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Johnny Sais Quoi releases his debut release on Music From Memory - a 7-track LP entitled ‘Love On Ice.’ Channelling the spirit of Italo-pop and New Wave, ‘Love On Ice’ was crafted in the whirlwind of spontaneity and energy that changing circumstances often bring. Born from transition and exploring themes of leaving, arriving, coming together, and breaking up, ‘Love On Ice’ serves as an outlet to process, escape, and celebrate the challenges of a new life.

Johnny crafts exquisite dancefloor-focused pop—familiar yet unique, imbued with his own touch, a distinctive sensibility, and a knack for infectious hooks. The opener, ‘No Guilty Pleasures,’ sets the tone immediately as Johnny works his magic with a palette of synths, drum machines, picked guitar, and processed vocals. The title track, ‘Love On Ice,’ delivers a classic Italo-infused dancefloor bomb, featuring a driving synth bass line overlaid by hypnotic arpeggios. There is much here for the dancer, but ‘Love On Ice’ also ventures beyond the dance floor; the closing tracks ‘Ref 23’ and ‘Let's Find A Home’ are prime examples, both showcasing Johnny’s depth and range with their melancholic, mellow atmosphere.

The Rhythm Vision — the Berlin-based trio of Francesco Passantino, Daniele Ricca, and Francesco Monaco — debuts on Tractorecords with Techno Ballad EP, a vibrant four-tracker blending analog depth with dancefloor functionality.

The A-side kicks off with "Techno Ballad", a hypnotic, emotional techno cut with deep pads and raw drums, followed by "Love Love", an uplifting jam that nods to the golden era of '90s club music while keeping it fresh and modern.

On A2, "Folleti" explores a groovy, warm house atmosphere, born from a spontaneous studio session with guest artist Dahbar — pure jam energy pressed to wax.

The B-side closes with "RADUNO", a bonus track from the now-classic Resilience Groove collective, offering deep rhythms and a rolling analog feel perfect for late-night transitions.

A versatile EP with character — bridging techno and house with soul, groove, and timeless analog aesthetics.

Fetter’s Body of Noise erupts at the threshold between ravey hypnosis and avant-pop experiment, slithering through the hinterlands of unconscious desire. Nine shape-shifting tracks conjure haunted landscapes where beauty refuses clarity and dancefloor logic warps underfoot. Vocals swoon, drift, and demand—stacking into fragments that multiply and weave through saturated pulses and shimmering, snarling synths.

Opening track "Like a Rose" traces a dreamer’s transition into the unstable physics of a perplexing but familiar dream world, where they gradually become lucid. “Beast” follows up humming with shadowed urgency, threading a path through self-sabotage and metamorphosis. “Spathiphyllums” drifts a while in a lush lostness, aching for something new before fracturing into wild, cathartic collapse. Side B’s “Do I Exist? (D.I.E)” and “The Longing” spiral into existential wonder, searching for a human origin story—both personal and collective—against a backdrop of uncertainty, while “Headache” thrusts forward as an absurd and insistent manifesto to stay the course and harness one’s own power within the madness.

Body of Noise is crafted not only for sweating bodies in motion, but for distorting time and opening psychic portals, where surrender becomes strategy and uncertainty transforms into ecstatic navigation. Rooted in all-hardware improvised production and shaped by Fetter’s years of boundary-blurring visual and performance art, their debut LP feels alive and in flux. Reminiscent of a spectral pop chorus trapped in a loop of broken machinery, or a lost broadcast from a dancefloor in a parallel realm, Body of Noise is a journey into chaos, transformation, and a bold refusal to be contained.

