Buscar:hypno

FA>lE Records next offering is the brilliant Lupe' EP by Drana, Hypnotic deep techno groovers with 2 super remixes by Patrice Meiner and Novio Dub Tribe AKA Roger Gerressen & Sinan Alakus, 180g Vinyl Only

Volf's second EP for Dolly and it's on! Two fierce but club friendly rolling techno tracks featuring an epic Luke Hess remix. With their warm and euphoric chords 'Hydro Funk' and 'Shadow Section' will take you right back to the golden days of techno, reminding a bit of Aril Brikha and the likes. Detroit's Luke Hess on remix duties takes 'Hydro Funk' into even deeper territories. An hypnotic and melancholic, yet very driving detroit techno tool. Pure bliss on Dolly number 23.

Optimo Music release THE GOLDEN FILTER's 'PS1103' in late September.


We are very happy to welcome The Golden Filter to Optimo Music. In fact we loved all the tracks they sent us so much that as well as a 4-track EP, they will be sharing an EP release on Optimo Trax too.

Penelope and Stephen originally hail from opposite sides of the planet (Australia and America) but have united to create a distinctly unique electronic sound. Following several previous releases, their sound has progressed into a deeper, richer, advanced hypno-sound with state of the art synthetic sound design and vocal phrases ricocheting around the mix. It's hard to pull off tracks that constantly morph and develop over the course of a few minutes but The Golden Filter accomplish this with seeming ease on the "PS1103" EP.

Music for nightclubs and far beyond.

Trabet Records is proud to presents his first release on vinyl and digital: 'FIBRA 01 EP'. In this release we can find 4 track of pure techno.
The first track is 'Enter' by Elektrabel (Czech Republic): a hypnotic track with extensive development of sequences and patterns.
The second track is 'Interferencial 2P' by Josh Larue (Spain): strong techno track with a surround sound full of nuances.
Luis Ruiz ( Argentina ) signs the third track named 'Tetramorph' A solid track with classical percussion together with an organic transition.
The last track is 'Cities Of Tomorrow' by Migueru Anheru (Spain): In this track we can find a sound that is rooted in the American techno

'On the second vinyl of Shaded Music we have a split release by Calli and Pagalve. Deep and hypnotic techno with refined layers of soundscapes and powerful kickdrum together well crafted percussion opens the vinyl on A side as a 'Railroad' by Calli. A2 is a pounding detroitish remix of Pagalve's track 'Acidized' with Slovakian techno legend - Loktibrada on duty. Previously released tons of vinyl records on respected labels as 'Tresor', 'Planet Rhythm', 'Numb', 'Olga+Jozef' or 'Palicavonzvreca' - Loktibrada delivers his first appearance on vinyl since 2011. On other
side of the record - 2 tracks by Pagalve. 'Stories' is an addictive piece of music with spacey taste of TB-303 while 'Reverse 4' is a slamming atmospheric techno track for a prime time dancefloor shaking. From Oslo, Vilnius and Bratislava with love!'

Composer, musician and producer Nils Frahm steers the new edition of Late Night Tales, set for release on 11th September. A hypnotic voyage through modern and classical composition, experimental electronics, jazz, dub techno, soundtracks and soul; Frahm's Late Night Tales haunts and beguiles. It's not mixing, so much as gently layering, like a particularly fluffy goose-down duvet folding in on itself, the folds part of the attraction, the layers part of the overall picture being painted. Many of the tracks have been edited, effected and re-made. The subtly overdubbed parts on Rhythm & Sound's 'Mango Drive' adding to the haunting hypnosis, while choral interruptions aid Miles Davis' 'Générique' on its journey towards the light. Meanwhile, on Boards Of Canada's 'In A Beautiful Place Out In The Country', the tempo is somewhat sluggish, the organs slurred, as Frahm slows it down to a funereal 33rpm that nevertheless fits perfectly. The purring of his girlfriend's cat Cleo transitions playfully between Nina Simone's definitive version of 'Who Knows Where the Time Goes' and unearthing the gentle electronics of Dub Tractor. Eddy Arnold's 'You're The Only Star', a country tune that sounds like its transmitting from a mid-west diner wireless circa 1947, is straight from the soundtrack to an imaginary David Lynch movie, comforting and dismaying all at once. This crackly reality abounds, as on Finnish band Gentleman Losers' 'Honey Bunch', that adds an unsettling texture, with a sound that is modern but as nostalgic. Frahm's own tracks bookend the mix, opening with an inspired "rework" of the infamous silent John Cage piece '4:33' ("I sat at the piano in silence and worked from


there. I listened and took in the atmosphere and this is what came out of it") and ending with a solo piano version of 'Them', taken from his recently released score of the film 'Victoria'. The traditional Late Night Tales spoken word epilogue is voiced by actor Cillian Murphy (Inception, Batman, 28 Days Later), reading a short story by Edna Walsh (Hunger, Disco Pigs).

