Search:hardcore

Superb Gatefold printed sleeve...

Conceptual inside brain travel...

To express the mental acid sounds to check...

First track announces the style with a long Break intro... mental tune... Superb ambiances... very Cinetic and good to mix.

Second track goes 128 BPM acid progressive techno... Excellent Dj tool at a rare speed... flirting with the Trance.

Last track of the A side grow the speed up to 150 BPM with a long break intro tunring after a while more/less 4/4... The sound is very acid and industrial. A big tune !

B side goes up to 160 BPM : Minimal acid sound.

...And finishes in a dark 170 BPM progressive acid track. Mentalcore aera starts here....

Second record opens with a 146 BPM techno mental acid stabilizer. Deep.

Second track is mentalcore big acid overdrive dancefloor pearl from Mr Gasmask !

Last Track of C side from Emetic is a Hardcore splendid exciting tune... maybe the best of this record. Quiet minimal and banging at 170 BPM it reminds the A*Symetric Spivey style:)


... Last side, opens with Minus Polaris and a pure mental acid grower

Last tune of this jewel is from Scandal Orchestra, a Hardcore frontier Hardtek acid track in the classic french good vibe style... Enjoy !

After a short hiatus, Headstrong is back with Hard 2 The Power of Core from Clouds. True to form, the pairing of Liam Robertson & Calum Macleod drop four devastating, hyper-produced tracks. From the chamber-psytrance of lead track Doom Tune serving as a sidestep to the classic Clouds sound, to the hard hitting and rave infected Braincellz & System 4 (Hard To The Power of Core). Each track packs a punch with their modern take on the UK hardcore sound.

Hardcore dark Ep for Darius G (who used to be part of FFM Shadow Orchestra on legendary ZONE(interzone)... Hope he can listen that beat from where he is !

Downtempo dark hardcore, the doom is back and his toaster is angry hungy ! Dark Vibes !!!

Stoned Part II is Lewis Taylor's pure, perfect dance-pop album. His second self-released album and fourth album proper, it initially appeared on his own label Slow Reality in 2004. It's been licensed to Be With for this long-awaited double LP release, its first ever vinyl edition. Gravely misunderstood at the time by hardcore fans and the music press alike, it has aged quite magnificently. An experiment in the sounds of contemporary pop and dance music, Lewis's wonky take on funky pop would annihilate anything kicking around the charts, then or now. If only it were given half a chance.

Stoned Part II is brimming with Lewis's trademark soul, his singing as beautiful as ever, but the rhythms throughout are more upbeat, the overall sound a more smooth and slicker dance-funk presentation. Roughly half the tracks are absolutely essential, fascinating re-workings of tracks from the eternal Stoned Part 1, as Lewis explains: "When we were doing Stoned we were trying different approaches with everything so we ended up with more than one version of nearly all the songs which left us with more than an album's worth of material. There was a lot of really cool house tunes around at the time which we were both really into and that shaped the sound and production, some songs more directly than others." Amen to that.

The swoonsome, string-drenched opener "Madman" is quite the departure, a bleepy, bumping soulful disco-house record with a bassline to die for. Is there anything he can't do? It's followed by another huge dancefloor stomper, "Keep Right On" again riding another killer bassline over funky drums and featuring Lewis's dazzling vocals. There's no let-up with the sparkling "Reconsider" which sounds an awful lot like Daft Punk meets Nile Rodgers (prescient as ever, our Lewis). The wide-eyed French filtered house vibe is to the fore here, and how this wasn't picked up by someone like Kylie and taken wholesale to the top of the charts is something we'll never understand.

Opening the B-Side, "When Will I Ever Learn 2" really slaps, presenting a breezier, more upbeat funk take on the brilliant original and incorporating "From The Day We Met" from Stoned Part I. "Out Of My Head Is The Way I Feel" is absolutely fantastic and one of Lewis's very best songs. The vocals, self-harmonising and virtuoso playing are next level. To close out the side, "Carried Away" is a real standout, Lewis's gorgeous falsetto riding a quasi D&B groove to begin with before adorning a more classically funky 2-step rhythm. The marriage of undulating synths and guitars is stunning, giving way to Lewis indulging his goosebump-inducing Brian Wilson harmonies.

The funky, Rhythm King drum machine soul of "Stoned Part 2" refashions the original in the style of an unearthed Sly Stone classic, circa There's A Riot Going On. Yes, it's that good. On we then glide to "Positively Beautiful 2" which, if it's even possible, manages to be better than the original. The epic, orchestral opening truly captivates before Lewis truly gets down with kaleidoscopic dancefloor-slaying Philly soul-funk. It's surely tracks like this which help explain why he was soon to be tapped up by Dangermouse and Cee-Lo for the musical director role with Gnarls Barkley. "Throw Me A Line" closes out the side

"Shame 2" is a blissful, restrained version of the massive original, without the crazy psych-soul wig-out. Definitely more radio-friendly, that's for sure. The gorgeous mellow vibe continues with "Won't Fade Away", featuring more Beach Boys harmonies over a barely-there pulse (a version of which later pops up in an altered state on The Lost Album). The album bows out with - you guessed it - a psych-soul wig-out! "Keep On Keeping On", a real highlight, opens with looped sampled drums a la Massive Attack and Lewis's multi-layered self-harmonising again very much high in the mix. It amps up gradually to feature vocals dripping with tune and bite before screaming guitars and crashing drums really blast this whole set into the stratosphere.

