 1975 by RCA via its subsidiary Midland International—and recorded at the legendary Sigma Sound Studios in Philadelphia—these two tracks have never since both been released on the same single up until now, appearing once in unison on an acetate reference recording, copies of which have never sold on Discogs and are believed to be in the hands of 4 collectors worldwide.

Touch of Class effortlessly blend together the classic Motor City Sound and Philadelphia’s hard-driving disco groove in one fell swoop, records that sound like they have been produced from both the Gamble and Huff and Dozier playbooks, while retaining a unique register exclusive to the group.

Great minds think alike. EPROM & Barclay Crenshaw’s remixes of Yung Skrrt’s “McDonalds” are cosmically connected. Both artists separately discovered the track via Bandcamp, and both began transmitting the frequencies through their DJ sets on different stages around the world. Once the parallel universe became perpendicular and crossed paths, they each decided to make their own interpretations and now the world is one.

Brazilian psych soul wunderkind, producer and singer Tagua Tagua has joined the Wonderwheel Recordings family with a tender selection of cuts on his second album Tanto.

Recorded in the rural outskirts of Sao Paulo there is a sense of yearning that permeates throughout the set list of ten unapologetic love songs that fly between lush psychedelic pop to warm, beat-laden neo-soul with Brazilian flavor. The album maneuvers subtly between the different dynamics, and purposefully so, as it was 'a vibe' that Tagua Tagua AKA Felipe Puperi wanted to instill from start to finish - channeling soul heroes past and present like Bill Withers, Shuggie Otis & Sault.

The album title and first single Tanto translates to Portuguese as 'so much', and Felipe sees the track and entirety of the album as "a feeling of falling in love for the sake of falling in love". The track is a slice of horizontal soul music and possesses a sweet, almost drug induced fervor, simple on arrangements. Felipe sings in a melismatic tenor, at times tipping into falsetto, with subtle effects enriching his delivery.

Based in the city of São Paulo, Felipe previously fronted the group Wannabe Jalva and has an extensive musical resumé, having played at Lollapalooza Brazil, supported shows for Pearl Jam and Jack White, and created a name for himself as one of the most promising breakout acts in Brazil. Yet there was a break-out moment of self discovery, a re-connection with his language that led to a personal and musical revolution culminating in his debut solo album in 2020, Inteiro Metade.

Whereas his previous longplayer had changing musical personalities from tropical psychedelic to funk and soul, Tanto only flirts outside of the mellow psychedelic soul prism and whilst there are ebbs and flows, it delights in its sparse and sweet minimalism. "Pra Trás" opens proceedings, and aptly, as Tagua Tagua moves from one album to the next, it's about leaving things behind. There are strings and orchestrations, a killer guitar hook and Tagua Tagua's seductive delivery. "Colors" is full throttle future-soul, squelchy synths pulsed by a lazy, yet insistent shuffler of a beat. Further dreamlike timbres are found in "Barcelona", a journey of a song and Brisa, perhaps the body-mover of the collection, with silky synths and a chorus you're sure to repeat.

All songs were written and recorded by Felipe himself, mixed by fellow Wannabe Jalva band member Tiago Abrahão, and mastered by Brian Lucey (The Black Keys, Chet Faker). Recently, Tagua Tagua toured Europe and played several shows at SXSW and along the West coast in the US.

A tribute to the late Kenny Hawkes, London's dark lord of house music. Lovingly selected and curated by Luke Solomon, Jonny Rock and Leon Oakey.

Running from 1995 to 2002, 'Space' was a Wednesday night founded by Kenny Hawkes and Luke Solomon. It inhabited the underground world of Bar Rumba right in the heart of London's West End and took place each and every week. Kenny and Luke had both been regular fixtures on infamous London Pirate Radio station 'Girls FM', and were seeking a suitable place to play the kind of music they supported on their respective radio shows. They were presented with a weekly opportunity at Bar Rumba and snapped it up.

'Space' was THE place for 7 solid years, hosting local and international guests from the house music community week in week out, to 200+ hardcore and dedicated followers. Regular guest bookings read like a 'who's who' of the music scene with sets from Derrick Carter, Andrew Weatherall, DJ Harvey, Tom Middleton, A Man Called Adam, Ralph Lawson and Huggy, Harri and Domenic, Francois Kevorkian, Salt City Orchestra, Carl Cox, Chez Damier and Ron Trent.... the list goes on and on and on! Music from seminal record labels such as Classic, Prescription, Cajual, Paper, Relief was played on rotation amongst a killer mix of Disco classics, alternative 80s music, left-field B-sides and techno. The night undeniably became a cauldron of amazing music and midweek hedonistic chaos.

