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Various - House Of Moulton Vol. 1

Moulton Music proudly presents House of Moulton Vol. 1, our first-ever vinyl series. This release digs deep into the Moulton catalog, highlighting some of our biggest tracks alongside exclusive and unreleased remixes that you won’t find anywhere else.

Side A kicks off with a fresh 2025 mixdown of “Work.Groove” by Mark Farina and Homero Espinosa, followed by a brand-new remix from Hotmood who brings the funk with an uptempo, driving version perfect for peak-hour sets. We’ve also included the acapella of “Work.Groove” for DJs and heads who like to get creative.

Side B goes even deeper, starting with an unreleased remix of “Burning Hot” by JT Donaldson and Seven Davis Jr. This version captures the essence of Moulton’s deep house sound with analog synths, tough beats, and signature funk. Rounding out the release is David Harness and Tedd Patterson’s Main Afro Mix of “Black Music” by Franky Boissy and Roland Clark, a powerful and soulful cut that closes the record in style.

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11,72

Last In: 6 months ago
Carly Simon - Anticipation (2x12")
  • A1: Anticipation
  • A2: Legend In Your Own Time
  • B1: Our First Day Together
  • B2: The Girl You Think You See
  • B3: Summer’s Coming Around Again
  • C1: Share The End
  • C2: The Garden
  • D1: Three Days
  • D2: Julie Through The Glass
  • D3: I’ve Got To Have You

Carly Simon’s quietly intense sophomore album comes across like an assertive notice nailed to a telephone pole for all to see. Bold, personal, and autobiographical, Anticipation announces the arrival of an artist who won’t back down. While Simon stands her ground on her eponymous debut, she elevates her passion and persona to heightened levels throughout this gold-certified record, dealing in private matters related to love, relationships, and desire. At times, Simon is nothing short of primal. She reflects on the difficulties of retaining your own identity while also giving yourself to a partner. Simon’s connection to her folk roots would never be stronger.

Sourced from the original master tapes, strictly limited to 3,000 numbered copies, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180g 45RPM 2LP set of Anticipation lays bare the rich tapestries afforded by the spare blend of soft guitars, mellow orchestration, and dreamy melodies. Audiophiles and record collectors, take note: This is the first time Anticipation has been available on 45RPM. The wider grooves and dead-quiet surfaces prove extremely rewarding.

The rhythmic framework anchored by session pro Andy Newmark’s drumming sounds dynamic and balanced, with songs benefiting from a focused midrange and taut low-end. Simon’s attachment to and investment in each lyric is made evident by way of the intimate, hushed atmospherics and expansive responsiveness. And just as Simon’s vocals feel more transparent and direct, so, too, do the supporting choral arrangements.

Released before the singer-songwriter movement reached full bloom, Anticipation remains remarkable for the high-quality songwriting and Simon’s gutsy stance. The album cover — depicting the vocalist holding the gates at Queen Mary’s Garden in Regent’s Park and seemingly defying anyone to take her on — serves as a metaphor for the content within.

Known for having relationships with high-profile partners, Simon was heavily involved with Cat Stevens leading up to the recording of Anticipation. She draws from her experiences to craft tunes that resonate because of their honesty, realism, and strength. Few of those moments are better known than the Top 20 title track, which Simon composed in just 15 minutes as she waited for Stevens to pick her up for a date. Imbued with the nervousness, tension, and excitement that accompany the moments when a romance could go either way, the Grammy-nominated song presages the feminist-minded vulnerability and burning longing that informs a majority of the record.

On the soulful “Legend in Your Own Time,” also inspired by Stevens, Simon harnesses yearning as a conduit to feel-good paradise. Deemed by Rolling Stone an “absolute clincher, an awesome description of the psychic ravages of gone-nuts, know-nothing love,” her cover of Kris Kristofferson’s “I’ve Got to Have You” moans with no-holds-barred desire and breathtaking sensuality.

