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Timm Sure & Richard Hampson should need no introduction.

Their output is prolific - with their own releases under the COYOTE moniker, as well as their work with other artists on their record label IS IT BALEARIC?

As huge fans of their work and label, we were flattered when they rang and expressed an interest in working with us. The product of this glorious new friendship is a truly exciting and unique sonic experience — one that is comprised of 7 proper tracks laced seamlessly together with African spoken word.

The word Nyabinghi (or Nyabingi) refers to a legendary woman of the Bahororo tribe of Uganda, whose name means "mother of abundance" or "the one who possesses many things" in the Mpororo language.

The 12 tracks of NYABINGHI ebb and flow between prose and melody, putting you into an almost trance like state - the sum of the parts at once meditative yet funky, evocative and spiritual, yet perfect to get people's feet moving at sunset.

40th Anniversary pressing of ?eUnder Me Sleng Teng?.
Limited edition 7?h 45 housed in a desirable illustrated sleeve.
Wayne Smith?fs game-changing ganja anthem twinned with Jammy?fs Studio Band crucial digital dub workout.
?Under Me Sleng Teng?f was the catalyst that sparked the digital Reggae revolution and one of the most significant releases in the history of music
?Essential purchase for any Reggae / Dancehall fan and in-demand Drum & Bass /Jungle / Rave essential - sampled by The Prodigy, SL2 and more.
Release in 1985 and produced by King Jammy ?eUnder Me Sleng Teng?f still sounds as revolutionary today as the day it was cut

Laibach und A/POLITICAL präsentieren 'Alamut' - ein brandneues Album mit symphonischen Originalwerken, die auf dem gleichnamigen Roman basieren - veröffentlicht als Doppel-Vinyl und 2CD via Mute.

Das Album wurde von Laibach und den Musikern aufgenommen, die 'Alamut' im Jahr 2022 in einer ehemaligen Kreuzritterburg in Ljubljana live aufführten. Zu den beteiligten Musikern gehören das RTV Slovenia Symphony Orchestra, die Vokalgruppe Human-Voice Ensemble aus Teheran, der Gallina Women's Choir und AccordiOna, ein Frauen-Akkordeon-Orchester, das von zusätzlichen Akkordeonspielern unterstützt wird und vom iranischen Dirigenten Navid Goharib geleitet wird.

'Alamut' ist ein symphonisches Originalwerk von Laibach, das auf einer berühmten Geschichte aus dem Persien des 11. Jahrhunderts basiert, die der slowenische Schriftsteller Vladimir Bartol in seinem 1938 erschienenen gleichnamigen Roman erzählt. Im Mittelpunkt steht Hassan-i Sabbah, der charismatische religiöse und politische Führer der Nizari-Ismailiten und Gründer einer geheimnisvollen militärischen Formation, die als die Assassinen bekannt ist und deren Name noch heute gefürchtet und respektiert wird. Hassan-i Sabbah ist ein selbsternannter Prophet, der von seinem Horst - der Burg von Alamut - aus einen heiligen Krieg gegen das Seldschukenreich führt. 'Alamut' befasst sich mit den Mechanismen der Propaganda zu der Zeit, als der slowenische Autor Bartol den Aufstieg des Faschismus in Triest, Italien, wo er lebte, miterlebte.

In Laibachs 'Alamut' verweben sich die Ideen des radikalen Nihilismus mit der klassischen persischen Poesie von Omar Khayyam, die sinnlichen Verse von Mahsati Ganjavi verschmelzen mit minimalistischen Orchesterfarben, die aus der iranischen Tradition stammen. Hassan-i Sabbahs Propagandamechanismen finden ihren Widerhall im industriellen Prinzip der Arbeitsweise des Orchesters und im einzigartigen Klang von Laibach.

