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Kinga - Sexy Boy

Kinga

Sexy Boy

12inchDE-316
Dark Entries
24.06.2025

In celebration of Pride Month, Kinga struts to Dark Entries with “Sexy Boy,” a steamy Canadian pop gem. Inspired by gender-bending pop stars of the 1980s like Boy George and Janet Jackson, a young Tomas Fussey aka Kinga ditched his “schoolboy appearance” to adopt an edgier, androgynous style. Immersed in Calgary nightlife, he became acquainted with sexy synthpop and disco songs like Madonna’s “Everybody,” Divine’s “Native Love,” and the Flirts’ “Passion” - songs which still linger in his mind. He began writing music: “It was 80s. Everyone was making a record. So I made one too.” In 1988 he teamed up with keyboardist Dan Madison and veteran producer Bob Gallo to make “Elevator Operator” and “Sexy Boy.” Kinga was surprised when the B-side “Sexy Boy” garnered substantial radio play from CFNY in Toronto. But he notes: “They saw the obvious... My physical appearance supported the lyrics.” In 1989, Amok Records backed a new “Late Night Dance Mix” version of “Sexy Boy.” Almost every part was re-recorded or remade, including Kinga’s vocals. The new version surprised Kinga with its slick production and moody atmosphere. Sales were disappointing, and Kinga stated “It was not the sound of the moment.” But these deeper house-inflected grooves feel like the sound of our current moment. This release of Sexy Boy includes five different mixes, including the original 7” mix, three versions from the 12”, and the previously unreleased “TV Mix”. Sexy Boy comes sleeved in a reproduction of the original artwork and includes an insert with liner notes and lyrics, as well as an 8x10 glossy press photo of the sexy boy himself.

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14,71 €
Gina X - Greatest Fits LP 2x12"

Gina X makes her way to Dark Entries for Greatest Fits, a compilation of gems and jams from the eccentric New Wave icon. Gina X Performance was formed in Cologne in 1978 when art history student and chanteuse Gina Kikoine teamed up with synth wizard Zeus B. Held. Inspired by Patti Smith and Lou Reed, Kikoine aimed to create "the absolute union of music, poetry and travesty," a lofty goal that she most certainly would achieve. 1979 saw the release of the classic first LP, Nice Mover, which put Held’s lush electronic production in dialogue with Gina X’s deadpan delivery. Songs explore androgyny, decadence, and avant-garde art in a fashion that is stylish, sexy, and more than a touch transgressive. Nice Mover quickly became a cult favorite thanks to tracks like the euphoric “Nice Mover” and the dancefloor bomb “No G.D.M.”, dedicated to queer icon Quentin Crisp. Three more LPs followed in the coming years: X-Traordinaire in 1980; Voyeur in 1981; and Yinglish in 1984. The duo continued their genre deviance throughout, exploring uptempo space disco on “Strip Tease,” punk-laced New Wave on “Babylon Generation,” and icy electro-pop on “French Lift.” Greatest Fits is the first-ever double LP compilation of Gina X material.

The 17 tracks on Greatest Fits were selected by Kikoine and Held, reflecting the duo’s most cherished moments from their wide-ranging catalog. The record comes housed in a gatefold sleeve designed by Eloise Shir-Juen Leigh featuring press clippings and photographs, and includes an insert with lyrics and memories about each song from Kikoine and Held.

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Last In: 24 days ago
25,17 €
Various - Microwave Buddha & Other Delights

A retrospective of collaborations and remixes by composer/producer David Javelosa (Los Microwaves and Baby Buddha). Featured artists include L.A. punk producer Geza X, Chip Kinman of Rank and File and the Dils, Bebe Barron of the Forbidden Planet soundtrack, Japanese power pop band Orange Kandy, upcoming synth artists Pink Stiletto, and more. Each track is unique in it's back story as well as its sound. Offered as a limited run of 300 copies, this collectors item is sure to become a rarity.

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21,81 €
Los Microwave - What's That Got To Do (With Loving You)  LP 2x12 "

HYPERSPACE COMMUNICATIONS is releases a new remix package of the original Los Microwaves first LP: What's That Got To Do (With Loving You) is a two disc release in Lime and Clear colored vinyl; remixed by Kit Watson from the original analog 24 channel multi-track tape.Disc One is an EP containing six songs from the original Life After Breakfast LP (Poshboy Records) that have been remixed for the dance floor and pressed at a popping 45 rpm. There are 3 songs on each side including the title track, Time To Get Up, TV in my Eye and more.Disc Two is a full length LP at 33 rpm featuring the previous tracks plus four more mixed as instrumentals for film and TV synch use.These can also be used for custom length live cross mixes.This limited edition comes in a gate fold sleeve that pays homage to the Poshboy generic disco sleeve and original LP cover, and also features photos by Fred Kaplan.








h C2 Time To Get Up Instrumental
i C3 T.V. In My Eye Instrumental
j C4 Home Alone Instrumental
k C5 Reckless Dialog [Instrumental]
[l] D1 La Voix Humaine [Instrumental]
[m] D2 Is The Life After Breakfast [Instrumental]
[n] D3 You Bet [Instrumental]
[o] D4 Forever [Instrumental]
[Instrumental]








[h] C2 Time To Get Up [Instrumental]
[i] C3 T.V. In My Eye [Instrumental]
[j] C4 Home Alone [Instrumental]
[k] C5 Reckless Dialog [Instrumental]
[l] D1 La Voix Humaine [Instrumental]
[m] D2 Is The Life After Breakfast [Instrumental]
[n] D3 You Bet [Instrumental]
[o] D4 Forever [Instrumental]
[Instrumental]








[h] C2 Time To Get Up [Instrumental]
[i] C3 T.V. In My Eye [Instrumental]
[j] C4 Home Alone [Instrumental]
[k] C5 Reckless Dialog [Instrumental]
[l] D1 La Voix Humaine [Instrumental]
[m] D2 Is The Life After Breakfast [Instrumental]
[n] D3 You Bet [Instrumental]
[o] D4 Forever [Instrumental]
[Instrumental]

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Last In: 15 months ago
26,47 €
LIL RONIN - COMME DES MOTS

Getting You Back to the Game of Life Records’ opening release, ‘Comme des mots’ LP is a journey through diverse sonic textures and energies from label-founder Lil Ronin.

Getting you back to the game of life is the headline of a physical and mental health therapy center. Casually popped in your conscience from an advertising board and let you in a strange place. But what is the game of life?
This label could be that space to get you back, to forget and perhaps find a form of youthful innocence again.

As a first solo project Lil Ronin freely experimented between different influences and genres that present his intimate universes, juggling with abstract, ballad and more dancefloor music, mostly recorded in Parisian suburb Alfortville between 2022 and 2024.

‘Comme des mots’ means ‘like words’ and evokes the ambiguous presence of his voice in the album, hidden in different characters, sometimes raving other times being conscious. Finally becoming a schizophrenic presence guiding you for the trip.

The cover follows the same ambivalence showing a typography with a distinct message that loses its readability in abstraction. The record also includes an insert with a childhood photo of Lil Ronin.

The LP was mastered in Paris by artist and engineer Krikor KOUCHIAN,
(past works for Simo Cell, Maoupa Mazzocchetti, Tolouse Low Trax…);
The design was created by sculptor artist and designer Marie-Mam-Sai BELLIER,
(past works for Erwan Sene’s JUnQ LP - PAN record, Zulu’s Hear The Sound Of My Feet - Association fatale etc.); The handmade drawings are by Vincent BENTOLILA (associated with the ‘Isengard’ label and parties in Brussels) ; The cover was handmade through silk-screen printing by the Lyon-based printer Olivier BRAL (whose past projects include Brigade Cynophile, Ateliers Dénudés, and Megabasse).

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28,99 €
Various - Summer Selections Five

Since launching in 2019, NuNorthern Soul’s Summer Selections series has become something of a must-check release for those seeking the sun-soaked pulse of the White Isle of Ibiza. It not only acts as a sampler for forthcoming digital-only EPs due for release over the summer season, but also a showcase for both established artists and label newcomers.

2025’s ‘selections’, the fifth in total, marks the popular series’ return after a three-year hiatus. Once again, it boasts six tracks, each taken from a forthcoming NuNorthern Soul EP, and touches on a variety of Ibiza-ready styles and sounds.

Up first are Manchester twosome Nightdubbing, who’s eponymous ‘Nightdubbing’ – first featured on their self-released 2023 debut album – is remixed by Archeo Recordings label boss Manu Archeo. He opts to brilliant blend slow motion electronic grooves and deep, warming bass with waves of ambient textures, eyes-closed melodic motifs and attractive lead lines.

