Cerca:hono

For her second full-length as Plume Girl, Sowmya Somanath crafts a space where boundaries of language, feeling, and sound start to dissolve. ‘Unnameable Glory’ ruminates on the limits of expression, and the luminous freedom that emerges when we let go of the need to name. Elaborating on the exploratory songs of her debut, Plume Girl continues to bring together Hindustani classical improvisation, ambient soundscapes, and experimental pop.

Somanath’s voice—from gentle murmur to radiant call—guides the listener through dreamlike arrangements: sunrise guitar arpeggios, humming choirs, heartbeat kickdrums, and synths tremble. Elsewhere field sounds and old family recordings are collaged, a woman’s giggle transposed into a piano melody, a sloshing body of water mirrored by synth bleeps. Plume Girl conjures moments of revelation, drawing from the natural beauty and intuition, that unnameable glory.

Is there a divinity or a wholeness that exists beyond language, belief, or tradition? Unnameable Glory both celebrates and gently challenges the notion: Can we honour the creative richness of culture while also seeing through the divisions it creates? Can we meet the world—and each other—without assumption, without fear, with eyes made new? In these songs, the sacred is found not in grand gestures, but in the anonymous freedom of simply being: the iridescence of oil and water on a street, the smile of a stranger, the hush that settles by a creek.

At the heart of the album is a sense of curiosity and surrender—a willingness to listen without judgment, to let the moment be unnameable, to allow wonder to arise and dissolve. And yet, as Somanath notes, there’s an impulse to capture that’s tough to ignore; a need to replicate and remember. Unnameable Glory dwells in this tension: between holding and letting go, between the urge to define and the beauty of what cannot be contained. There is a quiet, revolutionary joy in simply living and sensing together. Music becomes a meeting place for the whole, the holy, and the unnamable.

Juan Ramos is up to bat for the next Körperspannung release with the four-track stunner EP ‘Hard Bois’. Deeply connected to the ongoing pursuit of gay excellence and endeavors, Juan honors those who have come before us and touches us deeply in our soft spots at all the right moments. Across ‘Hard Bois EP’, the Berlin resident and behind the scenes operator (IYKYK) shows precisely why he’s one of dance music’s most exciting and dependable prospects. Opening the release, ‘Hard Bois’ combines snaking drums in a melange of samples with bff Kris Baha vocalizing sizzling and snaking lyrics winding around this propulsive club cut that could easily be a snapshot right out of a scene from Chicago’s iconic Medusa Club. ‘Saviour Sound’ is music that makes iron pipes sweat with hedonistic abandon. Exposed steel vibrates to a hardcore beat. Gears interlock to move the whole building into autonomous productivity. Conduits of electricity pulsate to the drama unfolding in a dim lit factory with dank corridors leading us on a path to a flowerbed growing and thriving in a subterranean hydroponic garden.
On the flip, the alarm strikes and it’s (shout it out): ‘Werk Day’! This is your call to get buttoned up and ready to make dreams reality. Head to the gym, pump those guns and then house your body. Technological funk winding through a sturdy and rock hard kick that helps you ride through the chasms of pleasure and pain. Rounding out the release is your ‘Acid BB’ rocking and roaring through the airspace of atomized acid matter, a perfect closer to a thoroughly exciting direction Juan Ramos takes with his newfound sound. Play it loud. Play it proud. Juan is one of our own and we do all we can to take care of each other.

A sequel to the 2001 series Blue Planet, it took 4 years to complete this seven part new exploration of the underwater worlds, with 125 expeditions across

39 countries and 6000 hours of underwater filming. The series was broadcast on BBC One on 29 October 2017 with viewing figures exceeding 10m and

its exposure of plastic pollution in our oceans has started a global conversation about reducing plastic waste, now more relevant than ever.

With over 120 soundtracks to his credit which have grossed 24 billion dollars at the box office, Hans Zimmer has been honoured with many accolades:

an Academy Award, two Golden Globes, three Grammys, an American Music Award, a Tony Award and The Henry Mancini Award for Lifetime Achievement.

His Academy Award nomination for Interstellar marked his 10th Oscar nomination.

The composition is completed by Jacob Shea and David Fleming from Emmy and BAFTA nominated Bleeding Fingers Music. Bleeding Fingers has created

original music for productions including the Fox’s The Simpsons, BBC’s Planet Earth II, National Geographic’s Princess Diana In Her Own Words, NBC’s hit

Little Big Shots, Sony’s Snatch (TV), Amazon’s American Playboy, AMC’s The Making Of The Mob, Netflix original Roman Empire and History Channel’s Mountain Men.

