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repressed !

Stuart Patterson - Giant / Faith

Limited Grey Vinyl Pressing
MOTON RECORDS INC strike back with another very tasty 3 track gem that will please everyone indeed- my fav is catsup which will be getting an airing on my radioshow


Leo Elstob
Moton back to burn with a long term LEO ZERO fave spin in the HOMO edit. 10/10


Absolute heavyweight 3 tracker from the Moton crew. They go dark, they go deep and the go sleazy. Outrageous modern dance for the true heads!" Ashley Beedle

Another killer 3 track from Moton where they do things different !
Peak time, looped up & fully charged - Dim (love the outro)
Furious strumming 80's Punk House - Homo (my fav right now)
& smooth out class - Catsup
Will be getting hammered as of now :)
Damian Charles - Pointblank.fm

Yellow Tape 2 is the follow-up to Key Glock's 2020 debut album, Yellow Tape, and like it's predecessor, remains distinctly featureless. The album showcases Glock, at times alongside his alter ego, Glizock, floating over trap-heavy production with the authentic tone his fans have come to know. Featuring the singles, "Toolie," "Ambition for Cash," & "Da Truth," the album sees production from Tay Keith, Juicy J, Sosa 808, Budda Bless and more.

Señor Sapo is a character created based on the Mesoamerican deity Quetzalcoatl:

while capturing Sr. Sapo atop The Pyramid of the Sun at Teotihuacan
in The Valley of Mexico; dawn…

Augie Robles (the photographer) spotted an elementary school class of around 25 children with two teachers suddenly appear scaling the momentous stair case behind our subject!

They shouted;

“Sr. Sapo! Sr. Sapo!”
the name has stuck! they wanted to have their pictures taken with Sr. Sapo? however; they did not want to touch him as they thought his skin might be “viscoso” or “slimy”?

“Q’uq’umatz” (as it is known amongst the K’iche’ Maya) goes back to the Olmec culture and represents the duality of flight to reach the skies; whereas the reptilian (in most cases a snake) represents the ability to mingle amongst other creatures of the Earth;
Among the Aztecs he was related to the gods of wind; of the dawn; of merchants and arts; crafts; knowledge and the planet Venus: as well as their patron god of the priesthood…

THE FUTURE S0UND 0f YESTERDAY is as well a construct of the imagination; a fictitious “orchestra” with many imaginary characters; KENT CHESTERFiElD; LEE NAilZ; PHATTITUDE; EPiPHANY TALEUR; ThE ClARKETTES (they actually exist in the “real” world)…

The titles:
“0de to A Tree”;
is the culmination of a night out in Berlin; “…met a young man in a bar close to the “atelier”; he said he wanted to play something on a piano; we go to the place and he plays this melody over a rhythm though not in rhythm?
…basically edited none of it; then used a series of tone generators and filters to change the sound into all the soundscapes you hear in the final piece; the title was simply a tribute to the trees…” Eric D. Clark

“is it good for Ya’?”;
is a slow pumping House song with a message in the form of a question; “is it good for you?” as in “I could do it; however; should I? you know; look in a mirror and ask the question”…
the Music came about as an experiment at NADEL EiNS Studio in Berlin; Heavy bass at around 116bpm plus Erix’s cheeky vocal stylings weaving in & out of frame (as well key) deliver a unique aural experience!

the final track:
“Elsewhere playback”
is literally the playback of a track Eric did under the guise of KENT CHESTERFIELD for a party series he did in Sacramento CA with AJ Sachs…
it’s really just a tool; the good thing is you can drop -8 (or -16 assuming your tables are tuned) to bring it to a tempo one could easily rap over OR push it up to +8 and have a dry Tech number? Either way it BANGS! Dub Plates & Mastering did a swell job!!

overall a must for any Dance Music aficionado’s collection out on October 10th on SHADDOCK RECORDS !

