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Dalmata Daniels third LP comes from Rapha, marking his return to the label after contributing to its split and compilation series. Known for bold acid treatments and dark, futuristic tones, Rapha takes his craft to new heights on Midnight Dancer, which also features remixes by CT Kidobo and PRZ. The album opens with I Win U Win, pulling listeners into an adventure of pulsing basslines and cosmic, minimal electro. CT Kidobos remix then twists it into a darker, seductive French-inspired club sound. The third track, ...And Them, continues the journey of the opener with mechanical beats and textured soundscapes, while Alien Dance highlights Raphas signature sharp, distinct style leaving a strong mark on the deep electro club scene.
On the flip side, Midnight Dancer plunges into a hypnotic realm of haunting echoes and distorted rhythms, with heavy basslines reverberating through the darkest corners of the mind. PRZs remix of the title track retains the original groove but adds a cleaner, equally impulsive electro edge perfect for the club. The albums final tracks, Lost Start and Galactico, round off the journey with shimmering electro patterns and eerie, alien soundscapes, leaving an unforgettable impression.
In Midnight Dancer, Rapha showcases his ability to blend industrial grit with cosmic melodies, delivering hard-hitting electro suited for both club play and immersive listening at home or on a night ride. Be warned DDLP03 is limited to 150 copies, housed in a Studio Jetski designed jacket with a digital download card and shrink wrap.
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DJ Support: Chris Stussy, Enzo Siragusa, Dr Banana, Rossi., Voigtmann
HOME//GRXWN ends the summer with a captivating EP from Dutch talent Milion… Showcasing his electroside, the EP consists of dynamic blends and high-energy beats, cementing Milion's influence of garage and electro to create high energy tracks that amplify the dancefloor. On the A side, ‘Adventure Time’ demonstrates a euphoric and genre bending take on Electro .‘DALIA’ naturally become a club favourite to many including, Dungeon Meat, Rossi., Enzo Siragusa and many more. On the B Side ‘Machines Breathe’ is an exposition of emotions that machines and computers can evoke when infused with soul… Rounding off the EP with a Voigtmann special remix of ‘Machines Breathe’ with the use of his signature sound where groove and funk are ever present.
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- A1: Blue Verb
- A2: Nauseous/Devilish
- A3: That Ain't No Dang Cat!
- A4: Aspenz
- B1: Cowboy Allstar
- B2: Thoughts Of Offing One
- B3: Debold
- B4: Fake Life
- C1: I Don't Owe U Nything
- C2: Fire Like Tyndall
- C3: Unknown, Forever Unknown
- C4: Retro Otw
- D1: When I Strike, I Strike Hard
- D2: You Owe Me
- D3: It's Nice To Be Alive
- D4: Blue Verb (Reprise)
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There was huge demand on the first issue - now released in a standard edition. Limited. Be Quick!
Hot double LP of beats and scattered rhymes (JPEGMAFIA, Retro X & Jeshi feature) from this highly inventive producer. Having gained notoriety for his work with Frank Ocean and Travis Scott among others, Only Diamonds Cut Diamonds is overjoyed, heady and nervous at once. It offers a proper introduction to the massively imaginative sound of Vegyn.
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Legendary guitarist Earl Slick, David Bowie"s longest-standing lead guitarist, is set to release a brand-new remixed version of a track with Bowie on vocals 8 November 2024 on limited edition 7" coloured vinyl. Earl Slick and David Bowie"s partnership produced some of rock"s most memorable music. In celebration of his recent autobiography "Guitar" published by Penguin achieving #1 on Amazon, Slick is now sharing this musical treasure. Slick recounted a particularly serendipitous moment: "I would never have thought to ask David to sing on my record. It"s not that we weren"t close -- we"d known each other forever -- but it just wasn"t something that would have occurred to me. But when I called Mark Plati at the studio one day to talk about some sessions I wanted to do, it turned out David was there. He got wind of what we were planning and asked to talk to me. "I guess you"re not interested in me maybe doing a little something on the record?" It was a silly question, of course. And what I figured would be some percussion or 12-string guitar turned into lyrics and an amazing vocal. I"m really excited to finally be able to share it with the world!" Producer Mark Plati echoed the excitement, saying, "One of the highlights of my career was being in the room when Earl Slick and David Bowie wrote "Isn"t It Evening", and then having the privilege to help bring it to life." Legendary mixer Bob Clearmountain, who worked on this new version, added, "It was such a thrill and an honor to be working on a David Bowie song again! Recording and mixing the "Let"s Dance" album was certainly one of the high points of my career. His passing was a real shock for me as we had become long-distance friends. Mixing his voice somehow made me feel close to him again."