About Fetter:
Fetter makes clubby self-destructing noise pop to dance and weep to. Oscillating between ethereal and pounding, their all-hardware, largely improvised live sets take listeners through a foggy wilderness of saturated rhythms and menacing synth lines, a golden voice guiding the way through. Fetter is the stage moniker of multimedia artist Jess Tucker. Their performances take place in clubs as well as galleries, often incorporating video, installation, and interactive performance art elements to create other-worldly surrounds of mesmerizingly unhinged bodies and faces.

dxrvo, hailing from Hannover, Germany, has made a name for himself in the electronic music scene by creating hypnotic, minimalist, and atmospheric techno sets. His music takes the dance floor on a captivating journey, characterized by driving beats, rhythmic basslines and repetitive sounds. With performances at renowned venues such as Tresor Berlin, PAL Hamburg, Doka Amsterdam, Watergate Berlin, and Terminal Lyon, he showcases his presence in theinternational techno landscape. As a founder of the Kollektiv Synergie, dxrvo is committed to inclusive events and the promotion of diverse artists. His production skills are evidenced by successful releases on labels like SYXT, Room Trax, Modern Minimal, and NYXII. More than just a DJ, dxrvo is an architect of sonic experiences, continuously redefining the boundaries of electronic music.


Linear Phase
With a two-decade career in music production, Carlos, better known as Linear Phase, has become an established artist in the global techno scene. His eclectic sound proposal, ranging from ambient / drone, through minimal / deep / hypnotic, to raw techno, has earned him the recognition of both critics and the public. His prolific career is reflected in the more than 50 releases under his belt in the last 5 years on several internationally renowned labels such as Molecular, Planet Rhythm, Newrhytmic, Drumcode LTD or Edit Select, to name a few, thus consolidating his presence in the global scene. His 5 years of experience in the world of modular eurorack has allowed him to develop a unique and personal sound, characterized by its depth, textures and enveloping atmospheres. In addition to his role as a producer, Linear Phase is co-creator of the Barcelona Modular Society, a space dedicated to the exploration and dissemination of experimental electronic music. Linear Phase is currently developing the creation of both its own label and its new studio, which will become a creative hub oriented to host all kinds of activities related to techno production. This space will feature the participation of renowned national and international producers, consolidating his commitment to the scene and his vision for the future.

Innmenal
Innmenal is a DJ and producer from Pinamar, Argentina. Resident from FAS Producciones he focuses into hypnotic sounds and chaotic rhythms. He has been playing across the Argentinian coastline spreading his sounds characteristics. With continous work and dedication Innmenal's tracks can be found in labels such as Concepto Hipnotico, Apical Records and Diffuse Reality. His first album called Metatron's Cube was released this year on the Diffuse Reality's Label. Another album is planned over this year along other releases on other labels. His last track Winds Of change was released on the label Modern Minimal with some support coming from Rødhad, Svreca, Developer, Richie Hawtin, Slam, Justine Perry, Arnaud Le Texier, Distant Echoes, Dax J, Hugo Rolan and more. He has shared the decks with Mariano DC doing warm up during last year. With more than 10 years behind the decks he's still digging into the deep hypnotic sounds with some agressive percussions to give the listener a journey through his cosmic sounds. So far Innmenal has been active in various labels like Diffuse Reality, Modern Minimal, KPLR, Space Travel, Rowan Underground and Habitat Musical.

Qaypz
Qaypz is a DJ and producer hailing from Arlon, Belgium. As a child of the 90s dance music era, his journey into electronic music began in 2000, ignited by his first I Love Techno Festival experience in Belgium and the underground rave scene that was thriving in his hometown Liège, where Jungle and D'n'B from UK were dominating. This era made Qaypz start mixing on turntables and embracing vinyl culture in 2003. Today, he's versatile, seamlessly transitioning between turntables, CDJs and DAW-based setups, incorporating hardware and controllers for a hybrid mix performance style. In his early years, he organized local rave parties and later moved to Eupen, the capital of East Belgium, where he founded the collective Krank'm'Haus. Qaypz's passion for underground sounds is evident in his productions. He crafts dark, industrial tracks characterized by powerful kicks, somber melodies and a driving rhythm. His performances have graced notable locations such as The Ground Club in Luxembourg, The Liquid Club in Malta and The Kulturzentrum Alterschlachthof in Eupen as well as underground events like La Nature, Eupen Musik Marathon Festivals in East Belgium and the Rummelstilzchen’s illegal rave party in Berlin-Rummelsburg just before the building demolition the day after. Qaypz is currently focusing on his label development and continue producing and mainly releasing his music on Krank'm'Haus Records.

