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Kraak & Smaak - Juicy Fruit LP 2x12"

Kraak & Smaak

Juicy Fruit LP 2x12"

2x12inchJAL217V
Jalapeno
17.08.2026

Juicy Fruit is as succulent as the name suggests - a feast of flavour served up by Dutch masters Kraak & Smaak. Their fifth studio album is one that sees them sonically revisiting the roots of their first releases, producing an organic and warm electronic disco and funk album packed with hot property collaborators including Mayer Hawthorne, Eric Biddines of Golden Rules, Parcels, Gallowstreet and Cleopold to name a few.

Effortlessly flitting between outright dancefloor boogie and meditative mellow moments it's a record that captivates the listener from start to finish, blending the timeless appeal of disco and electro with the best in indie dance and electronica.

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32,98 €
Severed Heads - Cuisine (With Piscatorial) (2x12")

Severed Heads reattach themselves to Dark Entries for an expanded reissue of their 1991 opus Cuisine (With Piscatorial). As originary Aussie industrial legends – although founder Tom Ellard would balk at being branded as such – Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and infectious nursery-rhyme-esque melodies. Cuisine (With Piscatorial) was the long-running project’s ninth album, and is a commentary on the state of music. Ellard explains: “The whole food joke is really about what music's about and how disposable it is; people have records like they have cups of coffee.” The album also presents a turn away from the dancefloor formalism of the era, which Ellard dismissed as already sufficiently explored. Cuisine brings us punchy pop kernels of the prime Heads variety, all clocking in around three minutes. Cuts like “Pilot in Hell” and “Ugly Twenties” rank among the band’s best through their deadly skewering of synth pop tropes. But the album also offers us a Piscatorial section, where Ellard felt free to “go fishing for ideas.” Here we get a taste of the project’s demented cut-up sensibilities, like on the “Quest for Oom Pa Pa” suite, where vintage jazz records are collaged into an angular nightmare. This double-LP reissue is the first time that Cuisine (With Piscatorial) will appear on vinyl, with a previously unreleased early version of “Seven of Oceans.” Also included is a 6-page booklet with liner notes, lyrics, and press clippings.

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Last In: 27 days ago
25,63 €
ALFONSO SOLIANO - TIGA TROMBONE

Special gatefold LP + 12-page booklet attached to the sleeve, featuring in-depth essays, archival photography and historical material. Fully licensed from the Soliano family.

Habibi Funk’s new sister label Audible Beauty Records debut release: A landmark collection retelling the untold story of Malaysian jazz featuring 11 songs from the legendary composer, arranger and pianist Alfonso Soliano, originally recorded for Radio Television Malaysia (RTM) and only released in a run of a few dozen copies for radio broadcast. Widely regarded as one of the foundational figures of Malaysian music, Soliano blended jazz, Latin influences and traditional Malay musical forms into a uniquely local sound of all original compositions. The recordings also feature contributions from some of Malaysia’s most important musicians and composers of the era, including Johari Salleh and Ahmad Nawab. For fans of Salah Ragab, Ahmed Malek, Mulatu Astatke, Dollar Brand and co. The release includes extensive liner notes and previously unpublished archival photographs documenting Soliano’s life and legacy.

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Last In: 47 days ago
22,90 €
JOHARI SALLEH - JAZZ DARI ANGKASAPURI

Special gatefold LP + 12-page booklet attached to the sleeve with extensive liner notes and previously unpublished archival photographs documenting Salleh’s career. Fully licensed from the Johari Salleh.

Habibi Funk’s new sister label Audible Beauty Records second release: A landmark collection retelling the untold story of Malaysian jazz featuring 9 songs from the legendary composer, arranger and trumpet player Johari Salleh. Salleh played a crucial role in shaping the sound of modern Malaysian music across radio, television, film and live performance and has composed dozens of popular songs in his decades long career. His personal musical passion always was jazz, reflected in this deep selection of jazz works that were previously unavailable unless you had one of the few dozen copies pressed locally in the 1970s. The album doesn’t only highlight his musical statue as a composer but also as a outstanding trumpet soloists bringing together jazz, spiritual undertones and Malaysian folkloric themes balancing slower pacing deep, modal grooves with more upbeat jazz funk leanings. For fans of Salah Ragab, Ahmed Malek, Mulatu Astatke, Dollar Brand and co.

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Last In: 47 days ago
22,90 €
FELIPE GORDON - ABSTRACT EQUATORIAL EP

Bogota's finest producer returns with his second EP on GAMM...

Across three tracks, Felipe delivers a musical journey ranging from deep organic house to various shades of Latin American dance rhythms.
The EP opens with 'If You Get Lonely', a bumpy deep house affair featuring live bass, psychedelic synths, and vocals from Felipe himself.
On the flip side, we get two Latino jams: 'African Carter' bumps along a mid1tempo Latin groove with lovely salsa vocals, while 'Tucosa' seamlessly blends Latin soul with classic 4/4 rhythms.

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Last In: 5 days ago
16,18 €
THE DURUTTI COLUMN - Vini Reilly LP

- After the collector 2024 Record Store Day 35th Anniversary edition & Special CD boxset of the seminal 1989 album, the album will be available again to everyone from July 31st , 2026 as 1CD & 1 LP Black new permanent editions.
- Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order).
- Vinyl mastered by Peter Beckmann at Technology Works

- July 31st also marks the long-awaited return of legendary Manchester outfit The Durutti Column, with "Renascent" their first new studio album in over fifteen years which already get a very strong response & support from key traditional media - with major features confirmed for Pitchfork, The Guardian, MOJO, Monocle and Record Collector to name a few.

- Many new champions citing the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis).

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Last In: 55 days ago
24,33 €
Stephen Brown - The Safari EP

Stephen Brown

The Safari EP

12inchSTEPBACK009
Stepback Records
16.08.2026

Excited to share this bomb new release from Scottish techno/house legend Stephen Brown, whose discography reads like a Who's Who of classic techno labels: Transmat Detroit, Djax-UpBeats, Cocoon, Subject Detroit, Theory...

With its instantly recognisable vocal hook, Test 1 is a bona fide, party-starting hand grenade of a tune and destined for track ID requests wherever it drops. Backed by the raw, Chi-town groover Move It (which wouldn't have sounded out-of-place on one of Brown's Djax-up-Beats releases: all off kilter pads, detuned hats and a slamming kick) plus the deeper Tell Him, itself a masterclass in subtlety and groove, this 3-tracker really is quite a package.

All killer: no filler, The Safari EP is essential for fans of proper underground house & techno. Stephen Brown's releases have been falling into the "buy-on-sight" bracket for DJs in the know for many moons now. This release is no different! High quality from Edinburghs finest.

