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LES DUNES - FROM ETNE TO THE EDGE OF SPACE
  • Pax
  • Lost Signals
  • From Utsira
  • Agf
  • Den Hopsack
  • Koen's Theme
  • Vangen
  • From Etne To The Edge Of Space

Les Dunes is an alternative band from Haugesund, Norway. Consisting of members from bands like The Low Frequency in Stereo, Undergrünnen, Lumen Drones, Helldorado and Action & Tension & Space. The band consists of Per Andreas Haftorsen on guitar, Morten Jackman on drums and Per Steinar Lie on bass. The result reminds of the fantastic slow-core era bands of the 90ies, like Codeine who create their own version of Explosions In The Sky songs or like Per Steinar Lie claims "it feels like the vibe of the early days of The Low Frequency in Stereo". The music is rooted in a thought of a long freeway drive at night where time stops and the mind flows.

pre-order now05.09.2025

expected to be published on 05.09.2025

21,81
Coflo feat Adeniji Heavywind - Jambala

Coflofeat.Adeniji Heavywind

Jambala

12inchFSRJA058
Fatsouls Records
05.09.2025

Coflo is a dancer, producer and Capoeira expert born and raised in the East Bay Area of California with a lifelong love of house music. For this one on Jambala, he hooks up with Adeniji Heavywind for a tune named after the label. It's the sort of cultured, organic sound that brings musical charm as well as infectious groove with Afro, soul and jazz all worked in through the bold brass notes, jangling rhythms and funky guitars, which get topped with a charming vocal a la Fela Kuti. The Backside mix is more deep and dubby to make for a tidy two tracker.

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23,32

Last In: 8 months ago
DESTRUCTION UNIT - DEEP TRIP
  • The World On Drugs
  • Slow Death Sounds
  • Bumpy Road
  • God Trip
  • Final Flight
  • The Holy Ghost
  • Control The Light
  • Night Loner

DESTRUCTION UNIT sind eine amerikanische Band, die in der Wüste Arizonas zusammenkam. Gegründet von Ryan Rousseau waren D. UNIT ursprünglich ein synthielastiges Trio, dessen andere Mitglieder Jay Reatard und Alicja Trout (LOST SOUNDS) waren - ebenso war Rousseau ein Mitglieder der REATARDS, bevor Jay auf Solopfaden wanderte. Geboren im Dunstkreis der Memphis Goner Records Szene und verpflanzt nach Tempe, Arizona, hat Rousseau des Band zu einem kompletten Soundangriff geformt, für den drei Gitarristen (er selbst, Nick Nappa und Jesco Aurelius), sein Bruder Rusty am Bass und ein 19-jähriger, klassisch ausgebildeter Schlagzeuger, Andrew Flores, verantwortlich sind. DESTRUCTION UNIT haben auf dem bandeigenen Label Ascetic House bereits einige Kassetten, auf Jolly Dream eine LP namens ,Void" und kürzlich eine limitierte 7" auf Suicide Squeeze veröffentlicht. ,Deep Trip" ist ihr erstes echtes Studioalbum. Produziert von Ben Greenberg von THE MEN, HUBBLE & PYGMY SHREWS im Vacation Island Studio in New York. Morphium Boogie für den Noisesüchtigen des 21. Jahrhunderts. "Skull-crushing repetition, menacing walls of nuanced guitar noise, feedback magick wah'd from hell to the sky, a sprawling kraut backbone, evil melodies." - Pitchfork

pre-order now05.09.2025

expected to be published on 05.09.2025

22,65
MEI SEMONES - ANIMARU

MEI SEMONES

ANIMARU

12inchBRLP66
Bayonet
05.09.2025

"Kein Hinterfragen, kein Überdenken. Ich möchte mein Leben so leben, dass ich die Dinge tue, die mir wichtig sind, und ich denke, dass jeder so leben sollte", sagt Mei Semones über ihr gestärktes Selbstvertrauen. Die 24-jährige Songwriterin und Gitarristin aus Brooklyn hat sich durch die kontinuierliche Verfeinerung ihrer unverwechselbaren Mischung aus Indierock, Bossa Nova, Jazz und Kammerpop, die ihre technischen Fähigkeiten auf der Gitarre unterstreicht, schnell als innovative musikalische Kraft etabliert. Seit der Veröffentlichung ihrer hochgelobten "Kabutomushi"-EP im Jahr 2024, einer Reihe von üppig instrumentierten Reflexionen über die Liebe in ihren vielen Phasen, ist Mei ausgiebig durch die USA getourt, hat sich dort eine treue Fangemeinde aufgebaut und ihr mit Spannung erwartetes Debütalbum "Animaru" geschrieben und aufgenommen. Animaru bedeutet ,Tier' auf Japanisch und ist die Verkörperung von Meis tieferem Vertrauen in ihre Instinkte - eine Sammlung von musikalisch beeindruckenden Tracks, die Mei abenteuerlicher, verletzlicher und selbstbewusster klingen lassen als je zuvor. Meis neues Selbstbewusstsein ist zum Teil auf die Erfahrungen des vergangenen Jahres zurückzuführen, denn 2024 war ein Jahr der Veränderung für die Band Mei Semones. Sie traten unter anderem mit Liana Flores, Elephant Gym und Kara Jackson auf, und Mei ging dazu über, Vollzeit Musik zu machen. Inmitten der häufigen Tourneen nahmen Mei und ihre fünfköpfige Band das Album im Sommer 2024 in der Ashlawn Recording Company auf, einem Farmstudio in Connecticut, das von ihrem Freund Charles Dahlke betrieben wird. Zu diesen Sessions brachte sie eine Reihe von Stücken mit, die, nicht anders als Kabutomushi, raffinierte Erklärungen einer nicht-romantischen Liebe sind: Liebe zum Leben ("Dumb Feeling"), Liebe zur Familie ("Zarigani"), Liebe zur Musik und zu ihrer Gitarre ("Tora Moyo"). Animaru veranschaulicht Meis bezaubernde Bandbreite als Songwriterin und Musikerin und enthält einige der anspruchsvollsten und einfachsten Lieder, die Mei je geschrieben hat. Die schlichteren Momente auf Animaru sind ebenso fesselnd wie wenn Mei auf der Gitarre schreddert oder ihre Bandkollegen ein kompliziertes Arrangement ausführen. "Donguri", eine reduzierte Jazz-Duo-Performance zwischen Akustikgitarre und Kontrabass, ist der einfachste Song, den Mei je geschrieben hat. Er wird von Mei zum Leben erweckt, indem sie auf süße Weise (meist auf Japanisch) beschreibt, wie sie sich das Leben als Waldbewohner vorstellt. Das vorletzte Stück des Albums, das helle, spritzige "Zarigani", ist eine nostalgische Liebeserklärung an ihre Zwillingsschwester, in der Mei singt: "We'll always have each other / I love you like my guitar / I love you like no other". Obwohl "Animaru" ein Statement für Meis Autonomie und Selbstvertrauen an diesem Punkt in ihrem Leben ist, sind es die verschiedenen Lieben, mit denen sie sich umgibt - ihre Familie, ihre Freunde, ihre Band, ihre Musik - die sie dazu befähigen, Dinge zu tun, die sie sich wünscht.

pre-order now05.09.2025

expected to be published on 05.09.2025

22,27
VR SEX - ROUGH DIMENSION

Vr Sex

ROUGH DIMENSION

12inchDAISLP4160
Dais Records
05.09.2025
  • Victim Or Vixen
  • Glutton For Love
  • Cyber Crimes
  • Live (In A Dream)
  • The Walk Of Shame
  • Crisis Stage
  • Taste Of Hate
  • Snake Water
  • End Vision

The latest by Andrew Clinco's acid punk alias VR SEX takes its title from an architectural phrase but more importantly refers to the warped, wicked underworld the songs both chronicle and condemn. Donning the moniker Noel Skum - an acerbic anagram of Elon Musk - Clinco vents his scorn for and fascination with the seedy, surreal margins of low-life Los Angeles, doomed to dead ends of vanity, lust, and technology. Although initially launched as an outlet for "heavier sounds" beyond Clinco's duties in new wave fantasists Drab Majesty, the project has ripened into a compelling exercise in world building, weaving themes of gritty city neofuturist sleaze within a framework of driving, distorted guitars and cathode-blasted synths. Echoes of Chrome, Wire, Minimal Man, and Sisters Of Mercy ripple through the collection but ultimately Rough Dimension charts its own twisted vision of "our unforgiving reality." Written and demoed across two weeks alone in a Marseille flat using his prized 1980's Gibson "Invader" and a laptop, Clinco then took the tracks to Strange Weather studios in Brooklyn to record with Ben Greenberg (Uniform, The Men) who helmed 2019's debut, Human Traffic Jam. The results are notably ripping, refined, and riveting. Riffs in alternate tunings chug and churn over mid-tempo drums punctuated by spikes of sci-fi electronics while the vocals swagger and spit venom ("where we walk is also where we shit / but if we bark at our reflections are we hypocrites? / impulses bleed right into our seed / where hate culminates the apple rotted on the tree"). It's a bristling mix of the melodic and the macabre, absurdist observations of fast living and desperate measures, the clock of youth ticking towards midnight as dreams unravel in Babylon. VR SEX's specialty is making these cautionary tales of psychic decay and tainted love a thrill rather than a drag. There's a sunglasses at night glamor to Clinco's choruses and solos, a wit to his black leather judgements ("what is the answer / to cancerous people / walking in my line of sight?"). The music's milieu tends towards parasites and predators but its mood skews refreshingly accelerated and amused, cruising the strip with a cigarette, watching goths and limousines crawl in gridlock beneath digital billboards. The Rough Dimension may be a cesspool, but it's home.

pre-order now05.09.2025

expected to be published on 05.09.2025

23,49
GASTR DEL SOL - THE SERPENTINE SIMILAR

GASTR DEL SOL

THE SERPENTINE SIMILAR

12inchDC106
DRAG CITY
05.09.2025

Back from the undead in the fresh (because we believe in upgrades & afterlifes!) is this new pressing of the first of all Gastr del Sol records, The Serpentine Similar. It is one of several distinct initiators of a definitive musical drift in the 1990s, and a drift all of its own, to boot! At the time, this album was largely heard within an underground whose boundaries were clearly defined - but if today"s sound-pool of "commercial" music is deeper and wider than it was back then, it is without a doubt due to the cracking open of certain doors of perception by Gastr del Sol, alongside their esteemed others. The year was 1992. After a bruising run of tour dates the year before, the final lineup of Bastro, a power-trio of David Grubbs, Ken (Bundy) Brown and John McEntire, retired, exhausted. Shortly thereafter, they were rebirthed, sans drums, via a new set of ideas composed in the cut-down configuration of Grubbs on guitars, keyboards and vocals and Brown on bass. Playing in duo format opened up sound and intention, leaving the need for speed (and the stock in rock) out, while letting in an expanse of brooding, droning acoustic space that highlighted the songs" serpentine shapes. This was something so radically different as to require a new calling card: henceforth, Gastr del Sol. Signing to Teen Beat, Gastr del Sol completed The Serpentine Similar in late 1992 for release the following year (the DC reissue came in "97). In the final rendering, Serpentine"s roof-rent, white-sky execution was attenuated with several percussion appearances from the prodigal John McEntire. Over the next five years, his cameo presence was a constant in Gastr del Sol"s steadily-evolving tradition of significant breaks from tradition at every turn. There would be an even more significant tradition-breaker onboard for all this; following the release of The Serpentine Similar, Jim O"Rourke joined Grubbs in Gastr as Brown exited (to focus on Tortoise, with McEntire et al). For the new Gastr duo, a world of new directions in music awaited, the future became the past, and the music of Gastr del Sol emerged from the thin air, then returned there. Now, The Serpentine Similar has been returned to vinyl from the temporal streams of contemporary music listening, a glorious rematerializing of all its spatial details on LP for the first time in 20 years.

pre-order now05.09.2025

expected to be published on 05.09.2025

30,46
FURY - FAILED ENTERTAINMENT
  • Angels Over Berlin
  • Goodtime
  • Vacation
  • America
  • Inevitable Need To Reach Out
  • Birds Of Paradise
  • Mono No Aware
  • Lost In The Funhouse
  • New Years Days
  • New Years Eve
  • Crazy Horses Run Free

Forming in 2014, Fury established themselves quickly, releasing both a demo on Washington, D.C.'s Mosher Delight Records and the "Kingdom Come" EP on Boston's Triple B Records in the same calendar year. They built on the melodic legacy of Orange County by way of heavy, rhythmic, start-stop guitars and Stith's wordy and referential lyrics. Then, in 2016, came their debut LP on Triple B Records, "Paramount," which was met with respect from the hardcore community and praise from outsider critics."Failed Entertainment" documents the work, both personal and creative, undertaken since the release of "Paramount," a period of time marked by as many difficulties as successes. Stith said, "I've asked myself `Why have I done this?' and `Why do I continue to do this?' more times in the last two years than the rest of my life combined." Those eternal, existential questions form the thematic foundation of the new songs, which look past the superficial concerns about status and popularity that preoccupy so many musicians, focusing instead on life's inevitable, inescapable problems and the ways in which they can be compounded by the banal realities of art-making _ the isolation of being on tour, the pressure of being expected to somehow transform that universal angst into nice, catchy songs that provide simple lessons.

pre-order now05.09.2025

expected to be published on 05.09.2025

22,65
BASEMENT - I WISH I COULD STAY HERE
  • Fading
  • Plan To Be Surprised
  • Canada Square
  • Crickets Throw Their Voice
  • Earl Grey
  • Ellipses
  • Every Single Word
  • Yoke
  • Grayscale
  • March

Nestled away in the UKs quiet, picturesque east coast town of Ipswich, the lads in Basement are conflicted between the comfort of the beautiful familiar and the allure of escape. This duality pervades the band's existence. As frontman Andrew Fisher's gravelly yowl skips and stretches over driving rhythms and poignant guitar melodies, its clear Basement expertly walk the line between the contrasts of heartrending pop and gruff post-hardcore. When working through a slow-burning mid-tempo or pounding out driving punk, Basement has a quiet layer of jagged desperation weaving songs together under the smooth melodic surface. Much like a coming of age, the songs are toiling, torn and bursting at the seams.

pre-order now05.09.2025

expected to be published on 05.09.2025

22,65
LEMURIA - Thunder In Your Love (7")
  • A1: Original
  • B1: Instrumental

A hard-hitting slab of electro-boogie released on the legendary Street Level label in 1985, Lemuria’s Thunder In Your Love was written and
produced by Phil Valentine, who also provides the gritty lead vocals, and features backing from members of the influential Italo-American post-
disco outfits B. B. & Q. Band and Change, including New York session aces Leslie Ming (drums), Timmy Allen (bass) and guitarists Kevin
Robinson and Ira Siegel, whose impressive fret work powers this highly addictive track. This is a must-have for collectors of funky sounds and
rare groove from the mid-1980s.

pre-order now05.09.2025

expected to be published on 05.09.2025

14,66
VARIOUS - JOROPOP

Various

JOROPOP

12inchMR487
MUNSTER
05.09.2025
  • Buenos Das Juventud El Zigui Y Una Luz
  • Dama Gentil Grupo Espiga
  • Viendo La Lluvia Grupo Syma
  • Lgrimas En Tus Ojos La Fe Perdida
  • People Ladies W.c
  • Quiero Claridad Los Fabricantes De Muñecas
  • El Cielo Est En Tu Mente Los Memphis
  • Sed De Amor La Cuarta Calle
  • Joropo Nº 2 Grupo C.i.m
  • Amor Y Felicidad Grupo Pan
  • Stormy Los Rangers
  • Regresa Junto A Mi Los Chicos Malos
  • Siembra Tus Sueños Ciruela
  • Conoce El Amor The Four Blues
  • Di Quién Es Feliz La Cuarta Calle

Welcome to a kaleidoscopic picnic where you can feast on a music scene that was rich, sparkling, multi-colored, ground-breaking and it'll blow your mind. A prodigious soundscape that blends the Caribbean and the Amazon sophistication and flavors; raw yet delicate textures. "Joropop. Psych Pop & Folk in Venezuela, 1968-1976" features infectious Latin rock rhythms and timeless folk melodies across 15 ultra-rare tracks-most of which have never been reissued until now. Let's set off together to discover the magic of Caracas in the late '60s! DESCRIPTION Welcome to a kaleidoscopic picnic where you can feast on a music scene that was rich, sparkling, multi-colored, ground-breaking and it'll blow your mind. A prodigious soundscape that blends the Caribbean and the Amazon sophistication and flavors; raw yet delicate textures. "Joropop. Psych Pop & Folk in Venezuela, 1968-1976" features infectious Latin rock rhythms and timeless folk melodies across 15 ultra-rare tracks-most of which have never been reissued until now. The golden age of Caracas pop started in 1965. It replaced the wave of cloyingly romantic song writing as fresh talents leant into richer and more complex styles: folk-rock, psychedelia, soul, hard blues, symphonic pop, Latin rock etc. Singer-songwriters, experimental electric guitars and jam sessions all appeared on the scene, creating music that became increasingly refined and free. The industry took a while to catch on to this new trend and leave behind the teen idols and dream lifestyles. By the late 60s, there was a long list of new bands in the capital city. Young people finally found their voice. Let's set off together to discover the magic of Caracas in the late '60s!

