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James’ longevity – with over 25 million albums sold over their 42-year career and their celebrated reunion period since 2007 earning them more Top 20 album placings and faster ticket sales than their whirlwind initial run from 1982 to 2001 - is miraculous itself, but with simple cause. James, you see, are more than a band; they’re sonic belongingYummy – the band’s 18th studio album – is a quintessential James record: comforting yet adventurous, electronic yet human, dark yet life-affirming, experimental yet familiar, heart-warming yet deeply introspective on both the personal and human scale. “This record is really uplifting and joyful, but a lot of that comes from the music,” says singer Tim Booth of a career-high album that confronts ageism, conspiracy theory, AI control, the mental health pandemic, ecological apocalypse, mortality and modern love in all its shades. “Some of the lyrics are pretty hard-nosed.” UK Arena tour with special guests Razorlight in June 2024. 'Yummy' has already received 4/5 in MOJO, 4.5/5 in Classic Pop Magazine and 7/10 in Uncut

Hit and Run is the second studio album by the British heavy metal band Girlschool, released in 1981. It is their most successful album, having reached No. 5 in the UK Albums Chart. The band appeared on Top of the Pops in 1981, miming to the hit song of the title track. Lead track „C‘mon Let‘s Go“ was featured in the Gemini Award winning 2005 documentary film „Metal: A Headbanger‘s Journey“.

Frequently associated with contemporaries Motörhead, they are the longest-running all-female rock band, still active after more than 40 years. During their career they travelled the world, playing in many rock and metal festivals and co-headlining with or supporting important hard rock and heavy metal bands. They maintain a worldwide cult following, and are an inspiration for many female rock musicians.

Hit and Run is the second studio album by the British heavy metal band Girlschool, released in 1981. It is their most successful album, having reached No. 5 in the UK Albums Chart. The band appeared on Top of the Pops in 1981, miming to the hit song of the title track. Lead track „C‘mon Let‘s Go“ was featured in the Gemini Award winning 2005 documentary film „Metal: A Headbanger‘s Journey“.

Frequently associated with contemporaries Motörhead, they are the longest-running all-female rock band, still active after more than 40 years. During their career they travelled the world, playing in many rock and metal festivals and co-headlining with or supporting important hard rock and heavy metal bands. They maintain a worldwide cult following, and are an inspiration for many female rock musicians.

American rock band Vixen was formed in Saint Paul, Minnesota, in 1980. During its most commercially successful period from 1987 to 1992, the band consisted of Jan Kuehnemund (lead guitar), Janet Gardner (lead vocals, rhythm guitar), Share Ross (bass guitar), and Roxy Petrucci (drums). The band‘s eponymous first album was released in 1988, and reached No. 41 on the Billboard 200. As part of the Los Angeles glam metal scene, the band has been described as „the female Bon Jovi.“ Several singles reached theBillboard Hot 100, including the Top 40 singles „Edge of a Broken Heart“ and „Cryin“. While the band originally disbanded in 1992, it reformed several times and in 2018 ’Rare Vintage‘ was released. As of 2022 the band currently consists of Roxy Petrucci, Britt Lightning, Lorraine Lewis, and Julia Lage.

American rock band Vixen was formed in Saint Paul, Minnesota, in 1980. During its most commercially successful period from 1987 to 1992, the band consisted of Jan Kuehnemund (lead guitar), Janet Gardner (lead vocals, rhythm guitar), Share Ross (bass guitar), and Roxy Petrucci (drums). The band‘s eponymous first album was released in 1988, and reached No. 41 on the Billboard 200. As part of the Los Angeles glam metal scene, the band has been described as „the female Bon Jovi.“ Several singles reached theBillboard Hot 100, including the Top 40 singles „Edge of a Broken Heart“ and „Cryin“. While the band originally disbanded in 1992, it reformed several times and in 2018 ’Rare Vintage‘ was released. As of 2022 the band currently consists of Roxy Petrucci, Britt Lightning, Lorraine Lewis, and Julia Lage.

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"HOLY" is the debut album of a German band whose average age is under 25 years. It is hard to believe given the international class of their songwriting and their success so far. Blackout Problems took their time to mature and have been working on their debut album since 2008 with a lot of enthusiasm and work on their own.

