Cerca:hey

Die größten internationalen Hits der 80er, 90er und 2000er Jahre in einer exklusiven Doppel-Vinyl-Kollektion! Entdecken Sie die wichtigsten Künstler, die ihre Jahrzehnte geprägt haben!

Die limitierte Deluxe Edition von Archives Vol. III enthält Aufnahmen und Filme, die

die unangekündigte Bandbreite von Young’s Bemühungen aus der Zeit von 1976-1987 zeigen. Es ist eine der umfangreichsten Anthologien in seiner aufgezeichneten Geschichte. Insgesamt sind es 22 Discs, davon 17 CDs in 11 Softpaks und 5 Blu-Rays in 3 Softpaks. Es sind 11 Filme auf Blu-Ray, davon 4 bisher unveröffentlichte. Die insgesamt 198 Musiktitel enthalten 121 bisher unveröffentlichte Live-, Studio-, Mix- oder Schnittversionen und 15 bisher unveröffentlichte Songs, die hier zum ersten Mal überhaupt. 62 Tracks waren bereits auf verschiedenen Aufnahmen erhältlich. Die Blu-Rays enthalten 128 Tracks, über 14 Stunden Film. Die Box enthält außerdem ein 176-seitiges Buch und ein Poster. Mit über 28 Stunden können Sie von New York nach Denver fahren, die ganze Zeit hören und bei Ihrer Ankunft immer noch Stunden übrig haben.

Takes ist eine 16 Track Compilation mit je einem Track von jeder der 16 der 17 CDs des Archives Vol. III Box Set. Diese Sammlung enthält 3 unveröffentlichte Songs und 12 bisher unveröffentlichte Versionen und wird die einzige Vinyl-Edition sein, die diese Songs enthält.

Introducing Texas Tornados ‘Now Playing” on Burgundy vinyl - Formed in the 1990s, explore the heart of Tex-Mex music with the American Tejano supergroup Texas Tornados, composed of iconic musicians including Flaco Jiménez, Augie Meyers, Doug Sahm, and Freddy Fender. Featuring hits like "Who Were You Thinkin' Of," the lively "Hey Baby Que Paso," and the soulful "Is Anybody Goin' To San Antone."

Aki is an emerging jazz collective led by drummer Anke Verslype. The core of the group consists of guitarist Willem Heylen, bassist Ruben De Maesschalck and harpist Marjolein Vernimmen. They perform atmospheric jazz with at its base uncomplicated, restrained melodies whose boundaries are pushed during improvisations.

With two previous EPs, "Warm Days" and "Niobe," aki has already impressed. In the fall of 2022, they surprised their audience with the debut of their first full-length album,

titled "Nader," released under W.E.R.F. records. This album featured an exciting collaboration with Joachim Badenhorst on clarinet, who added a new dimension to their sound.

For theirlatest album and upcoming tour, aki once again joins forces with Joachim Badenhorst and asked Niels Van Heertum (euphonium) as a guest. This expansion enriches the color palette of their music and brings out a new depth. Together they create a unique sound that takes listeners on a journey of warmth and melancholy, somewhere between cinematic landscapes, jazz and minimalism.

Das Top-20-Live-Album aus dem Jahr
1993, ist zum ersten Mal überhaupt
auf LP erhältlich.

Empty Empty is Cinema Paradiso's 3rd album. Cinema Paradiso functions as a trio without a leader, consisting of Kurt Van Herck (Brussels Jazz Orchestra, Dizzie Gillespie Big Band, Bert Joris Quartet), Eric Thielemans (A Snare is a Bell, EARR, Talking About the Weather) and Willem Heylen (KRAKk, Aki, Sargam).

After his guest contributions on several tracks during the recording sessions that resulted in the compilation of the first two albums (Volume I and Volume II), Jozef Dumoulin (Lidlboj, The Red Hill Orchestra, True Company) was involved in the entire creation and recording process of Empty Empty.

