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Various - From the Archive Vol. 3... compiled by Volcov LP 2x12"

Volcov, the Veronese founder of the Neroli record label, returns to the BBE fold with the third compilation in his majestic series 'From the Archives' and once again this new installment is another collection of overlooked gems and unreleased beauties that are set to entice the discerning listener. As with volumes 1 and 2, 'From the Archives volume 3' features cherry picked songs that focus on melodies and weave a thread between eras and genres. From the Archives volume 3 is a genre free journey into authentic grooves which features music from the enchanted tones of Carlo Nino & Friends, an exclusive from Collettivo Immaginario, uptempo moments from remix kings Kaidi Tatham and DJ Spinna as well as two unreleased songs from Fred P and J2 Fusion feat. Javonttee and DJ Genius. From The Archive 3 represents another accomplished work of love from Volcov aka Enrico Crivellaro, who has a long list of albums and compilations under his belt as well as being involved in productions, edits, releases and projects with artists such as Dego, Theo Parrish, Phil Asher, Gerald Mitchell, Domu, Kaidi Tatham, Kirk Degiorgio, Patrick Gibin, Lars Bartkuhn, Ian O’Brien and many more. From the Archive volume 3 is released as a vinyl double LP and a digital download and is a compilation in which the music lover will be guided hand in hand through a collection of unreleased and hard to find songs that shift effortlessly between jazz and house, broken beat, ambient and soul.

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32,35

Last In: 15 days ago
Just Mustard - Heart Under

Just Mustard

Heart Under

12inchPTKF3019-1
Partisan Records
04.03.2026

 ‘Heart Under’, Just Mustard’s second album and first for Partisan Records
(IDLES, Fontaines D.C., Laura Marling), is an album that asks you to forget
what you know. At every turn, this remarkable record reconfigures and
stretches the ideas and ambition of a rock band and turns a year of lockdown
and personal struggles into a breath-taking artistic statement.
 Across its 10 tracks, the album presents a coherent style and ethos - those
scything guitars, Katie’s magical vocals - but still incorporates a wide and
untethered vision. There are brooding, atmospheric rock songs (‘Still’, ‘In
Shade’) and others that apply a lighter, dreamier touch (‘Sore’, ‘Mirrors’), all
tied together with impeccable instrumentation and a united vision.
 On debut ‘Wednesday’, the band played with dreamier soundscapes and
production techniques, and ‘Heart Under’ serves as the next stage of this
development, with every instrument brilliantly pushed to its limit and every
boundary of the band stretched.
 After the band had finished recording and producing the album, ‘Heart Under’
was pushed even further into singular territory when the band worked with
mixer David Wrench, whose previous collaborators include Frank Ocean,
Let’s Eat Grandma, Jamie xx, FKA twigs and beyond. “We wanted someone
who had done pop and electronic records and didn’t just work within rock
music,” Katie says.
 “Ireland’s buzziest new band” - The FADER
 “Their rapturous reception here at SXSW is a testament to their startling
evolution as well as the excitement that can only come from watching a band
just beginning to realise the full extent of their powers.” - NME
 “They have well and truly mastered the art of atmospheric rock” - Loud And
Quiet (9/10)
 Supporting Fontaines D.C. on their European and US tours this year. They
were handpicked by Robert Smith to support The Cure in Dublin in 2019.
 Eire headline tour in June, UK headline tour in September, including Village
Underground, and EU headline tour in October.
 Choice Music Prize nomination for Irish Album Of The Year for their debut
album, ‘Wednesday’.
 CD housed in a cardboard wallet with lyric and photo insert.
 LP pressed on black vinyl and housed in a single sleeve jacket with lyric and
photo insert.

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26,68

Last In: 70 days ago
DESINTERESSE - ONSCHULD LP

Desinteresse releases their second album Onschuld through Fabrika Records on September 9, 2025.

Desinteresse is a Dutch Coldwave act consisting of Bart Vranken (bass), Joppe de Swart (drums), and Sem van den Munckhof (vocals/synth/guitar). Formed in late 2022 as a duo, Bart and Sem released their debut album Voor Altijd in April 2023 and the EP Ik Wil Dood Als Ik Het Vergeet in November 2023, both on cassette through their own label DECADENCE. With the addition of Joppe in early 2024, they released their first work as trio in August 2024, the 7” single Grijze Dromen.

Desinteresse produces their music using original vintage equipment as a deliberate form of artistic expression and identity. Their live performances are a melancholic, but mesmerizing affair, where music and vocals amplify the weight of their message, emphasizing the non-existential and abandoned emotions that define their sound. An absolute delicacy for fans of Fad Gadget, The Normal, Joy Division and early work from The Cure.

The titles and lyrics are in their native Dutch. Onschuld (also the title of the opening track) translates to ‘innocence’. With other titles such as Niets Te Zeggen (nothing to say), Brekend Glas (breaking glass) and Grizje Dromen (grey dreams), this pensive album could be a good-bye to innocence, but it’s certainly the ideal companion for ruminations on gloom.

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22,90

Last In: 71 days ago
Sraunus - Out Of The City  2x12

Sraunus

Out Of The City 2x12

2x12inchGREYARCHIVE003SPLATTER
GREYSCALE
03.03.2026

Fifteen years after it first surfaced on the short-lived Lithuanian netlabel Dumblys, Sraunus – Out Of The City returns remastered, recontextualized, and ready for a new wave of deep listeners. What once felt like a hidden gem now reads as a quiet cornerstone, a record whose significance only grew clearer with time.
Behind Sraunus is Paulius Markutis, one of Lithuanias earliest deep-dub explorers. His moniker translates to “flowing” or “fluid,” and that spirit runs through the entire album: the music breathes, circulates, and drifts with calm inevitability, revealing fresh details on every pass. Rooted in the classic Berlin-born dub tradition yet unmistakably shaped by Markutis own sense of space, mood, and narrative, the result feels beautifully suspended in time, warm in its chords, patient in its arrangements, and guided by a subtle emotional current. This is dub techno at its most enduring: fluid, deep, and endlessly replayable.
The reissue, part of Greyscales Archive Series, arrives on superbly pressed double vinyl, with artwork chosen with intent: Marija Marcelionytė-Paliukės “High Tide and Low Tide,” an image of perpetual motion that perfectly mirrors the albums flowing spirit.

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20,97

Last In: 23 days ago
Black Uhuru - Showcase LP

Black Uhuru

Showcase LP

12inchTAXILP001
Taxi Records
02.03.2026

"Originally released in 1979 on Sly & Robbie's Taxi label, this album was Black Uhuru's second LP. Recorded at Channel One it set forth a new sound in recorded music technology. The songs blend into dub versions and the mixing is simply stunning. The track Shine Eye Gal also features guitarist Keith Richards"
(but hey, nobody's perfect).

"Hear the meticulous song writing of Michael Rose, joined by Puma Jones & Duckie Simpson, to complete the vocal line-up.

Sly & Robbie and the Taxi Gang created a sublime sonic masterpiece at Channel One studio in Jamaica. They were at their absolute peak of their powers, before being launched as global superstars with Grace Jones.

Black Uhuru went on to be an extremely popular live outfit, touring endlessly around the world, breaking down barriers and making new inroads to territories previously unknown to Jamaican artists.

This Classic reissue is a must for all reggae collectors."

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23,11

Last In: 72 days ago
Dog Chocolate - So Inspired, So Done In LP

8-page lyric / drawing booklet, glossy poster, download card (inc. mp3s), white inner paper bags, sticker on cover.

After 7 strange years of relative silence, and 13 years of being a band, Dog Chocolate have returned with ‘So Inspired, So Done In’. Their fourth album is their most focused, cohesive and song-y yet. They still sound like a bin full of wasps, but now the bin has double-cream or a Viennetta or something at the bottom. While many of the 16 songs on here barely make it past the 3-minute mark, each one is bursting with all the textures and colours of an office cupboard: full of old sweets, fluorescent markers, and multiple ways to fix paper together.

Thematically, a lot of ground is covered, with songs tackling subject matter as diverse as overheard conversations, healing fungal toenails, the Rogerian concept of the Actualising Tendency, bronze age living conditions, dreaming songs into being and human-plant relations. Work (and anti-work) is a recurring theme, as is artistic inspiration and burnout. Dog Chocolate revel in the mundane and incidental, to explore bigger, existential questions. Recorded and mixed by POZI’s Toby Burroughs and mastered by Sofia Lopes, ‘So Inspired, So Done In’ charts a long and confusing period in the band’s collective life, marked by major life changes, losses and shifts, colouring the band’s trademark frantic, daft and anxious energy with a contemplative glaze. Dog Chocolate continue to investigate their internal and external landscapes with playful curiosity, frustration, silliness and empathy.

Pre/history of the band: In the early 2000’s Andrew (vocals), Rob (guitar, vocals) and Matthew (guitar, vocals) played together as teenagers in South-East London-based maximalist, costumed surrealist punk band Yeborobo. They met drummer Jonathan playing with his instrument-swapping masked band Limn at art space Utrophia in Deptford. Later, when both bands had split, Dog Chocolate formed with a shared desire to make a band that was simpler than their theatrical past: small amps and light guitars, no more than 2 drums at any one time, a keyboard no longer than a ruler and a shared ethos… “it’s about giving a shit, but at the same time not giving a shit, but not ‘whatever’, not giving up never!”. The band floated the term “pencilcase punk” to describe their jumbled, colourful, dense and instant music.

Dog Chocolate built on this early scrappiness, bedding into their sound over several albums. Their first “Or” (2014) was a split with Ravioli Me Away, soon followed by “Snack Fans” (2016) and “Moody Balloon Baby” (2018). Along the way they played gigs with bands as wide ranging as Deerhoof, No Age, Dry Cleaning, Palm, Daniel Wakeford, Shopping and Pozi.

With a tendency to converse with each other both lyrically and musically cultivated over many years, the members of Dog Chocolate bounce off each other, respectfully disagree, try to make each other laugh and share some of their most vulnerable feelings with each other. ‘So Inspired, So Done In’ is their own unique offering during these unsteady times: a language of friendship translated into songs.

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13,66

Last In: 72 days ago
MYSTIC JUNGLE & THE IGOR'S MAGIC GUITARS - ROCK THE DISCO / SHABA RIDDIM 7"

West Hill Studio is the place where the sound that has defined all the productions and artistic projects connected to the Periodica Records label was developed.
 Located in the hills of Naples, it’s a private recording studio immersed in a small woodland and isolated from the city. A small wooden lodge and vintage equipment made it possible to create and convey, through music and ideas, a precise musical aesthetic that transcends contemporaneity and current trends.
The catalogue is personally curated by Mystic Jungle – born Dario Di Pace – music and executive producer and founder of both Periodica and Futuribile, released exclusively on vinyl and in limited editions. Well known for a distinctive sound that has unpredictably ranged from mutant-disco to soft-rock and reggae-inflected explorations for over a decade, he now presents two new electronic funk/rock tracks in collaboration with Serbian guitarist Igor Sekulovič. A pair of deliberately raw cuts, with the B-side conceived as an homage to a seminal 1985 digital reggae riddim built from a preset on the Casiotone MT-40

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13,03

Last In: 72 days ago
Pouf Pouf Pantoufle - Pouf Pouf Pantoufle

Behind the name Pouf Pouf Pantoufle lie six musicians from Nancy, graduates of the Lillebonne music school: Vincent Petit on double bass, Gabriel Lambert on bass, Guillaume Schwab on keyboards, Tom Colombain on trombone, Gaspard Petitnicolas on flute, and Solal Piquand on drums.

In 2022, they founded the APC (Appellation Pantouflarde Contrôlée) association and started organizing concerts at the legendary MJC Lillebonne, often alongside BMM and RPT. Thanks to their eclectic and avant-garde line-ups, these events have become unmissable for fans of hybrid music, electronic curiosities, and off-format performances.

Through a form of free, improvised, and chaotic jazz, the band Pouf Pouf Pantoufle echoes the local scene that they federate. The sextet now presents its first eponymous studio album, a genuine laboratory of improvisation and experimentation with different materials and sound textures, mixing acoustic and electronic elements in an intense and exhilarating jumble.

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20,97

Last In: 72 days ago
Dae Han - Blue

Dae Han

Blue

12inchAGS-031LP
Aloha Got Soul
28.02.2026
  • 1: Dc2Nyc
  • 2: Interlude 1 (Movin')
  • 3: Dc2Nyc2 (Feat. Maryanne Ito, Shing02, Spin Master A-1)
  • 4: Interlude 2 (Ooh Aah)
  • 5: Blue (Feat. Nicholas Kaleikini)
  • 6: Interlude 3 (Game Over)
  • 7: Honolulu Jazz
  • 8: Disco
  • 9: The Flu
  • 10: In A Dream

Dae Han is the unsung backbone behind progressive Honolulu acts and international artists. He’s the go-to drummer whenever Japanese rapper Shing02 tours the US and Asia with a full band. In 2019, Takuya Kuroda tapped Dae to organize a band to support the Brooklyn-based trumpeter’s gig at Blue Note Hawaii. Dae also recently teamed up with guitarist Gilbert Batangan and bassist Mark Tanouye to open for Khruangbin. And every year he organizes an always impressive jazz-forward tribute to the late J Dilla.

On the drums, Dae’s swift, technical style compliments every situation, from jazz and funk to R&B, reggae, and hip hop. Much the same, Dae has approached the compositions and arrangements for his debut with craft and purpose.

BLUE, coming in February 2020, came to fruition over the past 12 months with the help of Nelson Cho, the musician and recording engineer behind Lightworks Recordings in Wahiawa, Oahu. Together, the two spent countless hours honing a sound that travels across hip hop, jazz, and house.

The resulting songs act as a diary of the artist’s fateful journey from Washington D.C. through New York to Honolulu, where he resides today. Reflecting on joyful highs and the lowest lows, Dae creates a collage for the listener to hear, appreciate, and understand the path he’s traveled thus far.

pre-order now28.02.2026

expected to be published on 28.02.2026

20,59
Jorge Ben - 1969

Jorge Ben

1969

12inchVAMPI343
Vampisoul
28.02.2026out soon

Jorge Ben is someone who needs no introduction. Since his first hits in the early 60s, this the greatest icons of the greatest icons of Brazilian pop music. His anthems 'Mais Que Nada' or 'Pais Tropical' are among two of the most ever listened Brazilian songs of all time. Ben's self-titled 1969 album is a true samba-soul masterpiece from one of Brazil's most creative voices. This isn't your typical late-'60s LP: Jorge Ben blends the hypnotic swing of samba with funk, psychedelia, and sun-soaked soul in a way that feels both classic and ahead of its time. Released in November 1969, this was Jorge Ben's sixth studio record, and his first back with the Philips label after a creative hiatus. He recorded it with the tight-knit, percussive groove of Trio Mocoto -- whose rhythms lock in beautifully with Ben's laid-back guitar and vocals. On top of that, the album features lush orchestral arrangements from Jose Briamonte and Rogerio Duprat, adding a soaring, psychedelic dimension to Ben's sound. Standout tracks? You've got the joyous anthem 'Pais Tropical', a perfect celebration of Brazilian life.



Then there's 'Take It Easy My Brother Charles', a socially conscious number that tells the story of a rebellious sailor -- Ben weaves in themes of race, identity, and resilience. And songs like 'Que Pena' bring in that sweet, soulful melancholy, while breezy cuts like 'Criola', 'Domingas', and 'Barbarella' highlight his playful, poetic side. This record is a rare blend of genres -- samba, soul, funk, psychedelia -- and it's got a timeless energy. Whether you're already into Brazilian music or just looking for something fresh and soulful, Jorge Ben's 1969 album is a joyous entry point. Reissue on 180g vinyl.

