"With their third full-length, Washington, D.C.’s Bad Moves have expanded their founding artistic identity — a candy-coated guitar-pop shell surrounding a bitter lyrical core — by refracting their ideas through a new set of musical forms that weaponize repetition. On the new Wearing Out the Refrain, recorded once again with producer Joe Reinhart (Hop Along, Algernon Cadwallader), Bad Moves propose that the flip side of the delirious harmony of the basement show singalong is the volatile, accusatory antiphony of a community divided by strain, shouting the same desperate hook back and forth at one another.
Bad Moves’ tag-team vocals, which forgo centering anyone one member, also let the traditionally confessional “I” become the “we” of a community, or generation. Witness the ambitious climate change metaphor of “Eviction Party,” which understands the union of sugary pop and genuine angst embodied by 1960s girl-group songcraft, and uses it to expand a personal story to planetary scale. “It’s my eviction, I’ll cry if I want to” Bad Moves shouts, channeling the dawning millennial midlife crisis. The personal may be political, but what if both feel weighed down and trapped in circular, inescapable ruts?"
quête:gio
The second Nug-Net Vinyl Winner’s Circle is here. These are 4 of the top 8 tracks we received out of 400+ submissions. These have been played and tested by Gene and are certified for the dancefloor. Nug-Net will continue to shine a light on up and coming producers now and in the future.
Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, The San Francisco Sound.' Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.
By the mid-70's, Patrick's synthesis techniques landed him a job composing and producing songs for disco superstar Sylvester, including hits like You Make Me Feel (Mighty Real)', Dance Disco Heat' and Stars.' This helped Patrick obtain more work as a remixer and producer. His 18-minute long remix of Donna Summer's I Feel Love' and his production work with edgy New Wave band Indoor Life were both of particular note. By 1981, Patrick had released a string of dance 12 singles, like Menergy' and Megatron Man'. He also had founded Megatone Records, the label upon which he released his debut album, Menergy'. Around this time Patrick was hospitalized and diagnosed with an unknown illness: that which would later be called AIDS. Throughout 1982, he recorded two more Hi-NRG hits, Do You Wanna Funk' for Sylvester, and Right On Target' for Paul Parker, as well as a second solo album Mind Warp'. On November 12, 1982, he passed away.
In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick's songs in-sync with the film scenes. The result was the VHS collections Muscle Up' and School Daze' released in 1979 and 1980. Afternooners' is the third collection of Cowley's instrumental songs, recorded in May 1982. These recordings were culled from two 23-minute reels in the Fox Studio vaults. All songs were originally untitled, so we've used the titles from Fox Studio's 8mm film loops. This compilation also includes three bonus tracks found in the archives of fellow Megatone Records recording artist Paul Parker and the attic of teenage friend Lily Bartels. Influenced by Tomita, Wendy Carlos, and Giorgio Moroder, Patrick crafted a singular sound from his collection of synthesizers, percussion, modified guitars, and hand-built equipment. The listener enters a world of forbidden vices, evocative of Patrick's time spent in the bathhouses of San Francisco. The songs on Afternooners' reflect the advances of the equipment available at the onset of the 1980s. Cowley's unadulterated electronic forms are stripped down and dubbed up. Lush electronic percussion, soaring synthesizer riffs and low slung funk grooves comingle on these magnificent soundscapes.
Featuring 70 minutes of music never before released on vinyl. All songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl is housed in a gatefold jacket designed by Berlin-based artist Gwenael Rattke, featuring black and white photos of Patrick in his studio that opens to a full color array of x-rated scenes from the Fox Studio vaults. Included is a fold-out poster featuring a handmade collage using photography and xeroxed graphics of classic gay porn imagery and an essay from Drew Daniel of Matmos. For Patrick's 67th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius. These recordings shed a new light on the experimental side of a disco legend who was taken too soon.
We are excited to announce the first release of the revamped Italo Deviance Music: "Arredo" (alias of Marcello Giordani). This record includes two outstanding tracks, each with its own unique character. The first track, "Fear Fighter," stands out for its hypnotic Afro/House direction, enriched with synthesizer sounds that capture the imagination and transport the listener to an evocative sonic dimension. The remix of "Fear Fighter" is entrusted to the ren owned Danish artist Kasper Björke, who offers an elegant and refined version, perfectly in line with his distinctive style. The second track, "Blue Spotlight," evokes the classic mid - 80s Dance Library sound, presented in an extended version with Italo nua nces. The remix of this track is curated by Cosmo Dance, transforming it into an extraordinary electronic track inspired by early 80s Italian Disco productions. "Arredo " represents a perfect fusion of nostalgia and modernity, celebrating the past while innovating the present. With sophisticated remixes by Kasper Björke and Cosmo Dance, this release promises to captivate both veterans of the genre and new electronic music enthusiasts. Don't miss the chance to immerse yourself in this unique musical journey.