Now focusing on original compositions (along with some Indian chants and a piece by Claude Debussy), this album also distinguishes itself from the previous two albums by presenting a new sonic landscape. Blending the rich timbres and textures of both the acoustic and electric sonic worlds of the musicians, we were looking to get a strong, direct, full sound that still retains enough detail and acoustic warmth.

The album was recorded and mixed by Joris Caluwaerts (Stuff) at his Finster Studio in Antwerp.

SWASTIKAS FOR NODDY is possibly, probably, maybe, or not, a seminal and sidereal masterpiece, the inspiration for 93,000 Masks On Nothings, none of which were Groovy. For me, well, it was my first Hallucinatory PickNick, and the skies turned Pixie Red for it.

I was given the album’s title during an Acid Trip: seeing Noddy Crucified In The Sky, I asked God what the most inappropriate BirthDay present for Noddy might be. God answered me from the Acid Whirlwind: “Swastikas!”

I recorded her in a run-down basement studio in West London, whilst I was simultaneously recording IMPERIUM. On playing the finished album to certain well-chosen friends, I was told by them that I had “destroyed Current 93”, and that it sounded like “demented children on drugs singing Simon & Garfunkel in a playground”. I then knew the album sounded exactly as I had dreamed it to sound, and as God had intended it to sound. Had I ditched the earlier darkness, and skipped into flowered fields? Great Black Time had already told me “NO!—GO!”

Remastered by The Bricoleur at Bladud Flies!, and with the original artwork refreshed and reborn by Rob Hopeye, this 12” vinyl picture-disc comes in a full-colour die-cut sleeve, which is printed on both the outside and inside.

This is one of the first 4 reissues of the entire back catalogue of C93 on picture-disc and standard vinyl, in the lead-up to the publication of my autobiography at the end of 2025, whilst I also work on many other recording, publishing, and painting projects, and Watch And Pray! Each release in the picture-disc vinyl reissues series is limited to 1,000 copies, and the titles will not be repressed as picture-discs once they have sold out.

Trying to define what it is that makes Dr. John special is much like trying to define the word "soul'—you can surround it. But nailing it down is a whole ‘nother smoke. You can point to his sense of history, how he's never forgotten from whence he came, how his music always returns to his roots, even honoring the proud heritage of his native New Orleans. You can dissect his technique, marveling at the adroitness of the hands right and left; admiring the strong second line; respecting the tributes to his inspiration, Professor Longhair, apparent at every turn. And you can note how his peers consider his presence at a session as lending instant credibility to that particular project. "Upon the release of The Brightest Smile in Town, the reviews were effusive. Chicago critic Bill Knight’s comparisons to Fats Waller and James P. Johnson were high compliments indeed. Downbeat’s Jim Roberts called the playing 'graceful'; noting that the LP had a broader scope than its predecessor. Jazz Times’ Rhodes Spedale summarized: 'He’s never been in better form than here.' We kept in touch over the years. Mac was always generous and encouraging. Little did we know when The Brightest Smile in Town was released, what accolades lay ahead for Mac Rebennack and Dr. John. From the innovative guitar triumph 'Storm Warning' on the Rex label in 1959, to his 2012 Grammy-winning Locked Down album, Mac’s musical light shone brightly for seven decades. We were fortunate he chose to play for us. I’m sure he’d say that he was lucky too." - Jack Heyrman, Clean Cuts Producer