King of Memphis is the debut studio album from Young Dolph. The self-proclaimed “King of Memphis” and Paper Route EMPIRE founder defined the independent hustle and set the industry and streets ablaze throughout his career. The album features the massive single, “Get Paid,” and standout hits such as “Fuck It,” & “Royalty.” Free of any features, King of Memphis puts the full spotlight on Dolph and features production from heavyweight producers such as Mike Will Made It, TM88, Zaytoven, Nard & B, and Drumma Boy, among others. While his life was ultimately cut short, the influence and impact of Dolph’s legacy will live on forever. Long Live Dolph.

Epischer Metal kollidiert mit Folk und NWOBHM in einem Album voller Fantasie und Allegorie! Das Debütalbum der zypriotischen Heavy-Metal-Band Receiver ist ein von Melodien dominiertes Abenteuer! Receiver haben es sich zur Aufgabe gemacht, reinen, schweren, epischen Metal mit einer Portion Folk-Einflüssen zu liefern. Die Band ehrt Legenden wie Iron Maiden, Warlord, Manilla Road, Omen, Black Sabbath, Dio, Heaven's Gate, Riot, Savatage und Saracen, aber auch die traditionelle Musik der Insel Zypern und Folk aus aller Welt wie The Dubliners und Sandy Denny. Diese einzigartige Mischung hat in Receivers lang erwartetem Debütalbum 'Whispers of Lore' seinen Höhepunkt gefunden. Textlich thematisiert die Band die Übel der Menschheit: soziale Ungerechtigkeit, Imperialismus und die schändliche Erniedrigung des menschlichen Zustands, die Krieg ist. Durch Fantasie und Allegorie drücken Receiver diese Bedenken aus und begibt sich auf eine Reise voller Schlachten und Überlieferungen.

Rock Hard:
"...RECEIVER mögen mit ihrem Debüt vielleicht noch nicht in der Oberliga spielen, sind aber auf einem guten Weg dahin. (Ich finde das in seinem Bereich bereits Champions League - wunderschöne Platte!"

Southern Exposure is proud to present the debut solo EP from Mike Midnight. Angel Hours was originally self-released digitally but has been lovingly pressed on heavyweight vinyl for the first time with design from Jeffrey Annert.

Angel Hours current rise felt like it was imminent from the first listen, with contributions from Noa (Voice Actor/Stroom) and 3NDLES5 (Low Life). Mike’s production across the release feels akin to 90’s artists like I:Cube, Thievery Corporation or certain Weatherall moments. The heavenly references are well deserved with multiple moments on the release feeling truly divine, whilst others take a low-lit and alluring feel. Mike Midnight feels singular in the Australian music landscape, like a mix between the best parts of Paul Mac, Single Gun Theory and Ian Eccles-Smith.

Angel Hours continues the lineage of Australian music breaking through to international recognition with the release becoming a mainstay on NTS Radio, breakfast show host Flo Dill dubbing it “music that when listened to at night makes you feel unstoppable.” Remastered by Corey Kikos (Sleep D/Butter Sessions), the balance of each track of downtempo bliss feels like you’re not only unstoppable but weightless.

Big thank you to Theodore, Mitch, Jeff, Mon, Noa, my friends, family and all the collaborators for their continued patience and support.

Yellow/Green Marbled Vinyl

* From Karma Recordings comes their fourteenth EP. I can hardly believe it myself as I type this but yes, Karma Recordings is up to 014. On remix duties this time around is the very talented Dope Ammo. Fusing the jungle and drum n bass styles together seemlessly we feel we have another classic in the making with this release. Taking the pianos of DJ KOS’ original Horizons Lost and overlaying some haunting vocals and then slamming into the dnb, this track is not to be missed. Then rolling right on to the second remix on the A side we just had to release on to vinyl the brilliant Sync Dynamix remix. With a style all of his own Sync Dynamix has really done the track justice with rolling breakbeats and a heavy bassline. I was originally going to title this the light and dark EP and then completely forgot while doing the artwork. However, that’s where we went with the double A side. Psycho Boy by DJ Ande is a grimy menacing track sampling the laughter of Tyler Durden from Fight Club and just gets more and more troubled all the way through. Sinister, scary and chopped, the perfect track for Halloween. Then we have been delighted to bring back the hardware talents of Dertie Bassett, always a bit dark but absolutely superb. All four tracks will take you on a journey from light to dark.