The stage is set from minute one on Clay Wilson's new 4-track EP, "Skandha," his second release for The Bunker New York.
The eponymous first track begins with a familiar techno throb, but is quickly overcome by a blooming swirl of coruscating synthesizer pulses that seem to gather inside the listener's head, a phenomenon Wilson seems particularly interested in: "I've never been into really straightforward club techno that works in neat 8- and 16-bar sequences," he says. "I'm always looking for things that have forward momentum, ways to escape that 'block-y,' downbeat-centric feeling that you find in so much contemporary techno. For me, it's the drone—what's going on in the background—that serves to hold my interest."

Nowhere is this more apparent than on the record's second track, "Cataleptic." The meat of the track is its tightly-wound techno core built from insistent, hypnotic percussion, but it's what's happening in the background that keeps you coming back for more: The sound of a babbling brook and a plaintive, meandering bird call ("the only actual recorded animal sounds on the record," notes Wilson) gently give way to the tintinnabulation of a distant bell, whose meditative timbre brings to mind a Tibetan singing bowl. It turns out that the naturalistic, organic sounds in many of Wilson's tracks are often just that: "I make field recordings all the time, actually—on my phone," he says. "I've found field recordings have been a great way to pull things along, never repeating themselves, but also never being so upfront as to draw your attention away from the synths and drums."

That's a key point, and make no mistake—for all the flora and fauna lurking in the background of Wilson's productions, they're designed for the dancefloor through and through. "Feres," the EP's third track, slows down the pace a little bit, keeping time with a static kick-hat pattern while chunky, stepped percussion laid on top makes the track feel remarkably dynamic. The final cut, "Pict," seems to slowly unfurl like flowers at dawn, while a ghostly vocal sample (or merely something approaching it) repeats itself underneath it all.

While at times the drawn-out shimmering tones in Wilson's work may recall modern minimalism, "getting into techno, and more specifically techno production, was kind of a way for me to get away from (formal, classical musical) training," he recalls. "I had been headed down an open-minded, anything-goes path with a compositionally-geared approach, and ... all those paths led to techno." And for that, we're glad.

Streetlight Soul' is the inaugural release on new imprint Gnosis. This four track EP is the fifth Myriadd record, following 12"s for Crème organization, Pinkman and Signals. The past decade has seen releases from the artist under a variety of pseudonyms including Acid Phreex (Djax-Up-Beats), Mantra (Bunker, Abstract Acid, Solar One Music) and Monofonix (Iwari, Cataclyst). Across the EP, Myriadd remoulds the template of vintage Chicago house, acid and deep house into his vision of modern house music. Opening with 'Midnight Obsession'; working a dark hypnotic bassline into an endless groove of crisp jacking drums and soul stirring melody, all primed for maximum effect at 4AM when lost in the smoke and strobes. 'Visions Of Love' is driven by a Juno bassline, a classic palette of tumbling, infectiously funky drums, warm, enveloping synth atmospherics and elevated by lush, celestial string work which comes off like some fantasy Mr Fingers + Virgo psychedelic jam. The EP's titular track goes deeper into the night with 909 claps, off-kilter snare hits, melancholy synth and ethereal melodies that ascend and dissolve into neon clouds. Closer 'Back To Nature' is a trip into blissed out, tropical house sounding like a lost Balearic classic re-tweaked for the 21st Century..

After the success from OLVA001, which was appreciated worldwide Moratu returns with OLVA002 which contains two tracks, extremely well constructed and hypnotic melodies.

Oldvavis is a Romanian electronic music record label founded by Florin Gavrila aka Moratu .

Oldvavis releases will promote quality, both on musical production as on producers and artists.
The world is changing fast and so is the music. Music is an art that puts sounds together in a way that people like or find interesting.
Music also tells stories, breaks hearts, reduces us to tears, or seduces us into falling in love, over and over and over again. Music is a universal language. A human creation from a divine source... perhaps.
Music is a mystery, a code. A vehicle of spirit and soul. It is perceived through 'hearing' the vibration of sound, the most sublime resonance - from the eardrum to the brain. Music moves us beyond intellect to the heart-centre.

Oldvavis is specialized in new sounds and electronic riffs, with old school spices and eye on the future. From techno, minimalism, to soul, tech, deep underground, with organic and synthetic textures, always with an inner feeling.

Population One, the legendary project of the Detroit Techno legend, Terrence Dixon, arrives at 30drop to present his new work and unveils the 30drop guest artists release series under the name of: 30drop ExoPlanets. >Time Will Tell 3.26.2013at11.40pm 11.18.20135.26.2012at5.59pm 12.1.2008at5.48pm< are the four tracks of the EP. Deliciously transgressor, imaginative and ambitious, the work gets into an unexplored territory to the delight of the most avant-garde dance floor.