George Koutalieries steps up next with the languid shuffle of ‘Seasons’, where imaginative vocalisation arrangements, mazy synth bass, calming acoustic guitars and cosmic electronics create a yearning afternoon delight, before label newcomer James E Burton combines pleasingly live-sounding drums and bass with picturesque electronics and the dreamiest of chords.

Next up is a teaser of what’s to come from recent signings Visions of Light, a fresh collaboration between Free Booter Lounge label founder Simon Sheldon and two of his artists, Muzka and Dan Dub Lounge. ‘The Mandela Vortex’ is a lightly dub-flecked Balearic shuffler rich in infectious hand percussion, meandering guitar solos, heady aural textures and echoing melodic motifs.

To draw the expansive collection to a close, we’re treated to two more yearning, picturesque and atmospheric treats. The first comes from another label debutant, Seafront International and Strictly Dub Records founder Saimon under the Roots Artefact alias. Deep, toasty and smothered in vintage effects, ‘The Big Calm Dubwise’ is a picture-perfect Balearic dub classic in the making.

Rounding things off is former Les Yeux Orange Contributor – and rising star of the French Balearic movement – Jilo, who gently takes us by the hand and leads us towards the dancefloor. Underpinned by a heavily electronic, nu-disco adjacent groove, ‘Shadow’s Tango’ is smile-inducing aural joy writ large – all huggable chords, Italo-house pianos, chugging bass and the most kaleidoscopic of chords. It provides a wonderfully uplifting conclusion to another fine collection of ‘Summer Selections’.

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Last In: 70 days ago
15,92 €
Hologram Teen - Captain Fluo

Hologram Teen is the solo project (and anagram) of former Stereolab keyboardist Morgane Lhote. Her colourful playful songs are heavily influenced by disco and 80s French pop.

Initially from Paris, Morgane relocated to Los Angeles where she concentrated on her solo material. Captain Fluo is a disco-fuelled love letter to 1980s Paris and its underground nightlife, record store discoveries and the exhilaration of growing up as a gay teenager in a world of self-discovery.

Produced and mixed by Andrew Claristidge (Acid Washed) at Duca Sonora Studios in Brittany Captain Fluo is a vibrant fusion of propulsive beats, bouncy synths and funky basslines. Morgane’s signature keyboards weave through a constellation of guest vocalists including Sandra Zettpunkt, Maxwell Farrington, Eric D Clark and Alex Aikiu. From the euphoric pulse of ‘Lust Pill’ to the radio crooner nostalgia of ‘Fréquence Gaie’ each track is a portal to the dance floors and late-night airwaves of a bygone era.

Drawing inspiration from French pop icons like France Gall, Michel Berger and Louis Chedid alongside the sleek productions of Italo disco pioneers Kasso and the genre-defining touch of David Bowie, Nile Rogers, Quincy Jones and Depeche Mode, Captain Fluo is a heartfelt ride through an era when music was liberation.

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21,81 €
Easy Mountain Listening - Live At Oblicuo #1

LIVE AT OBLICUO is a label of Abstract Electronica, experimental, downtempo releases. It's a collection of live concerts which takes place at Barcelona's OBLICUO HIFI Bar.

The Easy Mountain Listening album Live at Oblicuo records the performance at OblicuoHIFI in Barcelona on January 5, 2024

The atmosphere is densely populated by a crowd of gentle ghost sounds where uncertainty empowers tranquillity. Music to crack meanings of a deeper sea where broken textures need no repair. Its like Squarepusher in slowmotion is being sucked by Oval most hidden layers. There are no beats, and no easy way out in each these four adventures in the spatial self. Synthetizers sounds like blades floating underwater and the Phoenix will return again after seeming to disappear.

The musical project is called Easy Mountain Listening, and it features Warren Walker on Eurorack and Francesco Geminiani on the Buchla Easel. They both come from the jazz saxophone world, and one summer day in 2023 they got together for the first time to experiment with synthesizers. They recorded for a few hours and that first session, completely improvised, was magical. Something really fit, and that recording became their debut album, published on Foehn Records in June 2024.

Warren Walker
Tenor Saxophonist, synthesist, composer and producer Warren Walker comes from Grass Valley, California before moving to Paris, France in 2007. He operates in an effervescent musical universe that is in constant flux and infuses jazz with widescreen inspirations.

Francesco Geminiani
Tenor Saxophonist, electronic musician and composer Francesco Geminiani comes from beautiful Verona (IT) before moving to Switzerland, NYC and Paris. An endless musical curiosity drives him across styles and melodies, sharing the stage with great human beings across the New and the Old World. Inspired by the masters, he embraces impressionism to connect with the curious listener.

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17,23 €
Soul Jazz Records presents Trash - Priorities/Look

Exact replica picture sleeve seven-inch reissue of this hidden super-catchy punk/power pop 45 from the very short-lived punk group Trash. The music is raw, naive three-chord genius!
The group Trash were from Weybridge, Surrey and found little success at the time. They released just two singles to absolutely no fanfare at all in 1977 and 78 despite being signed to Polydor Records.
Trash's 'Priorities', the group's debut single is now available once again for the first time in nearly 50 years on Soul Jazz Records in a very limited edition one-off pressing of 300 copies.

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Last In: 15 months ago
15,76 €
CALAGAD 13 - VIBRACID EP

CALAGAD 13

VIBRACID EP

12inchCT008
Cosmic Tribe
11.06.2025

Dystopian Context: Episode 3

In a futuristic society where science has advanced to the point of creating bio-synthetic hybrids, a groundbreaking discovery emerges: the ability to imprint memory onto energy.

Initially developed to enhance machine control, this breakthrough was soon applied to living beings. Its consequences mirrored genetic determinism, shaping behavioral patterns and influencing individual will.

This technology enables certain elites to manage and condition the population, restricting autonomy through the manipulation of energetic memory.

However, a group of resistance fighters has uncovered an advanced data-erasure technique called Vibracid, capable of deleting imposed memories and restoring self-determination.

The struggle is not between different species, but between those who monopolize scientific power and those who seek to reclaim their freedom and forge their own destiny.

Vibracid (Corrosive Vibration)
A technique for data erasure and elimination, designed for the eradication of records and the neutralization of control mechanisms.

Limited to 150 copies.

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17,02 €
Azzurro 80 - Flashback

Azzurro 80

Flashback

12inchFLIES74
Four Flies
06.06.2025

Azzurro 80's new album—his first ever on LP—is a beautifully faded Polaroid that, like a true flashback, plunges listeners into the heart of the 1980s. It's a sonic journey that captures the essence of a decade, distant yet vividly etched in our collective memory.

The Roman producer unleashes his sonic vision with even greater intensity than before, weaving through dreamy italo-disco, electric atmospheres, soundtrack-worthy synth-pop, and boogie-funk grooves.

Each track opens a window onto an era the artist experienced only fleetingly as a child, yet he evokes it with a powerful and refreshingly original touch. Much like a classic library music record, these tracks conjure a wealth of images, scenes, and visual sequences—perfect soundtracks for imagined films or evocative advertising campaigns: as seductive as a perfume ad, as desirable as a car commercial, and brimming with the bright future the 80s promised.

It's no surprise that cinematic references spring to mind even before musical ones. The album echoes the dreamy atmospheres of early 80s Italian cinema, particularly films like Carlo Verdone's "Acqua e Sapone" (1983) and Carlo Vanzina's "Amarsi Un Po'" (1984). Meanwhile, flashes of New Romantic aesthetics and hints of electro-funk transport you to a neon-lit dance floor where a DJ is spinning the vinyl copy of Flashback.

Azzurro 80's new album is a vibrant, energetic work, balancing groove and emotion in equal measure and infused with a sense of nostalgia that feels remarkably contemporary.

Available May 9th on LP and Digital from Four Flies Records!

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RICHARD NORRIS - MR NORRIS CHANGES BRAINS - CHAPTER 2 LP 2x12"

"Throughout all my time as a musician and producer, ever since Jack the Tab, I've been focused on developing a single idea: Blending psychedelic sounds and effects with rhythm." Richard Norris, Strange Things Are Happening White Rabbit 2024

Over the past few years Eskimo Recordings have invited some of thebest crate diggers around to curate compilations that don't just reveal the hidden contents of their record bags but something about themselves too. Now, following in the footsteps of the likes of Bill Brewster and Psychemagik, producer, musician, DJ, writer and more, Richard Norris, takes us on a globetrotting psychedelic journey with the epic 42 track collection, Mr Norris Changes Brains.

For over forty years Richard has played a part in many of the UK's most important music subcultures. Whether sharing stages with the likes of Tracey Thorn as a pubescent punk in St. Albans, or running freakbeat nights in Liverpool and working at the pioneering psychedelic label Bam Caruso, co-producing the UK's first acid house inspired LP with Throbbing Gristle's Genesis P. Orridge or riding the wave of creativity that the second summer of love unleashed all the way to the Top of the Pop studios as The Grid, Richard's career has continually seen him work to expand both his own and the public's musical horizons.