“Raggamuffin Soldier” was recorded at Channel One Recording Studio in 1983 with Soldgie as engineer and a rhythm track played by Jolly Stewart and Daniel “Axeman” Thompson. Growing up in the Waterhouse neighborhood of Kingston, Jolly Stewart obviously developed this singing style and gave us a killer early digital dancehall missile with pure conscious lyrics “Raggamuffin soldier, big ina your area...me no deal with badness, me nah deal inna war, me is a raggamuffin soldier...mi raggamuffin ina foreign, raggamuffin sit down pon di riddim...how you know the raggamuffin? Me no wear no gold chain, me no wear no gold ring...”. “Raggamuffin Soldier” was produced by Fitzroy Peterkin who also produced the digital lover tune "Angie".
The Waterhouse style is a particular style of singing that emerged in the late seventies and early eighties within the Jamaican reggae scene. The Waterhouse style is commonly described as a plaintive, groaning and fluctuating vocal style, often nasal and strident, characteristics that will give it a sound that is distinct from the rest of the reggae singers. The commonly recognized founders of the Waterhouse style are the singers Michael "Mykal" Rose, Junior Reid and Don Carlos. The name derives from the famous neighborhood of the same name in Kingston, the capital of Jamaica, the place where the three pioneers were born and emerged. The Waterhouse style influenced many dancehall reggae artists of the eightiesvsuch as Tenor Saw, Half Pint, Nitty Gritty, Anthony Red Rose, King Kong, Yami Bolo, Andrew Bees...
Vincent Stewart aka “Jolly Man” is a reggae singer from Kingston 11, born december 16 1960 at Hunts Bay Lane, 4 Miles, Jamaica. Jolly started singing at age 13, he was placed in an approve School for 3 years and at the age of 16 he was released.
He started his musical career in the late 70's with Ossie Thomas, Phllip Morgan and Tristan Palmer from Black Solidarity label. Jolly Stewart recorded his first song entitled "Money Pyaka" on the classic "Pretty Looks" riddim which was recorded for Oswald Thomas on Ganja Farm label and released in 1979. Tristan Palmer who has another tune "Disappointed Lover" on the same riddim backed by The Soul Syndicate made the link with Jolly Stewart because he liked his style of song writting.
Jolly Stewart wrote three songs for Black Solidarity label: "Collie Man", "Bad Minded" and "Symbol Of Justice". All three tracks were covered by Triston Palmer. As a song writter, Jolly Stewart is behind Yami Bolo's hit on Stalag riddim “When A Man Is In Love” released on Winston Riley's label Techniques.
Jolly Stewart then decided to move on with his singjay career. He ventured to Tuff Gong studio where he met two producers. One was Prince Jazzbo from Ujama label, and the other was John John who owned the Bun Fi Bun label. He recorded "Praise jah" for Ujama and "Poverty Rush" for Bun Fi Bun. Still not satisfied with how his career was heading, he moved on to Lannaman's Preparatory School. There he learned to play guitar from a man named Fred McMurray aka Faf and Donald Jackson. Later he learned to play the keyboards by watching other musicians.
In the late 80's and early 90's, Jolly Stewart recorded many songs for various labels such as “Do Me Like So” for Bunny Gemini's label “Bun Gem Records” in 1987, “Late Last Night” and “War” for producer Zelma Rust and his label Myotta Ruff.
He also recorded for Augustus Pablo on his label Rockers International just before he died in the late 90's but we never heard about this release so probably Addis Pablo have it on old master tapes in the Rockers International archives....only Jah knows!

Heavy early 80s roots galore. Proper ganja tune with killer dub on the flip.

Contact is now established with mystic entity Rambal Cochet. Metallic movements and biological compositions project 4K renders to your mind’s eye. Voice fragments and expertly controlled oscillations advance you along the ascension path. Download these nebulous chronicles to the depths of your subconscious.