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Last In: 12 days ago
15,92 €
MELAINA KOL - OKAY THAT'S A GREAT IDEA BECAUSE IF I DO THAT THEN (TAPE)
  • 1: BLEATER
  • 2: PARALLEL
  • 3: LIFEHEART
  • 4: IDOLA
  • 5: MINUET
  • 6: OKAY THAT'S A GREAT IDEA
  • 7: ENG
  • 8: VAI
  • 9: ILI

Melaina Kol, das Pseudonym des in Nashville lebenden Musikers Logan Hornyak, ist ein Projekt, das sich ständig wandelt. Es ist heute nicht mehr wiederzuerkennen im Vergleich zu dem, was es beispielsweise 2018 war, als er das Lo-Fi-Twee-Pop-Album ,Bird Kill Worm" veröffentlichte, und es hat sich auch von den Folktronica-Songs auf dem 2021 erschienenen Album ,AMOSAT" weiterentwickelt. Hornyak mag es nicht, sich auf eine Sache festzulegen; jedes Album soll anders sein als das vorherige. ,Ich greife gerne Motive oder Ideen auf, so wie ein Thema, und ich ändere gerne jedes Mal die Art und Weise, wie ich aufnehme", sagt er. Für sein neues Album ,Okay that's a great idea because if I do that then" hat Hornyak beschlossen, fast ganz auf Gitarre und Elektronik zu verzichten. Stattdessen brachte er sich selbst Cello und Harfe bei und kehrte zu seinem Klavierunterricht aus Kindertagen zurück. Er wollte seine langjährige Liebe zur klassischen Musik mit seinem Interesse an Ambient- und House-Musik verschmelzen, mit der Idee, ein Album zu schaffen, das den Ansatz der elektronischen Musik mit organischen Klängen verbindet. Klassische Instrumente werden zerhackt, geloopt und um einen rhythmischen Puls herum geschichtet. Der Effekt kann verwirrend und aus dem Gleichgewicht bringend sein, ist aber gleichzeitig entwaffnend schön. Hornyak nahm das Album zwischen seinem Zuhause in Tennessee und einem nahegelegenen Studio auf. Es war das erste Mal, dass er für Melaina-Kol-Songs ein richtiges Studio nutzen konnte, und er wollte, dass der Sound hochauflösend ist. Bei all seiner rastlosen kreativen Energie repräsentiert ,Okay that's a great idea because if I do that then " Hornyak in einer ruhigeren Lebensphase. ,Es ist viel ruhiger als die letzten beiden Alben. Ich habe all diese Alben in meinen frühen 20ern gemacht, als ich manische Phasen durchlebte und mit Drogen und so anfing", sagt er. ,Aber ich würde sagen, dieses Album ist sozusagen das andere Ende davon - das Herauskommen aus dieser Phase, würde ich sagen. In meinem Leben fühle ich mich viel friedlicher, und ich habe das Gefühl, dass das Album das widerspiegelt."

pre-order now14.08.2026

expected to be published on 14.08.2026

14,08 €
OPEN MIKE EAGLE & KENNY SEGAL - DOOMED! (TAPE)

Es sind fünf hektische, chaotische, zermürbende, völlig durcheinander gewirbelte Jahre. Es sind all die mühsamen Missverständnisse einer fünfjährigen Beziehung, verzerrt und zu einer absurden schwarzen Comedy-Miniserie auf Vinyl gedehnt. Es ist der Klang all unserer Streitgespräche, die gleichzeitig erklingen. Es sind mehrere aufeinanderfolgende Sprachnachrichten, die nicht angehört, sondern stattdessen als Transkript gelesen wurden. Es sind fünfzehn Songs des ikonoklastischen Rappers Mike Eagle und des innovativen Produzenten Kenny Segal. Es ist das weltweit erste halb skurrile Trennungsalbum. Es ist "DOOMED!", es ist auch LA. Vielleicht nicht in erster Linie, aber Los Angeles ist tief in der Gegenwart und der Geschichte dieses Albums verwurzelt. Die Geschichte jeder Großstadt ist auch eine Geschichte von Zugezogenen. DJ Premier in New York, Tupac in Kalifornien. Wenn man es aufbaut, werden sie kommen. Mike und Kenny kamen beide als junge, aufstrebende Künstler nach LA, angezogen von der Szene rund um die bahnbrechende Rap-Crew Project Blowed. Sie sind seit fast zwanzig Jahren befreundet - und arbeiten gelegentlich zusammen. Trotzdem ist "DOOMED!" das erste Mal, dass die beiden ein komplettes Werk gemeinsam geschaffen haben. Aber alles geschieht zu seiner Zeit, und das Schicksal hat sie genau in dem Moment zusammengeführt, der es dem Duo ermöglichte, etwas Außergewöhnliches zu schaffen. Mike, der gerade eine Reihe von Alben mit mehreren Produzenten hinter sich hatte und das Ende einer turbulenten Beziehung verarbeitete, brauchte eine kreative Katharsis. Kenny hingegen hatte sich nach einer Reihe von hochgelobten Kollaborationen - nicht nur mit Rappern wie billy woods und K-the-I??? - sondern auch mit dem Jazz-Trio Human Error Club und dem bluesigen Indie-Rocker Benjamin Booker - auf seine nächste Herausforderung festgelegt. "In den letzten Jahren machte Kenny sehr deutlich, dass er nicht einfach weiterhin ein oder zwei Beats für meine Projekte beisteuern wollte; er wollte etwas aufbauen", erklärt Open Mike Eagle. "Ich konnte ihn davon überzeugen, mir ein paar Beats für Neighborhood Gods Unlimited zu überlassen, mit der Maßgabe, dass wir uns als Nächstes auf unser gemeinsames Projekt konzentrieren würden. Dann zerbrach meine Beziehung, gerade als wir mit der Arbeit begannen, und ich dachte mir: Perfekt, dazu habe ich eine Menge zu sagen."

pre-order now14.08.2026

expected to be published on 14.08.2026

17,23 €
DENT MAY - THE BIG ONE LP

DENT MAY

THE BIG ONE LP

12inchCAK188LP
Carpark Records
14.08.2026

There is an ecstatic melancholy in Dent May’s music. The bedroom pop auteur’s songs are both bittersweet and exuberant, breaking your heart while you can’t help but sing along.

Over six albums, May has built a wildly diverse discography spanning 17 years. He has typically worked alone, assembling perfect pop gems on his laptop, playing nearly every instrument himself. But when he began preparations for his new album, May’s tried and true process suddenly felt stale.

The Big One brings together both the scrappy DIY ethos of Elephant 6 Collective and early The Magnetic Fields with May’s lifelong affinity for the great ’70s singer-songwriters like Harry Nilsson and Ram-era Paul McCartney. The songs balance a clear-eyed view of the world with a cautious optimism, looking at the everyday experiences of disappointment and heartbreak with a sense of possibility for the good that may still come. Things might seem bleak, May tells us, but that doesn’t mean we can’t be thankful for our brief time here on Planet Earth.

The title track is the beating heart of the record. Over a steady drumbeat, piano, and accordion, a melancholy May sings, “The big one’s coming, the big one’s on its way,” promising disaster. But May won’t wallow in the misery: “Thank the Lord for all my friends/We can make it ’til the end/No we can’t stop now/Who knows? Tomorrow it all could turn around.” For May, hope comes in the form of others.

It’s with this joyful melancholy Dent May draws in the world. Everything might be ending, the planet could be careening off into chaos, but tonight there’s a party down the block and you’re invited. Be sure and bring your friends.

pre-order now14.08.2026

expected to be published on 14.08.2026

21,43 €
MICHAEL YONKERS BAND - MICROMINIATURE LOVE
  • 1: JASONTOWN
  • 2: MICROMINIATURE LOVE
  • 3: BOY IN THE SANDBOX
  • 4: SMILE AWHILE
  • 5: RETURNING
  • 6: PUPPETING
  • 7: KILL THE ENEMY