As Soho changed beyond recognition and clubbing moved Eastwards, Kenny and Luke decided to call it a day. Sadly, Kenny Hawkes died in 2011, leaving a huge hole in the dance music community. Kenny was a legendary figure with an unmistakable sound and DJ style, he had a warped sense of humour and a huge personality and he continues to be dearly missed by all to this day.

As a tribute to Kenny, his musical partner in crime Luke Solomon alongside 'Space' regular and DJ / Editor supreme Jonny Rock, and former Classic Records label boss Leon Oakey have joined forces to celebrate his life through music. 3 years of tweaking, pooling music and clearing tracks have culminated in 2 very special double albums and a digital compilation. A collection of 'Space' classics, underground jams and the tracks that shook the Shaftesbury Avenue dance floor, shaping one of London's most revered midweek sessions.

All profits from the compilation will be donated to the British Liver Trust.

King of Town (KoT), originally from Johannesburg but now in the UK, is back after a nearly a decade hiatus from his mutant disco-inflected remixes.

Prior to his long break, King of Town remixed the likes of Franz Ferdinand, Slow Club, Alice Russell, the Detachments and the Phenomenal Handclap Band.
His remix of Desmond and the Tutus' 'Kiss You on the Cheek', released on Tigersushi in 2009, has become a regular feature of Spotify playlists and has racked up a few million listens across various streaming platforms.

For this release KoT serves up four exclusive re-edits.

Lord Have Mercy is a retouch of Willie West's slow-burn R&B lament of his own elegiac defiance, where KoT underpins West's groove with a 303 acid bassline and synth flourishes.
Swimming in Your Eyes is a beefing up of Pasteur Lappe's 1979 Rhodes-heavy space disco groove.
Troubles of this World takes OV Wrights ridiculously soulful take on a gospel classic and transforms it into a retro-futurist track aimed firmly at the dancefloor.
And with Khomo Tsaka Deile Kae KoT nods towards his roots and inserts drive and snap into fellow South African Marumo's 1982 kwela-touched stomper.

As always the artwork has been completed by the very talented Pedro Carvalho de Almeida.

Vinyl Only.

Thaniil Alexandros can’t imagine a life without producing. Under the name of RBCHMBRS, Thaniil has been tinkering with sample based productions for 17 years. In one form or another, RBCHMBRS has mashed inspirations of hip hop instrumentals with the funky, snappy bounce of UKG.

Being half Greek and half Dominican means that Thaniil’s first memories of music were of classic Greek music and his mother’s love of dance and disco. Growing up on the Bronx meant that he was exposed to a mix of genres his entire life. From boomboxes on the street or from the windows of his neighbors home, gave Alexandros exposure to sounds he hadn't heard.

Toe the Line EP was intended to return to stripped down elements of older releases, but something “a little less outer space, a return to earth.” Armed with an SP-404, RBCHMBRS wants to be playful without being reminiscent, always trying to move forward. He believes that nostalgic pain can propel an artist to make their best work.

While noting history teachers as salient inspirations that opened his eyes to cultures unknown to him, as well as a father who is a history buff of his own, Thaniil has inherited some of their reverence for the classics and the importance of learning from the past. Alexandros’ fundamentals are influenced by Madlib, Timbaland (“the early stuff,” he interjects), Q Tip, Havoc, Alchemist, UKG, as well as the culture that surrounded the NBA in the 90s, during his most formative years.

Keeping it in the family, RBCHMBRS works closely with critically acclaimed emcee/producer THERAVADA, who co-produced Sick by Earl Sweatshirt with him, and who is his cousin. Currently, RBCHMBRS is working on a self-proclaimed “sprawling dance album” with Tesh Curry. His audience has a lot to look forward to.

With his Estrella EP, his intention was expressed through the imagined feeling of a time warp, a portal, and maybe coming out the other end of it. He wanted Toe The Line EP to feel more grounded, a down to earth project that he leaned towards as he searched for his life to settle. This EP reminds him that many things in his life have changed for the better, and a lot of that has to do with the structure hes begun to install.

Sanctuary's Life Classics label sees its fifth instalment with a mixture of Disco and Funk, edited for the dance floor with respect to the original work.

