Hailing from France with Moluccan roots and now based in Amsterdam, Pala.G effortlessly blends global musical influences into his own unique sound, moving free like the waves that guided his ancestors halfway across the globe. Now with his debut on Jiwa Jiwa Records.
In SOMETIMES Pala.G infuses contemporary R&B with psych elements, delivering hazy vocals, and introspective lyrics wrapped in feel-good melodies, leaving you grasping for the repeat button on this soul not soul anthem that's an earworm for every season.
DON'T ASK !!! offers an off-kilter slow jam experience like no other, with sparse drums, smooth guitar licks, and distorted vocals creating a hypnotic atmosphere for your mind to wander.
The record comes in a hand stamped sleeve in different colors,representing the Moluccan sea, its beaches, and jungles, and the blood and spirit of their ancestors.
Cerca:hand stamped
Returning to Ransom Note Records sub-label, Insult to Injury, Timothy Clerkin is back with incendiary new record, Fading EP. An overt, Acid-Techno analogue assault on the senses, all tracks were performed live in Clerkin's vintage synthesiser recording facility. Backed with a vinyl exclusive remix from the mighty Posthuman (not available digitally) and limited to a run of 100, hand stamped 12”s, you’ll need to be fleet of foot to get your hands on it!
Titular track, Fading, features the inimitable vocal talents of Brighton based Shoegazers HANYA’s front person Heather Sheret, whose heavenly articulation offsets the high voltage, rhythmic battering that opens the record. Booming 909’s propel us forward as we’re launched headlong into the rave maelstrom where squelchy bass lines and breakbeats grapple with trancelike strings for dominance.
Next out of the gate, Sigma hurls itself from the cocoon and slaps us around the face, hugging it tightly like an Acid-Techno Xenomorph. A face melting melange of retro sounds & futurism, it’s underpinned by the nihilistic vocal sample that belies Clerkin’s antiestablishment Punk musical past. Hold onto your hats and remember to BREATHE!
ITI Records are very excited to have head honcho of the I Love Acid parties, Balkan Vinyl and record producer extraordinaire, Posthuman on remix duties. Never one to disappoint, he ‘breaks’ Fading down into tiny pieces and rebuilds it in his own image. Taking inspiration from early Hardcore and Acid aesthetics, we’re treated to a proper dance floor workout of 808s, Rave Hoovers and breakbeats.
Rounding off, Collapsed Lung is a slightly more introspective affair. Jam packed with glitched drums and sequenced, mechanical tones, it builds towards an etherial climax. This slightly distant, intangible and dreamlike number glides out of view just as quickly arrived, leaving us feelin incongruously all warm and fuzzy, after the absolute clobbering that opened the record.
Two new, pure, unadulterated, deep house tracks by The Italian Stallion aka Dj Soch. Warm pads, dreamy chords, jazzy keys, all over tough beats and driving bass lines. Let the "Magic Touch" put a spell on you and go on a ride with the stallion!
Limited edition 200 copies hand stamped one side!
Chicago DJ/Producer JAYCEE INDAMIX returns for the 2nd installment of GINZU EDITS. This hand stamped single-sided record brings the heat with an insanely groovy edit of GIL SCOTT-HERON's version of "GRANDMA'S HANDS" to kick things off, and closes with a disco edit of perennial favorite, LUTHER VANDROSS.
Mr Bongo proudly presents the debut album from Tasmania-born, Melbourne-based, Finn Rees. Gliding across a swirling palette of saturated hues, Dawn Is A Melody feels vintage yet vibrant, new but familiar at the same time. A spiritual, deep and textured jazz record, tipping its hat to greats from the past, capturing memories and reformulating them into new ideas with the help of some of Melbourne’s finest talent.
Expert keys player for the likes of 30/70 and Elle Shimada, alongside one-half of Close Counters, this debut LP was Finn’s conscious departure from the realm of groove-based jazz. Instead, Dawn Is A Melody places the piano and arrangements centre stage, giving Finn and his fellow Melbourne crew freedom to explore the spaces in between, new emotions and alternate soundscapes.
