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Krystal Klear - RB128

Krystal Klear

RB128

12inchRB128
Running Back
10.05.2024

New Krystal Klear on Running Back. No re-inventing of the wheel here. Sometimes it is what it is. But let‘s hear it from the artist himself:

“ No notes or real inspiration behind this EP. Rb128 consists of four tracks that I made to keep gigs coming and the calendar full - In a time where artists are being forced to DJ like maniacs to keep the electricity running to make more quickfire records (except for Gerd who loves it).

These pure dance tracks try to mix the cocktail between the trendy trance that people like now and the good house records they liked yesterday.

Standard procedure: Melancholic chords over processed drums and breakdowns that make waiting for a train to pull in more bearable.“
But yes, it is still and will always be pretty damn good dance music (Gerd does a high kick and claps his hands)! Love is all we need.

Short:

New Running Back by the ever-reliable Krystal Klear.

Standard procedure: Melancholic chords over processed drums and breakdowns that make waiting for a train to pull in more bearable.“

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11,72 €
Electroliners - Loose Caboose

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London, San Francisco and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in!

A serendipitous encounter at an SF record store in the early 90s brought together local music aficionados DJ Dan and Jim Hopkins. Their collaboration birthed the legendary Electroliners project, channeling their shared passion for underground and funky sounds into the iconic left-coast rave anthem, 'Loose Caboose', now firmly nestled in your hands. Pooling their musical prowess, Dan and Jim embarked on a journey of sonic exploration, meticulously crafting their signature sound by dissecting samples and breakbeats, infusing the musical landscape with a revitalizing energy. As their reputation grew within the local scene, they found themselves tasked with supplying a track for a promotional CD-ROM by a burgeoning software company.

Through marathon sessions of digging, slicing, sequencing, and exchanging snippets over phone calls, Electroliners hit their creative stride. It was only natural to unveil their creation in the raw intensity of a live rave setting. Thanks to a connection with DJ DRC, they seized the opportunity, and the rest is history. Copies of the record flew off the shelves by the thousands locally, and its overseas acclaim, spearheaded by licensing through XL Recordings in the UK, cemented its status as a bona fide underground classic. But what exactly is an Electroliner you might ask? Jim sheds light on the inspiration: “I delved into books on trains at the public library,” he reveals. “Among them, 'Electroliner' caught my eye, a train line in the Midwest. Given the track's pulsating train horn, 'Electroliner' and 'Loose Caboose' simply clicked.”

'Loose Caboose' is an all-time classic, and still causes much damage on the dancefloor today. Yet another unmissable addition to the MC reissue catalogue, fully licensed from the artists, mastered and cut by Curve Pusher, and available once again available for purchase. Do not sleep.

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13,24 €
SAMORY I - Strength LP

Samory I's solo debut album, ''Strength' on Overstand Entertainment/Easy Star Records is helmed by prolific reggae producer Winta James (Protoje, Chronixx, Damian Marley) and features guest appearances by Jamaican reggae artists Lila Ike, Jesse Royal, Mortimer, Grammy-winner Kabaka Pyramid, and Capleton.

Samory's career has been on the rise in recent years after his collaborative album 'Black Gold' (2017) with Jamaican producer Rory "Stonelove" Gilligan, which helped make Samory a household name in the reggae world. The breakout single "Rasta Nuh Gangsta" from this rich opus of conscious Rastafarian declarations has over 10 million views on YouTube alone.

Since then, Samory I has landed features on two Grammy-nominated reggae albums, including Jesse Royal's Royal (2021) for their collaboration "High Tide or Low," and Protoje's album 'Third Time's The Charm' (2022) for the closing track "Heavy Load." In 2022, Samory I released "Life Is Amazing" feat. dancehall star Chi Ching Ching and "Love and Mercy'' off the 'Gratitude' Riddim EP (produced by Winta James), which became one of his most streamed tracks to date.

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26,85 €
VARIOUS - TOGO SOUL 2 LP 2x12"

Various

TOGO SOUL 2 LP 2x12"

2x12inchHC79LP
HOT CASA
15.04.2024

A treasure-trove of rare and unusual recordings mostly recorded in Lomé during the 70’s and 80’s . A fusion of traditional
voodoo chants, raw soul and even Electro Funk . Includes biographies and rare photos

Finding these tracks and their rights holders hasn’t become any easier even after few trips all over this west African country bordered by Ghana , Benin & Burkina Faso. After 8 years, We , at Hot Casa Records with the kind help of Roger Damawuzan decided to select thirteen tracks, a snapshot of some hundreds of rare and often forgotten tapes from the most prolific, professional and exciting phase of the country’s recording history included international stars like Akofa Akoussah, Gregoire Lawani to Roger Damawuzan compared as the James Brown from Lomé to forgotten tapes and brilliant songs in Mina, Kabyié and Fon language.

Many of the tracks featured here are peppered with innovation and experimentation highlighting how diverse, the music scene in Togo was at the time even if the political context influenced their creation. Many of the original albums these tracks are taken from high prices online due to their rarity and so it’s with great pleasure that we present a selection here that evokes a golden boomtime in Togolese music history.

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32,73 €
Turntable / Plattenspieler - Reloop RP-2000 USB MK2

Features

NEW in the MK2 version:
Newly developed top panel and reinforced housing construction
Reworked metallic buttons with improved feel & tactile response
Precision Pitch with selectable ranges of +/-8 %
Superior finish in deep black metallic
Quartz-driven DJ turntable with direct drive
Perfect for beginners
USB audio output for digitizing your records easily
Precise motor control with 2 speeds selectable (33 1/3 & 45 rpm)
Precision-engineered, die-cast aluminium platter with stable rotation
Statically balanced s-shaped tone arm with hydraulic lift and anti-skating - mechanism
Universal connection for pick-up systems (SME)
Extendible needle illumination
Built-in phono pre-amplifier (no grounding necessary)
Switchable phono and line level output
Shock-absorbing feet for vibration isolation
Sturdy, heavy construction with optimized damping features
Prepared for dust cover (available as optional accessory)
Incl. platter, OM Black pick-up system (by Ortofon), headshell, slipmat, counterweight, power cord, operating instruction manual

Technical Data
Turntable:

Type: direct drive turntable
Drive: quartz-driven direct drive
Motor: 8-pol., 2-phase, brushless DC motor
Turntable speeds: 2 speeds, manual (33 1/3, 45 RPM)
Starting torque: > 1kg/cm
Brake time: 50 dB (DIN-B)
Brake system: electronic brake

Platter:

Material: aluminium die-cast
Diameter: 332 mm

Tone arm:

Type: universal, statically balanced, s-shaped
Effective length: 230.5 mm
Overhang: 16 mm
Tracking angle error: < 3°
Applicable pick-up weight: 3.5 – 8.5 g (incl. headshell 13 – 18 g)
Anti-skating range: 0 - 7 g

Connections:

1x PHONO/LINE out (gold-plated)

General:

Power supply: AC 115/230 V, 60/50 Hz (US/EU)
Power consumption: 13 W
Dimensions: 450 (w) x 352 (d) x 144 (h) mm
Weight: appr. 6.76 kg

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243,66€
DAMSEL ELYSIUM - WHISPERS FROM ANCIENT VESSELS LP

Whispers from Ancient Vessels is a collection of tales, ‘speakings’ and relationships with nature’s beings such as trees, the sea and the inner self.

The tracks pose as reflections of relearning to join with nature again. To grieve and to hope. To take in wise words, to listen to truth that can feel intense. Reconnection can be a painful process.

The sounds and the visual identity of Whispers from Ancient Vessels is an attempt to remove the rose tinted view of nature and to put it at the forefront of the piece. Nature often tends to be a pretty backdrop where we come and go as we please. But this is a reminder that it is not separate from us and we exist as one. To realise its beautiful evil.

To amplify alternative communication. The tracks are about listening to the wisdom of the earth, translating it and taking the wisdom on board. Being vulnerable to the rawness and darkness of the earth. Being vulnerable to truth, to change and proximity. Succumbing to oneness.

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12,19 €
Dave Anderson - Downstairs Groove

The first full release in 15 years from Dave Anderson. One half of Otomi (lauded by Carl Craig, Recloose, Chateau Flight) and also responsible for the “Stronghold” EP on Ferox, “Downstairs Groove” sees Anderson bring his smelt of Detroit, Chicago and Glasgow right up to date with four diverse but cohesive tracks.