Enter DJ Fly’s sonic arsenal with this precision-engineered breakbeat, crafted as a high-performance toolkit for the modern turntablist.
This vinyl delivers a sharp selection of expertly curated sound banks, including signature samples from DJ Fly’s legendary DMC routines, along with exclusive, never-before-heard material. All content is organized into thematically distinct sections to optimize workflow and creative output:
Epic & Orchestral – Acoustic & Electronic Instruments – Modern Textures & One-Shots.
Custom skipless loops (skipproofs) are designed to streamline cueing and enhance performance fluidity across all scratching and beat juggling techniques.
Features one side cut at 45 RPM and the other at 33 1/3 RPM, providing expanded control over pitch, tempo, and phrasing – perfect for hybrid routines and intricate transitions.
Each bank is structured to ensure harmonic, stylistic, or tempo-based coherence (BPM-aligned), supporting seamless layering, real-time improvisation, and the construction of musically cohesive sets.
A precision-cut breakbeat, purpose-built for vinyl technicians and battle-ready routines.

a A1 - The King's Bank Am/90bpm
b A2 - Bass Armor Bank [Fm/180bpm]





[h] A8 - Skip Beat_Crown Drum [90bpm]

[j] B2 - Durandal Bank [133,33bpm]
[k] B3 - La Joyeuse Bank [83,33bpm]
[l] B4 - Excalibur Bank [100bpm]

[n] B6 - Classic Cuts Bank [100bpm]


[83,33bpm]

The rare and resonating auras of CCO arrive on Analog Concept Records with the EP Cosmic String, designed to take the listener on an electro journey of melody and mystery.

Side A opens with confident missions captivating the soul and body through building layers of acidic 808 funk, ghostly ethereal chords, and the deep vision of Breaking Phase Transition; while the analog chords, tropical electro design and warm bass taste of Topological Defect are sure bets and your soundtrack to explore lands not seen yet.

The B side manifests the acidic imagination with the lysergic proliferation, late nite synth auras and kick driven electro rhythms of Zero-Width Approximation.

Simply Connected Space arrives next characterized by golden era Chicago House design, sunny ambience, and 707 percussive chase concluding the ep in classic taste.

We are delighted at Analog Concept for you to Experience the class production quality of CCO - Cosmic String.

KinAhau returns to Crosstown Rebels with expansive new single ‘Under the Flowerpot’, featuring Luke Cusato. Backed by a cosmic, synth-driven remix from Perel, the release lands on the label. After debuting on the label with his remix of Airrica’s ‘Hi Speed Lover’ last year, surging wonderkid KinAhau steps forward with his first full solo release for Crosstown Rebels. ‘Under the Flowerpot’ captures a moment of raw honesty and transition for the young Mexican artist, revealing a more expansive, song-led direction in collaboration with UK vocalist Luke Cusato.

The single was born during a turbulent period, written in the wake of a panic attack shortly after relocating to Rome. That sense of fragility and release runs through the record, pairing Cusato’s stirring topline with KinAhau’s widescreen production to create a cut that blurs the lines between club energy and confessional songwriting. For the remix, Damian Lazarus welcomes Perel to Crosstown Rebels. A unique voice within the electronic landscape, crafting her own lane with a genre-blurring approach, her remix is chugging, synth-led, and infused with a signature retro-futurist touch, channeling cosmic energy and slow-burning tension for dancefloors that like things deep and driving.Now 22, KinAhau’s journey has already taken him from handing Solid Grooves founder Michael Bibi a USB disguised as a trash collector to playing at DC10, Fabric, Space Miami and Mayan Warrior. His breakthrough collaboration ‘Different Side’ with Bibi and Audio Bullys carried his name onto global stages, while his 2024 mixtape comprised of old demos, drafts and edits revealed a more confessional, unfiltered edge to his sound. Yet ‘Under the Flowerpot’ feels like a deeper statement, one rooted not in hype but in self-exploration.