2026 LP Pressung auf weißem Vinyl. Ursprünglich 1968 aufgenommen und für eine Veröffentlichung bei Sire Records vorgesehen, blieb Microminiature Love von Michael Yonkers, der Ikone des Outsider-Folk und Psych-Rock, unveröffentlicht, bis es 2002 von De Stijl Records wiederentdeckt und als limitierte, ausschließlich auf Vinyl erhältliche Auflage herausgebracht wurde. Damals hat die San-Francisco-Institution Aquarius Records es besser beschrieben, als wir es je könnten: ,Ein obskurer Visionär der späten Sechziger, der seiner Zeit weit voraus war, bekommt mit dieser LP-Neuauflage endlich die Anerkennung, die er verdient. Yonkers' Sachen waren anders als alles, was man damals (oder eigentlich auch heute noch) gehört hatte: abgedrehter Garage-Psych mit wahnsinnig genialen Texten und verrückter, von Acid durchdrungener Gitarre. Yonkers, eine legendäre Figur aus der Gegend um Minneapolis, baute seine eigenen Effektpedale, sägte seine Fender Telecaster auf die Breite eines Bretts herunter und spielte wie niemand sonst je zuvor. Mir fehlen die Worte, um das zu beschreiben. Es ist irgendwie eine Mischung aus reduzierten Black Sabbath, The Troggs, Pere Ubu und The Cramps??" Sub Pop veröffentlichte das Album anschließend auf CD und brachte 2011 eine limitierte Vinyl-Auflage heraus, die seit vielen Jahren vergriffen ist. Leider verstarb Michael Yonkers 2026 während der Planung dieser Neuauflage. Er war ein unglaublicher, wahrhaft einzigartiger Künstler und einer der liebenswertesten Menschen.

pre-order now14.08.2026

expected to be published on 14.08.2026

24,79 €
Cheap Trick - At Budokan: Complete Concert (2x12")
  • A1: Hello There
  • A2: Come On, Come On
  • A3: Elo Kiddies
  • A4: Speak Now Or Forever Hold Your Peace
  • A5: Big Eyes
  • B1: Lookout
  • B2: Downed
  • B3: Can’t Hold On
  • B4: Oh Caroline
  • B5: Surrender
  • C1: Auf Wiedersehen
  • C2: Need Your Love
  • C3: High Roller
  • C4: Southern Girls
  • D1: I Want You To Want Me
  • D2: California Man
  • D3: Goodnight
  • D4: Ain’t That A Shame
  • D5: Clock Strikes Ten

Cheap Trick - At Budokan: The Complete Concert is the the full version of the famous best-selling live album by the American rock band Cheap Trick. The louder, roaring versions of classics like "I Want You to Want Me" and "Surrender" connected to a wide audience in the late 1970s.

The recording became the band's best-selling album and captures the performance exactly as it was experienced on stage. Their raw-powered riffage and three-chord songs, combined with the posterboy looks of singer Robin Zander and the outrageous guitars played by Rick Nielsen made an impression all over the world. After this recording in Japan, and releasing an abridged 1-LP version of At Budokan, Cheap Trick became instant rock stars.

In 1998, the full Budokan show was finally released on CD, followed by a double vinyl release on Music On Vinyl in 2016. Both Cheap Trick fans and rock lovers in general will need this document of the band's most celebrated concert.

Cheap Trick At Budokan: The Complete Concert is available now as a limited edition of 3000 individually numbered copies on yellow vinyl and in packaged a gatefold sleeve.

pre-order now14.08.2026

expected to be published on 14.08.2026

38,87 €
Aldana Duoraan & Tomáš Niesner - Plot

Crossing borders between traditions, sonic territories, and instruments, musicians Tomáš Niesner and Aldana Duoraan created their first collaborative album Plot. The sound of khomus meets guitar melodies simplified into pentatonic scales, intertwining in a dialogue that remains playful while moving between meditative passages and bewitching, hypnotic moments. Solid yet ever-changing, these melodies explore a delicate relationship between the present interactions, their past, and possible futures. “I feel that the essence of our collaboration is not to close the songs off, but to leave them open so that they can develop and be interpreted a little differently each time, depending on the circumstances,” Niesner explains when describing the duo’s artistic approach. The recording therefore captures only the most essential moments and ideas, which continue to unfold in new directions during live performances.

Each segment of Plot, word meaning “fence” in Czech, while also referring in English to a narrative structure or hidden plan, represents a different constellation shaped by the pairing of specific khomuses and guitar tuning. The track titles, such as The Key of Radiance or The Key of Humbling, are inspired by the ancient Chinese text I Ching (usually translated as Book of Changes). Like the classical cosmological text itself, the compositions meditate on similar fundamental principles. The ideas explored in the chapters of the I Ching are thus loosely translated into musical language. Themes of Radiance, Attending, or Nearing thus loom over the reflective realm of Aldana and Tomáš.

The two musicians first met in 2021 through a collaboration organized by Konektiv, an event series that aims to create new connections between genres and musicians with diverse backgrounds. Aldana Duoraan is a Prague-based artist born in the Sakha Republic, whose experiments with the khomus (also known as the jaw harp) draw on the traditional music of her homeland. Tomáš Niesner, a sound artist and guitarist based in Brno, navigates the realms of American primitive guitar while incorporating influences ranging from folk to drone. Because the duo rarely finds themselves in the same city, an important moment in the development of Plot was a showcase at Cafe OTO, organized by mappa. The album, capturing the fleeting energy of this encounter and several others, has now been released on the Slovak experimental label, which helped bring the collaboration to life.

pre-order now14.08.2026

expected to be published on 14.08.2026

23,95 €
HIGHSIGH - ONCE BEND

HIGHSIGH

ONCE BEND

12inchJNRLPC1529
Joyful Noise Recordings
14.08.2026
  • 1: DON'T CROWD THE EYE
  • 2: I LOVE THE ROOM I LIVE IN
  • 3: RELAX REDUX
  • 4: ISLANDS OF AFFINITY
  • 5: PLASTIC DESIGNED SPOONLIKE
  • 6: FERTILE
  • 7: TO GROW IN LIGHTNESS
  • 8: WORDS WE CHOOSE
  • 9: TAKE CARE
  • 10: WOULD BE GREAT
  • 11: OUTCOME INEVITABLE
  • 12: ONCE BEND
  • 13: UNREMEMBERABLE

Bei HIGHSIGH - dem Trio aus Ro(b)//ert Lundberg (JOBS), John Dieterich (Deerhoof) und Matt Mehlan (Skeletons) - geht es genauso sehr um den Entstehungsprozess wie um das Endergebnis. Auch wenn der Bandname neu ist, wächst HIGHSIGH aus jahrelanger Freundschaft und Zusammenarbeit des Trios in anderen Konstellationen heraus - dem Zusammentreffen von Deerhoof und Skeletons in der Supergroup Congotronics International, Ro, der bei den Tour- und Aufnahmebands von Skeletons am Bass spielte, John und Matt, die beide auf verschiedenen JOBS-Alben mitwirkten und diese als Toningenieure begleiteten, sowie vielen gemeinsamen Kaffeepausen, Mahlzeiten und Wanderungen. Ihr Debütalbum ,Once Bend" präsentiert sich sowohl als entwaffnend vertraut als auch als seltsam undurchsichtiges Patchwork aus mutiertem Pop und abstrakten polyrhythmischen Klanglandschaften. In einer collageartigen Weise entstanden, brachte jedes Mitglied täuschend reichhaltige musikalische Fragmente ein, die aus anderen Projekten beiseitegelegt worden waren - fast wie kleine Fragezeichen, die die anderen Mitglieder entschlüsseln und interpretieren sollten. Diese Fragmente wurden frei und ohne konkretes Ziel unter den Mitgliedern ausgetauscht; jeder spielte damit herum und bastelte an dem, was er bekommen hatte, fügte Phrasen, Klänge und Texturen hinzu. Die musikalischen Schichten, die dabei entstanden, waren durchweg unerwartet und mitreißend. HIGHSIGH hatte nicht mit einem festen Schema begonnen, doch innerhalb jedes Songs entwickelte sich ein zusammenhängendes Patchwork - geschichtete Gitarren und gestrichener Bass stehen neben träge treibenden Synth-Klängen und knackigen, treibenden Akustik-Drums. Die Band erweiterte ihren Austauschkreis und schickte Tracks an Tim Barnes, Ben LaMar Gay, Max Jaffe, Lia Kohl, Booker Stardrum und Jon Starks, um Schlagzeug-, Cello- und Kornett-Parts einzufügen. Diese rohen Klangteppiche fanden ihre endgültige Struktur und Ordnung durch Texte, von denen einige von der Band selbst geschrieben wurden, andere von Macie Stewart (Finom) und Paige Alice Naylor. ,Textlich interessieren mich einfache Momente der Erkenntnis", sagt Matt Mehlan. ,Wie ist die Umgebung, wie ist das Gefühl?" Dieses Thema zieht sich durch das gesamte Album und verbindet die unterschiedlichen Stimmen, die mitgewirkt haben. Auf ,Once Bend" präsentiert HIGHSIGH ihre selbstgemachten musikalischen Patchwork-Decken - zusammengenäht aus Saiten, Schaltkreisen und Servern auf ganz Turtle Island.

