- A1: Hollywood's Bleeding
- A2: Saint Tropez
- A3: Enemies (Feat Dababy)
- A4: Allergic
- A5: A Thousand Bad Times
- B1: Circles
- B2: Die For Me (Feat Future & Halsey)
- B3: On The Road (Feat Lil Baby & Meek Mill)
- B4: Take What You Want (Feat Ozzy Osbourne & Travis Scott)
- C1: I'm Gonna Be
- C2: Staring At The Sun (Feat Sza)
- C3: Sunflower (Feat Swae Lee)
- C4: Internet
- D1: Goodbyes (Young Thug)
- D2: Myself
- D3: I Know
- D4: Wow
Cerca:hollywood
- 1: Hark! The Herald Angels Sing
- 2: ’Twas The Night Before Christmas
- 3: Winter Wonderland
- 4: Let It Snow
- 5: Snow
- 6: Jingle Bells
- 7: What Christmas Means To Me
- 8: Have Yourself A Merry Little Christmas
- 9: The Christmas Song
- 10: In The Bleak Midwinter
- 11: If You Believe
- 12: Bring On Christmas Day
- 13: Away In A Manger
Das erste Weihnachts-Album der GRAMMY Award Gewinnerin Joss Stone erscheint.
Die mit einer enorm kraftvollen Stimme ausgestattete Joss Stone ist besonders für ihren sehr auf klassischem
Soul basierenden Sound bekannt. Bereits seit ihres Karrierestarts als Teenager hat sie anhaltend Fans
weltweit mit ihrer Musik begeistert. Die britische Sängerin hat sich zunächst mit ihren Neuinterpretationen
klassischer Soul-Songs ein treues Publikum im In- und Ausland erspielt, das sie mit ihrem Können als
Songwriterin und ihrer Fähigkeit, Stile zu erforschen, die weit vom klassischen R&B, ihrer ersten Liebe,
entfernt sind, erweitert hat. Ihr anstehendes Weihnachtsalbum schließt an die zuletzt zusammen mit Dave
Stewart aufgenommenen Soloalben an.
„Merry Christmas, Love“ ist ein Album, gefüllt mit Festtags-Klassikern wie „Winter Wonderland“, „Silent
Night“, „The Christmas Song“ und vielen mehr!
Das Album ist als Jewel Case CD und Vinyl erhältlich sein.
Mit zwei Oscars, einem Golden Globe und zwei Grammys kann James Horner eine unvergessliche Karriere vorweisen. Als Komponist einiger der größten internationalen Blockbuster, darunter Titanic, Star Trek, Braveheart, A Beautiful Mind oder Avatar, ist James Horner eine international anerkannte Filmmusikgröße, dessen Melodien viele begeistert haben. James Horner hinterließ viele Stücke, die mit Sicherheit in die Annalen eingehen werden, die die weltberühmten Prager Philharmoniker auf 'Hollywood Story' für Sie einspielen. Transparent-gelbes Doppelvinyl.
In the gutter lie sun dried leaves, scraps of paper, burnt matches and cigarette butts. It is early morning; the sun rises with warm grace. you've come to the right party... you see, the body of a young man sitting by a pool, nobody important, really. Just a movie writer with a couple of "b" pictures to his credit. He always wanted a pool. Well, in the end he got himself a pool, but let's go back some time and find the day when it all started in “Hollywood,” the place where they pay a thousand dollars for a kiss and fifty cents for your soul.
Three years after he celebrated “Sketch of Japan” EP, Superpitcher returns to Mule Musiq, bringing an epic super-pitched 40 minutes trip named “Hollywood”, that perfectly works as the score for the above remixed opening scene of a famous movie on the trances of Hollywood, the cage, that catch our dreams. It’s a slow grower, incorporating some of core elements of the city of celluloid dreams: action, drama, romance - all epic noir and yet so flooded by light. As ever the producer and DJ from Paris garnished his long building up and going down voyage with se-ducing melodies, glamorous pop, and psychic rhythms, creating the hippy dance ambiences he is famed for. Even though the twelve inch comes in accustomed a/b chapters, “Hollywood” should be perceived in one go to feel the depth of Superpitcher’s tropical leaning story arc, that stretches the idea of a track into a dream of satin teardrops on flickering velvet lights. It paints sonic celluloid pictures of ghostly creatures, while a female/male voice is the music’s constant melodic companion, injection Janus-faced longing dream pop spheres on the overall tripping house melancholy. A heroic electronic drama, elegant as Tamara de Lempicka painting. It asks for endless rides on the Hollywood freeways. in the back the sun – a big orange ball – sinking slowly below the horizon.