Paradise Lost’s sixth studio album (1997), which charted well across Europe, marked something of a change of direction for the West Yorkshire group: a transition from gothic metal to a more electronic approach, epitomised by the lead single ‘Say Just Words’, which remains a fan favourite and one of their biggest streaming tracks. This re-tooled aesthetic proved slightly controversial at the time but by the time of its acclaimed 20th anniversary reissue (mirrored here), for which it was remastered by Jaime Gomez Arellano, the general consensus was that the riffs, lyrics, and compositions on One Second are all vintage Paradise Lost. As noted by Decibel magazine, “There is a natural flow on display throughout the 12 songs that is akin to watching a favourite actor take on a somewhat different role than he or she is known for— and killing the performance.”

MCRV017 – Transient States. Feedback is an evocative four-track compilation that captures the deep essence of dub techno—equally suited for the dancefloor and for immersive, focused listening. Label veterans Eric Louis, Genning, Osman Oz, SUBMINIMAL (with a Tvardovsky remix), and Etzu Mahkayah all contribute. From the very first listen, the EP draws in discerning ears with its richness and detail.

Each track unfolds smoothly, evoking deep emotional textures and building a sensuous, introspective atmosphere. The release moves from subtle cues to vast sonic terrains, weaving through warm harmonics and resonant low-end thumps that captivate the body as much as the mind.

These tracks are ideal for transitional moments in a DJ set, yet stand strong on their own. Whether elevating the narrative arc, introducing mid-set tension, or closing a journey with emotional depth, each piece functions as a zealous tool for navigating sensation—crafted not just for movement, but for lasting memory.

Transient States exudes quiet power beneath a deliberate veil of restraint. Emotionally charged, sonically rich, and full of nuance, this release is a standout addition to any selector’s arsenal.

Limited edition

A cosmic journey in 8 parts: live drums and percussion looped through analog synths and vintage effects, unfolding into lush solos, deep basslines, and otherworldly textures. Anti-Planeting is Cappellato’s most exploratory statement yet—an album born of live experimentation, pressed for deep listening.

Releasing music – or art in general – goes beyond merely showcasing one’s performance skills or pursuing fame. Often, artists feel compelled to share certain works as a way to grow and transition into the next phase of their journey. The material may not always be easily digestible, but it is within these complexities that deeper meanings and innovative ideas emerge. This is what “Anti-planeting” embodies within Cappellato’s current musical landscape: a yearning to break free from a mindset that has long influenced society on this planet. Each track on “Anti-Planeting” carries a title that contributes to the overall narrative, revealing different aspects of the artist’s personal journey. Through these subtle feelings and intuitions, the album unfolds, gradually unveiling a complete puzzle that reflects the artist’s exploration and musical growth. “Anti-Planeting” is a fully realized album consisting of 8 tracks that emerged from these live experiments. The foundation of this project revolves around the use of live drums and percussion samples, which were then processed through an Electroharmonix 45000 looper and a Kaoss Pad II.

Montreal duo Flabbergast—aka Guillaume Coutu Dumont and Vincent Lemieux—return to Circus Company, the label where it all began with their debut EP in 2015. Now seasoned veterans of leftfield club experimentation, they deliver Weirdo Active, a two-track vinyl release that distills their signature
blend of groove, absurdity, and refined weirdness.
On the A-side, “Timecrowave” is a swung, syncopated burner built around fragmented drum programming, warbled synth textures, and subtly detuned atmospheres. It's a tool that thrives in the inbetween moments of a set—unpredictable yet fluid.
On the B-side “Serpentoute,” a slinky groove laced with dubwise processing and modular squelch, maintaining tension through micro-edits and playful FX. Perfect for after-hours transitions or more openminded floors.
Following standout releases on Yoyaku, Copier/Coller, and Chapelle XVI, Flabbergast continue to offer up dance music that’s deeply heady, subtly unhinged, and always full of intent. A finely sculpted dose of dancefloor surrealism—just the way Flabbergast likes it.

Detroit-based electronic music producer and DJ Rebecca Goldberg presents, Dancing Dreamland, a four-track journey of raw techno, electro, and acid. The EP was created during her 2024 artist residency at Modja Modja House in Margate, UK.