Ranging from minimal claustrophobic house of “Downstairs Groove” to dissociated spacey techno of “Distant Signal” on the A-side, then the B-side with the striking, melancholic strident house of “Edge Damage”, then closing with the bouncing elastic bassline of “Square Dance”.

200 copies, hand-stamped and hand-numbered.

“Very good EP – I’m mightily impressed. Really classy” – Russ Gabriel (Ferox, Soma)

“Really cool – has that feeling of experimentation and groove that techno had in it’s best days” – John Tejada (Palette, Kompakt)

“This is going to be a future classic” – Lee Holman (Ferox, Kawl, KSR)

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13,66 €
Various - Toolroom Trax Sampler Vol. 1

Kicking off our new Toolroom Trax vinyl series which celebrates the best releases from Toolroom’s sister label is Italian super-duo Twolate with the incredible new single 'Baila'. A straight-up 4 to the floor club shaker, with powerful hard-hitting drums, deep punchy afro vocals with carnival whistles and percussion hits that will turn the dancefloor into a fiesta. Two dance heavyweights collide on our next offering; best-selling house artist CASSIMM and Chicago house royalty Gene Farris for their latest collaboration 'Party People'. With numerous #1 singles and remixes on Beatport and Traxsource, CASSIMM returns to Trax with his notorious sound of feel-good, high-energy house music, team that with Gene Farris as he effortlessly delivers another irresistible vocal hook. 'This is for my people, my party people'. James Haskell kicks things off on the b-side with 'Check It Out'. With numerous releases on D4 D4NCE, LoveJuice and of course Toolroom, James Haskell is fast gaining support from the scenes top tastemakers including Bob Sinclar, Leftwing : Kody, David Guetta, Tita Lau and Dombresky to name a few. Gracing club hotspots around the world, James Haskell is set to top the charts with his Tech House and Big Room sound. Closing out the Sampler is Toolroom Trax A&R and Music Curator Danny Rhys with his percussive tech house weapon 'Sibali'. Following on from his 2021 Traxsource number #1 single 'Damn Good', in collaboration with house vocalist legend Mr. V. With releases on respectable labels such as Farris Wheel Recordings, Flashmob, HouseU and There Was Jack, Danny Rhys boasts high, feel-good energy, bumpy basslines, rolling percussion and infectious vocals that has since gained respect from AAA talents such as Gorgon City, TCTS, Kryder and of course Mark Knight.

DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche

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13,87 €
José Cabrera - Le Bateleur LP 2x12"

Accomplished Spanish artist José Cabrera enters a fresh creative chapter with the new album Le Bateleur. The storytelling and hugely personal record arrives on his own A Harmless Deed label and is a deep dive into the house music he has always loved.

Over the last two decades and under several aliases, Madrid- born Cabrera established himself as a leading techno producer. He has released on influential labels like Fred P's Soul People Music, Tresor, Deeply Rooted and Ron Moreli`s' L.I.E.S. records and co-runs A Harmless Deed with friend Damian Schwartz. As a DJ he has toured Europe, Asia, North and South America and proven himself to be an experimental DJ with a long-standing residency at Tresor in Berlin.

When the pandemic hit in 2020, Cabrera felt detached from the techno world so used his time at home to explore new sounds. He has always had a love of house so set work on making a proper house record in the mold of greats who went before. He worked with other musicians and vocalists, made use of an array of Roland drum machines, Juno synths and Casio keys to cook up a raw and authentic sound and drew from a wide range of the back music that has soundtracked his life. The resulting album is packed with life and energy, skits from friends and timeless grooves.

The album opens up with cosmic synths radiating warmth and jazzy melodies then 'Endless Dream' is a steamy house thumper with aching r&b vocal fragments next to swirling pads. It's a passionate house cut followed by 'Live Your Life' feat Jae. This one brings classic piano energy and another gorgeous female vocal that explores dancers to cut loose and live. Following a dusty downbeat skit that features spoken word encouragement from former collaborator Fred P, 'Track For Clau' is hyper-speed future house with bumping kicks and busy synth arps bringing the light.

A prog rock guitar rings out in the cosmos during 'K-Brain Tribute' feat. NBlue and Damian Schwartz, and 'I Thought You Were the One' feat. Jae & Persa layers up booming kicks and claps with a spine tingling vocal and fat bassline. 'RL Stadium 92' taps into classic Chicago house and 'Halftime Report (For Little José)' gets down and dirty with a menacing bassline and dusty 909 sounds. Another US house heavyweight in DJ Qu features on the atmospheric ''Friends and Family Skit' alongside some of Jose associates and 'For Princess L (I Love You)' feat Jae is an exquisite deep house cut with crisp snares and a heart swelling that is loved up and blissed out. Another skit leads into the outro which is a melancholic ambient synth excursion that sends you off feeling utterly calm.

Le Bateleur is another captivating entry into the ever-evolving discography of José Cabrera.

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14,08 €
DEE ERVIN - YOU MAKE ME HAPPY / GIVE ME ONE MORE DAY

Dee Ervin suffered collateral damage from GRC/Aware’s bankruptcy. He only got to release two mediocre sides on Hotlanta but these recordings match anything he created in a successful career throughout the 60s & 70s.

By 1974 he was as much a composer as artist, but he excels at both on these two numbers that were fully produced and ready for release. ‘You Make Me Happy’ is a terrific uptempo dance track that recently featured on CDKEND 512 “Masterpieces Of Modern Soul; Vol 6”.

‘Give Me One More Day’ was issued erroneously in 1975 as a Tribe LP track on ABC, but the session details clearly have it as a Dee Ervin recorded number.

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13,40 €
Church Boy Lou - Push Em' In the Face

Church Boy Lou was born from a dream in the summer of 2014. A captivating and enigmatic fi gure, created by the innovative, genre-bending, DIRT TECH RECK label head Waajeed. Recently crowned DJ Mag’s Underground Hero and just off the heals of his lead single with Defected’s Dames Brown, he continues to cultivate rhythms from the pews of the Baptist church.

This second offering from Church Boy Lou embodies the same spirit and uniqueness as his first release, Weep EP in 2015. "The Night Is Coming" brings you the first hand experience of a minister leading his church with the Word of God. These heartfelt lyrics warn of the dark times ahead of us. However, “Keep On Praying” brings a positive note and beckons us to the dance floor. “Push Em’ in the Face” skillfully integrates high energy Chicago Jack house and techno. Rolling snares and energetic beats fuse with powerful lyrics to face all challenges head on.

This well composed four track offering has an opener, closer and prime time options for all DJ’s across the board. With a sonic steeping of gospel samples and an authenticity that could only come from Detroit City.

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15,76 €
Kwes. - Rye Lane (Original Score) 2x12"

Kwes.

Rye Lane (Original Score) 2x12"

2x12inchWARPLP345
WARP
03.11.2023

Kwesi Sey aka kwes., geschätzter Produzent und Kollaborateur von Solange, Sampha, Tirzah, Damon Albarn, Kelela, Nubya Garcia und Hudson Mohawke, veröffentlicht nach seiner Musik für die Kurzdoku 'Little Miss Sumo' (Netflix) nun seinen ersten Spielfilm-Soundtrack. 'Rya Lane', das Filmdebüt der britischen Regisseurin Raine Allen-Miller feierte mit begeisterten Kritiken seine Premiere auf dem Sundance Festival 2023. kwes.' Score untermalt den sublimen Trip der beiden Protagonisten dieser schrulligen, zeitgenössischen RomCom im impulsiven und fröhlichen Chaos der Londoner Rye Lane perfekt und ist so süß wie der Film selbst.

- 'The Best British Rom Com to hit our screens in more than 20 years.' - The Sunday Times

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21,43 €
Mella Dee pres. RYAN - Connected Experiences EP

Mella Deepres.Ryan

Connected Experiences EP

12inchTRST003
TRUST
20.10.2023

Mella Dee Presents RYAN, a new project from one of the UK’s most prolific electronic producers. Exploring a darker, experimental side of the mastermind behind ‘Techno Disco Tool’, the new project sees RYAN take things underground with new track ‘Static Movement’. Alongside the track, RYAN has announced his forthcoming EP Connected Experiences, a 4-track collection of essential club tools due for release on August 11 via DJ and Body Movements co-founder Saoirse’s imprint trUst. The landmark release will be the first time the label head has featured another artist's music and is testament to the direction of Mella Dee’s new musical project, RYAN.