Das erste Release auf Ostocode Exile in limitiertem weißen Vinyl vom Leipziger Oliver Rosemann, welcher derzeit als eine Hälfte von Dualit Erfolge auf Earwiggle, EarToGround und sogar CLR feiert, liefert mit Chest einen hypnotischen & rauen Techno Track. Dazu gibt es auf der Chest Reworks EP einen Remix von Dualit, sowie vom Argentinier Luis Ruiz und von Espen Lauritzen aus Norwegen, welcher das Label Krill Music betreibt.

Etruria Beat welcome again the berlinian Dj Oliver Deutschmann! He was already featured on the label with his remix of Dast's 'Architect'. Now he offers two original tracks with a defined and aggressive sound, backed by two huge remixes from Etruria label boss Luca Agnelli and from french Techno stalwart Electric Rescue. Get ready to blow up some dance floors with those 4 hard hitting monsters. The EP opens with Agnelli's remix of Resist", this track is a muscular and stomping. He catches the originals mood and transforms it into a spectacular version that will leave the dance floor in ashes. BIG! The original version of 'Resist' it's a funky and driving technostomper with house chords that creates an obsessive and powerful rhythm, accompanied with a hypnotic vocal saying 'Resist' in132bpm! The B side continues with the original version of 'Hope' which got a melody in the best Detroit tradition and powerful 808 drums. A stripped dark atmosphere ensure a breathless pace, to the final second. Finally, Electric Rescue morphs this one into a powerful loopy journey, A synth hellfire as it's best. All of them are already Berghain approved and rocked countless other floors. Don't be stupid, buy that shit!!! Additional mix downs have been made at Caduceus Lab Geneva

Over the last sixteen years Moods & Grooves has amassed a staggeringly impressive label family that includes names like Theo Parrish, Mr G, Kyle Hall, Rick Wade, Andres & Kenny Dixon Jr. aka Moodymann. This May the legendary Detroit label returns with a seminal thirteen-track album from veteran DJ & producer Joe Le Bon entitled 'House Music Love Music'.

With this new LP Jarno Eerola aka Joe Le Bon demonstrates his inimitable production prowess, garnered from a musical career spanning more than twenty years and encompassing releases on labels such as International Deejay Gigolo Records, Pro-Tez, Plastik.FM and Blumenbeat. Alongside his own output the Berlin-based artist has written tracks and remixes for numerous producers, most notably composing DJ Hells chart- smashing remix of Tim Deluxe 'Transformations' which saw six continuous weeks at number one on Beatport.

Jarno's polished production ability and aptitude for exploring diverse sounds and rhythms whilst maintaining a resolute warmth and depth to every cut is the most prevalent footnote across the course of the album. For 'Ghosts On Cassette' the Berlin-based producer works whirring space-like atmospherics over hypnotic beats and shuffling snares to dish up a smooth and captivating opener. 'For Yasuni' and 'The Road Is Under Repair' get worked over subtle synth patterns and crisp percussion to offer up some of the more emotive provisions on the album. This in contrast to the deep driving beats of 'House Music Love Music' and the more club-ready tracks like '82 Degrees' or 'Like Cotton Deep Orchestra' truly exemplifies the wide-ranging nature of the album.

All in all Joe Le Bon has structured a sublime body of work that can be enjoyed in the comfort of your own home or the middle of a dance floor, each and every track oozes depth and sits as a true testament to his abilities in the studio.

We here at Watergate Records are ecstatic to bring you the first single release 'Do Me feat. Khan', from Tiefschwarz in anticipation of their stunning new album, 'Left'. Along with a couple of carefully curated remixes by from two of the most prolific and unique remixers working today, Roman Flügel and Frank Wiedemann, the complete package is a trifecta. The original 'Do Me feat. Khan' is fully rooted in Tiefschwarz's cryptic dance floor approach, intricately balancing the serious and the absurd through the call and response of an almost comedically vocoded voice and a smooth, slick talking murmur. Khan's voice joined with a continually climbing bassline, lush percussive melodies and infectious drums result in a cut that is perfect for, and will shine, any time. Going a different direction by barely using the vocal, but staying very true to the original is Roman Flügel. Taking the original bassline and shortening the loop to 3/4 time, Flügel has devised a hypnotic tail chase that continues from beginning to end only to be accompanied by the whip of a big hi hat and wild 909 claps. Finally, it's the Frank Wiedemann Orchestra Remix, and it's pretty safe to say that this will be one of the anthems of the year. Aptly titled, the remix is a magnum opus conducted by a master. An enormous ensemble of rich strings and delicate melodies that build and swell from start to finish.