- Winter 1973
- A Rose In The Garden Of Winter
- Black Rose
- Technicolor Terror
- Behind The Mask
- Thorns
- Curtain Call
- October Moon
- Midnight Visions
- Blood Banquet
- Magico
- Black Gloves
- The Last Rose
This album marks a significant evolution for Dream Division, evolving from a solo project into a full band experience. Blending the rich sounds of Italian soundtracks with psychedelic rock, Tom McDowell, the band's core member and founder of Library of the Occult Records, has assembled an all-star lineup for this collaborative record. Featuring members of The Hologram People, Garden Gate, The Psychic Circle, Miles Brown and Men From S.P.E.C.T.R.E., the album navigates through genres while maintaining a cinematic essence. From the sinister melancholy tones of 'Black Rose' to the Giorgio Moroder-esque Giallo disco of 'Technicolor Terror,' ‘A Rose in the Garden of Winter’ unfolds like a lost soundtrack to a classic '70s Giallo film.
Modern Obscure Music presents "Sakuraza," a live album featuring Eiko Ishibashi (flute and electronics), Jim O'Rourke (electronics), Kei Matsumaru (alto saxophone), Tatsuhisa Yamamoto (drums), and Giovanni Di Domenico (piano). Recorded at the Sakuraza jazz club in Kofu, Japan, this dynamic and sophisticated performance blends jazz, electronic music, and pop elements.
Giovanni Di Domenico, a frequent visitor to Japan, organized this June 2023 concert with long-time collaborators Ishibashi, O'Rourke, and Yamamoto, and invited saxophonist Matsumaru. The warm, intimate setting of Sakuraza provided the perfect backdrop for their unedited, improvisational session.
"Sakuraza" captures the deep musical connection and spontaneity of these artists, offering an immersive auditory experience. Recorded on June 14, 2023
Ominous drums, obscure cellos, fuzzy and distorted guitars, psychedelic piano sequences: legendary Italian composer Alessandro Alessandroni creates a sombre and gritty war atmosphere on this classic library album "Storie Di Guerra". Originally released on the Octopus Records imprint by Flipper Music in 1972, this obscure and spooky library has been long out of print — 50 years past its release we are happy to bring this back on vinyl in collaboration with Flipper Music as a limited edition of 500 copies!
- A1: Ora Di Punta (Ruscigan)
- A2: Sin Palabras (Ruscigan)
- A3: Sole Rosso (Ruscigan)
- A4: Il Giorno Dopo (Ruscigan)
- A5: Festa Al Quartiere (Ruscigan)
- A6: Ansiedad (Ruscigan)
- A7: Chemin De Fer (Selmoco)
- B1: Itinerario B. (Ruscigan)
- B2: Semplice E Bella (Ruscigan)
- B3: Fuoco Freddo (Ruscigan)
- B4: Parentesi (Ruscigan)
- B5: Corner (Ruscigan)
- B6: Verso Sud-Ovest (Ruscigan)
- B7: Spag E Spig (Selmoco)
Francesco Anselmo, also known as Lee Selmoco, Dorsey Dodd, Alex Brown, Arsenio Bracco or Tommy Ruff, is an Italian keyboardist that covered the role of of artistic director for Vedette Records, historical Italian imprint founded by director and violinist Armando Sciascia, and also recorded for its notorious Phase 6 Super Stereo, its sub-label focused on instrumental records and production music.
"Mosaico (Le Tastiere Di Lee Selmoco)" is an incredible display of his creative and composing skills, featuring 14 tracks of what could be classified as "happy music", with killer electric organ and rhythms alternating with fuzzy guitars and spacey / psychedelic hints thrown in for good measures, written alongside Guido Baggiani, alias Ruscigan. We are very happy to start a series of reissues from the Vedette Records catalog with the first ever reissue of this title after 50 years from its original release, and since the original pressing did not feature the correct track listing, it is reissued here for the first time in its correct version!