Already doing damage in the club circuit with support from the likes of Ben UFO, Shanti Celeste, Midland and more, ‘Static Movement’ sees RYAN. go back to basics with a drum machine and analog synths, ending with an infinite groove. Speaking on the track, RYAN. explains: “Trust the process. My name is RYAN. This is a collection of music I wrote for the purpose of dancing. Those moments we can all get lost together and connect through experience. trUst is a label built on love and connection. I just want to thank Saoirse for the trust she has shown and the love she gives.”

Label boss Saoirse adds: “This is the first time I've invited another artist to release on trUst and I'm so delighted it's from my close friend the absolute don from Doncaster - Mella Dee. Tracks I've been playing in every set over the past year with Static Movement being one of my most ID'd tunes ever. Once I heard it I knew this had to be the first track released on the label from someone else. Ryan is one of the best producers I know, completely and wholly committed to the dancefloor and I'm thrilled I will be releasing the first of his new project under 'Ryan'. I had complete trust in him to deliver a solid EP.”

Real name Ryan Aitchison, Mella Dee reached international notoriety with his anthemic 2017 single ‘Techno Disco Tool’, reaching number 1 in BBC Radio 1’s Dance Music Chart as well as one of Annie Mac’s ‘Tracks of the Decade’ (and was even played during her final show on Radio 1). A year later, the Warehouse Music label head won ‘Best Breakthrough Label’ at the DJ Mag ‘Best of British’ awards and he was also named one of Mixmag’s ‘Stars of the Year’, cementing himself as one of the most sought after names in dance music. Since then Mella Dee has delivered his debut Essential Mix for the legendary BBC Radio 1 series, curated a mix for Resident Advisor’s prestigious Podcast series, performed a debut Boiler Room set to rapturous acclaim, toured North America multiple times and joined the elusive Circoloco family for a summer of shows at DC10 and their momentous festival in Thailand. Ryan has also curated tours for his own Warehouse Music label, taking over illustrious venues all over Europe including his hometown at the infamous Doncaster Warehouse.

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10,88 €
Brian Eno - Top Boy OST LP 2x12"

Brian Eno

Top Boy OST LP 2x12"

2x12inchMOVATM376C
Music On Vinyl
06.10.2023

Top Boy is the British television crime drama series, created and written by Ronan Bennett. The story follows two seasoned drug dealers return to the gritty streets of London, but their pursuit of money and power is threatened by a young and ruthless hustler. It stars Ashley Walters, Kane Robinson, and the

2020 BAFTA Rising Star Award-winning Michael Ward. The first two seasons aired between 2011 and 2013, but following interest from rapper Drake, Netflix announced in 2017 that it would revive the series. Co-produced by the Hotline Bling-rapper, the third and fourth season of Top Boy launched in 2019 and 2022.

In the captivating Netflix series Top Boy, Brian Eno’s transcendent music serves as a vital companion, molding the narrative’s essence with its ethereal power. With a masterful touch, Eno’s atmospheric compositions effortlessly transport us into the gritty world of crime, friendship, and survival in East London. From delicate ambience to pulsating beats, his sonic tapestry envelops every scene, elevating the storytelling and evoking a range of emotions. Eno’s singular ability to capture the struggle, hope, and inner strength of the characters accentuates the raw authenticity of Top Boy, leaving an indelible mark on its viewers. His haunting melodies and intricately crafted soundscapes symbolize the unyielding resilience amidst chaos, making Brian Eno’s music an integral and unforgettable component of this groundbreaking series.

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52,52 €
Various - With Love Volume 2 Compiled By Miche LP 2x12"

Compiling the follow-up to a very successful first album is always a tricky task, but just 12 months since the release of volume one in the 'With Love' series, miche has excelled himself once again with another glorious, deep dive into the world of rare soul. 15 tracks of independently released music, created by magnificent artists with stories to tell and primed for rediscovery.

The ambition to celebrate under-the-radar artists has remained, but instead of a facsimile of volume one, what we have here is a selection shaped by life changes. Volume two is for the dancers; still soulful, still ultra-rare and slept-on records from the USA, Chile, Brazil and beyond, but the dynamics of the collection have shifted slightly. It represents a move from being immersed in a week in week out environment of beautiful, soulful music in a cosy, dimly lit hi-fi bar to playing livelier, more energetic, dancefloor-focused music in nightclubs. This volume will get you on your feet, make you move and unleash whatever it is that makes you get down.

One of the jewels in the crown of this compilation is a joyous, anthemic gospel version of Stevie Wonder's 'As' by The Family Tree (a project produced by the fantastic Julius Brockington). We are also treated to a rare and sought-after Pennsylvanian funk / AOR bomb by Maxwell, a stunning modern soul tune 'High On You' by Freedom, and self-released Brazilian 45s by Banda 22 and Zé Da Lata. P.J. City's 'Straight Forward (Non-Stop)' is gospel-disco perfection, and we also have 'Dame Solamente Amor’, a sublime, soul beauty from Chile by Rogers Mitchell. Many of these artists featured in this compilation aren't household names, but they deserve their moment to shine, to be heard, loved and appreciated for their artistry.

As Miche says it, “I hope this compilation helps in some way to keep this glorious music alive and play a part in connecting generations of music lovers from the worldwide soul family. As always, it has been made ‘With Love’.”

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25,63 €
GUNSHIP - Unicorn 2x12"

Gunship

Unicorn 2x12"

Pict-VinylHITH023LP
Horsie in the Hedge
29.09.2023

'Imagination Is A Weapon' lautet der Slogan des neuen GUNSHIP Albums. Diese Aussage fasst das Kernthema ihrer dritten Platte zusammen. GUNSHIP lädt seine Zuhörer ein, die Macht der Vorstellungskraft zu feiern und sich auf die Suche nach dem Einhorn in ihrem eigenen Leben zu begeben. Taucht schwelgend ein in die Fantasie – findet Euer Einhorn. Die entschlossenen Träumer werden die Welt verändern, wenn ihre Visionen in die Realität umgesetzt werden. Mit ihrem dritten Album UNICORN sprengen GUNSHIP weiterhin die Grenzen des Synthwave-Genres. Zu den besonderen Gästen zählen: John Carpenter, Gavin Rossdale (Bush), Dave Lombardo (Slayer), Carpenter Brut, Timmy Cappello (Lost Boys), Health, Tyler Bates (John Wick, Guardians Of The Galaxy), Lights, Power Glove, Charlie Simpson, Britta Phillips (Jem) und Milkie Way (Wargasm).

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38,24 €
Trizz & Mike Summers - BASELINE CAVI LP

"BASELINE CAVI" is a collaboration album between Inland Empire/Los Angeles rapper Trizz and producer MIKE SUMMERS (aka Seven) from Kansas City. The album has that classic Westcoast Hip-Hop sound and the intro track gives that feeling right away. Guest features on the album are from Bino Rideaux, XV, T.F, ICECOLDBISHOP, John Givez and Bale.

Though fans may not know it, this collaboration between Inland Empire California emcee Trizz and Kansas City production ace MIKE SUMMERS has been brewing for close to a decade. Back in 2013 SUMMERS (then known as Seven) was already a prolific producer signed to Tech N9ne's Strange Music label and Trizz was part of horrorcore legend Brotha Lynch Hung's Madesicc Muzic roster. The two connected while working on Lynch Hung's "Mannibalector" album and a spark for future work was laid.

Linking up in spring of last year, the two creatively fed off each-other with the resulting album evoking classic West Coast melodicism and car-rattling thump. As Trizz states "this sh*t is so f*ckin authentic. It got bounce, it's swangin' and bangin! When you hear this album, you can feel it and damn near smell the palm trees and bomb ass weed."

As SUMMERS relayed "It's probably different for a lot of my fans to hear a more classic West Coast style of production from me, but that style of production has always been embedded in my sound. I grew up on 90's West Coast Hip-Hops studying producers like DJ Quik and Dr. Dre. The only reason I started using lots of live musicians on my tracks was because I watched Quik do it. BASELINE CAVI really let me dig into that classic L.A. sound that I've always wanted to build with.

Lyrically Trizz's immediately distinctive flow and storytelling abilities are at a new plateau with the emcee admitting "The lyrics on this album are probably more refined and defined because I just turned 30 and I have no more time to waste."

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21,64 €
Bobby Caldwell - Bobby Caldwell LP

Known principally as a smooth titan of blue-eyed soul, Bobby Caldwell transcended genre tags with consummate ease; he was a musical icon of real class and versatility, cherished the world over. Tragically passing away in March 2023 at the too young age of 71, it still feels as if Bobby's true artistry is profoundly under-appreciated. His double platinum self-titled album from 1978 is a timeless masterpiece of sophisticated jazzy soul brilliance and is strictly canonical. Yes, it's perfect, yet it's been out of press on vinyl for years. We're deeply honoured to present the long-awaited reissue this summer.

Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.

String-swept opener "Special To Me" immediately sets the tone with its lush instrumentation, rich harmonies, and Caldwell's velvety-smooth vocals. Next up, a huge one. The infectious, mid-tempo bounce of "My Flame" showcases Caldwell's ability to effortlessly blend catchy pop hooks with soulful arrangements. It's an exquisite, emotive ballad that, at the same time, absolutely SLAPS. Game recognise game, and all that, so, accordingly, Notorious B.I.G. memorably ran with “My Flame” for his 1997 single “Sky’s The Limit”. The rolling, disco-very "Love Won't Wait" is a slick, uptempo track containing heartfelt lyrics intertwined with elegant strings and a horn section to die for. Aching - and achingly cool - single "Can't Say Goodbye" is a real fan favourite, and it's no surprise. It's a laconic, slow-mo jazz-funk stepper, with fantastic, very deliberate playing that closes out the A Side quite exceptionally. "Come To Me" slows proceedings down elegantly to open Side B before the universally agreed-upon masterpiece enters proceedings.

"What You Won't Do for Love," the standout hit that became a classic in its own right, perfectly captured Bobby's ability to infuse a contagious groove with introspective and relatable lyrics. With its instantly recognisable horn riff and Caldwell's soulful delivery, this timeless, chiller anthem continues to captivate audiences and define his musical legacy. He scored huge with the track, taking over the pop and R&B airways with this mellow soul stepper. It has remained a perennial favourite and has been heavily sampled, such is its unique allure; Aaliyah sang over snatches of it on "Age Ain’t Nothing But A Number" and you can hear Caldwell’s vocal sample used for the hook on Tupac’s posthumously released “Do For Love”.

Upon submitting the finished album to his label, they requested more material in hope of a big single. As Bobby remembered to Wax Poetics a few years ago: “Now at this point, I’m mentally exhausted...and bear in mind that I got so close to all the songs I’d written. I gave each song a profound amount of thought, and maybe too much. So, in haste, I went in and cut this song, "What You Won’t Do For Love". Wrote it in a day, cut the rhythm track, overdubbed the horns, I sang the song, and literally turned it in three days after. And lo and behold, the one song I gave the least thought to,” Bobby laughed, “ended up being a national anthem.”

The mysterious, magical "Kalimba Song" is a cosmic, kalimba-driven melodic-funk instrumental - short but oh, so sweet. It's followed by the supreme tear-jerker "Take Me Back To Then", Bobby's otherworldly voice deeply longing for a simpler time, "when life was mellow". I think we can all get behind this sentiment. The final cut is arguably its deepest, its low-key finest moment. For us, it is, anyway. The glorious, driving, effortlessly funky guitar-soul jam "Down For The Third Time" is a huge melancholic Be With favourite and has been played by discerning genre-hopping DJs with significant glee for years. Hypnotic, melodic, beautiful. Like the album it elegantly rounds out.

Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of his wonderful eponymous album will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland.

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Myst Milano. - Beyond The Uncanny Valley LP

Crucial Toronto rapper / producer / DJ myst milano. returns with thrilling new album Beyond the Uncanny Valley, an exhilarating ride through hedonistic experimental hip-hop and house music that reinterprets the breadth of Black electronic music with addictive singular energy.

“I offer Beyond the Uncanny Valley as a working anthology of Black electronic music across generational, geographical and genre lines,” myst milano. writes. “I thought a lot about staples of Black art across the world that can be traced back to Africa, and that link the diaspora regardless of where our people end up and throughout all eras.”

A mighty example of this omnivorous and multifaceted awareness of Black creativity, Beyond the Uncanny Valley is a tidal wave, swallowing up Canadian House, Detroit Electro, Chicago Footwork, UK Jungle and Dubstep, Jersey / Baltimore / Philly Club, Southern Hip-Hop and West Coast Funk into the trail of euphoric destruction left by myst milano.’s trademark grimy, sweaty, lusty neo-R&B take on contemporary hip-hop.

Opening with “Thirteen”, the album hits with punch and immediacy. The track’s thumping kick and swirling, haunted synthesis represent myst milano.’s keen ability to nurture perfect symbiosis between production, arrangement and lyrical theme. It is equal parts dreamy, provocative, sexy and powerful, and, together, entirely unique to myst’s creative voice. As with Beyond the Uncanny Valley as a whole, it is evocatively storytelling, mixing vivid imagery with slick wordplay. We are introduced to myst’s groupie (formerly “a hater”), as their crew “causes damage you can’t afford”, while witty threats and erudite posturing flow out over a steadily expanding instrumentation that mimics myst’s breathless, sweatbox DJ sets.

“Ring Ring” is another key track. Glitching nuclear alarms give way to a bulldozing kick drum and in-the-red distortion on myst’s voice. The vocals hit at breakneck speed while the production retains a dirty, dirging stomp. It is formidable, intense, fun, and intimidating in all the right ways.

Underpinning the album is a mechanised female voice that has possessed the record like a replicant ghost. “When we go beyond the uncanny valley, we reach a state of perfect harmony where the robot has mimicked the human to the point of being indistinguishable,” myst says. “Who are we when we become perfect imitations of what the world wants instead of who we really are, which is imperfect and flawed and a little uncanny, anyway?” While the music of Beyond the Uncanny Valley is human, with real emotion and expression, it occasionally flirts with the beyond, reaching into a near future where reality and technology bleed into one.

Beyond the Uncanny Valley is myst milano.’s second full length, following 2021’s rapturously received debut Shapeshyfter, and a monstrously successful accompanying house remix on the UK’s legendary Defected Records.

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Jaga Jazzist - The Stix LP 2x12"

Jaga Jazzist

The Stix LP 2x12"

2x12inchZEN81XX
Ninja Tune
15.09.2023

Jaga Jazzists legendäres zweites Album, „The Stix“, kombiniert die digitale Dancefloor-Affinität ihres Debüts mit der Ausgelassenheit, Wärme und dem Fluss ihrer Live-Shows. Mit ihren stilvollen Produktionen, ihrer mitreißenden Bühnenpräsenz und ihren internationalen Einflüssen, die aus Hoxton über Oslo bis nach Berlin reichen, wurden sie schnell zu einer der beliebtesten Bands des erweiterten Jazz-Genres.

Im Jahr seit ihrem Debüt haben Jaga Jazzist weltweit einen großen Eindruck hinterlassen, insbesondere aber im vereinigten Königreich: die Debütsingle, „Going Down“, wurde damals vom NME zur 12“ der Woche gekürt, wurde u.a. vom jungen Gilles Peterson angepriesen und war eine von Muziks Singles des Jahres - und war folglich sofort ausverkauft. Und nun aber endlich wieder auf Vinyl erhältlich, en detail auf - wie bei Ninja Tune-Releases der Umwelt zuliebe seit einigen Jahren üblich - nicht auf 180 g sondern auf 140 g schwerem und rot-orange schimmernden Vinyl in einem 2LP-Gehäuse mit bedruckten Papp-Innenhüllen und einer 12" Reverseboard-Gatefold-Hülle.

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Hank YOUNGMAN - 214 EP

Hank YOUNGMAN

214 EP

12inchNRNG005
Nerang Recordings
04.09.2023

Originating from Adelaide while performing and producing as half of the duo 'Warren Raww', Hank YM got his start by throwing a string of events in the well catered establishment 'Sugar Nightclub'.

While supporting and hosting the likes of Funkineven, Damiano Von Erkcert, Mark Grusane and Florist, ambition turned more towards production in 2017. Taking inspiration from fellow Adelaide musicians such as Mic Mills, Arthur Miles and Freddie Norwood (Untzz Records), the focus in Hank's sound has always been to create a unique experience, with sets flowing from roots percussion through to house and disco. First debuting with a strong release on Australian Label 'Centre Source Records', 'Wabi-Sabi' placed focus on percussion and lush chords inspired from Japanese aesthetic

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Julian - Metamorfoze EP Part II

Julian

Metamorfoze EP Part II

12inchSBTL026
Subtil
01.09.2023

Julian is back on Subtil Records with Metamorfoze EP Part II, presenting four highly energetic, deep hypnotic cuts.