Real post-punk from Cincinnati, Usa. Recently featured in the Netflix "Elite" series, this record is a must-have for all the lovers of the old raw d.i.y. synthpunk sound.

Let's go back to Italy with the dynamic duo Marvin & Guy aka Alessandro Parlatore and Marcello Giordani.

On their first release for Live At Robert Johnson they team up with another dynamic duo: Hard Ton - and you guessed right, they're Italian too.

So what else to expect than some real cool contemporary Italo Disco just in time for summer? »Save Me« comes in two different mixes: The »Disco Mix« and the »Club Mix« - both featuring the marvelous falsetto voice of Hard Ton's singer Max - himself quite a passionate singer in the field of Heavy Metal - AND Disco - yes, you heard right. But fear not, the Heavy Metal part isn't audible at all. We're talking Hi-NRG sounds galore and of course D.I.S.C.O. - the Munich style disco of someone like Giorgio Moroder doing his thing with Donna Summer or Harvey Fuqua's and Patrick Cowley's work with LGBT legend Sylvester - yes, the »You Make Me Feel (Mighty Real)« Sylvester. Not a bad company to get name-dropped, right?

Especially the »Disco Mix« of »Save Me« features many of those typical sounds of said producers and is a beautiful tribute to the golden disco era. The slightly darker »Club Mix« does a great job too by pulling all dancers straight onto the floor with its drum machine generated bass drum and its euphoric claps.

Marvin & Guy's solo track, the aptly named »Supported By Your Favourite DJ« will surely be supported by everyone of our favourite DJs: It's a happy and positive track which definitely will not fail as a secret weapon in everybody's DJ bag.

Now let's get saved by Marvin & Guy - and let's support the Italian scene - it's mighty real!

This EP contains unreleased music composed and produced by Alessandro Alessandroni in the 70s, taken from a dusty tape found in his vault. Afro Discoteca strikes immediately for its modernity and rich textures, sounding unbelievably contemporary.

Alessandro Alessandroni is one of those pioneers, a maestro that built the legend of Italian soundtracks and library music along with Ennio Morricone, Piero Umiliani and many others. His vault testifies how prolific had been those times, with hundreds of tapes and obscure recordings from that period. Among the many, a dusty tape bearing the hand-written label Afro Discoteca' captured the attention of Four Flies.

The music contained in the tape had never been released until now. When he listened to the tracks, Italian legendary DJ LEO MAS (one of the undisputed inventors of the Balearic sound) told us: It is surprising to listen to something that sounds

so modern... This EP is the perfect union of Afro influences and Italian taste. There's something Afro lounge here but also incredibly cinematic - it makes me think of John Carpenter's atmospheres. B1 (Afro Discoteca) reminds me of clubs I've been in Malindi in the late 70s and the closing track is absolutely spellbinding. This is wonderful.' PAOLO SCOTTI, head of Déjà vu Records and an authoritative Italian jazz expert said: Alessandroni's contribution to music is huge, he's a great musician and a great experimenter. Afro Discoteca sounds like it's been produced yesterday by a DJ of our times, an absolutely surprising EP and proof of Alessandroni's spontaneous genius!'

Returning for Volume 4 of the sought-after series, Glitterbox Jams is back with another red-hot delivery of dancefloor gems, ready to become a record box essential for all discerning disco DJs. The A-Side features two remixes of an early noughties dancefloor gem, as two esteemed disco editors Moplen and Dr Packer both take on ‘Love Will Be Our Guide’ from Mark Picchiotti presents Jersey Street. On the flip come two productions from Italian-Belgian producer Vito de Luca, donning his Aeroplane alias for a disco-infused remix of Marco Faraone & Greeko’s hip-house pumper ‘Armaghetton’, before swapping over to his Flush pseudonym to deliver the playful Balearic joy of ‘Come Back Baby’.

Tears are in the eyes of Xabiib Sharaabi, nicknamed the Somali King of Pop when he entered the stage of Berlin’s HKW. It is a mix of nostalghia, pain and joy. Like many Somalis he had been deprived overnight of both glamour and friends, the war in his homeland had sent him into exile. The glamorous discos and beachfront stages Mogadishu had once been famous for, had disappeared as the city was bombed to the ground. The King of Somali pop found himself stranded in Sweden, others like the members of Dur-Dur Band Int. ended up in London which until today has the largest Somali diaspora in Europe.

In the last decade many early recordings of Somalia’s funk, soul and disco era have been reissued. This record is not a reissue. The Berlin Session – is the first studio album of its kind since the golden days of Mogadishu came to a halt three decades ago. It is the living proof that Somali music is hot, funky and (!) well alive.

