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Der Dritte Raum kehrt mit einem neuen Album ins Harthouse zurück: Hypnotischer Techno, abgefahrene SynthesizerReisen, verspieltes Sequencing und eine hochmusikalische Interpretation elektronischer Tanzmusik. Mit einer einzigartigen Mischung aus analoger Wärme und futuristischer Präzision erkundet dieses Album die Welt unterbewusster Muster, Traumlogik und körperbewegender Rhythmen. Einfallsreich und gleichzeitig clubtauglich erzählt Replacement Dreams eine Geschichte von Bewegung, Introspektion und klanglicher Transformation. Minimalistisch in der Form und doch reich an Klangtexturen, verbindet das Album mechanische Struktur mit traumhafter Abstraktion. Replacement Dreams ist ein konsequentes Techno-Statement. Dieses Album ist eine unerbittliche Reise durch hypnotisches Sequencing, präzise Drum-Programmierung und die unverwechselbare Wärme und Härte analoger Synthese – geschaffen für die dunkleren, intensiveren Momente der Nacht.

Der Dritte Raum kehrt mit einem neuen Album ins Harthouse zurück: Hypnotischer Techno, abgefahrene SynthesizerReisen, verspieltes Sequencing und eine hochmusikalische Interpretation elektronischer Tanzmusik. Mit einer einzigartigen Mischung aus analoger Wärme und futuristischer Präzision erkundet dieses Album die Welt unterbewusster Muster, Traumlogik und körperbewegender Rhythmen. Einfallsreich und gleichzeitig clubtauglich erzählt Replacement Dreams eine Geschichte von Bewegung, Introspektion und klanglicher Transformation. Minimalistisch in der Form und doch reich an Klangtexturen, verbindet das Album mechanische Struktur mit traumhafter Abstraktion. Replacement Dreams ist ein konsequentes Techno-Statement. Dieses Album ist eine unerbittliche Reise durch hypnotisches Sequencing, präzise Drum-Programmierung und die unverwechselbare Wärme und Härte analoger Synthese – geschaffen für die dunkleren, intensiveren Momente der Nacht.

d B2. Temple of Euphoria [(Vinyl Mix) (06:31)




[d] B2 | Temple of Euphoria [(Vinyl Mix) (06 31)

That time of the year has arrived! The next Various Artists is the prefect blend between old and new generations, including 2 new addition to the label and 2 familiar faces.

Opening the EP is MikeroBenics with “Julika (Original Mix)”. This track was officially released in 1994 on Harthouse and through the years on other labels in different versions. The version we are publishing has never seen the light before today. A deep melancholy trance journey characterised by driving acid lines and club-oriented rhythms. Followed by the return of Noboot with “Drive Control”. Made in 2022, this track bring us back to the sound of his first release. An immersive electro-acid track with a 303 melody that moves with punchy rhythms, letting our bodies move and our brains fly.

On the B side, Periferico is back with a new production made in 2021. “2804 A DEF12MIX” is an engaging journey into Livio progressive house world. Closing the VA, we welcome our dear friend CRL with “Breathe”. Composed in 2024 while trying new techniques and samples, characterised by its ethereal pads and a slow unfolding vortex of acid bassline, brings the minds into a deeper conscious state.

Bleep's, Break's + Art is a new series from Under The Radar and run together by label owner JDSK and artist Dawl. As the name suggest's this series it is all about Bleep's, Break's and Art. It features 4 Tracks on each release and carrying all the Dawl trademarks of dance floor bombs! Each bash comes in releases of 3 and with a unique graffiti artist for each release. For the first bash we have a girl from the south of Sweden in Malmo that goes under the name Bird that started out in the mid 90's doing some Artwork paintings for Harthouse etc. Limited copies..

Bleep's, Break's + Art is a new series from Under The Radar and run together by label owner JDSK and artist Dawl. As the name suggest's this series it is all about Bleep's, Break's and Art. It features 4 Tracks on each release and carrying all the Dawl trademarks of dance floor bombs! Each bash comes in releases of 3 and with a unique graffiti artist for each release. For the first bash we have a girl from the south of Sweden in Malmo that goes under the name Bird that started out in the mid 90's doing some Artwork paintings for Harthouse etc. Limited copies..

Bleep's, Break's + Art is a new series from Under The Radar and run together by label owner JDSK and artist Dawl. As the name suggest's this series it is all about Bleep's, Break's and Art. It features 4 Tracks on each release and carrying all the Dawl trademarks of dance floor bombs! Each bash comes in releases of 3 and with a unique graffiti artist for each release. For the first bash we have a girl from the south of Sweden in Malmo that goes under the name Bird that started out in the mid 90's doing some Artwork paintings for Harthouse etc. Limited copies..

Mysticisms continues its global search for amazing music, hitting gold again with an EP of four previously unreleased house meets IDM with a dreamy edges by Romania's HAN aka Dan Handrabur, culled from early studio recordings between 1991-95.

After getting into record store culture he began building a studio and eventually gave up studying in favour of production, relocated to Vancouver, Canada, where his debut release (as X Drone with Adham Shaikh in 1993) began to establish Handrabur's role as an integral part its electronic scene. Appearances with Harthouse, Exist Dance, Eye Q Records and many more followed, plus collaborations with the legendary Phil Western. The four tracks here haven't aged at all, with nimble beats, action-packed arrangements and dreamy atmospheres, 'Give In & Resist' coming on like Rising High-era Mixmaster Morris crossed with the playfulness of Air Liquide, and 'Phantasme' revelling in the same cross-rhythmic fun that informed The Black Dog's classics.