This EP will enthrall listeners with its intricate rhythms and captivating underlying melodies, pushing further Julian’s research of hypnotic patterns and raw textures.
The former goes first with the deeply stylish tech-house number that is 'Deeper Love', with its bumping drums and goes bass get you in the vibe right off the bat. Next comes 'Subsistance', a minimal house cut that is tightly coiled, vibrant and damn infectious.
Flip this one over and you'll be treated to the brilliant brace of gems. 'Meta' groove with warped deep space sound designs and airy drums that float.
This varied and vital EP is shut down with 'Signs', a mature track that shows Julian's brilliant skills in music production and evolvement as a producer.

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Urne - A Feast On Sorrow LP 2x12"

Die britischen URNE melden sich mit ihrem zweiten Album 'A Feast On Sorrow' zurück!

Es gibt Zeiten im Leben, in denen es sich anfühlt, als ob die Dunkelheit das Licht verschluckt. Leid. Verlust. Die Leere, die folgt. Aus der Ferne können wir uns gegen die düstere Unausweichlichkeit von Krankheit, Demenz und Verfall im Alter stemmen, aber wenn man sich näher mit ihren Auswirkungen befasst, erscheint es leicht, sich einen verborgenen Dämon auszumalen, der sich an dem verursachten Elend labt. Aus diesem Schmerz heraus entstand Urnes brachiales zweites Album 'A Feast On Sorrow'. Der Nachfolger ihres Debüts 'Serpent & Spirit' entstand mit Gitarrist Angus Neyra, Schlagzeuger James Cook und der überraschenden Unterstützung von Gojira-Frontmann Joe Duplantier im New Yorker Silver Cord Studio.

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GALA DROP - AMIZADE LP

Gala Drop

AMIZADE LP

12inchGDR05
GDR RECORDS
25.08.2023

Life has changed in the eight years since the release of II. In ours, yours and Gala Drop themselves. Most times without noticing it, partly due to those two years of a semi-existence that still resonates and with the ongoing predatory gentrification process changing the landscape and life of Lisbon, home to the band since ever. Close to a decade and a half of existence, with various mutations along the way enacting new perspectives and moments of stillness and reflection to a sound that's been mutating itself to its own internal rhythm and agency under the guiding light of the core duo of Afonso Simões and Nélson Gomes. Now a trio, with Rui Dâmaso transitioning from II after the departure of Jerry the Cat and Guilherme Canhão, Gala Drop sound even more focused as a working band, with their new album title Amizade – friendship in Portuguese – making perfect sense in a celebration of their, by now, patented soundworld of cosmic inspiration: krautrock's endless and hypnotic potential, dub's sense of transient space, the throb of house, balearic dreams, polyrhythms and a communal sense of belonging.

Again, this sprawling sphere of influence opens itself to new shapes and inspirations, but there's a deeper sense of accuracy and direction, with the band channeling those legacies into something we can only grasp as the Gala Drop sound. An organic outcome of working steadily as a trio, made possible by a residency promoted by gnration in Braga, Amizade dwells on the psychedelic nature of the group through seven tracks made up of dreamy synth washes, loads of percussion, echoes, chilled guitars under a radiant aura. Gala Drop have never sounded as openly dubby as on 'Dub da Meia Noite' and 'Areal Dub' or capable of converging different tropes of the hardcore continuum – rave stabs and cut up vocals – on a slow burner as memorable as 'Monte do Ouro'. Or given free reign to electricity as on the narcotic guitars of 'Guitarra Voadora' – excepting the one off with Ben Chasny on 2012's Broda. 'Amizade' points towards all of that with comforting escapism and wrapping things up 'Raio' turns dubstep's original bass weight meditations into a cosmic funk workout. One last hug before we leave. An album that feels like a collective moment of celebration, just when we most need it.

Afonso Simões - Drums, percussion and synthesizers
Nelson Gomes - Electric guitar and electronics
Rui Dâmaso - Electric bass & guitar and synthesizer

Recorded by Budda Guedes at Estúdio Mobydick, Braga
Mixed by Gala Drop and Hugo Valverde at Estúdio Cão Andaluz, Lisboa
Mastered by Anne Taegert at Dubplates & Mastering, Berlim
Cover photo by Sara Graça
Design by Nicolai Sarbib

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YOUANDME - PPPPP The Remixes, part I

Last summer saw youANDmedelivered his “Diva 2022” mix of "PPPPP" a track that would ignite dancefloors across Ibiza and become one of the smashes of the summer in the process. The label was always certain the record was a hit and the response that followed justified their faith.

The track went on to be championed across the globe by the likes of Ame, Dixon, Matthias Tanzman and Pete Tong (Radio 1) leaving a succession of dancefloors demolished in its wake. Fast forward to 2023 and the Cult brings in a smorgasbord of house music’sfinest to breathe fresh verve into what is rapidly becoming a future house classic.First, comes the unmistakable dancefloor call of the “Diva” mix, with its fierce retro vocal and contagiously looping house sound. Its raw undeniable groove shook dancefloors for a reason the first time around and here it is to do the damage all over again. Next, house music legend Ian Pooley hops on board to serve up a delicious slab of fat analogue deepness.


A rework for the real house heads, it drenches the original vocals in reverb and creates a tough sub-laden groove bound to work deeper floors. House music’s producer of the moment Cinthie delivers a red-hot reinterpretation that ups the bpm count and zones in on the drums. The Berlin-based producer creates a colossal house-breaks crossover that is bound to tear apart dancefloors. Reese subs fill out the lows while organs deliver the original rave flavour and take the track into orbit.


Finally, Tel Aviv’s Yotam Avni turns out a remix that delivers shades of the pure old-school house with piano stabs sitting alongside deep chords before he puts his tougher-edged modern techno stamp onto it. Rhythm Cult is on a roll now returning with one of the most hyped tracks of 2022. This package delivers the goods with fresh remixes for 2023 from some of the best in the industry who are now added to the label's impressive roster.

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Trees Speak - Mind Maze LP 12" + 7" (NO COVER)

12" + 7" !

Mind Maze is, amazingly, Trees Speak’s fifth album to be released on Soul Jazz Records in the space of little over two years– an output matched only by the intensity of their music created during this short time.

The first pressing only of the album comes with a bonus seven-inch single containing two tracks that are not available on vinyl anywhere else.
As with all their previous releases, ‘Mind Maze’ is a mind-boggling tightrope walk across an array of musical influences that seamlessly create the unique present-day world of Trees Speak.

The band’s sound is characterized by a combination of German krautrock motoric-beat rhythms, angular New York post-punk attitude, 60s spy soundtracks, psych, rock, jazz, and 70s synthesizers and vocoders. There is also a cosmic spatial awareness to their sound; both personal inner space and galactic outer space, as well as a wilful pushing of sonic boundaries.

Trees Speak are a musical duo based in Tucson, Arizona, composed of Daniel Martin Diaz and Damian Diaz. Their music is heavily influenced by the cosmic magic of the natural desert landscapes of Arizona, creating a unique and captivating sound that is both experimental and innovative.

Here you will find the myriad sounds of 1970s German electronic music (everything from Can to Cluster, Popul Vuh to Tangerine Dream); 1980s New York post-punk and synthcore (from No Wave to Suicide); John Barry’s 1960s movies, John Carpenter’s 1970s horror. You will also hear the influences of French and Italian progressive rock (Magma, Goblin) as well as cosmic, new age and experimental space soundscapes …. an almost endless list of diverse influences that ebb and flow like an ocean of sound, in the process creating a truly unique soundscape that Trees Speak have made wholly their own.

The name Trees Speak reflects their interest in the concept of using future technologies to store information and data in trees and plants, with the idea that trees communicate collectively. This interest in nature and technology, combined with their passion for experimentation, has led Trees Speak to create a truly one-of-a-kind listening experience that is both unique and engaging.

If you ever wanted to hear Can, Neu!, Destroy All Monsters, Pere Ubu, electric eels, John Cage, Liquid Liquid, Tangerine Dream, Suicide, Laurie Spiegel, Art Ensemble of Chicago, John Barry, Mother Mallard’s Portable Masterpiece Company, Sun Ra, Stockhausen, John Carpenter, Electro-Acoustic and Musique Concrete and Mars in one band - then this is it! Trees Speak are a band that defies categorization and offer an eclectic listening experience, both exciting and memorable.

The two bonus tracks (‘Seraphim’ and ‘Orpheus’) included with the album give us a further window into the complex mind maze of the group - two stunning acoustic tracks that explore a distinct early 70s sound of Yes, Argent and other progressive rock accolytes.