pre-order now05.09.2025

expected to be published on 05.09.2025

22,27
DIANE DENOIR & EDUARDO MATEO - INEDITAS
  • Je Suis Sans Toi
  • Rendez-Vous D'automne
  • La Dernière Valse
  • Le Lendemain
  • Un Amour, Un Sourire, Une Fleur
  • Corcovado
  • Gua De Beber
  • Berimbau
  • Vivo Sonhando
  • Fever
  • Garota De Ipanema
  • So Nice
  • Las Flores Nuevas
  • Y Hoy Te Vi
  • Esa Tristeza
  • Mejor Me Voy

Born as Diana Reches, Diane Denoir made her debut as a singer in 1966, backed by Eduardo Mateo on guitar. Influenced by Françoise Hardy and Astrud Gilberto, along with her own unique style, she performed a special blend of chanson française, bossa nova (sung in Portuguese, English, and French), and jazz. By then, Mateo was already a well-known guitarist in the Uruguayan music scene and a sought-after arranger. He was also beginning to establish himself as an incredible songwriter, connecting different musical universes in unique ways. The two formed a fruitful artistic partnership that lasted until the early seventies. This album, originally released in 1998 on CD, is a compilation of various unreleased recordings from different sources (concerts, radio and TV recordings, homemade tapes) made between 1966 and 1968. It is a unique document that showcases their incredible musicianship and creativity in their early years. The duo swings from bossa nova classics like "The Girl from Ipanema" to the rhythm and blues of "Fever," including chanson française standards like "Le lendemain" and "La Dernière Valse." The album also features earlier versions of the three best-known Mateo songs performed by Diane: "Y hoy te vi," "Esa tristeza," and "Mejor me voy," all of which were inspired by Diane. Inéditas unveils a new dimension of South American music from an unforgettable era.

pre-order now05.09.2025

expected to be published on 05.09.2025

35,50
Faetooth - Labyrinthine LP 2x12"
  • 1: Iron Gate
  • 2: Death Of Day
  • 3: It Washes Over
  • 4: Hole
  • 5: White Noise
  • 6: Eviscerate
  • 7: October
  • 8: Mater Dolorosa
  • 9: The Well
  • 10: Meet Your Maker
also available

Sea Blue Vinyl[38,61 €]

Cassette[18,07 €]


Los Angeles trio Faetooth sophomore album Labyrinthine is a deeply felt exploration of emotional weight: grief, memory, uncertainty, and the quiet work of growing around your own wounds. Following the band's 2022 debut Remnants of the Vessel, which introduced the band’s signature blend of heaviness and mysticism, Labyrinthine pushes further inward. True to its name, the album winds through a maze of feeling and form, where meaning is never handed over easily. It’s rooted in self-discovery through disorientation, the idea that understanding comes not from escape, but from getting lost. Ari May (guitars and vocals), Jenna Garcia (bass and vocals), and Rah Kanan (drums) manage to stay grounded in the immediate in parallel with fantasy themes of the band's namesake. Labyrinthine holds space for this contradiction; tenderness and intensity, restraint and release. The band's self-branded “fairy doom” sound fits between shoegaze, doom, and grunge. It isn’t just texture; it’s a framework for navigating the unsaid. Like the myth that inspired its title, Labyrinthine doesn’t end in victory, but in confrontation—not with escape, but with the Minotaur. Only here, the Minotaur isn’t a monster. It’s something quiet and more familiar: unresolved feelings, old memories, and sadness that refuse to stay buried. The album winds like a maze, sometimes heavy, sometimes hushed, always intentional. Faetooth isn’t chasing catharsis. They’re creating space to reflect, to feel, and maybe to get a little lost along the way.
Artist quote: "White Noise" emerged from a diary entry, and is a relentless and intense reflection on inner turmoil. We’re often drawn to the familiar, even when we don’t realize we’re reaching out for it. It is an emotional upheaval, carrying harsh truths that weigh heavily on the heart. Guitarist, Ari May mentions, “Performing the song always takes me back to a specific place, even if just for a moment.”
“Riffs and melodies brimming with loneliness and longing… this band’s incantations affect my mood the whole day after listening.” — The Sleeping Shaman
“Bringing otherworldly hazy doom goodness… dreamy clean vocals, echoing harsh vocals, entrancing riffs, meditative shoegaze melodies.” — Nine Circles
“Slow, lumbering behemoths of great weight… couched in a melancholy atmosphere and explosions of crushing heaviness.” - Where Strides The Behemoth

pre-order now05.09.2025

expected to be published on 05.09.2025

35,25
Faetooth - Labyrinthine LP 2x12"

Faetooth

Labyrinthine LP 2x12"

2x12inchFR184LPX
Flenser Records
05.09.2025

Los Angeles trio Faetooth sophomore album Labyrinthine is a deeply felt exploration of emotional weight: grief, memory, uncertainty, and the quiet work of growing around your own wounds. Following the band's 2022 debut Remnants of the Vessel, which introduced the band’s signature blend of heaviness and mysticism, Labyrinthine pushes further inward. True to its name, the album winds through a maze of feeling and form, where meaning is never handed over easily. It’s rooted in self-discovery through disorientation, the idea that understanding comes not from escape, but from getting lost. Ari May (guitars and vocals), Jenna Garcia (bass and vocals), and Rah Kanan (drums) manage to stay grounded in the immediate in parallel with fantasy themes of the band's namesake. Labyrinthine holds space for this contradiction; tenderness and intensity, restraint and release. The band's self-branded “fairy doom” sound fits between shoegaze, doom, and grunge. It isn’t just texture; it’s a framework for navigating the unsaid. Like the myth that inspired its title, Labyrinthine doesn’t end in victory, but in confrontation—not with escape, but with the Minotaur. Only here, the Minotaur isn’t a monster. It’s something quiet and more familiar: unresolved feelings, old memories, and sadness that refuse to stay buried. The album winds like a maze, sometimes heavy, sometimes hushed, always intentional. Faetooth isn’t chasing catharsis. They’re creating space to reflect, to feel, and maybe to get a little lost along the way.
Artist quote: "White Noise" emerged from a diary entry, and is a relentless and intense reflection on inner turmoil. We’re often drawn to the familiar, even when we don’t realize we’re reaching out for it. It is an emotional upheaval, carrying harsh truths that weigh heavily on the heart. Guitarist, Ari May mentions, “Performing the song always takes me back to a specific place, even if just for a moment.”
“Riffs and melodies brimming with loneliness and longing… this band’s incantations affect my mood the whole day after listening.” — The Sleeping Shaman
“Bringing otherworldly hazy doom goodness… dreamy clean vocals, echoing harsh vocals, entrancing riffs, meditative shoegaze melodies.” — Nine Circles
“Slow, lumbering behemoths of great weight… couched in a melancholy atmosphere and explosions of crushing heaviness.” - Where Strides The Behemoth

pre-order now05.09.2025

expected to be published on 05.09.2025

38,61
Faetooth - Labyrinthine (TAPE)

Faetooth

Labyrinthine (TAPE)

CassetteFR184MC
Flenser Records
05.09.2025

Los Angeles trio Faetooth sophomore album Labyrinthine is a deeply felt exploration of emotional weight: grief, memory, uncertainty, and the quiet work of growing around your own wounds. Following the band's 2022 debut Remnants of the Vessel, which introduced the band’s signature blend of heaviness and mysticism, Labyrinthine pushes further inward. True to its name, the album winds through a maze of feeling and form, where meaning is never handed over easily. It’s rooted in self-discovery through disorientation, the idea that understanding comes not from escape, but from getting lost. Ari May (guitars and vocals), Jenna Garcia (bass and vocals), and Rah Kanan (drums) manage to stay grounded in the immediate in parallel with fantasy themes of the band's namesake. Labyrinthine holds space for this contradiction; tenderness and intensity, restraint and release. The band's self-branded “fairy doom” sound fits between shoegaze, doom, and grunge. It isn’t just texture; it’s a framework for navigating the unsaid. Like the myth that inspired its title, Labyrinthine doesn’t end in victory, but in confrontation—not with escape, but with the Minotaur. Only here, the Minotaur isn’t a monster. It’s something quiet and more familiar: unresolved feelings, old memories, and sadness that refuse to stay buried. The album winds like a maze, sometimes heavy, sometimes hushed, always intentional. Faetooth isn’t chasing catharsis. They’re creating space to reflect, to feel, and maybe to get a little lost along the way.
Artist quote: "White Noise" emerged from a diary entry, and is a relentless and intense reflection on inner turmoil. We’re often drawn to the familiar, even when we don’t realize we’re reaching out for it. It is an emotional upheaval, carrying harsh truths that weigh heavily on the heart. Guitarist, Ari May mentions, “Performing the song always takes me back to a specific place, even if just for a moment.”
“Riffs and melodies brimming with loneliness and longing… this band’s incantations affect my mood the whole day after listening.” — The Sleeping Shaman
“Bringing otherworldly hazy doom goodness… dreamy clean vocals, echoing harsh vocals, entrancing riffs, meditative shoegaze melodies.” — Nine Circles
“Slow, lumbering behemoths of great weight… couched in a melancholy atmosphere and explosions of crushing heaviness.” - Where Strides The Behemoth

pre-order now05.09.2025

expected to be published on 05.09.2025

18,07
Lydia Ainsworth - Phantom Forest
  • 1: Diamonds Cutting Diamonds
  • 2: Tell Me I Exist
  • 3: Can You Find Her Place
  • 4: Edge Of The Throne
  • 5: Kiss The Future
  • 6: The Time
  • 7: Give It Back To You
  • 8: Floating Dream
  • 9: Green Is The Colour

The album introduced a lush, complex dream world that the singer, composer, and producer created and inhabited largely on her own. She produced all the songs, and wrote and performed everything on the self-released collection outside of a re-imagined cover of Pink Floyd’s “Green is the Colour” and 2 other tracks (“The Time,” “Give It Back To You”), which started as instrumentals written by Survive’s Kyle Dixon (who composed the Stranger Things soundtrack with his bandmate Michael Stein), to which Ainsworth wrote melodies and added lyrics. Ainsworth, who’s relocated to Los Angeles from Toronto since 2017’s Darling of the Afterglow, explains that the collection revealed itself to her “as a play taking place in Mother Nature’s vanishing home,” aka Phantom Forest, and that she’s singing from 3 perspectives: herself, Mother Nature, and Greek Chorus. For instance, of the album’s opener, “Diamonds Cutting Diamonds,” she explains: “The Greek Chorus sets the scene, narrating and offering direction on how to enter Phantom Forest. It’s my hope that the listener will imagine the narration to be directed to them as well, as they begin the journey of the album.” You’ll get a sense of this from the collection’s edenic cover art and the playful, pastoral video for the album’s first single, “Can You Find Her Place.” Its inspiration came from Ainsworth’s love for Italian Renaissance painter Botticelli’s 15-century masterpiece “Primavera,” an allegorical representation of the burgeoning fertility of the earth in spring. She notes: “The video features the Greek gods of the painting in a choreographed Baroque style dance.” Keeping with the personal feel of the collection, her sister Abby Ainsworth directed the clip. In line with the classical and historical depths of Phantom Forest, Ainsworth, who holds a Masters Degree in film scoring composition from NYU and studied composition as an undergrad at McGill, notes that although the album might be considered pop, she approached it as an orchestrator. “Even if I’m dealing purely with synths,” she says, “The songs are like a score, each one an evolving journey. I love to use strings so I’ve included my string arrangements on ‘Tell Me I Exist’ and ‘Can You Find Her Place.’ I recorded live musicians on drums, bass, and guitar on ‘Edge of the Throne,’ ‘The Time,’ and ‘Floating Dream,’ and wove those live elements into my programmed elements.” Phantom Forest is a beautiful, vast collection that mixes the historical and the hands on, with hooks about the apocalypse and people obsessively using face-recognition software to see what paintings their face match with, in search of some kind of connection. It’s a journey that holds up to close listening (and lyric reading) and to dance floors, but that can also exist on a purely emotional plane. In all cases, it asks that you listen, and take some kind of action.

pre-order now05.09.2025

expected to be published on 05.09.2025

14,71
GODTET - III LP

GODTET

III LP

12inchSAPE01225
La Sape
05.09.2025
  • 1: Intro
  • 2: Neon
  • 3: Sun
  • 4: Cactus Dance
  • 5: Moon

La Sape Records is proud to present a new vinyl edition of GODTET III — the third and final LP in the formative GODTET trilogy, led by guitarist and producer Godriguez. Originally released in 2020, GODTET III marked the culmination of an intensive three-year period of playing, recording, and evolving. Recorded entirely through open improvisation, without samples, compositions or predefined cues, the album captu...

pre-order now05.09.2025

expected to be published on 05.09.2025

23,49
S.T - Oslan Husein LP

S.T

Oslan Husein LP

12inchLMR023
Lamunai Records
05.09.2025

In truth, singing is not all that different from acting. Performing a song is very similar to playing a role in a theatrical production. A singer's delivery — the way they interpret and emphasize certain parts of a song — is much like what an actor does with their character.

That's why we often find singers who go on to gain popularity as performers — some on stage, but more often on the silver screen (film).

These are called 'singing stars' — vocalists who are also featured actors, usually given roles specially created to suit their primary strength: singing.

Among them, a few have become even more famous for their acting talents, which sometimes surpass their singing ability. However, the number who manage to do this successfully is very small. Oslan Husein is lucky enough to be counted among that small number. As his fame as a singer began to rise sharply, he also began his film career as an actor. It's true that he had previously appeared in a film, but only as an extra, alongside the orchestra he performed with.

Following that, he appeared in several other films, including Detik-detik Berbahaya, 1000 Langkah, Kasih Tak Sampai, Hadiah 2.000.000,-, Maut Menjelang Magrib, and Antara Timur dan Barat. Six films over a span of just about 2.5 years — quite an impressive achievement.

Over time, a number of songs that Oslan had performed in his films began to accumulate. Together with a few additional songs — also from films — there were eventually enough to compile into one long-playing (LP) record.

And so, accompanied by Jack Lemmers — who, for this project, created special arrangements and musical treatments unlike the usual (for example, the use of four guitars at once) — Oslan carried out the recordings at Irama studios.

By releasing this LP of songs from the silver screen, Irama took an exciting step forward and opened many new possibilities in its history. Because the world of recorded music and the world of film, wherever they are in the world, are like siblings — and they work best when they collaborate, shoulder to shoulder, in harmony.

pre-order now05.09.2025

expected to be published on 05.09.2025

26,85
Alice Cooper - Hey Stoopid

Alice Cooper

Hey Stoopid

12inchMOVLP1863
Music On Vinyl
04.09.2025

* 180 gram audiophile vinyl
* Includes insert
* Guest performances from Slash, Ozzy Osbourne, Vinnie Moore, Joe Satriani, Steve Vai, Nikki Sixx and Mick Mars (both of Mötley Crüe) and many more
* Featuring the hit-singles "Hey Stoopid" and "Love's a Loaded Gun"

Hey Stoopid Is The 19th Studio Album By Rock Singer Alice Cooper, Released In 1991. After His Smash 1989 Hit Album Trash (movlp1862), Cooper Continues His Success With This Follow-up Album, Which Features Guest Performances From Slash, Ozzy Osbourne, Vinnie Moore, Joe Satriani, Steve Vai, Nikki Sixx And Mick Mars (both Of Mötley Crüe).

Hey Stoopid Was The Last Music Album To Feature Bassist Hugh Mcdonald Before He Joined Bon Jovi As Their Bassist In 1995.

The Song "feed My Frankenstein" Features Famed Guitar Duo Steve Vai And Joe Satriani Playing Together, Accompanied By Nikki Sixx On Bass. In 2014, "dangerous Tonight" Was Featured In The Video Game Watch Dogs.