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27,31
SOICHI TERADA - SOICHI TERADA: APE ESCAPE 3 ORIGINAPE SOUNDTRACKS IN A BOX LP 4x12"
  • とんでもマウンテン / Mount Amazing
  • アドバタイズデモ / Advertise Demo
  • キャラクターせんたく / Character Selection
  • マジンディスコ / Genie Dancer's Disco
  • マジンロック / Genie Dancer's Rock
  • カンフーストリート / Kung-Fu Alley
  • ドラゴンカンフー / Dragon Kung-Fu Fighter
  • ウキウキおもちゃランド / Toytown
  • わくわくテレビスタジオ2 / Funtime Tv Studio 2
  • トレーニングスペース / Training Room
  • とこなつアイランド / Eversummer Island
  • ウエスタンビレッジ / Wild West Town
  • ファンタジーナイト / Fantsy Knight
  • たいけつ!ウッキーピンク(バナナにハートブレイク) / Battle! Monkey Pink
  • ナイトキャッスル / Knight's Castle
  • うちゅうテレビようさい / Space-Tv Fortress
  • たいけつ!ウッキーイエロー / Battle! Monkey Yellow
  • とのさまじょう / The Emperor's Castle
  • サルなげスタジアム / Super Monkey Throw Stadium
  • Happy☆センセーション / Happy Sensation
  • マジンダンサー / Genie Dancer
  • うみべリゾート / Seaside Resort
  • わくわくテレビスタジオ / Funtime Tv Studio
  • サルうらない / Hall Of Horoscope
  • ピポサルのテーマ / Super Monkey
  • ゲッチュマン / Cyber Ace
  • とのさまじょう2 / The Emperor's Castle 2
  • とんでもマウンテン2 / Mount Amazing 2
  • カッチンコールたいりく2 / Freeze Continent 2
  • ミニマルテーマ / Minimal Theme
  • かくれんぼのもり / Hide-N-Seek Forest
  • カッチンコールたいりく / Freeze Continent
  • ワイルドウエストキッド / Wild West Kid
  • へんしんとうじょう / New Morph
  • ガチャメカとうじょう / New Gadget
  • しんきろうタウン / Mirage Town
  • ウエスタンビレッジ2 / Wild West Town 2
  • ひこうきだいへんたい / Airplain Squadron
  • どっきりホラータウン2 / Bootown 2
  • けっせん!スペクター(スペクターのテーマ) / Final Battle! Specter(Specter's Theme)
  • びゅんびゅんビッグシティ / The Big City
  • クリアリザルト2 Sg3 / Result 2 Ae3
  • クリアリザルト Sg3 / Result Ae3
  • サルをつかまえろ!/ Catch Monkeys!
  • どっきりホラータウン / Bootown
  • テレビステーション / Tv Station
  • トモウキシティ / Tomouki City
  • サルティメットファイティング / Ultim-Ape Fighting
  • ドンドコゆきまつり2 / Winterville 2
  • はじめてのゲッチュ / The First Catch
  • とこなつアイランド2 / Eversummer Island 2
  • たいけつ!ウッキーレッド2 / Battle! Monkey Red 2
  • たいけつ!ドクタートモウキ / Battle! Dr.tomouki
  • トモウキシティ2 / Tomouki City 2
  • しょうてんがい / Mall
  • ミラクルニンジャ / Miracle Ninja
  • びっくりおんせんランド / The Hot Springs
  • けっとう!ウッキーブルー / Fight! Monkey Blue
  • マジンワルツ / Genie Dancer's Waltz
  • ナイトキャッスル2 / Knight's Castle 2
  • マジンチーク / Genie Dancer's Cheek
  • トモウキタワーはっしん! / Go Tomouki Tower!
  • サトルねつべん / Satoru's Speech
  • トモウキのカツラ / Tomouki's Wig
  • たいけつ!ウッキーレッド / Battle! Monkey Red
  • トモウキのテーマ / Tomouki's Theme
  • スタッフロール Sg3 / Staffroll Ae3
  • サルシネマ / Monkey Cinema
  • びっくりおんせんランド2 / The Hot Springs 2
  • だつりょくハカセ / Lazy Professor
  • まよなかベイサイド / Midnight Bay
  • たいけつ!スペクター / Battle! Specter
  • うちゅうテレビようさい2 / Space-Tv Fortress 2
  • ドンドコゆきまつり / Winterville
  • たいけつ!ウッキーホワイト / Battle! Monkey White
  • たいけつ!ウッキーブルー / Battle! Monkey Blue
  • クリアジングル Sg3 / Clear Fanfare Ae3
  • ウキウキおもちゃランド2 / Toytown 2
  • ブルーのオルゴール / Blue's Orgel
  • はくちょうのみずうみ / Swanlake

4XLP box set, 4 Coloured discs: translucent violet, ice, blue, and orange vinyl

Hardcover slipcase box
Celebrate twenty-five years of Ape Escape and thirty years of PlayStation with Ape Escape 3 Originape Soundtracks in a Box!

Saru Get You 3

As with the Ape Escape Originape Soundtrack, composer Soichi Terada has meticulously re-recorded and reconstructed all tracks from the Ape Escape 3 Original soundtrack. Previously only available on CD, this is the complete soundtrack's first time on vinyl. This box set was produced in partnership with Mr. Terada and Far East Recording, and is an officially licensed Sony Interactive Entertainment product.

This release contains eighty tracks, spanning four individually sleeved records, housed in a hardcover box. It is similar in construction to the Ape Escape Originape Soundtracks in a Box release (2024), and the two will look quite nicely next to one another on your shelf!

We are happy to announce that this box set features a definitive edition of the Ape Escape 3 Originape tracklist. This also includes "Swanlake," a track previously unavailable on the CD release. At its core, the Ape Escape 3 soundtrack features much of Soichi Terada's signature sound: lush electronic, jungle, silky smooth synthesizer, humor, and charm.

Ape Escape 3 was originally released in 2005 (Japan), and its moviemaking pipos were unleashed across the rest of the globe in 2006. The game features two new protagonists (Kei and Yumi) who battle the Freaky Monkey Five, underlings of the nefarious Dr. Tomoki and the evil monkey Specter.

Complimenting the game's journey through the TV-verse, the Ape Escape 3 soundtrack also features twists on themes from Wild West Showdowns, Kung-Fu movies, and space operas. Fans of the Ape Escape Originape Soundtrack, as well as newer work like Asakusa Light, will certainly enjoy all elements of Soichi Terada's music present in Ape Escape 3.

The music on this box set was mastered by Justin Perkins of Mystery Room Mastering, who also mastered the original Ape Escape Originape Soundtracks box set (2024). Using Mr. Terada's premastered source files, the music was completely and specifically mastered for vinyl. The box set also features original Ape Escape 3 character renders and key art. All of the design elements have been put together with careful thought, referencing the original Japanese guidebook for inspiration and visual cohesiveness.

It is with great pleasure that we celebrate Soichi Terada's music and the Ape Escape franchise with this four-disc release!

Original key art and renders from the サルゲッチュ team


Officially licensed © Sony Interactive Entertainment
©2025 Sony Interactive Entertainment Inc. “PlayStation”, ”プレイステーション”, “Ape Escape” and ”サルゲッチュ” are registered trademarks of Sony Interactive Entertainment Inc.

pre-order now28.02.2026

expected to be published on 28.02.2026

113,66
Violence, Horskh, Graphyst - Opus 2

Violence, Horskh, Graphyst

Opus 2

12inchVIOLENCETHEBLOCK
RAW Audio Distortion
28.02.2026

A blend of Metal Indus and Bass Music, VIOLENCE is an ambitious and atypical project produced by Niveau Zero, one of the pioneers of French Bass Music. Composed of Fabio Meschini (Guitar / Ex: As They Burn) , Morgan Sansous (Drums), John Kazadi (Lead Vocal) and Frédéric Garcia aka Niveau Zero ( Machines and Vocal ).

OPUS I', their 1st album (2021), composed in collaboration with choice guests such as Billy Graziadei (Biohazard, Powerflo), Bastien Hennaut (HORSKH) and Code: Pandorum... has frankly succeeded in arousing the enthusiasm of both Metal and Bass Music audiences.

On stage, the band has not been outdone, offering a crescendo of increasingly furious performances over the last year alongside bands like Biohazard, Mass Hysteria, Ten 56, Horskh, Shaargot, Novelist, Revnoir, King Yosef.

pre-order now28.02.2026

expected to be published on 28.02.2026

21,43
La Compagnie Créole & The Reflex Revision - Le Bal Masqué / La Nuit Des Requins

Welcome to the second instalment of the collaboration between THE REFLEX’ DISCOLIDAYS label and BECAUSE MUSIC in Paris, remixing gems from the ZAGORA catalogue.

Created in 1975 by producer Daniel Vangarde (father of Daft Punk’s Thomas Bangalter), the Zagora label created some of the most exciting disco music in France, ranging from cult underground artists Who’s Who and Starbow, to massive international hits by the Gibson Brothers, la Compagnie Créole and Black Blood.

On this 12’’, we’ve got two first time ever remixes from LA COMPAGNIE CREOLE, one of the most successful acts in France during the 80’s who expertly mixed tropical sounds from the West Indies with pop and disco to staggering record sales.

With tapes thought to be long lost, a chance find of stems from two of their songs not only makes this release possible, but also perfectly showcases two sides of the band with ‘Le Bal Masqué’ which was a huge hit commercially in 1984 and ‘La Nuit Des Requins’ which is probably their least known and most underground track, both masterminded by songwriters DANIEL VANGARDE and JEAN KLUGER.

‘LE BAL MASQUE’, now devoid of its cheesiest sections, puts the focus on that infectious groove adorned with percussions and electronics but with its singalong chorus intact and stronger than ever. A guaranteed tropical disco floor filler at 122bpm, regardless of your knowledge of the French language!

‘LA NUIT DES REQUINS’, an ode to session musicians found regularly in Paris studios back in the day, gets a complete overhaul by putting the exhilarating drums and killer bass line of the original to the fore into a brand new 124bpm version that is destined to rock the most discerning dance floors the world over.

Released on 180g vinyl with custom artwork on card sleeve designed by AL KENT / MILLION DOLLAR DISCO.

stock from20.05.2026

14,50

Last In: 22 days ago
Greg Stasiw - Guesswork

Experimental musician Greg Stasiw presents his debut album of radiant, free-flowing electronics ‘Guesswork’. Music for psychoactive exploration made over a four year period, incorporating ambient, minimalism, intricate sound design & Japanese environmental music. An exceptional listening experience of wonder, tranquility, melancholy & discovery, contemplating the relationship between sound & space.

Greg Stasiw is an experimental musician, visual artist and writer from New England, Northeastern USA. An itinerant polymath, Stasiw has spent time living, working and traveling in New York, Tokyo, Toronto, Paris, Boston, and Bratislava. As well as studying anthropology, animation and illustration, Stasiw has always had a close connection with music.

His earliest musical involvements started with ambient music on Sunday drives, microcassettes, the Windows 98 Sound Recorder and free play with Casio keyboards. Then came a formative procession of piano lessons, orchestras, choirs, taiko, metal, indie rock, tinnitus, and ultimately; the acquisition of music production software.

With his debut album ‘Guesswork’, the aural and visual inspirations that underpin Stasiw's creative life intersect, in a pure, radiant soundworld of space, depth and immaculate clarity. Futuristic, pellucid soundscapes incorporating ambient, minimalism, intricate sound design, and Japanese environmental music are deftly arranged with evanescent chimes, serene tone float, suspended organ notes and curious sci-fi resonances.

Like stepping into some space age meditation garden, if soundtracked by the likes of Hiroshi Yoshimura, Harold Budd, Norman McLaren, and Pauline Anna Strom, the thirteen tracks of ‘Guesswork’ create an exceptional listening experience of wide-eyed wonder, sleek tranquility, gentle melancholy, and singular discovery.

pre-order now27.02.2026

expected to be published on 27.02.2026

24,79
VINCE GUARALDI / BOLA SETE - From All Sides (Original Jazz Classics Series) LP
  • A1: Choro (Remastered 2026)
  • A2: Menino Pequeno Da Bateria (Remastered 2026)
  • A3: Ginza (Remastered 2026)
  • A4: The Girl From Ipanema (Remastered 2026)
  • B1: A Taste Of Honey (Remastered 2026)
  • B2: Ballad Of Pancho Villa (Remastered 2026)
  • B3: Little Fishes (Remastered 2026)
  • B4: Mambeando (Remastered 2026)

Der Pianist Vince Guaraldi und der brasilianische Gitarrist Bola Sete begegneten sich zum ersten Mal
während eines Aufenthalts im Club Trois Couleurs in San Francisco – eine schicksalhafte Begegnung, die
eine fruchtbare kreative Partnerschaft begründete, die schließlich West Coast Jazz mit Bossa Nova und
afro-brasilianischen Rhythmen verbindet.
Das 1964 aufgenommene Album „From All Sides“ war die zweite Zusammenarbeit des Duos (insgesamt
gab es drei) und gilt als eines ihrer entspanntesten und fröhlichsten Werke. Das Album ist mühelos und
eskapistisch und gleitet von einer federleichten Interpretation von „The Girl from Ipanema“ zum temperamentvollen Galopp von „Ballad of Poncho Villa“.
Während Guaraldi vor allem für seine zeitlosen Peanuts-Soundtracks gefeiert wird, werden langjährige Hörer
hier melodische Fäden erkennen, die später in diesem beliebten Universum wieder auftauchten. Adaptionen
des wehmütigen „Menino Pequeno da Bateria“ (später überarbeitet als „Little Drummer Boy“) und des
unbeschwerten „Choro“ erschienen später jeweils auf „A Charlie Brown Christmas“ (1965) und „He’s Your
Dog, Charlie Brown“ (1968).
Diese Neuauflage des Albums erscheint als Teil der Original Jazz Classics Series auf 180-Gramm-Vinyl,
gepresst bei RTI, mit vollständig analogem Mastering von den Originalbändern bei Cohearent Audio und
einer Tip-On-Hülle, die das Original-Artwork originalgetreu nachbildet.

pre-order now27.02.2026

expected to be published on 27.02.2026

34,03
ULI SAILOR - BESSER ANDERS
  • Punkrock Lebensberatungstermin
  • Der Demagogische Wandel
  • Kiezblock (Feat. Chris Kotze)
  • Wenn Ich Mal Groß Bin
  • Auf Der Suche
  • Weißt Du Noch
  • Plattensammlung
  • Swipe Leben
  • Streit Mit Dings Gpt
  • Wassereis
also available

White Vinyl[22,48 €]


ULI SAILOR -> File under: Punkrock am KlavierNach über 30 Jahren auf Bühnen zwischen Punkkeller und Festivalhauptbühne bringt Uli Sailor nun sein erstes Piano Solo-Album heraus. ,Besser Anders" ist das Ergebnis von zwei Jahren intensiver Arbeit - zehn Songs voller Energie, Melancholie und Haltung. Produziert wurde das Album halb in Berlin von Thies Neu, halb in Köln von Tobias Röger (Wohlstandskinder, Udo Lindenberg, Slime).Musikalisch schlägt Uli eine Brücke zwischen Indie-Rock und Punk, bleibt dabei aber weit entfernt von weichgespültem Pop. Klavier, Cello und Gesang treffen auf kantige Arrangements und Texte, die irgendwo zwischen Tagtraum und Knochenfabrik liegen - poetisch, wütend, reflektiert. Themen wie Gentrifizierung, digitale Entfremdung und die unerschütterliche Liebe zum Punk ziehen sich durchs ganze Werk.,Besser Anders" ist ein Album gegen die Austauschbarkeit. Kein KI-Produkt, keine Routine - sondern Handarbeit, Schweiß und Herzblut. Uli zeigt, dass Punkrock auch mit Klaviertasten funktionieren kann, solange man das richtige Maß an Wut, Humor und Zärtlichkeit mitbringt.Patrick Reerink (GUTS PIE EARSHOT) sorgt auf dem Album für die Cello-Parts. ,Kiezblock" entsteht gemeinsam mit Chris Kotze (KOTZREIZ), unterstützt von Totze Trippi (BEATSTEAKS) am Bass und einem Chor von Freund*innen - unter anderem Dead End Kids, Berlin Blackouts, Von.Orten und Töff Malstroem. In ,Der demagogische Wandel" greift Guido Donot (DONOTS) zur Gitarre und setzt ein Solo, das hängen bleibt. Das macht ,Besser Anders" zu mehr als einem einsamen Solo-Projekt, sondern ein kollektives Statement mit Haltung.Mittel-Version (2600 Zeichen)Sommer 2025: In einem Berliner Proberaum sitzt ein Mensch und macht das, was er am liebsten tut - Musik. Dieser Mensch heißt Uli Breitbach, besser bekannt als Uli Sailor. Seit über 30 Jahren ist er kreativer Arbeiter, mal euphorisch, mal verzweifelt, und nach zwei Jahren intensiver Arbeit erscheint nun sein erstes Solo-Album: ,Besser Anders".Was wie eine klassische Musikerbiografie klingt, steht im Kontrast zur Gegenwart. Während Künstliche Intelligenz längst komplette Bands ersetzt, bleibt Uli Sailors Musik das Gegenteil davon: handgemacht, ehrlich, mit hörbarem Herzblut. Uli geht auf die 50 zu und bringt sein Debüt erst jetzt heraus - nach Jahrzehnten als Teil verschiedenster Bands wie den Skatepunks D-SAILORS, den Indierockern TUSQ und der legendären Deutschpunkband TERRORGRUPPE.Nach deren Ende wagte Uli ein ungewöhnliches Experiment: Punksongs seiner Jugend auf dem Klavier - unterstützt von Cello. Was zunächst abwegig klang, traf einen Nerv. Seine Konzerte führten ihn in kleine Clubs ebenso wie auf große Bühnen - vom Sisyphos über Rock am Ring bis zur Volksbühne. Egal ob Punkkneipe oder Festival: Uli Sailor funktioniert überall.2024 folgte die EP ,Für immer jung", fünf eigene Songs zwischen Wut und Sentimentalität, die von Kritikern durchweg gelobt wurden. Jetzt also das Album. ,Besser Anders", das am 27. Februar 2026 erscheint - zehn Songs, produziert zur Hälfte von Thies Neu (SHIRLEY HOLMES, DYSE, DEAD END KIDS) in Berlin und von Tobias Röger (WOHLSTANDSKINDER, SLIME, UDO LINDENBERG) in Köln.Musikalisch wagt Uli den Schritt vom Piano-Punkrock hin zu einem Mix aus Indie und Punk, ohne dabei seine Haltung zu verlieren. ,Sellout?", mögen manche rufen. ,Hört doch erst einmal rein", wäre die passende Antwort. Denn ,Besser Anders" ist weit entfernt von weichgespültem Befindlichkeits-Pop. Die Texte bewegen sich zwischen Tagtraum und Knochenfabrik, kraftvoll, poetisch und differenziert. Uli Sailor benennt Missstände, bleibt aber empathisch, reflektiert und wirkt nie platt. Es ist ein vielseitiges, eigenständiges Album mit Songs über Gentrifizierung, digitale Abhängigkeit, verblühende Liebe und die unerschütterliche Kraft des Punk.Patrick Reerink von GUTS PIE EARSHOT steuerte die Cello-Parts bei. Mit Chris Kotze (KOTZREIZ) entstand eine gemeinsam geschriebene Anti-Gentrifizierungshymne, unterstützt von Totze Trippi (BEATSTEAKS) am Bass und einem Backgroundchor, der sich gewaschen hat: Mitglieder von Berlin Blackouts, Dead End Kids, Von.Orten und Töff Malstroem. Bei ,Der demagogische Wandel" wiederum griff Guido Donot (DONOTS) zur Gitarre und setzte ein Solo, das man so schnell nicht vergisst. ,Besser Anders" ist damit weit mehr als ein Solo-Album - es ist ein Gemeinschaftswerk mit Haltung.Vielleicht wird Uli Sailor keine Millionen Klicks erzielen. Aber das ist gut so. Dieses Album ist kein Algorithmusprodukt, sondern das Ergebnis ehrlicher Handarbeit, Leidenschaft und einer großen Liebe zur Musik. Punkrock bleibt hier der rote Faden - anders, besser, echt.