For all the wanting Simon pursues on Anticipation, her way of staying in control — vocally and personally — make the record a courageous statement of contemporary femininity. For further evidence, look to the bossa nova of “Summer’s Coming Around Again,” somber “Share the End,” soothing “Three Days,” and sincere “Julie Through the Glass,” a tribute to her young niece.

Simon would achieve international fame with her next album, No Secrets. Yet as this definitive reissue shows, Anticipation suggests the rest of the world was just a little late catching up to her.

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82,56
Las Raras Del Folclor - La Denuncia

discos elgozo is proud to present our second single with two songs by Las Raras Del Folclor, a queer feminist musical project from the Colombian Caribbean, which harnesses the decolonising power of cumbia and drums to heal the community and transgress patriarchal orders. This musical project is part of the LBT Raras no tan Raras Corporation, which was born in 2019 in preparation for LGBT Pride Day in Barranquilla, Colombia.

Las Raras Del Folclor are feminist, maricas, drummers and caribbean. Their musical proposal is a disruptive political bet, where the lyrics carry a message of respect for the lives and re-existences of sexual and gender diversities, while the drumming and collective chants unite us in the joy of the movement of our diverse bodies. If in the first track, La Denuncia, we find the strength of our ancestral women to confront patriarchal violence, in the second track, La Pajarera, we find the community that welcomes and cares for us.

Credits:
Mayré Rivero: Voz principal (B), maracas, coros, palmas y animaciones.

Madeleyne Camargo: Voz principal (A), coros, animaciones y palmas.
Dani Brache: Llamador, coros y animaciones.
Maria Camila Navarro: Tambora, coros y animaciones.
Alejandra Peñaloza: Tambor alegre, coros, palmas y animaciones (B).
Naikel Villarruel: Tambor alegre, coros y animaciones.
Grace Lascano (Orito Cantora): Coros, palmas y producción musical.
Jenn del Tambo: Tambores, jamblock, platillos, palmas y producción
musical.

Composición y Autoría: Mayré Rivero, Madeleyne Camargo, María Camila
Navarro, Alejandra Peñaloza, Isabela Luján, Alana Delgado, Dani
Brache, Naikel Villarruel, Eliana Villa, María Serje y Grace Lascano
(Orito Cantora).

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15,34
THE DIYEIS - ROLLOVER EDIT SERVICE VOL. 8 EP

The Diyeis is the brainchild of Concret and Inigo Vontier, a DJ duo united by their love for edgy, psychedelic music and the pursuit of raw, pure sounds that transcend emotional layers. Their mission? To harness the primal, tribal effect of ecstasy on the dancefloor, creating a space where connection thrives through rhythm alone.

For the first time ever, the highly regarded Anything Goes release series is curated by a single act – or rather, a duo: The Diyeis. Known for their raw, edgy sound and boundless creativity, the duo presents a unique selection of reworked tracks. These edits, crafted as playful DJ tools, are designed to create those cheeky dancefloor moments where nostalgia blends seamlessly with the thrill of a sunrise rave.

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12,56
Sam Annand - Cupar Grain Silo LP

'Cupar Grain Silo' is Sam Annand's first release on the Blackford Hill label. Its nine tracks blur the lines between ambient electronica and sonic history, as synthesised melodies and rhythms reverberate through the extreme acoustics of the disused Cupar Grain Silo in Scotland. Built in 1964 as a sugar store, the silo towers 60 metres above the surrounding Fife countryside. Its industrial life was short: in 1971 it was closed, and barring a short period as a grain store, remained empty for decades.

In 2014, Sam Annand was given access to the silo as part of the Resono project, set up to study a series of highly reverberant locations across Scotland. The ambitious industrial architecture of the Cupar Grain Silo has given the space a reverberation time of 36.5 seconds. This measurement describes the time a sound takes to decay or 'fade away' in a closed space. To put this in perspective, the Cupar Grain Silo reverb time is around three times longer than that in cathedrals like York Minster and St Paul's.