With Mr Norris Changes Brains it's the most recent part of his mercurial career that he's focused on. Drawing inspiration from his post 2006 adventures as one half of Beyond the Wizard's Sleeve, alongside Trash's Erol Alkan, this compilation shows how a more connected world has blown the dust off a paradoxically sometimes straightjacketed scene. The result is a dizzyingly wide-ranging collection that explores the further out there reaches of worldwide psychedelia and dancefloor mayhem.

"A lot of these tracks are fairly recent discoveries, things that I've discovered from around the time I started working with Erol and going right up to today," Richard explains. "Whether that's from going out to play and finding new records in places like Istanbul or just connecting with people online from all around the world. Psych can sometimes be a sort of narrow-minded field, with everything having to sit in its specific niche, but more and more people are open to new sounds and that's allowed for a much broader selection."

Despite their disparate origins what does unite these tracks is that they aren't just there to zone out to on a bean bag as projections of swirling coloured oils and psychedelic patterns wash over you. Mr Norris may change brains but his DJ sets also move feet, and whether it's their killer guitar riffs, oscillating synths floor shaking drums or soulful Hammond organs these are all cuts that from festival tents to underground clubs have proven time and time again to get people dancing.

"With a lot of these tracks there's a kind of fun element in them," says Richard. "It's still psychedelia, but they've also got these solid, funky grooves. They sound phenomenal on the dancefloor and as much as these records might excite old psych heads, this compilation is also for a new generation out there who might have never heard anything like this before and, just like when I was 18 and heard The 13th Floor Elevators for the first time, think 'Oh, my God, what on earth is this and more importantly what else is out there?'"

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Various - MANGA NEW AGE SOUNDTRACKS 1984-1993

LP vinyl only release + 4 page liner notes (comes with hype sticker)

The percussive new age soundtracks of '80s and early '90s Japanese TV, anime and manga built alternative worlds and pushed boundaries in the process.

When Japanese composer Yas-Kaz left Tokyo for Bali in the mid 1970s he had little idea of how influential his trip would become. In studying the storied art of gamelan, the jazz and avant-garde percussionist opened a door to a world of sound and rhythm left behind by the West. The music he and his contemporaries made would become known as new age. It also happened to soundtrack the golden era of anime.

Awash with money and with the prerogative to entertain the burgeoning middle classes, anime in the 1980s experienced a creative and commercial boom. Not constricted by generic expectations, production houses such as the now renowned Studio Ghibli were able to experiment liberally with both form and content. And with it came the space for composers to be similarly adventurous.

TV, Anime & Manga New Age Soundtracks 1984-1993 charts this moment across eight tracks spanning classics of the genre and previously unknown rarities. The collection brings together music that found kinship in electronic and acoustic instrumentation, often combining spiritual or environmental themes with percussive, varied and highly refined syncopations of non-Western musical traditions.

Among them is ‘Kaneda’ by Geinoh Yamashirogumi, the shape-shifting group of self-styled musicians, anthropologists and computer scientists that masterminded the soundtrack to game-changing dystopian anime Akira - and with whom the sound, tuning and breakneck speed of Balinese gamelan has become indelibly entwined.

Reflecting the desires of the era to reach beyond Japan’s borders, many of the soundtracks featured were commissioned for narratives set in distant lands or alternative worlds. There’s violinist and composer Norihiro Tsuru’s ‘Farsighted Person’, written for The Heroic Legend of Arslān, set in ancient Persia; Yas-Kaz’s own ‘Hei (Theme of Shikioni)’, for period sci-fi manga & anime series Peacock King - Spirit Warrior; and two tracks - Tassili N’Ajjer and Fiesta Del Fuego - from Yoichiro Yoshikawa’s soundtrack to NHK’s proto-Planet Earth series The Miracle Planet.

Such was the variety and quality of the music produced, if there is a guiding principle to the tracks collected here it is a sense of escapism and adventure that came with the confluence of modern electronic instruments and a fascination with percussive traditions.

Elsewhere, pioneering children’s TV composer Chumei Watanabe’s ‘Fushigi Song’ (performed by a vocal group Korogi ‘72) offers a trippy and infectious groove with sonic similarities to Don Cherry’s ‘Brown Rice’; little-known jazz-funk library group Columbia Orchestra showcase the best of Tokyo’s session musicians on ‘Hearts Beats - Theme for Andrew Glasgow’; before lawyer-turned-composer Kan Ogasawara closes out the compilation with a dramatic flourish on ‘Gishin Anki’.

Following on from Time Capsule’s acclaimed deep-dive into the world of manga & anime synth-pop in 2022, this vinyl only collection is set to broaden and diversify an understanding of how soundtracks shaped the sound of new age music in Japan for a generation.

Curators: Kay Suzuki, Rintaro Sekizuka (Vinyl Delivery Service)
Artwork: Tu-yang

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Last In: 12 months ago
27,94 €
SW. - TekkNOthing I & II

Sw.

TekkNOthing I & II

CassetteSWOB01
SWOB
23.05.2025

When SW. AKA, Stefan Wust, first established SUED in 2011, their compelling, cosmic and anonymous material struck a rare chord, emanating far beyond the freeform Berlin underground in which it was written. Unknowingly, Los Angelean Oliver Bristow had
established a parallel musical universe, founding the hyper-specific label Acid Test, inviting pioneering artists such as Donato Dozzy, Tin Man and Pepe Bradock to indulge in glorious interpretations of 303 control. Without compromise, these were records that quietly
reinvigorated electronic music.
Some years later, a new label, SWOB, unites Wust and Bristow in a very different landscape. And while it would be easy to transform the purity and integrity of this special alchemy into something like nostalgia, yearning for an alternative culture before
influencers and against algorithms, SWOB endeavours to find inspiration in arguably tougher truths.
“By the mid-90s, the techno scene had already reached a breaking point”, recalls Wust.
“Today, the scene is so highly professionalized that it barely resembles what was once called the "underground. But "underground" was never more than the simple reality that music circulated on cassettes among friends or that dubplates were played at illegal
parties... The consequence of today’s professionalization is the death of the original movement.”
Still, no one can kill an idea. Here, inspired by the “Outside Tekno” or “Outkast Techno” that emerged to subvert even back in the day, SWOB are proud to introduce the tekkNOthing trilogy, a new project from SW. beginning on cassette and culminating later
on vinyl. Some years in development, tekkNOthing first began to take shape during the 2020 global pandemic, when ‘the underground’ quickly began to mean something radically different once again.
“I noticed how everything was accelerating while simultaneously spinning in circles – existing in a kind of creative limbo on a global scale”, recalls Wust. “And that’s where true freedom lies: for artists – in any sense – to consciously engage with this necessity. In
other words, irrationality or nonsense can eventually generate meaning.” While hardly capitulating to the contemporary hammering of techno’s most recent developments, tekkNOthing’s first chapter quickly establishes a frenetic pace; tracks like ‘nuclearFALLoutX’ and ‘paslolESmess’ interlock and unfold at a tempo removed from that typically associated with SW. while ‘euroBSS’ and ‘viscousHEAT’ successfully experiment with a more guttural palette, veering far into a rejuvenating and previously uncharted leftfield.
A resolutely human endeavour, the music of SW. is nonetheless written and recorded in the looming shadow of AI, whose free-form adoption of pop culture, hip-hop and techno reminds Wust of “when photography emerged in the 19th century... painting was no
longer bound to naturalism. Similarly, music today is no longer bound to fixed standards – through AI, it can become truly free.”
If not in competition, than taking inspiration from this landscape of new opportunity, tekkNOthing diversifies further with eight unpredictable tracks across part II, taking in stuttering machine-funk on ‘crAMPDUNK’, a freeform organ jam via ‘sonicENdo’ and the
inexplicable piston-percussive, post-punk exotica heard on ‘poorTENOOR#a#01’ DJs with dual cassette decks skills might even find function in the more overtly floor-focused ‘DU ¨NEhowSE#1takeÄ’ or ‘lookLOOK’.
The times may have changed, but the promise remains simple; more music, more freedom.

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Last In: 16 months ago
14,71 €
Various - Night City Life II (Compiled by ILAN PDAHTZUR) 2x12"

Much has changed for Ilan Pdahtzur since the release of his Night City Life compilation six years ago. Back then, he was a little-known record collector who shared obscure, synth-heavy music that “captured the night-time glow” of the city he calls home, London, via a dedicated Instagram page. Fast forward to 2025 and Ilan is now a respected member of the international digger-selector community, having delivered must-check mixes for the likes of Bordello A Parigi, Bayete, Hunee’s Lifetones and Sound Metaphors.

