Search:groove element

Nanel 008 marks another solid release for the label, packed with two stunning tracks that will speak to both DJs and listeners alike. On the A-side, "Farfor" offers an infectious blend of groovy basslines and punchy breakbeats, creating a track that’s both energetic and deep. The smooth, atmospheric pads intertwine seamlessly with a catchy piano melody, giving the track an uplifting vibe that’s perfect for those dancefloor moments when the energy needs to rise. It’s a perfect combination of classic and contemporary elements, with a sound that feels both fresh and timeless.


Flipping the record over, "Ready" takes things in a more dubby direction, featuring a deep bassline that rolls smoothly beneath crisp percussion and atmospheric elements. The track’s vocal shots add an extra layer of texture, cutting through the mix and pulling you into its hypnotic groove. The percussion is tight and purposeful, adding a rhythmic complexity that draws you in and keeps you moving. With its dub influence and a steady, captivating groove, "Ready" creates an immersive listening experience that showcases a different side of your production style. Together, these two tracks offer a diverse yet cohesive sound that exemplifies the signature style of Nanel.

After years of silence dedicated to side projects, DJENA makes a triumphant return with his solo EP, In Motion. A testament to his passion for eclecticism, this release seamlessly bridges house and breakbeat, enriched by a stunning remix from the legendary French producer DJ W!LD.

The journey begins with the title track, In Motion, a hypnotic breakbeat composition where deep pads intertwine with tribal vocal elements, evoking raw emotion and sonic depth. This track is designed to captivate both the ears and the heart. DJ W!LD then takes the reins, transforming In Motion into an irresistible dancefloor anthem. His remix injects a house-driven groove, elevating the track into an emotive yet club-ready masterpiece.

Flipping to the B-side, Thrust propels listeners into a deep tech-driven rhythm, gradually intensifying into a peak-time energy surge. Rounded arps, subtle vocal textures, and celestial pads craft an immersive, ethereal adventure—blurring the lines between introspection and movement.

Closing out the EP, Veer is a sublime after-hours gem. Its bouncy bassline and tech-house rhythm are complemented by atmospheric pads and haunting vocals, leading the listener into a space where both mind and soul find fulfillment

In Motion EP is a refined sonic exploration, balancing depth and energy in perfect harmony. DJENA’s return marks a powerful statement—one that will undoubtedly resonate on dancefloors and beyond.

Australian producer and current Berlin resident Holo makes his highly anticipated return to Shall Not Fade with his third EP on the independent Bristol-based label.

Known for his signature sound that blends emotive melodies with infectious grooves, Holo has carved out a space for himself as a forward-thinking artist with a deep understanding of mood and atmosphere. His recent releases, including Nights Over Melbourne and a self titled LP in 2024, have both garnered widespread acclaim for their evocative production and seamless fusion of house, techno, and atmospheric elements. With every new release, Holo pushes the boundaries of modern dance music, establishing himself as a key figure in the underground scene.

Pink Wax delivers warm, hazy deep house at its finest, showcasing Holo's distinctive talent for creating music that evokes lasting memories. The EP is a stunning blend of lush synth lines, ethereal vocals, and smooth drums, offering a timeless interpretation of modern dance music.

Here at Four Flies, we kind of feel we need a bigger word than 'proud', this time, to present, in collaboration with Beat Records, the first-ever release of the original soundtrack written in 1976 by Guido & Maurizio De Angelis for the legendary Squadra Antifurto, the second chapter of the comedy-infused crime saga directed by Bruno Corbucci and starring Tomas Milian as the iconic Italian Police Marshal Nico Giraldi.

The excitement in this case is nothing short of gigantic, difficult to rein in for those who, like ourselves, grew up adoring the character played by Milian as one of our cult heroes, and dreaming that the soundtracks of the first three films in the saga – the only ones composed by the De Angelis brothers – would one day be released.

Since the launch of our label, Squadra Antifurto has been at the top of the list of film scores we most wanted to release. Until a few months ago, this dream of ours seemed destined to remain just that, so strong was the conviction in all of us that the master tapes were definitively lost, that they had forever vanished into thin air. That's why their recovery, made possible by Maurizio De Angelis himself and the persistence of our friends at Beat Records, is an extraordinary feat.

Nearly 50 years after it was first heard in cinemas, the soundtrack penned by the De Angelis brothers is resurrected in its entirety and can finally shine its incredible power all over us.

Beautifully seeping through this score – like many others composed by the golden duo in the 1970s – are elements from the Italian, and especially Roman, folk tradition, for instance in the warm, heartfelt ballad sung by Alberto Griso, "E nun ce voio sta," which first plays in the opening credit sequence and is then reprised in various forms throughout the film, culminating with the soul-stirring orchestral version that closes the album's tracklist.

But as in any Italian crime film worthy of that name, a different soundscapetakes centre stage: it's the music that accompanies the countless scenes of tension, action, and pursuit that punctuate the film, and which has made us fall madly in love with this score.

The main theme is a prog-funk joyride, drawing inspiration from the traditional tarantella but elevated to irresistible energy thanks to a rock orchestration featuring psychedelic flutes, wild percussion, distorted electric guitars, piano chords, and various feedback and delay effects.

The resulting groove is just mind-blowing, and we almost can't believe it's finally available on a record, completely remastered for vinyl.

We really couldn't be prouder, and dedicate this release to all passionate fans of Italian crime films, the De Angelis brothers, and Tomas Milian aka Nico Giraldi.

Available starting April 12th on standard black vinyl and limited coloured vinyl (transparent amber, limited to 300 copies).

After Dull Boy Johnny's previous release, a double EP with a tropical A-side and an erotic B-side, this time the three gentlemen are out on the dance floor. After all, the neighbours decided as much.

Unlike the recordings of their previous work that took place abroad, this time they stayed in a steamy attic room in Belgium, where guitarist and producer Jan built a studio. Unable to record at night because of neighbours who did not (yet) appreciate Dull Boy Johnny's music, they dove into Antwerp's nightlife.

The group's previous work took you on a cinematic journey where every musical nuance takes you to a specific setting. Be it an erotic seventies scene, a beach party in the Bahamas, or a blood-curdling chase in the Wild West, Dull Boy Johnny covers it all. Nard Houdmeyers, Rik De Bal and Jan found each other in a shared interest in film genres such as blaxploitation, neo-noir and spaghetti westerns. And therefore also the artists inherent to these genres such as Isaac Hayes, Curtis Mayfield and Ennio Morricone. Dull Boy Johnny's conceptual approach to music can be traced back to this passion for cinema.

For the new EP, however, they traded that cosy movie-watching for turbulent nightlife (the angry neighbours, you know). Besides, it was about time to get their inspiration in the flesh. Dull Boy Johnny immersed himself in the pulses, flashes and swell of downtown Antwerp. Thunder chasing crept under their skin and then into their guitars. In grandfatherly fashion, they then turned to composing, first with just bass, guitar and vocals. In that small lineup and with the sounds of the night still reverberating in their minds, the first pieces of the puzzle were laid out. After that, the sound was opened up and a solid rhythm boost was added. This defined the catchy, up-tempo nature of the upcoming EP that centres on themes of dancing, flirting and partying. Expect rousing riffs, catchy hooks and swinging rhythms. Details were meticulously laid out and bricked into the songs with delicate grouting. The fine polishing of the songs was done with patient finesse and a constant attitude to serve the song. With songs like Suspicion, She Can Groove and Dynamite, it is immediately clear that the gentlemen got their mustard from the club: action, party and spunk! All without losing their typical sensuality.

Despite the different working methods for the third EP, there are a lot of recurring elements that define Johnny's fresh sound. The essence? Catchy high vocals contrasted with a sensual baritone voice, carried by a groovy bass and rhythm section. Around it, the details that give the songs the right atmosphere swirl.

