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Clear Vinyl. Like the soundtrack to a heartbreaking film that never existed, the songs on Casually Smashed To Pieces are simultaneously beautiful and completely unpredictable. "Knock At My Door" features gorgeous, interwoven melodic playing, layered arrangements and a twangy undercurrent; "Confusing Possibilities" is full of the band's characteristic dueling guitar lines, shifting dynamics, and sub-bass tones that help transport the band's music into uncharted territory; while "Stolen Moments" showcases singing horns and crescendos so gradual you'll wonder how you got from point A to point B. Let's be honest though, instead of mapping out each track for you, you're probably best off listening to it yourself... Like all great music, there's an undeniable amount of mystery in what the Six Parts Seven accomplish that can't be conveyed via adjective or analogy.

CARNIVORE is an American crossover / thrash metal band from Brooklyn, New York founded by singer and bassist Peter Steele, and was formed out of the breakup of the Brooklyn metal group FALLOUT in 1982. The first CARNIVORE album was heavily influenced by the contemporary New York metal scene. It also drew inspiration from BLACK SABBATH and early JUDAS PRIEST, whereas the second album had significant crossover influences. The "post-apocalyptic" theme that dominated the first album and was carried onto parts of the second album was apparently inspired by a dream Pete Steele had and which became the basis for the lyrics of "Predator", the first song from the original album. The lyrical theme was then expanded on to describe human society ( or the lack of one ) between imaginary World Wars III, IV and possibly V (as referenced in the song "World Wars III & IV"). Other lyrical themes included nihilism, anti-religious sentiment, cynicism, and explicit but tongue-in-cheek depictions of gore and despair. Song titles such as "Jesus Hitler", "Race War", "Thermonuclear Warrior" and "God is Dead" reflect these themes. In August 2017, it was announced that CARNIVORE would officially be reformed as CARNIVORE A.D., featuring original drummer Louie Beato and guitarist Marc Piovanetti along with secondary drummer Joe Branciforte sharing drum duties and also introducing new member Baron Misuraca as the bassist/vocalist. The band then made their live festival debut at the 2018 edition of Hellfest. CARNIVORE's "Retaliation" is a legendary and authentic metal/hc crossover album and an admittedly very heavy devastating wall of music with very much tongue in cheek lyrics. It became an absolute classic in the metal genre. It has remained unreleased for too many years and has now become very much in demand, now available again in Deluxe exclusive Limited edition 2LP vinyl and Digipack with no less than 3 bonus tracks ! ESSENTIAL CLASSIC !

"Swingin'" is the key word for this great 1962 recording session with the marvelous Dexter Gordon's tenor saxophone, leading an all-star quartet including Sonny Clark - piano - Butch Warren - bass - and Billy Higgins - drums.

The album opens with the infectious, Afro-Cuban groove of "Soy Califa', featuring the unique Billie Higgins beat, and develops through some Hi-Class renditions of romantic standards such as 'Don't Explain' and 'You Stepped out of a Dream', plus the dynamic Latin rhythm of Butch Warren's 'Backbone'.

Our favourite Colombian of all time is by far Felipe Gordon. His individual (and jazzy) take on house music and beyond has given him a big following within the underground dance community. We reached out to Felipe and asked him if he wanted to do a release on GAMM with only one request..."do whatever you want".

The music we got sent back is a beautiful four-track EP that delivers all aspects of Felipe Gordon's unique take on dance music.

The main track 'Self Love' is a warm and intimate jazz excursion that also plays around with some quirky electronic ideas...feel good with a twist. The second jam 'The Punk Automata' got a more bumpy and driving rhythm and has a slightly stronger club play appeal.
On the third track 'Your Feelings' we go darker with a proper late-hours deep house jam...proper!
On the final track, Felipe teams up with Bob The Egoist (great name) for a deep and musical vocal jam entitled 'Please Don't Go'.

Don't forget about the amazing artwork supplied by our favourite Scotsman, Mr Al Kent. This man truly has the magic feel when it comes to creating authentic vinyl designs.

Lonely Planets Rec. is thrilled to announce label co-pilot Caim with his luring new EP Medusa Hunter. A deep dive into a sonic realm where ancient myth intertwines with futuristic soundscapes, Medusa Hunter invites listeners on a seductive journey through hypnotising layers of hissing rhythm and smouldering, Goa-inspired techno. This EP pulses with energy, as Caim masterfully blends trance-inducing melodies with venemous driving bass-lines, creating an atmosphere of ancient mystery and suspense. Each track coils and twists like the mythic Gorgo, luring us deeper into her sonic gaze where time dissolves and consciousness drifts. Rhythm and warmth and whisper seamlessly through the mesmeric soundscapes, igniting a primal sense of movement where sound and myth collide.