Simon Francis’s vinyl mastering, approved by Lewis himself, presents the twelve tracks over a double LP so it sounds exactly as it should. The records have been cut by Cicely Balston at Air Studios and pressed at Record Industry. Allow Lewis Taylor to get you Stoned, Part II.

Nach ihrem Debütalbum "Geistesgift" legen die Jungs von TODSÜNDE mit ihrem neuen Longplayer "Herzjagd" die Messlatte 3 Regale weiter nach oben. Das facettenreiche Album ist vollgepackt mit Songs die brachialer klingen denn je.

Deutschsprachiger Metal trifft auf Moshpit garantierte Live-Show! Das ist TODSÜNDE! Und JA, die fünf Jungs aus Nordrhein-Westfalen sind wirklich jede Sünde wert! Nach ihrem Debutalbum „Geistesgift“ erscheint nun am 16.06.2023 ihr zweites Studioalbum HERZJAGD, bei dem sie sich erstmalig den Ausnahmeproduzenten Jonas Rabensteiner mit ins Boot holten. Das neue Team hat es geschafft, den Songs eine komplett neue musikalische Note zu verpassen und wird dadurch mit Sicherheit viele neue Fans begeistern. Dennoch wurden die starken Metal- und Hardcore Parts natürlich beibehalten. Hierdurch wurde ein eindeutig gradliniger Todsünde-Sound geschaffen, der sofort ins Ohr geht und auch dortbleibt! Mit ihren fantastischen Live-Auftritten, dem unverkennbaren Bühnenoutfit und einer grandiosen Bühnenshow wird eines sofort klar - so vielseitig und abwechslungsreich wurde euch noch nie in den buchstäblichen Arsch getreten!

CREEPING DEATH befinden sich auf einem schnellen und rasanten Aufstieg aus dem Untergrund.Die texanische Death-Metal-Crew liefert immer wieder ein unerbittliches Geknüppel, das aus den entlegensten Winkeln der Vergangenheit, Gegenwart und Zukunft des Genres stammt. Der Fünfer aus dem Lone Star State zelebriert den Stil triumphierend und peitscht grausame Riffs und Südstaaten-Grooves mit einer unwahrscheinlichen kathartischen Freude auf.Boundless Existence wartet mit Future-Death-Metal-Klassikern wie dem superschweren, schnellen und groovigen "Intestinal Wrap" auf (bei dem George "Corpsegrinder" Fisher von Cannibal Corpse mitwirkt). "Vitrified Earth" zeigt die zunehmenden Fähigkeiten von Creeping Death in Sachen Songwriting, was vor allem an der Kadenz und Phrasierung von Alavis Gesang zu erkennen ist, während die kranken
Riffs nie vernachlässigt werden. Gegen Ende des Albums gibt es sogar eine etwas entrückte Atmosphäre, mit Gitarreneffekten, Harmonien und berauschenden Taktarten."CREEPING DEATH versammeln gewaltige Riffs, schreiende Gitarrensoli und bedrohliche Gesangseinlagen und spielen sie mit dem treibenden Schwung einer erstklassigen Hardcore-Band." - Revolver Magazin.

CREEPING DEATH befinden sich auf einem schnellen und rasanten Aufstieg aus dem Untergrund.Die texanische Death-Metal-Crew liefert immer wieder ein unerbittliches Geknüppel, das aus den entlegensten Winkeln der Vergangenheit, Gegenwart und Zukunft des Genres stammt. Der Fünfer aus dem Lone Star State zelebriert den Stil triumphierend und peitscht grausame Riffs und Südstaaten-Grooves mit einer unwahrscheinlichen kathartischen Freude auf.Boundless Existence wartet mit Future-Death-Metal-Klassikern wie dem superschweren, schnellen und groovigen "Intestinal Wrap" auf (bei dem George "Corpsegrinder" Fisher von Cannibal Corpse mitwirkt). "Vitrified Earth" zeigt die zunehmenden Fähigkeiten von Creeping Death in Sachen Songwriting, was vor allem an der Kadenz und Phrasierung von Alavis Gesang zu erkennen ist, während die kranken
Riffs nie vernachlässigt werden. Gegen Ende des Albums gibt es sogar eine etwas entrückte Atmosphäre, mit Gitarreneffekten, Harmonien und berauschenden Taktarten."CREEPING DEATH versammeln gewaltige Riffs, schreiende Gitarrensoli und bedrohliche Gesangseinlagen und spielen sie mit dem treibenden Schwung einer erstklassigen Hardcore-Band." - Revolver Magazin.

Yes, this is indeed the reclusive maniac who brought us "FIELD MANUAL" and "REALITY SURPASSES FICTION" back in the 90s on the Digital Hardcore label. It is a great honor to help usher in a new chapter for this gabber/breakcore legend.

