- A1: Super Heathen Child (Grinderman/Fripp)
- A2: Worm Tamer (A Place To Bury Strangers Remix)
- A3: Bellringer Blues (Nick Zinner Remix)
- B1: Hyper Worm Tamer (Unkle Remix)
- B2: Mickey Bloody Mouse (Joshua Homme Remix)
- B3: When My Baby Comes (Cat's Eyes With Luke Tristram)
- C1: Palaces Of Montezuma (Barry Adamson Remix)
- C2: Evil ('Silver Alert' Remix Featuring Matt Berninger)
- C3: When My Baby Comes (Six Toes Remix)
- D1: Heathen Child (Andrew Weatherall Remix)
- D2: Evil (The Michael Cliffe House' Remix)
- D3: First Evil
quête:house 2 house
Follow-up 4 Track 12' to the first Volume that was released earlier this year.In line with the concept of these two EP's, the tracks were again taken from Juergen Junker's
Live-Set, recorded straight out of the machines.
Enigmatic producer Ka§par delivers 6 tracks which vary from punchy electronics to breezy house
2026 Repress
Chicago deep house pioneer Merwyn “Merle” Sanders needs no introduction to true heads.As one half of the legendary Virgo Four (alongside Eric Lewis) and under a slew of aliases, Merwyn helped shape the sound of late ’80s deep and acid house. Their records, now considered foundational, continue to echo across dancefloors and DJ sets worldwide.In the late ’90s, after years of trying to release more material through Trax Records, Merwyn took matters into his own hands. He self-produced his first 12” under the Merle alias — a record that sadly flew under the radar at the time, with most copies eventually destroyed. But one track survived and thrived: “Fannie Likes 2 Dance.” What started as a quiet release became an underground classic, highly sought after by DJs and collectors alike.
Now, Still Music and Jerome Derradji proudly present the full reissue of this cult favorite — featuring the two original mixes along with a never-before-heard unreleased remix by Merle himself.
This special edition comes housed in a full sleeve, complete with a detailed backstory written by Jerome Derradji about the track’s origins and legacy. A true slice of Chicago house history, back where it belongs — on wax.




