As one of the most enigmatic figures of the 1970's Italian soundtrack and library music network Emma De Angelis and her short recording career provides thirsty fans of speedball psychedelic rock and drum heavy instrumental funk with a tight discography rivalling many of the long-standing bastions of the otherwise male-orientated business. * Strictly limited to 1000 copies.*
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Born in Rocca di Papa, near Rome, into a flourishing musical environment Emma was the younger sister of future award-winning composers Guido And Maurizio De Angelis, a duo, who under names like Oliver Onions and Dream Bags, would write chart-topping lyrical theme tunes for a wide range of Italian crime, Giallo and Spaghetti Western films featured alongside full scores by Ennio Morricone and the Magnetic System composers (Bixio Frizzi Tempera).
With encouragement from her brothers, Emma, who would also write music under the pseudonym of Juniper, would record a tight clutch of solo-penned material and seldom credited studio contributions to Guido And Maurizio's film commissions, such as the score for Giuliano Carnimeo's Simone e Matteo: Un gioco da ragazzi (aka Convoy Buddies). While simultaneously pursuing a career as an illustrator and set designer the De Angelis family contacts would lead Emma to the offices of Romano Di Bari, whose up-and-coming Flirt label was finding success providing custom built mood music for use in TV and film. Alongside important composers like Alessandro Alessandroni, Gerardo Iacoucci and A. R. Luciani, the young Emma Di Angelis would record a small number of tracks for a compilation called Underground Mood (credited in the small print to E De Angelis - not to be confused with Italian singer Edoardo De Angelis). It is from this rare LP that the record you are now holding is compiled. Within the Flirt family of labels Emma De Angelis would also share schedules with other important female composers such as Daniela Casa and Giulia Kema' De Mutiis - both of whom have appeared on dedicated Finders Keepers releases.
The tracks on this record provide us with a rare glimpse into Emma De Angelis' short musical career before she became a full-time visual artist. With an unknown personnel or studio date it is easy to speculate a potential family jam in Piero Umiliani's Sound Workshop studio in 1972. One only has to take a listen to Guido And Maurizio's instrumental theme Gangster Story from Enzo G. Castellari's 1973 thriller High Crime (which later appeared on Tarantino's Death Proof soundtrack) or the trippy title theme to Paolo Poeti's kinky 1976 drama Inhibition to spot the family resemblance
Für das vierte blutrünstige Album der Band und das erste für 20 Buck Spin, nachdem sie sich in den letzten Jahren im Death Metal-Underground immer mehr einen Namen gemacht haben, präsentiert Fulci "Duck Face Killings", eine Hommage an einen von Lucios abscheulichsten und meist geschmähten Filmen, "The New York Ripper".
Musikalisch entfesseln Fulci eine Flut von fesselnd grausamen Riffs, blutigem Gemetzel, mörderischen Schlägen, tiefen, gutturalen Gesangsmustern und unheimlichen Intros und Zwischenspielen. Das Songwriting der Band ist bewusst darauf fixiert, die brutalste und schärfste Musik zu kreieren, die möglich ist, um die extreme Grausamkeit des Films zu vermitteln, wobei man sich einen Soundtrack für den grausamsten und zynischsten Slasher-Film aller Zeiten vorstellt.
Was für den einen Müll ist, ist für den anderen ein Schatz, und so ist es auch bei einem so schäbigen und abscheulichen Film wie "The New York Ripper". In Duck Face Killings" leuchtet Fulcis brutale Darstellung der gewalttätigen Welt seines Mentors wie der Schimmer von Blut unter den Straßenlaternen von New York, schockierend und wild. Eine Hommage an den kontroversen Meister in all seiner dekadenten und degenerierten Pracht.
- Die mit Spannung erwartete 4. LP der italienischen Lucio Fulci-Fanatiker, basierend auf seinem Film 'The New York Ripper'.
- Cover-Artwork von Wes Benscoter (Autopsy, Sinister, Mortician, Broken Hope, Nile)
- Gastauftritte von Lord Goat von Non Phixion und Sherwood Webber von Skinless
- Komplette US Devastation in the Nation Tour im November / Dezember 2024 mit Morbid Angel, Suffocation, Mortiferum und mehr.
FFO: Cannibal Corpse (TOTM, The Bleeding), Dying Fetus, early Madball, Merauder, Mortician, Skinless, 100 Demons, Goblin, Giorgio Moroder, Devourment, Suffocation, Slayer, Crowbar, Bolt Thrower, Immolation, Non Phixion, Franco Micalizzi, Monstrosity
Für das vierte blutrünstige Album der Band und das erste für 20 Buck Spin, nachdem sie sich in den letzten Jahren im Death Metal-Underground immer mehr einen Namen gemacht haben, präsentiert Fulci "Duck Face Killings", eine Hommage an einen von Lucios abscheulichsten und meist geschmähten Filmen, "The New York Ripper".