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Now That’s What I call …. - NOW – Yearbook 1992 LP 3x12"
 
43

NOW Music is proud to present the next instalment in our ongoing ‘Yearbook’ series – and our first to celebrate the ‘90s, NOW – Yearbook 1992; 79 tracks from a brilliant year in Pop! Available as a Special Edition CD housed in ‘hard-back-book’ packaging, including a 28-page booklet featuring a summary of the year, a track-by-track guide, a quiz, and original singles artwork, a standard 4CD package, and a Limited edition 3-LP set pressed on green vinyl.

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33,19 €
Tyneham House - Tyneham House LP

Back in 2011 when I was tentatively looking for a second release for my fledging record label Clay Pipe Music, I stumbled upon a mysterious MySpace page by a group called ‘Tyneham House’, the page was decorated with artwork by Rena Gardiner (who was unknown to me at that time) and the music was an otherworldly mix of field recordings, Mellotron and acoustic guitar. It turned out that Tyneham was promised to Glen Johnson’s Second Language label, so I offered to do the artwork, and in January 2012 the two labels co-released it on tape and CD in a cardboard box with a handmade booklet of my illustrations.

In 2016 Clay Pipe reissued it on 10” vinyl, in an edition of just 300, which has since become sort after. The new 2023 pressing is on blue and transparent marbled vinyl, with a reverse board cover and inner sleeve, and the booklet of illustrations has been given a complete redesign. Frances Castle 2023

The pastoral, wistful yet ineffably disquieting music of Tyneham House is made by artists who wish to remain anonymous here, save for their eponymous title. The musicians are happy, however, to let it be known that these recordings have been around for some years (many of them complied from old cassettes) and that they take inspiration from the 1960s/’70s/’80s work of the Children’s Film Foundation – a body who really ought to have made a film about this mysterious West Country curio. At least now we have its endlessly poignant soundtrack.

The small village of Tyneham, on the beautiful Isle of Purbeck, in Dorset, was once a thriving little community – that is until the British Government requisitioned it for training manoeuvres and other ‘strategic purposes’ in the run up to WWII. This was supposed to be a temporary measure, but the area remained in military possession long after hostilities had ceased, causing distress among former inhabitants, many of whom were farmed out to prefabs in nearby Wareham and Swanage.

Tyneham was characterised by its red telephone box, a tiny parade of shops – Post Office Row – and a grand country pile which stood about half a mile away from the village: Tyneham House. The army removed the building’s oak panelling and ornate decorative details and promptly set about using it for target practice. So great was the shame expressed locally about the damage inflicted upon one of Dorset’s grandest houses that the powers that be decided to grow a copse around the remains of the structure to give the impression that it was no longer there. Despite this, a substantial part of the structure remains intact, including its Saxon hall.

Land access around Tyneham was opened up in the 1970s, but admission to the house remains strictly verboten. Those who’ve been found around the premises, especially anyone wielding a camera, have felt the full weight of military trespass law. Tyneham today is regarded as a nature reserve by some – as a national embarrassment by others. It’s still a political hot potato, in Dorset at least.

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Burroughs - The Whole Damn Drift

Glasgow’s infamous basement dwelling, La Cheetah, make good on their promise to bring you transmissions from the city and it’s surroundings by tapping Burroughs for the 5th outing on the clubs in-house imprint.

Never ones to rush things, the aptly named ’Strungout’ was first passed to Outer Zone over 4 years ago, alongside ‘NREM’ and the EPs names sake ‘The Whole Damn Drift’.

The tracks have seen multiple phases and iterations since, with the process baring 3 emotive tracks that rubber stamp the evidence of Burroughs lifelong dedication to his craft.

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retromigration - Straight Foxin' LP 2x12"

Dam-based don Retromigration steps into the big leagues letting loose his debut album on WOLF Music. An LP that has long been in the works and for good reason too. Fourteen expertly executed tracks that range from hazy beats and jazz-tinged broken rhythms to club-ready groovers, deep excursions, soulful footwork and even some jungle energy. A flavour for every occasion and damn it tastes good.

With an envious run of releases on the likes of Handy, Healthy Scratch, wewillalwaysbealovesong and WOLF in a relatively short space – Retormigration is hot property and it’s clear to see why. A distinctive style and energy permeate his tracks with a breadth of influences on offer, from hip hop, to jazz, soul to funk. You just know a long player from this player is going to cover all bases.

His debut LP, Straight Foxin’, is a carefully curated and crafted journey showcasing the creative explosions firing off in Retromigration’s brain. Joining the dots between genres, taking elements from here, ideas from there – twisting and turning yet never out of place. Take the opening three tracks, all tied together by a deep fondness for jazz but served up in different styles, ‘Kunta’ with that hazy beatsy blend, ‘Formant’ leaning into the realms of broken beat and DnB and ‘Be Someone’ cruising with the off-kilter house.

Elsewhere there’s prime examples of Retromigration’s signature sample-laden house with deeper cuts like ‘Mada’ and ‘Bouncer’, sitting side by side with more soulful explorations such as ‘New Cribs’ and ‘ITWT’.

Not one to be pigeonholed, another course of Retromigration’s expansive taste gets served up with four high energy hits. The bouncing footwork flavours of ‘Kush Love’ ft. Passion Deez and ethereal excursion ‘What If’ lead into a captivating nod to the heydays of jungle and DnB on ‘Mild Fever’ and ‘Bad Knees’ respectively.

Straight Foxin’, mad flexin’ – Retromigration has laid down the law with this LP, a debut album done right.

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The Krash Band / Oneness - So, I Can Make This Change / Hard To Know

Two tracks from Numero’s Eccentric Soul compilation which documented Bob Abrahamian’s passion and devotion to celebrating unknown Chicagoland group harmony music. His untimely passing in 2014 left a huge hole for many music devotees. SO, I CAN MAKE THIS CHANGE was THE KRASH BAND’s only record, it came out in 1976 and is a revered 45 amongst serious collectors. With it’s crisp bass, phased harmonies and the crowning accomplishment, the seraphic falsetto by Evelyn Holder!ONENESS previously known as The Audition’s recorded HARD TO KNOW in 1977 for Cincinnati’s AMG label, alas this sweet harmony jewel never got released and was only heard by those who tuned into Bob’s Sitting in the Park radio shows until the compilation put that to rights.

Please note this song was rescued / restored and there is tape damage in parts.

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Trees Speak - Mind Maze LP 12" + 7"

12" + 7" !

Mind Maze is, amazingly, Trees Speak’s fifth album to be released on Soul Jazz Records in the space of little over two years– an output matched only by the intensity of their music created during this short time.

The first pressing only of the album comes with a bonus seven-inch single containing two tracks that are not available on vinyl anywhere else.
As with all their previous releases, ‘Mind Maze’ is a mind-boggling tightrope walk across an array of musical influences that seamlessly create the unique present-day world of Trees Speak.

The band’s sound is characterized by a combination of German krautrock motoric-beat rhythms, angular New York post-punk attitude, 60s spy soundtracks, psych, rock, jazz, and 70s synthesizers and vocoders. There is also a cosmic spatial awareness to their sound; both personal inner space and galactic outer space, as well as a wilful pushing of sonic boundaries.

Trees Speak are a musical duo based in Tucson, Arizona, composed of Daniel Martin Diaz and Damian Diaz. Their music is heavily influenced by the cosmic magic of the natural desert landscapes of Arizona, creating a unique and captivating sound that is both experimental and innovative.

Here you will find the myriad sounds of 1970s German electronic music (everything from Can to Cluster, Popul Vuh to Tangerine Dream); 1980s New York post-punk and synthcore (from No Wave to Suicide); John Barry’s 1960s movies, John Carpenter’s 1970s horror. You will also hear the influences of French and Italian progressive rock (Magma, Goblin) as well as cosmic, new age and experimental space soundscapes …. an almost endless list of diverse influences that ebb and flow like an ocean of sound, in the process creating a truly unique soundscape that Trees Speak have made wholly their own.

The name Trees Speak reflects their interest in the concept of using future technologies to store information and data in trees and plants, with the idea that trees communicate collectively. This interest in nature and technology, combined with their passion for experimentation, has led Trees Speak to create a truly one-of-a-kind listening experience that is both unique and engaging.

If you ever wanted to hear Can, Neu!, Destroy All Monsters, Pere Ubu, electric eels, John Cage, Liquid Liquid, Tangerine Dream, Suicide, Laurie Spiegel, Art Ensemble of Chicago, John Barry, Mother Mallard’s Portable Masterpiece Company, Sun Ra, Stockhausen, John Carpenter, Electro-Acoustic and Musique Concrete and Mars in one band - then this is it! Trees Speak are a band that defies categorization and offer an eclectic listening experience, both exciting and memorable.