pre-order now14.08.2026

expected to be published on 14.08.2026

24,79 €
RADIATOR HOSPITAL - DISTORTING TIME
  • 1: CAN YOU SEE THE FUTURE?
  • 2: A FINE VINTAGE
  • 3: WALL BETWEEN US
  • 4: LET IT BE NOTHING
  • 5: HELLHOUND
  • 6: LOVE PARK SERENADE
  • 7: WEEKEND INTERLUDE
  • 8: WILDMAN DANCE
  • 9: WALK WITH LOVE
  • 10: SAFE IN BED
  • 11: BALLAD OF BIG NOSE GEORGE PARROTT
  • 12: CAN'T HELP TRYIN
  • 13: DISTORTING TIME

Auf der sechsten LP von Radiator Hospital, ,Distorting Time", spielt Sam Cook-Parrott nicht mit Nostalgie - er geht ihr aktiv aus dem Weg. Im Laufe von fünfzehn Jahren hat er RH von einem Solo-Projekt, das er in seinem Schlafzimmer aufnahm, zu einem vollwertigen Rock-'n'-Roll-Quartett ausgebaut, wobei er am Rande des Mainstream-Erfolgs blieb und sich gleichzeitig einen Ruf als echter Außenseiter der DIY-Szene erarbeitete. Die Veröffentlichung von ,Can't Make Any Promises" im Jahr 2023 brachte Sam an eine Art Scheideweg - doch er war entschlossen, keine Zeit mit Rückblicken zu verschwenden, sondern stattdessen nur auf das zu blicken, was vor ihm lag. Aus heiterem Himmel wurde Radiator Hospital Ende 2025 eine Tour angeboten, was Sam dazu veranlasste, seinen Ansatz zu überdenken und das Gewebe seiner bisherigen Arbeit in eine völlig neue Form zu verwandeln. ,Ich beschloss, etwas Neues live zu probieren, was ich noch nie zuvor gemacht hatte: Ich nahm meine Begleitmusik auf einem 4-Spur-Kassettenrekorder auf und sang dann einfach dazu", erklärt Cook-Parrott. ,Distorting Time" - seine erste Veröffentlichung bei Lame-O Records - besteht aus 13 Songs, die bei Sam zu Hause auf einem 4-Spur-Kassettenrekorder aufgenommen wurden, mit zusätzlichen Elementen, die im Uniform Recording Studio von Jeff Zeigler in Philadelphia eingefangen wurden. Die Songs wirken gleichzeitig sanft vertraut und doch auffallend eigenständig; sie nutzen die Grenzen des 4-Spur-Setups aus und lassen sich gleichzeitig von Bands wie Young Marble Giants und Tall Dwarfs inspirieren. Thematisch beschäftigen sich die Songs mit dem seltsamen Gefühl des Vergehens der Zeit, insbesondere aus der Perspektive eines Künstlers und seines Schaffens.

pre-order now14.08.2026

expected to be published on 14.08.2026

22,65 €
Christer Bothén / Oren Ambarchi / Johan Berthling / Andreas Werliin - Serpentine LP

After the wild Afro-jazz fusion of Trancedance (reissued as BT118) and the meditative solo Christer Bothén Donso n’goni (BT133), legendary Swedish multi-instrumentalist Christer Bothén returns to Black Truffle as part of a dream quartet completed by the three members of Ghosted: Oren Ambarchi (guitar), Johan Berthling (bass) and Andreas Werliin (drums). Recorded at a rustic studio built by Werliin and Hans Fredriksson in the sylvan surrounds of Hamburgsund, Sweden across a few days in September 2023, Serpentine offers up four generous slices of hypnotic repetition and shimmering resonance, cut through with wild bursts of Bothén’s bass clarinet.

The depth and ease of the quartet’s rapport is evident from the first moments of the opening title-track. Berthling’s resonant upright bass locks into a head-nodding ostinato that makes sensitive use of a prominent end-of-phrase rest, opening spaces through which Werliin’s continually shifting statements of the pulse shine through. Having worked together in various groups for many years, Berthling and Werliin are masters at playing subtle games of difference and repetition, creating a driving rhythmic flow animated by perpetually changing details: here, you can never step in the same groove twice. Weaving through it all is Ambarchi’s now-signature Leslie-cabinet guitar tone, sounding out long chords at times strikingly close to a Hammond, while also creating intricate cross-rhythms through the play of his tremolo modulations against the bass and drums. When Bothén enters five minutes in, the growl of his bass clarinet at first works deep in the collective brew, carving off brief staccato phrases and twisting them into fragmented melodies. As he moves into the instrument’s higher registers, Bothén’s playing becomes wilder, twinning with Ambarchi’s guitar in shimmering arcs like a 21st century update of the Garbarek-Rypdal pairing immortalised on Sart.

Each of the four pieces explore different possibilities of a shared language. On ‘Antigorite’, another hypnotic bass riff emerges gradually from an atmospheric haze, eventually developing into a frenetic rhythmic workout propelled by Werliin’s cowbell. Berthling sits out for ‘Lizardite’, while Bothén moves from bass clarinet to the Donso n’goni, the sacred Wassoulou hunter’s harp he has studied for half a century; the resulting performance streamlines the approach heard on other tracks into pure modal propulsion, sparkling with harp-like arpeggios from Ambarchi’s guitar. On the closing ‘Chrysotile’, the bottom drops out, leaving a swampy, churning mass of wavering organ-like chords, roaming bass runs, and distant toms, over which Bothén floats bass clarinet figures by turns bluesy and abstract, the whole thing landing somewhere between classic ECM and the most blasted freeform moments of early Amon Düül II. Bearing a delicate calligraphic abstraction by Bothén on its cover and beautiful documentation of the recording sessions on its inner sleeve, Serpentine is a powerful reminder of the magic that can happen when inventive musicians just get together and play.

pre-order now14.08.2026

expected to be published on 14.08.2026

26,47 €
Stefano Mainetti - Zombi 3 (LP)

2026 repress


ZOMBI 3 - THE SOUNDTRACK Classic Edition & Special Edition - Available Now on We Release Whatever The Fuck We Want ! WRWTFWW Records is delighted to unleash the complete uncut soundtrack for Lucio Fulci & Bruno Mattei's cult zombie-ploitation gem Zombi 3 (aka Zombie Flesh Eaters 2 aka Sanguelia 2, 1988) available on 2 different collector's edition vinyls for the first time ever. The Classic Edition comes in red is dead colored vinyl with a red Japanese Sanguelia 2 VHS obi and has a helicopter pictured on the back cover. The Special Edition has the same songs as the Classic Edition PLUS bonus skits/interludes with DJ Blue Heart talking (taken from the movie) on the b-side and comes in green inferno colored vinyl with a green Japanese Sanguelia 2 VHS obi and DJ Blue Heart pictured on the back cover. Both versions are housed in heavy old style Stoughton casebound tip-on jackets - pick your poison - get infected! This future deluxe edition OOP classic is packed with menacing synths, ghoulish melodies, and contaminated anthems remastered directly from the rare original reels of maestro Stefano Mainetti which were found at an abandoned top secret research facility.