Dull Boy Johnny's music prefers to function as a soundtrack to your own imagination. As you listen, you are invited to wander through the various landscapes of their musical world, regularly giving a nod to the more lustful side of your brain. The songs have already been praised for their compelling melodies and irresistible energy.

With this release, Dull Boy Johnny proves their ability to create timeless music that both touches the soul and moves the body. So surrender to Dull Boy Johnny's punchy grooves and dance the night away. Long live the neighbours!

After the success of the previous three chapters, Cristian Cosignani, also known as 5UNIVERSOS, presents a compelling fourth volume, a richly layered album infused with rhythmic elements that are perfect for the dance floor. With a distinctive blend of sophisticated house and minimalist dub, the Mantra EP is crafted to immerse the listener in the elevated vibrations of its four tracks, each serving as a meticulously designed groove instrument.

The journey begins with "Mantra," featuring a sequence of syncopated bass lines and deep vocals laid over a strict, minimalist drum pattern. "Thastha" follows with a funky bass progression, complemented by a sensual female chorus and a retro drumbeat, evoking a sunrise at sea.

On the B-side, "Greet" delivers a dry, rhythmic punch with a bassline that aims to make listeners smile with their eyes closed, as the filter opens and closes.

The EP concludes with "Tolerance," which introduces a Balearic string arrangement, adding a deeply spiritual and introspective layer to the overall experience.

This album is undeniably a pure expression of rhythm and the club atmosphere - an essential addition to any collection.

Chileans Are Playing

Master by Claudio Solis

Damian Lazarus uncovers ‘SPIRITS VII’, the seventh chapter of Crosstown Rebels’ visionary annual compilation series. The eight-track package sees the Crosstown Rebels founder curate another stellar lineup of emerging and established talent for the latest instalment of the ongoing highly acclaimed series.

Since its debut in 2017, Damian Lazarus’ SPIRITS series has become a definitive platform for rising stars and established talent pushing cutting-edge sounds, consistently setting the tone for the year ahead. With the release of ‘SPIRITS VII’ this February, Crosstown Rebels continues its tradition of curating groundbreaking talent, delivering an impressive collection of tracks from both new and returning names. Building on the momentum of previous volumes, the eight-tracker offers an expertly crafted selection of deep grooves, hypnotic rhythms, and forward-thinking productions - providing a glimpse into the future of house and techno while staying true to the genre’s roots.

Opening the release, US-based duo Lisbona Sisters present ‘OK GURL’, a trippy and warping track with their original vocals that sets an otherworldly tone. Next, Netherlands-based SHARE follows releases on Mobilee and Abracadabra with ‘Oh Please…’, an acid-led cut with hooky vocals from Def Eff that leave a lasting impression. Next, Bonafique, part of the Maccabi House family, infuse ‘Desperadio’ with signature Middle Eastern influences and organic, rhythmic drums, while Dino Lenny delivers ‘I Have Sampled Father’, a playful yet off-kilter cut loaded with a kaleidoscope of diverse elements balanced by captivating grooves.

The journey continues with Upercent’s ‘Where Are You’, a dynamic composition characterised by soaring synths, sharp drums, and heavy bass licks. Collaborating on ‘Le Tourbillon’, Timo Maas & Inámo craft a hypnotic blend of grooves and sweeping melodies, perfect for late-hour moments. Recorded in his Ibiza studio, John Monkman energises the collection with ‘Colours’, a track brimming with intricate synth work, standout vocals, and dynamic sound design, before Enamour closes with ‘Jackpot’, a dreamy and hazy masterpiece featuring colourful sonics and enchanting soundscapes.

With its distinct ability to uncover hidden gems and elevate them to global recognition, Crosstown Rebels remains a leading force, and this latest edition of SPIRITS proves precisely why it remains at the forefront of the global electronic scene as one of its most vital imprints.

Record includes 2 page insert and download

Flipping rhythms from Guadeloupe, Cuba, Senegal and Puerto Rico, Time Capsule founder Kay Suzuki releases an acid-soaked collection of remixes that transcends time and space.

From the blacked-out basement of Plastic People to the psychedelic dancefloor of Beauty and the Beat, Kay Suzuki’s musical world has been shaped by some of London’s most iconic sound systems. High quality audio, he says, can open portals to new universes. Rhythm is time made plastic and beauty is the space between the beats.

Spanning over fifteen years of music from the prolific DJ, producer, Time Capsule label boss and one time Brilliant Corners sushi chef, this collection of remixes is the logical conclusion of Kay Suzuki’s musical thinking. Drawn to unique percussive or syncopated rhythms, he describes remixes as conversations between the original artist’s sense of time and his own. Weaving broken beat, house and dub influences into rhythms from across the Black Atlantic, these four tracks find each other kinship on the dance floor.

The A-side begins with a dubbed-out rework of the Gwoka celebration rhythm ‘A Ka Titine’ by Guadeloupe’s Gaoulé Mizik that was originally released by Beauty and the Beat in 2022. Layering electronic flares, dub sirens and space echo reverb across the shuffling toumblak beat, Suzuki leans into the track’s creole heritage, turning the track into a sought-after dancefloor jam, played by everyone from Colleen Cosmo Murphy and John Gomez to Yu-Su and Bradley Zero.

Skipping to Puerto Rico, Broki’s ‘Es Que Lo Es’ emerged from a collaboration between Bugz in the Attic’s Afronaut and Seiji and local musicians. Here Suzuki reworks the Afro-Latin percussion into a subtle bruk, conjuring a third space between London and San Juan that remains both of and outside the era in which it was made.

Blackbush Orchestra’s ‘Sortez, Les Filles!’ opens the B-side, taking apart the original and kneading the Senegalese percussion into a chugging Balearic house track, buoyant and full of life. Also first released by Beauty and the Beat, the track features new synth and structural elements that bring out the innate dancefloor potential beneath the surface of the original.

The final track on the collection heads back to the Caribbean and the island of Cuba, where Sunlightsquare a.k.a. Claudio Passavanti worked with vocalist Rene Alvarez and expert in Afro-Cuban percussion, Giovanni Imparato, on ‘Oyelo’. Here, Suzuki strips out the kick completely, leaving an implied rhythm which he calls an “imaginary four-to-the-floor” - a groove that is felt rather than heard, leaving the listener floating in another universe entirely.

Modeight presents a captivating 4 tracker from the talented DJ and producer Valeria Croft, based in Helsinki. With a unique blend of jazz elements, house, and minimalism, Valeria effortlessly bridges these genres and brings them to the dance culture.

The EP opens with Kaksi, a low slung, slow burning groove that glides with effortless grace, featuring meandering atmospheric tones that induce a positively out of body feeling. Next is Mad Mood, a rhythmically fluid roller, peppered with a cyclical hypnotic sequence and shimmering vocals.

Pretty Inspiration showcases a deep, sub sonic wiggle, carving out a sophisticated and immensely enjoyable sonic journey. The EP wraps up with Viisi, a track that concludes with a graceful afterhours groove.
In this emphatic release, Valeria Croft brings the heat, making it a perfect fit for Modeight.

A Bold New Direction from Kyoto's Finest

Kyoto-based dance music label NC4K's boss, Stones Taro, delivers a daring new EP in the third installment of the NC4KWAX series. Known for his dance-floor-focused beats and impeccable sound quality, Stones Taro pushes the boundaries of his sound on this release.
The EP kicks off with "Clutch," a track that immediately captivates with its addictive vocal chops and signature Stones Taro breakbeats. The up-and-down bassline provides a solid foundation, ensuring that your speakers get a workout. "Busy Lip" follows suit, with its chaotic mix of vocal samples and percussion creating a sense of euphoria. The clap on the third beat adds a challenging yet rewarding twist to the track. The third track is pure Stones Taro, featuring a ravey breakbeat sound with trance-like elements that elevate the track to new heights. Finally, Roman producer Christopher Ledger delivers a stunning remix of the fourth track, transforming it into a tech-house masterpiece with intricate arrangements and a deep, bass-driven groove.