In Finn’s own words: “My intention with Dawn Is A Melody was to create a world; a microcosm of colour. Something rich and beautiful that allowed the melodies and compositions to reach their full potential. It was driven by hope, curiosity and the search for beauty and reassurance in this ever-changing world. The emotion behind the music is really about the journey of life, growing up and changing, as well as my relationship with Tasmania’s natural landscapes where I grew up, a part of the world that is incredibly unique and beautiful.”
The album arcs between opening, middle and end. Beginning with the optimism of ‘Looking Up’ and ‘Lagoon’, the former a celestial, string and harp marbled slice of positivity, the latter a spiritual journey of exuberance and hope, Finn’s fingers dancing across the ‘70s Yamaha grand piano. From there the songs blossom outwards with the cinematic soulful journey of ‘It’s Behind Me Now’ and Brazilian-inspired ‘Expansion’, as the divine ‘Crossing’ signals a transition to a new realm. The energy is transformed from the rich cosmic textures to a more intimate and personal feeling with ‘Ablaze’, ‘Between Spaces’ and ‘As It Passes’ which blissfully fades down to simply piano and strings to close out the record.
Recorded at Rolling Stock in Collingwood, Melbourne, Henry Jenkins was drafted in as recording and mix engineer, his minimal vintage mic setups giving a live aesthetic and warmth to the arrangements. Lucky Pereira and Blakely McLean Davies form the rock-solid rhythm section, with a hand-picked line-up of other Melbourne talent on display, including Cheryl Durongpitikul on tenor sax, Siwei Wong on harp, Audrey Powne on trumpet and Allysha Joy on vocals to name only a few.
Plotting a course from Alice Coltrane, through Herbie Hancock, to Arthur Verocai, this is a debut nourished by the past but firmly made in the present. A record unable to be age-stamped, casting ambiguity as to when, what era and by whom it has been crafted. Like a vintage lens capturing a current scene, Dawn Is A Melody is warm and familiar yet focused on the here now.
Longtime music activists Rawmance and Asymmetrical from Rome have joined forces to create new music under the name 'La Nuit Je Mens'. Their debut work, titled 'Les Nuits Magnétiques', features two
of their songs on a hand-stamped 7" vinyl. Utilizing a bass guitar, analog synthesizers and vintage drum machines, their music is infused with French vocals, lending it a cinematic touch and a sense of depth.
While strongly inspired by the sound of the 80s, this record establishes its own unique identity, offering something new and refreshing.
Nina recorded "tarde" in her bedroom 3 years ago and wanted the song to keep the same intimate feeling as when she recorded it.
The result is a dark love song about love so strong, it could almost break you.
David Lohlein and Alex Wilcox delivered perky remixes that are now being released on limited pink vinyl with hand stamped labels.
don't sleep on this one!
Book[57,94 €]
Here In, Absence" ("Here, In Absence" for the book) is the result of the dialogue between the Finnish photographer Mikael Siirilä and the music artists The Humble Bee & Offthesky initiated by IIKKI, between March 2023 and January 2024.
After a first release in 2019 on IIKKI ("All Other Voices Gone, Only Yours Remains"), a second one in 2020 on LAAPS ("We Were The Hum Of Dreams"), Craig Tattersall (The Humble Bee) and Jason Corder (Offthesky) come back with a third stunning out-of-time beauty, paired with the Mikael Siirilä photography works.
Craig Tattersall is a former member of The Remote Viewer and Famous Boyfriend bandmate Andrew Johnson. Tattersall's music can be found these days more often under his alias The Humble Bee; as a founder member of The Boats; and in his collaborative works with the likes of Bill Seaman in The Seaman And The Tattered Sail. He has run the wonderful label Cotton Goods from 2008 to 2015 and since 2009 he has recorded 16 solo albums on his moniker The Humble Bee and almost the same under his name on some collaborations.
Jason Corder is experimental-ambient multimedia artist based in Denver, CO. He has been producing music, video art, audio software, and the occasional interactive sound sculpture, for over 20 years. He teaches private courses on generative music and occasionally lectures on various sound design topics at Denver University. He currently is the Audio Director at the Denver based videogame studio Dire Wolf. Over the years, he has worked with labels such as Home Normal, 12k's term, Facture, LAAPS and more. Over the years he has performed at Mutek, Decibel, Communikey and other festivals, sharing the bill with likeminded artists Pole, Matmos, William Basinski, and more.