"The acoustics are immediately noticeable when climbing the ladder into the main chamber", Sam says. "The sound of your voice begins to circle around and above you, inviting you to shout, clap and bang objects to excite the space into revealing its intimidating architectural voice."

Sam began to experiment with musical compositions which responded to the unique acoustics of the silo space. He used impulse responses – a short, sharp sound like a gunshot – to record these acoustics, allowing him to experiment with the silo's reverb in his production. Sam's compositions were performed using a modular synth system, a Roland Juno-6 polyphonic synthesizer and a bowed ride cymbal.

"Chords can be constructed in time by hanging successive single notes in the air," Sam describes, "The flutter echoes from the immediate cylindrical walls can be used to create bursts of scattering spatial imagery and harmonic blooms, following short percussive moments."

Originally recorded on 21st May 2016, 'Cupar Grain Silo' is now released on 12" vinyl with an accompanying booklet of imagery and essays. The compositions are at once true to the unique architectural acoustics of the silo whilst also being playful and experimental with the creative possibilities it offered. Arpeggiated melodies ebb and fall across extended call-and-response shapes formed by the silo's reverb; modular drum patterns crackle like dying machinery; whilst bowed drones waver and wash over.

"We all love reverberation," reflects Prof. Peter Stollery, Professor of Composition and Electroacoustic Music at the University of Aberdeen, on the project. "As kids, we play in it – yelling in forests and caves, surreptitiously dropping objects in huge churches – mouths wide open at the lingering smears of sound which come back to us."

In 'Cupar Grain Silo', Sam Annand has harnessed the extraordinary acoustics of the disused silo to tap into this sense of joy and amazement that reverberation can bring.

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20,97
Warmduscher - Too Cold To Hold LP

Comprised of Clams Baker Jr., Benjamin Romans Hopcraft, Adam J. Harmer, Marley Mackey, Quinn Whalley, and Bleu Ottis Wright, Too Cold To Hold is undoubtedly their best and most ambitious album to date. Taking on board the repetitive and polyrhythmic grooves of gqom (an alluring South African take on house music), adding in a dash of hip hop flavours and even jazz, and then harnessing that to their punk-funk, disco pogo, it’s a spellbinding mix. The album is produced by the band’s Ben Romans Hopcraft alongside Jamie Neville.

Talking about the first track to be taken from the album, ‘Fashion Week’, which is a joyous account of fashion’s die-hard fans rather than the more visible arrivistes or dilettantes, Clams said: “Those that will do anything to become that thing. That creation. And live it. It’s real artistry when you don’t have the means and you’re doing it. You’re hustling to get on the guest list, you get in, you’re done up by means that you can’t really afford, whatever you do… It’s a celebration of people who will do whatever to look good and feel good and step above wherever they are in their own minds.”

With a reputation as one of the most exciting and mesmerising live bands out there right now, they have also today announced both details of a very special ‘Fashion Week’ launch show at London’s Lexington on 10th July and a run of U.K. / EU dates to coincide with the album release in November – the dates include their biggest London headline show to date at The Troxy. The full list of dates, which is as follows:

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25,17
LINKIN PARK - FROM ZERO LP

LINKIN PARK—Mike Shinoda, Brad Delson, Phoenix, Joe Hahn, alongside new members Emily Armstrong of critically acclaimed band Dead Sara as co-vocalist and Colin Brittain songwriter/producer for G Flip, Illenium, One OK Rock as drummer—share their first brand new music in seven years.

The iconic band shared a new single “The Emptiness Machine,” which is also the herald for the arrival of LINKIN PARK’s first album since 2017, FROM ZERO, on November 15.

About the new era, Shinoda stated, “Before LINKIN PARK, our first band name was Xero. This album title refers to both this humble beginning and the journey we’re currently undertaking. Sonically and emotionally, it is about past, present, and future—embracing our signature sound, but new and full of life. It was made with a deep appreciation for our new and longtime bandmates, our friends, our family, and our fans. We are proud of what LINKIN PARK has become over the years, and excited about the journey ahead.”