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31,51

Last In: 8 months ago
Nick Bike / Stan Brega - Big Bizniss

Nick Bike hops aboard his groove machine once again here for another superb run out, this time with his Italian mate Stan Brega on Chosen Spokes. 'Big Bizniss' gets going with a super cool and laid back downtempo, disco and funky fusion. Lavish horns, cowbells, sultry chords and effortlessly vibey vocals all make it an instantly lovable and hip-swinging summer classic. Flip it over and you'll find 'Forever & Ever', which is an epic, cosmic, Balearic, ambient and blissed out cover of a David Bowie mega-hit. Proggy guitars draw out the me option and make it a perfect end of the night tune to send people home teary-eyed but euphoric.

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13,66

Last In: 43 days ago
Piero Piccioni - Travolti da un insolito destino nell’azzurro mare d’agosto (aka Swept Away) LP 2x12"

Nie klang der Geschlechterkampf sinnlicher, melodischer, hypnotischer als auf diesem italienischen KultSoundtrack von 1974. In der bitterbösen Filmkomödie „Swept Away“ finden sich eine High-Society-Lady
und ein kommunistischer Seemann nach einem Schiffbruch im Rettungsboot wieder und kämpfen nicht nur
um das Kommando, sondern auch gegen die aufkeimende gegenseitige erotische Faszination.
Der Film der Oscar-nominierten Lina Wertmüller mit Mariangela Melato und Giancarlo Giannini wurde
2002 als US-Remake mit Madonna in der Hauptrolle neu herausgebracht. Zum 50ten Jubiläum des Originals veröffentlicht CAM Sugar jetzt Piero Piccionis Soundtrack, eine geniale Mischung aus Jazz, Samba,
Bossa Nova und psychedelischer Lounge Music, als frisch von den originalen Analogbändern remasterte
Doppel-LP (2 x 140gr, Single-Sleeve) und CD (Digipak) mit neuen Linernotes.

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28,53

Last In: 8 months ago
DRAB MAJESTY - CARELESS

Drab Majesty

CARELESS

12inchDAISC775
Dais Records
02.09.2025

In the smoggy orange light of a new millennium, the young Deb Demure would take the bus, once a week, from his home in crumbling Hollywood to his grandmother's apartment, nestled in the pastel pristineness of Beverly Hills. During these visits, Deb couldn't help but notice the disconnect between the glow of his grandmother's temple, and the downtrodden, alienated figures that populated the seats of the mass transit that took him there. Week after week, he would observe these characters: fading B-movie starlets, leisure-suited alcoholics and forgotten civil servants. But one fateful commute home, as the twilight waned to the purple Los Angeles night, he realized these figures were not as lost as they appeared - there was a nobility in their failure, reflective of the dignity of the city's vanishing golden era. They were survivors, in need of a voice: a spokesperson for every color of hope and hopelessness, transcendent of gender and time; Drab Majesty became Deb's musical podium for this undertaking. Raised in a music-centric household, Deb would find the time to teach himself to play his father's right-handed guitar upside down and left-handed; an unorthodox fashion from where his earliest understanding of chords and harmony were conceived. Exploring the bins of discarded vinyl in his neighborhood thrift stores, his toolkit expanded with the subterranean sonic gems of the recent past. Influences range from the virtuosic arpeggiated guitar work of Felt's Maurice Deebank and the grittier pop progressions of Red Lorry Yellow Lorry's Chris Reed as well as Steve Severin from Siouxsie and The Banshees. He also studied the harmonic oscillations and utilization of the occult power of vibratory frequency present in New Age sounds of Greek artist, IASOS. In terms of orchestration, he consciously culls from the seaside maximalism of Martin Dupont and mechanized grooves of early Depeche Mode. Like a dualistic pendulum, his vocals swing from a preistly baritone to a choir boy's falsetto reflecting the sepulchral ambiance of church visits with his grandmother. Currently the drummer for Los Angeles lo-fi rock ensemble Marriages and having honed an unorthodox home recording style, Deb sources his sounds from a repository of "mid-fi" synthesizers and other lesser-quality instruments. Following the release of his debut cassette EP, "Unarian Dances", he also shared a split 12" with synth pop forefathers, Eleven Pond. During the Spring of 2015, Drab Majesty signed with Dais Records and released his first single, Unknown to the I, as a introduction for his first initial foray into the album format, romantically titled Careless. Written over the course of 2 years, "Careless" is a compendium of songs that have outlasted a malicious burglary of his studio, his struggles with substance addiction, and most recently, the death of his beloved grandmother.

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22,27

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OZZY OSBOURNE - BLACK RAIN

OZZY OSBOURNE

BLACK RAIN

2x12inch19439939291
Epic Records Group
01.09.2025

15th anniversary of Ozzy Osbourne’s 2007 album 'Black Rain'. Available for the first time as a stanalone LP (the record was previously only available on vinyl as part of the 'See You On The Other Side' boxset), pressed on standard black vinyl. This was Osbourne's 10th studio album and featured guitar player Zakk Wylde, drummer Mike Bordin and bass player Rob Nicholson. Promo/marketing activity.

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26,26

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Wishbone Ash - Argus LP 2x12"
  • A1: Time Was
  • B1: Sometime World
  • B2: Blowin' Free
  • C1: The King Will Come
  • C2: Leaf And Stream
  • D1: Warrior
  • D2: Throw Down The Sword

Wishbone Ash reigned supreme through the 1970s — centered on inspired musicianship, joyful spirit and inventive songs. Their concerts were uplifting and their recorded work sublime. Argus remains a stunning high point in the band's startling repertoire. Argus was a 1972 tour de force, a hard-rocking masterpiece that has gone on to have a huge impact on rock bands moving forward. If you've never heard Argus, you've surely heard music that it inspired.

The British quartet's trademark harmony guitars became a touchstone for many: Thin Lizzy, Iron Maiden, Opeth, and Lynyrd Skynyrd have all acknowledged an Ash influence, and tracks such as Lizzy's "The Boys Are Back in Town," Maiden's "The Trooper," and even Steely Dan's "Reeling in the Years" all have twin-guitar moments that hark back to Argus. But Wishbone Ash were different from the start. They were never strictly a hard rock band; their soaring vocal harmonies and musical grandeur placed them close to progressive rock.

But they weren't strictly prog either: They had no keyboards, no real classical influence and weren't into side-long suites. Their roots were in the blues, and their calling card was twin lead guitars in harmony (played in the original lineup by Ted Turner and Andy Powell). Even the hardest Ash rockers — like "Blowin' Free," the most famous track from Argus — had an ethereal touch. They could rock the big stages, but they did it with subtlety and grace. This is reflected perfectly in the classic album sleeve by prog-associated designers Hipgnosis: The front cover shows a Greek sentry — the "argus" of the title — staring off into the distance. It's a mythic, old-world kind of image until you look closely at the back cover, and see that he's heralding the arrival (or perhaps watching the departure) of a spaceship.

Two worlds colliding. Exactly what the band and album were all about. By the time of Argus, Wishbone Ash were stars in England and cult heroes among Anglophiles in the US. What made Argus a step forward was its flow of moods. The songs don't run together, but there's an emotional connecting thread from the album's somber beginning to its heroic end. The band insisted at the time that lyrics were something of an afterthought: Shortly after its release, main lyricist Martin Turner told NME that he wrote them mainly to fit the mood of the music: "The music that was coming out was very English, very medieval, and the lyrics had to reflect that." Added Powell at the time, "The expression comes out in the guitars. We wouldn't play it if it didn't express something." Now, Analogue Productions has applied all of its vaunted craft and technical expertise to make this epic album shine! Two 45 RPM LPs pressed on virtually silent 180-gram vinyl at Quality Record Pressings make the remastered audio sparkle. Quieter lyrical sentiments and softer musical passages are rendered precisely, while majestic riffs and fist-waving anthems fully reveal the energy of the music! Argus isn't just another rock record — it's a journey through a sonic landscape rich with depth, emotion and technical prowess. It's the album that solidified Wishbone Ash as masters of twin guitar harmony. Discerning audiophiles will find Argus an essential addition to their record collection. It's a masterclass in sound engineering that fully captures the intricate interplay of dual guitars with pristine clarity and a warmth that only analog recordings can provide.

pre-order now31.08.2025

expected to be published on 31.08.2025

88,19
ROSINHA DE VALENÇA - UM VIOLÃO EM PRIMEIRO PLAN LP
  • A1: Asa Branca
  • A2: London, London
  • A3: Mudei De Idéia
  • A4: Zanzibar
  • A5: Boi Ta-Tá
  • A6: Marinheiro Só
  • B1: Summertime
  • B2: De Conversa Em Conversa
  • B3: One O’clock Last Morning, 20Th April 1970
  • B4: O Samba Da Minha Terra
  • B5: Concierto De Aranjuez
  • B6: Tema Espanhol

Rosinha de Valença’s 1971 album Um Violão Em Primeiro Plano is a masterful showcase of Brazilian guitar, highlighting her exceptional talent and contribution to MPB (Música Popular Brasileira).

This album features a rich blend of bossa nova, samba, and traditional Brazilian rhythms, all centered around Valença’s virtuosic guitar playing. Known for her intricate fingerpicking and emotive style, Valença creates a captivating soundscape that transports listeners into the heart of Brazilian music. Tracks like “Asa Branca” and “Summertime” demonstrate her ability to blend technical skill with deep musical expression. Um Violão Em Primeiro Plano remains a testament to Valença’s influence as one of Brazil’s most talented guitarists, offering a timeless listening experience for fans of Brazilian music and acoustic guitar mastery. Discover Rosinha de Valença’s Um Violão Em Primeiro Plano for an immersive journey into classic Brazilian sounds.

Um Violão Em Primeiro Plano is a limited edition on translucent green coloured vinyl.

pre-order now29.08.2025

expected to be published on 29.08.2025

30,21
Outsiders - C.Q. LP

Outsiders

C.Q. LP

12inchMOVLP3929C
Music On Vinyl
29.08.2025
  • A1: Misfit
  • A2: Zsarrahh
  • A3: C.q
  • A4: Daddy Died On Saturday
  • A5: It Seems Like Nothing's Gonna Come My Way Today
  • A6: Doctor
  • B1: The Man On The Dune
  • B2: The Bear
  • B3: Happyville
  • B4: You're Everything On Earth
  • B5: Wish You Were Here With Me Today
  • B6: I Love You No.2
  • B7: Prisonsong

The album C.Q. was originally released in 1968 by the Dutch Nederbeat band The Outsiders, featuring Wally Tax (vocals), Ronnie Splinter (guitar), Leendert "Buzz" Busch (drums), and Frank Beek (bass guitar)._x000d__x000a_The Outsiders, hailing from Amsterdam, were a key figure in the Dutch Nederbeat movement—a local interpretation of beat music inspired by the British Invasion. Though the album C.Q. initially struggled commercially, it has since gained recognition as a psychedelic and garage rock masterpiece._x000d__x000a_C.Q. is available as a limited edition on yellow coloured vinyl and packed in a gloss laminated gatefold sleeve.

pre-order now29.08.2025

expected to be published on 29.08.2025

33,82
SURASSHU - CRYPTMASTER
  • Cryptmaster Theme
  • The Four Pillars
  • Use Your Words
  • It Sees You
  • Rats!
  • Spell It Out
  • Toad Palace
  • Whatever
  • Rumble Underground
  • Countess Ulara
  • Hubble Bubble
  • Heavy Hitter
  • Iss The Enticer
  • Loria The Fair
  • Klaxo The Lawless
  • Payn The Destroyer
  • For Shallya!
  • Bending The Law
  • Audo The Pure
  • Cryptmaster Theme (Ending Version)
  • Level Up!

White vinyl. The record is housed in a gatefold jacket, designed as your own personal treasure chest. Akupara Games and Black Screen Records are over the moon (and down in the crypt) to announce the soundtrack release of the game hit Cryptmaster on vinyl. For the music, sound expert Surasshu, part of the duo Aivi & Surasshu (i.a. Steven Universe), has teamed up with Stemage and Catton Arthur to virtuously solve the puzzle of a perfectly fitting game score. SAY ANYTHING in this bizarre dungeon adventure where words control everything. Fill in the blanks with text or voice to uncover lost abilities, embark on strange quests, and solve mindbending riddles. Can you conquer the crypt and uncover the mystery at the heart of Cryptmaster? In the ancient past, four brave heroes banded together to destroy a terrible evil, giving their lives to save countless others. But now their eternal rest has been disturbed by the Cryptmaster, a capricious necromancer in whose thrall they must ascend through the buried strata of the city above them - the gloomy Bonehouses, mysterious Sunken Sea and freakish Downwood. With the enigmatic Soulstone in hand, the four adventurers must recover their memories, solve whimsical puzzles and defeat outlandish enemies. From fishing and card games to bardic rap battles, finding the right word is the key to success. Who knows, maybe you'll even remember a little more than you bargained for. Surasshu, veteran of television and game music, brings out the best in the Cryptmaster soundtrack, featuring his peers Catton Arthur on bass and Stemage on guitar. From laid back accordions of the Bonehouses, to the shredding guitar of battles, to the piper's haunting melody, this album features enough musical morsels to keep all kinds of dungeon-crawling deviants tapping their toes.

pre-order now29.08.2025

expected to be published on 29.08.2025

26,01
THE MONKS - BLACK MONK TIME

The Monks

BLACK MONK TIME

12inchMR486
MUNSTER
29.08.2025
  • Monk Time
  • Shut Up
  • Boys Are Boys And Girls Are Choice
  • Higgle-Dy Piggle-Dy
  • I Hate You
  • Oh, How To Do Now
  • Complication
  • We Do Wie Du
  • Drunken Maria
  • Love Came Tumblin' Down
  • Blast Off!
  • That's My Girl

Released exclusively in Germany in March 1966, "Black Monk Time" by The Monks has become a cult classic -praised as a groundbreaking forerunner to punk and krautrock. Though the album was overlooked at the time, its bold sound and sharp lyrics have earned it lasting influence and critical acclaim. The Monks were five American G.I.s stationed near Heidelberg, West Germany. Originally performing as a typical beat group under the name the 5 Torquays, they evolved into something far more radical. After discovering guitar feedback by accident and embracing a raw, percussive approach, they caught the attention of two German ad men-Walther Niemann and Karl Remy-who became their managers and helped reinvent their identity. Dressed in monks' robes with tonsured hair and noose neckties, the band developed a confrontational, rhythm heavy sound. Nowhere is this clearer than in the album's opening track, 'Monk Time,' which captures their entire aesthetic in under three minutes. A pounding, repetitive groove of bass and drums anchors the track, layered with distorted guitar bursts, percussive electric banjo, chaotic organ stabs, and unrestrained, shouted vocals. It's a declaration of intent-urgent, jarring, and unforgettable. Their sole studio album, produced by Jimmy Bowien and recorded in Cologne in late 1965, defied musical norms. From the explosive opener 'Monk Time' to the fierce 'Complication,' "Black Monk Time" rejected flower power for something more urgent-anger, humor, and innovation. At the time, Polydor Records deemed the music too radical for American audiences, delaying its U.S. release. Despite its initial commercial failure, the album is now seen as a pivotal moment in rock history-loud, strange, and unapologetically ahead of its time. The Monks' story is as unlikely as their sound: five ex-soldiers and two ad executives creating one of the most daring records of the '60s. The band never sparked the revolution they hinted at, but decades later, "Black Monk Time" still resonates. This is your chance to experience the album that dared to be different - don't miss it. Remastered sound from the tapes, pressed on 180g vinyl.

pre-order now29.08.2025

expected to be published on 29.08.2025

28,53
GREER - BIG SMILE

Greer

BIG SMILE

12inch880951
Epitaph Europe
29.08.2025
  • Omnibus
  • One In The Same
  • Had Enough
  • With Might Of Worms
  • Miracle Fighting Red Baron
  • Franken
  • 1994:
  • Test Virgin Opposites
  • Fighter Pilot Eats A Lemon
  • Demolition
  • She Knows
  • Mugwump
  • Audio_77

After a two-year hiatus from recording, the OC based band reconvened in 2023, returning to where it all started: drummer Lucas Ovalle"s garage. It was in this familiar environment that Ovalle, guitarist lead singer Josiah, guitarist Corbin Jacques,and bassist Seth Thomson learned how to be friends again and shared all the anxieties and revelations they"d endured on hiatus through crafting songs. The 13 songs that make up Big Smile are the band"s emotional champions that track the tumultuous period between the start of their break and the peace they found on their way back to each other. In the studio with fellow California legends Rob Schnapf (The Vines, Beck) and Matt Schuessler (Kurt Vile, Cat Power), GREER grew up again, taking more ownership over their sound and learning to speak producer-ese. Big Smile is the sound of a band exorcising their demons, learning to trust themselves, and asserting themselves with newfound earnestness and maturity. It"s the sound of a band that"s fallen in love with rocking out again. It"s the sound of friends rediscovering each other and the magic that they can create together when they embrace each other"s vulnerable side. With Big Smile, GREER has arrived as a serious, and seriously fun, alt rock band with diversity of sound and unity of vision.