7A Records is proud to present our deluxe reissue of Robert Gordon's Rock Billy Boogie album. It has been remastered and expanded with four bonus tracks, features extensive liner notes and is pressed on 180g Pink Vinyl. Robert Gordon entered New York City's Plaza Sound Studio in April 1977 to record his first album. Four months later, Elvis Presley was found dead in his Memphis mansion, Graceland, at the age of 42. The media was anxious to anoint a successor to the late King of Rock and Roll, and Gordon-twelve years Presley's junior-was high atop many lists. Gordon's vocal resemblance to Elvis Presley was hard to ignore, although the singer never crossed the line into impersonation. He retained his originality and an attitude honed in New York's vibrant punk scene. In late 1978, Gordon was signed to Presley's longtime home of RCA Records. He inaugurated his label tenure with the early 1979 release of his third and perhaps finest album, Rock Billy Boogie. The power-packed LP would become a cornerstone of the so-called rockabilly revival. Four additional recordings round out this deluxe, expanded edition of Rock Billy Boogie: Gordon's 1980 cover of John Beveridge and Peter Oakman's "A Picture of You," a # 1 U.K. hit for entertainer Joe Brown in 1962; and three tracks looking back to his seminal partnership with Link Wray from the Private Stock years: "Lonesome Train (On a Lonesome Track)," "Summertime Blues," and "Red Cadillac and a Black Moustache."

For the DJs we present a 7" single of Gorjeios b/w Jararaca Snake (Remix)! The a-side, Gorjeios, is a hypnotic blend of Brazilian rhythms and dreamy melodies. Zé Nigro’s ethereal vocals intertwine seamlessly with Arthur Verocai’s instrumental magic. The b-side, a remix version of Jararaca Snake, is a pulsing dub synthesizer journey featuring Zé Nigro’s effected vocals describing his endless quest for knowledge of why we are here.

The work of GMM carries the echo of folk wedding melodies inspired by Oskar Kolberg's collections, interpreted in modern arrangements with electrifying sound.The trio, consisting of Michał Górczyński, Michał Marecki and Patryk "TikTak" Matela, explores the roots of the Mazovian tradition, translating them into the language of contemporary music. Oskar Kolberg's descriptions and a collection of melodies specific to the Polish region of Mazovia give the GMM band a foundation for creative existence in this old world and transferring it to the modern world.The freshly recorded album opens the traditional wedding gates in an unexpected way, where folk nostalgia meets contemporary avant-garde. The contrabass clarinet weaves deep, warm sounds into the compositions, adding them mystery, while the spinet boldly carries a note of baroque sophistication, creating a pleasantly contrasting texture. The modernity of synthesizers and dynamic beatbox balancing between stillness and dense, dirty tones, gives the whole mix a modern touch.In this characteristic journey full of rhythmic complexity and harmonic discoveries, you will find depth, a cynical smile and plenty of room for your own reflections.Michał Górczyński - specializes in playing the double bass clarinet, in 2004 he graduated from the clarinet class at the Fryderyk Chopin University of Music in Warsaw. Composer, soloist and chamber musician. Co-founder of Kwartludium - a band specializing in performing contemporary music. Member of the band Bastarda. Author of music for theatre performances.Michał Marecki - instrumentalist, producer, composer. Collector of electronic and electroacoustic instruments. Associated with the bands Warsaw Village Band & Bassałyki, Mamadou & Sama Yoon, T.Love, Sidney Polak, among others. He is interested in creativity in artistic processes. Master of social sciences.Patryk TikTak Matela - beatboxer and beatbox activist. For over 20 years he has been giving concerts and teaching the art of vocal percussion. He conducts workshops for preschoolers, students, young people from orphanages and community centers. Author of the first book in Poland about beatbox (Human Beatbox -Personal Instrument!), organizer of the Polish Beatbox Championships, promoter and musician in film and theater. Creator of advertising and reportage films, megafan of Lego Technic.

Celebrating the 20th anniversary of their self-titled debut album, the iconic album, which was the UK’s best-selling album of 2004, will be released on a brand-new limited edition coloured vinyl.