Nach über 10 Jahren Funkstille und 40 Jahren Bandgeschichte veröffentlicht die Schweizer Hardrock-Band Rash Panzer im Dezember ihr neues Album “Liberation” auf CD und Vinyl! Gegründet wurde die Band 1979 im schweizerischen Genf und serviert ihren Fans seitdem harte, kraftvolle und handgemachte Rockmusik voll auf die Zwölf.

Nach ihrer Single „Heavy Leaders“ im Jahr 1984 veröffentlichten Rash Panzer 1988 ihre erste EP, „Rock ‚n Roll Street“, die von Dennis Weinreich (Jeff Beck, Procol Harum etc.) produziert wurde. Im folgenden Jahr betourten sie exzessiv die US-amerikanische Ostküste und schafften daraufhin sogar den Sprung in die US-Charts. Zurück in Europa nahmen sie das Album „Rated X“ auf, dieses Mal produziert von Rudy Lenners (Scorpions). Es folgte mit „Wild, Raw and Live“ noch ein Livealbum, ehe es langsam ruhiger um die Band wurde. 2013 dann das umjubelte Rash Panzer Comeback mit dem Album „Back on the Rocks“.

Allerdings dauerte es wieder 10 Jahre bis zu einem erneuten Lebenszeichen –doch hier sind Rash Panzer im Jahr 2023: Lauter, härter und motivierter als jemals zuvor! Das Album „Liberation“ ist ein fettes Ausrufezeichen dafür, dass man für guten Hardrock niemals zu alt ist, egal ob als Musiker oder Fan!

French production duo and live act Atomic moog debuts on the Delsin Cameron series with their Programm EP. Operating in a deep techno niche since 2015 they've put out an excellent run of mesmerizing, introvert dancefloor techno for labels like Lowless, Subosc and Norwegian techno platform Monument. Here on Delsin they crafted the next chapter of their vibrant modular quest, sub heavy and sparkling at the same time, sparsely arranged subtle techno jams.

Decision Paralysis is the first collaboration by Eva Sajanova and Dominik Suchy.

Their music is very minimalist, repetitive, still, the compositions // songs surprisingly evolve over time. The cold synths are beautifully augmented with raw or effected layers of Sajanova's vocal. Of striking prominence is the decision to forgo the use of any beats or percussive elements. The whole album revolves just around vocals, synths, and layers, and the richness they possess enough in themselves.

This goes in line with Suchy's previous work, one of his trademarks being working mostly with melody and harmony, defying a lot of what is going on in contemporary experimental music. In a way, it is a strive to return to classical or pop ????? in her deepest sense; experimental more in the use of sounds, approaches and forms, rather than defying the musical.

The lyrics are exclusively in Slovak, open to interpretation and perhaps leaving the listener unburdened by meaning, enabling them to focus on Sajanova's voice, phrasing, and vocal techniques. They span from child-like repetitive dadaist poems, to heavy existentialist statements on life's inherent beauty yet meaninglessness.

All of it is further supported by the album cover by the Slovak illustrator Martu, blurring the lines between the naive, the beautiful, the natural, synthetic, dark, and glowing. All at the same time.

Luigi Madonna is back on his record label Contempo and continues to showcase the darker and more underground side of his sound with the analogue grooves on this hypnotic release.

This four-track EP blends raw sound design with industrial percussion and modulating synth lines, to create dance floor focused cuts in the style that Luigi Madonna has previously championed via Contempo.

Previous releases on Contempo have also featured tracks and remixes from the likes of JSPR, Alarico, Lobster and Marc Faenger.

"Yakamoz" opens the release with its rumbling bassline tense synths and thrashing hi-hats, before the ominous synth stabs, trippy vocals and brutal percussion of "Hydratonic" take control. "Slow Sigh" has a stripped-back style with murky atmospheric, high-speed rhythms and sinister vocal tones. "Ikigai (Jam Edit)" is an experimental track that closes out the release with its breakbeat rhythms, heavy sub-bass and glitching synth lines.