pre-order now29.08.2025

expected to be published on 29.08.2025

22,65
BEN HARPER - WINTER IS FOR LOVERS

Ben Harper

WINTER IS FOR LOVERS

12inchUS877770
ANTI
29.08.2025

"Ben Harper has unveiled his new album Winter Is For Lovers, and in many ways his entire musical life has culminated in this moment. The solo recording, which features just Harper and his Monteleone lap steel guitar, is a 15-song work of original instrumental compositions imagined as a symphony. Harper has pushed musical boundaries since his 1994 debut and his lap steel guitar has played a tremendous role in his distinct sound throughout his career. But he"s never made an album that so purely distills his reverence for the instrument, and his mastery of it. Meditative and affecting, the music featured on Winter Is For Lovers is deeply ingrained in Harper"s DNA and leads directly back to The Folk Music Store, the influential California instrument shop his grandparents opened in the 1950s. The store hosted luminaries of all stripes, including Sonny Terry, Brownie McGhee, the Rev. Gary Davis, Doc Watson and John Fahey. While Harper worked in the shop throughout his childhood, he met and even strung guitars for iconic players like Ry Cooder, Leonard Cohen, Taj Mahal, David Lindley and Jackson Browne.

pre-order now29.08.2025

expected to be published on 29.08.2025

23,49
BAD RELIGION - STRANGER THAN FICTION - 21ST CENTURY SPLATTER EDITION

"Bad Religion has become synonymous with intelligent and provocative West Coast punk rock and are considered one of the most influential and important bands in the genre. Over the past three decades the band has continually pushed social boundaries and questioned authority and beliefs armed only with propulsive guitars, charging drumbeats, thoughtful lyrics and an undying will to inspire and provoke anyone who will listen. Stranger Than Fiction is the eighth album from Bad Religion, and one of their most popular. First released in 1994, the album has been certified Gold and features hit singles "21st Century Digital Boy", "Infected" and "Stranger Than Fiction." Features guest appearances from some of punk"s greatest including Rancid"s Tim Armstrong (vocals on "Television"), Jim Lindberg of Pennywise (vocals on "Marked") and Wayne Kramer of the MC5 (guitars on "Incomplete")."

pre-order now29.08.2025

expected to be published on 29.08.2025

23,49
E. Lundquist - Art Between Minds LP

LA-based composer/arranger E. Lundquist (aka Eric Borders) returns with ‘Art Between Minds’. Having cut his teeth in the LA hip-hop and beats scene and explored realms of cosmic-funk under previous monikers, E. Lundquist’s music displays a rich tapestry of influences including the cinematic & experimental jazz-infused library music that influenced his previous LP ‘Multiple Images’. Now he is back with another ample helping of his hallucinogenic sonics, utilizing a bevy of vintage gear to replicate that warm glow of ’70s jazz-funk. From the Fender Rhodes MKI to the ARP Odyssey, to the Mellotron, the keys and synths he employs on these tracks display a genuine appreciation for the groove-driven music of The ‘Me” Decade.

The album plays like the score to a cult classic B-movie. The sun-drenched haze of “Soliloquy” could easily be what you hear during the calm before the storm in a Blaxploitation flick and the laidback crawl of “Euphoria” seems ripped right out of a fuzzy ‘70s blue movie. But there is a certain sophistication here, like the way the horn section, slinky guitar, and trippy synths combine on “Escape” to sound like liquid one moment and like a summer breeze the next.

While E. Lundquist’s artistry will eventually take him to new plateaus of sound, where he is right now is undoubtedly a high watermark in his career. He has become a torchbearer for jazz-funk in a new jazz revolution, updating the sub-genre with his delicate balance of digital and analog elements that will easily appeal to fans of Kamaal Williams, Surprise Chef, BADBADNOTGOOD, Khurangbin, Robohands and similar.

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26,85

Last In: 8 months ago
Texas Headhunters - Texas Headhunters (LP)
  • A1: Pocket
  • A2: Maggie Went Back To Mineola
  • A3: Everybody Loves You (When You're Down)
  • A4: Kathleen
  • A5: Fool Don't Play With Fire
  • A6: Headhunters Themea
  • B1: Gun Barrel Boogie
  • B2: Independence Day
  • B3: Seeing Around Corners
  • B4: Who Will Your Next Lover Be?
  • B5: Gimme Some Love
  • B6: Burnin' Daylight

Ian Moore, Johnny Moeller, and Jesse Dayton-three of Texas' fiercest fretmen-join forces at last as Texas Headhunters, a band born from deep roots, old friendships, and a shared reverence for the raw, swaggering spirit of Texas blues. Their self-titled debut isn't a nostalgia trip. It's a declaration.

Cut over five days at Willie Nelson's Pedernales Studio, 'Texas Headhunters' deals 12 tracks of grit, groove, and gut-level truth. No smoke, no mirrors-just seasoned musicians in a room, plugged in and turned up. The chemistry is real. The result is mind blowing. Clifford Antone looms large in the story of Texas Headhunters-the spiritual godfather of the project, and the man who first recognized the fire in each of its members. All three-Johnny, Jesse, and Ian-were among the last generation of young guns taken under his wing.

Texas Headhunters isn't just a summit of three badasses with guitars. It's a reclamation. A statement. A reminder that Texas blues, in all its grit and glory, still matters. It's not retro-it's revival. And it's not a tribute-it's a shot across the bow.

Format: Standard Jacket with printed sleeve with lyrics. Pressed on Opaque Red Vinyl.

pre-order now29.08.2025

expected to be published on 29.08.2025

25,63
POPOL VUH - HOSIANNA MANTRA LP

POPOL VUH

HOSIANNA MANTRA LP

12inchECLECLP2921
Esoteric Music
29.08.2025
  • A1: Ah!
  • A2: Kyrie
  • A3: Hosianna Mantra
  • B1: Abschied
  • B2: Segnung
  • B3: Andacht
  • B4: Nicht Hoc Him Himmel
  • B5: Andacht

The third album by Popol Vuh, a collective of musicians founded in Germany by Florian Fricke in 1969. 'Hosianna Mantra’ was a departure from the band’s first two records. Leader Florian Fricke abandoned the use of the Moog synthesiser and instead employed acoustic instrumentation such as piano, oboe and tambura. The record also featured evocative vocals by Korean singer Djong Yun and guitar contributions from Conny Veit.

The resulting album was one of the most inspiring, evocative and beautiful works to emerge in Germany in the 1970s and its fusion of ethnic, classical and ambient influences remains unique.

It is little wonder that 'Hosianna Mantra’ remains regarded as one of the finest works by Popol Vuh and continues to be held in high regard by both critics and aficionados alike.

This Esoteric Recordings edition has been cut at Abbey Road studios and replicates the original album artwork.

pre-order now29.08.2025

expected to be published on 29.08.2025

28,53
MARISSA BURWELL - BEFORE THE HOUR'S UP
  • Inside Out
  • Minneapolis
  • Say It Again
  • Tell Me When It Rains
  • Tight Grip
  • Reality
  • Poplar Tree
  • Everything
  • Before The Hour's Up

Canadian singer-songwriter Marissa Burwell creates moments of warm musical tones featuring thick harmonies wrapped around gentle guitars and drums, while other moments showcase cathartic bursts of energetic alternative rock. Burwell"s sophomore album "Before the Hour"s Up" was born from a push and pull from within. The record is titled after the closing track, which explores the hopeless desire for all of life"s issues to be solved by the end of a therapy session. The creation and release of this album echoed this sentiment; there was a hope that by the time it was released, Marissa"s questions would be answered and her feelings resolved. Instead, she is humbled (yet unsurprised) by the reality that no matter how many topics you address in the hour, they do not simply disappear.

pre-order now29.08.2025

expected to be published on 29.08.2025

22,06
Cody Currie - Fade To Black EP

Cody Currie with a new EP! Jamiroquai in the studio with Masters at Work and Todd Terje and u got the vibe!

The London super soul talent did 5 more tracks for his label Toy Tonics. Being part of the Toy Tonics crew since day one almost.. he has been sharing studio, stages and free time with the Berlin label bunch for more than 5 years now. The new EP shows his talent as a musician who plays bass, guitar and keyboard on the highest level again as well his skills as a superb electronic producer. The new sound for the edgy dancefloor of 2025. It's not dancefloor tools, it's real music for dancers. Taste & quality.

out of Stock

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9,87

Last In: 3 months ago
THE STONE ROSES - Turns Into Stone 2x12"
  • A1: Elephant Stone
  • A2: The Hardest Thing In The World
  • A3: Going Down
  • A4: Mersey Paradise
  • B1: Standing Here
  • B2: Where Angels Play
  • B3: Simone
  • C1: Fools Gold
  • C2: What The World Is Waiting For
  • D1: One Love
  • D2: Something’s Burning

Originally released in 1992 (as a single LP), Turns Into Stone pulled together many of the Stone Roses finest non album tracks - early singles, B-sides and extended versions – into one compelling collection. It begins with their first release from their ultimately turbulent tenure at Silvertone Records, ‘Elephant Stone’ and includes perhaps the bands finest moment, ‘Fools Gold.’ An essential companion to their timeless debut album, like the latter it contains some of best British guitar-driven pop/rock of the era, here spread over four sides of vinyl, the better to showcase the stretched-out grooves that helped them to become, for a time, probably the most exciting and influential band in the country.

pre-order now29.08.2025

expected to be published on 29.08.2025

29,37
Someone Still Loves You Boris Yeltsin - Broom (20th Anniversary Edition) LP
  • 1: Pangea
  • 2: I Am Warm & Powerful
  • 3: What'll We Do
  • 4: Travel Song
  • 5: Oregon Girl
  • 6: House Fire
  • 7: Yr Broom
  • 8: Anna Lee
  • 9: Anne Elephant
  • 10: Gwyneth

The members of Someone Still Loves You Boris Yeltsin couldn’t list a single music blog until their lo-fi MP3s and low-res JPEGs made them worldwide icons of Blogdom in 2005. Even Spin read an SSLYBY blog, downloaded their music and declared the Missouri band “could succeed The Shins as the band that will change your life."
 
Recorded in the attic and living room of guitarist Will Knauer's home, Broom, SSLYBY's debut record, is an expertly crafted indie pop gem.
 
Originally, SSLYBY had a simple ambition: to make the “Local Releases” bin at CD Warehouse. However, Broomturned into a classic rock ‘n’ roll record -- the kind where pop perfectionism meets studio experimentation and each track flows effortlessly. Seemingly innocuous pop songs are molded by happy accidents of fate -- sometimes involving unexplained swarming sounds and doubled drums tracks --into the warm, ethereal tracks that made the album into a sensation.
 
Originally self-released by the band to sell at shows, Broom was remastered and released via Polyvinyl in late 2006.

pre-order now29.08.2025

expected to be published on 29.08.2025

30,51
THE GOOD ONES - RWANDA SINGS WITH STRINGS

GER Das gefeierte ruandische Folk-Duo The Good Ones kehrt mit einem besonderen Album zurück: Rwanda Sings with Strings verbindet ihre charakteristischen akustischen Songs mit feinfühligen, improvisierten Arrangements für Cello und Violine. Produziert von Grammy-Gewinner Ian Brennan (Tinariwen, Ramblin" Jack Elliott), wurde das Album komplett live und ohne Overdubs in einem Hotelzimmer aufgenommen - nur einen Tag vor ihrem NPR Tiny Desk-Auftritt. Die Streicher - Gordon Withers (Cello) und Matvei Sigalov (Violine) - kannten sich vorher nicht, spielten ohne Noten oder Proben, und schufen dennoch in einem Take eine magische Klangwelt. Sänger und Gitarrist Adrien Kazigira schrieb über 23 neue Songs, von denen 19 aufgenommen wurden. Wie immer singt er in Kinyarwanda, der Landessprache Ruandas. Die Lieder handeln von Liebe, Verlust, ländlichem Leben und gesellschaftlichem Wandel - mit einer emotionalen Tiefe, die an Nick Drake, Boubacar Traoré oder Astral Weeks erinnert. Begleitet wird Kazigira von Janvier Havugimana, der wie gewohnt auf Alltagsgegenständen Perkussion spielt. Ein zutiefst menschliches, intimes Album - roh, poetisch und voller Hoffnung. Celebrated Rwandan folk duo The Good Ones return with a deeply intimate and emotionally rich album. Rwanda Sings with Strings pairs their signature acoustic sound with delicate, improvised arrangements for cello and violin. Produced by Grammy-winner Ian Brennan (Tinariwen, Ramblin" Jack Elliott), the album was recorded entirely live-no overdubs-in a Washington, D.C. hotel room, just one day before their NPR Tiny Desk performance. The string players-Gordon Withers (cello) and Matvei Sigalov (violin)-had never met before the session and played without sheet music or rehearsals. Yet, in a single take, they created a soundscape that feels both spontaneous and transcendent. Lead singer and guitarist Adrien Kazigira wrote over 23 new songs for the project, 19 of which were recorded. As always, he sings in Kinyarwanda, Rwanda"s national language. The songs explore themes of love, loss, rural life, and cultural change, with a poetic depth reminiscent of Nick Drake, Boubacar Traoré, or Astral Weeks. Kazigira is joined by Janvier Havugimana, who provides harmonies and percussion using everyday objects like cups, plastic wrap, and old boots. A raw, heartfelt, and hopeful album-quietly powerful and profoundly human.

pre-order now29.08.2025

expected to be published on 29.08.2025

21,81
JACINTA SANCHES - PEDRO RAMOS - S/T

Black Vinyl LP with insert (including the story behind the album and lyrics with English translation)

After their first LP, in 1987, Pedro gathered his usual band, Carlos Sousa on keyboard, Bulimundo on drums, Nuno Santos and Zézé on lead and rhythm guitars, Augusto Rasta on bass, Daló on sax and finally Dalú on percussions, for yet another project, one that carried both their names: Jacinta Sanches - Pedro Ramos. Eight days, no more, that’s all Pedro Ramos and Jacinta Sanches needed inside the Estúdios Musicorde. The process was natural, as with all their music, memories recollected and arranged by Pedro on café napkins, rehearsed and perfected at home with Jacinta. Together they imagined music where Cape Verdean saudade could dance together with Kingston’s skank, two island hearts beating inside European concrete.

His name is Pedro Correia Ramos Varela, born in Praia, Santiago, Cabo Verde on April 6th 1954; her name is Jacinta Lopes Veiga Varela, born in Cidade Velha, Santiago, Cabo Verde on January 22nd 1959. The two met in Praia, where a few exchanged words turned into long evening conversations; conversations into friendship; friendship into love; and love into six wonderful children. After the independence of Cabo Verde, they got married in 1978 and moved to Portugal, where Pedro started working as a welder for Lisnave and playing the guitar in a band in Ramada. Trading shipyard sparks by day for the after-hours pulse of Cova da Moura, his love for music proved harder than steel. And in 1982, after seeing Bob Marley and Peter Tosh in Rotterdam, he opened his own Dancing Bar just below their house, a pioneering space for the promotion of reggae music in Portugal.

Their Dancing Bar kept its doors open from 1982 to 1994, seeing the release of two albums and more singles. To this day, Pedro and Jacinta are still making music, one the inspiration of the other. They define themselves as simple people, living happy without prejudice, friends with the world.

pre-order now29.08.2025

expected to be published on 29.08.2025

24,16
Lard - Pure Chewing Satisfaction LP
  • 1: War Pimp Renissance
  • 2: I Wanna Be A Drug Sniffing Dog
  • 3: Moths
  • 4: Generation Execute
  • 5: Faith Hope And Treachery
  • 6: Peeling Back The Foreskin Of Liberty
  • 7: Mangoat
  • 8: Sidewinder

Lard’s Pure Chewing Satisfaction is the second landmark album of the industrial-hardcore collision between vocals of Jello Biafra with the patented wall of noise assault and studio wizardry of Ministry founders Paul Barker and Al Jourgensen!
Originally released in 1997, Pure Chewing Satisfaction is a dark, frightening look at everything wrong in America, and it rings as true now as it ever has. Lyrically its pessimistic and apocalyptic, tackling topics like looking for work, the legacy of the Me Generation and their failures, to environmental disasters. Sonically, the album is an avalanche of both real and electronic drums, menacing effects galore, and layers of machine gun guitars. Not quite punk rock, nor completely industrial—this is Lardcore for the people!