Right out of the gate, “The Emptiness Machine” channels the DNA of LINKIN PARK, harnessing the band’s explosive energy and retaining the hallmarks of their instantly identifiable and inimitable sound. A chameleonic and catchy anthem, Shinoda’s hypnotic melodies hand off to Armstrong’s blistering chorus, over distorted riffs and head-nodding drums.

Ultimately, with FROM ZERO, the band is looking to harness the purest energy of their past, present, and future. The new era has officially begun.

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26,47
Phooka - The Merge

Phooka

The Merge

12inchCLTD019
Concrete Records LTD
07.11.2024

Phooka also known as Francesco Maddalena, is the co-founder of Concrete with Maurizio Cascella and is a respected producer who has released on his own label as well as listing appearances on Diffuse Reality, Warok Music and Blackwater

Remix duty welcomes Sweden's Anthony Linell, the renowned Northern Electronics label boss that features most of his original music, but he can also be found collaborating with Adiel on Danza Tribale, or remixing Tensal to Amotik for example. Under the significant Abdulla Rashim moniker, his tracks have also been released on top projects such as Prologue to Svreca's Semantica.

The second remixer included in the release is Plants Army Revolver, a notable duo from Italy who have released on Shifted's Avian, Mental Modern, Sense Code and HomeMadeZucchero.

The first track is Anthony Linell's remix of "False Flag" that uses a stuttering kick drum to create an abstract vibe and is met haunting tones and metallic percussion.

The "False Flag" original has a patient yet regimented rhythm from a thundering kick and warm, pulsing sub bass to showcase an interesting dystopian aesthetic.

Remixing "The Rug Pull," Plants Army Revolver harness a throwback, looping, tribal sound with dub techno influences and mesmerising hypnotic elements.

Track four sees "The Rug Pull" and its original abstract idea. Using sparse beats with congas and shakers amidst harmonic drones and other shimmering effects, it creates a unique sound tapestry experience.

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10,50
Tiga & Hudson Mohawke - Feel The Rush Remixes (w/ remixes from Honey Dijon, Mr G., Johnny Aux)

Tiga & Hudson Mohawke recently released their hit single 'Feel The Rush', featuring none-other-than Channel Tres. After landing in Tiga's recent Boiler Room set, Feel The Rush created a full-on ID frenzy prior to release. The original track harnesses a signature Tres vocal over a low-slung LMZgroove. Turbo have enlisted three dance music legends for the remix project : Honey Dijon, Mr. G, and Johnny Aux (of Paranoid London). Tech-house + Detroit techno + Acid House... just in time for summer 2024.

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13,24
Reverendos Of Soul / Right To Life / Soulista / Serge Funk - Groove Culture Jams Vol.4

DJ Support: Dave Lee, Mousse T, Mark Knight, Michael Gray, Eric Kupper, Kenny Carpenter, David Harness, Seamus Haji, Melvo Baptists, John Morales, Julius Papp, Dj Romain, Luis Radio, Birdee, Lego and many others…

Groove Culture on going ‘jams’ series of compilation style vinyl EPs has long been a reliable source of disco-house fired excellence, and this 4th edition is another high-quality affair. Package incl. Music from Micky More & Andy Tee, Reverendos Of Soul, Soulista, Serge Funk and Right To Life.

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13,87
Invexis - Odyssey EP

Invexis

Odyssey EP

12inchMR-008RP
Mutual Rytm
17.07.2024

2025 Repress

SHDW & Obscure Shape invite Invexis for his first 12" in almost 20 years as the German live act and producer returns to Mutual Rytm for his impactful EP, 'Odyssey'.