"If you’ve ever wondered what Catharsis covering The 13th Floor Elevators might sound like, wonder no longer—and that’s only the start!" - Decibel Magazine GELD make their Relapse Records debut with their third full length, Currency // Castration! The Australian band distills a despairingly hellish vision of the world into a thundering crack to the temple through an unsparing fusion of hardcore’s bleakest violence with metal’s ruthless strength-through-conviction. GELD's abrasive take on the genre is distorted through a lense of fuzzed out psych soundscapes; vocals truly sound like unhinged barks, while guitars, bass, and drums crash against one another frenetically, each track burning brighter and brighter. Every moment of Currency // Castration is urgent. Tracks such as “Chained to a Gate” edge and scratch at a relief that is ultimately denied, toying with the nightmarish promise of a breakdown that never comes. Elsewhere, "Cut You Down" pulses with frantically itching riffs that stream forth. "Fog of War" snaps and snarls; while "Secret Prison" evinces the honed physique of Japanese hardcore fed through the broken brain of someone on a years-long Rrröööaaarrr-era Voivod spin-out. Despite the band's innovative approach to the genre, GELD makes no pretensions at being “interesting” for interesting’s sake - As vocalist Al Smith puts it, “One of the most boring things people can do is try to dress up what someone else has already contributed to a genre and make it ‘clever’… We’re more interested in finding our own position.” With Currency // Castration, GELD offers no promise of a higher purpose or resolve. Rather, they lean into dissociation, finding truth and meaning in the transcendental joy of simply escaping, surviving, existing.

Higher Octave is a pairing of two guys intrinsic to the UK rave and hardcore scene. David Salvi, owner of Pro-One Records, the label to originally release this record along with a slew of other artists such as Law & Auder, Bay B Kane, Submania, Utomica and DJ Hopa, who is the other half of Higher Octave. David was also half of the group Utomica, whose Rok A Bye track was repressed by Vinyl Fanitiks in 2020 and has long since sold out.

David always credits Hopa as the guy with the ideas… he was out at all the raves and was always on point with how tracks should sound and any new trends that were incoming were hot on his radar. David was the guy with the studio, ready to help make Hopa’s ideas into reality.

A sought after release, originally released in 1992, with ‘Raise The Bones’ being the track that had the most rotations in the clubs and on the pirates back in the day.

Limited pressing on 180g heavyweight black vinyl, presented in a black inner sleeve with a Vinyl Fanatiks 3mm spined housebag.

3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989

It marked the first of three full- length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number", "Buddy", and "Eye Know".

The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's

The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall).

Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

Pacific Blue Vinyl, limited to 200 copies. From being right in the middle at the birth of US hardcore punk with DYS to creating the blueprint of melodic hardcore with DAG NASTY, from helping to invent pop punk as we know it with ALL to finding himself in the middle of the west coast punk explosion of the 90s with DOWN BY LAW: Smalley was always on the forefront every time hardcore punk pushed its envelope. While others may use a legacy like that as an excuse to take it a little slower, Dave Smalley has no intention to rest on his laurels and keeps writing new music and releasing records.

When he founded DON'T SLEEP with fellow East Coast punk rockers Garrett Rothman, Tony Bavaria, Jim Bedorf and Tom McGrath in 2017, the world was more than excited about seeing him front a fast yet melodic hardcore band again. Being motivated by immensely positive feedback, DON'T SLEEP was finally ready to release its debut album "Turn the Tide" in 2020.


And then the world came to a grinding halt. But after the dust settled, all five members decided that DON'T SLEEP was too important to not overcome all obstacles thrown in their way. The five piece went back into the rehearsal room, finished 8 original songs and added an amazing TOM PETTY cover to the mix. The result is DON'T SLEEP's second full length "See Change".

Transparent green vinyl. From being right in the middle at the birth of US hardcore punk with DYS to creating the blueprint of melodic hardcore with DAG NASTY, from helping to invent pop punk as we know it with ALL to finding himself in the middle of the west coast punk explosion of the 90s with DOWN BY LAW: Smalley was always on the forefront every time hardcore punk pushed its envelope. While others may use a legacy like that as an excuse to take it a little slower, Dave Smalley has no intention to rest on his laurels and keeps writing new music and releasing records. When he founded DON'T SLEEP with fellow East Coast punk rockers Garrett Rothman, Tony Bavaria, Jim Bedorf and Tom McGrath in 2017, the world was more than excited about seeing him front a fast yet melodic hardcore band again. Being motivated by immensely positive feedback, DON'T SLEEP was finally ready to release its debut album "Turn the Tide" in 2020. And then the world came to a grinding halt. But after the dust settled, all five members decided that DON'T SLEEP was too important to not overcome all obstacles thrown in their way. The five piece went back into the rehearsal room, finished 8 original songs and added an amazing TOM PETTY cover to the mix. The result is DON'T SLEEP's second full length "See Change".