Betty Boo is a Hip Hop pioneer and 90's icon, as well as a a multiplatinum selling, Brit- and Ivor Novello- Award-winning singer, songwriter,
and producer from West London
After a chance meeting in McDonalds on Shepherd's Bush Green, she ended up
supporting Public Enemy on tour in the US with her Hip Hop trio The She Rockers.
In 1989, she featured as guest vocalist on The Beatmasters' Top 10 single - Hey
DJ/I Can't Dance (To That Music You're Playing).
Her first solo single - Doin' The Do - was released the following year and
announced Betty Boo as a phenomenon in her own right. Betty Boo released two
albums - Boomania and GRRR! It's Betty Boo - and then mostly retired from the
public eye. 2022 saw the unexpected return of Betty Boo with her incredible
album Boomerang.
Betty Boo now returns with a new project, 'Rip Up The Rulebook'. "I loved making
Boomerang so much that I kept writing. I'm very proud of these songs and grateful
to be back creating music full time. The album title Rip Up The Rulebook is my
response to stereo- typical ideas about what women should be doing in their fifties.
I have never had so much fun making music (with my friends Andy Wright and Gavin
Goldberg). Long may it continue".
Live dates for 2024 to be announced. Upcoming performance at London's
Islington Assembly Hall on June 15th.

You may recognise this fine fellow as the bass player for such acts as Spoon, Lee Fields' Expressions, Reigning Sound and The Jay Vons. Or perhaps you've heard the man himself wailing away on several well-received 45's released on Wick Records and compiled on the digital EP 'Hey Lovers'.

With 'Do You Still Think of Me?', his debut album for Wick Records, Trokan takes the listener through the full spectrum of 60s influenced music: the moody teen-beat bop of 'Save a Place', the garage dwelling angst of 'Nowhere to Be Found', to the sweet soul sound of the title track. But throughout the records, it's the unique sound of Benny's raspy, vulnerable lead vocal that carries us across this truly stunning collection of modern pop. 'Do You Still Think of Me?' is a breath of fresh air from a well-seasoned veteran. Unquestionably worth the wait.

You may recognise this fine fellow as the bass player for such acts as Spoon, Lee Fields' Expressions, Reigning Sound and The Jay Vons. Or perhaps you've heard the man himself wailing away on several well-received 45's released on Wick Records and compiled on the digital EP 'Hey Lovers'.

With 'Do You Still Think of Me?', his debut album for Wick Records, Trokan takes the listener through the full spectrum of 60s influenced music: the moody teen-beat bop of 'Save a Place', the garage dwelling angst of 'Nowhere to Be Found', to the sweet soul sound of the title track. But throughout the records, it's the unique sound of Benny's raspy, vulnerable lead vocal that carries us across this truly stunning collection of modern pop. 'Do You Still Think of Me?' is a breath of fresh air from a well-seasoned veteran. Unquestionably worth the wait.

FFO: Melvins, Big Business, Torche, Karp, Lightning Bolt, Red Fang. Super limited vinyl, first press is transparent-y orange. Based in Sheffield, POHL is a stunning and brutal noise rock duo, featuring former Hey Colossus axeman Will Pearce on guitar/vocals, and drummer Dr Linda Westman of Toronto-based death metal two-piece, Old Hope. This July the band releases their debut album Mysteries; a sonic tome which draws as much from MF Doom as it does doom metal. It’s a swirling, cosmic onslaught of heavy motorik riffs and offhand musings about everything and nothing in equal measure. New single ‘The Whale’ summons the glorious thunder pop of Torche, the pithy lyricism of Karp and the DIY derring-do ethos of Guided by Voices. As guitarist/vocalist Will Pearce explains: “I suppose you could say that Mysteries is an album about grief. How we live with grief, and how we overcome it. When you’re trapped in the belly of the beast, and all seems lost - how do you come back from that? All I can say is that sometimes you eat the whale, and sometimes the whale eats you." Pearce, who played with Hey Colossus on their 2019 album Four Bibles and 2020’s Dances/Curses is thrilled to be teaming up once more with former bandmates Joe Thompson and Chris Summerlin and their Wrong Speed Records imprint. Recorded at the band’s own Cool World studio and mixed by serial collaborator and producer Wayne Adams, Mysteries is many things, often all at the same time. Veering from biblical allusions to fragmented Burroughsian cut-ups, it is at once mystical, profane, sacred, and scatological. Profoundly stupid, perhaps? Or just stupidly profound… either way, Mysteries demands your attention