It seems a fitting time, then, for Spacetalk to unleash Night City Life II, a second deep dive into Ilan’s distinctive, neon-lit sound world – a place where European synth-pop rarities, Italo-dance treats, dancefloor-focused post-boogie instrumentals soundtrack strolls around shuttered skyscrapers, dockside housing estates and wharf-side warehouse conversions.

In the six years that have passed since the release of Night City Life, Ilan has uncovered many more rarities, private-press gems and slept-on treats, with 14 of these featuring on the dusty-fingered crate-digger’s sublime sequel. As with its predecessor, much effort has been made to track down the artists behind the synth-heavy songs on show, with the vinyl edition featuring extended liner notes where some tell the story of their track in detail. Musically, there’s much to set the pulse racing within Ilan’s superb selections, from the slow-motion shuffle of Playground’s self-released 1984 B-side ‘Rainy Day Woman’ and the brilliance of Shamor’s 1985 South African synth-pop special ‘Close To You (Bwela Pafupi)’, to Sharon & Tracy’s ‘The Sheik’ – a belly-dancing inspired slab of TB-303 bass-driven house – and the kaleidoscopic, piano-rich 1992 Euro-house brilliance of ‘Come Into My Life’ by Jennifer.

Dive deeper into the collection and more under-appreciated musical masterpieces make their presence felt. There’s Sicilian musician Claudio D’Ignoti’s lesser-known boogie-era single ‘Anche Per Noi’, where rubbery bass guitar, Nile Rodgers style disco guitar licks and spacey synths dominate the sound space, Lena’s fashion circuit-inspired, early Pet Shop Boys-esque ‘Embrasse-Moi (Strumentale)’ – one that members of Milan’s Paninaro movement would surely have enjoyed – and a sublime, spaced-out and effects laden dancefloor dub of ‘Rescue Me (Imagination)’ by Jimmy D, a genuinely sought-after jam originally released on a now impossible-to-find seven-inch single. Offering another genuinely distinctive, carefully curated collection of lesser-known musical treats, Night City Life II is another essential, immersive and synthesizer-powered journey through Ilan’s unique sonic world.

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Last In: 85 days ago
31,05 €
Various - Afrosonica

Various

Afrosonica

12inchMEGAIMP125
FLEE
12.05.2025

The International Archives of Popular Music (AIMP), affiliated with the Ethnographic Museum of Geneva (MEG), is a label and collection dedicated to the preservation of world music. Founded in 1944 by musicologist Constantin Brăiloiu, it gathers over 18,000 recordings, from wax cylinders to digital formats. AIMP releases albums and collaborates with artists such as Midori Takada, exploring the connections between sound archives and contemporary creation. Through these projects, the label preserves and reinterprets musical traditions on a global scale.

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Last In: 16 months ago
23,91 €
Dennis Egberth - The Dennis Egberth Dynasty

Respected Swedish drummer and composer Dennis Egberth introduces new sextet in his first album with 577 Records.


"If you love the era in which electronic elements began to enter contemporary jazz, you’ll love what Sweden’s Dennis Egberth has been creating. The esteemed drummer/composer introduces us to his hand-chosen ensemble, The Dennis Egberth Dynasty, in the artist’s first album with 577 Records. The self-titled release highlights his creativity, painting a hypnotic soundscape that soothes the soul.

Experimental wizard Dennis Egberth is known for his distinguished approach to experimental music, free improv, and alternative pop, as well as his fascinating skills in blending cosmic composition and chilled ambient and electronic sounds. He presents floating melodies of irresistible bass lines and long, modal buildups that come alive with exploding lyricism. His new record highlights his compositional roots and was inspired by the evolution of electronics in this genre during the late ‘60s and ‘70s.

Egberth fused his talents with those of Fredrik Ljungkvist on tenor sax and clarinet, Niklas Barnö on trumpet, Alexander Zethson on Wurlitzer, Linus Hillborg on electronics, and double bassist Joe Williamson, forming an unforgettable sextet. Together, they’re more like a thriving ecosystem than anything else. Each member brings critical elements from their dynamic roles in the Swedish and European creative music scene and contributes them to the manifestation of a higher wave of sound unlike any other."

Tenor saxaphone and clarinet by Fredrik Ljungkvist.
Trumpet by Niklas Barnö.
Wurlitzer by Alex Zethson.
Electronics by Linus Hillborg.
Double bass by Joe Williamson.
Drums by Dennis Egberth.

Recorded by Niclas Lindström on December 14, 2023 at Atlantis Studio, Stockholm, Sweden.
Mixed by Anders af Klintberg.
Mastering by Kristofer Göransson.
Cover painting by MiHee Kim Magee.
Graphic design by Mark Smith.
All music by Dennis Egberth.

This record was made with support from the Swedish Arts Council.

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EVINHA - CARTÃO POSTAL

Evinha

CARTÃO POSTAL

12inchVAMPI308
Vampisoul
05.05.2025

Reissued here for the first time, "Cartão Postal" is one of the best and most sought-after Brazilian funk-soul albums from the early ’70s. It includes some outstanding uptempo gems like Marcos and Paulo Sergio Valle’s ‘Que bandeira’, and the stellar ‘Esperar Prá Ver’, co-written by Evinha’s brother Renato Corrêa who also happened to be a member of the Golden Boys. This is a classic Brazilian soul-funk title, right up there with all the greatest albums of the genre. Remastered from the original tapes and pressed on 180g vinyl. This release is part of a new reissue series that will include many other outstanding Brazilian classics. "Cartão Postal" was originally released on Odeon Brazil in 1971, a few years after Evinha started her solo career. From 1961 to 1968 she was a member of Trio Esperança, alongside her brothers Mário and Regina. In 1969 Evinha won first prize at the Festival Internacional da Cançao Popular and her discography for Odeon took off. "Cartão Postal", her third solo album, comprises some outstanding gems. Songs like ‘Que bandeira’, by Marcos Valle, Paulo Sérgio Valle and Mariozinho Rocha, that moves between funk/soul and bossa/MPB grooves; the stellar ‘Esperar Prá Ver’, co-written by Evinha’s brother Renato Corrêa who also happened to be a member of the Golden Boys, is a mid-tempo funk soul number that features stunning arrangements and an epic bassline that is hard to be forgotten… ‘Só Quero’ emanates samba soul sounds while songs like ‘Por Mera Coincidência’ or ‘Rico Sem Dinheiro’ resemble what Trio Esperança was doing at the time: vocal-driven groovy jams spiced with celestial strings arrangements and heavy-duty drums and basslines, which is not surprising since they both worked with the same producers and arrangers, as they were all Odeon artists. Ridiculously rare and expensive now, and at the top of many collectors’ wants lists for decades, it’s finally reissued here after years unavailable.

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Unknown Artist - Tooflie Edits 005

Hot on the heels of previous explorations of Hindustani, East Bloc, pan-Asian, and Brazilian cultural touchstones, Toofli now pays homage to the vocal eroticism that beats at the heart of French pop music. The fourth faceless wizards once again bring their magical touch to uncharted musical territory, employing a precise process of cuts and edits in service of Toofli's groove agenda.
A half-step beat glides through haunting atmospheres and hard-driven hypnotic rhythms, offering a fresh perspective on the iconic 'Voyage' in the opening piece. The great French pop diva aesthetic continues to evolve in the second track, now taking on an ultra-chill mood with funky minimalism and late-night soul melancholia. The unexpected twist on the flip side blends breakbeat science with gentle digitalia, creating a unique mix perfect for the most sophisticated dancefloors. Kraftwerk's pioneering hymn "Tour de France" is reimagined with tough electro production, while retaining the essence of the monumental original.

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MILLOS KAISER - TE QUERO PERTO

Over the last ten years, Brazil’s Millos Kaiser has cultivated a reputation as a top-ranking selector passionate about bringing his home country’s underappreciated music to the world. After starting as a punk and indie musician in Niterói, Rio de Janeiro, he turned his hand to DJing in the late 2000s and relocated to Sāo Paulo. There, he spent the 2010s rocking city squares, warehouse parties and street parties with DJ Trepanado in the Selvagem duo before cofounding the celebrated Selva Discos label in 2017.

Since 2019, Millos’s focus has shifted to his solo DJ career and ventures as an edit maker, reissue compilation curator, audiophile bar co-owner, and now producer. Planet Trip Records has been very good friends with Millos for a long time and is very pleased to present his first original release, the Te Quero Perto (I Want You Close) EP, available in vinyl and digital formats.

Assembled like a DJ-friendly 12” for late 20th-century nightclub specialists, Te Quero Perto kicks off with Millos’ original ‘club mix’ and an accompanying ‘instrumental’ version (digital.only). Driven by an uptempo machine beat straight out of the mid-'80s, rave pianos, 303 acid bass, and an explosive Brazilian pop vocal sung by Juju Bonjour, it’s an absolute belter of a tune and a masterclass in in-period styling.