On Unknown Road, Pennywise steps up their songwriting, maintains all their fury and intensity, and
lays out their philosophy of independence and the importance of daring to live every moment to its
fullest. This album features a number of songs that played on tons of skate, surf and snowboarding
videos, making this, and other PW records to come, the soundtrack to the exploding extreme sports
board scene. Featuring such Pennywise classics as “Homesick,” “Unknown Road,” “It’s Up To Me,” and
“You Can Demand,” Unknown Road is arguably the quintessential So Cal hardcore record of the ‘90s.
Reissued on limited edition Sunset Boulevard vinyl to celebrate the album’s 30th anniversary!

On Unknown Road, Pennywise steps up their songwriting, maintains all their fury and intensity, and
lays out their philosophy of independence and the importance of daring to live every moment to its
fullest. This album features a number of songs that played on tons of skate, surf and snowboarding
videos, making this, and other PW records to come, the soundtrack to the exploding extreme sports
board scene. Featuring such Pennywise classics as “Homesick,” “Unknown Road,” “It’s Up To Me,” and
“You Can Demand,” Unknown Road is arguably the quintessential So Cal hardcore record of the ‘90s.
Reissued on limited edition Sunset Boulevard vinyl to celebrate the album’s 30th anniversary!

Wellen.Brecher is an inclusive band that emerged from the Killekill's Berlin-based project Ick Mach Welle. It consists of Werner Soyeaux aka Black Davil, Uwe Locati aka DJ Locati, Dave Senan aka Senator and Hanni Kusch, a member of the German punk band Pisse.

After a very busy year 2022 with touring, the band are ready to bring you their debut EP "Hitmaschine". Included on the release is "Lasst Uns Feiern", the band's "Anthem", a banging rave influenced mega-hit that manages to hit-hard and deep while keeping the overall vibe happy and fun. For his remix, The Hacker radically cuts things back while adding a hefty portion of 90s hardcore to deliver you another "hit".

On the B side, band member DJ Locati strikes sonorous notes with his vocals, spread over a base of hypnotic acid trance and progressively developing into a deep dive down into a rave tunnel. Rounding out the record is a guest appearance by the band 21Downbeat. Their reinterpretation of Wellen.Brecher's Tierisch Verboten (which was released as the opener of the "Superbrains" compilation on Killekill) brings a healthy dose of smashing newwave to the proceedings.

Old school down Dark tempo Techno hardcore.

Dark and deep Doom old school sound... The Hardcore Blues.

Miners riots failed and dropped them into the most dark depressive hardcore ever... Big !

“Before becoming a producer, I grew up with labels such as Cenobite, K.N.O.R., Cold Rush and Ruffneck Records; this emblematic 1990s hardcore sound has influenced me heavily, even though it has never explicitly featured in my music. But I feel it’s time to return from exile, and so I have started to dig up the relics and present my interpretation of that great style: The energetic kicks, the sweeping sounds, the samples. Enjoy my piece of modern arkaeology!”

Re-release des im Jahre 2000 veröffentlichten Albums "Endstation" der Deutschpunk-Legende Hass. Lieder wie "So wie die werd ich nie", das bitterböse "Mein Nachbar", "Versoffene Marie" oder "Totengräber" zeigen die Band nach der Jahrtausendwende in Höchstform und vermischen den typisch-rauhen Hardcore-Punk-Style von Hass zum Teil mit rockigeren Klängen. "Endstation" ist die letzte Scheibe noch mit Bandgründer Peter "Hecktor" Blümer am Mikrofon, der sich danach auf die reine Gitarrenarbeit konzentrierte. Nicht nur für "Hass"- und Deutschpunk-Fans ein "Must-Have" in der Vinyl-Kollektion. Limitierte Collector´s-Vinyl-Edition, 180gr. Edition mit neuem Cover-Artwork & 350gr. Heavy cartonage inside/out rough paper, erstmalig komplett neu gemastert und abgemischt in dem Sound, den das Album verdient hat.

Re-release des im Jahre 2000 veröffentlichten Albums "Endstation" der Deutschpunk-Legende Hass. Lieder wie "So wie die werd ich nie", das bitterböse "Mein Nachbar", "Versoffene Marie" oder "Totengräber" zeigen die Band nach der Jahrtausendwende in Höchstform und vermischen den typisch-rauhen Hardcore-Punk-Style von Hass zum Teil mit rockigeren Klängen. "Endstation" ist die letzte Scheibe noch mit Bandgründer Peter "Hecktor" Blümer am Mikrofon, der sich danach auf die reine Gitarrenarbeit konzentrierte. Nicht nur für "Hass"- und Deutschpunk-Fans ein "Must-Have" in der Vinyl-Kollektion. Limitierte Collector´s-Vinyl-Edition, 180gr. Edition mit neuem Cover-Artwork & 350gr. Heavy cartonage inside/out rough paper, erstmalig komplett neu gemastert und abgemischt in dem Sound, den das Album verdient hat.

DJ Exodus is no stranger to Vinyl Fanatiks, with his two 92/93 releases on Skeleton Recordings being repressed recently. This release originally surfaced in 1994 on Tearin Vinyl and shows how Exodus traversed between his early hardcore releases and his straight up jungle darkside tear out.

