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Following the release of the single Maqlab, the Marseille-based duo Caïn و Muchi presents their debut full-length album Dounia دنيا.
This takes listeners on a journey through a rich tapestry of industrial gloom woven of dubstep, grime, and contemporary hip-hop. In this album, these ‘labels’ matter as much as they don’t, given the heavy mutations they undergo, in a That’s Hara Kiri fashion (RIP Sd Laika).
At the heart of this record lies a dense yet harmonious sound palette, featuring meticulous vocal processing of lead singer Vanda’s voice, which engages reflection on their shared and individual lives.
As the album progresses, the lyrics reveal layers of stress and trauma linked to colonial experience, intertwined with multiple references to North African ghost stories and legends.
The result is a resonant experience, where the wraithlike and glacial instrumentals crafted by the duo encapsulates the introspective act of witnessing the turmoil of our current world.
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From the needle drop, the listener is swept away by Moving Still. The Jeddah-born, Dublin-based artist graces Bordello A Parigi with Close to the Shams, four works that summarise his broad range and even broader influences. Pulsating percussion push piano plumes and brass blasts in “Zaman.” A SWANA-inspired scent weaves through the track, with snare rolls adding spice and speed to this heady opener. Tempos drop for “Bang of Luban.” Beats are bolstered, acid squirms lending texture, while the central melody bends and turns from traditional refrains to house reimaginings.
Those traditional undercurrents continue into the B-Side. The title piece is big and bold, kicks split into broken beats while nuanced mizmar notes dip and dive with a swallow-like agility. “Sunday Rollover (Suntop Mix)” calls time on the quartet. A relaxed rhythm gives support and space to low-slung lounge lines, a dreamy and enchanting finish to an EP that illustrates the breadth and depth of Moving Still.
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Source of an all-time 'Breaks and Beats' classic, Mr Bongo reissue Herman Kelly’s timeless 1978 album Percussion Explosion!. Immortalised in hip-hop folklore, when the anthemic 'Dance To The Drummer's Beat’ was featured on the influential Ultimate Breaks & Beats compilation series in 1986.
Percussion Explosion! was the brainchild of drummer, percussionist, producer and arranger, Herman Kelly and his percussive disco-funk group from Miami, 'Life', that featured Aaron McCarthy, Oliver Well, John DeMonica, Michal Cordoza and Travis Biggs. The album houses a collection of disco, funk and Latin-inspired cuts that were destined for greatness. Nestled within the grooves is the B-Boy and B-Girl’s anthem, 'Dance To The Drummer's Beat’, which contains a now legendary break. A cursory glance at Whosampled will show that it has been sampled in over 125+ songs. These include Double Dee & Steinski on their groundbreaking 1985 production 'Lesson 3 (History Of Hip Hop Mix)', as well as by DJ Shadow, N.W.A, Masters At Work, Run D.M.C. and a whole host of heavyweights across hip-hop, dance and pop music.
When the album was released in 1978 it came out on two different labels, Alston Records and Electric Cat. Each label pressed different versions of 'Dance To The Drummer's Beat’, with the former featuring a 4:12 version and the latter a longer 5:09 version that has a different structure, crowd noise at the start and overdubbed percussion.
For this Mr Bongo reissue, we have chosen the classic 4:12 version from the Alston Records release, which would later find its way on to the illustrious Ultimate Breaks & Beats compilation. To make matters even more confusing the Alston version art on the back cover also states the track length as 5:09, whilst the centre label lists it correctly as 4:12.
Aside from the much celebrated 'Dance To The Drummer's Beat’, the album includes a range of other fantastic overlooked cuts. From the percussive soul stepper 'Share Your Love', to the beautiful Latin-flavoured 'A Refreshing Love' or the party disco-funk groover 'Who's The Funky D.J.?'.
This wonderful and inspirational record features an important piece of hip-hop heritage and deserves a place in every collection.
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The album’s title deftly gestures to the sheer vastness of astronomical dimensions, while simultaneously capturing the musical breadth within, where the eight planets are imagined as the eight notes of an octave. The work draws inspiration not only from earlier compositions —most notably Gustav Holst’s The Planets—but also from the rich astronomical and cultural contexts surrounding these celestial bodies. Here, the focus transcends direct citation of melodic motifs, instead embracing an intriguing conceptual approach on a meta level, unfolding in a series of vividly contrasting soundscapes. These contrasts shape a sweeping sonic journey, one that fully embraces the album format with both arms, inviting the listener to venture into realms both strange and wondrous, feeling the immensity of the interstellar space that lies between them. Contrast, after all, is the brushstroke that enriches our world.