Musikalisch entfesseln Fulci eine Flut von fesselnd grausamen Riffs, blutigem Gemetzel, mörderischen Schlägen, tiefen, gutturalen Gesangsmustern und unheimlichen Intros und Zwischenspielen. Das Songwriting der Band ist bewusst darauf fixiert, die brutalste und schärfste Musik zu kreieren, die möglich ist, um die extreme Grausamkeit des Films zu vermitteln, wobei man sich einen Soundtrack für den grausamsten und zynischsten Slasher-Film aller Zeiten vorstellt.
Was für den einen Müll ist, ist für den anderen ein Schatz, und so ist es auch bei einem so schäbigen und abscheulichen Film wie "The New York Ripper". In Duck Face Killings" leuchtet Fulcis brutale Darstellung der gewalttätigen Welt seines Mentors wie der Schimmer von Blut unter den Straßenlaternen von New York, schockierend und wild. Eine Hommage an den kontroversen Meister in all seiner dekadenten und degenerierten Pracht.
- Die mit Spannung erwartete 4. LP der italienischen Lucio Fulci-Fanatiker, basierend auf seinem Film 'The New York Ripper'.
- Cover-Artwork von Wes Benscoter (Autopsy, Sinister, Mortician, Broken Hope, Nile)
- Gastauftritte von Lord Goat von Non Phixion und Sherwood Webber von Skinless
- Komplette US Devastation in the Nation Tour im November / Dezember 2024 mit Morbid Angel, Suffocation, Mortiferum und mehr.
FFO: Cannibal Corpse (TOTM, The Bleeding), Dying Fetus, early Madball, Merauder, Mortician, Skinless, 100 Demons, Goblin, Giorgio Moroder, Devourment, Suffocation, Slayer, Crowbar, Bolt Thrower, Immolation, Non Phixion, Franco Micalizzi, Monstrosity
Adam Beyer continues his elite studio form with ‘Ghost Kiss’.
The boss has been enjoying the most prolific production period of his career in recent times, while reinforcing his sonic range in the process. Recent highlights have included his standout ‘Let’s Begin’ EP which mined classic Drumcode influences, while his remix of Sharam’s PATT (Party All The Time) with Green Velvet and Layton Giordani showed a different side to his repertoire, and delivered his first overall Beatport no.1 along the way.
His latest three-track offering ‘Ghost Kiss’, continues the creative purple patch. The title track sounds like a techno outtake from ‘Requiem for a Dream’s’ soundtrack, deliciously unsettling and striking. This was made for big moments, propelled by a commanding vox that urges us to move our bodies. ‘Pilot’ shows Beyer’s musical breadth and commanding sound design, taking in elements of synth wave and indie pop all within a driving techno context. A captivating listen. The finale ‘Jack’, continues the inspired sonic referencing; a narrative-led dancefloor jaunt that takes in subtle elements house and electro, with Beyer’s unique twist.
From Philadelphia, this band has a ’90s college rock feel. A mix of VIOLENT FEMMES, ARCHERS OF LOAF, and CLAP YOUR HANDS SAY YEAH.
Sonor Music Editions presents this restored issue of Maestro Sandro Brugnolini's Overground. This elusive masterpiece in library music captures the most impressive work, alongside Underground (1970), of the Italian composer and alto sax player.
Sandro Brugnolini was a prominent member of the Modern Jazz Gang, a famous Italian jazz group, during the 1950s and 60s, which also included Amedeo Tommasi, Cicci Santucci, and Enzo Scoppa. The group was active from 1956 to 1965 and produced some remarkable albums such as Miles Before And After (1960) and the original soundtrack from Gli Arcangeli (1962), which featured the renowned American jazz singer, Helen Merrill. Subsequently, he recorded many of the genre's most iconic releases, including Feelings (1974), albeit uncredited, and ventured into Psychedelic Lounge Funk and Progressive Jazz Beat tunes.
Overground was released on Sincro Edizioni Musicali in 1970 as the soundtrack to Enrico Moscatelli and Mario Rigoni's documentary Persuasione, commissioned by Ente Provinciale Per Il Turismo Di Trento, a local tourism board in Italy, with music composed by Sandro Brugnolini and Luigi Malatesta featuring some of the best musicians in Italy at the time like Angelo Baroncini and Silvano Chimento on guitars, Giorgio Carnini on piano and organ, Enzo Restuccia on drums, and Giovanni Tommaso on bass and effects. The music spans from underground Psychedelic Prog. Rock with swirling organs, trippy effects, and distorted fuzz guitars to sophisticated Lounge grooves with Avant-garde orchestrations.