Dom Salvador, the unassuming godfather of Brazilian soul music, has left an indelible mark through his unique fusion of jazz, soul, funk, samba, and Brazilian rhythms. His legacy continues with Dom Salvador JID024, produced by Adrian Younge and Ali Shaheed Muhammad. The album honors Salvador’s pioneering sound, continuing the vibrant dialogue between Brazilian and American music and inviting listeners to experience his rich, groundbreaking style.

Superlux return to make it to double digits with their tenth release, this time extending the family via Tunisian DJ & producer Ahmet Mecnun’s ‘Individuality’ EP.

Already massive fans of the burgeoning North African scene, when Ahmet’s demos landed at Superlux HQ, they were an instant cop. Threading the needle between house, minimal, electro and breakbeat with the intricacy of a master craftsman, the ‘Individuality’ EP perfectly surmises both his and the imprint’s sonic signature.

Superlux Records is honoured to have the opportunity to distribute some of Ahmet’s finest work to the masses.

To celebrate the 10th anniversary of the "Surf Rider" EP (originally released in 2015 on Lumière Noire), Dialect Recordings publishes a limited vinyl edition featuring an exclusive edit of "Lies" by Blackjoy.



For the occasion, Il Est Vilaine’s long time collaborator Apollo Thomas has designed a brand-new cover and created a mini comics included with the vinyl. A beautiful collector’s item to honor this classic!

Knowledge The Pirate returns with a powerful new statement with his new album, The Round Table, which is now available. The Round Table is produced in its entirety by longtime collaborator and legend Roc Marciano through his Pimpire International imprint.

With roots in New York’s revered ‘90s hip-hop scene, Knowledge The Pirate has steadily built a reputation as one of the genre’s most consistent and authentic voices. A frequent Roc Marci collaborator and key figure in the modern un-derground renaissance, Knowledge fuses golden-age grit with new wave innovation—bridging generations while stay-ing firmly rooted in New York’s timeless sound.

Since his 2018 debut Flintlock, Knowledge has carved a lane entirely his own through his label Treasure Chest Enter-tainment, Inc. With five acclaimed projects under his belt, including the recent 5lbs of Pressure, he continues to deliver unfiltered street wisdom and personal reflection in every bar.

The Round Table stands as a testament to his evolution—an uncompromising body of work laced with Roc Marciano’s signature production and Knowledge’s lived-in lyricism. It’s not just a record—it’s a meeting of the minds, an audio council of kings.

“The Round Table is cinematic storytelling, teaching street knowledge, eating etiquette that will save your life” Knowledge professes. “This album is like an Honorable Elijah Muhammad book; How To Eat To Live. Produced fully by the true creator of the new wave sound, Roc Marciano, you are all invited to a seat at The Round Table; and break bread with the true Godfathers of this new wave rap renaissance.”

First Word Records are proud to present the debut single from Above The Clouds (aka kidkanevil & Magic Manfred) with their instrumental take on an MF DOOM classic, 'Arrow Root'

One of the original First Word roster, UK Producer/DJ and all-round laptop music geek kidkanevil has developed a distinctive and progressive sound over the years, gleefully exploring the beats and bleeps of the electronic music universe to international recognition. Leeds born, sound system bred and raised on a (un)healthy diet of video games and anime, his solo work inhabits the curious space between bass frequencies and otaku culture. But as a devoted teenage backpack rap nerd, somewhere in the back of kid's mind was a lingering desire to reconnect with his first love, hip hop.

Not long after moving to Berlin he joined a studio space in graffiti plastered Kreuzberg, where he met multi instrumentalist wizard Magic Manfred; a disciple of all things boogie, disco, funk and soul. Born and raised in Berlin, and currently a touring musician for many an act, Manfred's musical map joins the dots from piano lessons at four, to starting a band with his teenage friends, leading him to his true calling - the bass - via the club vibrations of his hometown, which introduced him to the world of DJing and production, and a stint studying in the explosive London jazz scene to finalise his Jedi training.