Embarking on an auditory voyage, "Astral Guide" establishes the sonic framework that propels us into the boundless expanses of the cosmos. Its ethereal tones evoke the vastness of space, crafting a mood ripe for exploration within the realms of sci-fi. The subsequent tracks unfold like constellations, weaving a rich tapestry of sound that seamlessly marries cinematic soundscapes with pulsating, club-oriented rhythms. This album invites listeners to traverse its immersive landscapes, whether nestled in the comfort of home or dancing under the starlit sky, each note a guide through the transcendent experience of a nocturnal journey.
"Solar Flares" draws its inspiration from the awe-inspiring expanse of solar phenomena, capturing the majestic power of the sun as it reaches into the cosmos. This track resonates with the idea that energy, while vital, can also be a force of destruction when unleashed with overwhelming intensity. The composition beautifully mirrors the sun’s duality, where brilliance and devastation coexist, inviting listeners to reflect on the delicate balance between creation and annihilation. Through its rich textures and dynamic shifts, "Solar Flares" serves as both a homage to the celestial and a poignant reminder of nature's formidable power.
"Mercury – The Winged Messenger" embodies a meticulously crafted soundscape where artistry meets astronomy. The tempo of 173.6 BPM, derived from precise astronomical data, propels the composition into a vibrant realm that resonates with cosmic energy. Synthwave sound design intertwines seamlessly with the fluid rhythms of Drum’n’Bass, imbuing the piece with an uplifting dynamism that evokes the ethereal grace of Mercury itself. In this sonic exploration, listeners are invited to ascend on wings of sound, navigating the celestial tapestry of the universe with each invigorating beat.
"Venus, The Bringer of Peace" strikes a decidedly cozy note, presenting a poignant contrast to the more tempestuous themes often found in cosmic narratives. This composition evokes a nostalgic vision of an optimistic era, one in which humanity transcended borders and embraced the infinite possibilities of space exploration, where no destination felt too distant. The dense, languid atmosphere envelops the listener, creating a tangible sense of serenity that unfolds gradually, allowing for a meditative journey through sound. Each note serves as an invitation to linger in this tranquil embrace, reflecting on the harmonious potential of our collective aspirations and the beauty of connection in a vast universe.
The central theme of „Gaia, The Bringer of Life“ —originally not part of the planetary cycle— is the profound enabler of life on Earth. The arrangement delicately mirrors the slow, tentative unfolding of this potential, marked by an initially sparse orchestration that gradually builds in momentum. This progression crescendos, embodying the explosive dynamism of the Cambrian burst of life, ultimately culminating in a euphoric fanfare—a triumphant, celebratory flourish echoing life’s victorious emergence.
"Blue Moon" unfolds as a contemplative reverie on the tranquil clarity of a night sky, now seldom glimpsed in its natural purity, unclouded by the relentless haze of urban light. The listener is drawn into the vast embrace of the star-strewn firmament, a journey that sways between euphoric awe at nature’s sublime beauty and a profound melancholy for its fragile and imperiled state. Musically, this duality finds expression in the delicate interplay of modal mixtures, while an ever-shifting triplet groove, poised at the intersection of Outrun and melodic house, lends a pulse that is both nostalgic and forward-looking—echoing the beauty and transience of a world on the brink.
Rather than replicating the original composition of „Mars, The Bringer of War“, this interpretation seeks to evoke its profound, foreboding atmosphere. Cyberpunk emerges here as an ideal genre, channeling the dark, relentless march synonymous with Mars, the ancient god of war. The piece reverberates with intensity, as distorted vocalizations rise, embodying the anguish and visceral torment that shadow war’s violent crescendo. This auditory descent into conflict captures the relentless pulse of warfare, where sound itself becomes an embodiment of suffering and fury.