One for the purveyors of authentic west London jungle who like their beats chopped and finely rinsed.

Comes in a high quality gloss Tearin Vinyl housebag and white inner sleeve. Released on either red, white or blue 180g heavyweight vinyl.

Bournemouth foundation Jungle Label -Underdog Recordings (est 1993) brings you the "Ghosts of Future Past" EP from unknown quantity Ghost Unit.

2x 170Bpm Jungle tunes on side A are complimented by 2x 130bpm breakbeat hardcore influenced tracks re-visitng some of the most well known vocal samples from the Rave Era repackaged for 2021 but still in the authentic Old Skool style

Released on a limited run of 300 electronic blue 12" vinyl.

Bih new STRIKE !!! Hardcore !

Vinyltrixta (who along with Jimmy J co-founded the Remix Records in Camden, London shop back in the mid 90s) - delivers a stomping 4 track EP in the 1992 breakbeat hardcore style on Return of The Vibe.

Die deutsche Post-Metalformation THE OCEAN veröffentlicht ihre neuen Albums "Holocene" im Mai 2023! Mit Holocene fügen The Ocean das neue und abschließende Kapitel in ihrer paläontologisch inspirierten Albumserie hinzu. Erweitert wird die Härte des Kollektivs diesmal um einige elektronische Dimensionen. Gegründet zu Beginn des Jahrtausends, hat die Gruppe von Musikern um den Gitarristen Robin Stapps auch nach über 20 Jahren nicht an Intensität eingebüßt. The Ocean kommen jedesmal zusammen mit der gemeinsamen Vision von grenzenloser Klangforschung, niemals stillstehend, genießt die Band einen hervorragenden Ruf in den Genres des Postrock, Progressive Metal und sogar Hardcore. Robin Staps kommentierte das abschließende Werk der paleontologischen Albumserie: "Holocene is an appendix to the 2 Phanerozoic albums and Precambrian, or the final and concluding chapter, making it a quadrilogy if you want so. It's tackling the Holocene epoch, which is the current and shortest chapter in earth's history, but it is essentially an album about the angst, alienation, loss of reason and critical thinking, rise of conspiracy theories and deconstruction of values in the modern age." Zum Entstehungsprozess und der elektronischen Basis der neuen Songs fügt er hinzu: "The writing process of every album we've ever made started with me coming up with a guitar riff, a drumbeat or a vocal idea. This album is different since every single song is based on a musical idea that was originally written by Peter (Voigtmann, synths). He came up with these amazing synth parts that were already sounding huge in pre-production, and he sent me some of those raw, unfinished ideas during mid lockdown 2020... and while it was all electronic, it had that definite Ocean vibe to it. It made me want to pick up my guitar instantly_ and so I did, and it didn't take long until we had an inspiring creative exchange that was heading towards totally unforeseen but very exciting places." Für Fans von Massive Attack, Lorn, Archive, Trentemöller, early Moderat, Portishead, Isis, Mastodon, Katatonia, The Pineapple Thief Gatefold aus schwarzem Spezialpapier mit Stanzungen, metallic inks und UV Spot Lack, Insert mit Kupferfolienprägung, 20seitiges Booklet, printed inner sleeve

Die deutsche Post-Metalformation THE OCEAN veröffentlicht ihre neuen Albums "Holocene" im Mai 2023! Mit Holocene fügen The Ocean das neue und abschließende Kapitel in ihrer paläontologisch inspirierten Albumserie hinzu. Erweitert wird die Härte des Kollektivs diesmal um einige elektronische Dimensionen. Gegründet zu Beginn des Jahrtausends, hat die Gruppe von Musikern um den Gitarristen Robin Stapps auch nach über 20 Jahren nicht an Intensität eingebüßt. The Ocean kommen jedesmal zusammen mit der gemeinsamen Vision von grenzenloser Klangforschung, niemals stillstehend, genießt die Band einen hervorragenden Ruf in den Genres des Postrock, Progressive Metal und sogar Hardcore. Robin Staps kommentierte das abschließende Werk der paleontologischen Albumserie: "Holocene is an appendix to the 2 Phanerozoic albums and Precambrian, or the final and concluding chapter, making it a quadrilogy if you want so. It's tackling the Holocene epoch, which is the current and shortest chapter in earth's history, but it is essentially an album about the angst, alienation, loss of reason and critical thinking, rise of conspiracy theories and deconstruction of values in the modern age." Zum Entstehungsprozess und der elektronischen Basis der neuen Songs fügt er hinzu: "The writing process of every album we've ever made started with me coming up with a guitar riff, a drumbeat or a vocal idea. This album is different since every single song is based on a musical idea that was originally written by Peter (Voigtmann, synths). He came up with these amazing synth parts that were already sounding huge in pre-production, and he sent me some of those raw, unfinished ideas during mid lockdown 2020... and while it was all electronic, it had that definite Ocean vibe to it. It made me want to pick up my guitar instantly_ and so I did, and it didn't take long until we had an inspiring creative exchange that was heading towards totally unforeseen but very exciting places." Für Fans von Massive Attack, Lorn, Archive, Trentemöller, early Moderat, Portishead, Isis, Mastodon, Katatonia, The Pineapple Thief Gatefold aus schwarzem Spezialpapier mit Stanzungen, metallic inks und UV Spot Lack, Insert mit Kupferfolienprägung, 20seitiges Booklet, printed inner sleeve

