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SOPHIE’s ‘OOH’ and ‘GET HIGHER’ are now available as a double A-side 12" vinyl. This release follows the single-series packaging format used for the other singles from PRODUCT: one track and slide image per side, black vinyl in a black inner sleeve, screen-printed with a white SOPHIE logo housed in a clear archive bag.

Earlier in 2025, Numbers marked 10 years since SOPHIE’s game-changing singles collection PRODUCT, with a special edition featuring 11 songs across Deluxe Vinyl and Compact Disc.

SOPHIE classics ‘BIPP’, ‘LEMONADE’ and ‘VYZEE’ were joined by two immaculate PRODUCT-era songs ‘OOH’ and ‘GET HIGHER’ recorded and produced at the time, each with colourful single artwork completing the set.

‘OOH’ is one of SOPHIE's earliest productions that has been through several revisions since 2011. It was one of three original tracks that Numbers had signed when SOPHIE uploaded the song alongside 'BIPP' and 'ELLE' to her Soundcloud, and while it had been through several iterations and speed changes, this finalised version was completed by SOPHIE in 2019.

SOPHIE once described ‘OOH’ as “hi tech club dance pop”. Musically speaking, the earworm hook is carved out by her signature portamento-infused synths and candy-coated lyrics, a firm cult classic approved by AG Cook and Charli XCX. Initially titled 'MAKE RESPECT', the track was first performed live by SOPHIE in 2011 to a handful of lucky people at a beach afterparty surrounding Sonar Festival, Barcelona and later that year at Manhattan's New Museum. The vocal was recorded as the first track in the same one-day recording session as SOPHIE's debut single 'NOTHING MORE TO SAY', released on the Huntley & Palmers label, where Sophie's songwriting was performed by the London vocalist Jaide Green.

The genesis of the ‘OOH’ and ‘NOTHING MORE TO SAY’ recording session is lore-worthy in its own right: after watching Jaide Green perform live with Olly Murs during the sixth series of The X Factor in 2009, SOPHIE reached out and invited Jaide to record in her home bedroom studio.

‘GET HIGHER’ was born during joyous sessions in 2013, when SOPHIE’s beat was introduced to the vocalists Cassie Davis and Sean Mullins. The track feels like a visionary precursor to ‘Vroom Vroom’, and doesn't sound out of place next to the sub-clang intensity of SOPHIE’s ‘HARD’ and ‘MSMSMSM’. Striking a playful balance between blissed-out hyperpop and club-ready Atlanta trap, it showcases SOPHIE’s signature, laser sharp sound design. Originally released as a bonus track on the Japanese CD edition of PRODUCT, ‘GET HIGHER’ has remained a hidden gem.

• Digital download card

(limited white vinyl) Sander Kleinenberg's iconic "My Lexicon" returns on limited edition white vinyl, featuring the timeless Original Mix and Helsloot's fresh, modern rework. A pivotal track in progressive house history, now pressed for collectors and dancefloor devotees alike.

Housewives, househusbands, ladies, gentlemen, and everyone in between… Avril A is ready for relaunch.

A - V - R - I - L

Never released Hi-NRG, synth-pop, wonky rock n' roll from a queer Manchester underground icon of the 80s and 90s.

By day, Avril Eventhal was a housewife in North Manchester's Orthodox Jewish community. By night, she was the fabulous Avril A, a larger than life cabaret performer who found a loyal audience in gay venues across the country and was adored for her outrageous live shows.

With her signature leopard print dress and feather duster in hand she delivered an unforgettable song and dance routine - as it was billed, “an audio-visual assault on the audience”.

She celebrated her unconventional style, finding joy and space for creative reinvention with the queer community.

Avril died in 2017, leaving behind a massive archive of material documenting every aspect of her career in songwriting and performance. For two years, Memory Dance has been working with Avril's niece and family on a digitisation and restoration project bringing these audio recordings back to life.

Luke Hess invites four artists to reimagine his latest ARKEO album on DeepLabs, each bringing their own unique perspective to the label’s sound.
Handpicked for their shared friendship, history, and the lasting impact of their music in his DJ sets, every contributor delivers a remix that resonates with authenticity and depth.
Together, these tracks form a cohesive body of work that captures the essence of DeepLabs and the timeless spirit of Detroit techno.