The record captures a historic reunion which took place in 2019 in Germany’s capital Berlin. London-based Dur-Dur Band Int. an eight-piece powerhouse of Somali live- music unites with three legendary Somali singers: Xabiib Sharaabi, Faduumina Hilowle and Cabdinur Allaale for a concert at Berlin’s HKW. Fueled with a restored sense of pride, the freshly reunited musicians decided to get together in a Neukölln studio for two amazing days of recording.

Female vocalist Faduumina Hilowle opens the album with an invitation to kickass: “Let’s shake off the dust, boys!” (Inta ka hurguf). Grooving with such a strong accent on the off-beat, any non-Somali listener may think of Reggae. But when you ask the musicians, they tell you: “They took it from us! It’s Dhaanto! It’s our rhythm”. Originating from the Ogaden region (now in neighbouring Ethiopia’s borders), Dhaanto dates back to the era of “clap & chant”. Some say it is an imitation of the camel’s bounce. Xabiib Sharaabi was once nick-named Somalia’s King of Pop for the body language and magnetising voice with which he incorporated the latest global musical trends - even recording two disco albums entirely in English. On the album Xabiib chooses to sing his Somali adaptation of “Lady” originally by Afrobeat pioneer Fela Kuti. Not unlike the Motown Sound of Detroit and Kingston’s Studio One: a small scene of musicians were fueling that new Somali Disco scene in Mogadishu. Cabdinur Allaale, the third vocalist on the album comes from neighbouring Djibouti. In the heydays the leader of then famous Sharaf Band was a frequent visitor, flying back and forth between Mogadishu, Hargeisa, Kismayo & Djibouti entertaining his fans on the Horn of Africa.

Dur-Dur Band Int. ‚The Berlin Session‘ brings the spirit, joy and hope of this era back: In the last decades Somalis stars have lived among us, spread all over the world, it is time to see them step into the limelight again.

Nicolas Sheikholeslami:
In 2015 Berlin-based Nicolas Sheikholeslami became fascinated by Somali music and ended up compiling a mixtape to share his passion. He did not know that his tape Au Revoir, Mogadishu Vol. 1 - Songs From Before The War would spark a massive international interest for Somali music. Soon later Nicolas co-compiled Sweet As Broken Dates: Lost Somali Tapes from the Horn of Africa for Ostinato records which got a Grammy-nomination in 2017. Berlin’s venue HKW took notice and asked him to set up a show with a selection of Somali artists from the golden era. This lead to this remarkable reunion. A studio was booked and within 2 days this album was recorded. The Berlin Session captures this emotional moment. In 2021/22 Nicolas Sheikholeslami finally sat down and mixed the recorded material. This record is the living proof that Somali music is hot, funky and well alive.

Rare Groove Collection Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume, discover unique groove tracks straight from Jamaica! Fully remastered original versions Jamaican Rare Groove From the beginning of the 60s to the end of the 80s, Jamaica had a worldwide influence with ska, rocksteady, dub and reggae, but the small Caribbean island did not escape the global trends of funk, soul and disco. This mix of influences has given birth to unique groove songs, highlighted by this Jamaican Rare Groove. Double vinyl Jamaican Rare Groove From the beginning of the 60s to the end of the 80s, Jamaica had a worldwide influence with ska, rocksteady, dub and reggae, but the small Caribbean island did not escape the global trends of funk, soul and disco. This mix of influences has given birth to unique groove songs, highlighted by this Jamaican Rare Groove.

Rare Groove Collection Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume, discover unique groove tracks straight from Jamaica! Fully remastered original versions Oriental RARE GROOVE A trip to the oriental peninsula following the steps of the Lebanese disco of Elias Rahbani, cradled by the Morrocan Soul of Ouiness or trained by the Lybian melodies of Ahmed Fakroun...

Rare Groove Collection Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume, discover unique groove tracks straight from Jamaica! Fully remastered original versions Brazilian RARE GROOVE Discover the wonders of Brazilian music from 60s, 70s & 80s. A wave of modernity invades the country and Soul, Funk & Disco influences merge with traditional genres such as Bossa Nova, Samba or Batucada. This union led to a colorful and cheerful groove symbolizing the transformation of Brazil.