Back in 2013, Futureboogie released The Fade EP by Outboxx, a record that received critical acclaim from the who's who of music press, helping to propel Outboxx on the upward trajectory they've managed to maintain since those early releases. Unsurprisingly, Futureboogie are delighted to get the pair back for more.
Having developed their sound in the two years since, the pair has refined the raw ingredients of those records to show a combined maturity beyond their collective years. Previously the pair of producers (Matthew Lambert and Jake 'Hodge' Martin) have released music on respected independent imprints such as BRSTL, Idle Hands, Well Rounded Records and Local Talk; honing their analogue rich sound that touches on the hard edge of drum machine rhythms crafted by Hodge and the harmonic, jazz soaked embellishments from Lambert on Keys.
'Day One' opens with the sound of a string sample drifting behind warm drums to beautifully open up proceedings. As the track develops with an explosion of shuffling hi hats, the main hook enters with more than a nod to the classic Acid basslines of a 303, built to hypnotize dancers into the early hours with subtle simplicity.
The EP's title track 'Under The Lights' shows the pairs appreciation of Disco, with overdriven drums and a dotting bassline setting the feel. As the track develops, elements of Detroit enter the picture, with more string samples setting the key, and further allowing Lambert to contribute more of his signature Jazz licks as the track winds down to an unwanted close.
'Gift of Life' features the always-beautiful vocal contributions from long-term collaborator, Naomi Jeremy. Having featured on some of their most memorable releases to date, Jeremy's vocals again add a complexity often found in Jazz, but with the drum machine funk of 90's House; creating a sound that blurs the lines between sampling and original composition, uniquely, as only Outboxx can.
The record ends on the appropriately named 'Closing Titles', a track seemingly built to allow Lambert the opportunity to show his prowess and mastery of melody and harmony. Creeping basslines and warm chords mix with looped drum machine rhythms to wind down the release elegantly, showing the pairs versatility and understanding of each other's strengths.

Nologo is back with 2 essential, tried and tested underground club tracks. Orlando B serves up Side A with 'Dark World', an epic, slow burning, dark-house journey. 'Dark World' begins completely stripped back before the main hook, an eerie hypnotic vocal is introduced. Funky percussive elements creep in which drive the piece forward and a deep minor pad heightens the tension setting the tone for the rest of the track. The energy builds gradually with the addition of a 303 bass line peaking just before the end, taking the listener on a dark hypnotic trip.

On the flip, is none other than house & techno legend MR G who uses the Dark World vocal but takes it somewhere new providing his own unique and distinctive flavour. Mr G's Rum Remix is a dark and twisted peak-time banger, the high energy from the off set perfectly complementing the slower vibe of the original. Plenty of sub and twisted synth action keeps the momentum high and the dark stab he uses punctuates the vocal nicely giving it a raw edge. 'Dark World' is an essential addition to the record bag for darker dancefloors.
Dj Deep: I love this, your remix is super Funky and Dark at the same time!!! Dope! Tom (Panorama Bar): Ufff nice and dark.....another Mr G gem.To be served with the Rum Rush

Droid Behavior's Luis Flores comes through with a 2-track ace for the label's 20th vinyl release, Static Forces. Negative Pressure (A1) starts off with a brewing undercurrent of bass and hypnotically builds into a dizzied cavern of competing sonic forces and reverberant whispered utterances. Surface Tension (B1) takes an alluring shaken groove and reveals its drive as its elements make their way to the front, slowly pushing the track's rhythmic intensity. Two tracks for long play and lost minds.

secretsundaze 017 comes from London based producer Endian. Releasing just 2 EPs in a few years on Nonplus and Electric Minds, Endian has nevertheless managed to turn the heads of the likes of Steffi who used one of his tracks for her Panorama Bar compilation and Boddika who also licensed a track for a various artists EP. Sounding like a producer far more experienced than the two releases would indicate, it came as no surprise that this is far from the output of a novice but the seasoned veteran George Levings aka Commix (Metalheadz).
Endian has been a regular at secretsundaze events over the years and a friendship developed with Giles and James. The project is an outlet for him to release the more technoey and house sound that he is increasingly inspired by.
Lead and title track 'Finish Me' is a stone cold killer. Ballsy, raw and over driven in the mix, a tribal breakbeat groove builds before brassy stabs sneak in. The peak of the track sees dramatic pads cut through for a moment of serenity before the drums drop back in. Joy Orbison used 'Finish Me' in his Essential mix late last year and its also been a highlight of secretsundaze's sets over last 6 months. 'Dusty' goes deeper with a layer of fuzzy warmth enveloping the track. Driving but definitely one for the later hours or early on with its hypnotising flow and subtle musical flourishes. Last up 'Sub Tropic' is a heads down, growling, low slung techno track with its deep sub bass. This is definitely a track you can imagine hearing in the bowels of Berghain well into Sunday daytime. 'Finish Me' is arguably Endian's best work to date and it's another fine addition to the secretsundaze catalogue.