Misto Kay is a rising artist/producer from Amsterdam aiming to combine jazz elements and electronics into a sonic listening pleasure. His first appearances were on the Super-Sonic Jazz compilation and on Mo Wrights' 'things2proof' EP with a feature and a remix. Being a multi-instrumentalist, with a focus on jazz piano, you will find playful and melodic elements join forces with surprising rhythms in his music. His broad musical interest is clearly expressed in his productions, given that they can vary heavily in mood, tempo, and genre. House, broken beat are at the core of this debut solo release, but soulful hip-hop grooves are present as well.

As the tenth candle flickers atop the torta alla panna, Archeo Recordings play the Uno reverse card, breaking with tradition to give us a gift in celebration of its birthday: the first in a series of exquisite EPs on which the label's favourite contemporaries pay homage to past masters. Each re-polished gem is plucked either directly from the beatific back catalogue of the fine Florentine label or is at least Archeo-adjacent, perhaps a sign of future wonders to come. Like a musical version of Janus, who can be found at the heart of Bertoldo di Giovanni's frieze in the Medici villa, Archeo Recordings will continue to look forwards and backwards to provide sublime sounds for us all.
Pepe Maina officially joined the Archeo family in 2019 with the much-needed reissue of his 1979 masterpiece Scerizza (AR015), but his astounding music has been a constant companion to label head Manu for much longer. An inter-dimensional, multi-instrumental maverick, Maina weaves the frayed edges of prog rock, new age, organic jazz and global minimalism into a shimmering tapestry all of his own. The results are spread across fifty years and almost as many albums, largely self-released and always absolutely untarnished by commercial concerns.
Based in a small village in the hills of Brianza, just north of Milan, Maina translates the beauty of his surroundings into transformative tone poems, and the folkloric fusion of "The Infinite", originally released on his 2014 CD Tales From The Hill, is the perfect example of his practice. It opens with a recitation of Giacomo Leopardi's 1825s poem "L'Infinito" by famed Italian actor Vittorio Gassman. A leading figure in the romantic movement, Leopardi explores the idea of time and space within the natural world, and the peace that comes with an appreciation of the immensity of eternity. Manu, longtime digger and now a burgeoning producer, expands upon the original with tribal percussion, chirping electronics and a spheric bassline, folding Maina's elegant strings and gossamer pads into a new arrangement suited for a slow dance under the stars.
Unless you had a well-trained ear tuned to Italy's avant-jazz scene, chances are your first encounter with innovative flautist Roberto Aglieri came via the 2017 Archeo reissue of hisalmost untraceable LP Ragapadani (AR011). It's a true testament to Manu's digging credentials that he snatched this masterpiece out of the esoteric atmosphere and brought it attention it so richly deserved. A delicate union of digital synthesis and versatile flute - be it soft and silvery or
brilliant and clear - the 1987 album was a shapeshifting masterpiece, replaying scenes from Virgil, Verdi, Visconti and Pasolini with a neon glow. Quintessentially Italian, but uncanny and previously unimagined - Penthouse and Portico perhaps. Powered by a percolating prototechno sequence, cascading keys, hallucinogenic vocal snippets and a variety of tonal timbres from Roberto's reed, "Danza N. 1" long deserved the praise reserved for Jean-Luc Ponty's pinnacle, so many thanks to Manu for our collective introduction. The tall task of reinterpreting this particular paragon falls to Perugian polymath Daniele Tomassini AKA Feel Fly, whose peerless skills as both producer and musician have delighted DJs and dancers alike. Hot on the heels of his diverse and definitive remixes of Tony Esposito for AR027, Daniele delivers a radical rework of "Danza N. 1" perfect for both day rave sunshine and full moon party alike. Enhanced by snapping breaks and a rattling kick, the bassline gurgle emerges as a progressive powerhouse, laying the foundation for the trilling flute and circular keys to cast a psychedelic spell. As the slow-Goa revival picks up pace, this one is way ahead of the pack.
Archeo take us all the way back to the start of its story here - well almost. Though it bore the stamp AR001 (2015), this Radio Band reissue actually hit shelves months after Tony Esposito's "Je-Na' / Pagaia"; a false start perhaps but a true classic all the same. Radio Band were a group of DJs from Florence who all sailed the airways of Radio Fantasy in 1984 and whose one and only release was this super groovy slice of Italo-boogie. Following the example of Milanese DJs Band of Jocks but far surpassing their formulaic funk fizzle, Radio Band employed an intergalactic bassline, cosmic keys and that undeniably Italian style of rapping to deliver a sophisticated party-starter which even found its way to disco deity Ron Hardy. Back to the here and now, and if you've found yourself pumping an ecstatic fist to a supercharged Italian epic of late, chances are its from the mind of the mysterious Radiomarc. Operating on the ascendent Popcorn Groove imprint, this shadowy figure steers his country's lost classics into peaktime territories, finding a sweet spot between late Italo-disco, early Italo-house and contemporary cool. Pushing the tempo with a club-ready 4/4, setting the sequencer to stun and supplementing the original melodies with a series of synth riffs, the mystery producer send this one into orbit. Radio Band - Radio Rap - Radiomarc, the circle is complete.
Few have done more to develop cross-cultural musical exchange than Futuro Antico. A collaborative venture from musician, archeologist and ethnomusicologist Walter Maioli, keyboardist and tonal theoretician Riccardo Sinigaglia and multi-disciplinary artist and composer Gabin Dabiré, Futuro Antico formed in Milan in 1979, combining ancient international folkloric traditions with otherworldly electronics. The result is an arresting melange of Mediterranean, African and Asian instrumentation, mimicked by esoteric synth tones and hypnotic minimalism, which the group perfected on their acclaimed 1990 LP Dai Primitivi All'Elettronica. The meditative and transportive "Pan Tuning" belongs to their largely overlooked 2005 CD only release Intonazioni Archetipe, and has been amongst Manu's most loved tracks from the first moment he heard it. Who else is better placed to reshape this evocative opus into an immersive, transcendental dance floor journey than label favourites Mushrooms Project? The duo sows the original elements into a sprawling fifteen minute fusion of séance and science, at times propulsive with a ritualist rhythm of tuned percussion and crunching drum machine at others drifting off into ethereal ambience. Mushrooms Project continue to push the boundaries of the Afro-cosmic style, and this remix marks a new zenith.

Leo Gibbon debuts his first solo release, as the first release on his own Mudline label with Happy Lovers, a four-track EP that immerses listeners in a sonically rich exploration of love’s complexities. Weaving a tapestry of sounds that seamlessly blends deep cuts, hard-hitting drums, and weighty low ends, creating an engaging landscape for both dancefloor enthusiasts and reflective souls alike.

From the opening track, you can feel the infectious rhythms that draw on a diverse range of influences. Glitchy house elements flirt with the raw essence of street soul, while nods to 140 UK rollers add an irresistible pulse. Each track unfolds like a chapter in a modern love story, capturing the tumult of falling in and out of love, all while maintaining a groove that keeps the crowd moving.

The EP’s production shines, showcasing a meticulous attention to detail. He masterfully balances emotional depth with dancefloor energy, making Happy Lovers not just a collection of tracks, but a coherent narrative that resonates on multiple levels. Whether you’re seeking introspection or an escape into sound, This Mudline debut offers the perfect backdrop.

In Happy Lovers, Leo Gibbon has established a strong foundation for his musical journey, inviting listeners to experience the highs and lows of love through an expertly crafted sonic lens. This is a compelling start for both the artist and his new label, one that promises exciting avenues to explore in the future.