Speed Dealer Moms, the combustible live electronics duo comprising John Frusciante (Red Hot Chili Peppers) and Aaron Funk (Venetian Snares) is over a decade into their idiosyncratic run. On "Birth Control Pill," the duo's third release, the parameters of the chaotic and elegant project come into focus.

If there are virtuosos patching modular synthesizers and slicing up breakbeats, then they were in the room when these two tracks were recorded. The epic title cut is perhaps the most "functional" track the duo has ever recorded. This is ruffneck dnb business, but it's also the Speed Dealer Moms, so there is the requisite descent into chaos. The track's precise melodies are unceremoniously dunked into Funk's signature, ripping breakcore, the drums picking up speed until the crash test dummies hit the wall—a thrilling, extratone breakdown.

More madness lurks on the B-side, "Benakis," which seemingly nods to the visionary Greek composer. With its unconventional time signature and intricate melodies, this song cycles through breakcore and hard techno before eventually giving the listener a reprieve with a dreamy, beatless outro.

Speed Dealer Moms drive their own, crooked road built on friendship and a telepathic musical connection—the collaboration and encouragement of Funk ushered Frusciante into the dense world of hardcore machine funk. The results of these sessions don't sound quite like anything else, they are electronic records made in fearless pursuit of the new. Funk and Frusciante follow ideas to an illogical endpoint, and this hurtling approach has now resulted in the best and most concise Speed Dealer Moms record yet.

Starting out as the Masterettes, a girl group formed by high school friends Brenda Reid, Carol Johnson, Lillian Walker and Sylvia Wilbur, the group switched focus and changed name after Wilbur was replaced by Brenda Reid’s husband, Herb Rooney, their breakthrough hit ‘Tell Him’ appearing in 1963 after Leiber & Stoller took charge. 1971’s Black Beauty, produced by Rooney, continued the post-L&S journey via the group’s own take of funky and melodic soul, approaching the style of the Staples Singers with plenty of emotive harmonies. If you like your soul switched on, hard-hitting and individual, you need Black Beauty in your collection.

Toaster Jah Thomas began his career on the west Kingston sound systems of the mid-1970s, making a massive splash with ‘Midnight Rock’ in 1976. After a debut LP for Channel One, his self-produced Dance On The Corner raised the bar several levels. Voiced at King Tubby’s studio, mixed by Tubby, Jammy and Scientist and edited by the King himself, the album has Thomas chatting over hard Roots Radics rhythms earlier used by Barrington Levy – the perfect platform for Thomas’ relaxed chants, vexed rants, and commentaries on Jamaican life. This is Jah Thomas at his best – a must for all fans of reggae, dub, deejay, and dancehall!

Before Circus Lupus landed on DC’s venerable Dischord Records, the group’s original Midwest lineup recorded a full album’s worth of songs less than a year after forming. With the demise of DC’s Ignition in the late ’80s, bass player Chris Thomson headed to Madison, WI for college. Before leaving DC, he dove headfirst into being a vocalist fronting the short-lived throwback punk / hardcore project Fury. Thomson served up pointed and profound Tony Cadena-inspired screeds about betrayal, disappointment and poseurs all set to a soundtrack of furiously primitive and chaotic music supplied by members of the DC punk band Swiz. Brief yet influential, this band marked Thomson’s switch to vocals, putting him on course to front Circus Lupus and claim a notable spot in the DC punk timeline of the late 20th century. Soon after arriving in Madison, Thomson was invited to join a new project started by friends Chris Hamley, Arika Casebolt, and Reg Shrader. Circus Lupus marked a change in direction from the familiar sounds of DC punk that Thomson had been associated with for years. The newly formed group looked to noisier Touch & Go and Homestead bands for inspiration, aligning themselves with bands from Chicago, Louisville and Milwaukee. One early supporter of the band described the new group as “profoundly familiar yet uncategorizable. Like if the Germs had gone to college and never got pulled into hard drugs and suicidal behaviors.” The original Circus Lupus lineup played a dozen shows and recorded these songs with Eli Janney at Inner Ear studios in August of 1990 while on a brief tour. Within a year, the band would decide to permanently relocate to Washington DC, where they felt they had more opportunities. Shrader opted to move to Chicago and would ultimately join the Touch and Go band Seam. Old friend Seth Lorinczi (Vile Cherubs) would become their new bass player, forming the version of the band that most listeners are familiar with. While a few of these ended up on their first single, the rest were shelved, some later to be rerecorded with Lorinczi and released on Dischord. L.G. Records is proud to have helped this notable recording see the light of day. The original tapes were recovered by Ian MacKaye and transferred by Darren Edwards. Tim Green remixed and remastered the original recordings at Louder Studios in California.