You've come to the right party... you see, the body of a young man sitting by a pool, in the back a long, graceful bar, bathed in soft light, filled with elegant customers. There's nothing else, just us and the music and those wonderful people out there in the dark, ready for a divine dance in closeup.
- A1: I Want My Now
- A2: Good People Are Hard To Find
- A3: Who's Laughing Now
- A4: How The Glas Fell
- A5: The Boogieman Surprise
- B1: Welcome To Bushwackers
- B2: The Wrong Bandage
- B3: You Can't Put Your Arms Around A Memory
- B4: Git From Round Me
- C1: Heroes
- C2: A Pitiful Beauty
- C3: New Threat
- C4: Mr.spider
- D1: We Gotta Rise
- D2: People Who Died
- D3: Congratulations
Originally recorded in 1976, Sound City was thought to have been lost
and is now available on vinyl for the first time
The Hollywood Stars were originally put together by impresario and Hollywood
figure Kim Fowley in 1973 (much as he did with The Runaways) and he, always an
attention seeker and an attention grabber, crammed their gigs at the Whiskey AGo- Go full of influential people, together with the coolest and most colourful
Sunset Strip characters. He wanted to create a West Coast version of New York
Dolls, minus the cross- dressing, and they had the sound people wanted in LA's
feel-good, glitzy rock and roll landscape.
When touring, groups like Journey, The Knack, Van Halen and The Runaways all
opened for The Hollywood Stars..
- 1: Alfred Newman– How The West Was Won / Das War Der Wilde Westen
- 2: The Movie Orchestra– Jesse James - Mann Ohne Gesetz: Opening Title
- 3: The Movie Chorus– She Wore A Yellow Ribbon She Wore A Yellow Ribbon / Der Teufelshauptmann
- 4: The Movie Chorus– The Girl I Left Behind Me She Wore A Yellow Ribbon / Der Teufelshauptmann
- 5: Tex Ritter– High Noon: Do Not Forsake Me
- 6: The Movie Chorus– The Horse Soldiers / Der Letzte Befehl: I Left My Lov
- 7: Julie London– Saddle The Wind / Vom Teufel Geritten
- 8: The Movie Orchestra– Opening Title Rachel And The Stranger / Sklavin Der Wildnis
- 9: Robert Mitchum– O-He-O-Hi-O-Ho Rachel And The Stranger / Sklavin Der Wildnis
- 10: Elmer Bernstein & Orchestra– The Magnificent Seven / Die Glorreichen Sieben:openi
- 11: The Movie Orchestra– The Big Country/Weites Land: Opening Title
- 12: Frankie Laine– Man Without A Star / Mit Stahlharter Faust
- 13: Jane Russell– The Tall Men / Drei Rivalen: Tall Man
- 14: The Movie Orchestra– Rio Grande: Opening Title
- 15: The Movie Orchestra– Rio Grande: Dixie
- 16: The Movie Orchestra– Rawhide / Zwei In Der Falle: Opening Title
- 17: Marilyn Monroe– River Of No Return / Fluss Ohne Wiederkehr: One Silv
- 18: Marilyn Monroe– River Of No Return / Fluss Ohne Wiederkehr: River Of
- 19: The Movie Orchestra– My Darling Clementine / Faustrecht Der Pr?Rie: Oh My
- 20: The Movie Tune Chorus– The Man From Laramie / Der Mann Aus Laramie
- 21: Burl Ives– Station West / Gangster Der Prarie: The Sun Shining
- A1: Killing Time
- A2: Anything Goes
- A3: Rocker
- A4: Shadow Of Your Love
- A5: Reckless Life
- A6: Killing Time (Gilby Clarke Remix)
- B1: Rocker (Gilby Clarke Remix)
- B2: Shadow Of Your Love (Gilby Clarke Remix)
- B3: Reckless Life (Gilby Clarke Remix)
- B4: Killing Time (Fred Coury Remix)
- B5: Anything Goes (Fred Coury Remix)
- B6: Rocker (Fred Coury Remix)
- B7: Shadow Of Your Love (Fred Coury Remix)
Color Vinyl[17,61 €]
Formed in 1977 by Tomata du Plenty (vocals), Tommy Gear (synthesizers, vocals), David Brown (electric piano) and KK Barrett (drums), the Screamers were deeply linked to Los Angeles' first wave punk scene, yet their music and high-energy performances stood apart – defying classification and evoking intense audience reactions.