Here at Mr Bongo we have been inundated with people asking us to reissue this release. Ana Frango Elétrico's petit cult classic masterpiece 'Little Electric Chicken Heart' from 2019, which was only ever released on vinyl and CD in Brazil and Japan, has fast become a collector's item.

Well received by fans, DJs, and reviewers on release, The Needle Drop expressed "Ana Frango Elétrico's authentically vintage fusion of chamber pop, rock, samba and jazz is a real blast!" listing it as one of its Top 50 Albums of 2019. The album's reputation has been slowly building ever since, gaining a Latin Grammy nomination in 2020, and now solidly cementing itself as a gem of contemporary Brazilian music.

Across the albums nine tracks, Ana blends elements and influences from MPB, Tropicália, indie rock, punk and pop, forging them together with a sumptuous dose of her signature style. The finesse of 'Saudade' kicks off the LP, one of Ana's most known tracks to a non-Brazilian audience. A sublime opener, beginning with a spellbinding piano solo before transcending into a beautiful dream-laden slice of warmth, complete with luscious jazzy horns and deft vocal delivery. ‘Promessa e previsões’ follows, the only track on the album not to be written by Ana, instead being penned by Chico França. It’s a swelling and sweeping twilight groover, building and breaking across absorbing peaks.

Other highlights on the album include the anthemic 'Chocolate', which was a firm favourite with a packed sing-along crowd when we heard Ana perform it live. Elsewhere, 'Se No Cinema' hits with its quirky allure, charm and catchy melodies before transforming into a carnival spirit.

Tapping into the richness of Brazil’s new wave of musical energy, the album also includes a heavyweight lineup of collaborations with artists such as Dora Morelenbaum (Bala Desejo), Tim Bernardes, Antonio Neves and Guilherme Lirio to name but a few.

A short, sweet and refreshing record, that leaves nothing to waste, marrying playful ideas with poignant themes. 'Little Electric Chicken Heart' is a future classic and will beguile fans of ‘70s Brazilian recordings, Gal Costa, Mac DeMarco, Stereolab, Superorganism, Caetano Veloso and more.

After a terrific first release by AlleyOP aka Atree & Hagel, Tutto Bene welcomes Christopher Lawrenz for the imprint's second release. "Double Tree EP" features three original works by Christopher and a remix by seasoned veterans and Berlin underground sound wizards Foehn & Jerome. The result is a package of funk-infused dancefloor-ready tunes that nicely follow up Tutto Bene's debut while further expanding its vision.

Double Tree EP kicks off with "Double Tree" (A1), a minimal, groove-focused track laced with dub elements and a quirky tech-house edge. Shifting basslines, off-kilter percussion, and playful vocal samples create a lively vibe, perfect for peak-hour energy. Foehn & Jerome’s remix (A2) reimagines the track as a deep house groover, with smooth, sophisticated melodies layered over an understated bassline, adding both depth and elegance. On the B-side, "Tutto Bene" (B1) delves into more experimental territory with syncopated rhythms and robotic textures, combining off-beat percussion and modulated sounds for a distinctive, driving rhythm. "Quarantäne" B2 rounds off the EP with its warm, organic feel, layering deep melodies and gentle vocal samples for a lush, deeply hypnotic track perfectly suited for the early morning sets.

With Double Tree EP, Christopher Lawrenz showcases his versatility as a producer, delivering a set of tracks that range from peak-hour energy to chilled, introspective vibes. Tutto Bene's second release reaffirms its commitment to fresh, underground sounds.

Underground house heavyweight **Enzo Siragusa** is back with a fresh offering, his highly anticipated new EP *Odyssey*, set to drop on **fabric Originals** this month. This marks another standout release for Siragusa, coming hot on the heels of his recent contribution, "Last E," to the *fabric Selects V* compilation, which landed earlier in October.

*Odyssey* features three meticulously crafted tracks that showcase Siragusa’s signature fusion of classic rave elements, deep grooves, and stripped-back house aesthetics. The title track "Odyssey" is a masterclass in his deep production style, while "95 Variant" leans into the artists UK influences. Perhaps the standout cut is "Listen," a nod to the golden era of speed garage, effortlessly blending bass-driven energy with Siragusa’s refined touch.

The EP is a natural evolution of Siragusa’s sound, one that continues to command respect across the underground scene. Known for his ability to channel a range of UK rave influences while remaining firmly forward-thinking, Siragusa’s work is consistently pushing the boundaries of what modern house music can achieve.

In support of the release, Siragusa will be returning to fabric with Enzo Siragusa Invites, where he’ll take control of the decks alongside a curated selection of top-tier talent. The event is set to be a fitting celebration of the new EP and promises to be an essential date in the London clubbing calendar.

Drumcode welcomes another debutant to the label, as Metodi Hristov unveils his stunning ‘Build to Destroy’ EP. The Bulgarian DJ/producer has been building a solid body of work stretching back a decade, releasing quality drops on labels including Terminal M, Octopus and Filth on Acid, meaning he’s long been on Adam Beyer’s radar. Drumcode, in turn, has always been a goal label for Hristov to release on. He explains: 'I’ve always wanted to release on Drumcode, but it was not a fixed plan till October last year when I fully embraced the idea and nailed it with my heart and mind. I ended up in a long three-month studio session from which I extracted some of the best productions I’ve made in my career.' He wasn’t wrong. The EP leads with ‘Flatline’, a straight up sexy techno track with bags of groove and charisma, driven by dreamy synth lines and an arresting vocal, while balancing silky and punchy elements with a deft ease. ‘Build to Destroy’ is a bulldozing beauty that fires out of the starting blocks with plenty of low-end energy, before moving into a succession of atmosphere-laden bass stabs and effects of varying rhythms and intensity. It’s a dynamic cut that piques interest to the end and a very solid addition to the Drumcode discography.

Codex is a name many might not yet be familiar with, but I suspect that is something that is about to change. This EP demonstrates a knack for timeless work, with an array of perfectly executed and technically superior jungle tracks, all of which feature strong musical elements and beautifully layers sound design. Excellent stuff!

Rzee Jackson, also known by his stage names Esso Jaxxon and Castro Pink, has been a transformative figure in the reggae music scene, both in Jamaica and Canada. Originally from Clarendon, Jamaica, Jackson's musical journey began in earnest when he moved to Canada in 1975 after a cultural exchange program in the United States. Toronto's reggae scene was vibrant with legendary figure such as Jackie Mittoo of Studio One fame, and Rzee Jackson was at the forefront, contributing to the city's unique Jamaican vibes.

Leroy Sibbles, the lead singer of The Heptones, recognized Jackson's talent and brought him into the Ital Groove Band, where Jackson sang harmonies, played Gong Bap/Congos, and engineered. The Ital Groove Band became one of Canada's most prolific reggae bands, with Jackson touring extensively. With The Ital Groove Band, Rzee Jackson quickly made his mark, collaborating with renowned producer Oswald Creary of Half Moon Records.

Through his own indie labels : Ital, BeeZee Sounds Production, and Radio Plus, Rzee Jackson has recorded and distributed music with CC Records and Jet Star in the UK. His records have resonated on radio stations across Canada, the USA, Europe, Africa, and Brazil.
On this new Jamwax release, you will play two standout tracks from the "New Beat" album, originally released in the mid-80s in Canada on Ossie Records, the label owned by Oswald Creary.

The reissue features on A-Side "Row Fisherman Row," a timeless classic from Cedric Myton & The Congos, "Blackheart Man" the iconic song from Bunny Wailer and on the B-Side "Long Long Time" a deep extended 12-inch roots track with dubwise elements reminiscent of King Tubby's style. All songs, produced by Rzee Jackson, were recorded at Half Moon Recording Studio in Toronto, Canada, under the expert engineering of Oswald Creary.

This reissue also boasts new sleeve artwork by Ras Mykha, capturing an Ethiopian-inspired scene that depicts Rzee Jackson, Jackie Mittoo, and Cedric Myton in a fisherman boat, celebrating the unity and legacy of these reggae legends.