Loing time awaited first LP on the Kabal Soundsytem records label. 8 powerfull Speedcore/Hardocre/noisecore tunes. Everything was done for it to be a miracle, sound is loud... even visual have been worked properly : Printed Cover and printed Undercovers.

Hardtek Rephlex style, Electronik fast Breakz, Electronika, Spleen Industrial Ambient...

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‘Hardcore Jollies’ was Funkadelic’s ninth studio album and their debut on Warner Bros Records. Released in October 1976 and dedicated to “the guitar players of the world”, it showed Funkadelic was the heaviest black rock band since Jimi Hendrix’s Band Of Gypsies (even featuring Buddy Miles on one track). With lead guitarists Michael Hampton and Eddie Hazel dazzling, the personification of funk Bootsy Collins on bass, Bernie Worrell’s keyboard wizardry and many more, the album was helmed by the genius of George Clinton. Reaching no.12 on the US R&B chart, the album spawned singles ‘Comin’ Round The Mountain’ (US R&B No.54) and ‘Smokey’ (US R&B No.96) and a live remake of 1973’s ‘Cosmic Slop’ from the album of the same name. Recorded during rehearsals for 1976’s P-Funk Earth Tour, this version features a vocal introduction dropped from the 1973 studio cut. Over 45 years since its original release, ‘Hardcore Jollies’ is among Funkadelic and George Clinton’s best-ever albums and remains a masterful example of their creative genius. FUNKADELIC Masterminded by the larger-than-life figure of George Clinton, Funkadelic was a key component of his influential P-Funk empire. Funkadelic’s unique combination of Rock, Psychedelia, R&B & Soul led to the band crossing over to the pop mainstream & gaining a vast international following, becoming one of the most important & influential groups in music. On 6 May 1997, Parliament / Funkadelic were inducted into the Rock & Roll Hall Of Fame by Prince. To commemorate six decades of thrilling & delighting fans, George Clinton returned to the stage in 2022 for a series of concerts. To celebrate, Charly have reissued Funkadelic’s classic four albums ‘Hardcore Jollies’; ‘One Nation Under A Groove’; ‘Uncle Jam Wants You’; & ‘The Electric Spanking Of War Babies’ (originally released by Warner Bros during a golden period for the band between 1976-1981). Each album will be available as deluxe gatefold Digi-Sleeve CDs in PVC wallets + obi-strip & facsimile-edition gatefold LPs on 180-gram black vinyl & limited edition 180-gram coloured vinyl + 1970s-style obi-strip in a protective PVC sleeve. “They played a HUGE role in creating the future of music.” PRINCE

At the occasion of the Monsters of Mashup 2017 tour, and after a looong silence, Kriss records takes it over and comes back louder and CORE than ever... First tune from Bong-Ra goes straight Ragga breakcore... While Shiptmat develop his Hardcore skillz and EndUser join back his first loves on Sonic Terror ! And Skull Vomit ? ah..bah Euhhhhhrghhhhh !!!! Yeah !!

First tune, "Underneath Is The Need For Power" has a long intro, deep industrial techno... And then turns Tribal industrial hard techno...
The 3 other tunes are bloody good industrial techno groovers, weapons of dancefloor construction !

One side features two clubby Hardtechno and the other side one excelent Acidcore killer and one Techno kicking base. Nice one !

4 bangers from 240 to 40000 BPM ^^
First of all a 1312 dedicade... followed by a regular Sucre Rose killer style...
The flip is very theatral, with a demoniac organ hardcore and the EP brings a massive speedcore finish supported by some mystical vocals.

K.Nibal never stopped... they kept on with digital since a few years... But it's a celebration to get at least a new wax from the crew...

Amiga-core sound style get melted with hardware and create a new sound with, a new vibe... This KBAL Sound System release definitely bring what this legendary label deserves !!

WAX IS BACK !