Die deutsche Post-Metalformation THE OCEAN veröffentlicht ihre neuen Albums "Holocene" im Mai 2023, wie üblich gibt es auch eine rein instrumentale Version des Werkes. Mit Holocene fügen The Ocean das neue und abschließende Kapitel in ihrer paläontologisch inspirierten Albumserie hinzu. Erweitert wird die Härte des Kollektivs diesmal um einige elektronische Dimensionen. Gegründet zu Beginn des Jahrtausends, hat die Gruppe von Musikern um den Gitarristen Robin Stapps auch nach über 20 Jahren nicht an Intensität eingebüßt. The Ocean kommen jedesmal zusammen mit der gemeinsamen Vision von grenzenloser Klangforschung, niemals stillstehend, genießt die Band einen hervorragenden Ruf in den Genres des Postrock, Progressive Metal und sogar Hardcore. Robin Staps kommentierte das abschließende Werk der paleontologischen Albumserie: "Holocene is an appendix to the 2 Phanerozoic albums and Precambrian, or the final and concluding chapter, making it a quadrilogy if you want so. It's tackling the Holocene epoch, which is the current and shortest chapter in earth's history, but it is essentially an album about the angst, alienation, loss of reason and critical thinking, rise of conspiracy theories and deconstruction of values in the modern age." Zum Entstehungsprozess und der elektronischen Basis der neuen Tracks fügt er hinzu: "The writing process of every album we've ever made started with me coming up with a guitar riff, a drumbeat or a vocal idea. This album is different since every single song is based on a musical idea that was originally written by Peter (Voigtmann, synths). He came up with these amazing synth parts that were already sounding huge in pre-production, and he sent me some of those raw, unfinished ideas during mid lockdown 2020... and while it was all electronic, it had that definite Ocean vibe to it. It made me want to pick up my guitar instantly_ and so I did, and it didn't take long until we had an inspiring creative exchange that was heading towards totally unforeseen but very exciting places." Für Fans von Massive Attack, Lorn, Archive, Trentemöller, early Moderat, Portishead, Isis, Mastodon, Katatonia, The Pineapple Thief Gatefold aus schwarzem Spezialpapier mit Stanzungen, metallic inks und UV Spot Lack, Insert mit Kupferfolienprägung, printed inner sleeve

Die deutsche Post-Metalformation THE OCEAN veröffentlicht ihre neuen Albums "Holocene" im Mai 2023, wie üblich gibt es auch eine rein instrumentale Version des Werkes. Mit Holocene fügen The Ocean das neue und abschließende Kapitel in ihrer paläontologisch inspirierten Albumserie hinzu. Erweitert wird die Härte des Kollektivs diesmal um einige elektronische Dimensionen. Gegründet zu Beginn des Jahrtausends, hat die Gruppe von Musikern um den Gitarristen Robin Stapps auch nach über 20 Jahren nicht an Intensität eingebüßt. The Ocean kommen jedesmal zusammen mit der gemeinsamen Vision von grenzenloser Klangforschung, niemals stillstehend, genießt die Band einen hervorragenden Ruf in den Genres des Postrock, Progressive Metal und sogar Hardcore. Robin Staps kommentierte das abschließende Werk der paleontologischen Albumserie: "Holocene is an appendix to the 2 Phanerozoic albums and Precambrian, or the final and concluding chapter, making it a quadrilogy if you want so. It's tackling the Holocene epoch, which is the current and shortest chapter in earth's history, but it is essentially an album about the angst, alienation, loss of reason and critical thinking, rise of conspiracy theories and deconstruction of values in the modern age." Zum Entstehungsprozess und der elektronischen Basis der neuen Tracks fügt er hinzu: "The writing process of every album we've ever made started with me coming up with a guitar riff, a drumbeat or a vocal idea. This album is different since every single song is based on a musical idea that was originally written by Peter (Voigtmann, synths). He came up with these amazing synth parts that were already sounding huge in pre-production, and he sent me some of those raw, unfinished ideas during mid lockdown 2020... and while it was all electronic, it had that definite Ocean vibe to it. It made me want to pick up my guitar instantly_ and so I did, and it didn't take long until we had an inspiring creative exchange that was heading towards totally unforeseen but very exciting places." Für Fans von Massive Attack, Lorn, Archive, Trentemöller, early Moderat, Portishead, Isis, Mastodon, Katatonia, The Pineapple Thief Gatefold aus schwarzem Spezialpapier mit Stanzungen, metallic inks und UV Spot Lack, Insert mit Kupferfolienprägung, printed inner sleeve

DJ X-cess & Ghost Unit fire up their samplers again with another new 4 track Ep covering Old Skool Hardcore Rave to Jungle.