In recent years, Rzee Jackson has been collaborating with Cedric Myton and The Congos. As a producer, engineer, singer, and songwriter, Rzee Jackson continues to contribute to the rich tapestry of reggae music, bringing authentic Jamaican and Rasta vibes to audiences globally.

Glenn Astro leans into the twilight months of 2024 with a new album from his Delta Rain Dance project. Divining fourth world sensibilities from his restlessly curious studio workflow, Astro weaves a mesmerising tapestry of sound on Music For Autumn which treads the line between horizontal meditation and head- nodding, backroom-ready groove.

Amongst his constellation of myriad aliases, Delta Rain Dance spells out the inspiration Astro takes from fourth world pioneer Jon Hassell. The project first surfaced with a string of tapes, LPs and digital releases around 2018, all carried on a label of the same name to keep Delta Rain Dance enclosed in its own space
independent of Astro's many other musical endeavours.

"I’m really into the world building aspect in science fiction and fantasy," says Astro. "This is my way of creating worlds and spaces that co-exist next to each other. Sometimes they collide but mostly they exist peacefully next to each other or pursue some form of cultural exchange by collaborating with each other."

There's a strong sense of balance and cohesion throughout Music For Autumn, as organic percussion and instrumentation wraps around delicate synthesis and patient drum machine pulses so naturally it's hard to spot the joins. The sound has plenty of room to stretch out, from the mantra-like chimes and rattles of the album opener 'Green Light Fade' to the luxury funk of 'Mmmh, Nice' (featuring fellow Tartelet alumni Nelson of the East). At times the electronic elements seem to entirely dissolve, not least behind the loping strings and tumbledown percussion of 'Second Sleep', while achingly beautiful closer 'Plucked' centres on the fluttering movement and expression Astro elicits from his modular setup.

True to the project's influences, a consistent ambiguous mood lingers in the air over Music For Autumn somewhere between far- flung mystery and comforting familiarity, reliably calm but equally contemplative. It's an odyssey of serenity with enough nuance to make you really think, perfect for the days getting shorter, leaves crunching underfoot and the last fading rays of warmth from the sun.

Jay Lumen is back to his own Footwork label after his No.1 release on Arcane. „Get Down Everybody" is a massive floorfiller, tested by himself at many of his shows. The title track has a great balance between the unique sound design and the rolling grooves and bassline. His B side „Turn the Flame" track is a good proof of Jay's raw old school techno sound including his hardgroove sprayed elements. Mind your Footwork. :-)

Toronto's newest vinyl label, Afalinas, proudly presents its debut EP, crafted by the talented Olekhar. Known for his Ukrainian roots and extensive DJ experience, Olekhar delivers four dance-floor ready tracks. The Fin Groove EP kicks off with "API Call," hitting the perfect blend of tech funk with trancy sequences and flowing tension. Up next is the breaks track "Squat Funk," infused with vibrant electro funk and minimal elements. On the flip side, the dance-floor killer "Bowser's Castle" is sure to elicit maximum stank face with its funky lead, gated acid energy, and robotic vocoder synth, before closing with "WLB," a '90s-influenced breaks track that wraps the package up nicely. Something classy for all occasions.

Afterhours. continues its quest for exquisitely crafted minimal dance music and welcomes young talent Aron for its seventh release. "Limbic" features three original dancefloor cuts and a groove-focused remix by Arno, Pressure Trax's head honcho.

The "Limbic" EP starts with 'Prawn Repetitions' (A1), immediately locking the listener into a seemingly endless loop of stomping sub-bass, slippery drums, snipped chords and a mantra-like vocal stating "I'm a Shrimp" just enough times to hypnotize. 'Inverse Perspective' (A2) strips down the sonic space to focus on micro/macro rhythms, leaving just enough room for its haunting atmospheric pads to cut through. The track title "Limbic" (B1) is as wacky as it is catchy. Its sound design feels alien, not only in its wobbliness but also in the type of vocal snippets used and overall aesthetic graininess; yet, it remains highly stomping and dancefloor appropriate, with its second part elevated, and humanized, by (very) human melodies. Arno's Remix of "Limbic" (B2) deconstructs its every element, grounding the alien elements into a groove-centered, drum-machine-driven composition that embraces the harmonious aspects of the original without ever losing pace on its (very) insistent bass pattern.

Between the acoustic and the electronic, the four-by-fours and the breakbeat, Aron's tracks are as trippy as they are soulful: dense and detailed tracks with enough forward momentum to keep any room moving.

In recent years, Dzc. has emerged as a highly sought-after DJ, leaving her mark in Austria with performances at numerous venues. As a key member of the Acid Lambada crew, she has been featured in well-established curated festivals and events, both locally and internationally. Her productions mirror her passion for synth-driven dance music, characterized by dreamy pads and playful melodies.

No stranger to Fortunea Records, having already been featured in two editions of the Fortunea Cookies VA-Series, she is set to present her first 4-track EP in February.

The 'Conversations with Birds' EP is a meticulously balanced collection of tracks designed for each phase of a club night. Drawing inspiration from elements of 90s House and progressive sounds, 'Visual Mind' and 'In Sight' are dreamlike journeys with lively synth melodies, joyful basslines, and captivating pads and textures. The latter has also been reworked by Fortunea regular Peletronic, infusing crisp minimalistic rhythms into his 'Blurred Vision' Mix.

The standout piece of the EP is the title track on the B-side, a beautiful composition that elicits uplifting moments and feelings of euphoria.
It features emotive chords, airy strings, and soothing sustained tones that enhance the powerful groove.

The record promises to immerse listeners in an engaging journey that captures Dzc.'s distinctive vision.

’Conversations with Birds' will be digitally released on February 22, followed shortly by a limited vinyl edition.

Deep dive into Tom Roland's latest vinyl release ‘Exposure’. Crafted with precision, this collection of tracks is the fusion of driving beats, infectious rhythms, and fresh production.


A Side:
Exposure - Let the grooves take you on a journey through rolling bassline, crisp hi-hats, and hypnotic synth loops. This opener sets the tone with its lush synths and crafted drops.


Free Ride - This track delivers a raw, unfiltered groove straight from the heart of the 90’s scene. With its chunky beats and hypnotic loops, it’s designed to keep the dancefloor moving.


B Side:
K2000 - Dive deeper with this moody track that brings an edgy vibe to the release. With driving beats, subtle melodies and a touch of acid influence.


Zero Control - Closing out the vinyl with this groove-laden cut, featuring rolling bass, melodic elements and dynamic percussion. It's the kind of track that builds and builds, creating an irresistible urge to dance.


Each track is offering a rich palette that reflects the depth and diversity of the genre. This vinyl is a tribute to the timeless sound that continues to inspire.


Only 200 copies.

Ruby Red - Transparent - Galaxy effect vinyl in dub style jacket (jacket sleeve with center hole cut out so label of LP shows through) a black paper inner sleeve and poly bag.

PART ONE’ METAL HAMMER - 8/10 review. FOR FANS OF : Lustmord, Om, Sunn O))) . “An exercise in freeform ambience, ritualistic repetition and the rapturous, womb-like power of bass…strange and affecting. We remain lucky to share in the great man’s vision.”