A must have for fans of Jello Biafra’s work and of Ministry, the result remains another classic release from this legendary collaboration. This long awaited repress now features in addition to the wide release on black vinyl, a limited solid-pink vinyl edition!
Praise The Lard!

pre-order now29.08.2025

expected to be published on 29.08.2025

29,20
THE DISTILLERS - SING SING DEATH HOUSE

Improving on their very fine, self-titled debut album, their latest, Sing Sing Death House, is battle-scarred and resolute, but Brody"s tough voice is more expressive than your average punker"s and especially affecting when she flaunts the full range of her throaty snarl. On "Seneca Falls," an appreciation of the women"s suffrage movement set to chugging guitars and a thumpity-thump bass, there"s an exceptional, goosebump-inducing though unintelligible chorus, which soars above the music because of the emotional quality of Brody"s howl. Otherwise, the music is quite stirring, coming from a gang of gutter-punks with lip piercings.

pre-order now29.08.2025

expected to be published on 29.08.2025

23,49
THE INTERRUPTERS - LIVE IN TOKYO - US EDITION

THE INTERRUPTERS

LIVE IN TOKYO - US EDITION

12inchUS805401
Hellcat
29.08.2025

"Los Angeles-based ska-punk band The Interrupters have just released Live In Tokyo! via Hellcat Records. The live record, produced by guitarist Kevin Bivona, is taken from the band"s 2019 performance at Tokyo"s Summer Sonic Festival in support of their latest album, Fight the Good Fight (2018). The past few years have been pivotal for The Interrupters. Fight the Good Fight debuted #1 Heatseekers, #5 Current Rock, and #5 Current Alternative Album on the Billboard charts. The lead single, "She"s Kerosene" charted #5 at Alternative Radio in US, #1 Alternative in Canada, and #1 Rock in Canada making The Interrupters the first female-fronted band with an Alternative Radio hit since No Doubt. The follow-up single, "Gave You Everything" charted #19 at Alternative Radio in US, and #2 Rock in Canada. In addition, the band made their US TV debut on Jimmy Kimmel Live! and were featured as iHeartRadio"s On The Verge Artist (Fall 2018)"

pre-order now29.08.2025

expected to be published on 29.08.2025

22,65
BAD RELIGION - GENERATOR - US EDITION

BAD RELIGION

GENERATOR - US EDITION

12inchUS864161
Epitaph Europe
29.08.2025

"This digitally re-mastered version of ""Generator"" contains two bonus tracks for ""Heaven Is Falling"" and ""Fertile Crescent"" that originally appeared on the split 7"" with Noam Chomsky put out by Maximum Rock"N Roll in "91. ""Generator"" knocks about stirringly with a steadfast, mid-tempo punk roar, keeping the songs simple but continually on the upsurge. Brett and Greg Hetson"s guitars piggyback to ever-rousing heights, utilizing the essential chords and keeping limits on flashy things like solos or effects, never letting the enthusiasm or sentiment wane. With all players striving to turn each listening experience into a placard-waving melee, Bad Religion emblazons honest, dissatisfied-with-the-status-quo lyrics with an Uberpunk spirit, Greg Graffin"s vocals growing more gravelly and endearing with each record. With the implicit understanding that strength lies in brevity, Bad Religion hew mighty exhortations to action out of a well-trampled happy-punk base, and the sheer motivational impact of ""Generator,"" ""Only Entertainment,"" ""Atomic Garden"" and ""No Direction"" sweeps clear any charges of oversimplification or sameness. Generator is a brutal noise that is louder, faster & angrier than ever! A plethora of power punching punk pedagogy."

pre-order now29.08.2025

expected to be published on 29.08.2025

22,65
RANCID - RANCID - US ORANGE COLOURED VINYL EDITION

This is where it all starts. Without any reminiscing about their former band Operation Ivy, Matt Freeman (bass) and Tim Armstrong (guitar/vocals) blast through their debut without any hints of ska or blatant Clash plagiarizing. On the contrary, this album rips through 15 tracks of high-energy punk that"s accompanied by heavy bass leads and Armstrong"s permanently slurred vocals. And to top it all off, the lyrical content deals with urban blight and the lifestyle of being a public nuisance. With this trademark sound, Rancid provides the perfect soundtrack for any car chase that includes massive property damage; is it a wonder MTV wouldn"t touch this? -Mike DaRonco

pre-order now29.08.2025

expected to be published on 29.08.2025

23,49
PHILEMON ARTHUR AND THE DUNG - PHILEMON ARTHUR AND THE DUNG
  • In Kommer Gösta
  • Du Är Min Ende Vän
  • Missan Spinner
  • Subjekt Och Predikat
  • Dyngan Rinner I Takt
  • Om Ni Tycker Jag Undviker Er
  • Ingenting I Din Hjärna
  • Stanna Där Ni Är
  • Naturen
  • Scoutvisan
  • Jag Vill Va I Fred
  • En Liten Stuga
  • Lille Pelle
  • Godda' Gösta
  • Min Hund
  • Blomman
  • Mor Anka
  • Men Va Fanken
  • Henning I Sin Presenning
  • Hedersmannen
  • All Makt Åt Folke
  • Den Sista Veckan
  • Får Jag Spy I Ditt Paraply?
  • Reinkarnerad Exakt Som Förut

Reissue of Philemon Arthur and the Dung's debut album, originally released in 1972. Comes with a bonus 12" where Philemon Arthur play a Bob Hund track, and Bob Hund play Philemon Arthur. Two still anonymous youngsters from Skåne, in the far south of Sweden are making music that divide music Sweden in two halves with their bold vocals, experimental lyrics and fantastic songs. Either you love them or the opposite. Clearly there are influences from early rock bands as Velvet Underground and Rolling Stones and others. But they make something completely of their own out of it with accordion, guitar, biscuit jars, granny's radiator and some other stuff. 1972 they were awarded a Swedish Grammis. Of course there was no one to receive it. The Grammy awards were shut down for 15 years after that.

pre-order now29.08.2025

expected to be published on 29.08.2025

35,08
Peki Momés - Göç Mevsimi b/w Rüya

Mocambo is proud to welcome Peki Momés, a Turkish artist who has always expressed herself creatively, but accidentally began recording music in 2023. With no pre-education in music, Peki Momés brings a stylish, fresh perspective to groove music, blending her vocals with a unique mix of intuition and uncompromising authenticity.

Her first two songs showcase her versatility, offering distinct sounds that work as both dancefloor hits and listening gems.
Göç Mevisimi transports listeners to a secret place between Japanese City Pop and outernational/tropical boogie sound. Dirty disco grooves, soothing Fender Rhodes, jazzy flute and charming lyrics in Turkish language about our constant search and movement that makes us all passagers of life create a bonafide piece of global underground.

Rüya, on the flip side, is a heavy psych joint that embodies the gritty sound of psychedelic Anatolia. With wobbling grooves, fuzzy guitars and contemporary vocals, it brings a raw, yet hypnotic energy.

Now collaborating with Mocambo Records, Peki Momés is working on an album that promises to offer a fresh approach to Turkish alternative music, ready to captivate music lovers around the world.

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12,82

Last In: 7 months ago
RANIL Y SU CONJUNTO TROPICAL - SONIDO AMAZóNICO

RANIL Y SU CONJUNTO TROPICAL

SONIDO AMAZóNICO

12inchVAMPI328
Vampisoul
27.08.2025

Ranil is undoubtedly the most unconventional figure among the greats of Amazonian cumbia, earning a well-deserved place alongside iconic bands like Los Mirlos, Los Wembler's, and Juaneco y su Combo. This compilation offers a glimpse into the vast musical output Ranil created in the late 1970s and early 1980s. Psychedelia, rock fusion, cumbia, salsa, mambo, Amazonian folk_ you'll find all these flavors blended into the vibrant, jungle-rich sound Ranil crafted. DESCRIPTION Ranil is undoubtedly the most unconventional figure among the greats of Amazonian cumbia, earning a well-deserved place alongside all the better-known iconic bands. He worked as a teacher, criollo guitarist, radio host, TV entrepreneur, and politician, but gained lasting fame as the founder of Ranil y Su Conjunto Tropical in the 1970s. By 1968, around the same time Los Destellos were making waves in Lima, groups like Los Wembler's de Iquitos and Juaneco y su Combo began electrifying cumbia in Iquitos. This new genre, dubbed Amazonian cumbia, exploded nationwide in 1973, thanks to hits by Juaneco y su Combo, Los Mirlos, and Los Wembler's. The success these bands achieved spawned dozens of other groups from the Amazon. Ranil, always a visionary, recognized the movement's potential and joined forces through his first single recorded on the Dinsa label in 1974. Unhappy with the contractual terms, he went on to found Producciones Llerena, the label on which he would release the rest of his discography. Over the years, Ranil y su Conjunto Tropical featured guitarists like Límber Zumba and Luis Nigro, while Ranil remained the lead vocalist and bassist for group. Zumba and Nigro had already played with other regional bands and written songs for groups like Los Destellos and Los Mirlos. This compilation offers a glimpse into the vast musical output Ranil created in the late 1970s and early 1980s, bringing together 14 tracks from the band's 10 LPs. These records have always been hard to come by as, despite being recorded in Lima, they were distributed by Ranil from Iquitos. Psychedelia, rock fusion, cumbia, salsa, mambo, Amazonian folk_ you'll find all these flavors blended into the vibrant, jungle-rich sound Ranil crafted.

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22,27

Last In: 8 months ago
Robert Ouimet / Dave Godin - WAXDIGIT005

Wax Digits hits release number five with a tight and tidy two-tracker from the late veteran Robert Ouimet who passed a couple of years ago. Before then he cooked up these gems with his pal and production partner Dave Godin. They are being released as a tribute to the memory of Ouimet and a fine one they are too. 'Plenty' has a raw groove and big chords with jangling guitars adding hints of melancholy that counter the big stabs. Soulful vocals are a great finishing touch then 'Funky Together' is more loose and strident with big horns leading the way under psyched-out chords. Two quality party starters.

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14,08

Last In: 7 months ago
Wevie Stonder - Sure Beats Living LP

Opener “That’s Magic” features a magician talking us through a convoluted magic trick, to a mysterious synth theme that a celebrity conjurer might use to help the pyramids disappear. It’s probably one of the only pieces of music to draw influences from Paul Daniels. “Carpet Squares” is a hefty slab of squirming machine bass, acid squidges and clanking industrial drums, its samples extolling the virtues of fitting comfortable flooring, with a voiceover recorded on a Canadian golf course. “Vanja & Slavcho” tells the odd story of twins who have an extraordinary ability to a bustle of spiralling arpeggios and comedic sound effects, while “Tiktaalik” has a glam rock beat, guitar twangs, wild synth runs and dance music drum rolls that build to nowhere, plus processed dolphin noises and a vocal about evolution. Then there’s “Piccolo’s Travels”, a spellbinding mix of classical strings and... is that a malfunctioning Clanger?

“Album Titles” lists rejected names for the record to hilarious effect, with outlandish blips, accordion riffs and bubbling percussion setting the scene, “The 38th Parallel” is a wonky slab of electronica, while “Push It” has everything from rock guitar interjections to explosions and birdsong. If “Customer Services” imagines the bewildering experience of dealing with a sentient automated phone call, then the following “Nothing To Write Home About” is a waltz-time organ piece with a nostalgic, bittersweet air. “Ready?” lists practically every genre under the sun and gives you a burst of it, from drill to country & western, hardcore to Miami bass, and the final track, “The Void”, is an AutoTune-laced R&B track with a deep, emotional core.

That’s the genius of Wevie Stonder: their ability to make you laugh one minute, and the next transport you
to an atmospheric reverie.

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19,12

Last In: 8 months ago
THE	REDS, PINKS AND PURPLES - STILL CLOUDS AT NOON
  • All Night
  • Happiness All Around
  • Violent Pictures
  • The Future's Just More Of The Same
  • Walking-Away World
  • Still Clouds At Noon
  • Everything You Ever Loved
  • Walk Through Any Wall
  • The House They Went Past
  • Writing Songs

Recorded as part of the same daydreaming puzzle as Unwishing Well, Still Clouds at Noon brings out the slowcore/sadcore elements that drift through The Reds, Pinks & Purples' melancholy catalog. Donaldson names '90s hometown San Francisco acts such as American Music Club and the more obscure Timco as pivotal to his guitar playing and development as a songwriter, both of which shine bright here. The slower tempo ballads on Still Clouds_ often culminate in heavy fuzz drenched codas and showcase the more abstract poetic side of Donaldson's lyricism. There's an inherent pop-sensibility always at work though, with ear-worm melodies appearing over intoxicating circular riffs. Formerly a Bandcamp only digital release, this white vinyl version is remastered and adds two unreleased tracks, one featuring Mark Monnone from Australian pop-legends The Lucksmiths on bass. Strictly limited edition of 500 ww.

pre-order now23.08.2025

expected to be published on 23.08.2025

26,68
Paul Pèrrim - Itara

Paul Pèrrim

Itara

12inchKRXN049
Keroxen
22.08.2025

Itara is the debut solo album by Paul Pèrrim—guitarist, composer, and anthropologist—featuring a set of guitar-driven compositions that blend hallucinatory acid folk, abstract blues, mutant Eastern jazz, surreal ambient, and free improvi-sation into a vivid and distinctive sonic tapestry.
With a background in ethnomusicology and a degree in Music Education, Pèrrim’s work bridges popular and experi-mental music. He contrasts the acoustic guitar’s austerity with the expansive possibilities of the electric guitar, drawing from late ’60s folk traditions, contemporary fingerstyle, sound collage, drone, psychedelia, and improvisation.
A key figure in the Canary Islands’ experimental scene, he released two albums in the 2010s under The Transistor Arkestra, a Catalan collective merging free jazz and psychedelia. As Transistor Eye, his solo project, he merges ana-log electronics with guitar, using vintage synths and effects.
In 2022, Pèrrim gained wider recognition through his appearance on Manos Ocultas (Philatelia Records) and the in-ternational tribute Solstice: A Tribute to Steffen Basho-Junghans (Obsolete Recordings). That same year, he founded GUITARRACO, a contemporary guitar festival in Tarragona, where he has shared the stage with Joseba Irazoki, Buck Curran, and Raphael Roginski.
Itara will be released in July 2025 via Keroxen. Recorded and produced by Pèrrim, the album features liner notes by critic Bill Meyer, who writes:
“While it’s common to call music cinematic these days, Pèrrim goes split-screen. One might say he composes econo, jamming scenes and sounds to psychedelic effect. But economy does not equate with poverty. Pèrrim draws upon a rich bank of musical notions, all of which he makes his own through the alchemy of recombination and transmutation.”