Nein, man kann wahrlich nicht behaupten, dass GIMP FIST eine "Pechtsträhne" - so der Titel ihres 11. Albums "Losing Streak" übersetzt - seit ihrer Gründung 2005 haben, jedenfalls was ihre Musik und den Banderfolg betrifft. Die Welt da draußen allerdings scheint in diesen Tagen von Krieg, Hass, Rassismus, sozialem Elend oder dem profitgeilen Raubbau unseres Lebensraums nicht gerade rosige Zukunftsaussichten zu haben. Die 15 neuen Songs auf "Losing Streak" widmen sich dieser traurigen Entwicklung in all ihren Facetten aus der Sicht der englischen Arbeiterklasse. "Who's gonna help to get this country right on track?" (Born and raised) "Losing Streak" strotzt nur so vor Leidenschaft, Emotionen und purer Energie und ist noch einen Tick temporeicher als die beiden Vorgänger. Keine Verschnauffspause, kein um den heißen Brei herumreden, sondern direkt mit dem Finger in die Wunde der verlogenen Politik und ihrer gesplitteten Gesellschaft: "Whatever happened to our community in todays society?" (Community) Resignation ist dabei nicht das Rezept. Die Zeit ist reif die Dinge beim Namen zu nennen, den Blendern an der Macht die Stirn zu bieten und sich auf die Stärken zu besinnen: "Hey politicians you devils in disguise, we want stop until we see the "Whites in your eyes" Auch vor der eigenen Szene macht die Band dabei nicht halt mit einer aggressiven Kampfansage anr die right wing-community: This is our scene and we're taking it back. The sound of the streets for white and for black" ("Less English") Der mitreißende, oldschool UK Skinhead-RocknRoll & Streetpunk Sound verbunden mit treffsicheren Lyrics von Gimp Fist ist authentisch und überzeugt dabei mit jedem Akkord und jeder Note! Die Wut ist spürbar! Wie auch bei den vorherigen Alben liefert Gimp Fist mit ihrem einzigartigen Gespür für Ausnahme-Songs verlässlich wie der Zeiger von Big Ben ein Album, das von Anfang bis Ende überzeugt! Es ist nur "more pissed and angry" geworden! Zurecht und genau zur richtigen Zeit!

Nein, man kann wahrlich nicht behaupten, dass GIMP FIST eine "Pechtsträhne" - so der Titel ihres 11. Albums "Losing Streak" übersetzt - seit ihrer Gründung 2005 haben, jedenfalls was ihre Musik und den Banderfolg betrifft. Die Welt da draußen allerdings scheint in diesen Tagen von Krieg, Hass, Rassismus, sozialem Elend oder dem profitgeilen Raubbau unseres Lebensraums nicht gerade rosige Zukunftsaussichten zu haben. Die 15 neuen Songs auf "Losing Streak" widmen sich dieser traurigen Entwicklung in all ihren Facetten aus der Sicht der englischen Arbeiterklasse. "Who's gonna help to get this country right on track?" (Born and raised) "Losing Streak" strotzt nur so vor Leidenschaft, Emotionen und purer Energie und ist noch einen Tick temporeicher als die beiden Vorgänger. Keine Verschnauffspause, kein um den heißen Brei herumreden, sondern direkt mit dem Finger in die Wunde der verlogenen Politik und ihrer gesplitteten Gesellschaft: "Whatever happened to our community in todays society?" (Community) Resignation ist dabei nicht das Rezept. Die Zeit ist reif die Dinge beim Namen zu nennen, den Blendern an der Macht die Stirn zu bieten und sich auf die Stärken zu besinnen: "Hey politicians you devils in disguise, we want stop until we see the "Whites in your eyes" Auch vor der eigenen Szene macht die Band dabei nicht halt mit einer aggressiven Kampfansage anr die right wing-community: This is our scene and we're taking it back. The sound of the streets for white and for black" ("Less English") Der mitreißende, oldschool UK Skinhead-RocknRoll & Streetpunk Sound verbunden mit treffsicheren Lyrics von Gimp Fist ist authentisch und überzeugt dabei mit jedem Akkord und jeder Note! Die Wut ist spürbar! Wie auch bei den vorherigen Alben liefert Gimp Fist mit ihrem einzigartigen Gespür für Ausnahme-Songs verlässlich wie der Zeiger von Big Ben ein Album, das von Anfang bis Ende überzeugt! Es ist nur "more pissed and angry" geworden! Zurecht und genau zur richtigen Zeit!