At its heart, music has always been a questioning of inheritance – a dialogue with predecessors and forebears, the forging of one’s own perspective in relation to what has come before, and for some, a plunge into the boundless realms between. For Steve Von Till, that process has always taken on an added dimension to become the most sacred of tasks. Whether through the apocalyptic uprising of Neurosis, the sonic deconstructions of their sister project, Tribes of Neurot, the invocatory intimacy of his eponymous solo albums or his instrumental psychedelic reveries in the guise of Harvestman, that dialogue has never just been with musical influences, but with what underpins them: the primordial, elemental forces now banished to the peripheries of our contemporary consciousness, yet still broadcasting a signal for all who will listen.
Drawn to the megaliths, ruins and ancient sites mapped out along the British and European mainland’s geographical and psychic landscapes, the folklore and apocrypha forever resurfacing as portals from a rational world, “Triptych” is a meditation forged from traces and residues, and an hallucinatory recollection of artists who have tapped into that enduring otherworldliness embedded within us all. It’s a dream diary narrating a passage through Summer Isle where Flying Saucer Attack are wafting out of a window, a distant Fairport Convention are being remixed by dub master Adrian Sherwood, celestial scanners Tangerine Dream are trying to drown out Bert Jansch and Hawkwind are playing Steeleye Span covers, all prised out of time yet bound to its singularity.
Woven together from home studio recordings that span two decades, this latest outing as Harvestman finds parallels with nature’s cycles not just in its release dates but in the repeated structure that binds each album, like an imprint refracted through three separate strata. As with April’s “Part One” and the forthcoming “Part Three”, “Part Two”, starts on a collaboration with Om bassist and long-term friend of Steve’s, Al Cisneros, with a dub take opening the B-Side. Here, the opening track, “The Hag Of Beara Vs The Poet”’s languid, tribal groove expands into a chromatic wash, like an endless drip of oil spreading out under a midsummer haze.
A filtering of the alpha-state travelogues of its predecessor, “Part Two” reaches even deeper into primal yet pristine states. It journeys from the undulating drone and slow-thawing wonder of “The Falconer”, as if the Myst soundtrack were being broadcast from outer space, through “Damascus”’s perpetual-motion, dreamtime bazaar and “Vapour Phase”s seismograph frequencies measuring supernatural tremors to “The Unjust Incarceration”s distorted bagpipes, sounding a noise-frayed lament
If “Triptych” is a multi- and extra-sensory experience, it extends to the remarkable glyph-style artwork of Henry Hablak, a map of correspondences from a long-forgotten ancient and advanced civilization. As with “Triptych” itself, it’s an echo from another time, an act of binding, a guide to be endlessly reinterpreted, and a signpost to the sacred that might not indicate where to look, but how.

2024 Repress

After 7 years and countless requests, Sneaker Social Club finally deliver a repress of Dream Cycle - Part One.

After a chance meeting at Gottwood in 2016 a bond was established between Dream Cycle (Robin Clarke) and label owner Jamie Russell over a shared love of 2 Bad Mice and Moving Shadow. It wasn't long before Clarke began channeling elements of that influence to produce his Dream Cycle Part.1 EP. Unfolding over 4 steppy tracks and an ambient closer, Clarke melds sharp snares, summery motifs, dense atmospheres and thick subs whilst keeping things suffused with a distinctly UK quality that marries his work perfectly with the Sneaker catalogue.

DJ Support: Ryan Elliott, DJ Die, The Blessed Madonna, Octo Octa, Bwana, Altered Natives, Noodles (Groove Chronicles), Liem (Lehult), Deejay Astral, LA4A, 2 Bad Mice, Fred P, Matt Karmil, Flori, Marco Zenker, J.Rocc (lol at comment!), Ajukaja, Gnork, William Djoko, Till Von Sein, Fold, ASOK, Gene Farris, DJ bwin, Seven Davis Jr, TRP, DJ Octopus, DJ Normal 4, Gerd, Dean Man s Chest, Poté, Doc Scott, Violet, James Welsh (Kamera), Konx-om-Pax, Etch, Raresh, Hrdvsion, Michael Serafini (Gramaphone), Frazer Ray, DJ Guy, Mak & Pasteman, Shenoda, Urulu, Mark Archer & James Zabiela, Zinc, Lehult, Jackie House, Mosca, Noodles (Groove Chronicles) & DJ Die.

Italian producer Gemil returns with Planet X on Deep Down Space Records, marking the label's second release. 'Dance Phobia' immediately grabs your attention with its serious bass groove while the energy builds. A mid-tempo minimalistic house track enriched with vocal samples that add a house appeal, while the track’s tension mounts through the break before cruising smoothly to its end. "Reaction" dives even deeper, presenting a creative, addictive rhythm track with a tech appeal. Swirling chords and airy, euphoric elements blend seamlessly over a classy 90s house feel, leading into a moody alien melody in the second half—perfect for late-night dancefloors and growing more impressive with every listen.

On Side-2, the title track 'Planet X' is an exciting and creative blend of sounds, even earning an approval nod from HAL 9000 in the mix. Italy is known for their wonderful history of ambient house. This piece has that legendary sound and appeal to be a classic while providing many smiles on the dancefloor. Lastly, 'Soul Killers' delivers an addictive house mantra that everyone can get behind. It's perhaps the most underrated track on the EP but is sure to find its way into the sets of classy house music DJs. Don't be a Soul Killer!

Planet X by Gemil is a splendid EP, capturing the essence of house music with a touch of techno sophistication, ideal for both connoisseurs and late-night revelers alike. Welcome to Planet X!

Jasper Street Co. is one of the House Music community’s signature artist endeavors. Produced by Baltimore’s legendary production team The Basement Boys, and consisting of a collection of singers who can emote on the highest level of gospel, soulful and peak hour house, this collective has been riding high for years and is now going next level with the recent release of the “Rejoicing” album on Nervous Records. Prior releases from the album have skyrocketed to the top of DJ sales and club charts, with “Praying For You” being nominated for a Grammy for the Louie Vega remix in the Best Remixed Recording (non-classical) category.

Up next is a cover version of a song originally recorded by Teddy Pendergrass. Written and produced by Gamble & Huff, “You’re My Latest, My Greatest Inspiration” was originally released on Philly International Records in 1981. It was a massive R&B & Disco hit back then, and now has been updated by Jasper Street Co. for the house music community. The single package has an outstanding collection of remixers on board who make the project something even more special for the purists but also will launch into the larger worldwide music community. Teddy Douglas produced the original album version, but comes back for another take while adding some serious bass / kick drum juice with his Teddy Douglas Bass Intro Remix. Micfreak and DJ Spen put a highly creative spin on the original with some added effects on the vocal and a piano line that soars into the highest level of peak hour house energy with their Higher Love Remixes. Tensnake also gives it a very distinctive and infectious groove, while Dr. Packer takes all the original elements and uses his great talents and appreciation for soulful house and disco to make this project even more essential for house purists than it already is!

Double Vinyl package on Feb. 5 on Nervous Records. Includes custom jacket and yellow vinyl.

2024 Repress

Lars Huismann is back on Mutual Rytm with the much-anticipated third volume of his 'Sounds From The Past' trilogy.

A core part of SHDW & Obscure Shape's ever more crucial Mutual Rytm imprint thanks to his timeless techno offerings as part of his ongoing 'Sounds From The Past' series, Berlin-based DJ/producer Lars Huismann's stock continues to rise release by release as a talent merging influences from the past with forward-thinking nuances of the future. Drawing on the early 2000 techno sound, he embellishes it with his own perspective, as evidenced by his earlier releases on the label. This latest six-track offering is another accomplished outing from this unique talent as he concludes the three-part series on the label in style.

The title track 'Sound From The Past III' opens up with a finely filtered chord groove that provides a smooth and hypnotising foundation. A subtle bassline, buoyant kick drums, and embedded vocal patterns harmonise with the synths, unveiling a smooth linear groove that soon sweeps you up.

'Fusion' brings more intensity with its barreling drum kicks, a dirty driving bassline, and melodies flashing by like headlights on an intergalactic motorway, with the overhanging pent-up energy inescapable. Next, 'Shimmer' rides on vast, heavy layered drums that are warm, and comforting as the track travels through a journey of diverse dub techno elements.