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19,54

Last In: 8 months ago
Marcel Wave - Something Looming LP

Limited 180g black vinyl (500 copies worldwide)
“Marcel Wave combine sharp-eyed Northern lyricism with DIY guitar-janglers rooted in a retro C86 aesthetic. Epic finale ‘Linoleum Floor’...is a gloriously bleak rumination on the horrors of enforced late-night hedonism worthy of prime Pulp” UNCUT
Marcel Wave write eulogies for tragic actresses, ancient riverbeds and concrete obscenity. Their inaugural sonic instalment ‘Something Looming’ is part trades club symphony, part itchy serenade, and part wistful lament. As their heady concoction of ‘Meades meets Pat-E-Smith meets Kirklees Borough Council’ gets prepped to be formally baptised on a dank stage near you, Upset the Rhythm and Feel It Records have dutifully stepped in to deliver its songbook to the masses on both sides of the pond.
Formed when Lindsay Corstorphine and Christopher Murphy of Sauna Youth and brethren Oliver and Patrick Fisher of Cold Pumas were summoned by northern ink-slinger Maike Hale-Jones, Marcel Wave’s debut offering is a walk through a smoke-filled pub with yellowing wallpaper and all eyes on you. It’s a chronicle of the death of the docklands, the decline of industry, of the high street, of civic pride, of civilisations, of hopes and dreams. As Hale-Jones delivers the bad news in her low, West Yorkshire brogue, Corstorphine adds the bells and whistles via the frantic pulsations of a wheezing Hohner organ in tandem with Fisher O’s rasping guitar. MW are completed by the throbbing basslines of Murphy and Fisher P’s fervent rhythms.
The title itself sets the tone for the listener. There’s a sense of foreboding in Hale-Jones’ lyrics which sit at the quintet’s core—elegiac, sardonic and piquant in equal measure. A mixture of narrative epilogues and inward paeans, her words weave tales across a broad thematic church. Crooked tales of urban renewal and the voices left behind are probed in ‘Barrow Boys’ and ‘Stop/Continue’ and are at the fore in ‘Where There’s Muck There’s Brass’ with its refrain lamenting ‘Concrete and slate shine in the rain, cities destroyed, nothing to gain’. In these lyrics, tower blocks loom over terraced houses with the same shadows that the Hollywood sign casts over Peg Entwistle before she takes her tragic leap. ‘Peg’ and ‘Elsie’ are both meditations on two different actresses with different fates crushed by the cut-throat trappings of showbusiness: ‘The mad hopes break, fragile as glass. She traded it all, for the cutting room floor.’ A snaking, existential dread also runs through the album, stated more obliquely in the otherwise poppier interludes of the title track ‘Something Looming’ and album opener ‘Bent Out of Shape’, and present too on the comparatively ramshackle ‘Discount Centre’, where Hale-Jones reports ‘On a mini bus on the outskirts of Enfield, I’m losing all of my spark’. On the album closing weeper ‘Linoleum Floor’, it is laid barer still—a keyboard-led reflection on the deflating nights out of our early-twenties.
Marcel Wave invites the listener to dance to society’s decline, and then to later weep into its lukewarm pint.

out of Stock

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14,08

Last In: 8 months ago
HONEYPUPPY - DIRTY TV

Honeypuppy

DIRTY TV

12inchCLDLP39
Cloud Recordings
22.08.2025
  • Understatement
  • Cozy
  • Wait No
  • Dirty Tv
  • Long Time Coming
  • Can't Stand U
  • Plaster
  • I've Been Delayed

"We are Honeypuppy. Your worst nightmare. Sleep tight." Born from the liminal space between the head and pillow of Songwriter Josie Callahan, Athens Georgia's Honeypuppy interrupts your regularly scheduled programming with an exciting and fresh one-time TV offer: a sparkly new album for your listening pleasure. Experience the bliss and despair, anxiety and indifference, and present yet absent-minded glee of this episodic saga in Honeypuppy's glowing new sonic collection, DIRTY TV. A nostalgic and poppy delight complete with twists, turns, and plenty of surprises, don't miss a second of DIRTY TV. Honeypuppy formed in 2020 as Callahan (lead vocals, guitar) recruited friends and roommates Adam Wayton (bass, vocals), and Will Wise (lead guitar) to help bring her songs to life. The group released "Nymphet", their soft and brutal debut EP, in January of 2024.

pre-order now22.08.2025

expected to be published on 22.08.2025

22,27
Maiya Blaney - A Room with a Door That Closes LP
  • 1: I’ll Be With You 3:00
  • 2: Left :0
  • 3: Carmen Electra 2:45
  • 4: Idr 1:3
  • 5: Fumbled 1:46
  • 6: “Affirmatively.” Pt 1 1:59
  • 7: Honey I 2:10
  • 8: Could You 3:31
  • 9: Recognize Me 2:11
  • 10: “Affirmatively.” Pt Ii 3:19
  • 11: And 4:16

Blaney describes A Room With A Door That Closes as “a love letter to her blue,” an emotional state that she defines as “a kinetic, intense, and dark energy that needs to be expressed as soon as it is felt.” The eleven songs on the album span radioactive kiss offs, sorrowful meditations on yearning, and gossamer reveries about self image.

The music has a fittingly tumultuous, intricate sound: 1960s soul samples melt into warm drum n bass percussion, blips of glitch ping pong against grating synth, and Blaney’s vocals range from searing punk exclamations to gentle, exploratory croons. It’s the sound of a singer peering deeply within herself and presenting the world with everything she finds, unadulterated, in real time. Blaney produced the new project along with a tight team of three producers: Emerson Fossett, Harlan Steed (Show Me The Body), and Alex Farrar (MJ Lenderman, Wednesday, Squirrel Flower, Snail Mail).

Blaney had just started playing guitar and producing around the time she began writing the songs that would become the album. Being new to both producing and guitar playing opened up a sense of exploration and freedom for her. She felt emboldened to employ more adventurous riffs and unconventional song arrangements when she was writing. A Room With A Door That Closes is a collection of songs that rigorously pursue honesty, that present feelings as they arise without rushing to categorise them or explain them away. In the process of understanding her rage or discomfort, Blaney often lands on a sense of pride and assurance, but that’s never the ultimate goal. She eschews the easy comfort of neat resolution for the excitement of ongoing discovery. The album is an exercise in unfiltered self-expression, and a celebration of life at its messiest.

pre-order now22.08.2025

expected to be published on 22.08.2025

27,31
Ash Ra Tempel - Ash Ra Tempel LP

Ash Ra Tempel

Ash Ra Tempel LP

12inchMG.ART611
MG.ART
22.08.2025
 
2
also available

140g Transparent Vinyl[28,36 €]


2025 Repress


Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel. It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.

This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label. It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many, became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.

On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)


Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

out of Stock

Order now and we will order the item for you at our supplier.

28,36

Last In: 8 months ago
Ash Ra Tempel - Ash Ra Tempel LP

Ash Ra Tempel

Ash Ra Tempel LP

12inchMG.ART611TV
MG.ART
22.08.2025
 
2
also available

black EP[28,36 €]


2025 Repress

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel. It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.

This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label. It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many, became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.

On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)


Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

out of Stock

Order now and we will order the item for you at our supplier.

28,36

Last In: 8 months ago
MAYHEM - ESOTERIC WARFARE (TAPE)

Esoteric Warfare is the fifth full-length studio album by Norwegian black metal band Mayhem. It was released by Season of Mist on 6 June 2014 in Europe and Asia, and on 10 June 2014 in North America. It is the band's first album with Teloch on guitar since Blasphemer's departure from the band in 2008. As with the previous album, the lyrics focus less on the classically Satanic themes of the band's early work, instead referring to occult and conspiracy theory concepts such as psychic powers, mind control and alien tampering with human evolution. (For instance, the song "Corpse of Care" appears to be a direct allusion to Bohemian Grove and the Cremation of Care ceremony performed there.)

out of Stock

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13,03

Last In: 8 months ago
Eve Adams - American Dust LP

Eve Adams

American Dust LP

12inchBR023LP
Basin Rock
22.08.2025

"Astral Americana hymns hovering somewhere between the dirt and the stars" Pitchfork

"Mood music for moments of solitude, best experienced without distraction" The Times

"Overwhelmingly effective and ravishingly beautiful" The Wire

American Dust is an ode to the beauty of the American Southwest, where vast desert landscapes hold stories both stark and tender. Eve Adams’ characteristic folk noir weaves a vivid tapestry of love, sacrifice and quiet revelation, conjuring images of dust storms, stray dogs and far off trains.

The high desert of California is a vast and confounding place. Equally inspiring as it is punishing, it’s a landscape that carries magic in its deep dark nights, holding stories both tender and stark in the coarse layer of dust that settles upon everything. It’s long been a source of inspiration for musicians, writers, and painters, each of them adding to the same current, carried forward over time, through hope and hardship and the passing years.

Somewhere out there in that broad and boundless landscape, Eve Adams has been living her own desert life, quietly writing the follow-up to 2021’s Metal Bird LP. Where that album sang of liminal space, the dream-like turbulence of Hollywood’s golden age, American Dust is far more rooted in traditional storytelling; a eulogy for the American Dream channeled through that sweeping part of the country that holds such power and mystery. Slipping into different and varied costumes throughout its ten songs, it finds Eve not just observing the people around her but stepping into their shoes and peeling back the layers of their quiet lives.

Adams writes from within. A few years ago she moved out there, to “the middle of nowhere”, finding a slowness that didn’t exist in the city, and she knows only too well about the mystical nature of the land and those who live within it. Weaving together themes of grit and romance, American Dust holds its focus on the bittersweet poetry of lives lived in solitude, most notably the women who sustain life at the center of it all. “There’s something very radical about domestic life,” Adams says of this thread. “So many women live their entire lives behind closed doors, completely in the shadows. Within those lives is such sacrifice, devotion, and love. I wanted to honor that: the poetry in the mundane, the longing in the repetition. The way love survives boredom and dust and time.”

Eve is joined on American Dust by Canadian musician Bryce Cloghesy, aka Military Genius of Crack Cloud, who plays throughout and also helped produce the album. Musically bold and vivid, it’s an ambitious and detailed stride forward from what’s come before, the scope of the LP’s narrative reflected in the radiant sweep of the playing. On top of gentle piano and guitar, gorgeous strings drift through the album, lending the songs a woozy sense of romanticism; a collaboration with Gamaliel Traynor (Cello) and Caroline’s Oliver Hamilton (Violin).

For all the drama that’s coiled around these songs, it’s the recurring notion of love and hope fighting against everything that holds true throughout American Dust. Musically it’s lush and vibrant, intimate and cinematic side by side, and always bursting with warmth. But it’s what it holds in its weary bones that elevates it to something truly special, something more than just a collection of songs penned in the heart of the desert. The characters it speaks of, and from, feel shadowed but wholly real, like they’re bursting to share their stories that have remained hidden for years and years and they allow Eve Adams to grow as a songwriter right in front of our eyes.

“The same swirling dust that clung to the covered wagons of my ancestors as they crossed the Great American Desert is the same dust my great-great-grandmother swept off her porch during the Dust Bowl of 1936 in Oklahoma, is the same dust that blows in through the cracks in my windows here in the desert, carrying stories from a time long gone,” Eve says, reflecting on the personal narrative that runs through her new album.

“It’s not just dust—it’s American Dust, the kind that settles into the bones of a family and never leaves. I think about that dust as a symbol of the passage of time. I hope this album will be part of that same current, carrying forward for the next generations of my family to find. I’ve been lucky enough to have journals and poetry from my ancestors that documents their lives during times of pure hope and pure hardship. I’d like to think of this album as a contribution to that family history.”

pre-order now22.08.2025

expected to be published on 22.08.2025

22,27
APOLLO JUNCTION - What In The World LP
  • A1: Got A Memory
  • A2: Entangled
  • A3: Every Journey From Here
  • A4: Satellites
  • A5: The Sky’s On Fire
  • B1: We Don’t Dream Their Dreams
  • B2: Settle Down
  • B3: Falling
  • B4: First Time Caller
  • B5: Daylight
  • B6: Going To The Moon

Get ready for a musical journey like no other as Apollo Junction, the dynamic and innovative indie rock sensation, prepares to launch their eagerly awaited new album, ’What In The World’ on August 22nd. The members of Apollo Junction hail from Leeds, UK. Known for their electrifying live performances and genre-blurring sound, the band has captured the hearts of music enthusiasts worldwide.

With a strong and dedicated fan base, Apollo Junction continues to push the boundaries of their craft, creating music that resonates on a profound level. Apollo Junction’s new album ‘What in the World’ has been years in the making - born from highs, lows, countless gigs, and all the chaos in between. It’s the most honest version of the band yet, a record shaped by every late-night argument, every breakthrough, every crazy story they have ever told each other.

Recorded at Chairworks Studio with David Watts (The Reytons, OMD, Paul Heaton, and Kaiser Chiefs) the album also features tracks co-written with Eliot Kennedy (known for his work with Bryan Adams and the Spice Girls) and includes a track with a powerful guest vocal from Brianna Corrigan of The Beautiful South. Lead singer Jamie Williamson explains the importance of the album: “This album feels exactly right for where we are now. Every track is a snapshot—of getting lost, finding our way back, and remembering why we started. It’s about making something that feels like home. We went looking for meaning and realised it was right in front of us: the band, the songs, this record. ‘What in the World’ isn’t just a title—it’s the answer we’ve been chasing all along.” Leeds-based quintet Apollo Junction is made up of Jamie Williamson (singer) Matthew Wilson (guitarist), Ben Hope (bassist), Jonny Thornton (drummer) and Sam Potter (keyboards). Their shared love of live music and dedication to performing, coupled with an incredible hard-work ethic has taken them on this magical journey which has included support slots for Shed Seven, Kaiser Chiefs, Richard Ashcroft and performing at festivals including the prestigious Isle of Wight Festival. Coming up this summer, the lads will be playing with Blossoms, Manic Street Preachers and Doves

pre-order now22.08.2025

expected to be published on 22.08.2025

20,38
JIM BOB - AUTOMATIC LP

JIM BOB

AUTOMATIC LP

12inchBRED927
CHERRY RED
22.08.2025

Cherry Red Records is double delighted to present not one, but TWO brilliant brand-new albums from Jim Bob this summer! • Following his sold-out show at London’s O2 Shepherd’s Bush Empire in April, Jim Bob (Carter USM, Jamie Wednesday) returns with two new solo records (his 13th and 14th), released on the same day – Friday 22nd August 2025.

One album is ‘AUTOMATIC’ and one album is ‘STICK’. This is NOT a double album, double albums allow filler in and there is NO filler on ‘Automatic’ or ‘Stick’. You won’t find any skippable Instrumentals or reprised versions on these beauties, just wall-to-wall, floor-toceiling bangers - 22 of them – 11 songs on each excellent record. ‘Automatic’ features the full band from the last three Jim Bob albums (‘Pop Up Jim Bob’, ‘Who Do We Hate Today’ and ‘Thanks For Reaching Out’ - also available on Cherry Red Records) and includes the opening sing-a-long ‘Victoria Knits The Wars’ which features on the first 7” single. ‘Stick’ is a punkier, dirty power-trio, guitar record and features the poppin’ punky ‘S’ side of the 7” ‘Every Day’s a Discotheque’. Both albums are also available in colour gatefold vinyl and digital formats. ‘Automatic’ and ‘Stick’ are both the greatest album Jim Bob has ever made

pre-order now22.08.2025

expected to be published on 22.08.2025

28,53
JIM BOB - STICK LP

JIM BOB

STICK LP

12inchBRED928
CHERRY RED
22.08.2025

Cherry Red Records is double delighted to present not one, but TWO brilliant brand-new albums from Jim Bob this summer! • Following his sold-out show at London’s O2 Shepherd’s Bush Empire in April, Jim Bob (Carter USM, Jamie Wednesday) returns with two new solo records (his 13th and 14th), released on the same day – Friday 22nd August 2025. • One album is ‘AUTOMATIC’ and one album is ‘STICK’. This is NOT a double album, double albums allow filler in and there is NO filler on ‘Automatic’ or ‘Stick’. You won’t find any skippable Instrumentals or reprised versions on these beauties, just wall-to-wall, floor-toceiling bangers - 22 of them – 11 songs on each excellent record. ‘Automatic’ features the full band from the last three Jim Bob albums (‘Pop Up Jim Bob’, ‘Who Do We Hate Today’ and ‘Thanks For Reaching Out’ - also available on Cherry Red Records) and includes the opening sing-a-long ‘Victoria Knits The Wars’ which features on the first 7” single. ‘Stick’ is a punkier, dirty power-trio, guitar record and features the poppin’ punky ‘S’ side of the 7” ‘Every Day’s a Discotheque’. Both albums are also available in colour gatefold vinyl and digital formats. ‘Automatic’ and ‘Stick’ are both the greatest album Jim Bob has ever made.

pre-order now22.08.2025

expected to be published on 22.08.2025

28,53
Kuttin Edge - (115)

Kuttin Edge

(115)

12inchPLAYME12011
Play Musik
22.08.2025

* 140gm vinyl in charcoal black reverse-board disco bag, with red/ hot pink/ blue/ off-white patterned wraparound sticker, and embossed play:musik icon on front sleeve.

* Kuttin Edge arrives on p:m with (115), a musically adventurous set that draws from a range of influences - West African funk, UK and US electronics, Autonomic moods, minimal techno, and Brutalism; while a focus on analogue feel, overdubbing, and textural detail processes tie it together. An interesting, experimental, yet firmly dancefloor friendly EP.

* Tracklist:
A1. Onyeabor: a unique track full of vintage-sound synths, bright melodic lines, Moog-style arpeggios, and rhythms built on a CR78, layered with live drums, tambourines, and bass guitar. Disco funk samples and fx add texture, alongside heavy overdubbing. Inspired by early William Onyeabor aesthetics.

A2. Dark Horse: Dark Horse: an atmospheric arrangement of phase-y pads reminiscent of the peak Autonomic era, filtered through the abstract lens of artists like Actress or King Britt. The pacing and negative space give the tune a weighty but airy feel, punctuated by heavy toms and documentary-style foley. Soulfully cosmic.

B1. Loop Me: polyrhythmic arpeggios, swirling delays, unstable harmonic structure, and chromatic movement form a tense, shifting progression. Built around a single bell sample, the track is reshaped through layering, modulation, subtle changes in texture, and filtered transitions. A techno stepper.

B2. Geiger Scale: experiments with playful but controlled randomness, minimal structure and off-grid sequencing. The idea centres on a toy synth with loose notes and laidback groove formed of irregular, rhythmic patterns. Geiger Scale perfects restraint as the arrangement bubbles along with sparse melodies. Smokey and potent.

out of Stock

Order now and we will order the item for you at our supplier.