Taking the world by storm with their eccentric style, high energy, and feel-good lyrics it’s no surprise that this album, originally released on February 2nd, 2004, shot the band into international success. The album features fan favourites such as “Take Your Mama”, “Laura” and “Filthy/Gorgeous”. Since then, the album has sold nearly 4 million copies globally, has 300 million streams to date and won ‘Best International Album’ at the 2005 Brits.

Zur Feier des 20-jährigen Jubiläums ihres selbstbetitelten Debütalbums wird das kultige Album, das 2004 das meistverkaufte Album Großbritanniens war, in einer brandneuen, limitierten Auflage auf farbigem (grün) Vinyl veröffentlicht.

Mit ihrem exzentrischen Stil, ihrer Energie und ihren Texten zum Wohlfühlen haben sie die Welt im Sturm erobert. Kein Wunder also, dass dieses Album, das ursprünglich am 2. Februar 2004 veröffentlicht wurde, der Band zum internationalen Erfolg verhalf. Auf dem Album finden s ich Fan-Favoriten w ie „Take Your Mama“, „Laura“ und „Filthy/Gorgeous“. Seitdem hat sich das Album weltweit fast 4 Millionen Mal verkauft, wurde bis heute 300 Millionen Mal gestreamt und gewann bei den Brits 2005 den Preis für das beste internationale Album“

"Good Lovelies are proud to reissue their holiday classic EVERGREEN just in time for the upcoming holiday season. Originally released in 2019, this fifth anniversary limited edition of 500 has been pressed on beautiful peppermint green vinyl.

Caroline Brooks, Kerri Ough and Susan Passmore are a trio of songwriters, multi-instrumentalists, and gorgeous harmonizers known for their nostalgic sound during the holidays that crosses between folk-roots, old-time swing, soul and bluegrass. ""Evergreen"" includes three original songs that the band have added to the Christmas canon alongside their versions of songs like ""Little Saint Nick"", ""Christmas (Baby Please Come Home)"" and ""(Everybody’s Waiting For) The Man with the Bag"" to really get you in the mood for the season ahead.

The band’s annual Christmas tour hits the road again this December, bringing classic holiday songs, timeless winter selections, and original Good Lovelies material to the stage. A Good Lovelies holiday show is a guaranteed good time for the whole family.

“...while most festive albums are best experienced during the correct season, when it comes to the amazing talents of the Good Lovelies, the rule book can be tossed out.” - GREAT DARK WONDER -

“Some of the most gorgeous Christmas harmonies you’ll ever hear on an album jammed full of warmth and good cheer. Featuring a mix of fun favorites, lesser-heard gems and three truly fine originals, the trio strikes the perfect blend of smiles and sentiment...” - BOB MERSEREAU

Good Lovelies first came together in 2006 and have since recorded thirteen albums, including two Christmas collections. They have toured extensively across North America, Europe, the UK, and Australia, and have earned such accolades as a JUNO Award, a SOCAN #1 Single award, and four Canadian Folk Music Awards. Their latest album “We Will Never Be the Same” is in stores now."

Coco & Clair Clair wussten von dem Moment an, als sie sich trafen, dass sie dazu bestimmt waren, gemeinsam Musik zu machen. Ebenso werden die Zuhörer sofort von dem Duo aus Atlanta durch seine cleveren, mitreissenden und genreübergreifenden Songs angezogen. GIRL ist ihr zweites Album nach dem gefeierten Debüt SEXY aus 2022, das Lob von Pitchfork, Stereogum, The Fader, Nylon, u.a. erhielt.

- "Pioniere des "Dämonen-Glam-Rock", ihr kompromissloser und unverkennbar Hip-Hop-beeinflusster Sound haucht dem Lo-Fi-Schlafzimmer-Pop-Genre neues Leben ein." dreamhaus.de