Bonding over their mutual love of '90s hip hop, a friendship and musical kinship developed, coupled with a desire to honour past eras but push things forward, Above The Clouds was born; named after their joint favourite DJ Premier beat, with a touch of irony regarding their basement based studio of a windowless variety.

kidkanevil explains "We did a number of covers to sort of get warmed up and in the pocket, of which 'Arrow Root' was one. I actually interviewed DOOM once, mask and all, and I always regretted I forgot to ask him about the original sample. It's been one of my favourite DOOM beats forever and it came up in conversation one day, then manifested pretty quickly into a session. It came together with relative ease and quickness, which is usually a good sign. Manfred worked out the chords and I remade the drums in about the same time frame. Mario is an exceptional saxophone player based in Berlin, so a few text messages later she came by the studio and nailed the entire thing on her first take. And that was that, our humble tribute to the supervillain!"

This one is backed up on the flip side with 'Tram Delay Beat'; a low slung neck-snapper teasing more of what's to come.

This is the first single from the duo, with a long player now in the works…

Above the crowds, above the clouds, where the sounds are original, infinite skills create miracles…

The Solid Gold Playaz (and global house music scene) experienced an immeasurable loss in 2021 with the sudden passing of Kenny Gino. Known for pushing the boundaries of deep house and house with funk, Solid Gold Playaz carved a legacy on dance floors worldwide, bringing infectious grooves and undeniable energy to the community.

Years following this heartbreaking loss, the surviving member remains committed to honoring Kenny’s memory and the groups musical efforts. “This music was our heartbeat, and that heartbeat will never stop,” says Mike Theus. “We started this journey together, and I will continue to celebrate the sound we built, ensuring Kenny's spirit lives on in every track, every set, and every dance floor. ” Fans can expect future releases of new and unreleased material on Moods & Grooves as Solid Gold Playaz keeps the music alive.

The Black Gold EP blends the hypnotic depth of deep house, the infectious bounce of house with funk, and the driving energy of tech-house; this EP is a sonic experience designed for dance floors and late-night sessions alike. Let the beats move you. Let the grooves consume you. The Black Gold EP is coming. Are you ready to dance?

The Spanish Queen (of the Piano)

She had small, square hands. She was 1.52 m tall. As a child, she banged her head on the floor to be allowed to play the piano. She was Catalan. She was a pianist—one of the greatest. Her mission? To spread the Spanish repertoire. Her name was Alicia de Larrocha.

When she passed away in 2009 at age 89, Nelson Freire wrote, "I truly loved her; she was a modest woman, and her playing shone like the sun." Acclaimed worldwide, she stood alongside Victoria de Los Angeles as one of Spain’s finest artists.

Larrocha’s journey began at three, seated at a piano. At four, she studied under Frank Marshall, a student of Granados. By six, she was performing publicly; by eleven, she played Mozart’s Coronation Concerto with Madrid’s Symphony Orchestra, astonishing audiences. Despite her small hands, she developed an airy, precise touch, even daring to record Rachmaninov’s Third Concerto. But beyond technical mastery, her playing held a profound sense of life and imagination.

Though trained in Bach, Mozart, and Chopin, Larrocha fought to bring Spanish composers to global audiences. Albéniz and Granados owe much of their fame to her. Her international breakthrough came in the 1950s when an American impresario heard her Spanish recordings and invited her to the U.S., where she triumphed.

Her performances honored Spain’s musical heritage. From Soler’s sonatas to Granados' Goyescas, she infused each note with nuance. She brought Goya’s paintings to life in El Pelele and mastered the dark contrasts of Surinach’s Canción y Danza. Albéniz’s Iberia demanded both power and delicacy—qualities she commanded effortlessly.

Her final tribute was to her friend Francis Poulenc, performing his Toccata—a soaring farewell.

As one admirer put it in 1982, "She walked toward a piano too big for her, sat, placed her hands on the keys… and became the queen."

Alicia De Larrocha, Piano

Jazz Side Of The Moon is reissued on 180gram One Step Pressing LP and SACD Hybrid Stereo.

A homage to Pink Floyd's Dark Side Of The Moon, which celebrated its 50th anniversary in 2023, Jazz Side Of The Moon is one of the brightest jewels in the catalog of noted audiophile label Chesky Records.

It was recorded in 2007 in St. Peter's Church, New York, by a jazz supergroup consisting of organist Sam Yahel, drummer Ari Hoenig, guitarist Mike Moreno, and tenor saxophonist Seamus Blake. The quartet put a fresh spin on an old classic, giving it a transformative makeover that honored the spirit of the original 1973 LP while adding something new and refreshingly different. The record's highlights include sensational renditions of the Floyd favorites "Time," "The Great Gig In The Sky" and "Money."