New and long awaited releases in the Jah Life reissue program. Al Campbell's "Collie Herb" was originally issued on Jah Life 12" in US & UK, and on Kaya 7" in JA. "World Crisis" was originally issued on 12" on the Reggae Sound label in NY. Killer ganja tune and reality tune, back to back. "Collie Herb" comes equipped with dub, while "World Crisis" is a deadly discomix.

After a long hiatus broken by their inclusion in Om Unit's final epic Acid Dub Versions set, Alter Echo & E3 step out once more with the four-track “No Peace EP.”

With past releases on storied labels including ZamZam Sounds, Moonshine, Scrub A Dub, Lion Charge, LavaLava, and Khaliphonic, the duo opted to forego labels for this one, instead dropping the first release on their own AEE3 imprint.

The main mix of the title tune is a pounding dystopian slow-stepper collab with old friend & sparring partner Ishan Sound, dusted off and rebuilt after years on dubplate. Shot-through with stinging percussion, swirling with leaden atmospherics and dread truths, this one’s an absolutely uncompromising piece of supremely heavy steppers.

RSD’s remix opts for crystal clarity, extra layers of percussion, an emotional mid-range melody, and of course the huge bassweight Rob Smith is known & loved the world over for.

Om Unit’s “Kaliuyga Verse” recenters the tune on deeply spiritual indigenous wisdom spoken by Floyd “Red Crow” Westerman. This long-form rework fleshes out the instrumentation with classic UK dub percussion and FX, plus flute and much more, transmuting the original’s darkness into something magisterial and hopeful while maintaining absolute heaviness.

AEE3’s "Southeast Rock" closes the EP with a slower tempo meditation powered by a melodic bassline, chopped drums, dub tech stabs and righteous horns, an introspective ganja tune that will stay with you long after the runout groove.

REPRESSED !!!

Speed Pump from 2 masters of the genre.

Firing remix package of cuts from two legendary album's from Brazil's Orquestra Afro-Brasileira. Feat

Two albums - Obaluayê (1957) and Orquestra Afro-Brasileira (1968) - were enough for Orquestra Afro-Brasileira to mark its history in music forever. Born in 1942 in Rio de Janeiro by its founder Abigail Moura, it remained active until 1970 and, in 2021, was revived by the only living member of the original line-up at the time, Carlos Negreiros, when the third and final album in the orchestra's career, entitled 80 years, was released by Amor in Sound/Night Dreamer. Today (31) the album gets its remix version with tracks signed by names of the caliber of Marcelo D2, Criolo, Pupillo, Emicida, Rael, Cut Chemist, Mexican Institute of Sound, among others.

Aiming to keep the legacy of the Orquestra Afro-Brasileira alive, the album 80 Anos (Remixes) reaffirms the group's relevance as a creative source for different generations of musicians and listeners, based on new interpretations produced by artists who are also fans of the orchestra. According to Mario Caldato Jr., the album's musical director, "it was a great joy when I got to know the work of the Afro-Brazilian Orchestra and, soon after, had the honor of meeting and working with Carlos Negreiros. Producing 80 Anos alongside him was a gift and being able to look back on it, having the remix album to celebrate this legacy, is really wonderful."

For Amor in Sound - Mario and Samantha Caldato's record label - this release faithfully represents their values: Respect for memory, diversity, friendship and the possibility of creating new worlds. Made in a totally collaborative way, the album is born as a historical record, interpreted by great names in current music and, above all, great friends. “Being able to do this is indescribable, the value of relationships makes up and continues the legacy of the Orquestra Afro Brasileira,” says Samantha.

The project brings together Brazilians Criolo, Emicida, Rael, Marcelo D2, Lucio Maia, Pupillo, Rogê, Tropkillaz, Kassin, Pedro Dom, Zilladxg, Nuts, Daniel Ganjaman, Imperatore and Nave, as well as international DJs and producers such as Mix Master Mike, Cut Chemist, Gaslamp Killer, J Rocc, TASO, Mexican Institute of Sound and Mophono.