Mikael Siirilä: "I am a darkroom artist (b. 1978) based in Helsinki, Finland. My small individual photographs examine the themes of absence, presence and outsiderhood. My characters appear immersed in their inner worlds and moments of being: simultaneously absent and intensely present. The pictures also reveal the outsider’s gaze, lost in observation and reflection. My pictures are true observations captured with minimal interaction with the subjects. Their origin is in the act of looking, and they feel causally connected to the world. The craft of printmaking is inseparable from my artistic expression. I work solely with black & white film and the darkroom. The slow, contemplative process lends the pictures a calmness. I make physical pictures I want to stare at, feel and become lost in. Again and again."
Fine Art Book, Ltd. to 500 copies:
Hardcover book printed on Munken Lynx 150g/m2 // 80 pages, 18cm x 24cm, 51 photos // Logo and slot embossed // Selective UV varnish // Visible seam and cutting cover pages // Hand-numbered, hand-stamped.
DIY tape manoeuvres, sending esoteric dub waves down from the magnetic north.
Straight from the studio in Glasgow. Everything done in-house. Hand stamped body. Printed the covers etc
Weirdo dubs from ambient to drone with experimental electronic cuts that occupy some frighteningly smoked out alleyway between the club and the cemetery. With a sweet spot of obscure but inclusive dub, with the kind of ambient bits that sound like ancient mythology.
- A1: Ikawa - Feel
- A2: Ikawa - Dance
- B1: Ikawa - Power
- B2: Ikawa - Bounce
- C1: Small Export - Top Key
- C2: Small Export - Ginz Reload
- D1: Small Export - Hypertension
- D2: Small Export - Ski Mask Techno
- E1: Traka - Yosai (Commodo Remix)
- E2: Traka Killa P Muqata's - Start Taking Note
- F1: Granul Jtamul - Deformity
- F2: Granul Iskeletor - Interconnected
One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, 'The Rhythm Master', is finally given a legitimate release.
The original title for this long playing release was initially advertised on the label of the seven inch release of 'Determination Skank' as 'The Sannic Sounds Tommy McCook', however the album was released in Kingston in 1974 in very limited quantities on a white label in a plain recycled cover rubber-stamped 'Tommy McCook Dub'. Three years later the set was released through Grounation in London, once again on a white label and without a cover, where it was known as 'Horny Dub'. It gave music lovers a fascinating opportunity to compare and contrast the work of Tommy McCook, one of the architects and builders of the Jamaican sound, with Glen Brown's role in taking and breaking it into pieces...,
Dub Store Records is the Ska, Rocksteady, Reggae, Roots and Dancehall reissue label run by the eponymous Tokyo based record store. The label aims at accurately covering the 50-plus years of Jamaican music, and pass on many rare and magnificent recordings, which are non-commercial and highly artistic. Carefully handing down the tradition of reggae music, Dub Store Records has so far issued recordings from labels and artists such as Studio One, Federal Records (Federal, Kentone, Merritone), Bunny Wailer's Solomonic, Familyman's Fam's, Jammys, King Tubby's Firehouse, Derrick Harriott, Kiddus I, Redman International, BMN and much more to come.
Digging back into the Vinyl Fanatiks catalogue, we travel back to 2019. One of the most popular groups that we release on Vinyl Fanatiks – Mad Dog – which is comprised of Dave Wallace from Aquasky and Shaun O’Hara from Aurora. The repress of this EP was funded by a Kickstarter campaign and each copy was hand stamped and numbered. Due to its popularity, this never went into distribution back then.
Originally released in 1993 on Underdog Recordings out of Bournemouth, this was a big Bukem track from that time, played twice in his Dreamscape New Years Eve set as midnight struck! Created in the Avon Studios in Charminster, Bournemouth, where two thirds of Aquasky lived and Underdog Recordings was based. There was even a pirate radio being broadcast from the attic too! The House Of Rave as we all use to call it.
This studio was also responsible for the Fugitive releases, the early Moving Shadow Aquasky releases as well as the home of Stormtrooper Recordings – a UK Happy Hardcore label featuring The Rebel Alliance (which was also Dave and Shaun!) Who would know Bournemouth was responsible for so much of the UK’s dance history!