For our next physical release, FERMA welcomes back home one of the individuals running the project, Romphea. As a co-founder, he has long shaped the label’s uncompromising DIY ethos—placing experimentation, raw energy, and community at the heart of its vision. After releasing in a series of acclaimed platforms, the forward-thinking DJ and producer from Vyronas, Athens returns to vinyl with a genre-defying release. Building on the experimental pulse and reshaping the edge between electro, breaks and techno, Romphea continues that trajectory, weaving together tense polyrhythms, warped melodic fragments, and cavernous spaces.

This release features four, plus three digital bonus original tracks, aiming to provide a clear sound identity for the artist. The A-side opens with “Calls from Salem”, a dystopian slow burner that sets the tone with broken-beat percussion and dissonant synth stabs. “Steel Chair” surges forward with unrelenting force, propelled by serrated arpeggios and a barrage of fragmented vocals that rise and fall within the space, crafted for peak-time eruption.

Flipping to the B-side, “Paid Dividends” reaches full intensity, layering hammering kicks and percussion, while the low end rumbles with tectonic weight, amplifying the energy to fever pitch. Closing the record on a more contemplative note, “We Are The Universe” slows the pace, easing the tension and drifting into deeper territory. Echoing chords drift into space, layered with fragile percussive details and low, throbbing pulses. It’s a meditation on collapse and renewal, offering a moment of breath after the storm.

Straight from the source, defying the norms, devoted to the art. Do not sleep.

Presenting this limited edition 300 picture disc vinyl on Warehouse Manifesto from label boss GAMADON with the original sci-fi inspired Daleks In The Dancehall and five excellent remixes by Kafkactrl, C-System, Code Rising, Robodrum and EKATA. The style of tracks vary considerably and encompass a variety of Techno and Electro infused influences - all with a heavy punch and sure to get you moving on the dancefloor. This is part two of a three part series from GAMADON with remixes from some of the best in the business.

Delirium Records re-issues the high demanded record by Two On Acid aka Jörg Henze & Steve Stoll from 1995!!!

Test Pilot is the second solo album by Michael Zodorozny, post-punk icon and founding member of Crash Course in Science. On Test Pilot, he continues to explore his personal and poetic interpretation of the post-punk, new wave and no wave sound. Homemade and self-invented instruments complete his specific, extraordinary style that leans towards EBM and thrusting electro. After contributing to the latest Celldod album, the Swedish master of dark synths returns the favour here on the track Higher. Test Pilot was produced by Matia Simovich aka INHALT, and Michael Zodorozny himself painted and designed the cover art.

Following a number of more vocal-led releases, French deep house don Franck Roger returns to his tracky house roots with this latest drop on Seasons Limited. Kicking off is 'Mind Games', a swirling, peak-time house seducer built for late night floors and on the flip, 'I Can Feel Ur Love' stays deep but has a subtle skip to the kicks, while molten chords are draped over the beats and subtle vocal swirls marble the mood. 'Gerkin Moods' pays tribute to the legend Larry Heard, not just in title. It's got real emotional depth and a deeply cosmic atmosphere.

Quartz is a respected drum & bass head with a precise and minimalist - but always cinematic - production style and that's clear again on this new one for Droogs. The A-side features solo cut 'Duplicity', which is a stark and electrifying trip into drum & bass darkness with tight basslines and subtle shifts that prove less is more. The B-side, 'Black Prism,' sees Quartz team up with Overlook for a throwback to raw 90s techstep and all the tight but manic breakbeat action that comes with it. It's a tune of unrelenting tension that resolves into an unexpectedly serene close. Sophisticated stuff from all.

Lay Down The Groove returns with their first release in four years — and it marks a milestone. ChordPlay is the debut full- length album by the label heads, following their 2021 EP Pursuit of Sound.

Spanning seven tracks, the album captures a period of personal and artistic growth for the duo. Written and recorded across multiple studios and seasons over the past years, it flows effortlessly through tempos and moods while staying rooted in the pair’s emotive, synth-forward identity.

With a shift toward higher BPMs and more club-oriented energy — without losing the warmth and musicality that define the LDG sound dPlay signals a new chapter in the Lay Down The Groove story. Influenced by the rich legacies of Detroit and Chicago, the record features hardware-driven textures shaped by the Juno 6, SH-101, Prophet 8, Analog Rytm and MicroKorg.

Rooted in rhythm and feeling, ChordPlay captures Lay Down The Groove in evolution — looking forward while honouring their foundations.