"These songs were recorded a few months after the Los Angeles punk scene began. These five statements of intent transcend Punk and project forward into the future: to the analog synth wave of the late '70s and beyond, to the present day, four decades later, when they finally receive an official release. Sourced from the original reel-to-reels, they are a revelation compared to the countless copies that have been circulating by multiple generations of tape-traders. Here, for the first time, is the Screamers' initial and legendary manifesto.
The Screamers concept was simple, yet audacious: take the spirit and the look of Punk – the pseudo-psychotic aggression, the spiky hair, vacant stares and barely concealed sadomasochism – and match it to a different configuration than the typical '60s rock template. As launched, the Screamers featured two keyboard players (Tommy Gear and David Brown), a drummer (KK Barrett) and an intensely charismatic singer (Tomata du Plenty). The idea was to be confrontational – to evoke (as Tomata described in an early interview) a state of anxiety.
Forty years later, this release builds on the groundswell of interest in the Screamers that has been occurring in the early 21st century. There are web sites with detailed histories of the group and several bootlegs of demos and live material from 1977-79. The video of '122 Hours of Fear' – perhaps their peak moment, recorded at Target Video in August 1978 – has now passed over 650,000 views online. This is the Screamers' time, and the time is now."
– Jon Savage (excerpt from the liner notes)
Black Vinyl[16,77 €]
Color Vinyl
Formed in 1977 by Tomata du Plenty (vocals), Tommy Gear (synthesizers, vocals), David Brown (electric piano) and KK Barrett (drums), the Screamers were deeply linked to Los Angeles' first wave punk scene, yet their music and high-energy performances stood apart – defying classification and evoking intense audience reactions.
"These songs were recorded a few months after the Los Angeles punk scene began. These five statements of intent transcend Punk and project forward into the future: to the analog synth wave of the late '70s and beyond, to the present day, four decades later, when they finally receive an official release. Sourced from the original reel-to-reels, they are a revelation compared to the countless copies that have been circulating by multiple generations of tape-traders. Here, for the first time, is the Screamers' initial and legendary manifesto.
The Screamers concept was simple, yet audacious: take the spirit and the look of Punk – the pseudo-psychotic aggression, the spiky hair, vacant stares and barely concealed sadomasochism – and match it to a different configuration than the typical '60s rock template. As launched, the Screamers featured two keyboard players (Tommy Gear and David Brown), a drummer (KK Barrett) and an intensely charismatic singer (Tomata du Plenty). The idea was to be confrontational – to evoke (as Tomata described in an early interview) a state of anxiety.
Forty years later, this release builds on the groundswell of interest in the Screamers that has been occurring in the early 21st century. There are web sites with detailed histories of the group and several bootlegs of demos and live material from 1977-79. The video of '122 Hours of Fear' – perhaps their peak moment, recorded at Target Video in August 1978 – has now passed over 650,000 views online. This is the Screamers' time, and the time is now."