Majestically, "Jupiter, the Bringer of Jollity" emerges on the celestial stage, sweeping away the somber tones with its radiant vigor. Drawing inspiration from the triumphant strains of the original, and borrowing a melodic motif in the refrain, the piece expresses joy and buoyancy through a shift to a major key and the lilting sway of a danceable 12/8 meter. Spirited and exuberant, it leaps boldly from major to minor and back again, playfully shifting time signatures to capture a mood of unbridled festivity and jollity.
Here, a more conciliatory concept is chosen than in the original inspiration. „Saturn“ aligns with the number six, being the sixth planet from the Sun and bearing the iconic hexagonal pattern at its northern pole. What, then, could be more fitting than to render this piece in a 6/8 time signature? The arrangement unfolds with a multifaceted richness, mirroring the countless stones and ice fragments that form the foundations of Saturn’s majestic rings.
„Uranus“ adopts the theme of a light-footed, dancing instrumentation, giving the impression of perpetual motion, never quite settling. This musical choice harmonizes with the planet’s own orbit, as it spins with breathtaking velocity, teetering and swaying, seemingly unable to attain rest or stability.
The chill and vastness of the cosmos find expression in „Neptune, The Mystic“. At its core, an electronic soundscape envelops a classical arrangement, its unreachability intensified by an ethereal, otherworldly choir. Hovering at the outermost boundaries of the solar system, where warmth is but a distant memory, the composition lingers in a slow, contemplative tempo, evoking a realm where space for speculation stretches wide and silence reigns supreme.
Though Pluto may have lost its planetary status, and its companion Charon never achieved one, this shift in classification subtly aligns with the cosmic scale invoked here—one that mirrors the musical tradition of an eight-note sequence. Fittingly, the album closes with „Kuiper Belt“, a composition emblematic of the turbulence and vitality of countless smaller
celestial bodies that, though diminutive, find their rightful place within the vast architecture of the solar system.
They say nature is the greatest composer, shaping the universe with a symphony of chaos and order, beauty and danger. It is this duality that fuels the artistic vision of Edictum—a producer who, armed with a doctorate in chemistry, delves as deeply into the mysteries of molecules as he does into the depths of sound. In the tension between the vastness of the cosmos and the microscopic processes that dictate life’s rhythm, Edictum creates sonic landscapes that dissolve the boundaries between science and art.
His music is a story of contrasts—a sonic tale where the raw forces of nature clash with the intricate structures of human culture. Opposites intertwine to form a harmonious whole: the primal rhythms of the earth meet the celestial melodies of the cosmos, the rigid laws of physics blend with the boundless freedom of art. Edictum explores these polarities with meticulous devotion, each composition an expedition into uncharted soundscapes—a quest to give voice to the unfathomable.
With over 20 years immersed in the realms of electronic music, Edictum has honed a keen sense for rhythm and movement. His driving beats compel both body and mind into a hypnotic flow. Yet beyond the pulse of dance lies a complex framework of conceptual thought. Today, his creative focus revolves around holistic album projects—self-contained worlds with overarching narratives that embrace contrast and complexity. Each track stands alone as a fragment of the whole, but together, they weave a cohesive tapestry, much like the chapters of a novel that guide the listener on an emotional and sonic journey.
Edictum’s distinctive musical signature has earned him international recognition. With over 150 releases, many on prestigious platforms like the iconic *NewRetroWave* label, and collaborations with artists such as Jan Johnston, Azumi Inoue, Powernerd, and Turbo Knight, he has solidified his place in the global electronic music scene. His latest work, *A Cosmic Scale*, marks his seventh vinyl album and is released under his own label, *Echoes of Expanse*. The label’s name is no coincidence—it captures the essence of his art: echoes of infinity, the vibrations of the universe distilled into a singular sonic experience that carries the listener ever further into the boundless expanse of sound and space.
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Love Raid is first in a series of cassette-only mixtapes with the cult WFMU show and blog Bodega Pop collecting assorted digs from across New York's bodegas and cell-phone stores. This first edition is focused on leftfield, novelty, and protest 45s from across the Arabic world recorded between 1960 & 1974.
"A series of random discoveries in the mid-1990s led me to abandon American and British pop and focus on non-English-language music, predominantly Arabic, for the next two decades.