Like in 'Loucura', taken from 'Sounds From The Past II', Lars again showcases his strong influences from Brazilian and Latin music. On 'Estar Farto', the drums and bass are tightly interwoven, racing beneath bright and funky synth lines that bring ever-evolving shades of colour. A jazz drummer himself, the music transports into the groove via intelligent brass chord progressions and fine-tuned vocal and percussion elements.

It's straight dance floor business on the closing vinyl production 'Bittersweet', with its muted synth smears darting over more macho drum programming, while digital bonus 'Dusty Lick' is an unrelenting, jazzy, percussion-driven banger that hits hard and heavy in all the right places.

Walker & Royce have released their highly-anticipated sophomore album No Big Deal out now via Dirtybird Records.

Embarking on a four-part mission to bring the party back to dance music, Walker & Royce have embraced the boisterous, unruly nature of their over-the-top signature to deliver 10 non-stop anthems. A highly collaborative body of work, No Big Deal features a colorful collection of characters including comedian/ musician Reggie Watts, Grammy-nominated and multi-platinum selling artist James Patterson (and 1/2 of the electronic duo The Knocks), peak-time queen VNSSA, Grammy-nominated vocalist Barney Bones, and more.

From the tongue-in-cheek lyricism of ‘I Don’t Remember’ and ‘Might Just’ to the overzealous charisma imparted on tracks like ‘Motivashun’ and ‘Fatalistic Groove’, No Big Deal boasts the sense of humor and lightheartedness that Walker & Royce have brought to countless dance floors throughout their career. The album is hallmarked by the kaleidoscopic elements of their dance music roots: catchy vocals, playful melodies, thumping basslines, and relentless four-on-the-floor percussion.

No Big Deal is a wondrous homage to the weird and wacky tropes that have distinguished Walker & Royce’s no-holds-barred style for more than a decade. An auditory yearbook cataloging Walker & Royce’s sonic inspirations from their early days in New York City’s 90s underground raves to the Dirtybird BBQs and Campouts where they found their home, No Big Deal is a victory lap for Walker & Royce as they cement their status as headliners and hitmakers.

No Big Deal is a reminder to enjoy the ‘Cheap Thrills’ that life presents, to ‘Get Down Down’ and adopt a motto like ‘Let’s Live It Up’.

2xLP, Gatefold Jacket, Picture Disc, cut at 45rpm. First pressing limited to 500 copies.

Introducing the inaugural release from "Vorm", "Vorm Series: One," a compelling compilation showcasing five tracks from a lineup of esteemed and emerging producers. This release marks the beginning for the young record label "Vorm", setting a high standard with its diverse and dynamic sounds.

From the producer and "Newrhythmic Records" founder, "Joton", comes "Neon Dystopia." This opener track of the release plunges into a hard hitting soundscape, blending pulsating basslines with highly pitched atmo surfaces. "Mineral" by Kon Janson dives into a mineral-rich sonic experience, where intricate rhythms meet hypnotic textures. This subterranean grooves is exactly the addition that the A-side needs and rounds off the whole thing as powerfully as possible.

"Ricardo Garduno" delivers "They're Between Us." This starter track on the B-side is a dark, spacious force of cavernous beats and atmospheres, perfect for those moments of peak-time intensity. Founder "Maasym" presents "Raeder," a sophisticated blend of a industrial trippy synth line and highly dense effective elements.

The track evolves with mechanical precision, emphasizing and focusing on the minimalist effects, percussions and drums. Closing out the release is Berlin-based rising producer & live artist "Peryl" with "Melting Room." This track is a melting pot of raw-high energy and experimental tones, pushing boundaries with its innovative, detailed sound design.

CEP Records is ready to release its first various artists compilation. This collection features six tracks with a wide range of groovy, funky and driving techno.

On the A-side, Alec Dienaar kicks things off with a gripping atmospheric tune, introducing top-notch groove elements and catchy vocal shots. Cult’s track ‘Big Pimpin‘’ displays his signature, featuring snappy filter cuts, driving drums, and a dogged energy. Closing out the A-side, KAIPE takes a funkier side with a leading bassline and a memorable melody that exacts attention. Next up, Marcos Fagoagas delivers ‘Surreal Awake’, a track with a uniquely structured low-end and self-sung vocals that retain the rhythm organic. ‘Feel So Alive’ by SOURCE CODE embodies a full-on summer vibe with infectious vocals and tuneful high-pitched stab elements. Bringing this release to a close is THD+N's dub techno gem ‘Voicemail’, characterized by a winding synth line and timeless vocals that captivate throughout.

Manuel Parravicini, born in Germany and raised in Italy, continues to make waves in the electronic music scene. His upcoming EP on Subtil Records promises an electrifying journey with four tracks that artfully blend House grooves with minimalistic elements. Adding to the excitement is a powerful remix from Romanian DJ Lizz, whose signature style is sure to elevate Parravicini's already captivating sound to new heights. Stay tuned for an EP that promises to ignite dance floors and leave listeners mesmerized.

Contains a third track that remains secret :p.

Dive into the electrifying world of Jellyfish with the latest release from BUD Records,"Je Series 5." Prepare to be transported to the neon-lit dance floors of the 80s with this infectious Italo Disco anthem. With pulsating rhythms and catchy melodies, "Musikman" is a testament to Jellyfish's mastery of the genre.

The party continues on the B-side with "Musik," a modern take on disco infused with elements of nu- disco. Groove-inducing basslines and funky guitar riffs converge to create a sonic landscape that is both nostalgic and fresh. Prepare to be amazed as Jellyfish takes you on an unexpected sonic journey.

But be careful, it may not end there...you might even find a special surprise, a hidden gem, an incredible track that defies expectations and pushes the boundaries of conventional disco.

Okain returns to Talman Records with a four-track EP, offering a glimpse into his two-decade journey as a producer. Continuing his legacy of providing DJs with robust dance floor material, this EP stays true to form.

Opening the EP is "Wake Up," a tribute to early 2000s tech house, featuring crisp percussion, sharp stabs, and haunting vocals. Following is "Take Me Up," capturing the essence of UK garage with its thick Reese bassline and distinct vocal hooks.

Turning to the flip side, the EP ventures into darker realms with "Secret Science," blending dub-inspired synths with a weighty sub bass, perfect for late-night atmospheres. Closing the journey is "Swing Theory," a groove-driven track fusing minimal house elements into its infectious rhythm.

The Samosa label gets its Re-Funk Head on once again with Part 2 of the exciting sonic laboratory project.

Opening this outrageously good EP are Samosa alumni Dirty Elements & Drunk Drivers feat E.M.E and their all-powerful and energy blasting ‘Disco Ball’ – a track that never even attempts to hide its sassiness. The brass ensemble fanfare (which is truly one of the best disco riffs in the known universe) acts as a victory parade through Samosa City – all tickertape and confetti raining down on smiling faces. A serious, serious groove which has featured in sets by Art of Tones on his Ultimate Mix Show for Glitterbox Ibiza and by Folamour in his Amsterdam gigs in March 2024.

Track 2 is respected Italian Maestro, Moplen and the wonderful ‘Ain’t No Doubt About It’. There’s an immediate dance floor lure to the disco beats and bongo rhythms here. Take a good helping of ‘pew-pew’ laser bolts, cow bells and hand claps; add a masterful bassline and you have some serious, serious disco business. You could be sipping evening cocktails in Club Coco Bongo or taking in a beach at sunrise - this track would make you want to dance regardless.

On the B-side the disco theme continues with the most aptly titled ‘Sexy Thing’ by Jazzyfunk. At 122bpm, this heads quickly into soaring, heavenly strings and punchy bassline territory, enveloping your ears like a warm duvet. The melody is a dance floor dream – it demands that you join the hands-in-the-air crowd and there really is no point in resisting. ‘Sexy Thing’ is one of those rare ‘moment in time’ tunes that could either kick a night off or act as the grandest of grand finales. Pure, unadulterated disco pleasure.