Shortly after Jay Dee’s younger brother Illa J’s solo debut was issued on Delicious Vinyl, the label and the artist knew the next step in honouring Jay Dee’s legacy was to issue the complete instrumentals from Yancey Boys as a stand-alone release. This mother lode of previously untouched (at the time) beats dates as far back as Jay Dee’s time working on the Pharcyde’s sophomore album, 1995’s Labcabincalifornia. As Delicious Vinyl owner Michael Ross explains, “From ‘95 through ’98 Jay Dee was my go-to guy for hot beats and remixes. He was always making beats, always. So there was a select amount of tracks that he composed for me during that time, tracks as good as anything he’d done, only they never got used.” Once these beats were used for Illa J’s Yancey Boys they were presented to the public on Yancey Boys Instrumentals.

Mr Bongo proudly presents Ritmo Italiano ‘Unspoken Sounds of Italian Tamburo’ a captivating compilation of percussive-driven, Italian gems curated by Sardinian multi-instrumentalist, percussionist and producer, Gabriele Poso. A journey into the heart of Italian musical history, it celebrates Italy’s rich rhythmic traditions, showcasing a selection of genre-traversing, Italian treasures from the ‘60s to the early ‘90s. Honouring the timeless rhythms of Italian percussion masters, alongside a brand-new exclusive composition by Gabriele, ‘Ritmo Italiano’ shines a light on the universal, primal language of the drum.

A connection sparked from an early age; percussion has always deeply resonated with Gabriele. It led to years of studying percussion traditions across Cuba, Puerto Rico, and Brazil, crafting his own songwriting skills in the process. An acclaimed producer and compiler, his releases on Yoruba Records, BBE and Soundway Records have garnered global support. Yet a growing need to rediscover the essence of his country’s cultural heritage laid the foundations for this new compilation.

In Gabriele’s own words, “Italy has always been a crossroads of civilizations, with influences from the Mediterranean, North Africa, the Middle East, and Europe converging over centuries. Ports like Naples, Genoa, and Venice played a crucial role as gateways for musical exchange, a melting pot of sounds and cultures brought by sailors, merchants and travellers. These influences blended with Italy’s own folk and religious traditions, creating Italy’s unique and emotionally resonant rhythms.”

Across the 12 absorbing tracks, there’s jazz influences, Italian library music aesthetics and experimental beats mixing with Afro-Cuban and Mediterranean rhythms. It’s a broad selection anchored by the drums. The synth-heavy, ‘80s jazz funk flavours of Gegè Munari's ‘Police Man’, sit side-by-side with the samba-infused ‘Napulitano D' 'O Brasil’ by Don Marino Barreto Jr. Tribal, earthly energy radiates from Naco’s ‘Volando Con Milton’, with Tullio De Piscopo serving up cosmic disco brilliance, and blistering jazz funk mastery coming courtesy of Agostino Marangolo. Taking the name of the compilation, a new original track by Gabriele, ‘Ritmo Italiano’, blends traditional rhythms with contemporary energy, Afro-Latin influences with Italian jazz essence. Recorded live in one take, it captures a raw, unfiltered vibe.

“Each track tells a story, connecting the past with the present, and highlighting the deep-rooted traditions that shape Italy’s rhythms. The collection also offers a glimpse into the diversity of Italian music with a variety of styles from the organic, earthy beats to the more experimental and modern takes on traditional rhythms. It’s a reflection of how these rhythms have not only shaped Italian culture but also influenced global music.”

An Announcement Of A Miracle
This tune is about a specific idea..
not using a 303 to make a timeless piece of Chicago Seriousness.

The Jak & Nico Babylon lays out the foundation of vintage electronics righteously snapping Kode with an intense amount of energy and balance paying respect to the underground tribes.
The sermon included throughout the song is about the truthful miracle in the lives of OUR humanity everyday.
listen, absorb and realize!

Roman Romance 4 The Drum Kidz
This is a honorable homage to Fred Brown from Rocking House Records (Chicago)..

The Jak & Nico go head to head with this dark and melancholic slab of pure chicago created by hand…
Showin Ultra Respect.