Drawing inspiration from Margate’s eclectic soundscape, Goldberg crafted the EP using field recordings captured around the coastal town: its prominent resident seagulls, carnival games, and bustling seaside energy. These organic textures were fused with analog hardware during sessions in renowned artist Yuri Suzuki’s studio, where she was granted access to a range of vintage and modern synthesizers and drum machines.

The result is Dancing Dreamland, a gritty and hypnotic blend of rhythmic percussion and experimental textures. Each track reflects Goldberg’s signature Detroit-rooted minimalism while embracing the playful chaos of the British seaside. The EP pays homage to the cultural crossover between the industrial sound of techno and the natural, atmospheric noise of a historic resort town in artistic transition.

Japan’s SUDO return to Drumcode with ‘We Are Free’, following their landmark 2024 debut ‘Real World’ Last summer brothers Isao and Takashi aka SUDO gifted Drumcode one of the most inspiring releases we’ve heard in recent times with ‘Real World’. Inspired by Underworld’s incendiary ‘Rez’, the EP was the sound of two producers pouring all their passion and shared musical history into a work that’ll be remembered for years to come.

The release peaked at no.1 on Beatport’s Release Charts and saw a follow up collaboration with Bart Skils ‘Nexus’ out later that year on Drumcode. ‘We Are Free’ continues SUDO’s emotion-led and timeless approach to techno, crafting a four-tracker inspired by the concepts of “freedom, divinity, memory and transition”. The title track genre-hops between electro-edged techno, silky ambient textures and breakbeats. Isao says: “We wanted to express in a powerful and explosive way one of our purposes on the dancefloor – a time of celebration, and freedom from restrictions.”

‘Elysium’ is a transcendental slice of techno that juxtaposes tough industrial rhythms with a stunning break that was inspired by a children’s choir Isao heard one day at Berlin Cathedral. “It took a long time to producer with many patterns until we were satisfied,” Isao shares.

“It was a real process of immersing oneself in the hypnotic groove and finding divinity.” Initially inspired by watching Bart Skils play a NYE 2025 set in Argentina, ‘Lost in Paradise’ is led by a delicate Latin vocal and crisp sun-dappled beats, before stepping up the pace in the second half. “As the production progressed, we were led to a wonderful result with the track’s vocal, a tribute to one of our biggest influences – the untouched nature of Ibiza and the vibes of the light and beautiful people that flow there.” The EP winds down with ‘Horizon’, a simultaneously beautiful yet bittersweet hymn that signals the end of the party.

Makhunik Records Presents: "Withdrawals" - A Bold New Vinyl Release by RAKANS Withdrawals, the highly anticipated follow-up to Emergence EP and Deep State (Midnight Stallion) EP, marks a bold new chapter in RAKANS's ever-evolving sonic journey.

Set for release on I Makhunik Records, Withdrawals explores the tension between desire and detachment, featuring five tracks that blur the lines between electronic, experimental, and club sounds. Available on vinyl, Withdrawals invites listeners to experience the raw and intimate emotions that inspired its creation. Following the success of Emergence EP (Gently Leftfield Techno from a Core Dresden Artist - Resident Advisor/Single Review by Andrew Ryce) and Deep State (Midnight Stallion) EP on Boudica, which gained recognition for their atmospheric intricacies and deep, immersive textures, Withdrawals delves deeper into personal and societal themes, paired with the artist's signature ethereal soundscapes and captivating beats. Each track carries a narrative, from late-night reflection to hedonistic encounters, with a pulsating intensity that mirrors the artist's own process of creative and emotional release. With Withdrawals, RAKANS continues to push boundaries, creating a profound listening experience that resonates both in its melancholy and its intensity.