200 COPIES MARBLE COLOURED VINYL Jailcell Recipes: Perhaps the last untold chapter in the story of the rapidly-detonating, late 80’s UK Hardcore scene. Often overlooked in favour of their contemporaries, this re-mastered/re-modelled retrospective collection of songs finally puts the record straight, giving them the recognition they deserve. It showcases the band’s importance within that scene and throws light on their unique standpoint and their growth over a 4 year period. This release is not intended as a discography, rather a selected ‘strongest hand’ from between the years 1988 to 1992. It features the definitive line up of Robbie Reid (vocals), Jamie Owen (guitar), Dave Arnold (bass) and Ian Barwick (drums). It's a game of two halves; the faster, straight ahead hardcore stylings make up Side One (practically the entire first album recorded in 1988), whilst the more melodic, mid-tempo material completes the set on the flipside - Robbie's unmistakable vocals being the constant throughout that makes it all work, he provided the band with a unique identity. Side Two closes with previously unreleased studio tracks from 1992 - virtually unheard until now, we believe these final three tracks to be amongst their best. The songs now sound as the band intended all the way back in 1988. Largely down to a relentless run of gigs back in their heyday, Jailcell Recipes gained a strong reputation for being an exciting and energetic ‘live’ hardcore band, playing with Bad Brains, All, Gorilla Biscuits and including tours with Youth Of Today (1989), Green Day (1991), Naked Raygun (1988). It’s the 35th Anniversary of the release of their debut album “Energy In An Empty Tank World” and after all these years, we finally have the recorded output to match the ‘live’ performance!

200 COPIES MARBLE COLOURED VINYL Jailcell Recipes: Perhaps the last untold chapter in the story of the rapidly-detonating, late 80’s UK Hardcore scene. Often overlooked in favour of their contemporaries, this re-mastered/re-modelled retrospective collection of songs finally puts the record straight, giving them the recognition they deserve. It showcases the band’s importance within that scene and throws light on their unique standpoint and their growth over a 4 year period. This release is not intended as a discography, rather a selected ‘strongest hand’ from between the years 1988 to 1992. It features the definitive line up of Robbie Reid (vocals), Jamie Owen (guitar), Dave Arnold (bass) and Ian Barwick (drums). It's a game of two halves; the faster, straight ahead hardcore stylings make up Side One (practically the entire first album recorded in 1988), whilst the more melodic, mid-tempo material completes the set on the flipside - Robbie's unmistakable vocals being the constant throughout that makes it all work, he provided the band with a unique identity. Side Two closes with previously unreleased studio tracks from 1992 - virtually unheard until now, we believe these final three tracks to be amongst their best. The songs now sound as the band intended all the way back in 1988. Largely down to a relentless run of gigs back in their heyday, Jailcell Recipes gained a strong reputation for being an exciting and energetic ‘live’ hardcore band, playing with Bad Brains, All, Gorilla Biscuits and including tours with Youth Of Today (1989), Green Day (1991), Naked Raygun (1988). It’s the 35th Anniversary of the release of their debut album “Energy In An Empty Tank World” and after all these years, we finally have the recorded output to match the ‘live’ performance!

„aboutJAZZ – Christmas“: Dieses Album vereint die schönsten Jazz-Versionen beliebter Weihnachtsklassiker und liefert damit eine stilvolle Musikbegleitung für die schönste Zeit des Jahres. Ob stimmgewaltige Titel wie Nat King Coles „The Christmas Song (Merry Christmas To You)”, sanfte Melodien wie in Norah Jones‘ „Christmas Calling (Jolly Jones)“, verspielte Töne mit Jamie Cullums „It’s Christmas“ oder eine märchenhafte Atmosphäre wie in Peggy Lees „The Christmas Waltz“ – dieses Album vereint die beliebtesten Weihnachtstitel mit dem vielseitigen Genre der Jazzmusik. Echte Klassiker und neue Interpretationen von Künstlern wie Gregory Porter, Laufey, Diana Krall, Frank Sinatra, Mel Tormé, Tony Bennett, Melody Gardot, Dean Martin, Ella Fitzgerald und vielen weiteren sorgen für ein rundum stimmungsvolles Musikerlebnis. „aboutJAZZ Christmas“ ist ab dem 22. November als 2LP, 2CD und Download erhältlich.

The Hippo Sound System is a collective formed in 2018 by Bristol UK’s notorious ‘samba junglist’ DJ Hiphoppapotamus. "Origins" is their long-awaited debut album!

Touring the festival scene across the UK and Europe their explosive live performances have earned them a well trusted reputation for blowing up dancefloors, moving feet and uplifting souls! Their tracks have been featured on BBC Radio 1, BBC Radio 1Xtra, BBC Radio 6 by Jeremiah Asiamiah, Don Letts and Craig Charles. Don Letts also included their track “Into The Jungle” on his “Best of 2020” round up. Fusing their favourite elements of world music and sound system culture, they explore new possibilities between musical cultures, fusing ancestral rhythms with modern dance music.