New club heat by Fabio Monesi on his own Wilson Records imprint. ''Fabio Monesi delivers what can be considered a true masterpiece or a quintessential House Anthem, demonstrating a profound grasp of the genre's foundational elements while seamlessly incorporating a fresh, nuanced approach to production. House Anthem stands as a polished work that honors house music's rich legacy while boldly pushing the boundaries of contemporary sound. Monesi showcases his remarkable talent for crafting a track that speaks to both the dedicated house enthusiast and the enthusiastic clubgoer, offering a timeless piece of music that transcends trends.''

Latency presents the first-ever arrangements of iconic Ethiopian composer Emahoy Tsege Mariam Gebru"s music for piano and strings, honoring her desire to broaden the interpretation of her work beyond the piano. Led by pianist, composer, and Emahoy"s close friend Maya Dunietz, a nine-piece string ensemble performed her compositions during two tribute concerts at the Bourse de Commerce in Paris, in April 2024. This album celebrates the centenary of Emahoy"s birth and commemorates the first anniversary of her passing.

The collaboration between influential DJ/producer Eli Escobar and acclaimed vocalist/songwriter Nomi Ruiz has been a long time in the making. The two Puerto Rican New York native’s first collaboration, the electrifying track ‘Desire’ in 2011, set the stage for a series of projects, including their recent joint effort ‘Dance 4 Love ’99’. Now, they are set to release their debut LP, ‘Love Louder’.

‘Love Louder’ captures Eli and Nomi’s experiences of love and loss, reflecting their enduring connection to New York City and its vibrant, yet fading, nightlife culture. The album, while featuring dancefloor gems like ‘Heathens’ and ‘Full Fantasy’, takes an emotional turn, focusing on the themes of loss and presence in a rapidly changing world. The title track opens with lyrics invoking the late Donny Hathaway, reflecting a more profound introspection from the duo. They share their pain over loss, particularly the passing of mutual friend James Dewitt (DJ BluJemz), whose absence profoundly affected their creative process.

Escobar recently opened a club in Brooklyn named Gabriela, honoring a friend who passed away during the pandemic, emphasizing their commitment to preserving New York's cultural landscape. ‘Love Louder’ serves as a love letter to their hometown, intertwining celebration with mourning. In the poignant track ‘Go Be Gone’, Ruiz expresses the difficulty of embracing change and saying goodbye.

As they honor the past, they also aim for a brighter future through their music.

From the moment she began writing her new album, Japanese Breakfast’s Michelle Zauner knew that she wanted to call it Jubilee. After all, a jubilee is a celebration of the passage of time—a festival to usher in the hope of a new era in brilliant technicolor. Zauner’s first two albums garnered acclaim for the way they grappled with anguish; Psychopomp was written as her mother underwent cancer treatment, while Soft Sounds From Another Planet took the grief she held from her mother‘s death and used it as a conduit to explore the cosmos. Now, at the start of a new decade, Japanese Breakfast is ready to fight for happiness, an all-too-scarce resource in our seemingly crumbling world.


Jubilee finds Michelle Zauner embracing ambition and, with it, her boldest ideas and songs yet. Inspired by records like Bjork’s Homogenic, Zauner delivers bigness throughout - big ideas, big textures, colours, sounds and feelings. At a time when virtually everything feels extreme, Jubilee sets its sights on maximal joy, imagination, and exhilaration. It is, in Michelle Zauner’s words, “a record about fighting to feel. I wanted to re-experience the pure, unadulterated joy of creation...The songs are about recalling the optimism of youth and applying it to adulthood. They’re about making difficult choices, fighting ignominious impulses and honouring commitments, confronting the constant struggle we have with ourselves to be better people.”

Throughout Jubilee, Zauner pours her own life into the universe of each song to tell real stories, and allowing those universes, in turn, to fill in the details. Joy, change, evolution - these things take real time, and real effort. And Japanese Breakfast is here for it.

[b] 2 Nahko– 4th Door, Featuring [Feat] – Natalie Schepman, Songwriter – Jose Patricio Zuniga Labarca, Justin Chittams, Max Ribner, Michael Joseph Hall II, Nahko, Timothy Michael Snider*, Tj Schaper







[j] 10 Nahko– Dear Brother, Featuring [Feat] – Xiuhtezcatl, Songwriter – Jose Patricio Zuniga Labarca, Justin Chittams, Max Ribner, Michael Joseph Hall II, Nahko, TJ Schaper, Timothy Michael Snider*, Xiuhtezcatl