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19,20 €
Babe Rainbow - Acid and Honey LP
  • 1: Acid and Honey
  • 2: Special
  • 3: Waterfall
  • 4: Polymucalsaccharide
  • 5: Amsterdam
  • 6: Mangoes
  • 7: Dream Gasoline
  • 8: Morning Lullaby
  • 9: Horizon
  • 10: Camouflage
  • 11: Wisteria

From the heart of the Australian psych scene... rainbow rockers BABE RAINBOW return with their 7th studio album ‘ACID AND HONEY’ recorded on an op shop acoustic on a houseboat in Amsterdam and finished at zen master Mullarky’s Malibu ranch. Exciting country-pop beat production backs wailing Babe rainbow vocals on solid skanking hip-hop hard rocking finger funky sounds. The first single ‘POLYMUCALSACCHARIDE’ is just something Perry Farrell says and it means "drool, like you're dribbling cos the truth is once you hit the road you don’t remember the good shows, they’re just like every other show."

pre-order now14.08.2026

expected to be published on 14.08.2026

25,17 €
CARRY ON - A LIFE LESS PLAGUED
  • 1: THE VIEW
  • 1: 2WAITING ON FOREVER
  • 1: 3KILLING A SOUND
  • 1: 4ROLL WITH THE PUNCHES
  • 1: 5MIRRORS AND NEEDLES
  • 1: 6IS THIS ALL THERE IS?
  • 1: 7A LIFE LESS PLAGUED
  • 1: 8X'S ALWAYS WIN
  • 1: 9SO MUCH OF YOU
  • 1: 0OFF MY CHEST
  • 1: BROKEN STRINGS
  • 1: 2RETHINKING

Purple Vinyl, limited to 200 copies. A Life Less Plagued, originally released in 2001, is a seminal release in modern hardcore by the California straight-edge band Carry On. Recorded at Godcity Studios by Converge's Kurt Ballou and clocking in at just under 20 minutes across 12 tracks, the album delivers unrelenting intensity, frantic tempos, and cathartic vocals. The album not only became a blueprint for the 2000s "West Coast Hardcore" movement, but was also the first proper full-length album put out by Bridge Nine Records. Carry On didn't live on much longer after their full-length album debut, but it became a definitive release for the label (and California hardcore) as each member went on to form the next wave of West Coast hardcore bands (such as Terror, Piece By Piece, Betrayed, Internal Affairs, and many more). Long out of print by the album's 10th anniversary, its legacy was further set in stone with a 2011 re-issue. Now Carry On is back playing a handful of shows over the 2026 summer and we've got another re-issue on deck. This is a record frequently cited by hardcore veterans and modern musicians as the absolute mold for 2000s American hardcore, so be sure to grab it if you don't have one in your collection yet.

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expected to be published on 14.08.2026

24,58 €
Danny Keane - Kinesis 2x12

Danny Keane

Kinesis 2x12

2x12inch8718521120740
ADA/MVKA Music Ltd
14.08.2026

"Der preisgekrönte Komponist, Produzent und Multi-Instrumentalist Danny Keane kehrt mit „Kinesis“ zurück – einem kühnen, genreübergreifenden zweiten Album, das die Energie von Bewegung, Zusammenarbeit und kreativer Freiheit einfängt. Aufbauend auf jahrelangen Tourerfahrungen mit weltbekannten Größen wie Mulatu Astatke und Anoushka Shankar hat Keane ein außergewöhnliches Ensemble zusammengestellt, um einen facettenreichen, Grenzen überschreitenden Sound zu verwirklichen.


„Kinesis“ verbindet Einflüsse aus Jazz, zeitgenössischer Klassik, Weltmusik und Elektronik und bewegt sich mühelos zwischen hypnotischen Rhythmen, komplexen Taktarten und zutiefst emotionalen Kompositionen. Vom treibenden Puls von „Running“ bis zum intimen, nachdenklichen Abschlussstück „Time To Go“ erkundet jeder Titel Themen wie Reisen, Zeit und persönliche Entwicklung, die alle durch Keanes unverwechselbaren musikalischen Stil miteinander verbunden sind.


Mit Beiträgen führender britischer und internationaler Musiker ist „Kinesis“ ein fesselndes Hörerlebnis – perfekt für Fans von zukunftsweisendem Jazz und globaler Fusion. Als fesselndes und filmisches Album markiert es Keanes Durchbruch als wahrhaft origineller Künstler, der sich nicht an Genres bindet."

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expected to be published on 14.08.2026

29,62 €
The Rootsman - African Style 7"

2026 Repress

* A UK Dub outing from 1996 from The Rootsman, originally appearing on his debut album on Third Eye Music - `In Dub We Trust’.
* A mid-paced steppers piece with more than enough weight to cause distress at any sound system gathering.
* This is the first time `African Style’ has been unleashed as a single.

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Last In: 4 years ago
11,72 €
LOUSE - Buyer’s Remorse LP

LOUSE

Buyer’s Remorse LP

12inchREPOSELP164
Riot Season
14.08.2026
  • A1: Best Laid Plans (3:44)
  • A2: Buyer’s Remorse (2:39)
  • A3: Rags & Tatters (3:38)
  • A4: The Wastepipe Ripper (2:29)
  • A5: Comfort (3:43)
  • B1: Legal Loophole (3:01)
  • B2: Wheel (2:32)
  • B3: Meat Slide (3:48)
  • B4: The Deer Caller (4:24)
  • B5: Potato Diet ’26-’27 (3:20)

Scum rock low-lives Louse return with their Sophomore LP, Buyer’s Remorse - an unrefined but levelled-up dip back into the murk, keeping it in the family one more time on Riot Season records (a label which now, fittingly, features genre luminaries Brainbombs).
More cohesive, more negative but no less disgusting than debut record Creep Call, the band have further enhanced their pummelling, single-riff ritual M.O. with even more strop-razor guitars, crank-fuelled slide-bass, strangled sax and sinister missives from the void.
Buyer’s Remorse includes unspeakable meditations on an unmatched litany of losers, including: inept hitmen/serial killers, snuff-flick refund naivety, disturbing fellatio lessons, burying yourself alive to escape the law (“you’ll never get me in the slammer”) and having a damn good time being chopped into luncheon (take a ride on the meat slide!)
Snubbed from all but the best festivals, Louse continue to eke out a steady stream of shows, with highlights such as glorious sweat-boxes in our beloved Torino, Monza and beyond in the EU with BRAK, being the first band to play Mickey Zogg’s Basement in Bristol with Beau Wanzer and multiple distinguished appearances at Café Oto with legend and fellow RS label-mate Shit & Shine.
Right-thinking taste-makers have decreed that Louse “exist in an alternate reality where The Fall and The Birthday Party are one and the same band”, and that their songs are “all at once unsettling, loose, filthy, untamed, distorted and fucked up, but most of all rocking, creative and unique”.
Buyer’s Remorse is no exception, having been wrangled into perfection by long-time collaborator James Atkinson (The Stationhouse Studio) and none other than Rectal Hygienics’ Matt Ibarra (STR Mastering) this is truly scum rock at its finest - all at once punishing, ugly and brutal; but listen to that groove (oh my!)
Louse are
The Captain - Vocals, Septic Pete - Guitar, The King of Sting - Guitar , Uncle Brutus - Guitar Mister P. - Drums, Dieta Di Patate - Slide Bass

pre-order now14.08.2026

expected to be published on 14.08.2026

21,81 €
Dead Best - God Out Of Order LP

Dead Best return on August 7th with God: Out of Order, their third and most fully realized album yet. Sharper, louder, and more melodic than ever, the record captures the absurdity, anxiety, and emotional whiplash of modern life through songs that are equally noisy and undeniably catchy. God: Out of Order finds Dead Best at their most fully realized — turning chaos into hooks, frustration into humor, and confusion into something worth shouting along to.