Percussive rhythms and heavy bass drive this vibe train as this Hippo and his percussionist/production partner, Munki, draw influence from all over, Including Afro/Latin/world music, Jazz, Hip Hop, House, Breaks, Dub, Drum and Bass & Jungle for their productions. The result? A uniquely high energy and psychedelic global bass sound – complete with the flair of live musicians and the exciting builds and drops of bass music! Passionate about collaboration with both their recordings and performances, they often call upon guest features from artists such as K.O.G, Franz Von, Simo Lagnawi (Electric Jalaba), MC Spyda, Dr Syntax and many more.

With almost no tempo untouched from 70-180BPM, they’re an extremely eclectic and versatile band that can customise sets for most stages and occasions.

Peggy Gou’s Gudu Records is proud to present the label’s first ever album, from someone who’s been part of the family since the start: Brain de Palma.

Born in Ukraine, settling as a child in Turin and spending three years in Egypt before settling in his current home of Berlin, Alexei Versino has one hell of a story.

Musically, he’s been around for a decade now, releasing his previous music (solo as Panama Keys, and also as one half of the duo Stump Valley) on labels like Dekmantel, Soul Clap and Off Minor, before settling on Gudu with his Brain de Palma alias. But personally, his relationship to music goes much deeper: as a young child growing up in the former Soviet Union, a lot of European music was banned, so he relied on his well-travelled uncle to bring him back smuggled cassettes of Italo Disco, Depeche Mode, Kraftwerk, Erasure and early DJ mixes – getting an illicit musical education behind closed doors as a child.

He still carries that underground mindset to this day: the press release for his last Gudu EP, Purple Brain, reads: “dedicated to all the ravers, DJs, aficionados who had to go through the lockdowns … a shout out to people who keep on fighting for the underground culture!”. The perfect candidate for Gudu’s first album, then.

Comprising eleven tracks made across the past year, Versino describes Rhythmption as “my redemption through rhythm”, and a tribute to “seeing people enjoying themselves on the dancefloor, that feeling of unity where people become one thing, regardless of their life path or social status.” Opening with the gorgeous ‘Thandolwami’ (featuring South African vocalist Sfiso Atomza), Rhythmption charts a path through sun-drenched Balearic house, stuttering drum work-outs, Italo-inspired synth romps, trancey house and even a touching tribute to his former home of Egypt, taking in every aspect of Versino’s journey to date. After all, it’s not all about the destination, it’s also the sights you see along the way.

Robert Gordon entered New York City’s Plaza Sound Studio in April 1977 to record his first album. Four months later, Elvis Presley was found dead in his Memphis mansion, Graceland, at the age of 42. The media was anxious to anoint a successor to the late King of Rock and Roll, and Gordon–twelve years Presley’s junior–was high atop many lists. Gordon’s vocal resemblance to Elvis Presley was hard to ignore, although the singer never crossed the line into impersonation. He retained his originality and an attitude honed in New York’s vibrant punk scene. In late 1978, Gordon was signed to Presley’s longtime home of RCA Records. He inaugurated his label tenure with the early 1979 release of his third and perhaps finest album, Rock Billy Boogie. The power-packed LP would become a cornerstone of the so-called rockabilly revival. Four additional recordings round out this deluxe, expanded edition of Rock Billy Boogie: Gordon’s 1980 cover of John Beveridge and Peter Oakman’s “A Picture of You,” a # 1 U.K. hit for entertainer Joe Brown in 1962; and three tracks looking back to his seminal partnership with Link Wray from the Private Stock years: “Lonesome Train (On a Lonesome Track),” “Summertime Blues,” and “Red Cadillac and a Black Moustache.

Detroit native Jackie Wilson aka "Mr. Excitement," left jump blues and R&B group The Dominoes in 1957 to pursue a solo career. The following year he released this, his debut LP, a rollicking collection of orchestrated pop R&B of the highest caliber. Including the hit "Reet Petite," half the songs on this LP were written by Berry Gordy, Jr. nearly two years before he founded Motown, which was partially funded by songwriting royalties Gordy earned writing hits for Wilson. A fine debut from one of the great soul and R&B singers of the late '50s/early '60s, a man who counted among his fans and followers no less than James Brown, Michael Jackson, and The King himself, Elvis Presley.