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Over the past several years, The Voidz, led by Julian Casablancas, have been releasing various singles and performing unique residencies in different cities, all to critical acclaim. Now, they are returning with their highly anticipated third album, "Like All Before You."
This new release marks a shift back to album mode, showcasing The Voidz's unique sound that blends different styles into an immersive experience. The band will be promoting it in fall 2024 and 2025
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Intrinsic Rhythm is happy to announce a new EP "Is This The End" by label owner and Irish artist Tr One.
The title takes influence on the struggle provided by modern day electronic music and the thoughts on continuing and this EP tries to provide solace in the love and richness that techno and house sounds particularly deeper strains can provide.
The record kicks off with "Conversion" which is an ode to higher tempo Detroit and European techno by working an uplifting string pattern alongside an offbeat loop and MPC workout.
Next up is "Is This Love" where a whimsical vocal sample is built around an acid and bass undercurrent combined with an emotional chord structure.
Starting off the B side is "Sunrise On Juliet" which is an electro and ghettotech influenced rhodes driven house track which takes the listener on a funk driven journey.
Next is "Steroid" where classic Detroit sounds meets UK influenced house music driven by a hypnotic string and bass pattern.
Finally "Phone Voice" finishes the EP with a murky and hypnotic 909 driven house track which aims to transport the listener to a dream like state.
Limited to 125 vinyl copies with no repress"
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On his new album ‚forge’, ambient artist KMRU explores the blend of melody and noise, rhythm and drone. ‚forge’ marks the third release on Seil Records for the Nairobi born and Berlin based producer. Made up of 10 tracks, the album effortlessly wanders from intimate compositions over field recordings to deep and rich soundscapes.
The result feels like a living, breathing organism. Music you can immerse yourself in. Like few others, the 27 year old producer carved a niche of his own, capturing the essence of his raw live performances to form a highly unique listening experience that transcends what ambient music is known for.
‚forge‘ can both exist in the background as well as front and center. Filled with intricate details and vast sonic vistas, it invites the listeners to lose themselves in the music. It’s gentle, yet uncompromising; soft and warm, yet growly and dense.
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We Are Thrilled to Announce the Upcoming Release of Taelue's Highly Anticipated Ep, "Dark Worlds," Set to Drop on Phonogramme Records. This Exclusive, Limited Edition Marbled Vinyl Ep Is a Five-Track Masterpiece That Showcases Taelue's Exceptional Talent and Deep Connection to the Roots of House Music, Offering Listeners a Journey Through Rich, Immersive Soundscapes and Infectious Rhythms. "Dark Worlds" Is a Masterful Collection That Highlights Taelue's Signature Style, Blending Deep House Grooves With Soulful Undertones. Each Track on the Ep Stands as a Testament to His Skillful Production and Unique Artistic Vision. Among the Standout Tracks Is a Stunning Remix by the Renowned Artist Abacus, Adding a Fresh and Dynamic Layer to the Ep....
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- A1: Love Is Like A Movie (Ft Judi Jackson)
- A2: Take It Higher
- A3: Who We Are
- B1: Synchroncity
- B2: Mississippi Goddam
- B3: Fly Away (Ft Aja Monet)
- B4: Same Old Song
- C1: All For Your (Ft Mak)
- C2: Today (Interlude)
- C3: Tin Girl
- C4: Oh La (Ft Binker Golding)
- D1: Love At The Venice Biennale
- D2: Water
- D3: Autumn (Ft Theo Croker)
Ashley Henry präsentiert mit diesem Album eine spirituelle Jazzreise, die Hingabe, kollektive Träume und den Kampf um Freiheit vereint. Mit gefeierten Künstlern wie Judi Jackson und Aja Monet ist diese Platte eine kraftvolle Hymne an unsere Zeit, die Nina Simones Erbe widerspiegelt und gleichzeitig Inspiration am Puls der Stadt London und im kollektiven Träumen findet. Gelobt von globalen Medien ist Ashley Henry mit seinem charakteristischen Klavierspiel und seinen beruhigenden Gesangsklängen auf dem besten Weg, einer der einflussreichsten Jazz-Acts in Europa zu werden.