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expected to be published on 14.08.2026

25,42 €
ROY MONTGOMERY & MARTHA SKYE MURPHY - NEBULAR

Roy Montgomery, a key figure in the experimental underground rock scene, lives in Christchurch, New Zealand, just a short drive from the sea. Avant-garde vocalist and songwriter Martha Skye Murphy is based in London. Though geographically worlds apart, the pair inhabit an intimate and almost tactile shared sonic world. Their collaboration feels transformative, like the gradual shifting spell from night to day.

What draws them together is the emotional force of each other’s music. Montgomery’s cyclical, decaying compositions are shaped through intricate guitar and piano work, blending post-rock, folk, and drone. Murphy, meanwhile, possesses a rare gift for transformation, from the intimate cracked whispers of 'At Dawn' to the hypnotic drift of 'The Play of Dark and Light'. On the latter, she evokes old maritime folk tales of fishermen lured into the darkness by the sea’s siren call. The song both seduces and warns, finding something magical and frightening in the temptation of drowning. Though her vocals often resemble fragments of words, consonants, or vowels, they frequently function as pure sound, drawing on glossolalia and prioritising feeling over any ‘learnt’ language.

Emotion and intuition are the driving forces behind Nebular, an album that oscillates between the intimate with the unknown. This spirit is reflected in its artwork. Murphy shared a painting by Irish artist Simon English depicting a solitary house bathed in dusky blue light, and the pair quickly settled on it as the cover image. Both were captivated by its atmosphere. Montgomery related it to the isolated, seemingly uninhabited houses he encounters while travelling through rural New Zealand—places that inspire a desire to knock on the door and discover what lies beyond. “Terra incognita springs to mind. A search into the unknown,” Murphy agrees.

The nocturnal and remote nature of the artwork mirrors the process of making Nebular. With Montgomery in New Zealand and Murphy in London, the album was created entirely through remote correspondence, with stems exchanged via email. Their messages were often written and read at different times of day, and, because of the time difference and the demands of daily life, replies usually were sent late at night and the music too often composed at nocturnal hours. Their exchanges took on the quality of pen pals sending letters across great distances. This suspended sense of time is echoed in Nebular’s sound, with its feeling of temporal drift and timelessness.

On Nebular, Montgomery and Murphy have harnessed raw emotion and launched it into a time capsule bound for the stars. It allows you to drift, to be present, and to feel; creating something timeless.

TRACKLISTING

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expected to be published on 14.08.2026

42,44 €
ME FIRST AND THE GIMME GIMMES - ARE A DRAG
  • 1: OVER THE RAINBOW
  • 1: 2DON'T CRY FOR ME ARGENTINA
  • 1: 3SCIENCE FICTION DOUBLE FEATURE
  • 1: 4SUMMERTIME
  • 1: 5FAVORITE THINGS
  • 1: 6RAINBOW CONNECTION
  • 1: 7PHANTOM OF THE OPERA SONG
  • 1: 8I SING OF THE BODY ELECTRIC
  • 1: 9IT'S RAINING ON PROM NIGHT
  • 1: 0TOMORROW
  • 1: WHAT I DID FOR LOVE
  • 1: 2CABARET

27 years later Me First and The Gimme Gimmes are still a drag, now a neon green (vinyl) one, and the sleeve is foiled! CD still available too. Though it doesn't sound like a brilliant idea, Me First & the Gimme Gimmes, an all-star cover band dedicated to regurgitating punk rock-style the most frothy music in their parents' record collections, are actually extraordinarily entertaining and can make the likes of John Denver and Barry Manilow sound not so bad. The lineup here includes Fat Mike of NOFX, the guitarist from the Foo Fighters, a couple of the guys from Lagwagon, and Spike Slawson, the Gimmes' sweet-voiced singer, who also plays bass for the Swingin' Utters. On their second record, Are a Drag, the Gimmes tackle all of their parents' favorite showtunes, claiming homage rather than satire. Most of their choices are songs that anybody even remotely into musicals knows by heart. Their cover of "Don't Cry for Me Argentina" has more choruses than the original, rocks pretty damn hard, and is certainly worthy of a swirling slam pit. Though it's not as wild as John Coltrane's version, the Gimmes' "My Favorite Things" is raging enough to send Julie Andrews swan diving off the stage into a sea of sweaty punkers. They mess with the jazz standard "Summertime" by Gershwin, adding some fine surfy leads to a song that's been played a million times over. Also, there's their furious rendition of Andrew Lloyd Webber's "Phantom of the Opera." On Are a Drag, the Gimmes succeed at playing showtunes that punk kids can dig, no small feat.

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24,33 €
ME FIRST AND THE GIMME GIMMES - BLOW IN THE WIND

Me First and the Gimme Gimmes show that they have truly matured as song-thieves on this album! Running at 45 RPM, the 25th anniversary pressing comes with silver foil and silver 25th anniversary labels. But if you like you can buy the original CD still too. Punk pranksters, Me First and the Gimme Gimmes, came forth with their third full length album, Blow In The Wind. That time around the band pays tribute to the tunes of the late 50s and 60s. Once again Me First and the Gimme Gimmes have woven their punk rock magic into the threads of the classics from the likes of The Beach Boys, The Beatles, Del Shannon, and Cat Stevens, just to name a few. On Blow In The Wind, Me First and the Gimme Gimmes don't simply cover 13 songs whose future was dependent upon the AM dial, they breathe the breath of new life into songs that were on the verge of being forgotten! Me First and the Gimme Gimmes is comprised of the following punk rockers: Spike Slawson (Swingin' Utters), Joey Cape (Lagwagon), Fat Mike (NOFX), Chris Shiflett (ex No Use For A Name, present Foo Fighters), and Dave Raun (Lagwagon)

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expected to be published on 14.08.2026

24,33 €
ME FIRST AND THE GIMME GIMMES - LOVE THEIR COUNTRY

Classic Me First And The Gimme Gimmes reissued: The Gimmes roll into town for a 12-song shootout with Country & Western. These Blue-State bandits are gonna show Kenny Chesney how it's really done. But now the demanding bunch are back, and this time, it's country that gets a kicking. More C&W-styled numbers are easy targets, be it the ever popular "(Ghost) Riders in the Sky," which here gallops straight into hardcore, "Desperado," which will never escape this incendiary melodic punk rock arrangement, and "On the Road Again," which is delivered up in a similar sizzling style. "Jolene," having already suffered the indignities of a goth make-over, is now manhandled by the Gimmes, who storm Dollyland with utter abandon and a barrage of guitars and battering drums, all the better to keep their man -- hmm, shades of Brokeback Mountain. "Annie's Song" is dragged off of John Denver's country roads, and dumped center stage in the middle of a rock concert, which is just where it belongs. Hank Williams' "I'm So Lonesome I Could Cry" gets even more inspired treatment, including a bagpipe! Even a seemingly straightforward punk do-over like "Goodbye Earl" provides some scintillating moments, from the Rancid meets the Clash styling to the bright harmonies and soaring lead guitar licks. The musicianship really shines through on this set, the guitars blaze, the bass becomes assaultive, and the rolling drums sound like the thunder of mortar in the distance, while the production is equally notable. But hey, the Gimmes can play country, too -- well almost -- the first half of "Much Too Young (To Feel This Damn Old)" boasts some fine fingerpickin' guitar, although the country styling keeps sliding into surf: hey, your roots are showing, guys. Now this is country music everyone can enjoy, gimme more! The 20th anniversary edition comes in a yellowish, more brown Mustard colored vinyl.

