Remastered and first ever vinyl and CD release When it came time to create "What I like to do," GRÓA took advantage of the prolonged standstill of lockdown and spent months on end in a friend’s studio, slowly building up an elaborate sonic world that unequivocally captures the joyful ferocity of their live show. To achieve the album’s glorious unpredictability, the band allowed themselves an even greater level of freedom in the writing and recording process. “All our songs are made in such different ways,” says Fríða. “Sometimes they come from us jamming in the garage, but other times we’ll sit down and draw a song on paper and then try to put the images to music. Another thing we love to do is switch instruments—when I hear Karó play the bass, for example, it gives me new ideas because she looks at the bass in a completely different way than I do. We’re always trying to find a new angle on what we’re creating.” Encompassing everything from the gorgeously ominous sprawl of “Ég skal bíða eftir þér” (“I will wait for you”) to the hypnotically loopy harmonies of “Grannypants,” What I like to do also marks the first GRÓA release to feature one of Karó self-built instruments. “For the last album I made a waterphone, which is a metal instrument that you pour water into and then play with a bow,” explains Karó, who’s currently studying new media compositions at university.
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- A1: Jimmy James 3:14
- A2: Funky Boss 1:35
- A3: Pass The Mic 4:16
- A4: Gratitude 2:45
- A5: Lighten Up 2:41
- B1: Finger Lickin' Good 3:39
- B2: So What' Cha Want 3:37
- B3: The Biz Vs The Nuge 0:33
- B4: Time For Livin' 1:48
- B5: Something's Got To Give 3:28
- C1: The Blue Nun 0:31
- C2: Stand Together 2:47
- C3: Pow 2:13
- C4: The Maestro 2:52
- C5: Groove Holmes 2:33
- D1: Live At P. J.'s 3:18
- D2: Mark On The Bus 1:05
- D3: Professor Booty 4:11
- D4: In 3'S 2:22
- D5: Namaste 4:01
- E1: Dub The Mic (Instrumental) 4:27
- E2: Pass The Mic (Pt. 2, Skills To Pay The Bills) 4:26
- E3: Drunken Praying Mantis Style 2:37
- E4: Netty's Girl 3:27
- F3: So What' Cha Want (Butt Naked Version) 3:25
- F4: Groove Holmes (Live Vs. The Biz) 6:10
- G1: Stand Together (Live At French's Tavern, Sydney Australia) 2:29
- G2: Finger Lickin' Good (Government Cheese Remix) 4:13
- G3: Gratitude (Live At Budokan) 4:26
- G4: Honky Rink 2:11
- H1: Jimmy James (Original Original Version) 3:42
- H2: Boomin' Granny 2:20
- H3: Drinkin' Wine 4:42
- H4: So What' Cha Want (All The Way Live Freestyle Version) 3:37
- F1: The Skills To Pay The Bills (Original Version) 3:13
- F2: So What' Cha Want (Soul Assassin Remix Version) 4:05
Walter “JUNIE” Morrison was a former member of the OHIO PLAYERS and responsible for writing and arranging their early 1970s hit singles “Pain”, “Pleasure”, “Ecstasy” and most notably, the group’s first Billboard R&B Number One “Funky Worm”. In 1978 he joined George Clinton’s Funk Mob PARLIAMENT FUNKADELIC and, as their musical director, played a key role during the creation of the hit albums “One Nation Under A Groove”, “Motor Booty Affair”, “Gloryhallastoopid” and their R&B Number Ones, “One Nation Under A Groove” and "(Not Just) Knee Deep". In between acts he released three solo albums for Westbound Records that showcased his unique take on the funk. “The Funky Worm – Live at Dooley’s 1976” is a one of kind live recording from his mid-70s Westbound solo period that was only recently discovered.
Regrooved Records is proud to present the very first live album of funk icon JUNIE MORRISON.
Die remasterte Neuauflage von PRESTIGEs zweitem Album "Selling The Salvation" - erhältlich als limitierte Vinyl LP sowie als CD Digipak mit zwei Bonus Tracks (Bonus Tracks nur auf der CD).
Dieses Album zeugt von der rasanten Entwicklung der Band vom eher straighten Speed Metal zum technischen Thrash Metal.