Auf 'Who We Are' arbeitet Henry mit einer Vielzahl zeitgenössischer Künstler zusammen, darunter die Grammy-nominierte Dichterin und Texterin Aja Monet, der Grammy-nominierte Trompeter Theo Croker, die Sängerin Judi Jackson und der Londoner Hip-Hop-Künstler MAK. Henrys lebendige Ausdrucksformen der Jazzkultur wirken ebenso schön wie bedeutungsvoll. Henrys tief verwurzelte Einflüsse und seine visionäre Überzeugung machen ihn zu einem der aufregendsten, neuen Londoner Musiker. Seit er mit Christine & The Queens weltweit auf Tournee war und Loyle Carner in ganz Großbritannien unterstützte, hat Henry viel Lob von den Kritikern bekommen. Unter anderem von The Guardian, Evening Standard, Clash und Wonderland.
Das wunderbare Album erscheint auf Naïve als Gatefold 2LP-Set und CD!
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DJ Khetama aka Stefan Reimer released a steady stream of records on labels Hyper Hype and Time Unlimited during the mid 90's with much acclaim.
For this Rezpektiva we have compiled tracks from those releases and put them onto one vinyl. Rezpekt to DJ Khetama !
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- A1: Konkparty (7 Inch)
- A2: Baby Dee
- A3: Sokalokamoki
- A4: Honeymoon Side
- B1: Your Life (7 Inch)
- B2: Elephant
- B3: Cool Out Gar (Third Stone From The Sun)
- B4: Suave Y Caliente
- C1: Love Attack
- C2: Machine
- C3: Alien Jam
- C4: Soka-Loka-Moki (7 Inch Part I)
- C5: Soka-Loka-Moki (7 Inch Part Ii)
- D1: Tonton Macoute (Live At Cbgb 81)
- D2: Alamo (Live At Cbgb 81)
- D3: High On The Hill (Live At Cbgb 81)
- D4: Fela (Live At Cbgb 81)
- D5: Frog Talk (Live Broadcast To Paris)
- E1: Konk Party (Uptown Breakdown)
- E2: Konk Party (Master Cylinder Jam)
- E3: Konk Party (Bonus Beats)
- F1: Your Life (12 Inch)
- F2: Your Life (Skull Whip)
- F3: Your Life (What U Want Dub)
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This year, get ready for KONK! with the ultimate collection The Magic Force Of Konk 1981-1988. This white hot Limited Edition 3xLP set is a lovingly composed Deluxe retrospective, showcasing the Definitive Sounds Of A New York Jazz Punk Afro Funk Disco Machine.
The Magic Force Of Konk 1981-1988 is a testament to the bands artistic staying power, the music sounding as fresh now as it did then, from the crossover funk grooves of the ‘Planet Rock’ inspired ‘Konk Party’, to the innovative punk funk synth bass of club hit ‘Your Life’, the bands influence indisputably lives on in this specially created deluxe collection. This beautifully designed package is a feast for the senses, looking as good as it sounds and sure to please fans of Liquid Liquid, ESG, Pigbag, James Chance, Soul Sonic Force, LCD Soundsystem, to name but a few, or simply those intrigued by those tales of wild nightlife that have become synonymous with the vitality of 1980’s downtown New York City.
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Spanish duo JNJS make a striking debut on Supervibe Music with a four-track vinyl release that highlights their unique sound. Known for their masterful use of percussions, JNJS delivers a blend of elegant grooves and hypnotizing synths that pull you in from the first beat. Each track is a testament to their growing reputation, offering a seamless fusion of rhythm and refinement that’s perfect for the dance floor or deeper listening.
Early support by: Tania Vulcano, Arapu, Priku, Nu Zau and more …
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Ültimo hace: 20 Meses
Cassette[11,98 €]
Tanukichan, the musical project of Oakland, CA’s Hannah van Loon, has been a prominent figure in modern shoegaze music since 2016, when she first collaborated with Chaz Bear of Toro y Moi. Together, they released an EP and two full-length albums under Bear's Company Records, culminating in 2023's GIZMO. With her new EP Circles, out September 20th, 2024, via Carpark Records, van Loon ventures into new territory by teaming up with a new producer for the first time – Franco Reid.
The genesis of their partnership dates back to the GIZMO campaign, when Reid noticed van Loon wearing an Incubus shirt in a press photo on Instagram. Intrigued by whether or not van Loon was a genuine fan, he sent her a DM. Their shared musical interest sparked a dialogue that eventually led to the creation of the single "NPC" in 2023.
Lead single “City Bus,” offers a reflection on van Loon's childhood bus rides in San Francisco, evoking the stop-and-go rhythm of commuter life through hard-hitting drums and heavy guitar feedback phasing in and out of the mix. Themes of self-reflection and societal belonging permeate the track, echoing van Loon's ongoing personal journey.