Elsewhere on the EP, Millos’s European friends Lipelis & Orion Agassi turn in an equally belting Latin Freestyle remix in vocal, dub and instrumental mixes (instrumental is digital only). Rounding things out, fellow Rio de Janeiro producer Paco Cabana throws the tune into a cocktail shaker before pouring a sunkissed, percussion-heavy reimagining for us to sip on. Front to back, it’s an all-killer, no-filler debut from a generational talent.

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DJ Sotofett - DJ Sotofett & the Colours Computer Generated Instruments LP 2x12"

The iconic DJ Sotofett comes with a real treat--a 12-track album on Clone West Coast Series that showcases a playful take on electronic music. Immerse yourself in the vibrant world of DJ Sotofett & The Colours of Computer Generated Instruments. With 12 electrifying electro tracks that blend a wide spectrum of rhythms with 80's Nintendo console vibes and holy grail analog vs digital synthesis, this album is a jubilant celebration of that sound. Prepare for an exhilarating journey filled with surprises, seamlessly transitioning from acid infected vibes and catchy electronic pop to groundbreaking avant-garde electro cuts. Each track intricately weaves together influences from over 40 years of electronic dance music, inviting listeners to explore the rich tapestry of genres that have shaped the landscape. As you delve deeper, you'll uncover the intricate layers and innovative production techniques that define Sotofett's distinctive style, transforming this album into more than just a collection of tracks -- it's a true sonic adventure that beckons you to listen, dance and dream.

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Various - YVES DERUYTER 40 YEARS (10x12")
 
47

Celebrating 40th anniversary of Yves Deruyter's musical career with this 10 x 12" Vinyl Box Set. Including tracks from F.U.S.E. vs LFO, Tronikhouse, Robert Armani, L.S.G., Edge Of Motion, Plastikman, The Prodigy, Ecstasy Club, and the master himselfYves Deruyter.



Yves Deruyter - 40 Years at the Pinnacle of the Night

Forty years. A rollercoaster of a musical career, meandering through five decades, leaving timeless marks on the collective dancefloor memory. Yves Deruyter is the exception that proves the rule. An icon behind the decks, celebrated far beyond national borders for his legendary sets, impeccable musical choices, and the anthems released under his name. The result of collective effort, where Yves, with his vision and unique touch, consistently left his mark-transforming good tracks into inescapable bombs that still resonate through time.

If you've spent forty years living to the pulse of music, the night is in your DNA. Yves Deruyter, a DJ to the core-the real deal. The man who bent the night to his will, dragging weekend vibes into the workweek like a warrior, a true master behind the turntables who made his people dance. His beats: the oxygen that generations lived on.

Yves sharpened his musical weapons in the early '90s within the iconic afterparty scene of Barocci and The Globe-places that became sanctuaries in Belgium's endless night. Here, die-hard dancefloor warriors, cutting-edge music lovers, and night owls from the four corners of the globe gathered. They willingly followed Yves' masterful mixing and his razor-sharp set construction. Clubs with a more conventional timeframe were the next step, with the iconic Cherrymoon as his home base for years-alongside endless guest DJ spots and global gigs. From there, the underground pulsed through Yves' hands and crates, reaching ever-larger crowds-without ever compromising for commercial or crossover sounds. Yves stayed true to his choices, lifting his audience to euphoric heights like a craftsman, armed with his hits, hidden gems, and freshly unearthed nuggets.

From the pounding energy of Rave City to the flippy, epic flashes of Calling Earth-tracks that not only captured the spirit of the times but conquered dancefloors worldwide. This isn't just music; it's a time capsule-a connection between generations and a reminder of the energy from a golden era.

With musical partners like Roel Butzen, Frederico Santini, M.I.K.E. Push, and more recently, Insider, Yves forged a sound that etched its place into rave and dance history. From The Rebel to The House of House, parts of Yves' musical taste have become immortal pillars of dance music heritage. In the early rave days, he topped Belgium's DJ rankings year after year, elevating every club he played to the highest echelons of popularity. The same held true for the records where his name appeared like a badge of honor.

From The Globe to the globe itself-it seemed almost written in the stars. Yves, thestar DJ, became one of the instigators of the electronic music storm that put Belgium on the global map-a storm that never subsided. Festivals like Love Parade, Mayday, I Love Techno, Nature One, and Tomorrowland saw Yves as a trusted force, effortlessly commanding crowds and turning dancefloors inside out. Forty years later, that storm still ignites partygoers, vibrates through dancefloors, and keeps entire generations moving.

Even today, Yves still holds a steady residency with Yves Deruyter and Friends at Club Moustache, where his concept always sells out. Here, both fresh talent and seasoned DJs deliver a killer blend of modern electronic dance music and timeless classics, creating an atmosphere that hooks the crowd every single time.

Because partying doesn't need an excuse. But forty years? That deserves the spotlight-not as a mere milestone, but as a showcase of timelessness. Music mutates, reinvents itself for new generations, yet retains the same impact as that very first time. Yves proves that forty is just a number, and relevance isn't about trends-it's about vision, energy, and an unmistakable touch. His sets? Indestructible. His sound? A heartbeat echoing through time.

And Yves? He doesn't live in the past. Today, Yves distills those four decades into a compilation capturing the essence of his career. Belgian beats, interpreted and refined into a sound that powered raves around the world. Ten vinyls featuring not just a fiercely curated selection that contextualizes the magic of his early days, but also new versions of three unbeatable anthems-potent hits designed to turn dancefloors upside down in wonder, without losing a shred of their soul. Yves remains a beacon in the night, a searchlight for that one perfect beat-always relevant, always chasing that magical moment.

Yves Deruyter-a name spoken in the same breath as the greats of the scene. A ten-vinyl compilation is more than a celebration; it's a well-earned trophy. As unique, indestructible, and uncompromising as the man himself.

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Various - Crown Jewels Vol. 2

Some of these songs ­first time on LP. The Sound of Big Crown. Gold foil cover art. An amazing listen. Big Crown is proud to present the next volume of Crown Jewels, our various artists compilation series that highlights some of the most popular tunes next to some of the more obscure. Every artist on Big Crown stands on their own two feet with ease, but together, something else becomes apparent. If you discover one artist on the roster and it brings you to the label, it's very likely you will ­nd more that you enjoy. The Crown Jewels comps are just that, a chance to get a listen to the whole roster in one place. Even though not all BC artists can be found in the same aisle of the record store, after listening to Crown Jewels Vol. 2, it should be clear how they all ­t on the same record label. When we started Big Crown we wanted to have a label that’s only boundaries were de­ned by our taste, not by genre. We think that this is a perfect example of that. Thank you to everyone who has supported us thus far and please stay tuned as we have a lot more music on deck

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Selofan - Partners In Hell

BLACK/RED VINYL

A match made in heaven and hell, since forming in the cradle of Europe Athens, back in 2012, dark synth duo Selofan have paved their own perditious way, reinventing the modern Darkwave scene throughout the continent and worldwide with their prolific creativity and work ethic over the past decade. Through varied experimental synth-scapes conjured with keen ears for sound design, production, and theatrical aesthetics, Selofan rest not on the laurels of just creating highly danceable coldwave infused music, but with together with Joanna Pavlidou's haunting vocals, and Dimitris Pavlidis' throbbing bass guitar, and modular synth compositions, the pair conjure whole other worlds and narratives throughout each album and music video they create. Thus far the Selofan have released 5 studio albums, issued through their own legendary label they curate themselves: Fabrika Records. Through their Fabrika family, Selofan have championed such acts as Lebanon Hanover, and She Past Away, aiding these bands in becoming two of the most popular Darkwave acts worldwide. Drab Majesty even cameoed in a She Past Away video while being hosted by Selofan during one of the band's frequent stays in Athens, and Kaelan Mikla, a handpicked favorite of The Cure, were first championed by Selofan, through the release of the Icelandic Trio's self-titled debut in 2016. In the Spring of 2020, Selofan released the video for the hopelessly plaintive "There Must Be Somebody", the first single from their forthcoming sixth studio album Partners In Hell, the follow-up to 2018's widely popular Vitrioli LP. "There Must be Somebody" is a discordant composition, mimicking the startled song of birds after a disturbance in a wooded enclave on a mountainside, while a magick ritual unfolds. The album itself opens with "Grey Gardens", a menagerie of morose melodies setting a sombre tone for the rest of a bleak record whose sound design and dreamscapes evoke the best sounds of British and German post-punk of the 80s. "Almost Nothing" is a brooding bell-driven track with a dark and pirouetting melody that is the perfect soundtrack to a figurine twirling in a music box. The German language "Nichts" means No, and this song is both sinister and cinematic with sighing keys, shuddering drum machines, and German lyrics sung with sorrowful conviction. "Zusamen", is a word often asked if you are together, or separate, is a dark ballad whose shadowy keys weave a nightmarish delirium, evoking the soundscapes of a lullaby sung in a haunted dollhouse. "4am" is a restless rhythm, whose soft percussive melody tosses and turns alongside subtle bass and string accents overlaid with despondent vocals. "Happy Consumers" sounds like the swirling of a finger drawn upon the edge of crystalline glass, with vocals and drum machines coming emanating from an adjacent room with echoing acoustics, collectively evoking the sound like lingers when the somnambulist wakes from his dream. "Absolutely Absent" hums onward like a phantom train ride that is a one-way ticket to madness, and with the next track "Metalic Isolation" the locomotive beats gather more steam, propelled forward with anachronistic melody. The album closes with "Auf Dein Haut", which translates as on your skin, and the song is both tactile and tenebrous with sensuously dark synth textures amidst howling German vocals that take flight like witches during a sabbat. Partner's In Hell was mixed and produced by Serafim Tsotsonis, and mastered by Doruk Ozturkcan. Genre: Alternative / Post-Punk / Cold Wave