Only 140 have been pressed on 180g pink marbled vinyl.
Here In, Absence" ("Here, In Absence" for the book) is the result of the dialogue between the Finnish photographer Mikael Siirilä and the music artists The Humble Bee & Offthesky initiated by IIKKI, between March 2023 and January 2024.
After a first release in 2019 on IIKKI ("All Other Voices Gone, Only Yours Remains"), a second one in 2020 on LAAPS ("We Were The Hum Of Dreams"), Craig Tattersall (The Humble Bee) and Jason Corder (Offthesky) come back with a third stunning out-of-time beauty, paired with the Mikael Siirilä photography works.
Craig Tattersall is a former member of The Remote Viewer and Famous Boyfriend bandmate Andrew Johnson. Tattersall's music can be found these days more often under his alias The Humble Bee; as a founder member of The Boats; and in his collaborative works with the likes of Bill Seaman in The Seaman And The Tattered Sail. He has run the wonderful label Cotton Goods from 2008 to 2015 and since 2009 he has recorded 16 solo albums on his moniker The Humble Bee and almost the same under his name on some collaborations.
Jason Corder is experimental-ambient multimedia artist based in Denver, CO. He has been producing music, video art, audio software, and the occasional interactive sound sculpture, for over 20 years. He teaches private courses on generative music and occasionally lectures on various sound design topics at Denver University. He currently is the Audio Director at the Denver based videogame studio Dire Wolf. Over the years, he has worked with labels such as Home Normal, 12k's term, Facture, LAAPS and more. Over the years he has performed at Mutek, Decibel, Communikey and other festivals, sharing the bill with likeminded artists Pole, Matmos, William Basinski, and more.
Mikael Siirilä: "I am a darkroom artist (b. 1978) based in Helsinki, Finland. My small individual photographs examine the themes of absence, presence and outsiderhood. My characters appear immersed in their inner worlds and moments of being: simultaneously absent and intensely present. The pictures also reveal the outsider’s gaze, lost in observation and reflection. My pictures are true observations captured with minimal interaction with the subjects. Their origin is in the act of looking, and they feel causally connected to the world. The craft of printmaking is inseparable from my artistic expression. I work solely with black & white film and the darkroom. The slow, contemplative process lends the pictures a calmness. I make physical pictures I want to stare at, feel and become lost in. Again and again."
Fine Art Book, Ltd. to 500 copies:
Hardcover book printed on Munken Lynx 150g/m2 // 80 pages, 18cm x 24cm, 51 photos // Logo and slot embossed // Selective UV varnish // Visible seam and cutting cover pages // Hand-numbered, hand-stamped.
The "Economix" EP is a cherished item among collectors, embodying a golden era of rave. Released in 1992, it's oftencompared to other iconic EPs of the time, like 2-X-Treme's 'X-tremity EP' The tracks "Loop" and "Panic" particularly stand out for many.
"Loop" garners attention for its sampling of The S.O.S. Band and Alexander O'Neal's "The Finest", while "Panic" is notable for its two distinct samples: one from Hijack's "TheBadman Is Robbin'" and another from MC Duke and DJ Leader1's "I'm Riffin".
This hand stamped run of white label red vinyl represses catersto the enduring demand among the oldskool rave aficionados. Each track on the EP showcases a blend of hardcore, jungle,and house vibes, contributing to its revered status within the oldskool rave community.
The unstoppable funk machine from the french Alps has just finished the production of a new 7 inch record!
Limited edition of 300 copies, so don't sleep on it!
Totally handmade covers with love and care (and a couple of friends to help us). White or brown kraft covers with manually screen printed front cover and hand stamped back covers!
You just have to chose your colors or catch them all.
Au menu! Two tracks you maybe heard about... a supa laidback track with a huge Moog bass (that reminds us a kind of Flashlight like track...), ladies and gentlemen DEVIL DANCE! On the B side, the real Ceeofunk Anthem (always played at the very end of their concert) where the super catchy bass meets the funky high pitched guitar on a signature groove you won't forget! ANTHEM EDIT!




