pre-order now27.02.2026

expected to be published on 27.02.2026

20,97
ULI SAILOR - BESSER ANDERS

ULI SAILOR

BESSER ANDERS

12inchUSRLPCO1
ULI SAILOR RECORDS
27.02.2026

ULI SAILOR -> File under: Punkrock am KlavierNach über 30 Jahren auf Bühnen zwischen Punkkeller und Festivalhauptbühne bringt Uli Sailor nun sein erstes Piano Solo-Album heraus. ,Besser Anders" ist das Ergebnis von zwei Jahren intensiver Arbeit - zehn Songs voller Energie, Melancholie und Haltung. Produziert wurde das Album halb in Berlin von Thies Neu, halb in Köln von Tobias Röger (Wohlstandskinder, Udo Lindenberg, Slime).Musikalisch schlägt Uli eine Brücke zwischen Indie-Rock und Punk, bleibt dabei aber weit entfernt von weichgespültem Pop. Klavier, Cello und Gesang treffen auf kantige Arrangements und Texte, die irgendwo zwischen Tagtraum und Knochenfabrik liegen - poetisch, wütend, reflektiert. Themen wie Gentrifizierung, digitale Entfremdung und die unerschütterliche Liebe zum Punk ziehen sich durchs ganze Werk.,Besser Anders" ist ein Album gegen die Austauschbarkeit. Kein KI-Produkt, keine Routine - sondern Handarbeit, Schweiß und Herzblut. Uli zeigt, dass Punkrock auch mit Klaviertasten funktionieren kann, solange man das richtige Maß an Wut, Humor und Zärtlichkeit mitbringt.Patrick Reerink (GUTS PIE EARSHOT) sorgt auf dem Album für die Cello-Parts. ,Kiezblock" entsteht gemeinsam mit Chris Kotze (KOTZREIZ), unterstützt von Totze Trippi (BEATSTEAKS) am Bass und einem Chor von Freund*innen - unter anderem Dead End Kids, Berlin Blackouts, Von.Orten und Töff Malstroem. In ,Der demagogische Wandel" greift Guido Donot (DONOTS) zur Gitarre und setzt ein Solo, das hängen bleibt. Das macht ,Besser Anders" zu mehr als einem einsamen Solo-Projekt, sondern ein kollektives Statement mit Haltung.Mittel-Version (2600 Zeichen)Sommer 2025: In einem Berliner Proberaum sitzt ein Mensch und macht das, was er am liebsten tut - Musik. Dieser Mensch heißt Uli Breitbach, besser bekannt als Uli Sailor. Seit über 30 Jahren ist er kreativer Arbeiter, mal euphorisch, mal verzweifelt, und nach zwei Jahren intensiver Arbeit erscheint nun sein erstes Solo-Album: ,Besser Anders".Was wie eine klassische Musikerbiografie klingt, steht im Kontrast zur Gegenwart. Während Künstliche Intelligenz längst komplette Bands ersetzt, bleibt Uli Sailors Musik das Gegenteil davon: handgemacht, ehrlich, mit hörbarem Herzblut. Uli geht auf die 50 zu und bringt sein Debüt erst jetzt heraus - nach Jahrzehnten als Teil verschiedenster Bands wie den Skatepunks D-SAILORS, den Indierockern TUSQ und der legendären Deutschpunkband TERRORGRUPPE.Nach deren Ende wagte Uli ein ungewöhnliches Experiment: Punksongs seiner Jugend auf dem Klavier - unterstützt von Cello. Was zunächst abwegig klang, traf einen Nerv. Seine Konzerte führten ihn in kleine Clubs ebenso wie auf große Bühnen - vom Sisyphos über Rock am Ring bis zur Volksbühne. Egal ob Punkkneipe oder Festival: Uli Sailor funktioniert überall.2024 folgte die EP ,Für immer jung", fünf eigene Songs zwischen Wut und Sentimentalität, die von Kritikern durchweg gelobt wurden. Jetzt also das Album. ,Besser Anders", das am 27. Februar 2026 erscheint - zehn Songs, produziert zur Hälfte von Thies Neu (SHIRLEY HOLMES, DYSE, DEAD END KIDS) in Berlin und von Tobias Röger (WOHLSTANDSKINDER, SLIME, UDO LINDENBERG) in Köln.Musikalisch wagt Uli den Schritt vom Piano-Punkrock hin zu einem Mix aus Indie und Punk, ohne dabei seine Haltung zu verlieren. ,Sellout?", mögen manche rufen. ,Hört doch erst einmal rein", wäre die passende Antwort. Denn ,Besser Anders" ist weit entfernt von weichgespültem Befindlichkeits-Pop. Die Texte bewegen sich zwischen Tagtraum und Knochenfabrik, kraftvoll, poetisch und differenziert. Uli Sailor benennt Missstände, bleibt aber empathisch, reflektiert und wirkt nie platt. Es ist ein vielseitiges, eigenständiges Album mit Songs über Gentrifizierung, digitale Abhängigkeit, verblühende Liebe und die unerschütterliche Kraft des Punk.Patrick Reerink von GUTS PIE EARSHOT steuerte die Cello-Parts bei. Mit Chris Kotze (KOTZREIZ) entstand eine gemeinsam geschriebene Anti-Gentrifizierungshymne, unterstützt von Totze Trippi (BEATSTEAKS) am Bass und einem Backgroundchor, der sich gewaschen hat: Mitglieder von Berlin Blackouts, Dead End Kids, Von.Orten und Töff Malstroem. Bei ,Der demagogische Wandel" wiederum griff Guido Donot (DONOTS) zur Gitarre und setzte ein Solo, das man so schnell nicht vergisst. ,Besser Anders" ist damit weit mehr als ein Solo-Album - es ist ein Gemeinschaftswerk mit Haltung.Vielleicht wird Uli Sailor keine Millionen Klicks erzielen. Aber das ist gut so. Dieses Album ist kein Algorithmusprodukt, sondern das Ergebnis ehrlicher Handarbeit, Leidenschaft und einer großen Liebe zur Musik. Punkrock bleibt hier der rote Faden - anders, besser, echt.

pre-order now27.02.2026

expected to be published on 27.02.2026

22,48
Damily - Fanjiry LP

Damily

Fanjiry LP

12inchBJR119LP
Bongo Joe
27.02.2026
  • 1: Fanjiry
  • 2: Alohotsy
  • 3: Sikilony
  • 4: Kalavabitiky
  • 5: Zongoya
  • 6: Zipo Tralala
  • 7: Tsapatsapao
  • 8: Roro Soa
  • 9: Alakarabo

After decades spent shaping the sound of southern Madagascar and becoming one of the defining voices of tsapiky, Damily returns with Fanjiry, his most intimate and focused record to date. Known for electrifying village ceremonies and carrying the fever of Toliara across continents, he takes a sharp turn — not away from trance, but deeper into its core.

Recorded in just three days at Studio Black Box with analog wizard Peter Deimel, Fanjiry strips the tsapiky band down to a single guitar and a single heartbeat. Damily plays alone, yet fills the space completely — bass, rhythm, melody, pulse, and breath merging into a dense and vibrating sound. Every riff is architecture, every harmonic a door opening onto memory, childhood landscapes, and nights where music heals, binds, and exhausts the dark.

There is no nostalgia here, no museum of tradition. Fanjiry is a new frontier for tsapiky: raw, precise, suspended between earth and sky, born from craft and necessity. The title — the last star before dawn — captures its essence: a quiet moment before the world awakens, where a single guitar can hold an entire history and still point forward.

pre-order now27.02.2026

expected to be published on 27.02.2026

24,79
SHEEPDOGS - Keep Out Of The Storm LP

Built on the solid, classic rock foundation of three-part harmonies and dual guitar leads, Canada's Juno Award-winning and multi-platinum selling - the Sheepdogs blend Southern boogie rock, groove-based psychedelia, and bluesy barroom swagger into a modern rock & roll revival. Hailing from the small prairie city of Saskatoon, The Sheepdogs are one of Canada’s most successful bands amassing a legion of fans worldwide with their rich harmonies, rounded guitar tones and classic rock-influenced sound. The band has achieved thirteen top 20 hits on Canadian Rock radio, with ten reaching the top 5 and three claiming the #1 spot. Most recently, their single "Take Me For a Ride" cracked the top 5 and spent over eight months in the top 20. This success followed their 2022 run of  90 cumulative weeks with at least one song in the top 20 at Canadian Rock radio. Hit singles “I Don’t Know” and “Feeling Good” both reached Platinum certification, with “The Way It Is” achieving Gold sales. Additionally, the albums Learn & Burn and The Sheepdogs both achieved Platinum status, and to date the band has been nominated for 11 JUNO awards, including 2022’s “Outta Sight” and winning four awards.

pre-order now27.02.2026

expected to be published on 27.02.2026

22,06
THE CRYSTAL TEARDROP - ...IS FORMING

The buzz about the Crystal Teardrop that has been growing for the past two years looks set to reach fever pitch with the release of their debut album _IS FORMING. Featuring a dozen memorable compositions by the bands Alexandra Rose and Leon Jones, the album more than lives up to the promise of their 2024 single releases and their ecstatic live performances on stages across the UK and Europe. The band formed in Stoke-on-Trent in early 2023, "inspired," explains Alexandra Rose, "by a mutual passion for the sights, sounds and creative experimentation of the late 1960s." In addition to Alexandra on lead vocals on guitar, the band comprises Leon Jones (guitar, sitar), Stuart Gray (keyboards, Mellotron), Ed Quigley (bass, vocals), and Huw Woodward (drums, percussion). Intuitively blending elements of garage rock, folk-rock, power pop and psychedelia, the band have created an appealing concoction infused with their own perspectives and personalities. To best capture their sound, they recorded at an all-analogue facility, Tilehouse studio in North London, working closely with White Stripes producer Liam Watson of Toe Rag Studios fame.

pre-order now27.02.2026

expected to be published on 27.02.2026

35,50
DAMILY - FANJIRY

DAMILY

FANJIRY

12inchBJRLP119
LES DISQUES BONGO JOE
27.02.2026
  • Fanjiry
  • Alohotsy
  • Sikilony
  • Kalavabitiky
  • Zongoya
  • Zipo Tralala
  • Tsapatsapao
  • Roro Soa
  • Alakarabo

After decades spent shaping the sound of southern Madagascar and becoming one of the defining voices of tsapiky, Damily returns with Fanjiry, his most intimate and focused record to date. Known for electrifying village ceremonies and carrying the fever of Toliara across continents, he takes a sharp turn - not away from trance, but deeper into its core. Recorded in just three days at Studio Black Box with analog wizard Peter Deimel, Fanjiry strips the tsapiky band down to a single guitar and a single heartbeat. Damily plays alone, yet fills the space completely - bass, rhythm, melody, pulse, and breath merging into a dense and vibrating sound. Every riff is architecture, every harmonic a door opening onto memory, childhood landscapes, and nights where music heals, binds, and exhausts the dark. There is no nostalgia here, no museum of tradition. Fanjiry is a new frontier for tsapiky: raw, precise, suspended between earth and sky, born from craft and necessity. The title - the last star before dawn - captures its essence: a quiet moment before the world awakens, where a single guitar can hold an entire history and still point forward.

pre-order now27.02.2026

expected to be published on 27.02.2026

22,65
Delta - Slippin’ Out (2x12")

Delta

Slippin’ Out (2x12")

2x12inchPLEXUS002P
Circuitry
27.02.2026

“From Birmingham and centred around the extraordinary songwriting talent of James and Patrick Roberts – initially as The Sea Urchins and since 1993 as Delta – they’ve only just got round to releasing their debut album, Slippin’ Out. It is a work of some beauty”. 9/10 NME ALBUM OF THE MONTH, 2000

“It’s classicist for sure, shot through with the influence of The Beatles, Byrds and Buffalo Springfield. In James’ downright beautiful closing ballad ‘I Want You’ one can also discern the school of ambitious English balladry that peaked in about 1968: The Casuals, Love Affair, Barry Ryan. The impression of accomplished old-schoolery is only furthered by the dizzying string arrangements penned by Louis Clark Jnr, son and namesake of the one-time orchestral chief of Electric Light Orchestra” – Mojo lead review, 2000


Having ended the 90s with the spirited ‘Laughing Mostly’ compilation of singles and demos (Guardian Album Of The Week) Delta finally released their debut studio album of twelve songs in the summer of 2000 on the Dishy Recordings label. Accepting that this might be their sole studio album the band threw everything at these recordings allowing it to exist in its own sphere, unbothered by their contemporary generation and disregarding the idea of even releasing a single.

Recorded at DEP International there was a notable difference to the scruffier, looser charm of their 1990s recordings, a tighter focus developed by having the experienced Lenny Franchi mixing the LP with them. Lenny had been working with a number of Island artists including My Bloody Valentine and Tricky so knew his way around a desk. There was also the question of budget (a few months passed between recording and mixing whilst funds were raised) so every day counted. Ultimately though you can hear the joy in the recordings, even amongst the melancholy and angst. As James recently recalled in an interview in Shindig! Magazine: “It was such a big deal for us. It’s one of my fondest memories doing that record. Everyone was happy. If there’s anything that I’d stand by, I think it would be that”

Louis Clark Jr joined the band towards the end of the ‘90s and brought a classically-trained element to the recordings particularly with his string arrangements. For ‘Cuckoo’, ‘I Want You’ and the prophetic ‘We Come Back’ Louis brought in eight players from the Birmingham Conservatoire; the baroque style is partly why the record often receives comparisons to Love’s ‘Forever Changes’.

On release ‘Slippin’ Out’ was a big favourite with writers at the NME, Mojo and The Guardian again and before long the band were signed to Mercury/Universal for their second studio album ‘Hard Light’, a far more expensive and expansive love affair. It was a temporary palatial home where things quietly fell apart again, but that’s another chapter.

“If long-term memory is nothing more than selective editing and only pop’s most weighty visceral works are built to last then it’s quite possible that in 50 years the Britpop era will be best recollected for the two bands it ostracised. Earlier this year we met Shack and thought their story of mercurial brilliance indicated the biggest music biz oversight of the 90s. We were wrong because we hadn’t met Delta yet. This is richer and more engrossing than anything by Shack” 

pre-order now27.02.2026

expected to be published on 27.02.2026

24,16
CREATION - No Silver Bird / The Warmth Of Love 7"
  • A1: No Silver Bird
  • B1: The Warmth Of Love

"It was 30 years ago in 1996 when Antoni Gorgues founded Guerssen Records as a one-man operation.
Those were the times of record lists and mail orders, phone calls and fanzines. Initially, the label focused on current bands within the 60s revival and neo-psych / garage.
Most of the early releases were 45s and then LPs followed. Soon after, the label staff augmented and we started focusing on high quality reissues of rare LPs from the 60s-70s until now.
To celebrate our 30th anniversary we thought it would be fun to remember those early times of the label, so we present the first batch of our special and limited releases, including a collection of cool garage-psych 45s in limited editions that won’t be repressed and reissue of the second album from the Jaybirds, one of our fave bands from the 90s."

pre-order now27.02.2026

expected to be published on 27.02.2026

16,18
Deux Filles - Silence & Wisdom / Double Happiness

The short, mysterious career of the female French duo Deux Filles is bookended by tragedy. Gemini Forque and Claudine Coule met as teenagers at a holiday pilgrimage to Lourdes, during which Coule's mother died of an incurable lung disease and Forque's mother was killed and her father paralyzed in an auto accident. The two teens bonded over their shared grief and worked through their bereavement with music. However, after recording two critically acclaimed albums and playing throughout Europe and North America, Forque and Coule disappeared without a trace in North Africa in 1984 during a trip to visit Algiers. The short and terribly unhappy lives of Forque and Coule are at the root of the small but fervent cult following the mysterious duo have gained since their disappearance, not least because the placid, largely instrumental music on the duo's albums betrays no hint of the sorrow that framed their personal lives.

This would be a terribly sad story if a word of it were true. In reality, Deux Filles were Simon Fisher Turner, former child star/teen idol and future soundtrack composer, and his mate Colin Lloyd Tucker. Turner and Tucker left an early incarnation of The The in 1981 to pursue another musical direction. Turner claims that the idea of Deux Filles came to him in a dream, and he and Tucker strictly maintained the fiction throughout the duo's career. Not only did they pose in drag for the album covers, the duo once even played live without the audience realizing that the tragic French girls on-stage were actually a pair of blokes from south London. Deux Filles released two albums through Turner and Tucker's Papier Mache label, 1982's Silence & Wisdom' and 1983's Double Happiness'. Both albums are included here and blend watery piano, occasionally ghostly vocals, sheets of synthesizers, heavily processed guitars and the barest minimum of percussion. Drifting and wistful, they're a pair of lost ambient gems from a time when the genre had yet to mature, an excellent example of post-Eno, pre-Orb ambient music.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in gatefold sleeve with original front covers of both albums, and a centerfold of archive images and the original liner notes. Each LP includes a sticker of the Lino cuts by Adrian Gill that was included with the original pressing.

"Like an early French film soundtrack with melodramatic overtones, the sound is jagged and disjointed but never harsh. Lilting guitars and ample use of echo smack of Vini Reilly, relying on the hypnotic qualities of the sound rather than abrasive noise" (Sounds, 03/1983)

out of Stock

Order now and we will order the item for you at our supplier.

23,32

Last In: 79 days ago
MMBTUPM - Meditation Music Beyond The Unsleeping Psychopathic Mind

'Meditation Music Beyond The Unsleeping Psychopathic Mind' — a raw, deep free-jazz exploration where synth, voice, saxophone, and percussion dissolve into a single, unfiltered sound world. No boundaries, no polish — just presence and freedom for sonic expression.