Whoa, Nelly! ist das Debüt-Studioalbum von Nelly Furtado. Ursprünglich im Jahr 2000 veröffentlicht,
brachte das Doppel-Platin-Album 4 Hit-Singles hervor: das Grammy-nominierte ”I’m Like A Bird”, ”Turn
Off The Light”, ”Shit On The Radio (Remember The Days)” und ”Hey, Man!”. Nelly Furtado schrieb und
produzierte jeden Track des Albums selbst, welches nun zum ersten Mal auf Vinyl ab dem 09.08 überall
erhältlich ist.

Nein, man kann wahrlich nicht behaupten, dass GIMP FIST eine "Pechtsträhne" - so der Titel ihres 11. Albums "Losing Streak" übersetzt - seit ihrer Gründung 2005 haben, jedenfalls was ihre Musik und den Banderfolg betrifft. Die Welt da draußen allerdings scheint in diesen Tagen von Krieg, Hass, Rassismus, sozialem Elend oder dem profitgeilen Raubbau unseres Lebensraums nicht gerade rosige Zukunftsaussichten zu haben. Die 15 neuen Songs auf "Losing Streak" widmen sich dieser traurigen Entwicklung in all ihren Facetten aus der Sicht der englischen Arbeiterklasse. "Who's gonna help to get this country right on track?" (Born and raised) "Losing Streak" strotzt nur so vor Leidenschaft, Emotionen und purer Energie und ist noch einen Tick temporeicher als die beiden Vorgänger. Keine Verschnauffspause, kein um den heißen Brei herumreden, sondern direkt mit dem Finger in die Wunde der verlogenen Politik und ihrer gesplitteten Gesellschaft: "Whatever happened to our community in todays society?" (Community) Resignation ist dabei nicht das Rezept. Die Zeit ist reif die Dinge beim Namen zu nennen, den Blendern an der Macht die Stirn zu bieten und sich auf die Stärken zu besinnen: "Hey politicians you devils in disguise, we want stop until we see the "Whites in your eyes" Auch vor der eigenen Szene macht die Band dabei nicht halt mit einer aggressiven Kampfansage anr die right wing-community: This is our scene and we're taking it back. The sound of the streets for white and for black" ("Less English") Der mitreißende, oldschool UK Skinhead-RocknRoll & Streetpunk Sound verbunden mit treffsicheren Lyrics von Gimp Fist ist authentisch und überzeugt dabei mit jedem Akkord und jeder Note! Die Wut ist spürbar! Wie auch bei den vorherigen Alben liefert Gimp Fist mit ihrem einzigartigen Gespür für Ausnahme-Songs verlässlich wie der Zeiger von Big Ben ein Album, das von Anfang bis Ende überzeugt! Es ist nur "more pissed and angry" geworden! Zurecht und genau zur richtigen Zeit!

South London producer/musician, Ben Hauke, is se tto release his highly anticipated debut album,"Club Cute," under forward-thinking London-based label Touching Bass, run by Errol and Alex Rita. The dynamic genre-blending artist known for his electrifying music production, has been forging a path of his own over the last decade, and now it"s time for him to unleash his debut full length project, "ClubCute". Hauke collaborates with acclaimed artists and local peers such as Goya Gumbani, Katy B, ShyOne, Brother Portrait, Jadadsea, and more, showcasing his remarkable ability to seamlessly blend diverse influences into a cohesive musical tapestry.