Die remasterte Neuauflage von PRESTIGEs zweitem Album "Selling The Salvation" - erhältlich als limitierte Vinyl LP sowie als CD Digipak mit zwei Bonus Tracks (Bonus Tracks nur auf der CD).
Dieses Album zeugt von der rasanten Entwicklung der Band vom eher straighten Speed Metal zum technischen Thrash Metal.
Columbo ist das mit Spannung erwartete neue Album von Bruno Major.
Dies ist die erste Veröffentlichung des RIAA-zertifizierten Künstlers, seit dem von der Kritik hochgelobten To Let A Good Thing Die aus dem Jahr 2020.
Mit Columbo baut Bruno Major auf seine einzigartige, unkonventionelle Popmusik auf, die Millionen von Fans auf der ganzen Welt begeistert hat.
Charlie Hunter’s 1995 Blue Note debut Bing Bing Bing! was a groove-heavy tour-de-force that announced the arrival of a virtuosic new guitarist on the scene. Hunter’s unique concept on his 8-string guitar allowed him to lay down a bass line and play chords as well as a melodic line at the same time, producing music that was at once impressive and irrepressible. With his powerful trio featuring tenor saxophonist Dave Ellis and drummer Jay Lane plus contributions from trombonist Jeff Cressman, Ben Goldberg, pedal steel guitarist David Phillips, and percussionist Scott Roberts, Hunter delivered a 10-song set of propulsive originals including “Greasy Granny” and “Fistful of Haggis” plus an unforgettable cover of Nirvana’s “Come As You Are.” Hunter would go on to record six more excellent albums for Blue Note, and also gain notice for playing on D’Angelo’s 2000 neo-soul masterpiece Voodoo.
Walter “JUNIE” Morrison was a former member of the OHIO PLAYERS and responsible for writing and arranging their early 1970s hit singles “Pain”, “Pleasure”, “Ecstasy” and most notably, the group’s first Billboard R&B Number One “Funky Worm”. In 1978 he joined George Clinton’s Funk Mob PARLIAMENT FUNKADELIC and, as their musical director, played a key role during the creation of the hit albums “One Nation Under A Groove”, “Motor Booty Affair”, “Gloryhallastoopid” and their R&B Number Ones, “One Nation Under A Groove” and "(Not Just) Knee Deep". In between acts he released three solo albums for Westbound Records that showcased his unique take on the funk. “The Funky Worm – Live at Dooley’s 1976” is a one of kind live recording from his mid-70s Westbound solo period that was only recently discovered.
Regrooved Records is proud to present the very first live album of funk icon JUNIE MORRISON.
Nach ihrem Hit 'Funky Worm' verließen die Ohio Players Westbound Records und ihr Keyboarder und Sänger Junie verließ die Band. Es folgte eine Solokarriere, die weniger kommerziell aber musikalisch faszinierend war. Er nahm drei Soloalben für Westbound auf, wobei 'Freeze' der unmittelbare Nachfolger seines Debüts 'When We Do' war. Aufgenommen im renommierten Ardent Studio in Memphis, spielte Junie jedes Instrument, von traditionellem Rhythmus-Backing bis hin zum Sperrfeuer neuester Synthesizer-Technologie. Das Ergebnis war ein Avant-Funk-Meisterwerk, das vom erhabenen 'Not As Good As You Should' bis zum wilden 'Granny's Funky Rolls Royce' reichte. Später wechselte er dann zu Funkadelic und sollte dort u.a. an dem Hit 'One Nation Under The Groove' beteiligt sein.
Vorderseite sind vier Songs aus der Studio Session und Rückseite vier Songs von der Grannys House Session!
Martens: "Matthew Sage’s (Cashed Media, Fuubutshi) »The Wind of Things« and »Catch a Blessing« are two favorites of new music in my shelter. So when a little while ago he dailed in with this idea to make a Country Western album together, i saddled up and joined the stampede. The result is a universal coming of age story."
Sage: "I have always found the idea of whatever 'Western' means in America to be very elusive. It feels like a fantasy that we keep trying to relive by retelling exaggerated stories. An echo of an echo of an echo..."
Martens: "In them, the dissatisfied, unfolds that wide open road. With television infused meditations of packing a gun on horseback, and chasing a bison herd under torrential rains."