Music spontaneously composed (improvised) by all members of the group. Recorded at Threshold Studios in Hamilton, Ontario, Canada. Produced by our good friend Devin Brahja Waldman and wrapped in hypnotic cover artwork specially crafted by renowned Vancouver-based artist Boone Naka.

Annie Shaw - keys/synth/vox
Sarah Good - keys/synth/vox
Nadah El Shazly - keys/synth/vox
Adam Kinner - tenor saxophone
Connor Bennett - soprano saxophone
Devin Brahja Waldman - synth, alto saxophone
Vicky Mettler - guitar
Alexei Orechin - guitar
Daniel Gélinas - drums, percussion
Philippe Melanson - drums, percussion

pre-order now27.02.2026

expected to be published on 27.02.2026

26,85
CHAPTERHOUSE - WHIRLPOOL LP

CHAPTERHOUSE

WHIRLPOOL LP

12inchMOVLP2567M
Music On Vinyl
27.02.2026
  • Breather
  • Pearl
  • Autosleeper
  • Treasure
  • Falling Down
  • April
  • Guilt
  • If You Want Me
  • Omething More

"British shoegazing/alternative rock band Chapterhouse released two albums during their existence, Whirlpool (1991) and Blood Music (1993). Their debut album is a fantastic example of shoegaze at its best. The wall of sound approach is built around dance music structures and they're creating some heavy grooves. Whirlpool spent three weeks in the UK Album chart, peaking at number 2 The Nineties classic album Whirlpool is available as a limited edition of 1000 individually numbered copies on white marbled vinyl and includes an insert. "

Whirlpool by Chapterhouse, released 29 March 2024, includes the following tracks: "Autosleeper ", "Falling down", "Guilt", "Something more" and more.

This version of Whirlpool comes as a 1xLP. This release comes with (a) Insert(s).

The vinyl is pressed as a marble, white disc.

pre-order now27.02.2026

expected to be published on 27.02.2026

33,19
ROBERTO Y SU NUEVO MONTUNO - EL NUEVO MONTUNO LLEGÓ LP
  • A1: El Nuevo Montuno Llego
  • A2: Llamé A Chango
  • A3: Monina Y Ramon 4:00
  • A4: Balanceate 6:50
  • B1: Triste Arrabal
  • B2: Me Queda Un Guaguanco
  • B3: Dichoso 3:30
  • B4: Oye Tu Son Borinquen

Roberto y su Nuevo Montuno recorded their first album, “El Nuevo Montuno Llegó” (1970), when Roberto Berríos was just 22 years old. This was also the debut release on Haddock’s own Uniart label. Berríos remembers that they did the recording in two sessions, splitting it up into four tracks per visit. The engineer was the famed Pedro “Pedrito” Henríquez, who recorded El Gran Combo, Roberto Roena and many others. The band had a mix of tasty, powerful originals, from Tony Cintrón’s title track that announced the band had arrived, ‘El Nuevo Montuno Llegó,’ to Quique Dávila’s mournful ‘Triste Arrabal.’ Then there was the hit Santería themed tune, ‘Llamé a Changó,’ which was a song that Quique Dávila brought to the band, but had been originally composed by Carlos Pinto, though Quique was given the credit. Dávila also composed ‘Me Queda Un Guaguancó,’ which is Roberto’s favorite song on the record (as well as a fan favorite), with Papo sounding like his friend Héctor Lavoe, and Quique Dávila’s proud manifesto declaring that Puerto Rico now had its own son montuno, ‘Oye Tu Son, Borinquen,’ featuring the pianist’s tasty but brief solo. The cover versions came from the group’s earliest period when most of their repertoire consisted of renditions of beloved but lesser known tunes, and include Louie Ramírez’s ‘Balancéate’ (a favorite of Roberto’s from Ray Barretto’s songbook), Bobby Valentín’s ‘Monina y Ramón’ (recorded during his stint with Willie Rosario), and a bolero indelibly sung by Cheo Feliciano when he was with the Joe Cuba Sextet, ‘Dichoso,’ written by Joe Cuba’s talented pianist, Nick Jiménez. Some of the arranging was done by Cintrón and some by Dávila, though Quique had some help from his old friend from El Combo Moderno, Freddie Miranda, who at that time was with Roberto Roena’s Apollo Sound. Roberto says that the arrangements of the cover tunes were made specifically to be different and more contemporary sounding than the originals. “El Nuevo Montuno Llegó” has become a legendary salsa dura classic from Puerto Rico and we are thrilled to present this first legitimately licensed and remastered vinyl reissue. It includes detailed liner notes that reveal the untold story of the band and their debut album, and rare photos.

pre-order now27.02.2026

expected to be published on 27.02.2026

22,27
Rikk Agnew - All by Myself

Rikk Agnew

All by Myself

12inchMR496
MUNSTER
27.02.2026
  • 1: O.c. Life
  • 2: 10
  • 3: Yur 2 Late
  • 4: Everyday
  • 5: One Shot
  • 6: Falling Out
  • 7: Surfside
  • 8: It's Doing Something
  • 9: Fast
  • 10: Section 8

Rikk Agnew's All by Myself is one of those records that feels like a secret you're lucky to stumble upon -- a raw, weird, totally personal snapshot of a restless artist at a pivotal moment. Originally released in 1982 on Frontier Records, the album stands apart from most of what was coming out of Southern California at the time, even though it was born right in the middle of the exploding hardcore punk scene. By 1982, Rikk Agnew was already a big deal underground. As the guitarist for Adolescents, he helped shape the sound of Orange County hardcore with sharp riffs, surf-inflected melodies, and a sense of urgency that became hugely influential. He also played in bands like D.I. and later Christian Death, moving fluidly between hardcore punk, post-punk, and darker, more experimental territory. Agnew wasn't just a fast, aggressive guitarist -- he was a songwriter with range, curiosity, and a strong DIY instinct. All by Myself lives up to its title in the most literal way. Agnew recorded the album largely on his own, playing all the instruments and handling vocals himself. Instead of delivering another straight-up hardcore record, he went inward. The result is a lo-fi, home-recorded collection of songs that blend punk energy with new wave, post-punk, psychedelic touches, and even moments of pop sensitivity. It's rough around the edges, but that's exactly the point -- the album feels intimate, unfiltered, and honest. In the early '80s, Southern California punk was loud, fast, and often confrontational. Bands were pushing against the mainstream and even against each other, racing toward more extreme sounds. While All by Myself shares that DIY spirit, it doesn't fully play by hardcore rules. The tempos shift, the moods wander, and the songs feel more like personal experiments than scene anthems. That made the record a bit of an outlier at the time -- but also what gives it lasting appeal. Frontier Records was the perfect home for a release like this. The label was known for supporting artists who didn't quite fit into neat categories, and All by Myself captured that ethos perfectly. Today, All by Myself is often seen as a cult classic. For fans of early punk, post-punk, or anyone interested in the roots of DIY recording culture, this album is essential listening

pre-order now27.02.2026

expected to be published on 27.02.2026

23,11
Arthur Russell - Another Thought 2x12"

2026 Repress


Another Thought was the first collection of Arthur Russell’s music to be released after his death in 1992. Released in 1993 on Point Music it marked the beginning of nearly 30 years of work to let the world hear the enormous archive of unreleased recordings Arthur left behind. Be With revisits this first compilation for a new gatefold double vinyl version and a triple-fold digipak CD reissue.

Both versions of Be With’s 2021 reissue of Another Thought have been mastered by Simon Francis and the vinyl cut by Pete Norman. The original artwork has been restored and tweaked at Be With HQ for the gatefold sleeve and the triple-fold digipak, with the essential help of Janette Beckman. Each version comes with an insert reproducing the liner notes and lyrics from the original CD release.

Together with Calling Out Of Context, Soul Jazz’s World of Arthur Russell, and much of the ongoing work of Audika, Another Thought is absolutely essential for even the most casual Arthur Russell collection. In fact we’d argue it’s essential for any fan of non-obvious pop music. This is the only place where you can hear some of Arthur’s most recognisable tunes and it’s an album that absolutely deserves to be kept in press.


We’ll assume that by now you’re all at least a little familiar with the story of Arthur Russell, the farm boy from Iowa who moved to 1970s New York. Arthur Russell the genuine musical genius who died just 40 years old, leaving behind a wealth of music that dwarfed the few 12"s and LPs that were released during his short life.

Although Arthur had been working on an album for Rough Trade during his last years, with the label no-longer operating it was Point Music (Philip Glass and Michael Riesman’s label set up together with Philips) who stepped in to help Arthur’s partner Tom Lee start working out exactly what Arthur had left behind.

Tom suggested that Arthur’s friend Mikel Rouse was the right person to make the first catalogue. Working in Tom and Arthur’s apartment he had only two weeks to go through what turned out to be around 800 tapes.

As Tom explained “at the end of each day he would generally wait for me to come home and I would, to the best of my knowledge, name and identify pieces in question from that day’s work. As he worked Mikel compiled about a dozen cassettes that he thought would present the most finished sounding songs for Don/Point to use. As Don listened he would then suggest and ask me and thus we collaborated on the choices.”

Don is Don Christensen, Another Thought’s producer. With a final selection of songs from recordings made between 1982 and 1990, including sessions with some of Arthur’s regular collaborators Peter Zummo, Steven Hall, Mustafa Ahmed, Elodie Lauten, Julius Eastman, Jennifer Warnes and Joyce Bowden, it was then Don’s job to turn these into a finished album.

Another Thought is a little different from the compilations of Arthur’s music that came out since. In our conversations with Steve Knutson (who founded Audika Records and who manages Arthur’s estate together with Tom), he explained that “more than any project released by Arthur during his lifetime or posthumously by Audika, ‘Another Thought’ is the most worked over. The material was significantly edited and rearranged from the original source tapes”.

If the aim was to release a comprehensive exploration of every facet of Arthur’s music, from the most avant-garde of his avant-garde compositions through to the most disco-not-disco of his disco-not-disco tunes then the project was a spectacular failure. But as a coherent album of non-obvious pop music Another Thought is wonderful.

Starting with the sparse voice-and-cello of the title track, A Little Lost adds some guitar along with the sneaking suspicion that we’re listening to something nowhere near as simple as it first sounds. By the time we get to This Is How We Walk On The Moon - it could be the moment you notice the congas, or the percussion that’s been building behind them, or maybe it’s that blast of trumpet and trombone - we realise we’ve gone from splashing around to being completely submerged in the musical world of Arthur Russell.

From here the album heads off on its journey around the sounds of the left-field contemporary classical music of the time, re-directed towards pop ears, with minor detours through the swirling woozy disco of the half-remembered night before on In The Light Of The Miracle and My Tiger, My Timing. Whether it’s just Arthur, his cello and some bleeps on Just A Blip, or whether he has some vocal help as he does on the bounding Keeping Up, this is difficult music made so, so easy. And through it all is Arthur’s voice and cello. Sometimes drowned in distortion and sometimes clear as a bell, but always there somewhere.

A Sudden Chill finally returns us to the calmer waters we started in and this last track closes the album with a melancholy that’s not surprising given how soon after Arthur’s death the album was put together.

Whilst Another Thought holds together with the consistency of a proper album, there’s still no getting away from the fact that this was put together from audio recorded in different ways, in different places, with different people at different times. Those with keen ears will hear traces of tape hiss, the occasional blown-out note and some digital fuzz, all fingerprints of those original recordings as well as of the 1990s digital equipment that was used to piece Another Thought together.

Add to this Arthur’s obvious pleasure in making music from the sort of sounds that can make microphones, speakers and ears uncomfortable, it’s no surprise that Another Thought isn’t glossy and pristine. Don Christensen’s productions have been careful to not scrub up those original recordings so much that they lose their original vibe, understandable given that Arthur wasn’t around as a guide. We’ve applied a similarly light touch with the mastering for these Be With versions, just working to make sure they sound like they should on both the vinyl and the CD.

Despite the Discogs rumours, Another Thought was never originally released as an LP. So when it came to the sleeve for this Be With vinyl version we took the original CD artwork as a starting point to come up with something that looks like it could have been in the record racks back in 1993.

We have to thank Janette Beckman for helping us reproduce her iconic photograph of Arthur in his newspaper boat hat. One of many photographs she took of Arthur, Janette shot this in her New York studio back in 1986 for a short article in the January ’87 issue of The Face Magazine. Those with eagle-eyes will notice we’ve used an ever-so-slightly different shot from the one that appeared in The Face and then again on the original cover of Another Thought. The original has long since been lost so we’ve worked with what is left in Janette’s archives. And we also have to thank Tom Lee for giving us permission to reproduce his liner notes from the original CD booklet, together with Arthur’s lyrics.

out of Stock

Order now and we will order the item for you at our supplier.

28,19

Last In: 4 years ago
Naoki Zushi - Paradise Lp

Naoki Zushi

Paradise Lp

12inchWOE020LP
World Of Echo
27.02.2026
  • こびと
  • ハレルヤ:左?
  • 孤独のハープ弾き
  • パラダイス:真昼
  • Black Hole
  • 紫の夕べ
  • 目の前の天使達
  • Another Lonely Harpist
  • They’ve Gone, They Will Come
  • パラダイス
  • 童話
  • Spirit In My Hair
 
1

World Of Echo announces the reissue of two remastered albums by Japanese guitarist and songwriter Naoki Zushi, 1988’s Paradise, and 2005’s III. Two classics of Japanese psychedelia, both Paradise and III were originally released on Org Records, the imprint of Shinji Shibayama of acid-folk group Nagisa Ni Te, with whom Zushi has guested on second guitar for decades. Both intimate and expansive, rich with revelatory songwriting and blasted, sky-scouring guitar, these reissues return these albums to print for the first time since the 2000s. It’s the first time III has been officially released on vinyl, with an extra, previously unreleased track, “Under The June Moonlight.”

Recorded in Kyoto’s Townhouse Studios in mid 1987 and released in limited-to-500 vinyl pressing in 1988, Paradise emerged from a scene in Kansai, Japan that was embracing the idiosyncracies of 1970s singer-songwriters, the soaring solos of early seventies psychedelia, and the DIY impulse of 1980s post-punk. While Zushi’s musical history stretched back to the early eighties – he was a founding member of Jojo Hiroshige’s noise outfit Hijokaidan – he found his feet with groups like Hallelujahs, whose dream-pop collection Niku O Kuraite Chikai Wo Tateyo was recently reissued by Black Editions, and Idiot O’Clock.

Paradise appeared two years after that Hallelujahs album and share much the same membership – Zushi’s backing band on several of the songs includes Shibayama on drums and Ken-Ichi Takayama (aka Idiot) on electric guitar, though just as often, Zushi plays all the instruments himself. The coordinates here are wide-reaching – you can hear the volume and intensity of Neil Young & Crazy Horse (on “Hallelujah: Left Side” and “Paradise: Midday”), the slow-motion magic of Galaxie 500, the idiosyncratic spirit of The Only Ones, all mixed up with tender guitar miniatures and stumbling garage-psych-pop moves.

Seven years later, after the transitional album Phenomenal Luciferin, Zushi released III. Perhaps his masterpiece, it’s already been bootlegged on vinyl, but this reissue is the real deal. The album was recorded at Studio Nemu over seven years, and sees Zushi backed by Shibayama (bass) and Masako Takeda (drums), his erstwhile bandmates in Nagisa Ni Te. By this stage, Zushi had started to really stretch out, and many of the songs on III swoon languorously, taking their sweet time to say what they need to say. It’s rich with lovely, melancholy songs, in a similar realm to bandmates Nagisa Ni Te, of course, but you can also hear traces of everything from Syd Barrett’s The Madcap Laughs, through seventies private press loner folk, to the slow-burn meanderings of the likes of early Low or Damon & Naomi.

