Ja:ck is an artist who moves beyond fast-paced trends, focusing instead on a clear, driving vision. His releases on the renowned label Cocoon Recordings represent an uncompromising sound that balances hypnotic techno and energetic club dynamics. With a keen sense of tension and atmosphere, he has developed a signature style over the years that works as effectively on large floors as it does in intimate sets.
His new track, Dinamo, perfectly encapsulates this energy: pulsating, powerful, and precisely crafted. The track builds with subtle intensity before erupting into a forceful, captivating movement designed for the peak time.
Notably, Ja:ck has been supported for years by techno icon Sven Väth, who consistently integrates Ja:ck's sound into his sets. This ongoing backing underscores not only the quality of his productions but also his relevance within the international scene. With Dinamo, Ja:ck delivers another clear statement: raw, direct, and absolute club material.
The Oliver Keim remix of Ja:ck’s Dinamo translates the original track into a clean, stripped-back club aesthetic with a steadfast focus on groove and energy. From the start, a driving flow emerges: precise, dry drums meet a deep, rolling bassline that constantly pushes forward. The arrangement remains intentionally minimalist, yet leaves enough room for subtle details to unfold and build tension. Finely placed breaks provide dynamics without losing momentum, leading back into powerful, controlled drops.
The remix eschews clutter, relying instead on clarity, punch, and timing. This makes it versatile enough for both intimate club settings and larger floors, fitting seamlessly into Tech House, Melodic Techno, or driving House sets. It is a modern, functional remix—minimalist in sound, powerful in impact, and strictly geared toward the dancefloor.
Ja:ck ist ein Künstler, der sich jenseits schneller Trends bewegt und stattdessen auf eine klare, treibende Vision setzt. Seine Releases auf dem renommierten Label Cocoon Recordings stehen für kompromisslosen Sound zwischen hypnotischem Techno und energetischer Club-Dynamik. Mit einem feinen Gespür für Spannung und Atmosphäre hat er sich über die Jahre eine eigene Handschrift erarbeitet, die sowohl auf großen Floors als auch in intimen Sets funktioniert.
Sein neuer Track Dinamo bringt genau diese Energie auf den Punkt: pulsierend, druckvoll und gleichzeitig präzise ausgearbeitet. Der Track baut sich mit subtiler Intensität auf, bevor er sich in eine kraftvolle, mitreißende Bewegung entlädt, gemacht für die Peak-Time.
Besonders bemerkenswert: Ja:ck wird bereits seit Jahren von Techno Ikone Sven Väth unterstützt, der seinen Sound immer wieder in seine Sets integriert. Diese kontinuierliche Rückendeckung unterstreicht nicht nur die Qualität seiner Produktionen, sondern auch seine Relevanz in der internationalen Szene.
Mit Dinamo setzt Ja:ck ein weiteres klares Statement : roh, direkt und absolut clubtauglich.
German Text:
Der Oliver Keim Remix von „Dinamo“ von Ja:ck übersetzt den Original-Track in eine klare, reduzierte Club-Ästhetik mit konsequentem Fokus auf Groove und Energie.
Von Beginn an entsteht ein treibender Flow: präzise, trockene Drums treffen auf eine tiefe, rollende Bassline, die sich konstant nach vorne bewegt. Der Aufbau bleibt bewusst minimalistisch, lässt aber genug Raum für subtile Details, die sich im Verlauf entfalten und Spannung erzeugen. Fein eingesetzte Breaks sorgen für Dynamik, ohne den Drive zu verlieren, und führen kontrolliert zurück in kraftvolle Drops.
Der Remix verzichtet auf Überladung und setzt stattdessen auf Klarheit, Druck und Timing. Dadurch funktioniert er sowohl in intimen Clubsettings als auch auf größeren Floors und lässt sich vielseitig zwischen Tech House, Melodic Techno und treibenden House-Sets einsetzen.
Ein moderner, funktionaler Remix, reduziert im Sound, stark in der Wirkung und konsequent auf den Dancefloor ausgerichtet.
quête:ho
Labas, ka tu ? I am ready to show you Rayonas 010 anniversary only Vinyl
A1: Rabbit Hole
A2: 69
B1: Loop
B2: Soft Falling
+Rayonas Artist and Record label born in Lithuania since 2021 ! Underground music Unknown Artist / Vinyl
American DJ Homicide aka Craig Anthony Bullock is best known as the former DJ for Sugar Ray but also does a fine line in club-ready hip-hop jams and remixes. 'Likwit Swordz' kicks off his latest on the small but well-formed CA label out of the USA. It's got nimble drums that have a clipped bounce and vamping chords, vocal grit that echoes Cypress Hill and an infectious roll. On the flip, 'Day Coastin'' is more deep and smooth - the bars as silky as BIG and the drums rolling with crisp boom-bap style. Both have been made on an MPC and that sampler's famous textures elevate the final jams no end.
