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New York's Cleopatra label gets the Numero treatment. Hailing from Tommy Falcones swarm, Beehive lead Vickie & The Van Dykes were the sound of the coming youth revolt_Vickie had rock `n' roll in her bones and rawhide in her voice. "I Wanna To Be a Winner," and "Outcast." were songs tailored to her rebellious personality.
New York's Cleopatra label gets the Numero treatment. Hailing from Tommy Falcones swarm, Beehive lead Vickie & The Van Dykes were the sound of the coming youth revolt_Vickie had rock `n' roll in her bones and rawhide in her voice. "I Wanna To Be a Winner," and "Outcast." were songs tailored to her rebellious personality.
Green Vinyl[10,88 €]
Recorded August, 1965, Copenhagen, Denmark.
Original LP issue: OKTAV – OKLP 111
Sahib Shihab (Edmund Gregory) played with many of jazz’s finest musicians. Shortly after he became one of the first jazz players to change their names due to an Islamic conversion, he joined Thelonious Monk for his Blue Note sessions. He also played with Art Blakey, Dizzy Gillespie, Oscar Pettiforn and Quincy Jones. A unique musician, he was at home in every musical style, from the experimentalism of Thelonious Monk to the more direct hard bop of Art Blakey. Sahib Shihab’s distinctive sound was rooted in his modernist compositions and arrangements, complemented by an intense, soulful playing style.
In 1959 he toured Europe with Quincy Jones after getting fed up with racial politics in USA and ultimately settled in Scandinavia. He worked for Copenhagen Polytechnic and wrote scores for television, cinema and theatre. He remained there until 1973. During this period, he recorded several albums as leader for European labels such as Vogue, Storyville and Futura.
In 1961 he joined The Kenny Clarke-Francy Boland Big Band and remained a key figure in the band for the 12 years it ran. He married a Danish lady and raised a family in Europe, although he remained a conscious African-American still sensitive to racial issues.
This record, on the Danish Oktav label, his second as a leader and also his rarest is a true masterpiece !!!
“This one might’ve been in us from the start”, says John Hancock. He’s talking about ‘Echos’ - his, Becky Williams, Finn Bjarnson & Ryan Raddon seventh Late Night Alumni longform. Predominantly known for blending electronic and organic elements into their music, the album represents a departure from the band’s largely house-led sound. An all-acoustic affair, in many ways though ‘Echos’ is a natural extension of LNA’s DNA. “Most of our songs”, John continues, “are written in the organic/acoustic realm and then produced with electronic flavours to create our sound. In those intimate song beginnings though, there’s a magic all its own. We’ve long wanted to do an album that captured and augmented that initial intimacy.” Which is indeed what Becky, John, Finn & Ryan have now done. The quartet have dug back into their twenty-year, six-album history and selected eleven tracks that they felt could most benefit from this song-spotlighting treatment. With their original acoustic intros as cues, they’ve taken them to their natural conclusions. A Sliding Doors-type feast for LNA enthusiasts both new and established, or indeed all lovers of downtempo, downtime, live instrumentation-led music, ‘Echos’.
After a decade-and-a-half of sustaining classic hip-hop and soul traditions and expanding them into the next generation, MMG has built a reputation as one of the last dependable bastions of quality. Its latest label compilation, Omakase, plays into the idea commonly found in the finest sushi restaurants: trust the chef. This time around Mello creates original songs across Hiphop, Jazz, RnB, and Soul featuring new songs from Kamaal Williams, Pale Jay, Chris Keys, Raheem DeVaughn, Marlowe, Apollo Brown, Fly Anakin, Denmark Vessey, Danny Brown, Stalley and more.
Detroit rising microphone star Paradime stepped away from the mic 10 years ago with a loyal following and industry respect. Now he's back for one final album with the indie stalwart label Mello Music Group. The new album is a who's who of most respected in Detroit - including Apollo Brown, Marv Won, Guilty Simpson, Denaun Porter, Ty Farris and the incredible Wayne Gerard (Guitarist alongside Bob James and Stevie Wonder to name a few). The new album is a rooted in the Motor City and runs the gamut from Boombap to Downriver, Heartfelt to Smashmouth. Paradime's new album is one of the best to come out of Detroit this year - PERIOD.