While much of Circles delves into internal struggles, “It Gets Easier” takes on a more celebratory tone as van Loon realizes she’s developed a heightened sense of maturity when dealing with hardship. “It feels easier to let go of situations or people that don’t serve me,” reflects van Loon, “Or if they can’t be avoided, at least I don’t have to dwell on the sadness or discomfort I feel when letting someone down.” Introduced by Reid, nu-gaze sensation Wisp, contributes a verse in her similarly ethereal vocal style.
There is a notable shift on Circles when you consider the first three Tanukichan releases were produced by a pioneer of the chillwave genre. With van Loon’s consistently dreamy songwriting and Reid at the helm, Tanukichan enters new sonic territory that feels larger, arena-ready, and more like a highspeed night drive than the hazy summer dream of its predecessors.
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Fom the Sleevenotes by Paul Murphy: Jazz Room Records:
"I took a trip to the If Music Store, 2nd Floor, above the paint shop and that got me hooked on the sound of COPA SALVO.
"You NEED this!" said Jean-Claude. "They're an amazing and unique Jazzy Combo from Japan!" But at the time I was stuck in some dead end Gulag job getting things together for the launch of a record label idea I'd been working on and the bobs were just not in abundance. Especially in the part of the wallet marked "Japanese Vinyl Import Department". But he gave it a spin and I was pretty much hooked from that day on.
Things soon looked up though and the next sighting of COPA SALVO was on the BBE Records release: A Journey Into Deep Jazz Vol. 3 (Compiled by that very same Jean-Claude!) which featured COPA SALVO - Hasta La Victria Siempre, a pounding piano driven homage to Fidel which incidentally is one of the featured numbers of the album that is soon to be released on Jazz Room Records.
I kept looking for more COPA SALVO as I was really intrigued by the sound they produced and, over a period of time I managed to obtain nearly all of their sparse catalogue. Once Jazz Room Records had started to get established and the release of the Colin Curtis Presents: indigo jam unit compilation had been a success I thought "Time for COPA SALVO to make their Jazz Room debut!"
This Jazz Room Records Compilation will feature their unique and highly original compositions which are an energetic meltdown of Funk, J-Jazz, Afro-Cuban, Boogaloo and range from the Heavy Latin Jazz Vibes of Bolivia 67 to the Kung Fu '70's sound of Tong King Rock with a journey that takes in an Eastern Folktale and a Jump Up Life along the way."
Vocal/Guiro : Tadahiro Masuda
Piano : Eri Konishi
Bass : Hironori Kobayashi
Percussion : Yo Sato
Percussion : Pyon Nakajima
Timbales/Drum : Peach Iwasaki
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- A1: Ozzobia - Ndi Oma
- A2: Sammy Obot - Edue Ukot Akpa Itong
- A3: Eppi Fanio - Farofa Dancer
- B1: Etiene T Boy - Jealousy
- B2: Ayo Manuel - Do Good (Dub)
- B3: Feladey - Experience
- C1: Chimex G Udensity And His Afrikan Band - Okpoko Na Azo Eze (Edit)
- C2: I S.c.a.c. Band - Igbo Nwe Egwu (Edit)
- C3: Jeje - Jeje
- D1: Dizzy K - Omoge
- D2: Blackman Akeeb Kareem - Oya A (Eje Kajo)
- D3: Jimi Solanke - Owo Orisa Ancestral Respects
- E1: Soki Ohale - Wumaya Awuma
- E2: Jap Band & Feladey - Japadodo
- E3: Pal Sagie - Esan
- F1: Mannix Okonkwo - Ka Anyi Gbaa Egwu
- F2: Sonny Okosuns - Highlife (Dub)
- F3: Wura Fadaka Band - Eyo
Soundway Records presents a collection of Nigerian music chronicling a time when drum machines, synthesisers, imported pop, reggae, disco and soul collided with highlife, juju and cultural music. The late 70s saw a period of political turbulence and prompted change across the country. Following suit, musicians and producers entered a period of experimentation, adaptation, modification and innovation, using new technology to renew and refresh cultural traditions.
Nigerians formed their own unique approach to the limitless creativity these new instruments offered, to reveal a distinct sound which would dominate local airwaves for the decade to come. Nigeria Special Volume 3 celebrates the rich diversity of culture and musical styles of the nation, showcasing eighteen tracks across various genres which laid foundations for the innovation of Afrobeats artists of today. Triple Vinyl gatefold LP compiled by Miles Cleret and Jeremy Spellacey, includes a large 8 page booklet with detailed liner notes, record scans and never-seen-before photos.