With an ethos of merging the past with the present and future, harnessing classic techno influences and shaping them into the sounds of tomorrow, SHDW & Obscure Shape's Mutual Rytm imprint has become an exciting home for rising talents of note and established artists to shine a spotlight on the genre. However, the next release on the label welcomes a long-awaited return from Georg Kohler, aka Invexis. Known for releases such as 'Kalibreur' on Salpeter Records and 'Chiffre' on Planet Rhythm Records, with further releases via Compound and Kazumi, the German talent crafted and shaped his own sound within the techno landscape in the early 2000s. Returning with his first EP release in close to two decades, late December welcomes a return to Mutual Rytm, following on from the inclusion of his track 'Elektronenwind' on the label's 'Federation Of Rytm I' release, as he delivers a selection of dynamic, melodic and driving techno offerings across 'Odyssey'.

'Silhouette' opens the package with authority as spirited drums and spiralling synths take hold of a twisting and turning lead effort, with 'Non Return To Zero' building a spiralling groove via frantic yet measured percussion, sweeping melodies and funky stabs. 'Red Storm' opens the B-side with a more up-front production combining harsher metallic tones with relentless drive and crashing hats, while 'Body Impulse' utilises dubby stabs and eerie atmospherics to balance light and dark. The title track 'Odyssey' closes the vinyl offering, with a euphoric and rapturous production harnessing resonant chords, looping drum grooves and elated leads to bring things to an impressive crescendo and deliver a record that will remain in the ears of listeners for a long time. As always with the label, digital purchasers are treated to an exclusive track as Kohler combines zig-zagging grooves, refined synths and off-kilter glitches and bleeps across digital exclusive 'Transition'.

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11,56
Miles Otto - Skitter

Miles Otto

Skitter

12inchBTR006
Batrachian
28.05.2024

repressed !

Known for his hardware-harnessing live shows and acidic jams, the Bristol-based Miles Otto’s ‘Skitter’ EP is alive with propulsive electro rhythms and dreamy synth melodies. ‘CV Swizzly’ grabs your attention with its wistful analogue tones and percussive crunch, before a burbling bassline burrows through the arrangement, while the 303-laced ‘Vectron’ takes cues from Detroit electro with its menacing riffs and eerie synth drifts. ‘Skitter’ itself subtly reveals its details layer by layer, with crisp drum machine hits and low tones opening out into mystic harmonies, and Plant43 recasts ‘CV Swizzly’ in his distinct image, adding metallic synth bass and urgent keys to finish the EP in fine style.

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9,03
Jackmaster - Don't You Want My Lovin'

A globally-renowned selector whose ‘Mastermix’ series and impactful, diverse DJ sets have garnered a cult following for the past decade, Numbers co-founder Jackmaster has seen his focus shifted towards his blossoming discography of late, releasing material via Seth Troxler’s Slacker 85, The Martinez Brothers’ Cuttin’ Headz and CircoLoco Records, plus his own TDSR imprint. Here, he continues to showcase his studio nouse with an impressive label debut on Damian Lazarus’ Crosstown Rebels, unveiling two new original productions across his latest EP, ‘Don’t You Want My Lovin’.

Vibrant, deep and jackin’, featuring resonant stabs, skippy drums and soulful vocals at its core, the bubbly ‘Don’t You Want My Lovin’ is a punchy slice of house crafted for bustling dancefloors, while the airy and trippy ‘Ode 2 U’ takes things into more paired back territories and journeys through vast textures to unveil a wormhole of a production.

Needing little introduction, Chicago’s finest and house music icon, Mike Dunn, steps up on remix duties as he makes his first outing on the renowned imprint. His aptly titled ‘Blackball 303’ interpretation is precisely that: a wicked, acid-laced trip harnessing the original’s infectious vocal while offering an instrumental for those looking to keep things darker.

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13,66
Infradisco - Aqua Cheta LP

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition.


This release is 350 copies limited edition: 12"" with 4 new special Remixes by Hear & Now, Manu Archeo, Mushrooms Project and Ocean Moon + CD with 6 previously unreleased Original songs + Insert.