Contemporary techno legend Marcel Dettmann delivers four(!) remixes for Dutch avant-pop artist Mathilde Nobel's Founds on Land. Nobel's LP for Nous'klaer has been one of the label's most adventurous releases, adding a much needed breath of experimental twisted air to the Dutch pop scene. Dettmann transforms opening track "Bliss" from a guitar heavy walloper into a noise wash, floor-filled techno tool driven by a hypnotic staccato saw tooth arpeggio.

Nobel's album single "I Eat Air" which was dominated by chopped voices and a lullaby-esque bell melody becomes a mesmerizing crescendo in Dettmann's hands, retaining the haunting bells and Mathilde's signature vocal processing. Third track "Nehalennia" goes from the album's heaviest offering to a cinematic, minimal techno, bit-crushed, avant-pop song. While remix closer is a spaced out version of "I Eat Air" omitting all drums in-lieu of more bells and chimes and chops off Nobel's haunting voice.

The 4 remixes from Dutch up and comer in the hands of techno maestro Dettmann is a meaningful pairing illustrating Nobel's adept musical prowess and Dettmann's never ending pulse taking of what the new school are bringing to the table. Text by Gregory Markus.

To celebrate the 25th anniversary of LA the Darkman’s Heist of the Century LP, Coalmine Records has partnered up with the Brooklyn native for a special edition vinyl reissue, marking the first time that the record’s been repressed since its original release. This album is widely regarded as one of the strongest and most underrated releases from a Wu-Tang Clan affiliate, and it’s easy to understand why once you hear its dynamic 18 tracks. The Killer Bee embodies the raw spirit of the Wu while adding his own signature gritty flavor throughout Heist of the Century. He shines whether he’s spitting solo on standouts like “Shine,” “Street Life,” and the title track, and when he’s joined by rap heavyweights like Raekwon, Ghostface Killah, Havoc, and Masta Killah. Rae actually delivers two show-stopping guest performances on”Az the World Turns” and “Spring Water.” The production lineup is just as serious, which boasts credits from the likes of RZA, DJ Muggs, Havoc, 4th Disciple, as well as Carlos “Six July” Broady who produced 10 tracks among others. Whether you were there day one, only started diving into the Wu’s vast discography recently, or somewhere in between, you’d be hard-pressed to find a better representation of their sound than Heist of the Century. “Heist of the Century undeniably continues in the vein of the surrealistic, orchestral sound that branded the Wu-Tang Clan as one of the most revolutionary hip-hop groups of the decade.” MTV.

Nun endlich erstmals auf Vinyl!. Das damalige CD-Doppel-Album mit alternativen Aufnahmen und Demoversionen von Songs aus Sessions zu ihrem Album The Perfect Prescription. SPACEMEN 3 waren für die Wissenden eine der besten Bands der 1980er und die Vorreiter des damals neu aufkommenden Psychedelic-Experimental-Sound. Von ihren frühen Veröffentlichungen bis zu späteren Alben wie "Playing With Fire", ist der wachsende experimentelle Anteil innerhalb ihrer musikalischen Entwicklung eindeutig. "Forged Prescriptions" wurde ungefähr in der Mitte ihres Bestehens veröffentlicht und hört sich genau so an, wie SPACEMEN 3 ihre Arbeit klingen lassen wollten. Das Audio wurde von John Rivers in den Woodbine Studios digital remastered und verteilt sich auf zwei 180g Heavyweight Black LPs um die beste Klangqualität zu gewährleisten. Im Klappcover mit erneuertem Sleeve-Artwork ist diesdefinitiv eine Veröffentlichung für die Sammlung der Spacemen 3-(und Spectrum, Spiritualized, Experimental Audio Research)-Fans.

Nothing in Narciso's (known) background indicated these 10 minutes of tension and release, a soundtrack to some nameless anticipation. Soundtrack, also, to a dance piece on video by choreographer Catarina Miranda produced in 2021.