No stranger to the game, Jay Tripwire returns bringing his usual caliber of stylish, late night tales.
2 extended no-nonsense cuts combine to form his ‘Jazz is Pain’ EP. Ethereal themes bleed through a body of meticulously programmed rhythms and beats that bubble and bleep in “Jazz is Pain”. With sprinklings of deep tones and jazz notes creeping in throughout, Jay delivers some otherworldly weaponry fit for the darkest hour.
“Jazz is Life” embodies the spirit of world music as he tells the story through twisted and tweaking lenses, as a plethora of drums, calls and crashes lead the way, punctuated by a tight rhythmic section that ticks away.
Lewis Taylor is a rising 20-something house head from Newcastle who shows off his chops on this new one from Ebullience. Ebullience is a good way of describing his take on tech and minimal, too. There is plenty of cheer in the lively synth work of opener 'Do You Wanna Come Party', to which the answer is yes, please, very much so. 'Satisfaction' has its head up in the clouds with more wispy cosmic synth motifs, zippy grooves and silky pads that are luminous and pure. 'Optimism' strikes that same balance between low-end oomph and celestial melodic charm - a fresh, future blend that is perfect for summer. 'Still Dreaming' closes with more mature melodies and accomplished arrangements that quietly buzz.
We can't resist the carefully fused and treated sounds of The Reflex who shows his class again here with more multitrack remixes that bring vintage grooves bang up top dates without stripping them of their seasoned charms. 'Cherry Dub' is packed with big riffs and well known vocal-hooks but is dubbed out top perfection with screeching guitar solos destined to send dancers wild. The flip side is a more warm and breezy roller for sunny days and cocktail sessions, again with an iconic vocal and top line adding that familiarity that always unites dancers.
NYC's Afro-Latin house player Doug Gomez, who was also half of the defunct Drrtyhaz, leans into club weight and musical detail on Signals 3, a confident new drop built on persuasive rhythms. 'The Space Between Us' introduces his vocal production with Fe Malefiz, who has a sultry, stylised tone that drifts between deep house and Afro-soul with great control. 'The Red Room' shifts gears into peak-time territory with a groove shaped by late-night exchanges with DJ Loka. Closing cut 'To Do Good Na Em Dem Pay' widens the palette further, pulling from Afrobeat's restless rhythmic energy and layering in some bold and brassy horns.
Shep is back on his People Pleaser's label with a fourth transmission of groovy tech house that blends drive, cosmic atmospheres and just the right amount of vocal and melodic hookiness. 'Reach For The Tongs' is warm and dubby, one to get the head down and lock into. 'Pulver Zimmer' has warped synths and glassy percussion, bringing the early Terry Francis style drums to life and 'Rave Gravel Drive' gets more unhinged. The synths are wonky, the sound designs more trippy and abstract and the groove is minimal and synthetic. 'Mutzki' closes with a subtle, warming rush of low-key joy thanks to the muted chords that ride a slick groove.
Whatever The Reflex is on at the moment, we want some - he's rolling out the jams left, right and centre across several different styles. For this drop, he has revisited his own revision: ten years after first dropping this and without countless plays from legends like Kerri Chandler, he retouches a disco-house fusion classic that rides big vocal hooks and smooth, breezy grooves. On the B-side he takes aim at another soulful gem and go-to DJ favourite with real invention. 'Nobody' has persuasive drum breaks and slithering synths that shimmer like heat waves and allow the acing, singalong vocal room to work its magic up top.
2026 Repress
Maltese talent Human Safari debuts on Mutual Rytm with jazz-influenced techno EP, 'Culture Shock'.
Human Safari is a key player in his native scene in Malta. He's a resident at Glitch Festival, has played cult spots, and has a dynamic sound that brings jazz improvisation to techno, often featuring live instrumental elements. His music has found its place on top labels like R&S Records, and most of this new EP for SHDW's Mutual Rytm imprint was produced during his Colombian summer tour last year - written and recorded amongst inspiring and unusual settings with just a laptop and headphones.
"This EP represents embracing new beginnings that, though might bring uncertainty and fear, the
light always guides you to where you were always meant to be." - Human Safari.
Opener 'Mouse on Keys' has been a key cut for the label boss across the past year, a unique track that peaks curiosity from dancers to DJs whenever it's played. Its cantering techno rhythm is overlaid with delicate, heartfelt piano keys straight from a smoky jazz bar, making for a great counter to the physical drums. 'Fragments' is a deeply personal track dedicated to the artist's late grandfather. It's a funky, soulful techno roller with blissed-out and sunny chords full of hope.