The music has been transferred and remastered from the original master tapes. It has been lacquer cut in stereo by Jukka Sarapää at Timmion Cutting and packed in a thick cardboard sleeve featuring a fully restored painting by Umberto Mastroianni licensed by Centro Studi dell’Opera di Umberto Mastroianni
Der italienische Pianist Giovanni Guidi widmet sich auf A New Day wieder gänzlich dem frei fließende Zusammenspiel mit seinen Kollegen Thomas Morgan und João Lobo – die musikalische Partnerschaft des Trios reicht inzwischen bereits über ein Jahrzehnt zurück – und baut dabei die instrumentale Bandbreite der Gruppe mit der idiosynkratrischen Tenorstimme des amerikanischen axofonisten James Brandon Lewis aus, der hier sein ECM-Debüt gibt. Mit Brandon Lewis erweitern sich nicht nur die Möglichkeiten des Ensembles,
es erschließen sich auch neue Idiome und frische Perspektiven, die von nuancierter Kommunikation und Lewis’ unverkennbarem, selbstbewusstem Ton gezeichnet sind. Das Album wurde im August 2023 in den Studios La Buissonne, Südfrankreich, aufgenommen und von Manfred Eicher produziert.
When Jazz Meets Italo-Disco. Two Italian legends meet and deliver a unique contemporary jazz-house fusion! ''Stefano Cantini is a well-known saxophonist in the Italian and international jazz scene. In recent years he has focused on a project called Living Coltrane with Ares Tavolazzi, Francesco Maccianti and Piero Borri. Stefano and Maurizio Dami (Alexander Robotnick) had worked together for a while in the mid '80s and Stefano also played on GMM's album (''Love Supreme'' is the best known track). Since then, Stefano has focused totally on Jazz whilst Maurizio Dami produced World Music in the '90s and later on, under the artist name Alexander Robotnick, retrieved in 2000, turned to electronic music again, so the two musicians lost track of each other for 40 years. Robotnick says, ''In March 2023 I received a call from a club in Pisa, Cantiere San Bernardo. They asked me whether I could play live with Stefano ''Cocco'' Cantini on the occasion of a special event dedicated to Giovanotti Mondani Meccanici. I called him and he answered enthusiastically. Shortly before the concert we rehearsed at the Follonica Music School which he directs. He improvised with me on the bases of my live. We liked our rehearsal and a few days later, on June 2nd 2023, we played in Pisa with much success. So came the idea of doing something together. We decided to produce an EP featuring 3 tracks. On some of my bases Stefano created a harmonic texture to improvise on. I mainly took care of the arrangement and the production. But what we play is the result of improvisation, with hardly any editing. It's amazing how we managed to work together so smoothly after so many years, as if we had never stopped. We called this project 'Robocok'''. They are modal tracks with a techno approach and harmonically open. Almost a provocation to the staticity of contemporary dance. On ''Francocco'' and ''Frigiococco'' Stefano plays soprano sax whilst on ''Afrococco'' he plays alto. Guglielmo Bottin took the task of making a remix. He picked ''Francocco'' and skilfully turned it into a pure drums and piano groove. Perfect for the dancefloor.''
Lumberjacks In Hell is the Amsterdam based label run by Marcel Vogel that was established in 2010 and has long been a great source of leftfield club tunes. Having worked with a variety of international artists like Jamie 3:26, Philou Louzolo, Rayko, Karizma and Giovanni Damico, LJIH proudly presents its first release in two and half years from Lu/Lu & LYMA with ‘Hotmoltenlava’.
Production duo Lucas van Ee and Tjerk Lammers are collaborators extraordinaire, brothers speaking in code and working in unison, a hive mind of ideas and creativity that was always bound to erupt like a Vulcano. Lu/Lu & LYMA is a side project of the Amsterdam based LIKEMINDS, and together they share a studio together on the outskirts of the city. Both Artists are heavily involved in the local
Across the seven tracks of ‘Hotmoltenlava’, the music serves as a captivating odyssey of electrifying new house anthems that seamlessly combine the pulsating production rhythms of Lu/Lu with the sultry tones of LYMA. Prepare to be transported to euphoric heights as ‘Hotmoltenlava’ marks a triumphant return for Lumberjacks In Hell spearheaded by the visionary Marcel Vogel, propelling it into a stratosphere all of its own.


