When interviewed by Shibayama in the mid-nineties, Zushi said of Paradise, “it was a sort of collection of songs that had meant something to me up to that point… it was my paradise. I wanted to create paradise.” That’s something Zushi achieves on both of these albums – visionary Japanese psychedelia, en route to paradise. - Jon Dale

pre-order now27.02.2026

expected to be published on 27.02.2026

23,49
NOTHING - A SHORT HISTORY OF DECAY
  • Never Come Never Morning
  • Cannibal World
  • A Short History Of Decay
  • The Rain Don't Care
  • Purple Strings
  • Toothless Coal
  • Ballet Of The Traitor
  • Nerve Scales
  • Essential Tremors
also available

CANDY CORN VINYL[23,49 €]

Cassette[14,08 €]


Nothing waren schon immer Regelbrecher. Shoegaze-Rebellen, die das typischerweise leichtgewichtige Genre nach ihrem eigenen, knallharten amerikanischen Image neu erfunden haben. Outlaw-Poeten, die existenzielle Ängste auf kilometerbreiten Leinwänden aus Fuzz und Hall ausbreiten. Angefangen als Solo-Projekt in einem Schlafzimmer in Philadelphia im Jahr 2010, hat die Musik von Nothing immer die ganze Bandbreite des Menschseins eingefangen, sowohl die schreiende Wut als auch die flüsternde Traurigkeit. ,A Short History of Decay", das fünfte Soloalbum von Nothing und das erste für Run For Cover Records, erweitert diesen Horizont noch weiter und bietet die bisher hochauflösendste Darstellung von Nothing. Die Band hat noch nie so kolossal geklungen, sich noch nie so intim angefühlt, war noch nie so ehrlich. Mit dem stärksten Arsenal in der sich ständig verändernden Besetzung von Nothing - Gitarrist Doyle Martin (Cloakroom), Bassist Bobb Bruno (Best Coast), Schlagzeuger Zachary Jones (MSC, Manslaughter 777) und dem dritten Gitarristen Cam Smith (Ladder To God, ebenfalls von Cloakroom) - wusste Singer-Songwriter Domenic ,Nicky" Palermo wusste, dass er die nötige Manpower hatte, um das bisher ambitionierteste Album der Band aufzunehmen. Mitgeschrieben und produziert wurde es zusammen mit Whirr-Gitarrist Nicholas Bassett, zusätzliche Produktions- und Mixing-Arbeiten übernahm Sonny Diperri (DIIV, Julie). a short history of decay ist das musikalisch ausgereifteste Statement im Katalog von Nothing. Songs wie ,Cannibal World" und ,Toothless Coal" sind katastrophale Ausbrüche mechanisierten Industrial-Gaze, die wie My Bloody Valentine klingen - nur extremer. Am anderen Ende des Spektrums steht das kunstvoll-düstere ,Purple Strings" mit einem wunderschönen Streicharrangement, an dem die Harfenistin und zweifache Nothing-Mitwirkende Mary Lattimore beteiligt ist. Diese barocke Zartheit durchdringt auch andere Höhepunkte von ,A Short History of Decay", insbesondere ,The Rain Don't Care", eine beschwingte Ballade, die die abgenutzte Eleganz von Mojave 3 kanalisiert, sowie ,Nerve Scales", ein prasselnder Bop, der in seiner Verbindung von jenseitiger Atmosphäre und tödlicher Präzision an Radiohead erinnert. Palermo bezeichnet das neue Album als ,letztes Kapitel". Nicht das Ende von Nothing, sondern der Abschluss einer Geschichte, die mit dem Debütalbum von Nothing aus dem Jahr 2014, Guilty of Everything, begann - einem weiteren Album über Zeit, Reue und die Konfrontation mit unangenehmen Wahrheiten - und nun mit A Short History of Decay ihren Abschluss findet. Es ist ebenso sehr eine Momentaufnahme von Palermos Vergangenheit wie ein Sprung in die Zukunft von Nothing.

pre-order now27.02.2026

expected to be published on 27.02.2026

22,65
NOTHING - A SHORT HISTORY OF DECAY

NOTHING

A SHORT HISTORY OF DECAY

12inchRFCLPC5295
Run For Cover Records
27.02.2026

Nothing waren schon immer Regelbrecher. Shoegaze-Rebellen, die das typischerweise leichtgewichtige Genre nach ihrem eigenen, knallharten amerikanischen Image neu erfunden haben. Outlaw-Poeten, die existenzielle Ängste auf kilometerbreiten Leinwänden aus Fuzz und Hall ausbreiten. Angefangen als Solo-Projekt in einem Schlafzimmer in Philadelphia im Jahr 2010, hat die Musik von Nothing immer die ganze Bandbreite des Menschseins eingefangen, sowohl die schreiende Wut als auch die flüsternde Traurigkeit. ,A Short History of Decay", das fünfte Soloalbum von Nothing und das erste für Run For Cover Records, erweitert diesen Horizont noch weiter und bietet die bisher hochauflösendste Darstellung von Nothing. Die Band hat noch nie so kolossal geklungen, sich noch nie so intim angefühlt, war noch nie so ehrlich. Mit dem stärksten Arsenal in der sich ständig verändernden Besetzung von Nothing - Gitarrist Doyle Martin (Cloakroom), Bassist Bobb Bruno (Best Coast), Schlagzeuger Zachary Jones (MSC, Manslaughter 777) und dem dritten Gitarristen Cam Smith (Ladder To God, ebenfalls von Cloakroom) - wusste Singer-Songwriter Domenic ,Nicky" Palermo wusste, dass er die nötige Manpower hatte, um das bisher ambitionierteste Album der Band aufzunehmen. Mitgeschrieben und produziert wurde es zusammen mit Whirr-Gitarrist Nicholas Bassett, zusätzliche Produktions- und Mixing-Arbeiten übernahm Sonny Diperri (DIIV, Julie). a short history of decay ist das musikalisch ausgereifteste Statement im Katalog von Nothing. Songs wie ,Cannibal World" und ,Toothless Coal" sind katastrophale Ausbrüche mechanisierten Industrial-Gaze, die wie My Bloody Valentine klingen - nur extremer. Am anderen Ende des Spektrums steht das kunstvoll-düstere ,Purple Strings" mit einem wunderschönen Streicharrangement, an dem die Harfenistin und zweifache Nothing-Mitwirkende Mary Lattimore beteiligt ist. Diese barocke Zartheit durchdringt auch andere Höhepunkte von ,A Short History of Decay", insbesondere ,The Rain Don't Care", eine beschwingte Ballade, die die abgenutzte Eleganz von Mojave 3 kanalisiert, sowie ,Nerve Scales", ein prasselnder Bop, der in seiner Verbindung von jenseitiger Atmosphäre und tödlicher Präzision an Radiohead erinnert. Palermo bezeichnet das neue Album als ,letztes Kapitel". Nicht das Ende von Nothing, sondern der Abschluss einer Geschichte, die mit dem Debütalbum von Nothing aus dem Jahr 2014, Guilty of Everything, begann - einem weiteren Album über Zeit, Reue und die Konfrontation mit unangenehmen Wahrheiten - und nun mit A Short History of Decay ihren Abschluss findet. Es ist ebenso sehr eine Momentaufnahme von Palermos Vergangenheit wie ein Sprung in die Zukunft von Nothing.

pre-order now27.02.2026

expected to be published on 27.02.2026

23,49
NOTHING - A SHORT HISTORY OF DECAY (TAPE)

NOTHING

A SHORT HISTORY OF DECAY (TAPE)

CassetteRFCCASS295
Run For Cover Records
27.02.2026

Nothing waren schon immer Regelbrecher. Shoegaze-Rebellen, die das typischerweise leichtgewichtige Genre nach ihrem eigenen, knallharten amerikanischen Image neu erfunden haben. Outlaw-Poeten, die existenzielle Ängste auf kilometerbreiten Leinwänden aus Fuzz und Hall ausbreiten. Angefangen als Solo-Projekt in einem Schlafzimmer in Philadelphia im Jahr 2010, hat die Musik von Nothing immer die ganze Bandbreite des Menschseins eingefangen, sowohl die schreiende Wut als auch die flüsternde Traurigkeit. ,A Short History of Decay", das fünfte Soloalbum von Nothing und das erste für Run For Cover Records, erweitert diesen Horizont noch weiter und bietet die bisher hochauflösendste Darstellung von Nothing. Die Band hat noch nie so kolossal geklungen, sich noch nie so intim angefühlt, war noch nie so ehrlich. Mit dem stärksten Arsenal in der sich ständig verändernden Besetzung von Nothing - Gitarrist Doyle Martin (Cloakroom), Bassist Bobb Bruno (Best Coast), Schlagzeuger Zachary Jones (MSC, Manslaughter 777) und dem dritten Gitarristen Cam Smith (Ladder To God, ebenfalls von Cloakroom) - wusste Singer-Songwriter Domenic ,Nicky" Palermo wusste, dass er die nötige Manpower hatte, um das bisher ambitionierteste Album der Band aufzunehmen. Mitgeschrieben und produziert wurde es zusammen mit Whirr-Gitarrist Nicholas Bassett, zusätzliche Produktions- und Mixing-Arbeiten übernahm Sonny Diperri (DIIV, Julie). a short history of decay ist das musikalisch ausgereifteste Statement im Katalog von Nothing. Songs wie ,Cannibal World" und ,Toothless Coal" sind katastrophale Ausbrüche mechanisierten Industrial-Gaze, die wie My Bloody Valentine klingen - nur extremer. Am anderen Ende des Spektrums steht das kunstvoll-düstere ,Purple Strings" mit einem wunderschönen Streicharrangement, an dem die Harfenistin und zweifache Nothing-Mitwirkende Mary Lattimore beteiligt ist. Diese barocke Zartheit durchdringt auch andere Höhepunkte von ,A Short History of Decay", insbesondere ,The Rain Don't Care", eine beschwingte Ballade, die die abgenutzte Eleganz von Mojave 3 kanalisiert, sowie ,Nerve Scales", ein prasselnder Bop, der in seiner Verbindung von jenseitiger Atmosphäre und tödlicher Präzision an Radiohead erinnert. Palermo bezeichnet das neue Album als ,letztes Kapitel". Nicht das Ende von Nothing, sondern der Abschluss einer Geschichte, die mit dem Debütalbum von Nothing aus dem Jahr 2014, Guilty of Everything, begann - einem weiteren Album über Zeit, Reue und die Konfrontation mit unangenehmen Wahrheiten - und nun mit A Short History of Decay ihren Abschluss findet. Es ist ebenso sehr eine Momentaufnahme von Palermos Vergangenheit wie ein Sprung in die Zukunft von Nothing.

pre-order now27.02.2026

expected to be published on 27.02.2026

14,08
VARIOUS ARTISTS - Teekyu BEST 2x12
  • A01: Teekyu For The Fallen Aristocracy
  • A02: Menimenimanimani
  • A03: Nufuto Teekyu Potlatch
  • A04: Fat And Shangri-La
  • B01: Qunka!
  • B02: Very Safari
  • B03: Tough Guy Vs. Sumo Wrestler
  • B04: Tonight, Festivable
  • Disc 2
  • C01: After Twilight
  • C02: Golden Cinderella ~The Magic Won't End At Midnight~
  • C03: Run! Usakame High School Tennis Club!!
  • C04: Promise You
  • D01: Gluten Elegy
  • D02: I Don't Understand Japanese
  • D03: Dream First Oath!
  • D04: Good Luck! Blessings! Hot Weather Song

The best-of soundtrack from the popular sports comedy manga / anime series ‘Teekyu’, previously only available on CD, is finally being released on vinyl
double-LP with Obi strip!

pre-order now27.02.2026

expected to be published on 27.02.2026

84,24
Cootie Catcher - Something We All Got LP

There’s an alternate reality where everyone makes a living wage and the cleanest buses you’ve ever seen arrive every other minute. Where the most intense songs are about confessing your love to a crush at the apple orchard, and where gentle feelings and chaotic energy are inseparable best friends. This is the timeline where Cootie Catcher is right at home. This Toronto based four-piece exudes both vulnerability and unbridled excitement, creating a sound that hypercharges the open-hearted tenderness of twee pop with spiraling synths and giddy electronics. New album Something We All Got is the clearest and most vibrant reading of Cootie Catcher’s vision yet, with songs of sweetness, nervousness, and expectancy that beam out unguarded.
After releasing music made primarily in basement recording environments, Something We All Got is the band’s first flirtation with studio recording. The edges are still sharp, however, with some parts assembled from time-honored lo-fi methods and fun, personally-sourced samples seeping into the production. The sound is explosive and upbeat, with euphoric guitars, bubbly synth lines, speedy drums both played and programmed, and all other manner of sound constantly colliding. Cootie Catcher has three songwriters, Sophia Chavez, Anita Fowl, and Nolan Jakupovski, all of whom have distinctive voices but still manage to overlap in their writing on shared concerns like navigating the lines of romantic and platonic relationships, their city’s social scenes, and struggles in both the microcosmic experience of playing in a band and the zoomed-out challenges of living through late-stage capitalism.
Joy still touches every surface of Something We All Got. “Quarter Note Rock” bounces around the room in a fit of jangling guitar chords, scratched samples, and interplay between breakbeat loops and somersaulting live drums. It’s a blast of positivity even with lyrics about how disappointing it can be to meet your heroes. A smiling electro pop instrumental supports lyrics about having to step painfully away from an almost realized love on “Gingham Dress,” a song that subverts themes of domesticity as a backdrop for the dashed wilt of hopeless devotion.
Cootie Catcher rolls down hills and jumps through flaming hoops throughout Something We All Got without ever dumbing down the visceral emotions that drive these songs. There’s a palpable tension between the band’s exhilarating sonics and the raw, often uneasy sentiments expressed, but it’s an integral part of what makes them unique. Rather than hide behind the kind of calculated vagueness that plagues so much of the indie rock landscape in the time of cursed algorithms, Cootie Catcher runs full-speed toward every confusion and excitement, fearlessly direct and embracing the reality they’re in.

pre-order now27.02.2026

expected to be published on 27.02.2026

22,65
Various - Hogan, The Hawk And Dirty John Crown (LP)

This is that absolute stank-face filth: hard, espionage drama-soul and tough, jazzy street-funk. Hogan, The Hawk & Dirty John Crown sounds like the soundtrack of a blaxploitation movie from the early 70s and, packed with funky fusion and smoother orchestral numbers, it is basically that.

Featuring a veritable who's who of killer library break snakes - Alan Parker, Alan Hawkshaw (under sneaky alias William Parrish), Simon Haseley, Reg Tilsley and Gordon Grant - it's not hard to see how this commands over £350 on secondary markets.

This beautifully presented reissue, part of Be With's fresh campaign with the legendary library label Music De Wolfe, is well overdue.

Recorded for De Wolfe in 1972, Hogan, The Hawk, Dirty John Crown is a fantastic start-to-finish listen. The flute-funk of Hawkshaw and Parker's opener "The Hawk" comprises driving, fuzzy, wah-wah-drizzled bell-laced breaks with synths and basslines to murder for. Up next, Haseley's "The Happening" is a carefree, rhythmic builder with strings and horns. Let's face it, it doesn't prepare us for the monster that follows...

Hawkshaw and Parker's amazing "Main Chance" is likely the reason you're here; it's a moody, beaty proto-hip-hop banger; all rolling drums and flute-laced, organ-drenched, synth-funk breaks. Just sensational - you'll want to play it again and again and again.

The cool AF "Hogan Baby" has a soft, rounded, bluesy feel - it's a lighter number and Haseley's work here sounds more than a little indebted to Burt Bacharach. It's melancholic, reflective and contains ace breaks with beautiful flutes and wistful horns. It's just gorgeous. Grant's pounding "Dirty John Crown" brilliantly conjures swirling string-swept serenity atop driving, incisive drama-funk breaks. Sublime. Hawkshaw and Parker come roaring back with the murky, creeping crime-funk of "Swarf" with killer basslines underpinning slow-mo high-class flute-funk.

Reg Tilsley enters the fray with the bright, snappy, carefree "Turnover". It's lightweight but still retains some nice orchestral movements. The brief “Tarantula” gets us back on track - from the pen and chops of Hawkshaw and Parker, are we surprised? - with the driving crime funk breaks, super clean yet brooding. Synths, sax and 'nuff guitars. YES.

Side 2 opens with the car chase swag of Haseley's dramatic, driving "Precinct". Jazzy, instrumental flute funk over great percussive breaks. We love this. Haseley's rolling "Sidewinder Version 1" is robust and exuberant with bouncy horns before a cracking Parker-Hawkshaw one-two featuring the tense "Pressure" and the deeply soulful "Call Me", a relaxed, medium-tempo organ feature. With building piano and strings Gordon Grant's excellently titled "Scorch" is as aggressive and dramatic as you'd hope. Hawkshaw and Parker's furtive flute-funk of "Digger" precede the light, melodic and romantic themes of Tilsley's "Marianne" whilst "Sidewinder Version 2", a faster iteration of Track B2 sees Haseley close out this remarkable set in bouncy, bright fashion.

The audio for Hogan, The Hawk, Dirty John Crown has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

pre-order now27.02.2026

expected to be published on 27.02.2026

26,01
Boy Deco with Quantum Keys - Sap

It’s a unique universe with a distinct mood. Boy Deco’s SAP LP cements his offbeat artistic vision in a laid-back retro pop style. With distorted guitar riffs, wildly original arrangements and toplines that amplify the project’s intentional sense of ease, SAP is one of those rare gems you don’t forget and keep coming back to whenever you need to unwind.

pre-order now27.02.2026

expected to be published on 27.02.2026

24,58
Eternal Journey - The Arrangements And Productions of Charles Stepney (2x12")
  • 1: Dear Prudence - Ramsey Lewis
  • 2: Les Fleur - Minnie Riperton
  • 3: It's All Up To You - The Dells
  • 4: By The Time I Get To Phoenix - Billy Stewart
  • 5: Stand Up And Be Counted - Meditation Singers
  • 1: Love Has Fallen On Me - The New Rotary Connection
  • 2: What Color Is Love - Terry Callier
  • 3: Brother Where Are You - Marlena Shaw
  • 4: More And More - Little Milton
  • 5: Eternal Journey - Ramsey Lewis
  • 1: California Soul - Marlena Shaw
  • 2: Can't Catch The Trane - Terry Callier
  • 3: The Love We Had (Stays On My Mind) - The Dells
  • 4: Teach Me How To Fly - Rotary Connection
  • 5: More And More - Phil Upchurch
  • 1: I'm High Again - Bo Diddley
  • 2: Let's Spend The Night Together - Muddy Waters
  • 3: Smokestack Lightning (1969 Version) - Howlin' Wolf
  • 4: Girl You Lit My Fire - Junior Wells
  • 5: I'm Gonna Keep It To Myself - Buddy Guy
pre-order now27.02.2026

expected to be published on 27.02.2026

32,35
Cranes - Particles and Waves LP
  • 1: Vanishing Point
  • 2: K56
  • 3: Every Town
  • 4: Here Comes The Snow
  • 5: Particles & Waves
  • 6: Avenue A
  • 7: Astronauts
  • 8: Far From The City
  • 9: Streams
  • 10: Light Song

Cranes is a dream pop/shoegaze band formed by siblings Alison and Jim Shaw who rose to stardom following a world tour with the Cure in 1992. After the influential Dedicated label folded in 1998 they went on a two-year hiatus after which they se up their own label Dadaphonic. Here, they released three studio albums between 2001 and 2008, of which this record is their penultimate. This record, as any other on their label, strikes the perfect balance between their typical 90s alt rock underpinnings and modern electronica. Downtempo beats and swirling effects combined with jangly guitars and Alison Shaw's mysterious vocal presence make for a deep and subdued album, in the best way possible. Fans of the band have been requesting a vinyl release for quite a while now and to them we say: ask and you shall receive. Particles & Waves is available on vinyl for the first time as a limited edition of 1000 individually numbered copies on Crystal Clear, Blue & White Marbled vinyl.