Description of the Title: The title Withdrawals reflects a state of emotional and mental transition, where one is caught between the craving for connection and the unsettling effects of isolation. It symbolizes the artist's inner turmoil and process of reclaiming personal agency after experiences of burnout and separation. The tracks are an expression of that journey-tracking the highs and lows of life in a world that constantly demands more. Through these melodies, RAKANS has captured the intensity of longing and the aftermath of desire, inviting listeners to confront their own internal conflicts. The narrative is personal yet universally relatable, and the title speaks to the often painful but necessary process of letting go, detoxifying from past habits, and learning to be at peace with oneself. "With Withdrawals, He wanted to channel the emotions that often come from the struggle between desire and self-preservation, between the drive to connect and the need to retreat. he's journey, both as an artist and as an individual, has been filled with moments of intense reflection, self-discovery, and sometimes, disconnection.

These tracks are the culmination of that inner conflict, a raw exploration of what it means to both lose oneself and find a deeper, often painful, form of clarity. Like the music he's created before, the sound of Withdrawals speaks to the space between tension and release, the liminal space where truth is often revealed in its most vulnerable form. He's always believed that music is a mirror to the soul, and in this EP, He's tried to reflect that feeling of being both pulled in and out of something greater. It's a raw and intimate look at the way we navigate modern life, often feeling like we're running toward something that we can't quite reach, yet constantly pulled back into our own personal truths.

This EP is personal, but it's also for anyone who's ever felt caught between two worlds, the one they want and the one they need. I hope it resonates with listeners who are experiencing their own form of withdrawal, whether it's from people, places, or even from themselves.

Check The Description Before Asking For A Track ID is a thoughtfully curated four-track journey through modern deep tech house, balancing forward-thinking sound design with emotional depth and dancefloor functionality. The release unfolds across two distinct yet complementary sides, guiding the listener through evolving textures, moods, and states of energy.

On Side A, A1. Overt – Annular and A2. Third Echo – 31th Session introduce a spacious and immersive atmosphere. Built around shimmering arpeggios, airy melodies, and fluid progression, both tracks explore a subtle interplay between progressive motion, trance-like elements, and dub-infused textures. The result is a weightless yet driving experience — refined, hypnotic, and perfectly balanced for setting a tone that feels both futuristic and deeply engaging.

The B-side shifts into more introspective territory. B1. Eric Louis – Grooving In The Future and B2. Severin – Shiti bring a melancholic edge, focusing on emotive melodies and transitional energy. These tracks are crafted for pivotal moments within a set — where the atmosphere deepens, emotions unfold, and the narrative takes a new direction. Warm, bouncy grooves intertwine with cooler, more restrained tones, creating a contrast that feels both elegant and expressive.

Spanning a wide emotional and rhythmic spectrum, NRP006 is a versatile tool for selectors — designed to navigate the subtle shifts of a dancefloor with precision, intention, and depth.

NOREPRESS is a division of MixCult Records. Limited Edition.

Evighet proudly unveils its fifth release, EVIGHET005, featuring the Sky City EP by Dave N.A., the prolific producer from Yerevan known for his refined sound design and emotionally resonant compositions. With a catalog that spans labels such as Typeless Records and Uppers & Downers, his work continues to bridge precision and sensitivity, exploring the borders between rhythmic architecture and ambient introspection. On Sky City EP, Dave N.A. constructs an intricate sonic landscape where lush atmospheres coexist with fractured breaks and IDM-inspired rhythms. Rooted in the traditions of Jungle and Breakbeat yet unbound by genre, each piece reveals a narrative built from texture, movement and space. His music invites reflection while maintaining a dynamic forward energy, evoking the sense of motion through memory and dreamlike transitions. A central moment in the release is “Bloom”, which features a collaboration with Hayk Karoyi on flute. His performance adds an organic depth and melodic fluidity, weaving through electronic layers with warmth and clarity. The result is a delicate interplay between human breath and machine pulse, blurring the boundary between the natural and the synthetic. Sky City EP marks a new chapter for Evighet, reaffirming the label’s dedication to sound as a medium of exploration and storytelling. Through this release, Dave N.A. captures both emotional immediacy and compositional detail, expanding the label’s evolving narrative with a vision that feels deeply personal yet universally resonant.

DDE Signature Tracks is a record label based in Bogotá, Colombia, curated by the team behind Discos del Espacio Record Shop.