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Home of The Good Groove Records would like to introduce Psalmist Shonda L. English, otherwise known as “The Gospel Diva”.
Every once in a while, an exceptional and incredible talent impacts the music industry and leaves an indelible impression. Shonda is one of those rapidly expanding outstanding musical virtuosos who has done just that in the gospel arena. Home of The Good Groove Records are more than jubilant to be able to announce that the label’s first release will also be Shonda’s first 7-inch vinyl single release.
Her incredible vocal capability transcends and mesmerizes gospel and soul music lovers alike!
Originally a native of Boston, Massachusetts, at a young age Shonda relocated to South Carolina where she grew up and currently lives today. Shonda began singing on the children’s choir at the tender age of three and began playing the piano by ear at the age of five. Not only is Shonda gifted with phenomenal vocal capabilities, Shonda is also a multi-faceted gospel recording artist, song writer, organist, percussionist, choral conductor, composer, radio personality and novelist. She also plays the congas, tambourine, xylophone and the flute. In addition, she is an extraordinary “actress” who has appeared for her 4th time on stage and her 3rd time in a leading role. Her extraordinary gifts and talents continue to revolutionize the gospel music industry.
Taken from Shonda’s digital album release, Travelin’ (from 2023), the 7-inch vinyl release A-side, 'There Wouldn’t Be a Me', is a delightful mid-pacer with a riveting vocal and an instantly catchy melody that grabs your attention and is guaranteed to get any dancefloor flowing. Flip the 7-inch over, and get ready to feel the shivers up your spine as Shonda’s beautiful vocal (and harmonies) create a wonderful soulful gospel groove in ‘Feels Good’ that will elevate the emotions. ….You will not be disappointed.
Shonda’s Motto: “If you never take a leap of faith, you’ll never know how high you can fly.”
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'Science, Art And Ritual' is a story of ‘process'. Growing up in Harrow (a then quiet suburb of London) in the 70’s and 80’s from the age of about 10, Kingsuk Biswas aka Bedouin Ascent's ears opened up to sound as he scanned the airwaves. The undeniable righteousness of 80’s dub via David Rodigan’s Roots Rockers shows was the first prominent influence he received, and with punk roots —and his burgeoning record collection— became exposed to the breathless post punk experimentation that followed in the early 80’s sweeping up free jazz, noise, dub and much more. Throughout though, he maintained his fascination with Indian Classical music which was a mainstay in his parent’s house and spoke with the same infinite space as Joy Division's 'Unknown Pleasures', and King Tubby’s Studio dispatches. Through those teens he assembled and de-assembled, knocking about with fellow travellers —punk bands, garage, space rock, noise. Something was happening. On-U Sound, ECM, Factory Records kept him plugged in and sane.
At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, TR-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we’d now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn’t yet plugged into the global conversation.
'Science, Art And Ritual' was released in 1994 by Rising High Records and was presented as Bedouin Ascent's debut album, although 'Music for Particles' (released in 1995, again on Rising High) was recorded even before —'SAR' sessions span from 1992-1993, whereas 'Music for Particles' were earlier from 1989-1992, with some older 4-track references from about 1986 too.
Weaved in throughout the album are subconscious references to music that Kingsuk heard in the past that still remained within sight as companions. The opening track "Ancient Ocean III", referencing the extinct ocean Tethis, unapologetically channels Tackhead, Colourbox, Mantronix and Lee Perry. The style was also deliberately juxtaposed to the prevailing sound in techno at the time, which had locked onto a rigid form of symmetrical kicks and light snare drums. Elsewhere 80’s soul and funk are frozen and captured in fragile glass lattices. Electric pianos resound throughout, such as in "He Is She", probably a half-memory of 70’s MOR radio from childhood sleepy night drives. A duel between kick drums from three generations of Roland drum machines —TR-808, TR-707 and R-8— is a central theme in "Transition-R", all in conversation, calling and responding. These were not just machines to Bedouin Ascent, but part of an extended family, with heart and soul.
Three decades after seeing the light, Lapsus is proud to present a special 30th anniversary reissue of this
left-field techno gem in a repackaged and redesigned edition. All pressed on a deluxe 3LP marbled vinyl and including a limited lithographic insert print of the original album cover. All tracks have been restored and remastered directly from the original DAT tapes, and the album also features previously unreleased tracks such as "In the Clouds" and "Thru Water" —regularly performed live at that time and produced in the same period as the album sessions in 1993.
'Science, Art And Ritual’ may refer to esoteric traditions in Indian philosophy, but equally embodies the collision of the science, the art and the ritual that is at the core of being immersed in a deep musical journey.
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