Rediscover some of the best Reggae tracks ever made in a double vinyl package.

Featuring : The Wailers – Errol Dunkley – Max Romeo – Horace Andy – Sly & Robbie – Tenor Saw – Chaka Demus & Pliers - Sean Paul – Sister Nancy – Yellowman – The Mighty Diamonds – Lee “Scratch” Perry & The Upsetters

Re-issued for the first time on vinyl, this obscure dub masterpiece – originally available on the small imprint Silver Camel in 1981 – is still considered one of the best efforts by brilliant singer and producer Al Campbell. More magic at the controls with the key presence of Barnabas and Maxie at Channel One and Scientist tracks mixed at King Tubby’s studio.

PHONOLAB is the new collaborative project from Anglo-Italian musician, solo artist and producer Gaudi and experimental electronica composer Eraldo Bernocchi Both fearless creators known for pushing the boundaries of sound for almost four decades, the duo's new album 'Disturbia' is set for release on the 11th April via Subsound Records and features contributions from heavyweights including Gerald Casale (Devo), Flowdan, Bill Laswell and the late Mark Stewart (The Pop Group).

With its eclectic blend of electronic innovation, deep basslines, and cutting- edge sound design, 'Disturbia' challenges and captivates listeners with its bold, genredefying vision, resulting in a deeply immersive and forward-thinking sonic experience. The title of the album was created by late post-punk pioneer and lead singer of The Pop Group, Mark Stewart, who was recording with PHONOLAB, shortly before he died. Some of the disruption and creative defance Stewart embodied can be heard throughout the album including tracks such as the glitchy 'Lapis Lazuli' and album title track, 'Disturbia.' The album acts as a homage to one of the most infuential post

PHONOLAB is the new collaborative project from Anglo-Italian musician, solo artist and producer Gaudi and experimental electronica composer Eraldo Bernocchi Both fearless creators known for pushing the boundaries of sound for almost four decades, the duo's new album 'Disturbia' is set for release on the 11th April via Subsound Records and features contributions from heavyweights including Gerald Casale (Devo), Flowdan, Bill Laswell and the late Mark Stewart (The Pop Group).

With its eclectic blend of electronic innovation, deep basslines, and cutting- edge sound design, 'Disturbia' challenges and captivates listeners with its bold, genredefying vision, resulting in a deeply immersive and forward-thinking sonic experience. The title of the album was created by late post-punk pioneer and lead singer of The Pop Group, Mark Stewart, who was recording with PHONOLAB, shortly before he died. Some of the disruption and creative defance Stewart embodied can be heard throughout the album including tracks such as the glitchy 'Lapis Lazuli' and album title track, 'Disturbia.' The album acts as a homage to one of the most infuential post

7FO: pronounced "nana f o" in English, "nana" being seven.Ryuno Nukegara: "dragon's husk". These are the only difficulties you'llencounter here. This is warm, friendly, very relaxed music, very"understandable" and yet intriguing, sure to appeal to fans ofelectronic ambient, dub and chill-out music, as well as artists likeHaruomi Hosono, Captain Ganja, La Monte Young, Equiknoxx andTapes.The Osaka-based 7FO combines groovily sparseelectronic percussion with similarly sparse dub-feel synth bass, aswell as pentatonic synth and steel pan melodies, the latter with anintriguing Okinawa/Sunda/Malay feel. Sparkling dub-influencedprocessing and thoughtful mixing gives us a music which istrans-oceanic, warm, and enveloping. Following releases onRVNG, Bokeh Versions and Metron,Ryu no Nukegarais availableon digital, CD and 12" LP, featuring a suite of four tracks and the20-minute title track, whose titular dragon is Asian: a potentsymbol of water, strength and good luck.

Uzi monumentum !
Old school Tribe Killer with the first extract liveset.
Now you know this is where it's happening.

Here we go with another release on the Mokum label.