Feeding my ears required biking down to Bay Ridge, Brooklyn, or hopping on the subway to Steinway Street in Queens, where I would pop into a handful of the local bodegas and immigrant-run cell-phone stores, some of which offered music from North Africa and the Middle East on cassettes and compact discs.
When CDs spiralled into obsolescence in the mid-2010s, I reluctantly made the switch to vinyl, concentrating on 45s and intentionally filling holes not well represented in the digital era – more artists than not hadn't made the transition from analog in the 1980s. This meant focusing on singles by a lot of artists I'd not heard of, and it quickly became evident just how much of the era – from approximately 1960 to 1974, when 7" records were all but abandoned in Egypt and Lebanon – had been forgotten.
What also became evident was the breadth of popular music issued by even hegemonic titan Sono Cairo. The consensus is that state radio and music publishing ignored traditional folk, shaabi, and other lowbrow pop in favor of the exalted art song we associate with Oum Kalthoum, Abdel Halim Hafez, and Farid al-Atrash.
While this active neglect of the broadest Arabic pop spectrum is mostly true, I accumulated a not inconsequential number of what I can only describe as "novelty" records by mostly one- and two-hit wonders. From catchy gimmicks like the "doktor, ya habibi" of Maha's "Doktor" and the "boom boom boom" of twins Thunai Badr's "Love Raid," to the Monty Python-level silliness of Sayed Mandoline's fake Italian crooning and maniacal laughter in "I Present to You the Mandolin," these were sounds I was genuinely surprised to hear.
Even more remarkable were the songs recorded in English: Karim Shukry's celebratory "Ramadan" and Motyaba & Nada's civil-rights plea "No Black No White" are two of my favorites, and thus included in the present collection.
The tracks compiled here are often as beautiful as they are beguiling, but while the intention was to absolutely put together a solid listen, it was also my hope to slightly expand our understanding of Arabic music of this period beyond not just the usual suspects, but also subjects – and treatment of same."
--Gary Sullivan.
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Last summer, after six months of diving into his vault and crafting new sounds, 15 tracks found their home on Deeleegenz's final playlist for this double vinyl album titled ‘Color Residues’.
Sozyone joined this journey by creating the stunning artwork. His distinctive bird designs now grace both the album cover and the labels of all four vinyl sides.
Limited pressing of 200 copies.
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THE VINYLBOX COLLECTION IS BACK REDISCOVER ALL THE BEST SONGS FROM THE CULT MOVIES OF QUENTIN TARENTINO. STARRING : JOETEX, ISAAC HAYES, DICK DALE, ELVIN BISHOP, JOHNNY CASH, AL GREEN, RICKY NELSON, LINK WRAY, ...
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Since the first releases of ECHT!, one question has been on everyone's lips: does this act belong on a live stage, or is their music best experienced through a set of powerful speakers in a packed, sweaty club? With their third album, 'Boilerism', the band finally settles the debate, diving headfirst into the heart of club culture and bringing the ecstatic energy of the dance floor to the live stage.
Since their debut with the EP DOUF (2019), followed by the full-length albums Inwane (2021) and Sink-Along (2023), ECHT! has consistently been building a reputation for redefining their musical standards, blending deep grooves and adding raw textures. With 'Boilerism', they pick up the pace, exploring genres like acid, drum & bass, footwork, and UK garage. all while retaining their signature love for the unexpected. The album features tracks filled with sudden shifts and twists that keep listeners on their toes. Known for transforming electronic, hip-hop, and jazz influences into live-performed compositions, ECHT! continues to deliver a fresh perspective on electronic music that feels both innovative and uncompromising.
The album's title, a nod to the underground club scene and its unifying energy, captures the album's spirit: music that challenges limits, encourages experimentation, and unites through its intensity.
Opening with tracks like Boilerbeek, Wacky Wave, and the single Highed, the band builds upon the foundations of their two previous albums. However, it's with Mtwk Parts 3 & 4, a direct continuation of earlier chapters, that the energy kicks into higher gear. Midway, the album ventures into harder, more intense territory, showcasing the band's confident evolution. A brief but intricate interlude, Black Sablon, offers a layered moment of respite before the intensity returns. From there, ECHT! fully embraces their club-oriented sound with acid-infused bangers like Klaas Rescue and the provocatively titled BK-hole. These tracks leave no doubt about their intent, delivering straight-up, relentless dancefloor energy that captures the essence of their live performances.