- A1: Greenpoint (Marco Benevento)
- A2: Pepper (Marco Benevento)
- A3: In Color (Jamey Johnson)
- A4: I Think I'll Just Stay Here And Drink (Jamey Johnson)
- B1: Medicine (Grace Potter & The Nocturnals)
- B2: The Lion The Beast The Beat (Grace Potter & The Nocturnals)
- B3: A New Life (Jim James)
- B4: State Of The Art (A.e.i.o.u.) (Jim James)
- C1: Sweet Emotion (Mike Gordon)
- C2: Pendulum (Mike Gordon)
- C3: Record Year (Eric Church)
- C4: Ain't Wastin' Time No More (Eric Church)
- D1: Spanish Boots (Joe Bonamassa)
- D2: Swlabr (Joe Bonamassa)
- D3: Tea For One > I Can't Quit You Baby (Joe Bonamassa)
- A1: Play Pt1 (Dave Grohl)
- B1: Play Pt2 (Dave Grohl)
- C1: Thorazine Shuffle (Gov't Mule)
- C2: Million Miles From Yesterday (Gov't Mule Feat. Machan Taylor & Mini Carlsson)
- C3: Dreams & Songs (Gov't Mule Feat. Machan Taylor & Mini Carlsson)
- D1: Revolution Come Revolution Go (Gov't Mule)
- D2: Rockin' In The Free World > Machine Gun > Rockin' In The Free World (Gov't Mule Feat. Dave Grohl)
- A1: Just Before The Bullets Fly (Warren Haynes)
- A2: One (Warren Haynes)
- A3: Paris (Ooh La La) (Grace Potter & The Nocturnals Feat. Ron Holloway)
- B1: I've Seen A Love (Edwin Mccain)
- B2: Ray Ray's Juke Joint (Jamey Johnson)
- B3: Victim (Mike Gordon)
- B4: Smoke A Little Smoke (Eric Church)
- B5: The Weight (Eric Church)
- C1: Here In Spirit (Jim James)
- C2: Red Baron (Gov't Mule Feat. Ron Holloway & Mike Barnes)
- C3: Soulshine (Warren Haynes)
- D1: Us And Them (Gov't Mule Feat. Jim James)
- D2: Any Colour You Like (Govt Mule)
- D3: Welcome To The Machine (Gov't Mule)
- A1: Glory Road (Warren Haynes Feat Ray Sisk)
- A2: I'm Telling You (Planet Of The Abts)
- A3: Underground Umbrella (Kevn Kinney, Jamey Johnson & The Christmas Jam Band)
- A4: Straight To Hell (Kevn Kinney, Jamey Johnson & The Christmas Jam Band)
- B1 10: 00 Black Birds (Tyler Ramsey)
- B2: The Nightbird (Tyler Ramsey)
- B3: If Heartaches Were Nickels (Warren Haynes & Joe Bonamassa)
- B4: Crazy Sometimes (Mike Gordon & Scott Murawski)
- C1: Captured (Warren Haynes & Jim James)
- C2: Gold Dust Woman (Warren Haynes, Jim James & Grace Potter)
- C3: Times Like These (Dave Grohl & Warren Haynes)
- C4: Everlong (Dave Grohl)
- D1: Time > Breathe (Reprise) (Gov't Mule)
- D2: Money (Govt Mule)
- D3: Comfortably Numb (Gov't Mule)
Eine der größten Komponistinnen des "New Age"-Genres mit ihrer ambitioniertesten Aufnahme, ursprünglich 1981 erschienen. Ein hypnotisches und tiefgründiges Konzeptalbum voller Geheimnisse und Erotik. Inspiriert von verschiedenen Legenden über Meerjungfrauen und Seeleute, verwebt Brouk kreisende Flöten, Gesang, Drones und Walgesänge, um ein Gefühl von unergründlicher Sehnsucht deutlicher zu beschreiben, als es Worte jemals ausdrücken könnten.
Eine der größten Komponistinnen des "New Age"-Genres mit ihrer ambitioniertesten Aufnahme, ursprünglich 1981 erschienen. Ein hypnotisches und tiefgründiges Konzeptalbum voller Geheimnisse und Erotik. Inspiriert von verschiedenen Legenden über Meerjungfrauen und Seeleute, verwebt Brouk kreisende Flöten, Gesang, Drones und Walgesänge, um ein Gefühl von unergründlicher Sehnsucht deutlicher zu beschreiben, als es Worte jemals ausdrücken könnten.
Percolating in the same watery diner coffee that spawned American Football and Hum, C-Clamp shrugged on and off the '90s slowcore and emo scenes in a hurry. Compiled here are the band's two albums for the venerable Ohio Gold label - Longer Waves and Meander + Return, plus a third LP of singles and compilation tracks, and a meticulously annotated book stuffed with lyrics, photos, flyers, and ephemera from their all-too-brief existence. This one's colder than a Chicago winter - better plug in that space heater.
Percolating in the same watery diner coffee that spawned American Football and Hum, C-Clamp shrugged on and off the '90s slowcore and emo scenes in a hurry. Compiled here are the band's two albums for the venerable Ohio Gold label - Longer Waves and Meander + Return, plus a third LP of singles and compilation tracks, and a meticulously annotated book stuffed with lyrics, photos, flyers, and ephemera from their all-too-brief existence. This one's colder than a Chicago winter - better plug in that space heater.




