All music, recording: Matthew Sage, Lieven Martens Except: piano on track 7 by Wietske Van Gils, field recording on track 7 by Mick Sage, and carillon on track 10 by Luc Dockx
Mixing, editing: Lieven Martens; mastering: Roman Hiele; typography: Jeroen Wille; risograph printing: Jan Matthé
- 1: Shimmy She Wobble
- 2: Bounceball
- 3: Short?Nin? / Henduck 4. Too Slow
- 5: Shimmy She Wobble
- 6: Station Blues 7. Shake ?Em
- 8: My Babe 9. Boogie
- 10: How Many Mo? Years
- 11: Roll & Tumble
- 12: 2-Stepping Place
- 13: Granny, Do Your Dog Bite?
- 14: Shimmy She Wobble
- 15: Glory, Glory, Hallelujah!
- 16: Memory Of A Goat Picnic
The trance blues stylings of Otha Turner and his Rising
Star Fife And Drum Band should be a music classification
unto itself, a whole new primitive take on drum and
bass. This music is the oldest still-practiced post-colonial
American music, and Turner was one of its greatest artists
of the 20th century. Blowing the cane fife with a band
of drummers as back up, The Rising Star Fife And Drum
band was legendary in the hills of Tate County, Mississippi,
where they would perform during the yearly goat picnics
on Turner’s farm. These tracks were recorded by Luther
Dickinson during such picnics and released when Turner
was ninety years old. Everybody Hollerin’ Goat shows
first hand the hypnotic and rhythmic style of fife and drum
music at its best—raw and beautiful.
It is every bit as essential a document of America’s folkmusic
heritage as anything Harry Smith or Alan Lomax ever
offered up for posterity. Turner’s band included some of his
children and grandchildren that have gone on to continue
the fife and drum tradition since his death in 2003.
This first ever vinyl release of Everybody Hollerin’ Goat
contains a whole side of unreleased recordings from one
night of the picnic and is intended to bring the experience
of hollerin’ for goat in Senatobia, Mississippi to the living
room. Dancing around the plants is recommended (but
don’t eat the pickled eggs). The entire album is remastered
by legend Gary Hobish.
- A1: Prologue
- A2: We Don't Wanna Grow Up
- A3: Banning Back Home
- A4: Granny Wendy
- A5: Hook-Napped
- A6: The Arrival Of Tink And The Flight To Neverland
- B1: Presenting The Hook
- B2: From Mermaids To Lost Boys
- B3: The Lost Boy Chase
- B4: Smee's Plan
- B5: The Banquet
- B6: The Never-Feast
- C1: Remembering Childhood
- C2: You Are The Pan
- C3: When You're Alone
- D1: The Ultimate War
- D2: Farewell Neverland
- A1: Jah Woosh - Woodpecker Sound
- A2: Machine Gun Hogg & Co. - Bed Bound Saga
- A3: Prince Far I & Creation Rebel - Quanté Giubila
- A4: The Chicken Granny - Quit The Body
- A5: Alan Pellay - Parasitic Machine
- A6: London Underground - Dreams Are Better
- B1: Suns Of Arqa - Asian Rebel
- B2: Alan Pellay - Demonic Forces
- B3: The Mothmen - Afghani Dub
- B4: Jeb Loy & The Il Wells - Things That Made U.s
- B5: New Age Steppers - Yipee I Aah
- B6: Judy Nylon - The Dice
First volume – though the 2nd never happened – of this ongoing collaboration between post-punk stalwarts Cherry Red and home of the western dub On U Sound. Adrian Sherwood obviously sitting behind the desk and a cast of marvelous artist leading the way for a reggae renaissance. Stolen and contaminated songs, we may take this as a reference point for 12 unreleased tracks showing the best of the UK underground rhythms. A further development of the Jamaican heritage, with handmade electronics and a forward thinking production. Mothmen ‘Afghani Dub’ is one of the leading track here, with future members of Durutti Column and Simply Red on board, this is a mystical post-industrial trip through upbeat rhythms. Along the way you’ll find the over the top vocal performance of Judy Nylon – more akin to certain no wave expressionism – futuristic vibes from Sun Of Arqa, contribution from New age Steppers supergroup and Creation Rebel teaming up with the so-called Jamaican ‘Voice of Thunder’ Prince Far I. All in all a (natural) mystic experience.