Closing the EP with Track 4 is DeGama himself and ‘Feel The Groove’. Make no mistake, this is a powerful, brooding beast of a tune that bursts out of the traps in no time at all. At a very deceptive 120bpm, ‘Feel The Groove’ starts with a warm, housey vibe that quickly breaks into a jumping, blues inspirerd guitar battle. The solid beat bounces gorgeously in tandem with the filthy rhythm guitar riffs and sultry saxophone in a knee-slapping, somersaulting, backsliding explosion. A seriously filthy tune from DeGama.

Re-Funk Head Part 2 acts as a perfect companion to its predecessor – featuring an all-star cast of some of the best talents to grace Samosa. A must for all serious record collectors.

Repress!

The release of Crosstown Rebels’ SPIRITS compilation is always a bastion moment for the label. The first edition came to prominence in 2017 and we’ve been graced with an annual compilation ever since, showcasing a consistent habit to champion established artists and breakthrough ones alike. Now, Crosstown Rebels’ lauded SPIRITS series will see the light of day once more in June, with the release of SPIRITS V.

NYC-native Layla Benitez leads proceedings with Fides, a progressive-leaning, introspective number that retains an inherent danceability throughout. It kicks off the compilation with a driving energy, one that’s perfectly matched by Trabajar - the Crosstown Rebels debut of recent Hot Creations inductee Mr.Diamond.

A techy-inspired cut, punchy four-four drum patterns create a distinctive late-night feel, as UK-talent Denney soon arrives with Kill The Soundboy. Showcasing the groove-laced house sound with which he’s become best known, the near seven-minute piece is sure to light up many a club setting this year, paving the way for Talk To Me. It’s a collaborative venture between Munich-based artist ASK:ME and El Muerto, with Soulfoot featuring on vocals. Retaining a vintage Detroit style, the fast-paced tempo creates a natural excitement before Romanian-born mainstay GruuvElement’s gifts us the minimal-toned Boom Room.

Building with tribal-like percussion and salsa-inspired instrumentals, it’s a playful excursion into dance music’s outer realms, paving the way for young Peruvian producer Chinonegro with My Moment. Whether it be the pluck of a guitar string or a jazzy trumpet solo, there’s an inherent authenticity to the six-minute piece, as a mid-track breakdown gives way to whispering hats and a rhythmic underlying backbone.

The penultimate offering comes from French-born, London-based regular Maglia, who serves up the enchanting Rayiys. The chirping of birds resides atop an ever-changing bassline, leaving us open and ready for the VA’s closing saga: Thanks Moon, by Spain’s I AM JAS. A heady combination of beautiful lyrical contributions combines with softly moving electronic elements, to leave us in a state of calm, inward reflection. Rounding off proceedings on a note of quietude, it reminds us of the final moments in clubland, transporting our psyche to sunrise, fond memories and everything in between.

Over a period of nineteen years, Damian Lazarus’ Crosstown Rebels has evolved into a world-renowned institution, garnering global audiences thanks to a consistent schedule of quality releases. In years since it’s earliest beginnings, the likes of Maceo Plex, Art Department, Seth Troxler, Ali Love, Mathew Jonson, Pier Bucci, Acid Pauli, Dennis Kurtel, Francesca Lombardo, Glimpse, Aphrohead, Fur Coat and a plethora of other figureheads have all found their home on the label.

The roster is international, showcasing how Crosstown has shaped a truly global scene. Releases are born in different continents by artists who hail from different countries, resulting in a sound that resonates worldwide. Perhaps most pivotal to the label’s success is its musical output: no part is governed by boundary or genre. It’s underpinned by a truly eclectic sound, one that reflects the diversity of Damian’s love for music itself. An album from drum and bass icon DJ Krust here, a maiden LP from Audiojack there… traversing genres has been Damian’s forte for decades - and Crosstown epitomises that as a result.

Singer, songwriter and producer Johnny Burgos returns with veteran producer Jeremy Page (Kendra Morris, Czarface, MF Doom) for "Hit Me Like," the
instrumental is dripping with retro soul nostalgia, serving up the drums and bass-forward and funky, under
a blanket of buttery guitar chords. The production carries Burgos' silky smooth and heartfelt delivery
effortlessly, offering a brilliant take on a timeless-sounding, soul-inspired love song.

Singer, songwriter, and producer Johnny Burgos returns with

veteran soul producer, Jeremy Page, (Kendra Morris, Czarface, MF Doom, That Handsome

Devil) for "Get Back." The fourth single off of the duo's upcoming album titled, 'All I Ever Wonder,' is a vulnerable retrospective of a love gone cold, with hopes of rekindling the

magic that once kept its flame alive. In true Neo Soul form, the song is driven heavily by the

drum and bass groove, distinctly reminiscent of an early 2000's J Dilla beat. Page's signature

colorful chords evoke the struggle in Burgos' story, as he confronts his inability to accept the fate

of his relationship and let go of the magic it once embodied.

Johnny Burgos is a Brooklyn - born singer, songwriter, producer & engineer. His brand of retro-soul embodies a

raw uncompromising sound revealing beauty from pain, hope from despair, and the will to keep fighting.

Influenced by his uncle and world-class percussionist, Andre Martinez, growing up Johnny developed a

fascination with the percussive rhythms of salsa and soul music, eventually manifesting into a devoted passion

for hip-hop production using an Akai MPC. With influences from Michael Jackson, OutKast, J Dilla, Lauryn Hill

and D'Angelo, Johnny's music draws upon the core principles of R&B, while encompassing elements of

hip-hop, funk, pop, salsa, and reggae. Collaborations include artists such as DJ Skizz, Mobb Deep & M.O.P.,

Marco Polo, Frans Mernick, and Liza Colby (The Gold Setting) and his band Bridge City Hustle, with whom he

toured nationally.

As a solo artist Johnny debuted with back-to-back brand endorsements from French's Mustard and Samsung

US, using them as a platform to launch his 2018 EP Love Through it All. In March 2021 his debut album Gone

Into The Grey received critical acclaim and has since been added to multiple editorial playlists by Spotify, Apple

Music and Tidal, resulting in an ever-growing listening fan base. In 2022, Burgos' song "Wild About You" was

then used as the soundtrack for Neiman Marcus' It's Your Moment global streaming campaign.

Splatter is a new vinyl and digital underground techno label from Austrian artists Luca Tresque, Joe Haensn and Rotary Motion.

'Exceed Limits' follows their special prequel EP and launches the label catalogue in style.

Florian Meindl is a Berlin-based artist who runs the FLASH record label and who has appeared outside of his own imprint on labels like Stephan Bodzin's Herzblut to Oliver Koletzki's Stil vor Talent. "Gridlock" is a true jackin' cut with a multitude of mechanical elements and raw analogue energy.

Linear System is a Spanish artist who has released music on esteemed labels like Edit Select, Ben Sims' Symbolism and Dynamic Reflection. "Taurinom" is a moody, rolling groove with gripping suspense and haunting touches from gothic effects and an eerie atmosphere.

Leipzig is the home of JANEIN, a respected artist known for releasing on Index Marcel Fengler, Slam's Soma, Fiedel's Fiedeltwo, Exos' Planet X and Electric Rescue's Skryptom. "Neowise" is punchy and percussive track with a metallic, siren-like hook and infectious energy.

Daniel Heinrich is also from Berlin, and shows himself to be a top talent following his EP's on Elektrotribe to Inherit with remixes by Arnaud Le Texier an Hadone. "Close Your Eyes" has a pacey style with superb stabbing chords that create an old-school feel alongside vocal chants for extra impact.

Stuttgart-based Egotot runs the Schimmer label and also lists BCCO, OECUS and Ketch's SYXT in his quality back catalogue. "Name It As You Want" has a quirky, bouncing beat with Detroit-style stabs and a light-hearted vibe ready for the dance floor.