Clear Vinyl

Freddy Fresh is a legend. Period. From a plethora of 12“es on labels like Nu Groove, Drop Bass Network, Forced Nostalgia, Spaziotempo, Lone Romantic or Toolbox Killers to albums on 90s scene mainstays like Harthouse, Anodyne or Eye Q to countless releases on his own imprints like Howlin Records, Analog Records USA and Electric Music Foundation. From remixes for the likes of GusGus, Heaven 17, Kitachi, Steve Stoll, Frankie Bones and many more to hitting the UK Top 40 with the massive BigBeat smasher „Badder Badder Schwing“
produced alongside Fatboy Slim. The man has done it all. Nearly.
And therefore Intrauterin Recordings is proud to present the first ever Drum'n'Bass release in the more than 30 year spanning career of the one and only Freddy Fresh!
With „333“ Freddy Fresh is going down a twisted, hard stepping and yet positive alley of what the man himself refers to as Modular Drum'n'Bass that is unmistakably cooked up live and direct in his Minneapolis-based studio. Expect a whirlwind of swirls, swooshes, bleeps and FX alongside raw junglistic beats and the most positive Synth bass motif you've heard in a long while.
Yet the singles' main dancefloor smash is to be found on the flip side. „Watch It Go Roun Roun“ is a raw classic, a heavy original JumpUp banger driven by a killer vocal performance by Mike Gates a.k.a. Mikey Dredd. Likely better known to many for his Techno productions on labels like Kanzleramt, Creation Rebel or Howlin Records rather than for his MC skills this is the very first time Mikey Dredd's secret love for taking up the microphone as a proper Jungle / Drum'n'Bass MC is officially recognized and revealed on wax as a late tribute to and
honoration of a large scale talent which passed away way too soon in 2019. Lighter crew!
Initial pressing will be limited to 225 copies on 7“ whitelabel vinyl. Hand-stamped with stickered cover.


b B1: Watch It Go Roun Roun featuring Mikey Dredd

10"

HOUSEWAX presents Kolja Gerstenberg - Jizzle Jam. This release is a fantastic debut for Kolja on the 10 inch series! His passion for electronic music is part of a Gerstenberg family tradition. Breast-fed Rhythm & Grooves galore. Kolja's dad was touring with legendary Trance live act „Afrotrance“ during the early 1990s, releasing on R&S, Harthouse, etc. Guess what: he was the percussionist, drumming up legendary clubs like „Dorian Gray“ or OMEN in Frankfurt.

Electric Rescue, one of the made-in-France masterpieces of the electronic music and also REX CLUB Resident with his 'skryptom' label is making his debut on Rex Club Music with this 'Melancholic Enchantment' ep. With 3 albums and many ep's on labels like Bedrock, Cocoon Harthouse, Virgo etc to name the essential, Electric Rescue has proved since his debut, 25 years ago, his experience and skills as a confirmed artist in the techno scene.With this new release, 'Melancholic enchantment' Electric Rescue is bringing you to a mindtrip excursions.
Melancholic enchantment & Pavdo, enchant you and carry away in a hypnotic furrow, full of moody and atmospheric sounds. "Subway", in a harder style than the previous ones, with his saturated dub chords mixed with chattered hihat, is an unstoppable hit for big rooms that smiled to make its effect.
And what an honor to entrust to the excellent French producer, Marcelus, to remix PAVDO.
This prominent producer has already appeared on labels like Deeply Rooted, Tresor or Singular Records his label. Also resident for the Tresor in Berlin, Marcelus is a complete artist, excellent DJ, he is also a genie producer with a unique Paw , that you can find in this Pavdo remix.
It takes t he original in deeper and mental regions, with Bell textures and jumbled perc sounding like a ghost train in action. It's definitely a peak time weapon designed for plenty of destruction.

2015 ist das Jahr des neuen Albums von Alex Bau, das Ende April seine Definition von modernem, intelligentem Techno mit einem düsteren und zugleich auch organischem Touch präzise definiert. Ein klares Bekenntnis zum Sound. Frei von Hochglanz-Bildern und ablenkenden Elementen kommt dies Album mit Techno in seiner unverfälschten, puren Form mit einem einzigen Fokus: die Musik selbst!

Nach 5 Jahren quasi überfällig ist es definitiv an der Zeit, daß einer der am meisten für ihren Sound respektierten Technoproduzenten nach mehr als 100 Produktionen und Remixes auf szenerelevanten Labels wie Chris Liebing`s "CLR", Techniasia`s "SINO", dem englischen Technoaushängeschild "Sleaze Records", dem legendären Harthouse oder auch kürzlich auf Sven Väth`s "Cocoon Recordings" nun erneut ein Techno-Statement in Form eines Full-Length-Albums zu setzen.

Und genau hierfür kam nur eine Plattform in Frage: Alex` eigenes Label "Credo", das vor allem in den letzten beiden Jahren mit seinen eindrucksvollen Releasaes mehr als durchgestartet ist.

2015 will see alex baus new album 'musick' to be released end of april showcasing his definition of slightly dark shaded, organic sounding and intelligent modern techno. A clear statement, free of hi-res artistpics or diverting elements, just the music in a very pure and straight way.

after 5 years it seems to be more than overdue that one of the most respected producers throughout the technoworld delivers a new full-length album after far more than 100 productions and remixes on well established labels like chris liebing`s clr, technasia`s sino, uk top notch label sleaze records, legendary harthouse or most recently also synewave and sven väth`s cocoon recordings.

anyway... it was clear that there just one spot on the label-landscape for his new longplayer: credo, his very own label which was kind of outperforming throughout the last year.