pre-order now27.02.2026

expected to be published on 27.02.2026

32,98
Philipp Gropper's Philm - 2025 LP
 
1

Schwarzes Vinyl, 140g. Fast sieben Jahre nach ihrem letzten Release, zahlreichen internationalen Touren, und dem Preis als Beste Band beim der ersten Ausgabe des Deutschen Jazzpreis 2021, veröffentlicht PHILM am 27. Januar 2026 gleich zwei neue Alben. "2025" wurde im Kölner Loft im April 2025 live aufgenommen. Der Sound ist hier düsterer, emotionaler. Die beiden Stücke "no words" I und II sind dafür ein gutes Beispiel, beschäftigen sie sich mit der Fassungslosigkeit und dem Entsetzen angesichts aktueller Krisen, Kriege und der immer wieder zerstörerischen Rolle des globalen Nordens. Zwischen Dissonanz und Schönheit eröffnet sich ein weites Feld der Gefühle. Mit 2024 und 2025 schlagen PHILM ein neues Kapitel für sich auf, spitzen ihr seit langem und zu Recht gefeiertes konsequentes Verständnis von Jazz, von Erzählen durch Musik, weiter zu, durchaus stilprägend für die europäische Avantgarde.

pre-order now27.02.2026

expected to be published on 27.02.2026

23,95
EXEK - PROVE THE MOUNTAINS MOVE

EXEK

PROVE THE MOUNTAINS MOVE

12inchDFALP2731
DFA Records
27.02.2026out soon
 
2

Seit etwas mehr als einem Jahrzehnt hat sich EXEK ganz leise zu einer der faszinierendsten Bands der Welt entwickelt, die sich von Album zu Album verändert und weiterentwickelt und sich nach und nach geöffnet hat, ohne jemals diese seltsame, unergründliche und insgesamt essentielle Eigenschaft zu verlieren, die sie so großartig gemacht hat - so EXEK-mäßig. Nun bringt die Post-Punk-Band aus Melbourne - Sänger und Chefarchitekt Albert Wolski, Gitarrist Jai Morris-Smith, Schlagzeuger Chris Stephenson, Synthesizer-Spezialist Andrew Brocchi, Trompeterin und Sängerin Valya YL Hooi und Bassist Ben Hepworth - ihr siebtes Album und erstes für DFA raus: ,Prove The Mountains Move". Es ist, wie Wolski sagt, ,ein bisschen epischer" als alles, was er bisher aufgenommen hat, ein üppiges und unverhohlen melodisches Set surrealistischer Popmusik, das sich in Widersprüchen suhlt. ,Dieses Album ist in seiner Machart experimentell", sagt Wolski, ,aber es klingt nicht unbedingt experimentell." Dafür gibt es einen guten Grund. Die Arbeit begann an einem kalten Nachmittag im Juni 2023, als Wolski und Stephenson sich in den Pelican Refill Studios in Melbourne trafen, um die Drums aufzunehmen - das erste, was sie immer machen. Danach ging Wolski alleine nach Hause und fing an, die aufgenommenen Beats und Breaks durchzugehen, wobei er sich von den Drum-Sounds zu Melodien und Basslines leiten ließ, Loops und Layers erstellte und so die Grundlage für ,Prove The Mountains Move" schuf. ,Ich fühle mich wohl dabei, alleine wie ein verrückter Wissenschaftler herumzutüfteln", sagt er. ,Ich habe es auch genossen, ohne klare Absicht auf Aufnahme zu drücken. Meistens führte mich das in eine interessante Richtung, die mein Bewusstsein wahrscheinlich nicht gesucht hätte." Und doch gelangte Wolski irgendwie zu seinem direktesten Werk seit Beginn des Projekts, neu inspiriert von der Klarheit und Prägnanz des Mainstream-Pop, der starken und unbestreitbaren Anziehungskraft einer einfachen Gesangsmelodie. Nachdem die berühmt-berüchtigten strengen COVID-Lockdowns in Melbourne beendet waren, wollte er einfach draußen bleiben. ,Die Arbeit an neuer Musik trat gegenüber dem Feiern mit Freunden in den Hintergrund", sagt er. ,Und diese Partys waren voller großer Hits als Soundtrack - Sachen, die ich selbst nicht wirklich hörte, Sachen, denen ich seit meiner Jugend nicht mehr begegnet war. Aber in den frühen Morgenstunden des Sonntags klingt ,Alive" von Pearl Jam, als würde man mit Gott sprechen. Genauso wie ,All I Wanna Do" von Sheryl Crow und ,Feel" von Robbie Williams. Krautrock und Dub waren immer noch in meiner DNA, aber die Musik, die ich zu machen begann, war vielleicht etwas unbeschwerter und vielleicht auch etwas emotionaler." Das heißt nicht, dass man hier Spuren von Eddie Vedder in Wolskis Gesang erwarten sollte, aber die Einsätze fühlen sich auf ihre eigene Weise ähnlich an - so klingt es, wenn EXEK wirklich alles geben. Nimm zum Beispiel die schwebenden Synthesizer des Openers ,Sidestepping" oder die gewaltigen Gitarren von ,Arriverderci Back Pain", die pyrotechnischen Klavierklänge von ,Don't Answer (When They Call)" oder die Bowie-artige Melancholie von ,You Have Been Blessed". Die Arrangements wirken offener, der Sound fokussierter. Es fällt nicht schwer, Wolski zu glauben, wenn er sagt, dass er viel Zeit damit verbracht hat, seine Mixe von ,Prove The Mountains Move" mit einigen der wichtigsten Alben, die je aufgenommen wurden, darunter ,Abbey Road", zu vergleichen. Aber alles ist relativ. Und textlich bleibt Wolski weiterhin verschlüsselt. ,Jeder Song ist eine Vignette in einem abstrakten Milieu, sei es ein experimentelles Chiropraktik-Geschäft am Flughafen oder spärlich bekleidete Kreaturen aus Staub in einem Food Court. Egal wie verrückt das auch sein mag, es gibt Themen und Motive auf dem gesamten Album, sowohl textlich als auch musikalisch, die sich in verschiedenen Songs widerspiegeln und aufeinander Bezug nehmen." Diese Dissonanz zwischen direkt und indirekt, glatt und strukturiert, schattig und glühend, verrückt und ausdruckslos ist die treibende Kraft im Herzen dieser Songs, seiner bisher besten.

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This item has not yet been released. You can pre-order the product now.

23,49
ADMIRAL FREEBEE - RAW FUN

ADMIRAL FREEBEE

RAW FUN

12inchNL004
NOORDERLAAN
27.02.2026

Uw energieboost in plaatvorm: zo klinkt de nieuwe Admiral Freebee. Geboren uit een oerdrive om samen met zijn vrienden slash helden muziek te maken en de studio in te duiken. Openingstrack Seeking A Friend zet meteen de toon: drums zwellen aan, een snedige riff valt in en Tom Van Laere giet er een rauw ‘Armageddooon’ over uit. De wereld staat in brand en Admiral Freebee is er niet blind voor, maar het spelplezier staat voorop. Uptempo, groovy, dansbaar zelfs, met synths en welgemikte opzwepende HEY’s: negen songs lang spatten good times uit de muziek, van eerste single Q&A With Myself over knallers als Future Fathers Of Utopia en The Hunger. Zoals we van Admiral Freebee gewend zijn, is er ook ruimte voor humor en een introspectieve blik. Maar vergis je niet, een schoothondje is hij niet (No One’s Puppy). In slottrack Dog That Never Dies gaat de voet van het gaspedaal en legt het enige ingetogen nummer het album neer, als een synthese van alle thema’s die aan bod komen. En we mogen gerust zijn: met Admiral Freebee gaat het goed, en zowel hij als zijn muziek lopen over van het plezier. Even alle zorgen vergeten en genieten van pure fun.

——————————————————

Your energy boost in record form: that’s how the new Admiral Freebee album sounds. Born from a primal desire to make music with his friends aka heroes and dive into the studio. Opening track Seeking A Friend sets the tone: drums swell, a sharp riff takes centre stage and Van Laere lets out a raw ‘Armageddooon’. The world is on fire and Admiral Freebee does not turn a blind eye, but first we have some fun. Uptempo, groovy, danceable even, with funky synths and a bunch of infectious HEYs: for nine songs good times are all over the place, from first single Q&A With Myself to bangers like Future Fathers Of Utopia and The Hunger. As always with Admiral Freebee, there’s also room for humor and he doesn’t shy away from introspection either. And make no mistake: Tom Van Laere is no lapdog (No One’s Puppy). Closing track Dog That Never Dies is the only intimate song on the album and sounds like a synthesis of all the album’s themes. And rest assured: Admiral Freebee is doing fine, and both him and his music are bursting with joy. So leave your worries behind for a moment and have some raw fun.

Picture by Ed Templeton/ Courtesy Tim Van Laere Gallery

Artwork by Jelle Jespers

Admiral Freebee is Tom Van Laere – Tim Coene, Senne Guns en Laurens Billiet. Recorded in summer 2025.

pre-order now27.02.2026

expected to be published on 27.02.2026

23,95
Kostenfalle - Das Geflecht

Hamburg is sinking into an ever-expanding landscape of fresh construction ruins born from investor fantasies, concrete monster-bridges and ghostly office spaces. But from secret basements, a Geflecht begins to grow. After the first tape by Hamburg duo Kostenfalle, now comes their second album on vinyl.

The furious electropunk of Kostenfalle has been cut into the matrix at 45 RPM. Nine
songs in the fast lane, driven by sequencers, synthesizers, drum machines, and bass guitar. Despite the electronic machinery, Kostenfalle remain fiercely dynamic, twisting and shifting through intricate structures and sudden turns. Punk and Electronic Body Music lock into a dance; without warning we’re plunged into a psychedelic riff, only to slam angrily into the next guardrail.

With alternating vocals, Christian manning the transistors, Philipp holding the bass, the lyrics emerge dark and oblique, meditating on life as a one-dimensional human and on the spaces between people. Boycott and sabotage. Explode and generate.

pre-order now27.02.2026

expected to be published on 27.02.2026

20,38
HATING LIFE - REVENGE FROM BEYOND
  • Into The Grave
  • The Eternal Embrace
  • A Somber Night
  • Rebellion Against The Vile
  • Revenge From Beyond
  • The Sense Of Fear

If you know your death metal history, you are then well aware that 'Hating Life' stands for one of GRAVE earliest and gnarliest demo days classics, later on rerecorded on their immortal debut 'Into The Grave', later on once again used as the title of their fourth full-length, back in 1996. So when a brand new entity proudly waving an old-school death metal flag and bearing the same name seemingly creeps out of nowhere, you're entitled to except the same kind of HM-2 drenched, tribute-in-disguise and downtuned death metal innit? Well, for the time being, the answer would be yes. And no at the same time. Not so hidden behind the whole thing is Santi, guitar player and founding member of ATARAXY, one of Spain most respected and relentless old-school death metal outfit since 2008. "The whole process was very spontaneous, the result of me jamming with a Gibson Les Paul and a HM-2 pedal and ending up soon with great riffs, melodies and plenty of ideas. With ATARAXY having now a very specific personality, it felt great to rediscover primitive death metal roots." Describing HATING LIFE overall sound as "putrid and raw", he doesn't deny the obvious GRAVE nod, especially since the opening track/intro of their debut recording is simply called 'Into The Grave'. "You can call it a tribute or a declaration of intent. The first GRAVE material was and remains a clear exponent, among many others, of the kind of death metal that truly motivated me to compose the tracks for this."

pre-order now27.02.2026

expected to be published on 27.02.2026

26,01
MITSKI - NOTHING'S ABOUT TO HAPPEN TO ME

Auf ihrem achten Album "Nothing's About to Happen to Me" erzählt Mitski, musikalisch unterstützt von ihrer Band und einem Orchester, eine vielschichtige, verrätselte Geschichte, in deren Mittelpunkt eine Frau steht, die zurückgezogen in einem verwahrlosten Haus lebt. Außerhalb ihres Zuhauses ist sie eine Außenseiterin; innerhalb ihres Zuhauses ist sie frei. Mitski schrieb alle Stücke auf "Nothing's About to Happen to Me". Das Album, produziert und aufgenommen von Patrick Hyland und gemastert von Bob Weston, setzt die musikalische Linie von "The Land Is Inhospitable and So Are We" (2023) fort. Eingespielt wurde es live von Mitskis Tourband The Land. Die Orchesteraufnahmen, arrangiert von Drew Erickson fanden in den Sunset Sound und TTG Studios statt, die Tontechnik übernahm Michael Harris. Mitski ist "die faszinierendste und geheimnisvollste Musikerin des Indie-Rock" (Rolling Stone), die sich "immer wieder auf brillante und wunderbare Weise weiterentwickelt" (NPR Music). Im Laufe ihrer Karriere hat sie bislang sieben Alben veröffentlicht, vier davon erreichten Goldstatus. Ihr Stück "My Love Mine All Mine" ist ein Welthit und erreichte Vierfach-Platin. Zu Mitskis vielfältigen Kollaborationen mit anderen Künstler:innen zählen zwei Co-Writing-Beiträge für das aktuelle Florence and the Machine-Album "Everybody Scream", sowie eine Zusammenarbeit mit David Byrne und Son Lux für den Oscar-nominierten Film "This Is A Life". Derzeit schreibt sie Musik und Texte für die Musical-Adaption von "Das Damengambit". Ihre Konzerte, die Variety als "faszinierende Bewegungsstudie" bezeichnet hat, wurden auch als "hochstilisiert, brillant umgesetzt, supercool" (Philadelphia Inquirer) und "ungewöhnlich, rätselhaft und absolut fesselnd" (The Guardian) beschrieben. Ihr erster Konzertfilm "Mitski: The Land" lief im Oktober 2025 in über 600 Kinos weltweit und festigte ihren Ruf als "eine der wenigen Indie-Stars, die sich den großen Durchbruch verdient haben" (Uproxx). Er erschien zeitgleich mit dem Live-Album "The Land".

pre-order now27.02.2026

expected to be published on 27.02.2026

23,49
MITSKI - NOTHING'S ABOUT TO HAPPEN TO ME (TAPE)

Auf ihrem achten Album "Nothing's About to Happen to Me" erzählt Mitski, musikalisch unterstützt von ihrer Band und einem Orchester, eine vielschichtige, verrätselte Geschichte, in deren Mittelpunkt eine Frau steht, die zurückgezogen in einem verwahrlosten Haus lebt. Außerhalb ihres Zuhauses ist sie eine Außenseiterin; innerhalb ihres Zuhauses ist sie frei. Mitski schrieb alle Stücke auf "Nothing's About to Happen to Me". Das Album, produziert und aufgenommen von Patrick Hyland und gemastert von Bob Weston, setzt die musikalische Linie von "The Land Is Inhospitable and So Are We" (2023) fort. Eingespielt wurde es live von Mitskis Tourband The Land. Die Orchesteraufnahmen, arrangiert von Drew Erickson fanden in den Sunset Sound und TTG Studios statt, die Tontechnik übernahm Michael Harris. Mitski ist "die faszinierendste und geheimnisvollste Musikerin des Indie-Rock" (Rolling Stone), die sich "immer wieder auf brillante und wunderbare Weise weiterentwickelt" (NPR Music). Im Laufe ihrer Karriere hat sie bislang sieben Alben veröffentlicht, vier davon erreichten Goldstatus. Ihr Stück "My Love Mine All Mine" ist ein Welthit und erreichte Vierfach-Platin. Zu Mitskis vielfältigen Kollaborationen mit anderen Künstler:innen zählen zwei Co-Writing-Beiträge für das aktuelle Florence and the Machine-Album "Everybody Scream", sowie eine Zusammenarbeit mit David Byrne und Son Lux für den Oscar-nominierten Film "This Is A Life". Derzeit schreibt sie Musik und Texte für die Musical-Adaption von "Das Damengambit". Ihre Konzerte, die Variety als "faszinierende Bewegungsstudie" bezeichnet hat, wurden auch als "hochstilisiert, brillant umgesetzt, supercool" (Philadelphia Inquirer) und "ungewöhnlich, rätselhaft und absolut fesselnd" (The Guardian) beschrieben. Ihr erster Konzertfilm "Mitski: The Land" lief im Oktober 2025 in über 600 Kinos weltweit und festigte ihren Ruf als "eine der wenigen Indie-Stars, die sich den großen Durchbruch verdient haben" (Uproxx). Er erschien zeitgleich mit dem Live-Album "The Land".

pre-order now27.02.2026

expected to be published on 27.02.2026

14,08
Mola - Liebe Brutal LP

Mola

Liebe Brutal LP

12inchESK205-V2
Eskapaden
27.02.2026

2026 Repress

MOLA - fierce gutter pop, bittersweet ballads and roaring indie anthems oscillating between heartbreak, chaos and radical connection. On Liebe Brutal (out 26.09.2025), raw emotion meets sharp irony, Italo-drama meets pogo energy. Isabella Streifeneder and producer Markus Harbauer deliver their most direct, dynamic and vulnerable record to date - brutally honest, brutally beautiful.

pre-order now27.02.2026

expected to be published on 27.02.2026

26,01
Ben Kweller - Cover The Mirrors LP
  • A1: Going Insane
  • A2: Dollar Store (Feat. Waxahatchee)
  • A3: Trapped
  • A4: Park Harvey Fire Drill
  • A5: Depression (Feat. Coconut Records)
  • A6: Don't Cave
  • B1: Optimystic
  • B2: Brakes
  • B3: Killer Bee (Feat. The Flaming Lips)
  • B4: Letter To Agony
  • B5: Save Yourself
  • B6: Oh Dorian (Feat. Mj Lenderman)