For our fourth release, we proudly present The Boss EP by Gallegos — a four-track record that blends punchy rhythms, rolling basslines, and subtle melodic touches. Gallegos delivers a versatile selection of tracks designed for different moments of the night, from warm-up to peak-time transitions.

From the nostalgic tones of Fueled By Nostalgia to the driving energy of Turn Up Or Turn Back, the EP moves between moods while maintaining a cohesive sonic identity. The title track, The Boss, stands at the center with a confident, stripped-back groove built for the floor.

Closing the release, Colombian duo Rush City deliver an old-school leaning house remix of The Boss.

Out soon on 12” vinyl.

Journeys are never just about distance. They stretch time, reshape perception, and demand transformation. With its latest vinyl split EP, Standard Deviation presents four tracks by Nastya Vogan and Phase Fatale that serves as a vessel for tracing displacement, memory, and the liminality of return. These melancholic yet powerful techno cuts serve both the concrete dance floor and moments of intimate self-reflection. Two artists--Nastya Vogan and Phase Fatale--approach Kyiv from different trajectories, but they both keep returning to the city. Vogan, a Ukrainian musician and resident DJ of Kyiv, and Phase Fatale (Hayden Payne), Berlin-based producer, Berghain and Khidi resident and founder of BITE Records, share a longstanding musical friendship. They've played B2B sets at K41 and Vogan, appeared on BITE's ''Shedding Skin'' compilation in 2023, and they share a vision for music selection, from aesthetics to philosophy. Vogan's 'Transitioning Territory' and 'This Is Not a Love Song' unravel the psycho-geography of transition. The first track captures the 24-hour journey to Kyiv as a rite of passage where 'time seems to fold; you are profoundly present yet paradoxically far from the world you left.' In this suspended state, memories surface and ordinary life recedes as the train's rhythm becomes its own meditation. Her second track explores Lacanian limerence--consciously falling for something not fully known, filling absences with personal projections as a way to discover what lies within oneself. Phase Fatale's contributions capture movement and distance with mechanical precision. 'Kekkai,' takes its name from the Japanese word for boundary, echoing 'respect my borders' ethos while reflecting on crossing into wartime Ukraine. The term also suggests a protective force field in Buddhist thought--much like Kyiv's current aura of resistance. 'Neosyazhna Rosa' (Unreachable Rose) honors Payne's Ukrainian grandmother Rose, weaving family history into his present connection with Ukraine. Both pieces balance melancholy with light, their sound palette of lush pads and rhythmic breaks crafted with K41's dance floor in mind.

Shuffle Valley kicks off its vinyl journey with a debut EP from label head Donnie Cosmo, presenting three original cuts that move through groove, breaks, and deeper sonic moods—plus a refined remix by Christopher Ledger.

The A1 sets the tone with a warm, groove-driven track aimed squarely at the dancefloor. Elastic basslines and shimmering percussion give it a rolling energy, while subtle psychedelic flourishes invite a kind of movement that’s both physical and inward.

Let Yourself Go ventures into the breakbeat territory, playing with loose, broken rhythms before smoothly transitioning into a steady 4/4 pulse. It’s a shape-shifter—fluid, unpredictable, and full of momentum.

The third original dives deeper. Hypnotic and introspective, it leans into a more mental space—spacey yet grounded, contemplative yet still groovy.

Closing the EP, talented Christopher Ledger offers a sleek rework of A2, adding space, clarity, and emotional weight. His remix floats with precision, enhancing the atmosphere while staying true to the original’s mood—a fitting final note for Shuffle Valley’s first vinyl chapter.

With the Behind You EP, Preesh presents a refined selection of deep, percussive cuts that speak in low tones and slow burns. Carefully restrained and rhythmically precise, each piece explores subtle tension, layered textures, and a sense of space that invites the listener in rather than pushing out.

This is club music with patience—crafted for moments of transition, introspection, and understated intensity. Stripped to the essentials, yet rich in detail, the EP finds its strength in what it holds back.

Raw, reduced, and purposefully precise – a signature Abartik release.