Core Dimension team up with legendary vocalist Angie Brown to deliver a 1992 style Piano Breakbeat Hardcore Rave double Aside release.

Die deutsche Post-Metalformation THE OCEAN veröffentlicht ihre neuen Albums "Holocene" im Mai 2023! Mit Holocene fügen The Ocean das neue und abschließende Kapitel in ihrer paläontologisch inspirierten Albumserie hinzu. Erweitert wird die Härte des Kollektivs diesmal um einige elektronische Dimensionen. Gegründet zu Beginn des Jahrtausends, hat die Gruppe von Musikern um den Gitarristen Robin Stapps auch nach über 20 Jahren nicht an Intensität eingebüßt. The Ocean kommen jedesmal zusammen mit der gemeinsamen Vision von grenzenloser Klangforschung, niemals stillstehend, genießt die Band einen hervorragenden Ruf in den Genres des Postrock, Progressive Metal und sogar Hardcore. Robin Staps kommentierte das abschließende Werk der paleontologischen Albumserie: "Holocene is an appendix to the 2 Phanerozoic albums and Precambrian, or the final and concluding chapter, making it a quadrilogy if you want so. It's tackling the Holocene epoch, which is the current and shortest chapter in earth's history, but it is essentially an album about the angst, alienation, loss of reason and critical thinking, rise of conspiracy theories and deconstruction of values in the modern age." Zum Entstehungsprozess und der elektronischen Basis der neuen Songs fügt er hinzu: "The writing process of every album we've ever made started with me coming up with a guitar riff, a drumbeat or a vocal idea. This album is different since every single song is based on a musical idea that was originally written by Peter (Voigtmann, synths). He came up with these amazing synth parts that were already sounding huge in pre-production, and he sent me some of those raw, unfinished ideas during mid lockdown 2020... and while it was all electronic, it had that definite Ocean vibe to it. It made me want to pick up my guitar instantly_ and so I did, and it didn't take long until we had an inspiring creative exchange that was heading towards totally unforeseen but very exciting places." Für Fans von Massive Attack, Lorn, Archive, Trentemöller, early Moderat, Portishead, Isis, Mastodon, Katatonia, The Pineapple Thief Gatefold aus schwarzem Spezialpapier mit Stanzungen, metallic inks und UV Spot Lack, Insert mit Kupferfolienprägung, 20seitiges Booklet, printed inner sleeve

Die deutsche Post-Metalformation THE OCEAN veröffentlicht ihre neuen Albums "Holocene" im Mai 2023, wie üblich gibt es auch eine rein instrumentale Version des Werkes. Mit Holocene fügen The Ocean das neue und abschließende Kapitel in ihrer paläontologisch inspirierten Albumserie hinzu. Erweitert wird die Härte des Kollektivs diesmal um einige elektronische Dimensionen. Gegründet zu Beginn des Jahrtausends, hat die Gruppe von Musikern um den Gitarristen Robin Stapps auch nach über 20 Jahren nicht an Intensität eingebüßt. The Ocean kommen jedesmal zusammen mit der gemeinsamen Vision von grenzenloser Klangforschung, niemals stillstehend, genießt die Band einen hervorragenden Ruf in den Genres des Postrock, Progressive Metal und sogar Hardcore. Robin Staps kommentierte das abschließende Werk der paleontologischen Albumserie: "Holocene is an appendix to the 2 Phanerozoic albums and Precambrian, or the final and concluding chapter, making it a quadrilogy if you want so. It's tackling the Holocene epoch, which is the current and shortest chapter in earth's history, but it is essentially an album about the angst, alienation, loss of reason and critical thinking, rise of conspiracy theories and deconstruction of values in the modern age." Zum Entstehungsprozess und der elektronischen Basis der neuen Tracks fügt er hinzu: "The writing process of every album we've ever made started with me coming up with a guitar riff, a drumbeat or a vocal idea. This album is different since every single song is based on a musical idea that was originally written by Peter (Voigtmann, synths). He came up with these amazing synth parts that were already sounding huge in pre-production, and he sent me some of those raw, unfinished ideas during mid lockdown 2020... and while it was all electronic, it had that definite Ocean vibe to it. It made me want to pick up my guitar instantly_ and so I did, and it didn't take long until we had an inspiring creative exchange that was heading towards totally unforeseen but very exciting places." Für Fans von Massive Attack, Lorn, Archive, Trentemöller, early Moderat, Portishead, Isis, Mastodon, Katatonia, The Pineapple Thief Gatefold aus schwarzem Spezialpapier mit Stanzungen, metallic inks und UV Spot Lack, Insert mit Kupferfolienprägung, printed inner sleeve

1st Science (Henrik Helenius) Has Been An Online Man Of Mystery For Some Time, And You'd Better Believe He Supplies The Goods Whenever He Resurfaces!