The two bonus tracks (‘Seraphim’ and ‘Orpheus’) included with the album give us a further window into the complex mind maze of the group - two stunning acoustic tracks that explore a distinct early 70s sound of Yes, Argent and other progressive rock accolytes.

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Nathan Fake - Crystal Vision LP 2x12"

On April 7th electronic luminary Nathan Fake presents the new longplayer ‘Crystal Vision’ on his own Cambria Instruments imprint, which features collaborations with Clark and Wizard Apprentice.

This is music for music’s sake – recorded without angles, agendas and themes – so Fake was free to simply continue honing his craft and express himself non-literally. Aptly titled, there’s a clarity of execution and ambition, and a peak effectiveness to the record that just sounds right.

Continuing to set a personal bar higher and topping his own best, the mark of master craftsperson is everywhere, but that doesn’t mean it’s polished; There’s plenty of rawness evident, with spiky sonics keeping ears on high alert – full of endorphin-flooded rave energy.

Following a short, scene-setting ‘Arrival’ – a simple major chord arpeggio played on a Jupiter 6 which sounds like curtains opening at dawn, things begin apace with ‘The Grass’, which hurtles like a precision-tuned bullet train through Arctic tundra. The undulating effect of compression is emphasised by the classic techno trope where 2 rhythms jar yet interlock, creating an exquisitely disorientating strobe-like flutter. On the track’s guest, Fake comments, “I fell in love with Wizard Apprentice's ‘I Am Invisible’ and felt our musical styles were similar. Their vocals are smooth and clear and sharp at the same time. They’re like a calm within the storm.”

Inspired by Italo disco but sounding wholly alien and futuristic, ‘Vimana’’s fizzing buzzsaw arpeggiated bassline, popping snares and bright whirling melody are equally an electro trance melange, with an effervescent major chord Arp that kicks in midway.

Reminiscent of what used to be called ‘funky techno’ but with sparklier sounds, ‘Boss Core’ blinds like sunshine bouncing off ice. Using his trusty Boss DR550 drum machine, and inspired by Autechre's ‘Vose In’, the track peaks by reaching that melancholic/euphoric axis for which he is loved.

With chugging slow breakbeats not a million miles from Board Of Canada or trip hop, ‘Crystal Vision’ rolls along, with the melody opening up, revealing more hidden notes as it progresses, building into a fractal, kaleidoscopic mosaic.

An emotional outpouring with serotonin surging through the circuitry, classic breakbeats and layers of lazers, ‘Bibled’ has all the hallmarks of a classic. This is a bonafide festival-set closing, hugging-your-mates, moment – or, with its guitar solo, “a power ballad” – as Nathan calls it.

A minimalistic moment of calm midway through the album, ‘CMD’’s gently comforting dreamscape is conjured with FM stacked and detuned sine waves which are left to breathe, whilst the chunky Chicagoan house jack of ‘Hawk’ brings to mind classic Relief records, but even more detuned and wibbly, and laden with synths.

As the title suggests, ‘Amen 96’ is in Fake’s own words, “me having a go at jungle. I grew up listening to it, and I remember as a teenager it sounded like the most intense and otherworldly music ever. It still does. This track is an experiment to see how my melodic style works against amen breaks”. Closer to the braindance end of the spectrum than ‘proper’ jungle (and all the more interesting for it), Fake channels the spirit of Squarepusher but makes it his own, brimming with melodious twinkle.

A collaboration with Nathan’s close friend and genuine musical hero Clark. ‘Outsider’ finds this dream team alchemising pure gold that’s bigger than the sum of their parts. Skittering, intense, far-reaching end epic, the pair close proceedings on a grandly dramatic note. In 2020 Nathan released the album ‘Blizzards’, which was described by The Quietus as “his best work”, and “his best LP yet” yet by Resident Advisor. The equally well received ‘Blizzards Remixes’ EP which featured Afrodeutsche and Irene Dresel followed in 2021, as did a nationwide UK tour.

An in-demand remixer, Fake has added his magic to tracks by Radiohead, Clark, Perc, Jon Hopkins, GoGo Penguin, Dominik Eulberg, Christian Löffler and Damian Lazarus, working for labels including Ninja Tune, Domino, Warp, Blue Note and Kompakt.

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Benjamin Damage - Spectrum

Benjamin Damage

Spectrum

12inchARTSCORE019
ARTS
27.01.2023

Benjamin Damage is back on ARTSCORE with a stunningly crafted record that explores the deepest parts of his mind.

We strongly believe that an Artist should have the freedom to express many phases of his thoughts, and doing it with the power of Techno is one of our main goals to inspire you. Benjamin is clearly on top of his game, and we are proud to deliver something very powerful here, done in one of the most elegant ways.

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11,35 €
Various - Kodoku

Various

Kodoku

12inchLLC06
Lowlife Cartel
01.12.2022

For their sixth instalment, Lowlife Cartel follow up to their last two compilations (“Pimps Improvisations” in 2018 and “Omnia Vanitas” in 2020) with a new six-track VA named “Kodoku”; a vortical release, both bold and forward-looking, while fully geared for the club environment. Taking its title from a poisonous magic from the medieval Japanese era obtained by placing several venomous insects in a jar and letting them kill one another until only one survives, “Kodoku” - which interestingly also translates as “solitude” - features a cast of producers old and new to the fold including Saverio Celestri, the faceless △, Prince de Takicardie, Tundramane & Ko$te, Solar Alliance and Shampoo.

A staple element of the Lowlife Cartel bunch, Saverio Celestri paves the way and dishes out one of his signature jagged, EBM-informed weapons in “Sundays”. Through this hotchpotch of acid-steeped bass entangled with a frantic newbeat-ish swing and razor-sharp synthwaves, the Italian producer shows off the raw and playful facets of his craft to optimal effect. Unknown contributor △ clocks in with “Crachats de Lune”, a proper ominous banger going straight for the jugular with its clever mix of dusty, drum-laden churn, processed vox stabs and sci-fi-indebted laser bursts flashing by unrelentingly. Tailored for hi-octane action at the defunct Boccaccio or Hacienda, Prince de Takicardie “Jam’on’Acid (House Mix)” blows the winds of euphoria across the club like it was done in 1995. Vibing to a pulsating mix of rabid snares, 303-vehicled charges and mangled vocal samples on a classic free rave tip, throwback material that packs a punch.

Flip it over and here is North-American duo Tundramane & Ko$te shifting the scope to Memphis chopped-and-screwed in true hardcore fashion. Straight-out aggression, “Brick To The Face” lives up to its title, so expect leaving the place with a few teeth out your mouth and a good concussion, though more side effects could appear over repeated listens. A radical U-turn from the previous, Ute.- related triplet Solar Alliance - alias Ekkel, Oprofessionell and Mikkel Rev - bring their dashing trance touch to the comp with “Quest for Kiba”, an uptemp maelstrom for the senses, swirling and whirling up until space and time make no damn sense any more. Topping off that versatile tour de force, Japanese producer Shampoo adds his delectably sensuous spin on the record with the lush, sample-heavy lo-fi appeal of “四季ノ歌”. Unpolished feelgood vibes, sun- streaked soulfulness and deft-handed MPC wizardry are on the menu for this ultimate ride and jolly finale.