Deeppa Record is turning five with a superb two-part compilation, and this second half dives into deeper waters than the first. It comes from a mix of both longtime contributors and contemporary artists whose evolving sounds inspire the label's direction today. Lars Behrenroth remix kick off with a tender and vulnerable deep house sound and Christophe Salin's gets more physical but no less gooey with its lush pads and rubbery kicks. Elsewhere, Thierry Tomas layers up lush r&b vocals and warming synth hues, Darryl Baalki brings jazzy expression to his fulsome house grooves and Eloi's 'Take Your Time' is a dusty closer laced up with lovely pianos. This is house for mature dance floors.

Turbo Recordings is proud to present the revival of German techno giant Gregor Tresher’s Sniper Mode alias with the Riot Gear LP. We have been promised that this release will usher in a Golden Age of Electro in which we will serve at the right hand of the Lord for a starting annual salary of €43,000. Not bad.

Riot Gear showcases Tresher’s established production genius over 11 cuts of S-tier electro marked by menace, depth, and sharp melodic hooks. Lead single “Blinded by the Dark” is a collaboration with Dave Clarke, the most respected man in electro and perhaps just in general, and features the most punishing drop in recent memory. The album also includes standout vocal contributions from Detroit techno pioneer Jay Denham (“Sanctuary of Vices”), Miami Bass kingpin Exzakt (“Echoes From a Wasted Land”), dance-world enigma Kira (“Phantom Pain”), and Turbo favorite Perel (“Modesty Is a Virtue”). We would argue that this album represents a landmark achievement in the genre, which you have to admit would reflect pretty well on us as a label.

It is not every day that Turbo Recordings embraces the responsibility of husbanding a full-album release, and you should know that it comes as a cost. The additional listening time, track title typing, and intensive download/upload workload have pushed our dedicated staff of 90 to its breaking point. We have a lot going on over here.

Third outing here from Benedict following two incredibly well-received debuts
His familiar sound palette is in place across these four cuts, stripped down, classic, driving House music with hooks for days...

Get to know.

Hot 10” vinyl repress limited to 100 copies. Burning Up / Becoming Cyclonic from Jimpster, circa 2018. It’s Minimal, a bit twisted, but hooky as hell.

These will fly. Grab them whilst you can!

All art carries politics, even when it dreams. This album imagines a utopian offshoot of Detroit techno where rhythm grows wild beyond the grind of so-called "business techno." Longtime Kimochi Sound ally SW. continues to carve his own path in that regard, having evolved from early UD remixes to his acclaimed 2020 solo release. Here he merges heady atmosphere with crooked retro-futurist grooves to build worlds that falter between optimism and unease. It's partly surreal, partly idealistic, fully immersive and evocative techno from another dimension.

Eddie C's Disko Universal continues its run of deep and diverse releases with 'A New Chapter' EP from Southside Chicago legend Ellery Cowles and Austin up-and-comer Open Soul...

Ellery Cowles lives House Music. He's rocked it with Lil Louis, Roy Davis Jr, Steve Poindexter and the Chicago Bad Boys.
Here we dive straight into Midwest territory - raw machine funk, smoky house grooves, and the kind of no-nonsense acid you'd expect from someone with DJAX and Cajual credentials.

Timeless, floor-ready material from true craftsmen - deep groove, no filler.
Sounds like the kind of record you'd pull from a beat-up crate in a corner of Detroit Threads and never put back.

The Mighty Ryeders' rare groove classic Help Us Spread the Message has been remastered and reissued here because it forever remains a favourite with DJs and dancers. It's a timeless soul and funk blend with many a standout jams, not least 'Evil Vibrations,' a super cool and breezy groove famously sampled by De La Soul in 'A Roller Skating Jam Named Saturdays' and later covered by The Rebirth. Alongside funk staples like the aching beauty of 'Help Us Spread The Message' and the collector-favourite 'Let There Be Peace' the album blends rich horns, clavinet and deep grooves with great songwriting and vocal harmonies. Do not sleep on this masterpiece of funk.

Cody 'Coflo' Ferreira is hyped right now, and for all the right reasons. Spinning all over the world and producing killer tunes on all the right labels (including Local Talk).
But we think he is at his very best when he goes in the studio with US vocalist Lee Wilson. Even though they delivered some great tunes in the past, we can honestly say that this is the best one by far...yet.
The track 'We Can Make It' comes in two versions, one "soulful mix" for all the garage heads, and on the flip, there's a darker and more electronic mix (but still loaded with soul).