The album concludes with Penguin Alfred, a thoughtful and emotive finale that seamlessly transitions between ambient soundscapes and delicate breakbeats, highlighting the band's dynamic range and creative depth.
It's been three years since ECHT!'s debut album Inwane, followed by their second LP Sink-Along in 2023, both released on Sdban Ultra. Their music has garnered acclaimfrom notable outlets such as Mixmag, DJ Mag, and Tsugi while earning support from respected DJs including Lefto, Gilles Peterson, and Jamz Supernova on BBC Radio 6. ECHT! has performed at iconic venues such as the Jazz Café (London), AB (Brussels), Melkweg & Paradiso (Amsterdam), and Gretchen (Berlin). Their most recent tour spanned 14 countries, including Mexico and India.
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Soulful hip hop instrumentals from Italy on Best Record-affiliated Quattro Bambole! "The "Moderna Sonorizzazioni" series by Quattro Bambole Music continues its investigation of the infinite expressive possibilities of instrumental hip-hop, recognizing it as the most contemporary form of library music. After the first two chapters - signed by Biga and JayBee Vibes - the third volume of the series, "Sport & Calcio", features the Roman producer Delphi for whom there was a lot of anticipation on the part of both Italian and scattered beatmakers everywhere in Europe and the United States. With the subtitle which is already a declaration of intent ''Tales of a boy from Rome....'' etc. etc., "Sport & Calcio" is an instrumental fresco in which football and sport become narrative pretexts to evoke images, memories and suggestions. The twelve tracks that make up the album are real cinematic sketches, in which Delphi (born Valerio Del Prete) combines raw beats, nostalgic loops, sample-delia and a narrative that evokes family Sundays, spent on the street as well as stadium, and the heat of the crowded stands. Therefore a work that is musically declined based on moments and emotions.. ''Sport & Calcio'' is therefore a deliberately introspective and not very ''danceable'' work. Sound photographs, short descriptions, themes, small fragments associated with television reports on sport... with which the artist touches chords that allow him to express a different compositional depth, a conceptual work, more descriptive and functional to the line of "Moderna Sonorizzazioni" series."
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Transparent Amber[31,51 €]
Here at Four Flies, we kind of feel we need a bigger word than 'proud', this time, to present, in collaboration with Beat Records, the first-ever release of the original soundtrack written in 1976 by Guido & Maurizio De Angelis for the legendary Squadra Antifurto, the second chapter of the comedy-infused crime saga directed by Bruno Corbucci and starring Tomas Milian as the iconic Italian Police Marshal Nico Giraldi.
The excitement in this case is nothing short of gigantic, difficult to rein in for those who, like ourselves, grew up adoring the character played by Milian as one of our cult heroes, and dreaming that the soundtracks of the first three films in the saga – the only ones composed by the De Angelis brothers – would one day be released.
Since the launch of our label, Squadra Antifurto has been at the top of the list of film scores we most wanted to release. Until a few months ago, this dream of ours seemed destined to remain just that, so strong was the conviction in all of us that the master tapes were definitively lost, that they had forever vanished into thin air. That's why their recovery, made possible by Maurizio De Angelis himself and the persistence of our friends at Beat Records, is an extraordinary feat.
Nearly 50 years after it was first heard in cinemas, the soundtrack penned by the De Angelis brothers is resurrected in its entirety and can finally shine its incredible power all over us.
Beautifully seeping through this score – like many others composed by the golden duo in the 1970s – are elements from the Italian, and especially Roman, folk tradition, for instance in the warm, heartfelt ballad sung by Alberto Griso, "E nun ce voio sta," which first plays in the opening credit sequence and is then reprised in various forms throughout the film, culminating with the soul-stirring orchestral version that closes the album's tracklist.
But as in any Italian crime film worthy of that name, a different soundscapetakes centre stage: it's the music that accompanies the countless scenes of tension, action, and pursuit that punctuate the film, and which has made us fall madly in love with this score.
The main theme is a prog-funk joyride, drawing inspiration from the traditional tarantella but elevated to irresistible energy thanks to a rock orchestration featuring psychedelic flutes, wild percussion, distorted electric guitars, piano chords, and various feedback and delay effects.