– Jon Savage (excerpt from the liner notes)
If you’re into funky sixties or seventies B-movies soundtracks, Mustang Force is what you need! Composed of 14 tracks recorded live and composed by Sébastien Blanchon (drums, rhodes, organ, clavinet, synthesizers) and Emmanuel Marée (drums, guitar, bass,
percussion), Hollywood Hustlers is an imaginary soundtrack inspired by all these movies. 14 songs recorded live, illustratring scenes of pursuits, deals, investigations. An album which will undoubtedly delight fans of funk and rare groove.
- A1: Roy Head & The Traits - Treat Her Right
- A2: The Bob Seger System - Ramblin' Gamblin' Man
- A3: Deep Purple - Boss Radio (Feat Humble Harve)
- A4: The Village Callers - Hush
- A5: Buchanan Brothers - Mug Root Beer Advertisement
- A6: Chad & Jeremy - Hector
- A7: Paul Revere & The Raiders - Son Of A Lovin' Man
- A8: Paul Revere & The Raiders - Paxton Quigley's Had The Course
- B1: The Box Tops - Tanya Tanning Butter Advertisement
- B2: Mitch Ryder & The Detroit Wheels - Good Thing
- B3: Deep Purple - Hungry
- B4: Buffy Sainte-Marie - Choo Choo Train
- B5: Simon & Garfunkel - Jenny Take A Ride
- B6: Paul Revere & The Raiders - Kentucky Woman
- B7: Los Bravos - The Circle Game
- C1: Dee Clark - Boss Radio (Feat The Real Don Steele)
- C10: Summer Blonde Advertisement
- C11: Brother Love's Traveling Salvation Show
- C2: Buffy Sainte-Marie - Mrs Robinson
- C3: Neil Diamond - Numero Uno Advertisement
- C4: Robert Corff - Bring A Little Lovin
- C5: Paul Revere & The Raiders - Suddenly/Heaven Sent Advertisement
- C6: Jose Feliciano - Vagabond High School Reunion
- C7: I Cantori Moderni Di Alessandroni - Khj Los Angeles Weather Report
- D1: Don't Chase Me Around
- D2: Mr Sun, Mr Moon (Feat Mark Lindsay)
- D3: California Dreamin
- D4: Dinamite Jim (English Version)
- D5: You Keep Me Hangin' On
- D6: Miss Lily Langtry
- D7: Khj Batman Promotion
- C8: Vanilla Fudge - The Illustrated Man Advertisement/Ready For Action
- C9: Maurice Jarre - Hey Little Girl
The soundtrack for Quentin Tarantino’s heavily anticipated music laden film Once Upon a Time… in Hollywood, personally curated by Tarantino himself, the soundtrack is a love letter to the music of 1960s era Hollywood. The Once Upon a Time… in Hollywood soundtrack features over 20 standout tracks from artists such as Paul Revere & The Raiders, Deep Purple, and Neil Diamond, as well as vintage radio advertisements, creating a true time capsule of a golden era of filmmaking.
Quentin Tarantino’s Once Upon a Time… in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore. The ninth film from the writer/director features a large ensemble cast and multiple storylines in atribute to the final moments of Hollywood’s golden age. Written and directed by Quentin Tarantino. Produced by David Heyman, Shannon McIntosh and Quentin Tarantino. Georgia Kacandes, YU Dong and Jeffrey Chan serve as executive producers. The film also stars Margot Robbie as Sharon Tate plus Al Pacino, Emile Hirsch, Timothy Olyphant, Dakota Fanning, Bruce Dern, Lena Dunham and more.
- A1: Hold On To My Love
- A2: You Make Me Feel Like Dancing
- A3: Reflections
- A4: When I Need You
- A5: No Business Like Love Business
- B1: I Hear The Laughter
- B2: Magdalena
- B3: How Much Love
- B4: I Think We Fell In Love Too Fast
- B5: Endless Flight
- C1: Thunder In My Heart
- C2: Easy To Love
- C3: Leave Well Enough Alone
- C4: I Want You Back
- C5: It's Over
- D1: Fool For Your Love
- D2: World Keeps On Turning
- D3: There Isn't Anything I Wouldn't Do
- D4: Everything I've Got
- D5: We Can Start All Over Again
- E1: Stormy Weather
- E2: Dancing The Night Away
- E3: I Can't Stop Loving You (Though I Try)
- E4: La Booga Rooga
- E5: Raining In My Heart
- F1: Something Fine
- F2: Running To My Freedom
- F3: Frankie Lee
- F4: Don't Look Away
- F5: No Looking Back
In a career spanning 45 years, Leo Sayer has sold more than 80 MILLION records worldwide.