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Dorian Concept - What We Do For Others LP

Oliver Johnson alias Dorian Concept veröffentlicht am 28. Oktober 2022 sein neues Album, „What We Do For Others“, auf Brainfeeder. Es ist das dritte Studioalbum des österreichischen Produzenten und Synthesizer-Experten, der für seine einzigartigen, wunderschön detaillierten Klangteppiche und wilden, gar euphorisierenden Live-Keyboard-Jam-Videos bekannt ist.
„What We Do For Others“ ist ein entspanntes, ruhiges, selbstbewusstes und intimes Album, das auf herrlich lockeren Arrangements und rückgekoppelten Klanglandschaften basiert und mit Fetzen seines eigenen verfremdeten Gesangs unterlegt ist, der eher als zusätzliche Instrumentierung denn als lyrische Phrasen präsentiert wird. Alle Elemente und Schichten wurden ohne Unterbrechungen aufgenommen und absichtlich nicht bearbeitet. „Ich glaube, deshalb hat diese Platte so etwas wie einen ‚Bandsound‘.“, erklärt Johnson. „Ich spiele alle Arten von Tasteninstrumenten, singe und benutze Effektgeräte, um diese freien Kompositionen zu schaffen.“ Der in Wien lebende Johnson ist ein fester Bestandteil der experimentellen Jazz-/ Elektronik-Szene, die im Umfeld von Brainfeeders Aushängeschild Flying Lotus floriert und sich diversifiziert hat. Mit frühen Veröffentlichungen auf dem Kindred Spirits-Label Nod Navigators und Affine Records spielte Johnson bei den ersten internationalen Label-Nächten von Brainfeeder im Jahr 2009 (Off-Sónar in Barcelona und die berüchtigte Hearn Street Car Park-Session in London) und bildete eine starke familiäre Bindung mit der Brainfeeder-Crew, die auf der gemeinsamen Liebe zu freaky Elektronik-Jazz-Fusion beruht. Johnson war an der Produktion von Thundercats „The Golden Age Of Apocalypse“ beteiligt, spielte die Tasten auf Flying Lotus' bahnbrechendem Album, „Cosmogramma“, und tourte mit den Live-Bands von FlyLo und The Cinematic Orchestra. Außerdem steuerte er die Tasten auf MF DOOMs „Lunchbreak“ bei, das von FlyLo und Thundercat produziert wurde. Kürzlich arbeitete er mit Kenny Beats an dessen Debütalbum, „Louie“, zusammen, wobei er bei drei Stücken die Tasten beisteuerte, und tat sich mit einem weiteren Pionier zukunftsorientierter Elektronik - Mark Pritchard - zusammen, um Musik für Damien Jalets zeitgenössische Tanzperformance, „Kites“, an der Göteborger Oper zu komponieren. Im Jahr 2020 arbeitete Oliver mit einem der weltweit führenden Ensembles für zeitgenössische Musik zusammen, dem Klangforum Wien, und komponierte ein Stück namens „Hyperopia“, das beim TRANSART Festival in Österreich aufgeführt wurde. Johnson veröffentlichte sein Debütalbum, „Joined Ends“, 2014 auf Ninja Tune, bevor er 2018 auf Brainfeeder landete, um „The Nature Of Imitation“ zu veröffentlichen: ein Album mit schwindelerregenden Partituren, kakophonischen Breakdowns und formidablen Rhythmen, von denen Pitchfork schwärmte: „Dorian Concept schafft etwas, das Elektro-Funk-Autoren der 70er und 80er Jahre wie Kraftwerk, George Clinton und Roger Troutman angedeutet haben: Computermusik, die den Funk unverhohlen imitiert, anstatt ihn nur zu faken.“.

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24,33 €
Mac Miller - Swimming

Mac Miller

Swimming

2x12inch0093624904236
Parlophone
21.10.2022

Repress expected. Date TBA

Last weeks' tragic, untimely passing of Mac Miller just weeks after he released his highly anticipated new album Swimming last month, the album arrived on the heels of his previously released tracks "Small Worlds," "Self Care" and "What's The Use," the final of which finds Mac reuniting with longtime collaborators Thundercat and Dam Funk

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36,56 €
Francisco Allendes - What You Do

Chilean-born Francisco Allendes returns to Crosstown Rebels for the first time in six years this May. Serving up the three-track What You Do, the title number has already received global airplay via Damian Lazarus himself. Now, the full release will be made available next month and includes a remix by US-legend Harry Romero.

A contemporary dose of four-on-the-floor house, What You Do leaves few prisoners in its wake, as rampant drum patterns converge on a heady combination of kicks, synths and irresistible vocals right the way through. There’s an infectious energy to the track, paving the way for Harry Romero’s similarly up-tempo remix. It’s feel-good, club-ready dance music at its best, packed full of low-slung groove that opens neatly into the closing sequence: Maratone, a stripped-back, techy cut that bears all the hallmarks of a true Ibiza anthem.

Hailing from Chile and now based in Ibiza, Francisco Allendes is a leading light in today’s scene. Be it Loco Dice’s Desolat, Steve Lawler’s VIVA or Damian Lazarus’ Crosstown Rebels, his productions have graced some of the industry’s most well-respected labels. Such quality hasn’t gone unnoticed - he picked up the ‘Best Ibiza’ DJ Award in September 2019 and has gone on to complete several South American tours. A much loved affiliate of ANTS, Francisco has a long standing residency at both Ushuaïa in Ibiza and their affiliated tours, in addition to hosting the weekly radio show.

Seminal American house talent Harry Romero is a well-established figure on the worldwide music circuit. A prominent global DJ and producer since the ‘90s, early productions on Cutting Records and Cutting Traxx helped set the tone for Harry’s career trajectory, opening the doors to a coveted BBC Radio 1 ‘Essential Mix’ in recent years.

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12,14 €
Wrekin Havoc - Wrong Number EP

The Havoc guys have been on an enforced hibernation through the winter due to a lurgy that had been affecting the planet. They have remained in the cave throughout this time huddling up to keep warm and exploring what had become their home away from home for months on end. One night, whilst lighting a fire, trying to find motivation for the next release (basket weaving had lost its appeal) they spotted a glint across the way – On further inspection, it was a small bottle and had a label of sorts – It looked to be medicine or smelling salts – Liquid Gold. Curious creatures they are they all took a long good sniff of this elixir. And just like that, they rummaged around the records stacked in the corner put some more coal in the old computer and began their work.

Soon the A-Side of the new EP was born. Most certainly a step up in the BPM from the previous A-Side off EP1. A1 kicks off with a Germanic Proto Throb Job, that's sure to cause errr...Havoc on the dance floor. Whilst A2 is a Bassline Driven, Reconstructed Austrian Euro Pop Monster. One for late-night Discos.

After a while they had stopped sweating, hearts had stopped beating quite so quick. Whilst the creative juices were flowing a few more records were dug out and a log put on the fire and a cup of fungus juice imbibed. B2 came rattling out the speakers in no time at all in all its chugging glory, the vocals take in a nod to god after the devil has done his dirty work.

At this point, the sun was starting to peek through the mouth of the cave and a new day was upon them. One last record had been found, earlier, that was decided would work at this time, actually after consideration, any damn time... B2 Is like a familiar Balearic Back rub with pop-infused French vocals and beats for days...So now EP2 is complete. Back out into the world our intrepid or is it tepid threesome went... Let's only hope their wives haven't left them after all this time locked away.


DJ Support:

Jim (HMD)
Bill Brewster
Kelvin Andrews
Eric Duncan
Al Mackenzie
James Holroyd (Begin)
Pete Herbert
Phil Mison
Nick The Record
Justin Robertson
Coyote
Mind Fair
Steve KIW
Craig Christian
Dr Rob
Dave Jarvis
Max Essa
Andy Simms (Soft Rocks)
Howler
Jaye Ward
Nancy Noise
Andy Taylor (WATS)
Graeme Fisher
Severino (HMD)

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Bambi OFS - Kwon 9 + Remixes

First striking us with his exhilarating ‘Yakka’ EP, Bambi OFS has continued to surprise us with his musical output ever since. (…) The Belgium-based producer is carving out an almost unique take on dance music with a heavy debt of gratitude to the endless rhythms and percussion-centric styles of Gamelan, and other styles of music native to Indonesia and further afield (…) the revised ‘Kwon-9’ EP goes for the jugular and ties together the percussion-heavy originals on vinyl alongside phenomenal remixes from Don’t DJ, Georgia, Icon Template and Broken English Club.” Inverted Audio Super excited to bring this killer release on vinyl with a brand new remaster and remixes by Broken English Club, Georgia, Don’t DJ and Icon Template! Meshing together industrial mirages and ethnofictional mindscapes, Bambi OFS provides Antibody with a new suite of polyrythmic spins. Extending on his first ep YAKKA, KWON-9 blurs the line between the synthetic and the organic while pushing the Brussels-based producer’s interest in uneven grooves and mixed meters into sharper detail. Mirrored by the puzzling archaic-futuristic alphabet featured on the cover, this new set of trax softly draws the listener in an elusive and multi-faceted experience. Bambi OFS is Cédric Dambrain, composer, electronic musician and virtual instruments designer based in Brussels, Belgium. Dambrain’s approach to music is motivated by an exploration of perception thresholds, psychoacoustics, and the physiological impact of sound. This diversity of themes is matched by a wide range of productions which include electroacoustic computer music, compositions for ensembles, noise, sound installations and, more recently, club- oriented polyrythmic explorations. Dambrain has also been composing extensively for performance artists and music theatre.

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