It is certainly nothing one would expect to hear in one of his regular DJ sets. A long, moody intro appears to chart a difficult journey under heavy clouds, until the drums manifest themselves first as a sort of warning, or preparation, maybe a signal, maybe just warming up for the steady kick drum that follows, a clean 4/4 beat complemented by broken off-rhythms and sparse percussion that seem to run parallel in observation of the main event.

Clouds definitely open up towards the end. Crystalline drops brighten the sonic mood. Quite a unique experiment in Narciso's body of work, undertaken during a period when the DJ and producer, feeling unmotivated, decided to relax from detailed planning and instead allowed himself to flow along with the sounds, expanding possibilities and actually breaking free from previous notions of composition.

Calibro 35 unleash the new OST for the second season of TV series BLANCA, to be released on limited edition LP on December 1st 2023.

Italian cinematic cult outfit CALIBRO 35 announces the release of the ORIGINAL SOUNDTRACK of the second season of BLANCA, the TV series produced by Lux Vide in collaboration with Rai Fiction, broadcast in prime time on Rai 1 starting from Thursday, October 5th 2023 and directed byJan Maria Michelini and Michele Soavi. The soundtrack will be released worldwide on limited edition, crystal clear LP next December 1st via Milan based label Record Kicks.

The new thrilling episodes of Blanca Season 2 follows the success of the first season, that was aired worldwide on Netflix, M6 France and Telecinco Spain. Accompanying the journey is once again the original music of CALIBRO 35 the Italian "cult" cinematic combo active for over 15 years and with a fan base that includes superstars such as Dr.Dre, Jay-z and Damon Albarn. Made up of 20 tracks in total, the OST was entirely composed by CALIBRO 35 that created the sound universe of BLANCA: an impressive and choral work, which has engaged all the components of the band for a long time, giving the them the opportunity to develop a very vast soundscape.

"It's the first time that we deal with the creation of a 'season 2' and we discovered that the creative process can be very different" Calibro 35 says. "In the first season, we had to build from scratch a sound and musical world consistent with the idea that Jan had (Michielini, director and showrunner of the series); this time, however, we had to develop that already existing world further, in order to describe the new stories and new different characters of the second season. There had to be undiscovered musical territories, that forced us to step out of our comfort zone." The result is that on the 20 tracks of the ost, the heavy dose of Calibro's signature funk grooves of tracks such as "Badanti, "Carignano", "Cambio di Stagione" or "Sampierdarena" is mixed with more moody and soulful tunes, world music, opera and atmospheres à la John Carpenter. Amongst the album's highlights worth definitely a mention the Opening and End titles that feature the voices of Arya, MEI and Tahnee Rodriguez. Essential contribution to the recordings were made by Francesca Biliotti - mezzo soprano of the Monteverdi Choir, Valeria Sturba - exceptional multi-instrumentalist of the avant-garde music group OoopopoiooO, Rahma Hafsi and Elisa Zoot.

Described by Rolling Stone as "the most fascinating, retro-maniac and genuine thing that has happened to Italy in the past few years", Milan-based Calibro 35 enjoy a worldwide reputation as one of the coolest bands around. Active since 2007, during their long career they were sampled by Dr. Dre on Compton ("One Shot One Kill" feat. Snoop Dogg), Jay Z ("Picasso Baby"), The Child of Lov & Damon Albarn ("One Day") and Demigodz ("The Summer Of Sam"). They played major venues and festivals all over Europe and as unique musicians they collaborated with, amongst others, PJ Harvey, Mike Patton, John Parish, Stewart Copeland and Rokia Traoré. The BLANCA OST is the latest of many activities concerning cinema for CALIBRO 35: the band has been completely immersed in the world of soundtracks since the very beginning and they have recently worked on other productions as well, both as Calibro and individually. Last June, the band released their 8th studio album, NOUVELLES AVENTURES, recorded in Naples at Auditorium Novecento. With the new LP the group has made full use of their knowledge and resources, refined and enriched over the years, back to making "Calibro's music": a unique mix of funk, progressive rock, alternative jazz and wide-spectrum cinematic music the public has known them for in fifteen years of career.