San Francisco–born singer-songwriter Ben Kweller returns with Cover The Mirrors, his seventh studio album — and perhaps his most personal work to date. Known in the late ’90s as a member of post-grunge outfit Radish, who were signed to Mercury Records and even counted Nils Lofgren among their fans, Kweller has since carved out a long and prolific solo career rooted in melodic indie rock and unfiltered emotion. Cover The Mirrors is a deeply poignant record, written in honour of what would have been Kweller’s late son Dorian Zev’s 19th birthday. It also marks Kweller’s first release since Dorian’s tragic passing in 2023 — an event that reshaped both his life and his music. Far from retreating into silence, Kweller channels his grief into a collection of songs that explore loss, love, and renewal with raw honesty. “This is the most personal, emotionally raw project I've ever worked on,” he reflects, and every track bears that truth. The album features an impressive roster of collaborators from across the indie landscape: Waxahatchee joins on “Dollar Store,” a sparse and arresting song built on two vocals and a guitar that eventually erupts into a distorted, soaring finale; MJ Lenderman lends his touch to “Oh Dorian,” a tender tribute steeped in warmth and melancholy; Jason Schwartzman resurrects his mid-aughts project Coconut Records for the haunting “Depression”; and psych-rock icons The Flaming Lips appear on the shimmering, otherworldly “Killer Bee.” Musically, Kweller’s craft is as sharp and sincere as ever — intimate yet expansive, stripped-down yet powerful. Cover The Mirrors captures an artist walking through grief with purpose, turning heartbreak into something both fragile and transcendent. It’s the sound of Ben Kweller looking loss directly in the eye — and finding beauty, courage, and connection reflected back. - “One of the great American songwriters” – Jack Antonoff TRACKLIST: A1. Going Insane A2. Dollar Store (feat. Waxahatchee) A3. Trapped A4. Park Harvey Fire Drill A5. Depression (feat. Coconut Records) A6. Don't Cave B1. Optimystic B2. Brakes B3. Killer Bee (feat. The Flaming Lips) B4. Letter To Agony B5. Save Yourself B6. Oh Dorian (feat. MJ Lenderman) Clear Vinyl LP

pre-order now27.02.2026

expected to be published on 27.02.2026

28,53
SWEET - PLATINUM RARE 1 2x12"

SWEET

PLATINUM RARE 1 2x12"

2x12inch2919407MV
Metalville
27.02.2026
  • A1: Ballroom Blitz (Rough Mix)
  • A2: Idc Jam
  • A3: Midnight To Daylight (Outtake)
  • A4: Show Me The Way (Alternative Mix)
  • A5: Log One (That Girl) (Brian Vox)
  • A6: Cover Girl (Band Demo)
  • B1: Love Is Like Oxygen (Instrumental)
  • B2: Windy City (Band Demo)
  • B3: Falling In Love
  • B4: Yesterday's Hero
  • B5: Live For Today (Rough Mix)
  • B6: New Shoes
  • C1: Rebel Rouser (Steve Vocal)
  • C2: Fire Engine
  • C3: Blockbuster (Rough Mix)
  • C4: Play All Night (Brian Vox)
  • C5: Strong Love (Outtake)
  • C6: Teenage Rampage (Rough Mix)
  • D1: California Nights (Band Demo)
  • D2: Hellraiser (Rough Mix)
  • D3: Where Do We Go From Here
  • D4: Silverbird (Band Demo)
  • D5: Maggie
  • D6: Lettres D'amour (Band Demo)
  • D7: Lost Angels (Extended Rough Mix)

‘Platinum Rare 1’ contains extremely rare recordings by the four original SWEET members. The legendary glam/hard rock band continues to thrill fans all over the world to this day. Over the years, SWEET have sold more than 55 million records and reached 34 number 1 chart positions. The songs on ‘Platinum Rare 1’ come from the private archive of SWEET guitarist Andy Scott and were personally selected by him. Fans of the band will be thrilled with this collection of rare and alternative takes and mixes. Many of the songs on the album have never before seen the light of day on a regular SWEET release. ‘Platinum Rare 1’ is an absolute enrichment for every true fan of SWEET.

pre-order now27.02.2026

expected to be published on 27.02.2026

41,98
Blundetto - Cousin Zaka Vol. 3
  • A1: Les Marie Louise
  • A2: Ces Gredins De Légumes
  • A3: Le Rêve De La Maison Dans La Maison
  • A4: Coteau Caché
  • A5: La Paix Du Dimanche
  • B1: Ce Que Le Chien Veut
  • B2: A Qui N'a Rien
  • B3: Le Jus D'une Cerise
  • B4: Sur Les Chemin De Contrebande
  • B5: Les Morsures D'escargo
also available

Vol.2[17,94 €]


With the album Cousin Zaka Vol. 3, Blundetto is closing the series he began in 2019, ending it on a psychedelic note.

A voodoo spirit of harvests, Zaka is the guardian of agricultural activities and, by extension, a protector of nature.


It is under his protection that Max Guiguet delivers his wandering music and instrumental escapades — those in-between states he strives to capture in his notebooks, mood journals composed between each album and collaboration.

Rooted in the landscape and nourished by long observation, it allows itself to distort, stretch and blur the outlines of this peaceful scenery.

For this last volume of Cousin Zaka, the atmosphere is psychedelic, hippie, and free.


A freedom drawn as much from the poetry of Francis Picabia as from that of musicians Pierre Barouh, Moondog, and Eden Abhez — free spirits whose work informed the composition of this record. The idea is to take a path and let oneself be carried away, to drift as one would during a long walk in the forest.

Cousin Zaka, Vol. 3 is a wide, gentle experience, reminiscent of 1970s freedoms.

pre-order now27.02.2026

expected to be published on 27.02.2026

23,49
NIGHT PUNCH - GODISNOWHERE
  • Intro
  • When Dailight Fades Away
  • Ash Williams
  • Noble Rot
  • Sietra Rivera
  • Black Art & Alchemy
  • Oh Dae Su
  • The Endless Longing Of A Guillotine

Night Punch sind fünf Musiker aus Hamburg, die einen einzigartigen, apokalyptischen Sound zwischen Hardcore Punk, Dark Punk und kalten Synth-Elementen formen. Mit ihrem 2023 erschienenen Album "Where Sins Bloom (So Does Death)" lieferten sie eine gnadenlose, 32-minütige Klangattacke aus druckvollen Schlagzeug- und Bass-Teppichen, sägend verzerrten E-Gitarren, eisigen Synth-Flächen und wütenden Vocals, roh, kompromisslos und tief in einer düsteren Klangästhetik verankert. Seit ihrer Gründung hat sich um Night Punch, deren Identität stets in Masken zerfällt, eine treue Szene gebildet; sie veröffentlichen limitierte Tapes und Vinyls, spielen auf Festivals wie dem Get Lost! Fest und überzeugen mit intensiven, energiegeladenen Live-Shows, die den DIY-Ethos der Band unmittelbar spürbar machen. 2026 setzen sie diesen Weg mit dem Album "godisnowhere" fort: noch härter, direkter und aggressiver als der Vorgänger, ohne den eigenen Klangkern aufzugeben. Die Songs wirken dichter, kantiger und unerbittlicher, behalten aber die vertraute Mischung aus massiver Rhythmik, apokalyptischer Stimmung und nihilistischer Wucht bei. Eine weitere Eskalationsstufe im kompromisslosen Kosmos von Night Punch

pre-order now27.02.2026

expected to be published on 27.02.2026

11,98
The Gloom in the Corner - Royal Discordance LP 2x12
  • 1: The Problem With Apocalyptic Tyranny
  • 2: You Didn't Like Me Then (You Won't Like Me Now)
  • 3: Painkiller Soliloquy
  • 4: Short Range Teleportation (A Guide To Guerrilla Warfare)
  • 5: Nope (Hollow Point Elysium)
  • 6: Angel's Wrath Whiskey
  • 7: Shadow Rhapsody Ii
  • 8: Assassination Run
  • 9: That's Life (Carry Me Home)
  • 1: Army Of Darkness
  • 2: Love I: A Quaver Through The Pale
  • 3: Love Ii: A Walk Amongst The Poppy Fields
pre-order now27.02.2026

expected to be published on 27.02.2026

50,63
M4 (Medina) - Reset Series (Music for Stress Reduction and Creative Meditation) (MC)
  • A1: Reset Series Part I
  • B1: Reset Series Part Ii

Iñigo Medina aka M4 explores the profound convergence of two disciplines that share a common foundation: the manipulation of vibration and resonance to transform consciousness and space: Yoga and Electronic Music.
While Yoga balances the body's energetic vibrations through breath, posture, and meditation, electronic music employs sustained tones, slowly shifting sequences, and atmospheric textures that induce trance states and align with meditative brainwave patterns.
"Reset Series" is characterized by atmospheric, non-danceable soundscapes built on repetitive sequences and arpeggios that slowly evolve, often processed through delay and reverb. Both yoga sequences and M4 compositions (the full track is almost an hourlong, divided into two parts) unfold gradually over extended durations . Each practice invites a journey inward, guiding the practitioner or listener through layers of repeating motifs that subtly transform, revealing deeper states of awareness with patient attention.
Time becomes elastic; space becomes internal; vibration becomes the universal language connecting body, environment, and sound.

pre-order now27.02.2026

expected to be published on 27.02.2026

13,24
The House of Love - The House of Love 2X12
  • 1: Christine
  • 2: Hope
  • 3: Road
  • 4: Sulphur
  • 5: Man To Child
  • 6: Salome
  • 7: Love In A Car
  • 8: Happy
  • 9: Fisherman's Tale
  • 10: Touch Me
  • 1: Shine On
  • 2: Love
  • 3: Flow
  • 4: Real Animal
  • 5: Plastic
  • 6: Nothing To Me
  • 7: The Hill
  • 8: Loneliness Is A Gun
  • 9: The Hedonist
  • 10: Welt
  • 11: Destroy The Heart
  • 12: Blind
  • 13: Mr Jo
pre-order now27.02.2026

expected to be published on 27.02.2026

36,35
Parlor Greens - Emeralds LP

Parlor Greens

Emeralds LP

12inchCLMN12072LP
Colemine Records
27.02.2026
  • 1: Eat Your Greens
  • 2: Mustard Sauce
  • 3: Drop Top
  • 4: Parlor Change
  • 5: Emeralds
  • 6: Letter To Brother Ben
  • 7: Francisco Smack
  • 8: Jolene
  • 9: Lion’s Mane
  • 10: Red Dog
  • 11: Queen Of My Heart

Emeralds, the sophomore long player from Parlor Greens, finds the trio serving up a beautifully curated sampler of what funky organ music can be. Three true masters of their respective crafts: Tim Carman (formerly of GA-20) on drums, Jimmy James (True Loves, formerly of Delvon Lamarr Organ Trio) on guitar, and Adam Scone (Scone Cash Players, The Sugarman 3) on organ. Seasoned and soulful pros coming together to make infectiously funky instrumental jams. Parlor Greens are truly in top form: tour tight and more confident than ever in who they are and where they’re going.


The first time these three met in Loveland at Colemine’s Portage Lounge studio was marked by a certain freshness. It was new, it was the first time they had all played together. It was exciting, it was unknown territory. The session for Emeralds weighed much heavier on all three members. All three dealing with personal tragedies in their individual lives, the session truly served as a genuine moment of joy for the group. Just three talented musicians, writing and playing music now as friends in a familiar environment. No moment is the weight of the session more obvious than with the album’s closer, “Queen Of My Heart,” a tune Jimmy wrote for his mother shortly after she passed away. So with a heavy and soulful heart, Colemine Records is beyond proud to present the sophomore effort from three maestros. Parlor Greens presents… Emeralds.

pre-order now27.02.2026

expected to be published on 27.02.2026

26,85
MELONBALL - TAKE CARE

MELONBALL

TAKE CARE

12inchRRLP413
Rookie Records
27.02.2026
  • Silence = Compliance
  • Ignite
  • Ally Or Alibi
  • The Static
  • Architects Of Comfort
  • Garbage Day
  • 129:
  • Toxic Routine
  • Exist
  • Tolerance For Ambivalence
  • Bullshit Revolution
  • Back To My Gut

Schneller, technischer und politisch aufgeladener Punkrock mit scharfen Riffs, detailreicher und intensiver Schlagzeugarbeit und starken Melodien - angetrieben von der unverwechselbaren Stimme der Sängerin. Mit ihrem neuen Album Take Care präsentieren sich Melonball vielseitiger, schneller und emotionaler denn je. Die Band aus Nürnberg verbindet gesellschafts- und politisch relevante Themen mit sehr persönlichen Momenten. Musikalisch präsentiert sich die Band direkt und zugleich instrumental ausgefeilt: facettenreiche Arrangements treffen auf Melodien, die sich einprägen. Die Produktion bleibt bewusst roh - ohne Schnickschnack, unmittelbar und greifbar. Dadurch treten die Stärken von Melonball klarer denn je hervor: der charakteristische, ehrliche Gesang, aufgenommen ohne große Nachbearbeitung, die eingängigen Hooks und die präzise Balance aus spielerischer Technik und Melodie.

pre-order now27.02.2026

expected to be published on 27.02.2026

19,29
Felsmann + Tiley - Protomensch (Ltd. Hand-Numbered LP Gatefold)
 
7

Mute welcomes German synthesizer and producer duo Felsmann + Tiley to the roster with the release of their new album Protomensch. Out February 13, 2026 on limited edition black vinyl packaged in a special gatefold sleeve featuring a mirror foil lamination on the inner panel revealing a ‘self-portrait of the protomensch.’

On Protomensch (German for “proto-human”), Felsmann + Tiley blend shimmering synthwave, pounding trance, and introspective IDM with synth-pop-infused tracks featuring guest vocalists including London’s Pet Deaths and Australian artists The Kite String Tangle, Woodes, and Laius.

This juxtaposition between sentient beings and machines permeates the whole album – right from the duo’s manifesto introducing us the highly intelligent yet irrevocably shortsighted and downright tragic character of Protomensch – the cover artwork featuring turtleneck wearing chimpanzee, futuristic music videos, and stark social media aesthetics to seated, next-level live-shows involving collaboration with dozens of visual artists.

Despite their online ubiquity, sparked in part by their viral reinterpretation of label-mate M83’s “Solitude,” which has been used over 1 million times on TikTok and high-profile syncs on shows including Young Royals (season two), the BAFTA-winning crime thriller Top Boy (season three), and Amazon’s The Better Sister, Felsmann + Tiley have lingered largely on the periphery, their origins cloaked in quiet anonymity, until now. With the release of Protomensch, Felsmann + Tiley present their fully realized artistic vision and step into the spotlight.

pre-order now27.02.2026

expected to be published on 27.02.2026

25,84
Vona Vella - Carnival LP

Vona Vella

Carnival LP

12inchSOLP024R
Strap Originals
27.02.2026
  • 1: Carnival
  • 2: Bass Driver
  • 3: You Can Be So Ugly
  • 4: Come By
  • 5: Over And Over
  • 6: I Wanna Tap Into Your Heaven Again
  • 7: Exit Plan
  • 8: Settle Down
  • 9: Brand New Boy
  • 10: Selfish Dogs
  • 11: Falling In A Sleeping Wind
  • 12: Bear Trap
  • 13: Bottled

The dreamy harmonising of Everything But The Girl. The propulsive urgency of The Strokes. The lilting folk-pop of The Coral. The introspective songcraft of Belle and Sebastian. The bittersweet, lyrical side-eyes of The Beautiful South. Vona Vella have all these elements and so many more, all weaving together to form a contemporary sound both gossamer delicate and fiercely robust. Since their eponymous debut album in 2023 (released on Strap Originals, Pete Doherty’s label), the seed of their signature sound – wistful indie-pop harmonies, exquisitely blended male/female vocals – has not so much grown as erupted through the dream-pop meadow into a towering, flowering beanstalk.

Today, with their second album Carnival, the former indie-pop duo have spectacularly evolved into a dynamic five-piece band, with key musical contributions from the musicians they’ve so successfully toured with over the last two years, drummer Jake Bott (who they’ve known since they were 17), bassist Claud J Melton (who they found on TikTok through a search for a female bassist), and guitarist Dexter Howell (a friend of a friend). As a five-piece, their innate pop sensibilities are now newly bolstered by a confident, thrilling propulsion, izzy and Dan, still the main songwriters and vocalists, are thrilled with the sound, where the possibilities are endless. Vona Vella may be names after two flowers, but there’s nothing twee happening here.

pre-order now27.02.2026

expected to be published on 27.02.2026

22,06
Joel 13 Hoekstra's - From The Fade
  • 1: You Can Give
  • 2: The Fall
  • 3: Lifeline
  • 4: Will You Remember Me
  • 5: Misunderstood
  • 6: Start To Fight
  • 7: All I'd Do
  • 8: Free To Be
  • 9: The End Of Me
  • 10: Quite The Ride

Joel Hoekstra’s 13 returns with its fourth studio album, “From the Fade” — a dynamic collection of 10 brand-new tracks that combine soaring melodies, thunderous riffs, and the high-level musicianship fans have come to expect. Once again, guitarist and composer Joel Hoekstra (Whitesnake, Cher, Trans-Siberian Orchestra) is joined by an elite cast of rock veterans: powerhouse drummer Vinny Appice (Black Sabbath, Dio), legendary bassist Tony Franklin (The Firm, Blue Murder), virtuoso keyboardist Derek Sherinian (Dream Theater, Sons of Apollo), and rising vocal sensation Girish Pradhan (Girish and The Chronicles, The Nail). “From the Fade” delivers a blend of classic hard rock and modern melodic metal, characterized by tight arrangements, technical precision, and emotionally charged performances. Each track reflects Hoekstra’s signature songwriting — rooted in tradition but pushing the genre forward with a fresh and contemporary sound. This is more than just a studio project; it’s a statement of intent from one of rock’s most respected guitarists and his band of world-class collaborators.

pre-order now27.02.2026

expected to be published on 27.02.2026

32,35
BlackRain - Orphans Of The Light (2x12")
  • 1: Dreams
  • 2: Come On
  • 3: Orphans Of The Light
  • 4: Unleash The Fury
  • 5: Méandres De L’instinct
  • 6: Disagree
  • 7: Madhouse
  • 8: If This Is Love
  • 9: Twist Of A Knife
  • 10: Resurrection
  • 11: Crack The Sky
  • 12: Chasing A Feeling
  • 13: Club Crazy Night
  • 14: Farewell
also available

Cassette[12,82 €]


BlackRain is a French hard rock and glam metal band formed in France in the early 2000s. With explosive energy, virtuosic riffs, and anthemic choruses inspired by bands like Guns N’ Roses and Mötley Crüe, BlackRain has become one of the most prominent names in the French rock scene. Their acclaimed albums and electrifying live performances across Europe and Japan showcase their dedication to keeping the spirit of classic rock alive.

pre-order now27.02.2026

expected to be published on 27.02.2026

20,80
Svarta Havet - Månen ska lysa din väg
  • 1: Göm Dig
  • 2: Djur
  • 3: Under Staden
  • 4: Härlig Är Jorden
  • 5: Misstag
  • 6: Avgrunden
  • 7: Ditt Rike
  • 8: Alla Sover

Svarta Havet's sophomore album out in February via Svart Records Hailing from Turku, Finland, SVARTA HAVET are set to release their sophomore album Månen ska lysa din väg for the European market via Svart Records on February 27th, 2026. Originally released by the US based Prosthetic Records in May 2025, Månen ska lysa din väg casts a critical eye over the negative effects of Western colonialism, capital greed and convenience at the cost of sustainability, presenting a rallying cry for change whilst never losing sight of the light that this world has to offer. Formed in 2018, SVARTA HAVET is a self-described dyster (gloomy) post-hardcore group born from the Finnish DIY punk and hardcore scene, with the members bonding over a shared affinity for punk music and community-first ideals with a focus on antifascist, feminist, trans and queer politics.