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Bodega Pop - Love Raid: Arabic Leftfield, Novelty, and Protest 45s 1960-1974

Love Raid is first in a series of cassette-only mixtapes with the cult WFMU show and blog Bodega Pop collecting assorted digs from across New York's bodegas and cell-phone stores. This first edition is focused on leftfield, novelty, and protest 45s from across the Arabic world recorded between 1960 & 1974.

"A series of random discoveries in the mid-1990s led me to abandon American and British pop and focus on non-English-language music, predominantly Arabic, for the next two decades.

Feeding my ears required biking down to Bay Ridge, Brooklyn, or hopping on the subway to Steinway Street in Queens, where I would pop into a handful of the local bodegas and immigrant-run cell-phone stores, some of which offered music from North Africa and the Middle East on cassettes and compact discs.

When CDs spiralled into obsolescence in the mid-2010s, I reluctantly made the switch to vinyl, concentrating on 45s and intentionally filling holes not well represented in the digital era – more artists than not hadn't made the transition from analog in the 1980s. This meant focusing on singles by a lot of artists I'd not heard of, and it quickly became evident just how much of the era – from approximately 1960 to 1974, when 7" records were all but abandoned in Egypt and Lebanon – had been forgotten.

What also became evident was the breadth of popular music issued by even hegemonic titan Sono Cairo. The consensus is that state radio and music publishing ignored traditional folk, shaabi, and other lowbrow pop in favor of the exalted art song we associate with Oum Kalthoum, Abdel Halim Hafez, and Farid al-Atrash.

While this active neglect of the broadest Arabic pop spectrum is mostly true, I accumulated a not inconsequential number of what I can only describe as "novelty" records by mostly one- and two-hit wonders. From catchy gimmicks like the "doktor, ya habibi" of Maha's "Doktor" and the "boom boom boom" of twins Thunai Badr's "Love Raid," to the Monty Python-level silliness of Sayed Mandoline's fake Italian crooning and maniacal laughter in "I Present to You the Mandolin," these were sounds I was genuinely surprised to hear.

Even more remarkable were the songs recorded in English: Karim Shukry's celebratory "Ramadan" and Motyaba & Nada's civil-rights plea "No Black No White" are two of my favorites, and thus included in the present collection.

The tracks compiled here are often as beautiful as they are beguiling, but while the intention was to absolutely put together a solid listen, it was also my hope to slightly expand our understanding of Arabic music of this period beyond not just the usual suspects, but also subjects – and treatment of same."

--Gary Sullivan.

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THE STORM - The Storm (50th Anniversary Reissue LP)

Probably the most astonishing hard rock LP out of 1970s Spain, repressed by popular demand and this time offering a very limited transparent blue colour run.



THE STORM hailed from Sevilla and were acclaimed by both audience and press reviewers as one of the best rock bands from Spain. The combo was formed by the Ruiz Geniz brothers (Angel and Diego), on guitar and drums respectively, plus Luis Genil (organ) and José Torres (bass).



Their debut album, originally released on Basf in 1974, is one of the Crown jewells of Spanish hard rock, and changes hands for a small fortune among collectors all over the world, especially since its inclusion in Hans Pokora's 'Record Dreams' books.



This LP really rocks. It's high energy hard rock that follows the line marked by the big organ outfits of the era such as DEEP PURPLE, ATOMIC ROOSTER, BRAM STOKER, MEGATÓN...



It has also a deep classic prog sound root, which reaches the top on 'Un Señor Llamado Fernández De Córdoba'.



We are talking of one of the seminal Spanish hard rock LPs.

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27,69 €
D.D. MIRAGE - EXOTIC ILLUSIONS

180G vinyl pressing

After releasing their well-received 7” and 12” singles ‘Night Time’ and ‘Feel It / So Hot’, Isle of Jura is pleased to present Exotic Illusions, the debut album from D.D. Mirage, the Sydney-based duo of Josh Dives and Disky Dee.

Having first played music together during the mid-2010s in the indie-psyche and punky-shoegaze bands King Colour and SCK CHX, the two Australian musicians/DJs came up in the warehouse party scene that fermented in the wake of the Sydney lockout laws. While organising mixed media events under the Yeah Nah Yeah brand, they discovered the joys of disco, dance-punk and the Balearic beat through Pender St Steppers’ DJ mixes and reissue releases and found themselves changing direction in response.

Written and recorded with a range of vintage keyboards and preamps, instruments and digital studio software, Exotic Illusions is a cosmopolitan love letter to the immaculate blend of Italo disco, Neopolitan funk, Nigerian boogie, cosmic house, synth-pop, UK street soul and lovers rock sounds that have inspired D.D. Mirage since they began this iteration of their ever-evolving musical relationship.

“The name Exotic Illusions refers to our fascination with all of this music made in other parts of the world,” they explain. “During lockdown and thereafter, we indulged in these exotic sounds as an antidote to our lack of travel. This fascination continued as the world opened up again, and we started working on tunes together. It’s also a way of acknowledging that we feel like tourists partaking in these styles and established sounds. They aren’t ours and weren’t born out of the place we’re from, but we hope we’ve been able to add something unique to them.”

In recognition of this, rather than just reinterpreting genre motifs through an antipodean lens, D.D. Mirage opened up lines of communication with some of their favourite musicians from the Neapolitan scene, bassist Daniel Monaco (Rush Hour, Periodica Records) and drummer Andrea De Fazio (Parbleu/ Nu Genea), who recorded the rhythm section for ‘So Hot’. They also wrote to the Manchester-based singer/producer Private Joy, who graced ‘Night Time’ with a smoother-than-silk street soul vocal that helped the single secure crucial plays on NTS and BBC Radio 6.

Opening with the tropical melodies, post-disco machine beats and jilted art-punk singalong chants of the title track, Exotic Illusions unfolds as a series of sturdy, internationally-minded dancefloor excursions. ‘Piranesi’ is boogie with a South American shuffle. ‘So Hot’ is Neapolitan funk with a Leichhardt strut, and ‘Antenna’ (featuring Jofi) is D.D. Mirage’s love letter to ‘80s drum machine bossa nova from Brussels.

On ‘Feel It’, the duo hit a sparking groove that reaches into an eternal sunset of the mind before throwing out a bubbly disco-not disco spoken word bounce on ‘Cat’s Cradle’, featuring psychedelic-pop singer Jermango Dreaming. From there, D.D. Mirage bring it home with a cheeky Aussie drawl on ‘Living Upside Down’ and the nocturnal excellence of ‘Night Time’, making a case for themselves as a significant new force from Australian music to the world.
full sleeve artwork from Bradley Pinkerton.

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20,59 €
HARUOMI HOSONO - COCHIN MOON - OPAQUE YELLOW WAX

NEW LP PRESSING on Opaque Yellow Wax

Released in September 1978, a mere two months before YMO’s debut, Cochin Moon is a clear precursor to the groundbreaking synth and sequencer-dominated sounds that would come to define the iconic trio. Huge tip!

Credited to Hosono and Pop Art legend Tadanori Yokoo (who created the cover art), Cochin Moon is a fictional soundtrack to a journey into unknown worlds, inspired by Hosono and Yokoo’s trip to India.