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expected to be published on 14.08.2026

24,33 €
Lovely Dave - Lovely Dave (TAPE)

A 100 minute glimpse into the mind of Lovely Dave.

The first of many from LD, a sterling set of oddball curiosities and deadly curveballs, courtesy of one of the finest to ever do it. Dubbed-out cosmic, post-punk anomalies and ethereal wave - all on a dark and stormy night.

High-bias 100 minute mixtape, on body printing and design by Femke Campbell

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expected to be published on 14.08.2026

15,34 €
Comedian Harmonists - Comedian Harmonists LP
  • A1: Mein kleiner grüner Kaktus
  • A2: Wir sind von Kopf bis Fuss auf Liebe eingestellt
  • A3: Einmal schaffts jeder
  • A4: Ein Freund, ein guter Freund
  • A5: Heute Nacht oder nie
  • A6: Ein bißchen Leichtsinn kann nichts schaden
  • A7: Auf Wiedersehn, my dear
  • B1: Veronika, der Lenz ist da
  • B2: Hoppla, jetzt komm ich
  • B3: So ein Kuß kommt selten allein
  • B4: Ach wie ist‘s möglich dann
  • B5: Ich hab‘ für Dich ‚nen Blumentopf bestellt
  • B6: Irgendwo auf der Welt (Aus dem Film: „Keine Angst vor Liebe“)
  • B7: Heut‘ nacht hab‘ ich geträumt von dir

Erleben Sie den unverwechselbaren Klang der legendären Comedian Harmonists mit dieser LP, die einige ihrer bekanntesten und beliebtesten Aufnahmen vereint. Die harmonischen Gesangssätze, der charmante Humor und
die zeitlosen Melodien machen diese Schallplatte zu einem besonderen Hörgenuss für Liebhaber deutscher Musikgeschichte.

Mit den Klassikern:
Mein kleiner grüner Kaktus
Ein Freund, ein guter Freund
Veronika, der Lenz ist da

sowie weitere unvergessliche Titel der Comedian Harmonists

Ob als Ergänzung einer Schallplattensammlung, als nostalgisches Geschenk oder zum entspannten Musikhören – diese LP bringt den einzigartigen Charme der Goldenen Zwanziger direkt nach Hause

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expected to be published on 14.08.2026

21,64 €
Chico - Chico

Chico

Chico

12inchNMZ0961
New Morality Zine
14.08.2026
  • 1: Can’t Be
  • 2: CLCC
  • 3: Too Late
  • 4: Chico Style
  • 5: I’m So Tired
  • 6: Big Joke
  • 7: Doubt It
  • 8: Die Alone
  • 9: Don’t Wanna Be Here
  • 10: Blur

This album is about the feeling of wanting something more than anything else in life. That looks different for everyone, but for me, it looks like wanting a life that truly feels like it belongs to me. Not an occupation, not money, not a social status. I love making music and being in rooms where that’s celebrated, and if I want to use the life I didn’t ask for to do that, I should be able to. This record is about what it feels like to do that, putting everything else second and the dream first. I think we were able to express all of that in these songs. Musically, this record includes everything we love about rock music. Big guitars, catchy leads, intense vocals, and honest lyric writing. This is the most collaborative Chico release to date

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expected to be published on 14.08.2026

27,31 €
Eero Koivistoinen - Valtakunta

Eero Koivistoinen

Valtakunta

12inchSVR447LPB2
Svart Records
14.08.2026
  • 1: Kentauri
  • 2: Vorwärts
  • 3: Lennosta kii!
  • 4: Kolme runoa: Koulittu katse / Ei yksikään elävä olento / Tottakai me huolehdimme
  • 5: Pientä peliä urbaanissa limousinessa
  • 6: Kello kuusi
  • 7: Television ohjelma on loppunut
  • 8: Kerran ei ollut valtakuntaa
  • 9: Hiljainen hetki
  • 10: Tuutulaulu

Eero Koivistoinen's debut album reissued in July Eero Koivistoinen is a wide-ranging composer and a talented musician – one of the all-time greats of the Finnish jazz. In 1965 Koivistoinen founded a trio that played avant-garde and fusion jazz together with Pekka Sarmanto and Edward Vesala. In 1967–68 he was a member of Blues Section – a group that is regarded as the first progressive rock band in Finland. Valtakunta (“Kingdom”) was originally released in 1968 and is Eero Koivistoinen’s first jazz LP. The songs of the album are based on the lyrics written by Finnish poets Pentti Saarikoski, Tuomas Anhava, Hannu Mäkelä and Jarkko Laine. The vocalists are Eero Raittinen, Seija Simola, Vesa-Matti Loiri and Koivistoinen himself. He also plays the tenor saxophone, piano and vibraphone, and is joined by a vast selection of legendary Finnish musicians, including Seppo "Baron" Paakkunainen, Pekka Sarmanto, Ronnie Österberg, Hasse Walli, Juhani Aaltonen, Antero Jakoila, Kaj Backlund, Esa Pethman, and Reino Laine among many others. All compositions are by Koivistoinen. The album reflects well the forthcoming compositional repertoire of Koivistoinen with its wide style spectrum. Valtakunta was reissued on vinyl in 2016 via Svart and the pressing quickly found a new home on the turntables of record collectors worldwide. After ten years, it's time to bring back this quintessential piece of Finnish psychedelia, avant-garde, free jazz, and progressive rock on wax and CD again.

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expected to be published on 14.08.2026

26,47 €
John Coltrane - Meditations

Das 1966 bei Impulse! Records erschienene Album “Meditations“ fing John Coltrane in einer Umbruchphase
ein. Einerseits enthielt es die letzten Aufnahmen, die der Saxofonist mit der kompletten Besetzung seines
legendären Quartetts einspielte. Zum anderen präsentierte er auf dem Album mit dem Tenorsaxofonisten
Pharoah Sanders und dem zweiten Schlagzeuger Rashied Ali zusätzlich neue musikalische Weggefährten,
die Coltranes letzte Schaffensphase mitprägen sollten. In dem suiteartigen Programm fließt die Musik als
fortwährende Meditation über Transzendenz und kollektiven Ausdruck. “Meditations” hebt Coltranes Spiritual Jazz in höhere Sphären der Energie und Abstraktion. Das Album, das oft als spiritueller Nachfolger
von “A Love Supreme” bezeichnet wird, bleibt ein kraftvolles Dokument der Transformation, Intensität und
Hingabe in Coltranes musikalischem Vermächtnis

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expected to be published on 14.08.2026

25,63 €
The Miles Davis Quintet - Cookin' With The Miles Davis Quintet LP
  • A1: My Funny Valentine
  • A2: Blues by Five
  • B1: Airegin
  • B2: Tune Up/When Lights Are Low

Original Jazz Classics celebrates Miles Davis’ centennial with the release of Cookin' with the Miles Davis Quintet. Originally released on Prestige in 1957 and one of four albums recorded during sessions at Van Gelder studios, Cookin’ features Davis alongside John Coltrane, Paul Chambers, Red Garland and Philly Joe Jones. This new edition of the album is released on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.