To coincide with Leo's forthcoming return to the UK for his 22-date 'Just A Boy At 70' tour, 'The Hollywood Years
1976-1978' is the second of a series of three Vinyl LP box sets.
'The Hollywood Years 1976-1978' comprises Leo's three studio albums. 'Endless Flight' (released 1976/UK
#4) 'Thunder In My Heart' (released 1977/UK #8) and 'Another Year' (released 1978/UK #15) and marked a
clear departure from his early albums.
Leo recorded these three albums with legendary producer Richard Perry, who brought in a variety of songwriters
and collaborators to work on the projects with Leo; it was a venerable Who's Who of the record industry.
Each vinyl LP Box set in this Limited Edition release, will be pressed on heavyweight 180g clear vinyl and contain
a signed 12'x12' print.
This project has been overseen by Leo Sayer, who remains one of the UK's great singer/songwriters of all time.
- A1: Two Tribes (Introduced Via The Piano Of Anne Dudley)
- A2: The Power Of Love
- A3: Relax (The Last Seven Inches)
- A4: Two Tribes (We Don't Want To Die)
- A5: War! (Hide Yourself)
- B1: Welcome To The Pleasuredome (A Remade World)
- B2: Ferry Cross The Mersey (And Here I'll Stay)
- B3: Rage Hard (Bob K Remix)
- B4: Watching The Wildlife
- C1: Born To Run (Live On The Tube)
- C2: Warriors (Attack) (Seven Inch)
- C3: Kill The Pain
- C4: Maximum Joy
- D1: Two Tribes (Annihilation) (Twelve Inch)
- D2: Relax (New York) (Twelve Inch)
- D3: The Power Of Love (...Best Listened To By Lovers)
- A1: 20Th Century Fox Dub
- A2: Enter The Dragon Dub
- A3: Shaft Dub
- A4: Coffy Is The Color Dub
- A5: Love Theme From The Godfather Dub
- A6: The Good, The Bad & The Ugly Dub
- B1: T Stands For Trouble Dub
- B2: Condor Dub!
- B3: Psycho Dub
- B4: The Imperial March Dub
- B5: Close Encounters Of Third Kind Dub
- B6: Tstands For Trouble Dub Version
Thomas Blanchot, 40 years old percussionist and drummer, started his production structure Mato Production in 2001, where he collaborated and directed for many projects.
Composer, music publisher and producer of music for TV, advertising, films and records, he also began a career as reggae producer since 2006, under the name "MATO". Since then he's released music through various projects concepts, coming out through labels such as Makasound, EDR Records or Big Singles. In the meantime he developed a real trademark: taking over classics French, Hip-Hop, or Pop song, into roots reggae-dub new versions.
Besides since 2010, Mato has built a solid reputation thanks to his hot remixes of Hip-Hop classics on Stix Records. And in 2014, he presented Homework Dub, giving his own vision of the multiplatinum classic album by Daft Punk, quickly acclaimed internationally as a true performance.
Today, Mato is back with another target for his special skills as a tailor of reggae music, this time focusing on classic musical themes from original soundtracks. Imagine if Lalo Schiffrin, Nino Rota, Gorgio Moroder, Ennio Morricone or John Williams had been blunted at Lee 'Scratch' Perry's Black Ark studio... there you go, this is Hollywoo Dub!!
Fresh from the factory of dreams. The three times academy award winning team for lifetime achievement Mioh and Durrrred are presenting the Hollywood Boulevard EP. Glamour and glitter for your soundsystem.
Love and happiness for your heart and soul.
Early suppoert by Brangelina, Frat-Pack and Marlene Dietrich.




