17,61

Last In: 8 months ago
THE SHADOW RING - HOLD ONTO I.D.
  • Watch The Water
  • The Way Of The World
  • Coombe House
  • Wash What You Eat
  • Like When
  • Basic Everyday Life
  • Hold Onto I.d

Recorded from late 1996 through early 1997, Hold Onto I.D., The Shadow Ring's fourth album, marks the apogee of the trio's experimental rock epoch - their last record clinging to their factitious bandness before they let all song and structure go awash in sonic malaise for their final run of releases on Swill Radio. The surrealist dreams of City Lights and Put the Music in Its Coffin give way to pseudo-expressionistic lyrics mired in the banality and bleakness of the everyday, set against the backdrop of the Coombe House (as pictured on the album's cover). While Hold Onto I.D. is the group's most overtly autobiographical release to date, Lambkin's lyrics obfuscate his expressionist tendencies filtering them through the codes and languages of officialdom, linking the "inner self" with documents of the state_identification cards, National Insurance numbers, and British passport numbers. Having moved out of their parents' homes and into the top floor of the famed Coombe House, Graham Lambkin and Darren Harris set out to rework material drafted over the previous year, aided by Tim Goss, still safely in residence at the "Valebrook Inn." While the familiar sounds of Harris's deadpan recitation and Lambkin's electric guitar, amateurishly strummed, dominate the album, the emotive interludes of Goss's keyboards populate the record along with of home-cooked tape experiments and dime-store concrète. Originally released on CD and supported by a US tour with friends Scott Foust and Karla Borecky's Idea Fire Company, Hold Onto I.D. is perhaps the band's best-known and most accessible album. (The Shadow Ring's sole representative on a streaming platform, it was once acknowledged by the Guardian as one of "the 101 strangest records on Spotify.") Offered here for the first time on vinyl, Hold Onto I.D. is an essential album for both completists and the uninitiated alike. Throughout their legendary, decade-long run, the Shadow Ring were an enigmatic force on the international musical sub-underground. Before their disbandment in 2002, this shambolic rock outfit, formed by a group of rowdy teenagers in southeast England, left behind a mighty run of eight LPs, a handful of 7"s, and a spate of raucous live shows and cryptic zine appearances on both sides of the Atlantic, all which have bolstered their enduring word-of-mouth mystique. Beginning in 2023 with the first-ever vinyl pressing of the self-released pre-Shadow Ring tape The Cat & Bells Club (1992), Blank Forms Editions has been conducting a systematic retrospective of the storied group. Wax-Work Echoes and Hold Onto I.D. are the latest releases in a multiyear reissue effort that includes several LPs, a comprehensive CD box set, and a nearly five-hundred-page book.

pre-order now22.08.2025

expected to be published on 22.08.2025

24,79
THE SHADOW RING - WAX-WORK ECHOES

Originally conceived as a compilation of outtakes and live recordings from The Shadow Ring's 1995 stateside tour, Wax-Work Echoes takes its name from the first line of "Put the Music in Its Coffin," the title track of the group's breakthrough release. Lambkin abandons the bitsand- bobs approach, advancing the Shadow Ring concept with entirely original material that builds on the unit's self-mythologizing lyrics, celebrates the clicking of horse hooves, ponders on the sociability of rats and mice, and warns of the dangers of poultry. The first Shadow Ring album to officially include Tim Goss in the main lineup, Wax- Work Echoes reveals the group in its final and lasting form, awash in the outer bounds of atmospheric exploration, with Lambkin's familiar wry and morbid lyricism and the stripped-down angularity of amateurishly detuned guitars fully intact. While Klaus Canterbury and Tony Clark seem all but forgotten, and the shrugged off S. Fritz is listed on the liner notes as performing only "when required," Lambkin did solicit contributions from outside the inner circle. A bit of "Mambo Twist," lifted from a tape of unreleased Vitamin B12 material sent to Lambkin by Alasdair Willis, found its way into "V.E.R.M.I.N.," while an extended epistle contribution from Richard Youngs (and, technically, Brian Lavelle) would be employed in the second half of "Catching Sight/Of Passing Things." Released on CD in 1996 for Bruce Russell's newly minted Corpus Hermeticum, Wax-Work Echoes was recorded concurrently with intense rehearsal periods, in anticipation of the forthcoming "Rose Watson Tour," and was supported by a celebratory fanzine media blitz. The album seemingly absorbs the frenetic excess of the band's transatlantic travels; Wax-Work Echoes channels the trio's wilder instincts into an unresolved catharsis, not yet free of frustration or restlessness. Out of print for almost three decades and available here for the first time ever on long-playing disc, Wax-Work Echoes is a classic from the outer eddies of The Shadow Ring's sound, a must-have for any aficionado's collection: "A window slides, glass slips from frame / And canvas carcass breathes again." Throughout their legendary, decade-long run, the Shadow Ring were an enigmatic force on the international musical sub-underground. Before their disbandment in 2002, this shambolic rock outfit, formed by a group of rowdy teenagers in southeast England, left behind a mighty run of eight LPs, a handful of 7"s, and a spate of raucous live shows and cryptic zine appearances on both sides of the Atlantic, all which have bolstered their enduring word-of-mouth mystique. Beginning in 2023 with the first-ever vinyl pressing of the self-released pre-Shadow Ring tape The Cat & Bells Club (1992), Blank Forms Editions has been conducting a systematic retrospective of the storied group. Wax-Work Echoes and Hold Onto I.D. are the latest releases in a multiyear reissue effort that includes several LPs, a comprehensive CD box set, and a nearly five-hundred-page book.

pre-order now22.08.2025

expected to be published on 22.08.2025

24,79
Debris' - Debris'

Debris'

Debris'

12inchSV137LP
SUPERIOR VIADUCT
22.08.2025

Chickasha, Oklahoma is not a place known for producing a lot of original proto-punk bands. In fact, there is, to our knowledge, only one: Debris'. Formed in 1975 by bassist Chuck Ivey, guitarist Oliver "Rectomo" Powers and drummer Johnny Gregg, the trio created some of the most art-damaged outsider rock 'n' roll this side of MX-80 Sound.

When a local studio offered the package deal of ten hours for recording and mixing as well as pressing 1,000 LPs and two-color jackets, Debris' came in well-rehearsed – nailing all eleven of their songs in just one take. In April 1976, the same month as Ramones' debut album, Debris' would release their lone record onto the world.

Opener "One Way Spit" could easily be mistaken for a lost KBD single – from Chuck's bizarre count-in to the band's trashy start-stop rhythms, unfurling a Dadaist flag around Johnny's visceral vocals. On "Tricia," a reference to the then-current Patty Hearst trial, Oliver's gruesome groans are sardonically juxtaposed with an electric saw. These LSD-tinged tunes are a potent mix of Beefheart-ian controlled chaos and the genuinely weird avant-rock associated with the mid-'70s Cleveland scene.

Enhanced by analog synthesizers and electronic effects, the album sounds like Eno-era Roxy Music or Stooges' Fun House buried deep in the red Oklahoma dirt. While punk would spark a handful of bands who boldly straddled the line between the primal and the experimental, the relatively unsung Debris' were one of the first to do so.

Debris' had a standing invitation to play New York at Max's Kansas City and CBGB in 1976, although they never made it out of Oklahoma. The private-press edition of their self-titled album (also known as Static Disposal, which was actually the label name printed on the original front cover) has since become a collector's item and is even namechecked on the infamous NWW list.

pre-order now22.08.2025

expected to be published on 22.08.2025

26,47
Brenda - Bath Time

Brenda

Bath Time

12inchCOK015BLK
College Of Knowledge
22.08.2025

Brenda (Hudson Whitlock of Surprise Chef / Karate Boogaloo / The Pro-Teens) presents new album 'Bath Time', a suite of heartbreaking, cinematic indie-soul ballads from the hotbed of Melbourne, Australia.



Brenda encompasses the left-field soul sensibilities for which Whitlock has come to be recognised in cult instrumental groups Surprise Chef, Karate Boogaloo and The Pro-Teens, alongside heartfelt, introspective lyricism delivered in a sincere, delicate falsetto. Stylistically, lines can be drawn to the 1960s sweet soul ballads of The Delfonics, Jean-Claude Vannier's vivid arrangements for Serge Gainsbourg, and, of course, the unmistakable flavour of Melbourne's cinematic soul movement à la other Whitlock exploits Surprise Chef and Karate Boogaloo.



'Bath Time' contains ten entrancingly melancholic ballads that earnestly express Whitlock's dramatic indie-soul sensibilities; encompassing the classically introspective nature of the poetic lyricist and the idiosyncratic use of soulful instrumental arrangements. The songs encompass themes of old romantic habits dying hard, familial rifts and unrequited love.



True to his modest vagabond nature, Whitlock has 'released' six Brenda albums to date, each uploaded exclusively to bandcamp, gladly resigning the music to the underground. Whilst he created theses albums in solitude, playing each instrument himself, 'Bath Time' sees Whitlock relinquishes the isolationism of previous works in favour of including his trusted inner circle of friends and collaborators: Surprise Chef's Lachlan Stuckey and Jethro Curtin on guitar and keyboard respectively, Karate Boogaloo's Darvid Thor on bass, and production from Henry Jenkins (Surprise Chef, Karate Boogaloo, Frollen Music Library).

AVAILABLE IN BLACK ICE WITH ORANGE AND BLUE SPLATTER (COK015WW)

pre-order now22.08.2025

expected to be published on 22.08.2025

23,49
FLÄSKET BRINNER - FLÄSKET BRINNER LP 2x12"
  • Gånglåten
  • Ysta Finskan
  • Gunnars Dilemma
  • Bengans Vals
  • Bosses Låt
  • Räva
  • Upsala Gård
  • Musik Från Liljevalchs
  • Mr. Beautiful
  • Collage Från Konserthuset
  • Gulan (Från Pistolteatern)

Reissue, 2LPs, black and purple colored. Limited to 500 copies. Fläsket Brinner means Burning Flesh and is a suitabel name for this group that started in 1970 playing music with influences from the time, like kind of jazzrock, psychedelia, folkmusic and long improvisations that often ended in extacy. Bo Hansson did not often play his music live, but he often joined Fläsket Brinner in concerts, sometimes he played the Hammond but also guitar or cow bell. This, their debut album, has been long awaited for different reasons but is now finally released including a lot of bonus material on a second LP. Side A and C plus "Bosses låt" on side B are recorded at The Concert Hall in Stockholm December 1st 1970 (on 2-channels) when Fläsket Brinner was warm up for Frank Zappa and Mothers of Inventiom. Bo Hansson was participating in that concert on Hammand Organ alternativ Cow Bell when Sten Bergman played the organ. B 6 is recorded at Liljevalchs Hall of Art during the 3rd Gärdetfest that was held indoors November 20th 1970 (on 8-channels) B 1, 2, 4, 5 are recorded in the newly started Studio Decibel January 17th and 18th 1971. Sides A, B and C are recorded and mixed by Anders Lind. D-side "Gulan" is recorded at Pistolteatern in Stockholm (on 2 channels) February 14th by Claes-Göran Flodén.

pre-order now22.08.2025

expected to be published on 22.08.2025

35,08
TOR LUNDVALL - BEAUTIFUL ILLUSIONS

LTD. CLEAR BLUE VINYL

New York painter and musician exploratory industrialist Tor Lundvall initially envisioned his 14th album, Beautiful Illusions, as an entirely instrumental affair, "inspired by memories of sitting in a church or cathedral watching the shifting sunlight through stained glass." Although he ultimately chose to wreath the majority of the tracks with hushed, poetic vocals, his original muse still resonates. These are certainly songs of shadowplay and vaulted skies, the quiet grandeur of dusk deepening on the horizon. Lundvall characterizes the lyrical subject matter, too, in ways both specific and surreal, exploring "the doubts, the anxieties and even the bleak fantasies the mind spirals into during moments of isolation, separation and distance." Tricks of the eye, mind, and ear, magnified by silence and the looming long winter. Shivering pulses and muted bass lines tread the twilight while icicle synths and wiry guitar map the melody until the voice enters, narrating oblique moods of essence and absence, tenderness and truth. Glimpses of dark humor flicker in the wordplay but the greater sonic landscape is one of falling leaves and failing light, small gestures rendered as revelation, cloaked in reverb and spatial fog. Lundvall's mastery of nuance and negative space continues to heighten, whispered brushstrokes of the invisible and the unsaid, what lies beneath and what lies beyond: "Behind the shields and false fronts is usually a sadness. The heartbreaking reflections of what might have been."

out of Stock

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22,27

Last In: 8 months ago
PHI-PSONICS - EXPANDING TO ONE LP 2x12"

For his third long-player under the Phi-Psonics banner, Ford-Young marshalled a series of live recordings at the Healing Force Of The Universe record store in Pasadena, sculpting fourteen tracks, largely composed in the moment with a fluctuating cast of players, which wonderfully transmit his ideals of community and inner peace. Called "Expanding To One", it features exquisitely calming yet searching pieces like "There"s Still Hope", where Seth"s softly undulating bassline underpins beatific explorations from core Phi-Psonics members, Sylvain Carton and Randal Fisher (both on saxophone), and Josh Collazo (drums), alongside guests Zach Tenorio (Wurlitzer piano) and Mathias Künzli (percussion). Equally sublime, "Healing Time" ripples like a mountain stream, with Ford-Young, Carton, Fisher and Tenorio joined by Minta Spencer (harp), Dylan Day (guitar) and, on drums/percussion, Jay Bellerose, a revered LA stickman most recently under the spotlight in Jeff Parker ETA IVtet.

out of Stock

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31,05

Last In: 8 months ago
Brenda - Bath Time

Brenda

Bath Time

12inchCOK015WW
College Of Knowledge
19.08.2025

Brenda (Hudson Whitlock of Surprise Chef / Karate Boogaloo / The Pro-Teens) presents new album 'Bath Time', a suite of heartbreaking, cinematic indie-soul ballads from the hotbed of Melbourne, Australia.



Brenda encompasses the left-field soul sensibilities for which Whitlock has come to be recognised in cult instrumental groups Surprise Chef, Karate Boogaloo and The Pro-Teens, alongside heartfelt, introspective lyricism delivered in a sincere, delicate falsetto. Stylistically, lines can be drawn to the 1960s sweet soul ballads of The Delfonics, Jean-Claude Vannier's vivid arrangements for Serge Gainsbourg, and, of course, the unmistakable flavour of Melbourne's cinematic soul movement à la other Whitlock exploits Surprise Chef and Karate Boogaloo.



'Bath Time' contains ten entrancingly melancholic ballads that earnestly express Whitlock's dramatic indie-soul sensibilities; encompassing the classically introspective nature of the poetic lyricist and the idiosyncratic use of soulful instrumental arrangements. The songs encompass themes of old romantic habits dying hard, familial rifts and unrequited love.



True to his modest vagabond nature, Whitlock has 'released' six Brenda albums to date, each uploaded exclusively to bandcamp, gladly resigning the music to the underground. Whilst he created theses albums in solitude, playing each instrument himself, 'Bath Time' sees Whitlock relinquishes the isolationism of previous works in favour of including his trusted inner circle of friends and collaborators: Surprise Chef's Lachlan Stuckey and Jethro Curtin on guitar and keyboard respectively, Karate Boogaloo's Darvid Thor on bass, and production from Henry Jenkins (Surprise Chef, Karate Boogaloo, Frollen Music Library).

AVAILABLE IN BLACK ICE WITH ORANGE AND BLUE SPLATTER (COK015WW)

out of Stock

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23,49

Last In: 8 months ago
FIREFRIEND - 666 TO 999 TS STREEET LP
  • 1: Airport Scene 03:8
  • 2: Blackbird 05:15
  • 3: Dropouts 02:56
  • 4: Free Form Future 02:30
  • 5: Higher Path 0:3
  • 6: Kill All Indies 04:35
  • 7: Naked West 05:14
  • 8: Oleo Skull 04:11
  • 9: The Cat 05:48

Brazilian Psychedelic Rock Artist Firefriend via Cardinal Fuzz and Little Cloud Records announce a first time vinyl pressing for the classic - “999 to 666 ts Street” Prepare to take the long way through the void — Brazilian sonic architects Firefriend present the searing “999 to 666 TS Street”, a full-length LP that bends time, bleeds color, and dives deeper into the cracked corridors of psychedelic rock. With roots tangled deep in the underground of São Paulo and their eyes forever fixed on the cosmic unknown, Firefriend has carved out a space uniquely their own — a distorted dreamscape where shoegaze meets fuzz, noise folds into melody, and every track is a doorway. “999 to 666 TS Street” is a concept record that navigates a haunted psychogeography: an address etched between realities, where spiritual unrest collides with dystopian daydreams.