The unbelievably prolific Haruomi Hosono is one of the major architects of modern Japanese pop music. With his encyclopedic knowledge of music and boundless curiosity for new sounds, Hosono is the auteur of his own idiosyncratic musical world, putting his unmistakable stamp on hundreds of recordings as an artist, session player, songwriter and producer. Born and raised in central Tokyo, his adolescent obsession with American pop culture informed his early forays into country music, which he would revisit later in his career. Hosono made his professional debut in 1969 as a member of Apryl Fool, whose heavy psychedelia was somewhat at odds with his influences, which leaned towards the rootsy sounds of Moby Grape and Buffalo Springfield. The latter was one of the main inspirations for his next group, Happy End, whose unique blend of West Coast sounds with Japanese lyrics proved to be highly influential over the course of three albums. After the band’s amicable break up in 1973, Hosono began his solo career with Hosono House, an intimate slice of Japanese Americana recorded inside a rented house with recording gear squeezed into its tiny bedroom. Hosono’s solo career would take many twists and turns from this point forward, with forays into exotica, electronic, ambient, and techno, culminating in the massive success of techno pop group Yellow Magic Orchestra (YMO).

Released in September 1978, a mere two months before YMO’s debut, Cochin Moon is a clear precursor to the groundbreaking synth and sequencer-dominated sounds that would come to define the iconic trio. Credited to Hosono and Pop Art legend Tadanori Yokoo (who created the cover art), Cochin Moon is a fictional soundtrack to a journey into unknown worlds, inspired by Hosono and Yokoo’s trip to India. Initially the album was to be a kind of ethnographic musical document, using found sounds and field recordings made by Hosono himself. Instead, after Yokoo introduced Hosono to the sounds of Kraftwerk and krautrock during the trip, Cochin Moon became something much stranger. Created almost entirely on synthesizers and sequencers with the help of future YMO collaborators Ryuichi Sakamoto and Hideki Matsutake, the music on the album is the perfect encapsulation of Hosono’s concept of “sightseeing music,” transporting the listener to an exotic place that may or may not exist. This highly sought-after album sees its first-ever official release outside of Japan.

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Vincent Taylor, Claudia, One Man Band - You, Me & He / Me & He

This blissful example of Lover’s Rock from 1985 showcases the very specific sonic template of a portion of Reggae music that was coming from the United Kingdom during the period - steeped in a soulful, Pop sensibility. We are also treated to a version by Lindel Lewis aka The Gentle Giant of Reggae music under the guise of One Man Band that submerges the original into a rich, sun-kissed honey, securing it firmly into the territory of Balearica. Whilst not achieving commercial success at the time, You, Me & He has grown to become a much coveted artefact and we are pleased to have lovingly reissued this gem for your listening pleasure.

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bad lsd trips - ultrafest

Bad Lsd Trips

ultrafest

12inchENMB-17
enmossed
24.02.2025

Oversized custom cut LP jackets (13” / 33.02 cm width)
Silkscreened with bespoke iridescent citrus green ink by Mark Rice
Short story by Natalia Zuluaga

Flexi 7”:
steaming mescaline (extended mix by bad lsd trips)
Citrus green metallic foil stamp
Pressed in full stereo
Edition of 150

I.

bad lsd trips is the collaborative duo of makers doris dana and domingo castillo flores. Respectively the two have fostered practices that have sprawled out through various approaches and, whether in the lanes of the musical or the contemporary arts, the phenomenology of the social and inclusive prevails. On ultrafest, this motif continues through the psychedelia of its eight time-defying recordings, welcoming the listener into an open temporal architecture of the stereo field as a signifier of environment. It is worth noting that the group began collaborating in Miami, Florida with longer form improvisations recorded to a stereo cassette deck. In these recordings, the paved geographical sprawl and oceanic view permeated the approach to amassing long swaths of sound material. Listening back on that work at the time of this writing, each track feels as though one is walking into an active space, arriving to an event already in full swing and finding your place inside of it. On ultrafest (this album) something different occurs. The space and events are built around you as you move through the record.

II.

The name of the album is ultrafest, which should effectively provoke your mind's eye the imagery of young people dancing, salivating, grinding, and imbibing chemical compounds to the perversely formalized musical genres of “Electronic Dance Music” and latter-era Dubstep often heard in European Uber rides and energy drink commercials. A far distance from the icy and machinic reverie of Techno’s finest rave eras or the notable historical contributions of Miami’s cerebral producers to IDM’s global output, ultrafest is a libidinal catharsis as festival scaled to a multinational corporation of hedonistic excess. The festival has been a hallmark of Miami cultural industry production and optical enticement for tourism, purportedly bringing in nearly a billion dollars in revenue to the city since 2012. Scores of documentation exist wherein this decadent escapism leaves the concertgoer, usually in some neon garment on a near nude body potentially adorned with fluffy faux fur leg warmers, facing a comedown from the combination of volume, sun, dehydration, and methylenedioxy-methylamphetamine. This MDMA experience characterizes an aspect of the way bad lsd trips employs vocals and pitch on this album. The detached, high octaved longing of a high pitched vocal is decoupled from its typical auditory body of song. High-pass clicks and pops touch the (h)air on the back of the neck, promising goosebumps and teasing towards euphoric rushes of dopamine, yet also exist decoupled from the body of song. As the dopamine depletes and the sun imposes itself, Miami’s downtown of skeleton real estate is your company as you meander towards your parked vehicle to rest your fatigued senses, elevated heart rate, and quench the need for air conditioning on your skin. The immediacy of bombastic social immersion to architectural alienation palpable here.

III...

- Nick Klein

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B.AI - Hope

B.AI

Hope

12inchMOTIVATION01
Motivation
21.02.2025

Since launching her own club night, “Motivation,” back in 2018, B.AI has played a key role in bringing the underground’s club sounds to her home country, China. While introducing some of the scene's most exciting artists to her local audiences, she emerged as one to look out for as well: first as a DJ and quickly thereafter as a producer. Her original takes – a sensitive, highly personal approach to melody and a knack for playing with expectations – crystallized in a slew of A+ releases and a couple of international tours. This trajectory, shaped by taking matters into her own hands and self-empowerment, now sees a logical next step, with the inception of a label that will also operate under the “Motivation” banner and features her own “Hope” EP as its first release.

Sparkling mallets, with synth-pop quality catchiness, open the title track. Rather than further evolving, their two-bar arrangement gets looped over and again, serving as the foundation for a slick FM bass rhythm and a variety of hooks. Although these incline to the bright, the overall vibe is melancholic. In vintage B.AI style, the aptly titled “Hope” is more ambiguous than its patches suggest. Similarly, the vocal this type of palette would call for ultimately comes in the form of aloof, covert musings. A bit buried in the mix, they are most efficient – just like the tension that keeps brooding underneath the surface.

“Murderbot Diaries 1991” turbocharges four-to-the-floor synthetic drums with an arpeggiated rolling bass. The blue note melody on top feels sequenced via a pocket calculator, and the dissonant, electroclash-reminiscent stabs that follow might sound even more angular. The tune is frantic, sinister – and perhaps above all tongue in cheek. It reaches fever pitch with the arrival of a tubular bell theme between the two breaks.

“Once”’s slomo cutoff modulation on the 16th note mid-bass instantly creates a sultry atmosphere that meshes greatly with the pastel cool of the gently delayed DX7 leads. The energy drifts between effortless control and uncertain outcome. These contrasts are amplified as the drums alternate amidst moderation and beat-repeat rendered havoc.

On “Only We Know,” a progressive sine lead lays out the central motif. Yet as briskly as it appears, it makes way for detuned, gliding square waves taking on the same theme. This outlines the track’s structure: as slightly morphed repetitions keep getting introduced almost haphazardly, a dreamlike, mesmerizing ambience unfolds. Techy drum rhythms and a 101-type bass make sure everything stays fuelled. Within the ingenious tapestry of melodies and new twists, it never loses touch with the dance floor. It illustrates B.AI’s club savvy neatly and is therefore a perfect closer for this EP.

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13,99 €
Moonchild Sanelly - Full Moon

Moonchild Sanelly

Full Moon

12inchTRANSLP830
TRANSGRESSIVE
19.02.2025

New album from the South African musician + creative visionary, known for her vibrant, inimitable style + affirming lyricism Full Moon is a collection of 12 songs which displays Sanelly's unique sonic fingerprint, joyous attitude, distinctive vocals + genre-bending hits. Recorded in multiple locations while on the road, Full Moon is an introspective yet kinetic display of her versatility. "I can make any genre, I have fun creating music because I'm not limited," she says. Its club- ready beats oscillate between electronic, afro-punk, edgy-pop, kwaito, + hip-hop sensibilities. Produced by Johan Hugo (Diplo, MIA, Self Esteem)

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john lee hooker - sensation documenting the sensation recordings 1948-52

• John Lee Hooker is not an artist who plays by the rules that govern what we generally accept as “traditional” blues music—he very rarely plays in 12-bar format when he performs his songs. On his most popular tune, ‘Boogie Chillen’, his lyrical and musical phrases last anywhere as short as nine or ten, or maybe fifteen or even nineteen measures long, depending on how long he wants to “boogie” on his guitar riffs that roll and tumble between his patented vocal phrases.