For the latest essential offering from Archeo Recordings, Infradisco harness the power of the Po, serving a six-part suite inspired by the life giving power and natural beauty of water. An immersive journey through balmy downbeat, Balearic melancholy, smooth jazz and subtle house, the ‘Aqua Cheta’ CD comes accompanied by a diverse 12" of remixes from Hear & Now, label head Manu Archeo, Mushrooms Project and Ocean Moon. Album opener “Caduca” evokes the energy of an Umbrian waterfall, its spheric bassline growing ever more acidic before falling away as focus shifts onto the misty pads and plangent guitar.

The gentle bossa rhythm of “Dulcis” transports us to the confluence of the Rio Negro and the Amazon, where a snaking bassline underpins beguiling horns and subtle Sade-sque chords progressions. On “Fluminea”, the trio return to the heart of Reggio Emilia, following the fluctuation of the river Po, which runs past their studio, in an exquisite example of tension and release. Awash with emotion, both via the piano and redolent woodwind, this heady track intersects melodic house and Balearic trance, prompting horizontal dancing and skyward gazes. The tone shifts through the pensive and propulsive “Marina”, a sax led masterpiece accented with gorgeous acoustic guitar, before the tabla beat and emotive sitar of “Pluvia” add intensity to a slow-flowing piece of progressive house.

The CD closes with the cinematic splendour of “Surgiva”, an expansive ambient composition which sees delay-drenched fretwork tug at our heartstrings.

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21,43
ADMNTi - Vibrations EP

Admnti

Vibrations EP

12inchFUSE056
Fuse London
20.02.2024

Early DJ Support: Marco Carola, Jamie Jones, Chris Stussy, Seth Troxler, Brawther, Raresh, Joseph Capriati, Laurent Garnier, Samuel Deep, Saoirse, Janeret, Richy Ahmed


UK talent ADMNTi makes his FUSE debut and opens the label’s 2024 schedule with ‘Vibrations’, featuring a remix from Vigenere boss Malin Genie. Whether serving up his take on minimal-leaning house across a wealth of the capital’s key venues, or front-left on the dancefloor himself, London’s ADMNTi has been shaping a sound and curating his ear for years to become one of the city’s most well respected emerging tastemakers. A regular at FUSE over the years, with his sound palette harnessing his roots within the city, his releases on Dansu Discs, Beeyou Records and Caposile Music have seen him rack up love from the likes of Petre Inspirescu, Raresh and Voigtmann alongside mentor Enzo Siragusa. And it’s Siragusa who now welcomes him to his iconic FUSE imprint for the very first time as he makes his longawaited label debut to open the 2024 schedule with four originals across his ‘Vibrations’ EP - with Mandar favourite Malin Genie also joining the package on remix duties. Skippy and armed with a menacing bassline at its core, ‘Vibrations’ brings the heat from the off as slinking percussion warps around hazy pads for a lively opener, while ‘Infinite Function’ brings a paired-back and tumbling groove full of squelchy interludes, bright electronics, resonant organ melodies and subtle chords. On the flip, B1 ‘Original Sin’ is a spacey and cosmic trip into acid-tinged soundscapes, before Malin Genie’s remix of the title cut brings a funk-fuelled and deep dive into the early morning hours as he crafts a slinking groove that captures the imagination instantly.

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13,87
Jhobei - Slink ‘N Slide

Jhobei

Slink ‘N Slide

12inchUTS14V
Up The Stuss
10.10.2023

At the helm of a collective immersed in London’s underground house landscape, Bizarre Traxx co-founder Jhobei is keeping things moving in his own unique way, shaping and crafting a sound to call his own. Releasing on labels like Mindhelment, Picnic and Mood Waves while stepping out as 1/3 of trio Felon5, he marries warping and heady territories with loose, spacey spheres, creating immersive trips for all hours of the night. Here he delves deeper once more, landing on Up The Stuss for the first time with his playfully titled ‘Slink ‘N Slide’ EP.