In The Early 1990s, Out Of The Uk's Rave Scene, 2 Genres Known As Breakbeat Hardcore And Jungle Were Spawned. A Decade Later, And A Modest Online Community Began To Try And Revive The Genres In The 2000s Within A Scene Dubbed "Hardcore Breaks". Henrik Became One Of Its Most Influential And Creative Contributors, Bagging Himself Appearances On The Likes Of Right Touch Records, Bat Beat Recordings (The Precursor To Renegadegenius's Paranoid Recordings) And Hardcore Lives, As Well As Becoming One Of The First Serious Juggernauts Of Sharing Music Online.

Based In Stockholm, In The Words Of Strictly Nuskool Blog, Henrik Swiftly Earned Himself The Title Of "The Swedish King Of Hardcore" Amongst Junglists... And That's A Tough Title To Pinch!

Skip Ahead To The Year 2023, And 1st Science Is Far From Done. Hell, Didn't You Know He's Only Just Started Tuning Up The Bunsen Burner? From The Ones Who Brought You "You Time" And "First Sign Of Trouble", Yes Yes, Erupt Proudly Presents A Shiny New Ep From The Man, Featuring 5 Of His Finest Tracks On Wax For The First Time. If You're Familiar With The Earlier Digital Release Of This Ep, Don't You Worry, For Being Patient You Get The Exclusive Bonus Track "Everlasting Night" Here.

So What Are You Waiting For? 1st Science Invites You To Participate In An Experiment Which Requires Your Subwoofers. An Absolute Treasure Trove For Any Techno, Breaks, Or Uk Retro Rave Lover.

Initially releasing on Oscilla Sound, then following up with records on Intramuros and FTD, E-Unity gained wider recognition when Resident Advisor described "post-Livity techno with a dreamy twist, from this promising young Frenchman". His next release – on TEMƎT – saw him inaugurate the imprint with the ‘Duo Road’ EP – four tracks of electronic futurism, jerky rhythms and dubbed-out frequencies.

‘BBB<3’ is an LP of club ballads that echo his influences, ranging from hyper-pop, Latin music, the hardcore continuum and post-dubstep stylings, featuring heavy bass mutations, spacey synths and hybrid rhythmic compositions.

In an uncertain world, E-Unity takes the opposite approach to a lot of contemporary electronic music which is always faster, harder and somehow dystopian. Instead he offers a record filled with sensibility, love and positivity, fighting the evil forces with heart emojis and sub-reinforced sonic weapons.

E-Unity shows extraordinary musicality and eclecticism throughout his productions and DJ mixes. His b2b set with Simo Cell at Positive Education Festival and former monthly residency on Rinse France solidified his notoriety as an adventurous yet thoughtful selector.

TEMƎT was launched by Simo Cell with a mission to release cross-genre electronic music, placing focus on the French music scene, whilst developing collaboration across different artistic disciplines. Previous artists to release on the label are Lolito, Less-O, Second., elise, E-Unity and Simo Cell, plus additional contributions from Low Jack, Peverelist and Skee Mask for their mix cassette series.

Inkl. 12" Booklet. Alte Straßenköter-Weisheit: Die besten Partys sind immer die, zu denen man nicht eingeladen ist. Man braucht sich keine Gedanken um die Abendgarderobe zu machen, hat außer einem halbvollen, abgestandenen Wegbier nix in der Hand, was als Mitbringsel herhalten könnte, bedient sich gleichwohl mit absoluter Selbstverständlichkeit am Schnapsregal des Gastgebers, hinterlässt als Überraschung für den Tag danach eine Stange Mittelstrahl im Zahnputzbecher und tanzt vor allen Dingen möglichst auf allen Tischen so, dass man immer mit dem Kopf voran in der Hochzeitsbowle landet. Die Zuschauer sollen sich schließlich an diesen wunderschönen Abend erinnern können. Möglichst für immer. BUBONIX aus Limburg machen das, um das oben skizzierte Wedding-Crasher-Prozedere mal durch die Subkultur-Szene-3D-Brille mit einer Tüte Popcorn in der Hand anzuschauen, seit Jahren nicht anders. Jene bandgewordene Voodoo-Zeremonie des Punk und Hardcore um Sänger und Vorzeige-Wildsau Thorsten Polomski hat eigentlich immer schon auf jeder Party den größten Eindruck hinterlassen, und das obwohl (oder aber eben gerade weil) sie eigentlich nie und nirgendwo so richtig reingepasst hat. Das war schon auf alten Scheiben wie "Please, Devil Send Me Golden Hair" oder dem letzten Album "Capsaicin" der Band vor gut 15 Jahren nicht anders. Und jene wunderbar unbedarfte Assitüde treibt die frisch reunierte, um zwei alte Bandmitglieder geschrumpfte Combo (Sarah De Castro und Nenad Grbavac) auf ihrem neuen Album "Through The Eyes" so sehr auf die Spitze, dass man mit debilem Grinsen und ungläubigem Kopfschütteln vor dem Plattenspieler hockt und die HC-Punk-Referenz-Synapsen im Kopf so wild flackern und blinken wie die Weihnachtsbeleuchtung auf einer Front Porch irgendwo in Texas. Welcome back, BUBONIX _ ach nee: FUCK LOVE, MAKE VIOLENCE TO ÄRSCHE! (Ingo Donot)