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26,85 €
Mangiadischi - MD006

Here it is, the sixth chapter in the sonic journey of Mr. Mangiadischi.

Continuing the dance-floor assault, MD006 delivers four tracks, each with a unique story but all with the same aim: to make you move to the rhythm.

• A1 - Mamma
A Balearic groovy deep house nostalgic tribute to the most important person we have in our life. This track blends warm melodies with heartfelt emotions, making it the perfect homage.

• A2 - Genug Vans
Intergalactic soul/post-disco space-tech. A cosmic voyage through pulsating rhythms and celestial sounds, designed to take you on a dancefloor odyssey.

• B1 - Fenel
A very modern interpretation of this '76 Algerian artist's funk/pop/world/country mesmerizing masterpiece. This track merges elements of funk, pop, world, and country in a blend that transcends genres and eras.

• B2
A disco/funk/pop-rap in its most modern and groovy version. Infectious beats and catchy hooks make this track a surefire hit for any set.

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12,19 €
The Snuts - W.L. LP

The Snuts

W.L. LP

12inch0190295059798
Parlophone
28.01.2025

After a ferocious start to 2020, which saw the band land a top 15 album chart position with their debut Mixtape EP, a #1 spot on the UK vinyl chart, #1 in the Scottish album charts, an appearance and sync in a UK-wide multimillion pound Strongbow ad campaign, FIFA21 soundtrack sync and over 30 million streams, The Snuts have announced their raucous, hook laden debut album, W.L. – out 2nd April on Parlophone Records.

The campaign has gone from strength to strength with the band amassing over 100,000 social followers and daytime support from Radio 1 as well as creating an incredible heartfelt video for single Somebody Loves You in partnership with The Scottish Refugee Council with the video’s production budget and all proceeds from downloads of the track going to the charity.

Adored up and down the country for their uninhibited, sweat-drenched live shows, the band have also announced a UK tour for the end of 2021 – totalling over 30,000 tickets including 3 sold out nights at the legendary Barrowland Ballroom in Glasgow with tickets selling out for that and multiple other dates on the tour in minutes.

Hailing from Whitburn, West Lothian, The Snuts have well and truly found their stride on W.L.. Produced by Tony Hoffer (Beck, Phoenix, M83) and recorded at the Firepit London, the album encapsulates the band’s journey from four working class kids growing up with a dream in Whitburn, to becoming one of the UK’s most exciting and vital bands of the new decade. The album opens with the poignant ‘Top Deck’, winding through a voyage of genres including the raw, rousing, hip-hop driven ‘Elephants, heart-wrenchingly honest ‘Boardwalk’, the undeniable pop banger ‘Somebody Loves You’, the hauntingly heartfelt anthem ‘Always’ and the main stage festival ready hymn, ‘All Your Friends’.

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27,69 €
Leba Hibbert - Into The Lights

Leba Hibbert

Into The Lights

12inchTAXI-HPLP001
Taxi Records
24.01.2025

The time has arrived for the release of the long awaited EP by LEBA, with the prolific title - Into The Lights.

Carefully and thoughtfully crafted over two years, the legendary record producer of High Power Music, General Lee, teamed up with the magnificent Legends Sly and Robbie, to produce the daughter of legendary Jamaican Icon Toots Hibbert: LEBA.

This LP features 7 songs including a feature from Jamaican Portland deejay Blackout JA, on track "No one loves you like me", which was released in 2021. These songs carry you on a musical journey of time and space, on a dub and reggae background, which soothes the ears of its listeners, and gets them grooving to the bassline of the late Robbie Shakespeare OD and Sly Dunbar OD and Taxi Gang.

The songs paint a picture through conscious words and messages, heavy and spacey instrumentation, recorded & mixed at One Pop Recording Studio Kingston Jamaica by Rorey Baker. An atmosphere that will surely transport its listeners into the calm and relaxing space of reggae and dub music.

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25,17 €
Wasia Project - Isotope

Wasia Project

Isotope

12inchWAS008
LaoLao Records
21.01.2025

Wasia Project's 2nd EP 'Isotope' now available on vinyl with a special etched design and exclusive pull out two-sided 584 x 420 mm poster. The collection is an impressive audio-visual concept that applies their classical training to wide-eyed, genre-bending, jazz-pop. The familiar warmth of nostalgia dovetails with the discomfort of the unknown as the duo process experiences of love, anxiety, confusion and hope through a singular voice: "ultimately a universal concept of all of us sharing the same emotions, but leading different lives".

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22,27 €
The Notorious B.I.G. - Ready To Die LP 2x12"

Originally released on 13th September 1994, Ready To Die is the debut studio album from hip-hop legend, The Notorious B.I.G. Upon release, the album was met with widespread critical acclaim, with Pitchfork giving it a 10/10 rating along with various other critics praising it for its brutally honest depiction of gang violence and conflict as opposed to the often-glorified portrayal in the genre and the wider media. The album has cemented its place in hip-hop history and has since gone on to achieve 6x platinum certification in the US, selling over 3.5 million copies, and has achieved platinum status in the UK as well.

This x2LP re-issue featuring the iconic artwork of an infant bearing a resemblance to the rapper has been out of the marketplace for over a decade and also features all 19 tracks from the Ready to Die Sessions.

The album cover is often cited as one of the greatest of all time, with Billboard magazine placing it no.4 on its list of “The 50 Greatest Album Covers of All Time” stating that juxtaposition of the music with the “innocence of a child” on the cover illustrates how “a cruel world imprints on unmoulded minds”. NME has also placed it no.12 on its list of “Timeless Hip Hop Album Covers” and Complex Magazine have placed it at no.16 on its list of “Greatest Album Covers”.

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AZURE BLUE - THE NIGHT OF THE STARS LP

‘The Night of the Stars’ is the fantastic sixth album from Swedish dream pop favorites AZURE BLUE. The album pushes the quality to its peak, exhibiting a richer, clearer, and more luxurious approach to the patented AZURE BLUE sound across ten enticing tracks. Three of the songs generated significant buzz when released as singles. Album opener ‘Rise’ is a shimmering track with a rushing drumbeat topped by luxurious layers of analog synths and a Peter Hook-like bass. The song is a dream pop anthem featuring a timeless chorus and vocal harmonies from AZURE BLUE’s long time companion The Land Below.

The crystal-clear topline in ‘Three Times The Drama’ shines over electric guitars and analog synths to create an immediate pop song with great summer hit potential. The song is also a bittersweet dedication to Tobias Isaksson’s mother, who recently passed away, and its completion provided comfort following a period of unspeakable grief. The album also includes ‘Define Your Dreams’—a bright flare first previewed during the dark days of the pandemic with massive synth walls and lyrics that suggest that while difficult times have passed, more difficult ones may be coming. ‘Visions and Themes’ will have its premiere on October 25 when it is released as the fourth single from the album, while the remaining six tracks provide even further evidence of the brilliance of one of Sweden’s most internationally acclaimed indie artists.

Mixed by Tobias Isaksson and Ollie Olson. Mastered by Håkan Åkesson at Nutidstudio.
Artwork by Alexander Palmestål. Design by James Tassos and Steve Lippert.

12″LP features: limited edition of 300 copies, 140 grams crystal clear vinyl, hand-numbered double-sided postcard, download code.

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19,29 €
ROD MODELL - MUSIC FOR BUS STATIONS (BS)

Rod Modell

MUSIC FOR BUS STATIONS (BS)

12inchSME2477BS
13
04.11.2024
 
2
also available

MF[21,81 €]


ROD MODELL (Deepchord): MUSIC FOR BUS STATIONS BS (Part 2/2)

MUSIC FOR BUS STATIONS is an astonishing work that pours into the soul of those allowing themselves to be transported in a dimension where sound turns into background noise. Sound becomes part of us, of our movements, our thoughts, our looks and our silences. There is no reason for resistance. Let's be silent. The noise around us is quite good.

"Generative sonic backdrop for bus stations. Designed to enhance space and portray a mod of progressiveness, grandeur, and ethereal calm. A slowly shifting static backdrop designed to enhance modern architecture, rather than compete with it. Sounding as if the structure itself was resonanting. Hovering sound-fields that utilizes sonic phenomena proven to induce states of calm. Can be presented as a multichannel, polyrhythmic installation with different components of the composition emanating form different areas within the structure, and elements constantly shifting in relationship to other elements, creating an organic sonic-tapestry that never repeats the same way. In essence, the soundscape becoming a living organism with unpredictable behavior. Inspired by avant-garde bus station designs such as Domitianus Arquitectura's station in Rio Maior, Portugal; Bluck & Morgen's Busbahnhof Poppenbuttel in Hamburg, Germany; and Metaraum Architect's bus station in Pzorzheim, Germany."
Rod Modell, January 2024

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