Where their 2021 debut full-length, JORD/VATTEN, served as an introduction to SVARTA HAVET’s amalgam sound of post-metal, hardcore punk and black metal, Månen ska lysa din väg is a deftly woven together panorama of their respective influences and a captivatingly urgent political and compassionately personal case for humanity’s course correction. With communities residing at the heart of their purpose, on a localised and a broad scale, SVARTA HAVET are not ones to lay idle in their hopes of a better world. 2026 will continue to see the band both touring their home country and beyond, as well as being deeply involved in organizing gigs and events through the collectively-run venue, Kirjakahvila ("Book Cafe") – a queer feminist, anti-capitalist DIY community space in Finland. In addition to hosting local acts, the group’s tireless efforts to support international bands will continue to see SVARTA HAVET helping to foster a vibrant underground scene in the process. SVARTA HAVET is: Lotta (she/her) - vocals Joakim (he/him) - guitar Anders (he/him) - bass Jara (she/her) - drums

pre-order now27.02.2026

expected to be published on 27.02.2026

23,74
Altered Five Blues Band - Hammer & Chisel
  • A1: I Got It Good
  • A2: Dare Me To Do It
  • A3: Who Can You Trust
  • A4: Lotta Love Left In Me
  • A5: Hammer & Chisel
  • A6: Can't Shake It
  • A7: Headline Blues
  • A8: Hell Or High Water
  • A9: My Love Ain't A Lie
  • A10: Crazy One
  • A11: The Will Of Man

Milwaukee's powerhouse Altered Five Blues Band returns with their eighth studio album, Hammer & Chisel, a simmering set of eleven electrifying original songs that showcase why this award-winning group has remained at the forefront of contemporary blues for over two decades. Belted out with gusto by singer Jeff Taylor, each track crackles with the energy of a band firing on all cylinders—tight musicianship, razor-sharp guitar work, and witty lyrics that cut straight to the bone. From the opening salvo of the funky, horn-driven "I Got It Good" through the cautionary "Who Can You Trust" to the empowering closing statement of "The Will of Man," the album demonstrates the kind of top-notch performance that can only come from five musicians who've spent 24 years honing their collective sound. Produced by multi-GRAMMY winner Tom Hambridge and featuring guest harmonica ace Jason Ricci on three tracks, Hammer & Chisel captures the band at their peak.

pre-order now27.02.2026

expected to be published on 27.02.2026

22,90
Oscar Peterson Trio - Clark Terry Oscar Peterson Trio + One, Clark Terry

Als das Oscar Peterson Trio im August 1964 mit Trompeter und Flügelhornist Clark Terry ins Studio
ging, um dieses Album aufzunehmen, spielte es bereits seit fünf Jahren zusammen. Die drei Musiker
funktionierten wie eine perfekt geölte Swing-Maschine. Großzügig überließ Peterson seinem Gaststar viel
Raum, um als Solist auf seinen Hörnern zu glänzen. Beim Publikum kamen insbesondere die beiden spaßigen Blues-Nummern ”Mumbles” und ”Incoherent Blues” gut an, in denen sich Clark Terry erstmals als
nuscheliger Scat-Sänger präsentierte.

pre-order now27.02.2026

expected to be published on 27.02.2026

33,82
The 1975 - I like it when you sleep, for you are so beautiful yet so unaware of it (2x12")
  • A1: The 1975
  • A2: Love Me
  • A3: Ugh!
  • A4: A Change Of Heart
  • A5: She's American
  • A6: If I Believe You
  • A7: Please Be Naked
  • A8: Lostmyhead
  • A9: The Ballad Of Me And My Brain
  • B1: Somebody Else
  • B2: Loving Someone
  • B3: I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It
  • B4: The Sound
  • B5: This Must Be My Dream
  • B6: Paris
  • B7: Nana
  • B8: She Lays Down

The 1975 veröffentlichten am 26. Februar 2016 ihr zweites Studioalbum „I Like It When You Sleep, for You
Are So Beautiful yet So Unaware of It”. Es führte sowohl die britischen (BPI Platinum) als auch die USamerikanischen (RIAA Gold) Albumcharts an und brachte sieben Singles hervor: „Love Me”, „Ugh!”, „A
Change of Heart”, „She’s American”, „Somebody Else”, „Loving Someone” und „The Sound”. Pitchfork,
Rolling Stone und The Guardian führten es als eines der besten Alben des Jahres 2016 auf. Die BoxsetVersion wurde bei den Grammy Awards 2017 für die Kategorie „Best Boxed or Special Limited-Edition
Package” nominiert.
2026 ist das 10-jährige Jubiläum dieses viel beachteten Albums. Um dies zu feiern, wird das Album
auf farbigem Vinyl (Farbe noch zu bestätigen) in einer 6-seitigen Dreifach-Gatefold-Verpackung mit alternativem Artwork und 17 12”x12”-Kunstkarten veröffentlicht, wobei jedes Kartenbild einen Song mit dem
Text auf der Rückseite darstellt.

pre-order now27.02.2026

expected to be published on 27.02.2026

44,50
Jah Wobble & Jon Klein - Automated Paradise LP
  • A1: Fading Away
  • A2: Make It Stop
  • A3: Who Wins
  • A4: Read Between The Lines
  • A5: Automated Paradise
  • A6: Terminal Terminal The End
  • A7: Endless Sky
  • A8: Brockwell Lido

This is Jah Wobble"s first post punk LP in recent years following travel and dub records. The brash guitar driven tracks reflect his continuing preoccupation with the declining state of the nation. Driven by his experience working each week at a music based community project in Merton, with Jon Klein, it is reminiscent of Mark Stewart. Angry in an empathetic, constructive way it resolved with the beautiful instrumental "Brockwell Lido". Like much of his work these days, much of the lyrical content comes while traversing London"s transport system. Jah Wobble, is an English bass guitarist and singer. He became known to a wider audience as the original bass player in Public Image Ltd (PiL) in the late 1970s and early 1980s; he left the band after two albums. Following his departure from PiL, he developed a solo career. In 2012, he reunited with fellow PiL guitarist Keith Levene for Metal Box in Dub and the album Yin & Yang. Since 2013, he has been one of the featured pundits on Sunday morning"s The Virtual Jukebox segment of BBC Radio 5 Live"s Up All Night with Dotun Adebayo. His autobiography, Memoirs of a Geezer, was published in 2009. Jon Klein Is an English guitarist and producer, best known for being a member of Siouxsie and the Banshees for seven years, from 1987 until 1994. He also founded Specimen and The Batcave nightclub. Klein has worked for other artists including Talvin Singh and Sinéad O"Connor. More recently he has worked as a co-producer and guitarist with Jah Wobble.

pre-order now27.02.2026

expected to be published on 27.02.2026

24,33
DJ Ali (AU) - Regeneration

DJ Ali (AU)

Regeneration

12inchBLUEHOUR022
BLUE HOUR
27.02.2026

2026 Repress

Melbourne’s DJ Ali is up next on Blue Hour Music with a powerful EP of fast percussive tribal groovers recorded live over multiple hardware sessions. ‘Interceptor’ kicks off the record with energising and rolling momentum laced in echoes of shamanic ritual. ‘Paradox Cell’ maintains the tension with a stripped back and pumping drum track enhanced by repeating tones and swirling winds that suddenly take over. On the flip ‘Nightwatch’ feels even more immersive, tunnelling down into hypnotic chambers where a voice guides and pulls the listener through a lucid void. ’Regeneration’ rounds up the record with an uplifting journey that begins to unfold with a series of shifting layers and hints of colour beneath a haze of euphoria.

out of Stock

Order now and we will order the item for you at our supplier.

12,19

Last In: 47 days ago
CHOCOLATE WATCH BAND - No Way Out LP
  • A1: Let's Talk About Girls
  • A2: In The Midnight Hour
  • A3: Come On
  • A4: Dark Side Of The Mushroom
  • A5: Hot Dusty Roads
  • B1: Are You Gonna Be There (At The Love-In)
  • B2: Gone And Passes By
  • B3: No Way Out
  • B4: Expo 2000
  • B5: Gossamer Wings

No Way Out, released on the Tower label in September of 1967, was the debut album by the American garage rock band The Chocolate Watchband. Blending garage and psychedelic rock, its distorted guitar instrumentals were early examples of protopunk. It was their most heavily Rolling Stone- influenced LP. While No Way Out failed to reach the Billboard 200, it established the group as a popular live act. Largely overlooked at the time of its release, the album had gone out of print by the early 1970s and its reputation has continued to expand over the years.

pre-order now27.02.2026

expected to be published on 27.02.2026

24,33
STANDELLS - Dirty Water LP
  • A1: Medication
  • A2: Little Sally Tease
  • A3: There Is A Storm Comin
  • A4 19: Th Nervous Breakdown
  • A5: Dirty Water
  • A6: Pride And Devotion
  • A7: Sometimes Good Guys Don't Wear White
  • A8: Hey Joe, Where You Gonna Go?
  • A9: Why Did You Hurt Me?
  • B1: Rari
  • B2: Why Pick On Me
  • B3: Paint It Black
  • B4: My Little Red Book
  • B5: Sunshine Superman
  • B6: Elanor Rigby
  • B7: Try It
  • B8: Barracuda
  • B9: Riot On Sunset Strip

The debut studio album by the American rock band The Standells, Dirty Water was released by the Tower label in June of 1966. Taped in the midst of touring in a two-day session on April 4–5, 1966 at Audio Recording in Seattle, Washington, the LP takes its title from the homonymous song, which, along with its B-side "Rari," had been recorded on March 5, 1965, at Western Recorders in Hollywood, California and issued as a single. Dirty Water became the band's best-selling LP, peaking at #52 on the Billboard charts, and #39 in the Cashbox listings. The "Dirty Water" single peaked at #11 in Billboard and #8 in Cashbox. Along with Why Pick on Me, this is considered the group's strongest album.

pre-order now27.02.2026

expected to be published on 27.02.2026

24,33
Mark Vernon - Sounds of the Modern Hospital (Tape)
  • 01: Full Blood Count Analyzer
  • 02: Automated Instrument Rinse System
  • 03: Mri Scanner
  • 04: Anaesthetic Machine
  • 05: Meti Human Patient Simulator - Mannequin Breathing
  • 06: Simman Essential Mannequin
  • 07: Cardiac Monitor
  • 08: Lee Silverman Voice Treatment
  • 09: Haemoglobin A1C Analyzer
  • 10: Anaesthetic Machine 2
  • 11: Infusion Pump (Alaris Plus)
  • 12: Heater Fan
  • 13: Phacoemulsifier – Suction And Ultrasound During Cataract Surgery (Two Perspectives)
  • 14: Robotic Pharmacy - Manually Restocking Supplies
  • 15: Ct Scanner
  • 16: Pharmacy Label Printer
  • 17: Dialysis Machine
  • 18: Draeger Oxylog 3000 Plus
  • 19: Meti Human Patient Simulator – Powering Up Of Bellows That Control Mannequin&Apos;S Artificial Lungs
  • 20: Orthopantomograph Op 00
  • 21: Helium Cooler For Mri Scanner
  • 22: Coagulation Analyzer
  • 23: Meti Hps Mannequin
  • 24: Ophthalmology
  • 27: Ultrasound Scanner
  • 28: Operating Theatre
  • 29: Beckman Coulter Access 2 Analyzer
  • 30: Geiger Counter (Berthold Lb124)
  • 31: Automated Mailroom (Opex Mail Matrix)
  • 32: Wall Mounted Suction Unit
  • 33: Dialysis Machine 2
  • 25: Sysmex Sp1000I Automated Slide-Maker
  • 26: Agv (Automatic Guided Vehicle)
also available

Vinyl[22,48 €]


Death Is Not The End reissue Mark Vernon's sought-after 2013 collection Sounds of a Modern Hospital on vinyl & cassette formats.

Whilst every effort has been made to record the subject in as great a degree of isolation as possible, the sound recordings you will hear on this record were made in a real working hospital and not under controlled conditions. Therefore, on occasion, you may hear some unavoidable background noise, conversations and other extraneous sounds.

All recordings were made by Mark Vernon at Forth Valley Royal Hospital, Larbert, Stirling Community Hospital and Falkirk Community Hospital between 2011 and 2013.

pre-order now27.02.2026

expected to be published on 27.02.2026

13,66
Lance Ferguson - Dominoes / Cold Bear (7")

New Zealand–born, Melbourne-based guitarist, producer, songwriter, DJ and recording artist Lance Ferguson returns with a killer follow-up: two new 7" releases from his third instalment of the acclaimed Rare Groove Spectrum series, offering a fresh set of reimagined and reworked classics. From '70s Australian jazz-funk and Latin-fusion to big-band soul and golden-era funk, Ferguson blends crate-digger sensibilities with modern studio craft.

The "Dominoes / Cold Bear" 7" features the exclusive track "Cold Bear", a fiery reinterpretation of The Gaturs' New Orleans funk classic. Sitting alongside it is a fan favourite among modern funk and soul lovers: Jungle's "Dominoes", stripped back, amped up and played live with an unpolished, authentic feel that pays homage to the essence of the original.

pre-order now27.02.2026

expected to be published on 27.02.2026

16,39
ADMIRAL FREEBEE - RAW FUN

ADMIRAL FREEBEE

RAW FUN

12inchNL004LTD
NOORDERLAAN
27.02.2026

Uw energieboost in plaatvorm: zo klinkt de nieuwe Admiral Freebee. Geboren uit een oerdrive om samen met zijn vrienden slash helden muziek te maken en de studio in te duiken. Openingstrack Seeking A Friend zet meteen de toon: drums zwellen aan, een snedige riff valt in en Tom Van Laere giet er een rauw ‘Armageddooon’ over uit. De wereld staat in brand en Admiral Freebee is er niet blind voor, maar het spelplezier staat voorop. Uptempo, groovy, dansbaar zelfs, met synths en welgemikte opzwepende HEY’s: negen songs lang spatten good times uit de muziek, van eerste single Q&A With Myself over knallers als Future Fathers Of Utopia en The Hunger. Zoals we van Admiral Freebee gewend zijn, is er ook ruimte voor humor en een introspectieve blik. Maar vergis je niet, een schoothondje is hij niet (No One’s Puppy). In slottrack Dog That Never Dies gaat de voet van het gaspedaal en legt het enige ingetogen nummer het album neer, als een synthese van alle thema’s die aan bod komen. En we mogen gerust zijn: met Admiral Freebee gaat het goed, en zowel hij als zijn muziek lopen over van het plezier. Even alle zorgen vergeten en genieten van pure fun.

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Your energy boost in record form: that’s how the new Admiral Freebee album sounds. Born from a primal desire to make music with his friends aka heroes and dive into the studio. Opening track Seeking A Friend sets the tone: drums swell, a sharp riff takes centre stage and Van Laere lets out a raw ‘Armageddooon’. The world is on fire and Admiral Freebee does not turn a blind eye, but first we have some fun. Uptempo, groovy, danceable even, with funky synths and a bunch of infectious HEYs: for nine songs good times are all over the place, from first single Q&A With Myself to bangers like Future Fathers Of Utopia and The Hunger. As always with Admiral Freebee, there’s also room for humor and he doesn’t shy away from introspection either. And make no mistake: Tom Van Laere is no lapdog (No One’s Puppy). Closing track Dog That Never Dies is the only intimate song on the album and sounds like a synthesis of all the album’s themes. And rest assured: Admiral Freebee is doing fine, and both him and his music are bursting with joy. So leave your worries behind for a moment and have some raw fun.

Picture by Ed Templeton/ Courtesy Tim Van Laere Gallery

Artwork by Jelle Jespers

Admiral Freebee is Tom Van Laere – Tim Coene, Senne Guns en Laurens Billiet. Recorded in summer 2025.

pre-order now27.02.2026

expected to be published on 27.02.2026

25,17
Items per Page:
N/ABPM
Vinyl