With her hypnotizing voice and vivid lyricism, Jackie Mendoza makes fantastical, intimate electro-pop propelled by ukulele-based dance grooves. Having grown up between her birthplace of Chula Vista, California and Tijuana, Mexico, the 29-year-old singer-songwriter and multi-instrumentalist bridges these two worlds with dynamic soundscapes that pull from Latin pop, electronic music, and indie pop. She creates a musical universe that exists beyond strict borders of genre and geography, giving her the space to traverse the vast expanse of her interiority. Mendoza first started performing in 2014 as the vocalist for Brooklyn dream pop bands Gingerlys and Lunarette. She then broke out as a solo artist with her 2016 pop hits "Islands" and "La Luz," which showcased her imagery-packed, yet deeply introspective lyrics. On LuvHz, her 2019 adventurous debut EP that was initially inspired by a painful breakup, she turned her personal experiences into songs that observe greater truths about the world around her. As a result, the project became a broader reflection on varying forms of love, in relationships with your partner, your culture, and the natural environment. Mendoza expands this approach on her debut album, Galaxia de Emociones (Galaxy of Emotions), which sees her exploring a great range of feelings, from depression, celebration, outrage, numbness, hopelessness, and thrilling love. She uses each emotion as a portal to convey the intricacies of her experience as a queer, first-generation Mexican American woman, who actively defies and criticizes machismo and the Christian culture she was surrounded by. Brought up in the suburban border town of Chula Vista, she recalls being told by her parents to not mix English with Spanish, but speaking "spanglish" quickly became inevitable. It wasn't until high school, that learning to play ukulele and singing in school musicals allowed her to authentically express herself. "This album is about finding the courage to not only face my emotions, but also sharing them by singing them out loud." Mendoza says. The project was co-written and co-produced by Mendoza and Rusty Santos (Animal Collective, Panda Bear), with a contribution from Grammy winning producer and accordionist Ulises Lozano. As Galaxia de Emociones cruises from shimmering indie pop to accordion-laced electronic norteño, Mendoza proves there is both power and tenderness in embracing the fullness of your being and not doubting your instincts that might have been discouraged by society. She says it all in the opening song, "Natural," which blooms with spacey synths and twinkling ukulele plucks. "There is no use in controlling what comes natural to you," she sings in Spanish in a spellbinding loop. With her new album, she hopes that listeners can connect with her words and look within to explore their own galaxy of emotions.

Clear Vinyl

Kate Fagan took the Chicago punk scene by storm in the early 80's with her self-released single "I Don't Wanna Be Too Cool", which became the best-selling single ever by a local artist at the legendary Wax Trax! Records. Today, Captured Tracks is thrilled to present an expanded, re-mastered edition of I Don't Wanna Be Too Cool as a full-length vinyl album. Fagan wrote "I Don't Wanna Be Too Cool" after moving to Chicago from New York in the late 70's. The track is a critique of the emergent "hipster" attitude of the disco crowd and the posturing she was witnessing among her peers in New York. With its surf-inspired drum machine, irresistible melody, and defiant lyrics, "Too Cool" was immediately embraced by club DJs, radio stations, and independent record stores. Its b-side, "Waiting For The Crisis," also gained notice for its raw musical style and politically charged Reagan-era lyrics, which still resonate today. In the years that followed, Fagan continued to break new ground In 1980, she co-founded the enormously popular ska band Heavy Manners (whose dance parties are still legendary), and with them opened shows for The Clash, Grace Jones, Peter Tosh, The English Beat, and many more. The "Too Cool" single became a sought-after rarity among record collectors for decades after its initial release, until Manufactured Recordings gave it a proper reissue in 2016. Captured Tracks' expanded 2023 follow-up features four unreleased songs, which encapsulate the gutsy, new wave energy that pulses through the original single. The final track, the reggae-tinged "Say It", features production from the reggae legend Peter Tosh and Bob Marley's guitarist Donald Kinsey, who flew in from Jamaica to record with Heavy Manners after witnessing their impassioned live show. While the 2016 reissue re-established Fagan's cult-classic status for a new audience, this new expanded release solidifies her place in a tradition of trailblazing, powerhouse frontwomen.

We're glad to welcome St. David in the Groovin new releases series.
Davide Disanto aka St. David is dj, producer and musician born in Bari, Italy in the early 90's.

His production style is groovy and heavy stomping with classic drums, disco jazz samples and old school Akai Mpc rhythms which perfectly define his classic house signature.
Timeless EP is definitely a great example of St. David house style which is a perfect mix of classic deep-house combined with live instruments. Not to miss !