The resulting groove is just mind-blowing, and we almost can't believe it's finally available on a record, completely remastered for vinyl.
We really couldn't be prouder, and dedicate this release to all passionate fans of Italian crime films, the De Angelis brothers, and Tomas Milian aka Nico Giraldi.
Available starting April 12th on standard black vinyl and limited coloured vinyl (transparent amber, limited to 300 copies).
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DJ Support: Diplo, Disco Lines, Alok, MK, Low Steppa, Bob Sinclar, Groove Armada, Dennis Cruz, David Penn, Sam Divine, Adam Beyer, Calvin Harris, Hardwell, MEDUZA, Martin Garrix, James Hype, Claptone, Nicky Romero & John Summit.
Toolroom’s latest Sampler sees 4 big releases from KC Lights, Milk & Sugar & James Hurr, Crusy, and Illyus & Barrientos.
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Zackey Force Funk & XL Middleton return with cover versions of two tracks by Jonny Chingas, a legendary artist w/ a cult following in Chicano music scene on the west coast of the US. 'Hey MF' is a vocoder & synth drenched electro funk cruiser that's perfect for the dance floor or a boulevard cruise. 'Phone Home' was one of Chingas' breakout tracks that actually got heavy club play in the UK, and is given the modern boogie funk treatment by ZFF on vocals & producer XL Middleton.
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Where to begin with a figure like Simon Fisher Turner? From teenage stage and screen star to illustrious recording artist for Creation and Mute and score composer of Caravaggio, Blue and The Epic of Everest - via a stint with The The and collaborations with Derek Jarman, David Lynch and Tilda Swinton - Turner embodies a distinctly British sensibility and boundless curiosity for sound. For A Colourful Storm, discovering Deux Filles, his mysterious project with Colin Lloyd-Tucker that has since been reissued by Dark Entries, was a significant moment in shaping their identity.
In August 2023, A Colourful Storm presented Simon Fisher Turner and Time is Away at Spanners, London. Performed at the tail end of Blue Now, a series of events celebrating Derek Jarman's last feature film, Blue, the recording reveals a lifetime of significant events and influences. Terre Thaemlitz's remix of Turner's Shishapangma (Comatonse Recordings, 2015) is reworked and appears on vinyl only, Jarman is privately recorded reading White Lies, Bertrand Russell is sampled, and Turner records his brother practising the Great Rissington organ for their father's funeral.
"My wife and I lived in Brixton, near the venue, on Coldharbour Lane, 20 years ago. We were above a takeaway shop. The air extractor was a nightmare and the flat smelled of grease. The market was a great place to buy fish. We adopted a giant snail, who we called Ayrton. I used to take him all over town and he loved lettuce and tomatoes. There was a wonderful small pizza shop too, which was so delicious. But back to the music. Brixton is music and I'm a lucky man."
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SEVEN releases their second EP from label co-founderCRYME, titled Reality Rush. This EP blends classic,atmospheric house with a modern mix.
A1 - Reality Rush is an upbeat house track with playful sounddesign, classic drums, steady rhythm, and a powerful bassline.It sets an energetic foundation for the EP, inviting listeners toexplore SEVEN's distinct sound, balancing house and techno.
A2 - Christoph Faust's remix of Reality Rush is inspired byDetroit. It features a heavier kick, slower tempo, and a moresluggish vibe. He retained the big synth stabs, reversed thevocals, and added familiar old school vocal samples.
B1 - Aurora is a stripped back to basics. It has a soothing, laid-back vibe with percussion-driven beats and prominent congas,perfect for a late-night ride through the city.
B2 - Orbit Exp. is a groovy house track features ever-changing,pulsating pads that create and release tension, giving theillusion of drifting away in space.
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This blissful example of Lover’s Rock from 1985 showcases the very specific sonic template of a portion of Reggae music that was coming from the United Kingdom during the period - steeped in a soulful, Pop sensibility. We are also treated to a version by Lindel Lewis aka The Gentle Giant of Reggae music under the guise of One Man Band that submerges the original into a rich, sun-kissed honey, securing it firmly into the territory of Balearica. Whilst not achieving commercial success at the time, You, Me & He has grown to become a much coveted artefact and we are pleased to have lovingly reissued this gem for your listening pleasure.
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