A Journey Through Sound and Shadow Drenched in fuzzed-out guitars, whispered vocals, analog synths, and pulsing rhythms, this LP sees the trio — Yury Hermuche (guitar/vocals), Julia Grassetti (bass/vocals), and Cacau Bandeira (drums) — begin to forge the fearless vision they seek. From the opening surge to the final fractured lullaby, “999 to 666 TS Street” is both a destination and a transmission: a call to the wanderers, the outsiders, and the seekers. But Firefriend's mission isn’t just sonic — it’s political.

As proudly left-wing artists with an internationalist vision, the band channels the disillusionment and resistance of a generation watching the world teeter. Their music radiates both critique and hope, connecting the dystopia of late capitalism with a dream of liberation. Whether playing São Paulo basements or European festivals, Firefriend brings an urgent message beneath the haze: solidarity is louder than silence. "This album is a street you can't find on any map — it's the place your mind goes when you turn the lights off," says frontman Yury Hermuche. "It's noise, beauty, and a little bit of danger." "We wanted to build a record that feels like a fever dream on vinyl," adds bassist Julia Grassetti. "Something physical, something that glows in the dark." About Firefriend Known for their hypnotic live shows and cult international following, Firefriend has shared stages with underground legends and graced the grooves of multiple celebrated independent releases.

They’ve become essential listening for fans of Spacemen 3, The Brian Jonestown Massacre, and The Velvet Underground — yet remain wholly, defiantly themselves. “999 to 666 TS Street” marks the start and is another milestone in their prolific catalog, pushing the limits of psychedelic rock while remaining anchored in the beautifully bleak emotionalism that defines their sound. Beneath the distortion lies a worldview — anti-authoritarian, borderless, and defiantly alive.

pre-order now19.08.2025

expected to be published on 19.08.2025

26,68
MRS. PISS - SELF-SURGERY

Mrs. Piss

SELF-SURGERY

12inchSHLPRC235
SARGENT HOUSE
15.08.2025
  • To Crawl Inside
  • Downer Surrounded By Uppers
  • Knelt
  • Nobody Wants To Party With Us
  • M.b.o.t.w.o
  • You Took Everything
  • Self-Surgery
  • Mrs. Piss

Mrs. Piss is a new collaboration between Chelsea Wolfe and Jess Gowrie . Drawing on their collective rock, metal, and industrial influences, the project began while the two were touring around together during Wolfe's Hiss Spun album in 2017. The result is their debut album Self-Surgery, which was recorded at The Dock Studio in Sacramento, CA and in Wolfe's home studio, The Canyon. These songs feel more urgent and visceral than anything either of them has created before: heaviness spurred on by punk spirit. Chelsea Wolfe (vocals, guitar): "Working on this project brought Jess and I so much closer as songwriters and production partners, after reuniting as friends and bandmates. It was freeing and fun to channel some wild energies that I don't typically put into my own music. We tried not to overthink the songs as we were writing them, but at the same time we did consciously put a lot into crafting them into our own weird sonic vision. This project was a chance for us to do things our own way, on our own terms, and we plan to invite more womxn musicians along for future Mrs. Piss recordings." CW Jess Gowrie (drums, guitar, bass, programming): "To me, Mrs. Piss represents a musical chemistry cut short long ago that now gets a second chance. Creating with Chelsea has always been very liberating for me, and we both push each other to try new things: anything and everything. Both of us have grown so much as writers and musicians since our first band together (Red Host), and with the journeys we had to take separately to get there, we both have so much more to say; so much more pain and anger to express. That said, we also had a lot of fun doing it, not to mention how freeing it is to not give a f-k and to just create." JG "Doomy chugs, ethereal vocals and massive distortion sounds are the order of the day, summoning the menacing timbres that fueled Wolfe's Abyss and Hiss Spun records" GUITAR WORLD "a grungy, sludgy new project that defies expectations" REVOLVER "Together, they make a grandly grungy noise - something bigger and more anthemic than what we're used to hearing from Wolfe" STEREOGUM "urgent and abrasive" CONSEQUENCE OF SOUND " thundering tracks that sound as if they had diliberately set about to destroy a roomful of amplifiers" BLACKBOOK

pre-order now15.08.2025

expected to be published on 15.08.2025

29,83
Tommy Guerrero - Loose Grooves & Bastard Blues LP

2025 Repress

Loose Grooves & Bastard Blues is Tommy Guerrero's sublime debut. Of this beloved masterpiece, the legendary skater himself says: "my 1st album. It was never meant to be released. I was just recording for the fun of it.. still my fave. Oh so naive..." And you know what? It's definitely Be With's fave too. An astonishingly great record. A chill, blissful, deeply moving album, it was rightly garlanded as an instant classic.

A laidback, fusionistic ride replete with loopy drum tracks underpinning Tommy's trademark reflective guitar stylings, Loose Grooves & Bastard Blues remains powerfully evergreen. Originally released in 1997, there's elements of jazz, trip hop, rock and downtempo groove. All shot through with a heavy dose of soul. Thirteen tracks of lo-fi (mostly) instrumental freshness fused with Cuban, Latin and blues, it's a must for fans of Money Mark, J Dilla, RJD2, DJ Shadow and Pete Rock. As ever with Tommy's records, the title sums up the music contained within most aptly. And writing about his songs, his vibes, is one of the trickier things to do, it has to be said. It's just all gorgeous!

A total vibe throughout, to blast Loose Grooves & Bastard Blues is a majestic experience, one that suits a start-to-finish listen and renders the picking out of highlights totally redundant. Featuring nagging, deeply melodic guitar lines - both electric and acoustic - over simple rhythms with such sumptuous elegance, the hypnotic playing against unrushed percussion releases a crystal clear stream of healing frequencies. It's ust divine. This album laid the blueprint from which Tommy Guerrero would subsequently explore further on A Little Bit of Somethin' and Soul Food Taquiera.

Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. The original and iconic sleeve, designed by Natas Kaupas, has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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23,82

Last In: 17 months ago
Memotone - smallest things

MEMOTONE, aka Will Yates, has announced details of a new 12-track album, smallest things, set for release on World of Echo on 1 August 2025 on vinyl and digitally.

The album launches today with first track, ‘Time Is Away Theme’, a live favourite that is finally available on album. Watch the video HERE Talking about the release, Will has said, “Staring at a square inch of neglected concrete, I recognise the beauty of existence. Quietly hysterical. While humanitarian catastrophes bubble across the planet, the tides remain in constant and disinterested motion. Your money is worth less than the dusty moss that powders this pavement.

It's certainly not worth a life. We are the smallest things, along with everything else." Will Yates has made music as Memotone since 2007. He operates in the tradition of what Robert Fripp has called 'a small, independent, mobile, and intelligent unit.' If you book him, he will come. When he arrives, he will have everything he needs to make his complex, engaging music: a clarinet, a guitar, synths, samplers and pedals, quickly unpacked in the corner of a club, gallery or village hall. Starting small, he will build layer upon layer of melody, accompanying himself and cutting across himself, creating a music that avoids cliche and moves beyond easy description. His recordings have followed the same trajectory. Moving quickly, he has released fifteen or so albums across various labels (including Trilogy Tapes, Discrepant, Soda Gong). Taken together, these recordings are the sound of a skilled, inventive composer pushing at the edges of what he wants to listen to himself. It is possible to hear a variety ofinfluences in his music: folk and jazz forms, the textural inventiveness of British DI electronica and Chicago post-rock and the blurred sci-fi brass of Jon Hassell are all discernible. But mostly, Will's work seems to stem from a constant drift between long hours in his home studio, and time spent outside in the woods and hills around his home in Wales.

Listening to the album, lushness creeps in at the edges, tiny green shoots appear on what might at first appear to be bare soil. smallest things sheds the skin of Will's previous recordings, removing the electronics and the looping and layering of previous work, to create something almost entirely acoustic. But don't be fooled into imagining music that's folksy, pastoral or twee. Opening track 'I Could See the Smallest Things' is a statement of intent. Widely spaced guitar is underpinned by earthy cello and sleepwalking clarinet, making a gorgeous threadbare pattern, which recalls a Morton Feldman miniature or a Morandi still life.

Beyond the skill involved and the years of self-taught music making that have gone into putting this record together, it is Will's close, careful attention and his talent for existing, observing and creating in the moment that make his work special. Memotone will perform at World of Echo’s annual birthday celebration on 8 Nov Expected Music, when they take over Walthamstow Trades Hall for an inter-genre, day-long investigation into some of the more outré manifestations of the contemporary worldwide underground.

out of Stock

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25,17

Last In: 8 months ago
Magic In Threes - IV

Magic In Threes

IV

12inchGED1011LP
G.E.D. Soul Records
15.08.2025

Formed in 2010, Magic In Threes is a Nashville, Tennessee based instrumental combo specializing in psychedelic cinematic-soul. Heavy on atmosphere and quite smoked out.

Dave Singleton - guitar, bass, keys, percussion
Nick DeVan - Drums, keys, percussion, horn arrangements

Featuring:
Joe D Douglas - flute, alto sax
Mikie Martel - trumpet, flugelhorn
Andrew Muller - Guitar
Kirk Donovan - trumpet flugelhorn

pre-order now15.08.2025

expected to be published on 15.08.2025

27,69
Magic In Threes - Magic In Threes

Formed in 2010, Magic In Threes is a Nashville, Tennessee based instrumental combo specializing in psychedelic cinematic-soul. Heavy on atmosphere and quite smoked out.

Dave Singleton - guitar, bass, keys, percussion
Nick DeVan - Drums, keys, percussion, horn arrangements

Featuring:
Joe D Douglas - flute, alto sax
Mikie Martel - trumpet, flugelhorn
Andrew Muller - Guitar
Kirk Donovan - trumpet flugelhorn

pre-order now15.08.2025

expected to be published on 15.08.2025

32,73
...and You Will Know Us By the Trail of Dead - Ix
  • 1: The Doomsday Book
  • 2: Jaded Apostles
  • 3: A Million Random Digits
  • 4: Lie Without A Liar
  • 5: The Ghost Within
  • 6: The Dragonfly Queen
  • 7: How To Avoid Huge Ships
  • 8: Bus Lines
  • 9: Lost In The Grand Scheme
  • 10: Like Summer Tempests Came His Tears
  • 11: Sound Of The Silk

…And You Will Know Us By The Trail Of Dead (also known as Trail Of Dead) is an American alternative rock band best known for their wild, energetic live shows. The chief members of the band are Jason Reece and Conrad Keely, who alternate between drumming, guitar and lead vocals, both on recordings and live shows. Since their formation in 1994, they have released ten studio albums, including the 2014 IX. The album features favourites “The Ghost Within” and “The Doomsday Book” amongst others. During the time of these recordings, the band also featured Autry Fulbright II on bass and vocals and Jamie Miller on drums and guitar. IX is available as a limited edition of 500 numbered copies on pink marbled vinyl and includes a 4-page booklet.

pre-order now15.08.2025

expected to be published on 15.08.2025

37,77
King Most - Teedra Joint

King Most

Teedra Joint

7"-VinylKM002
KM
15.08.2025

Heat Rock has previously been home to plenty of superb King Most flips but here he returns to KM after the head-turning inaugural release, this second outing is another super fun blend of classic beats and vocals. Sunny R&B and neo soul vocals, natty guitar riffs that bring the funk and a fat, rolling dub sound on the flip, making for two fine collisions of different worlds.

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11,98

Last In: 3 months ago
NEGATIVE APPROACH - TIED DOWN

NEGATIVE APPROACH

TIED DOWN

12inchTGLPC33
Touch & Go
15.08.2025
  • Tied Down
  • Hypocrite
  • Evacuate
  • Said And Done
  • Nothing
  • Your Mistake
  • Live Your Life
  • Friend Or Foe
  • Dead Stop
  • I'll Survive

Born in 1981 in Detroit, MI, Negative Approach were the undisputed champs of Midwestern hardcore in the early to mid-'80s. Led by John Brannon's hoarse wail, with OP Moore on drums and brothers Rob and Graham McCulloch playing guitar and bass respectively, the band concocted an extreme sound devoid of frills. This was first documented on their 10 Song 7" released on Touch and Go Records in 1982. The band released the more metallic-sounding Tied Down in 1983. After disbanding Negative Approach in 1985, John Brannon went on to form Laughing Hyenas. For over three decades, Negative Approach's minimalist and aggressive brand of punk has inspired countless hardcore bands around the globe. Their classic LP, Tied Down, is still considered paramount by most hardcore fans new and old.

pre-order now15.08.2025

expected to be published on 15.08.2025

26,01
JOSEPH	DECOSIMO - FIERY GIZZARD
  • Ida Red
  • Glory In The Meetinghouse
  • Flowery Girls
  • I Had A Good Father And Mother
  • Shady Grove
  • Pretty Fair Maid
  • Billy Button
  • Puncheon Camps
  • The Queen Of Rocky Ripple
  • Boatsman
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SEAWEED GREEN VINYL[22,27 €]


Old-time and traditional music stay exciting for their contrasts. Exacting instrumentation honed through mentorships and late-night jams at fiddler's conventions tangles with a community-sourced inventiveness that influences variants and new sounds. Joseph Decosimo is a master of this genre for this very reason, blending deep technique with an openness and curiosity that keep his music crackling with life. A "marvelous fiddler" (No Depression) and banjo player who braids "exultation and veneration" (INDY Week) into his music, on his third solo album Fiery Gizzard Decosimo gathers a close-knit ensemble of friends from his musical career to infuse his interpretations of fiddle and banjo pieces with a contagious communal joy. As an artist working with traditional music from the South and Appalachia, Decosimo chooses songs based not only on historical significance and lineage but also his own sensory approach. For Fiery Gizzard, his ear was tuned to otherworldly tones and mystery, sourcing from field recordings such as Virginia fiddler Luther Davis' hypnotic version of "Shady Grove" while amping up the music's psychedelic potential. On the middle Tennessee banjo composition "Flowery Girls," a VHS of bluesman Abner Jay inspired Decosimo to rig up a pickup inside a fretless banjo and play it thr ough a tube amp to capture some of Jay's edge and funkiness. But to round out the sound and keep it kinetic meant galvanizing a genre-eschewing crew to jam out - and not in a "spaced-out drooly" kind of way, he laughs, but as a sort of "responsive conversation." Decosimo has always been a community-minded artist. He began playing as a seventh graderin Tennessee, fostering relationships with older players at jams and in homes, a learning mode natural to his inquisitive nature and desire for musical connection. A folklorist by intuition, he later became one by profession, studying with old-time legend Clyde Davenport, teaching in East Tennessee State University's renowned bluegrass program, and receiving his PhD at the University of North Carolina with a dissertation titled "Catching the `Wild Note': Listening, Learning, and Connoisseurship in Old-Time Music." In North Carolina, Decosimo kicked about in the verdant environment of Durham and Chapel Hill's folk and indie scenes, collaborating with artists including Alice Gerrard, Hiss Golden Messenger, and Jake Xerxes Fussell. This community has influenced his own music, including his "sublime and strangely heartening" (Bandcamp Daily) 2022 release While You Were Slumbering and Beehive Cathedral, Decosimo's 2024 "Appalachian mountain music treasury" (New Commute) trio album with Luke Richardson and Cleek Schrey for Dear Life Records. Continuing on this path, Fiery Gizzard is home base for a loose outfit of mostly Tarheel-based musicians from within and beyond traditional music. Inspired by a tour with fiddler Stephanie Coleman (Nora Brown), guitarist Jay Hammond, and synth builder and multi-instrumentalist Matthew O'Connell, Decosimo assembled studiomates based on close friendships and comfort. Coleman, O'Connell, and Hammond contribute to Fiery Gizzard, along with bassist and producer Andy Stack (Helado Negro, Wye Oak), horn player Kelly Pratt (Beirut, David Byrne), Mipso and Fust's Libby Rodenbough, Joseph O'Connell (Elephant Micah), andtrad/experimental artist Cleek Schrey. Decosimo's fiddle and banjo work is virtuosic, intricate and simple simultaneously, a testament to his many years of study. On some tracks, his playing or lovely, plain-hearted singing is the centerpiece, such as on his interpretations of Texan street preacher Washington Phillips' 1929 recording "I Had a Good Father and Mother" or the Eastern Kentucky fiddle barn-burner "Glory in the Meetinghouse," famously played by Luther Strong for Alan Lomax. But there's also a trusting open-door policy, like where Southern Appalachian tune "Ida Red" relaxes into Coleman's sweet, confident fiddling and Hammond's loping guitar. As a bandleader, Decosimo's confidence and enthusiasm for the music reveal the heart of traditional music and how it can come to life through community. Fiery Gizzard is Joseph Decosimo as a powerful champion of traditional music - a sponge who soaks up as much as he squeezes out, a responsive artist who makes his genre accessible, and a magnet who can bring musicians of all sorts into his orbit with his same passion.

pre-order now15.08.2025

expected to be published on 15.08.2025

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