The title cut launches straight into the action and showcases his sound perfectly, harnessing squiggly synths, driving low-end grooves and sweeping astral sonics to unveil a cosmic ride through rich textures. Expect the same depth and unpredictable twists and turns across the EP as he draws for influences spanning those early golden years of tech house through to minimal and hazy late-night electronic realms. As debuts go, this one is stacked with treats and musical goodness from top to bottom - no surprise they’ve been go-to cuts for those deeper moments from the label boss!

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16,18
Rich NxT & Childe - Brakelights

Rich Nxt&Childe

Brakelights

12inchFUSE051
Fuse London
08.03.2023

FUSE welcomes back core family member Rich NxT as he partners with Childe for ‘Brakelights’.

One of the original FUSE residents and a cornerstone of the collective’s ever-evolving sound, Rich NxT remains one of the scene’s favourites as he continues to push his trademark low-end heavy sound and represent his home city on a global level. An ever-present name on the label, delivering a wealth of solo and collaborative EPs alongside artists such as East End Dubs, Seb Zito and head honcho Enzo Siragusa, he returns for his first outing on the label this year - joining with Childe for the hypnotic and heady sonics of ‘Brakelights’.

A trippy cut merging warping vocals with sweeping synths and snaking bass patterns, ‘Brakelight’ showcases a hazy after-hours production as the two artists take things deep into the night. The EP also comes loaded with two further interpretations, with the ‘Dub’ leaning deep into the music and emphasising the track’s wicked acid-flecked baseline, while the ‘Club Mix’ raises the energy levels to harness the hooky vocal snippets and journey to the heart of the dancefloor.

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13,87
ROCKART - HOUSE

Rockart

HOUSE

12inchSF12
Sharp Flat
25.01.2023
 
2

Mystical, minimal house offering hailing from South Africa in the mid-2000s courtesy of Cape Town indie labels Sharp-Flat and Roastin' Records.

RockArt was a hybrid-electro performance art project that emerged during a golden age for electronic music in the Cape, the post-Y2K scene spurred by the maverick African Dope record label that marked the rise of cult outsiders Felix Laband and Tudor Watkins Jones. Harnessing the combined powers of seasoned jazz musicians Hilton Schilder and Alex van Heerden, RockArt cooked up a signature futurist formula laced with musical bows and voice samples that was unmistakably indigenous. Intended as a companion to the group's Future Cape album of 2006, House was conceived as a long-form soundscape of tribal electronica that could stand alone on its own merits but also provide a backdrop for live instrumental improvisation. The project was shelved following the untimely death of Alex van Heerden in 2009 but emerges from Hilton Schilder's archive as a reminder of the duo's profound collaborative alchemy.

Running at 28 minutes over two sides of 12-inch maxi cut at 45RPM, House is available as a boutique vinyl offering with a psychedelic art sleeve pressed in a first edition of 300 copies.

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12,19
µ-Ziq - Hello LP

Μ-Ziq

Hello LP

12inchZIQ447
Planet Mu Records
07.11.2022

Planet Mu owner Mike Paradinas (a.k.a. µ-Ziq) wraps up 2022 with his 3rd release of new material this year. ‘Hello’ is the mirror image of the ‘Goodbye EP’. The intensity is heightened, the breaks more manic and melodies inhabit every corner. The material is the final chapter of the ‘Magic Pony Ride’ material and even includes another version of that track. 'Iggy’s Song’ has a slowed down sample of Mike’s son screaming, ‘Ávila’ is an ode to his father’s hometown in Spain and ‘Green Chaos’ even includes a nod to RP Boo. On Side B things get more interesting. ‘Pyramidal Mind Dispersion’ slows things down while amping up the tension, Modulating Angel is at drum & bass tempo but with a choir of angels from hell in the background, while the final two tracks recall the experimentation and melodies of Lunatic Harness.

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18,91
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