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expected to be published on 14.08.2026

34,03 €
AUTOPSY - MENTAL FUNERAL (35TH ANNIVERSARY LP)
  • A1: Twisted Mass Of Burnt Decay (02:14)
  • A2: In The Grip Of Winter (04:05)
  • A3: Fleshcrawl (00:41)
  • A4: Torn From The Womb (03:18)
  • A5: Slaughterday (04:02)
  • A6: Dead (03:18)
  • B1: Robbing The Grave (03:52)
  • B2: Hole In The Head (06:03)
  • B3: Destined To Fester (04:31)
  • B4: Bonesaw (00:45)
  • B5: Dark Crusade (03:54)
  • B6: Mental Funeral (00:36)

One of the early breed of US death metal acts, Autopsy formed in 1987 in San Francisco. Drummer/vocalist Chris Reifert had gained initial recognition with Floridian genre pioneers Death & his participation on the classic debut, ‘Scream Bloody Gore’ before this new morbid creation was birthed. Autopsy released 4 albums on Peaceville Records in the early part of their career - beginning with the legendary debut, ‘Severed Survival’, in 1989 - before disbanding in 1995, with members going on to become the stalwarts of sickodelia in Abscess.

Autopsy triumphantly & officially returned from the grave after a 15 year hiatus with the 2010 EP, ‘The Tomb Within’. This was followed by the release of the band’s fifth studio album, ‘Macabre Eternal’ in 2011, as the group celebrated a new era of popularity & creativity. This reverence continues to this day as Autopsy itself nears its 40th anniversary, & still features the longstanding core trio of Chris Reifert, Eric Cutler, & Danny Coralles.

‘Mental Funeral’ was Autopsy’s second studio album, originally released back in 1991, & is rightly hailed as one of the greatest death metal albums of all time with its unhinged & uncompromising collection of odes to brutality & depravity, wrapped up in its highly distinctive raw, organic production.

‘Mental Funeral’ was recorded at Different Fur Studios in late 1990, with engineering work conducted by Ron Rigler. The iconic artwork appeared courtesy of Kev Walker, who had already provided the (at the time) controversial cover for Autopsy’s debut, ‘Severed Survival’.

This special 35th anniversary pressing of ‘Mental Funeral’ is presented on a limited red/green ink spot vinyl, featuring newly remastered audio courtesy of current Autopsy bassist Greg Wilkinson at his Earhammer Studios.

pre-order now14.08.2026

expected to be published on 14.08.2026

30,46 €
VARIOUS - PETS SOUNDS

Various

PETS SOUNDS

12inch178184
Skep Wax Records
14.08.2026
  • 1: LOLA
  • 1: 2UNDER A CAT
  • 1: 3BO'S NEW HAIRCUT
  • 1: 4FOXY
  • 1: 5RUFUS
  • 1: 6BREAKFAST
  • 1: 7DARK AGE
  • 1: 82 CATS
  • 1: 9GRIMALKIN TOM
  • 1: 0I DON'T LIKE MEN IN UNIFORM
  • 1: KINGS OF THE ANIMAL KINGDOM
  • 1: 2CRAYON POTATO
  • 1: 3ORLANDO
  • 1: 4MARJORIE SAYS
  • 1: 5FIDO, YOUR LEASH IS TOO LONG

15 pop songs about animals by 15 of the best indiepop bands in the world: Pets Sounds is as simple as that. Ranging from the playful (Sassyhiya, Gay Skeleton Club) to the heartbreaking (Caleb Nichols, Jetstream Pony) to the enigmatic (Railcard, Oh Hippo) to the satiric (The Magnetic Fields, Brian Bilston and The Catenary Wires), there's more diversity on this album than you can shake a stick at. Or throw a bone at. The LP comes with a full colour insert and the CD comes with a booklet featuring artwork by Elodie Ginsbourg. Musicians spend a lot of time working at home, with their pets for company. The pets sit around, happy in their own worlds, sublimely indifferent to their humans' endeavours. As familiar as family members, but as unknowable as aliens, pets are the perfect muse. They can be treated as objects of adoration - `Rufus' by Tugboat Captain is an expression of pure joy - or they can be treated as metaphors. More reliable than lovers but less dangerous than heroin, pets are a great vehicle for singing obliquely about something else. Swansea Sound's `I Don't Like Men In Uniform' is about an ageing, irascible terrier, but it's also about men striving to maintain their potency as territorial aggressors. The Magnetic Fields' `Fido, Your Leash Is too Long' is a libidinous and unreliable partner, as well as a dog that likes sniffing other dogs' private parts. For the most part, animals come off better than humans on this album. In `Kings Of The Animal Kingdom', The Burning Hell dramatise our indulgent love of pets in order to expose our cruelty to other human beings. In `Bo's New Haircut', The Cords express the injustice and unfairness of an innocent animal having to submit to human demands. In `Crayon Potato' by Sassyhiya, the magnificent Crayon contemptuously rejects the gifts offered by her besotted human owners. In `Lola', the opening track, Lande Hekt tries to put this enigmatic human-animal relationship into words. And concludes that however much we love our animals, and no matter how much we manage to communicate with them, we can never really know them. A melancholy conclusion maybe, but the music - as with all the songs on this album - is expressive of the wonderment and the joy that comes from sharing your life with a member of another species. The tracks by Brian Bilston and The Catenary Wires, Jetstream Pony and Railcard are previously unreleased. These three bands are also playing a launch show at The Water Rats, London, on 9th July 2026.

pre-order now14.08.2026

expected to be published on 14.08.2026

26,85 €
Real Numbers - Was It Always This Way LP

Minneapolis' Real Numbers return with a new full length album, the gorgeously pop-tastic “Was It Always This Way.” Ten expectant, exuberant songs mixing hope and despair, the future and the past, all set to the sounds of late-80s/early-90s UK indiepop. While definitely picking up where their 2021 EP "Brighter Then" left off, the emphasis this time is on multi-layered guitars intended to complement the wistful and melancholy tracks with glittering awe.

“Was It Always This Way” refines Real Numbers' already-stunning songs, polishing the tunes into a swooningly perfect album that recalls 90s antecedents like Field Mice and St Christopher, as well as fellow pop practitioners like Ducks Ltd, Chime School and The Umbrellas. Album highlights like "Darling" and "Never Never Again" show that Real Numbers stand tall with their influences, paying close attention to the past while taking their art straight into the future with assurance and flair.

pre-order now14.08.2026

expected to be published on 14.08.2026

24,33 €
Dekula Band - Slavery is crime & Coltan Sounds LP

Congolese music at it's finest! Maestro "Vumbi" Dekula brings back his band to deliver some hypnotic and groovy jams full of soukous, rhumba and dancing vibes. The band (residing in Stockholm, Sweden) have been a favorite live act for many years and this is the follow up to their praised album debut "Opika" and to Vumbi Dekula's solo guitar album "Congo Guitar".

pre-order now14.08.2026

expected to be published on 14.08.2026

18,45 €
Johanna Samuels - Sorry, Kid LP

Sometimes an album title arrives like a voice from across time. For Johanna Samuels, Sorry, Kid began as a message to her younger self, part apology and part recognition. Gathering songs written as far back as 2007 alongside newer work, the album bridges nearly two decades of lived experience.

The record holds 70s tones without leaning on them, drawing from a lineage of melody and restraint while staying fully alive in its own time. It feels lived in, steady, and quietly powerful, like something finally understood without needing to be explained. The result is intimate and fully realized, songs that began as questions now settling into something like resolution.

pre-order now14.08.2026

expected to be published on 14.08.2026

26,85 €
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