The next killer tune in the brand-new series of alltime classic Studio One party bombs available on super loud 12” - Brentford Road All Stars’ 'Greedy
G’ is the ultimate reggae record to crossover into
hip-hop. The all-time epic sample for Boogie Down
Productions’ seminal ‘Jack of Spades’ and based
on James Brown’s funk bomb ‘Get on the Good
Foot’.
The flipside is another Brentford Road All Stars
essential cut, ‘Granny Scratch Scratch’, the
heaviest, funkiest dub monster ever.
100% essential monster tunes that rock any
dancefloor.
In the wake of Bitch Magnet and current of Superchunk, Sooyoung Park and Mac McCaughan formed a raw version of Seam in the summer of ’91. With bassist Lexi Mitchell, the trio banged out an album and two singles worth of shambolic dream pop in the sweltering Chapel Hill heat. Ten songs of talk-whispered vocals, sloshing guitar solos, scattered snare rolls, Velocity Girl’s Sarah Shannon, and the original version of Codeine’s slowcore classic “New Year’s,” on LP for the first time in 30 years.
- ‘As The Love Continues’
- To The Bin My Friend
- Tonight We Vacate Earth
- Here We, Here We, Here
- We Go Forever
- Dry Fantasy
- Ritchie Sacramento
- Drive The Nail
- Fuck Off Money
- Ceiling Granny
- Midnight Flit
- Pat Stains
- Supposedly, We Were
- Nightmares
- It’s What I Want To Do
- Mum
- Bonus Demo Tracks
- (Rockact140Cdx &
- Rockact140 Only)
- To The Bin My Friend
- Tonight We Vacate Earth
- Here We, Here We, Here
- We Go Forever
- Supposedly, We Were
- It’s What I Want To Do
- Mum
- Nightmares
- Drive The Nail
‘As The Love Continues’ was produced by Dave
Fridmann (Mogwai, Mercury Rev, The Flaming
Lips) and features guests Atticus Ross (Nine Inch
Nails) and Colin Stetson (the saxophonist who has
collaborated with Bon Ivor, Arcade Fire).
Recorded at Vada Studios, England by Tony
Doogan (Grey Dogs, Mogwai, Belle & Sebastian)
with Fridmann in full remote control from the US.
This new album will please old Mogwai fans and
gain new as it has something for everyone. Both
transcendent and surprising, ‘As The Love
Continues’ shows that Mogwai are still offering
solace from the mundane, supplying the
soundtrack to whatever movie you are making in
your head.
CD box set features gatefold CD, bonus CD of
demo tracks plus photo booklet.
The vinyl box set includes red vinyl gatefold double
LP, single standard weight black EP of demo
tracks, gatefold CD, photo booklet and digital
download code.
- ‘As The Love Continues’
- To The Bin My Friend
- Tonight We Vacate Earth
- Here We, Here We, Here
- We Go Forever
- Dry Fantasy
- Ritchie Sacramento
- Drive The Nail
- Fuck Off Money
- Ceiling Granny
- Midnight Flit
- Pat Stains
- Supposedly, We Were
- Nightmares
- It’s What I Want To Do
- Mum
- Bonus Demo Tracks
- (Rockact140Cdx &
- Rockact140 Only)
- To The Bin My Friend
- Tonight We Vacate Earth
- Here We, Here We, Here
- We Go Forever
- Supposedly, We Were
- It’s What I Want To Do
- Mum
- Nightmares
- Drive The Nail
‘As The Love Continues’ was produced by Dave
Fridmann (Mogwai, Mercury Rev, The Flaming
Lips) and features guests Atticus Ross (Nine Inch
Nails) and Colin Stetson (the saxophonist who has
collaborated with Bon Ivor, Arcade Fire).
Recorded at Vada Studios, England by Tony
Doogan (Grey Dogs, Mogwai, Belle & Sebastian)
with Fridmann in full remote control from the US.
This new album will please old Mogwai fans and
gain new as it has something for everyone. Both
transcendent and surprising, ‘As The Love
Continues’ shows that Mogwai are still offering
solace from the mundane, supplying the
soundtrack to whatever movie you are making in
your head.
CD box set features gatefold CD, bonus CD of
demo tracks plus photo booklet.
The vinyl box set includes red vinyl gatefold double
LP, single standard weight black EP of demo
tracks, gatefold CD, photo booklet and digital
download code.




