Next, 'Classique' gets more gritty with loopy drums and bass and glitchy percussion that fizzes with energy, while 'The Labyrinth' features piano motifs recorded in just one take. It brings a dark paranoia in the uneasy, off-grid keys which dart about with nervous energy over the booming low ends. There is just as much intensity and edge to the unresolved keys that loop over the raw drums on 'A Rainy Day in Bogota', before digital bonus cuts 'Dorian' and 'Phantom' bring more jazzed out techno madness with warped keys and expressive elements bringing great invention.
- A1: Iris Out
- A2: Jane Doe
- A3: Kick Back
- B1: Kick Back (Frost Children Remix)
- B2: Kick Back (Hudson Mohawke Remix)
- B3: Kick Back (Tomggg Remix)
Kenshi Yonezu’s cinematic new chapter comes to life on vinyl.
This special single features Kenshi Yonezu’s latest hit IRIS OUT, the evocative theme from CHAINSAW MAN – THE MOVIE: REZE ARC, Top 5 of the Billboard Global 200 charted song,
becoming the highest-ever charting position for a Japanese language song, alongside JANE DOE, a powerful collaboration with J-pop icon Hikaru Utada. Blending Yonezu’s inventive
production with Utada’s signature vocals, the track marks a landmark meeting of two of Japan’s most visionary artists.
The release also includes Yonezu’s global platinum hit KICK BACK, together with fresh remixes by Frost Children and 2 more, each reimagining the song through a distinctive creative lens.
Pressed on single black 45 RPM vinyl, IRIS OUT/JANE DOE is housed in a sleek single-pocket jacket with a fold-out 12”x24” insert including an Illustration by Kenshi Yonezu, making it a
must-have for collectors and fans of Kenshi Yonezu’s bold, genre-defying sound.
Three decades deep and as essential as ever, Ralph Lawson's 20/20 Vision Recordings continues to mine its rich back catalogue with care. To that end, 'Full Circle Vol.3' feels both respectful and forward-facing with new mixes of enduring classics. Roman Flugel reworks 'Machine Life' into a driving club sound with fresh vocals and elastic acid lines, while MADVILLA sharpens 'Rhythm Freq' into a sleek hybrid of house, UKG and electro. Simon Baker's updated 'The Liptrick' retains its raw punch, and Formidable Force close with a warm, late-night dub of 'Reactivate'. It is a tidy reminder of the breadth and depth of sound this label has always dealt in.
New bood red vinyl version! The master in scratch Dj T-Kut together Dj Yamal and Cut Sound Brothers have cooked this new battle vinyl ready to be to squeezed to the maximum, "Scratch Practice". Composed by 2 instrumental tracks and 8 tracks tools, each track is inspired in the classic tracks of the turntable worldwide that converts this record an indispensable piece for the fanatics. The cover is an art of the well-known graffiti artist Mast. Masterized in 126 Productions House. All tracks signed by Dj T-kut. This 2024 version comes as new limited version presented in blood red colour 7" format to enjoy in both ways of this wonderful single.
Colored Vinyl. The Gaia II Space Corps ist ein Album, das nicht ganz nach Heavy Metal oder Hard Rock klingt, aber eindeutig die Qualitäten dieser Genres aufgreift. Es ist Post-Psychedelic und Pre-Metal und nah an einem echten Classic-Hard-Rock-Album, zumindest so nah die Band Motorpsycho diesem jemals kommen wird. The Gaia II Space Corps ist ein kurzes, knappes, eingängiges und mitreißendes Album, das dort anknüpft, wo die Tracks Stanley und The Comeback vom letzten Album aufgehört haben. Die Instrumentierung besteht größtenteils aus Gitarren, Gitarren und noch mehr Gitarren, doch es gibt auch eine ganze Menge Gesang sowie gelegentlich den einen oder anderen Keyboard-Sound. Vor allem aber ist es Gitarrenmusik, die _ nun ja, rockt! Und zwar heftig!!
TCHDWN, the former DMC Vice World Champion and Barcelona based artist, returns with the highly anticipated second chapter of his vinyl-only series: "BCN City Of Mind Summer Collection." Following the success of the Spring Collection, which garnered support from artists like Gabbs and Velasco, this new volume elevates the journey. Still calling Barcelona his creative home since 2018, TCHDWN continues his sonic exploration of the city, capturing the heat, the late night energy, and the relentless pulse of a Mediterranean summer!
Frequencies Rhythm Life proudly presents the new release from Berlin-based DJ Merci. The Orbit EP is a powerful journey through deep grooves and Brazilianinspired rhythms, featuring three original tracks crafted for the dancefloor.
Completing the release is an outstanding remix by Chicago house legend Glenn Underground, who injects his unmistakable acid-driven touch into ‘Test’, pushing the track into a bold new dimension.




















