A4 paperback, 120 pages
The second in our series of book relaunches is one of the original books on The Jam ( the first being The Sex Pistols
Retrospective ).
The Jam one of the most important British groups of all time, crashed on the scene with the Punk Explosion, but soon found their own niche. Charting consistently from 1977’s `In The City’ debut to 1982’s `Beat Surrender’ single.
The book details the groups worldwide releases with over 200 colour and black and white illustrations, The Jam 7” worldide release chart and a detailed timeline of the bands history and list of gigs and appearances up to the bands split in 1982.
The Jam are one of the UK’s most loved bands and have been surely missed but more importantly not forgotten.
The Jam were very much a vinyl orientated phenomenon that consisted of great artwork. So sit back and enjoy their story through their releases around the world.
Over 200 pictures of rare and deleted releases throughout the world
Plus history of the band and list of gigs and appearances.
Author: Agent Provocateur
Weight: 550gm
Height: 297mm
Width: 210mm
Depth: 10mm
quête:i love
- 1: Glutgirl66
- 2: Sorority
- 3: Take Me Back
- 4: Weep Today
- 5: W Alls Of Jericho
- 6: Hydroxycut (Take It All)
- 7: À Qui De Droit
- 8: Madame Lucy
- 9: Kelly Kelly
- 10: Use Your Wings
- 11: Infinitude // Uroboros
- 12: Sisterhood (Love, Her.)
- 13: I Am, She Is, We Are
- 14: How To Pretend
- 15: Mimosa
- 16: Hot Boy
- 17: Knot Me
- 18: Pretty Peach
- 19: Altruism Kills
- 20: Sweet Pitcher
- 21: Lift, Jump, Exhale
Krystian Shek & Milly James return with Never Ending on Cinta Gara, and it feels like a natural next step after the beautiful impact they made with their standout Greyscale release, a record that firmly positioned them in the deeper, more immersive corner of dub-driven electronic music. With Never Ending, the duo continue to refine that signature feeling: warm, hypnotic, deeply musical, and full of emotion. This is music that moves with patience and confidence, rooted in dub house, but carried by a timeless house sensibility that makes it equally powerful at home, in the club, or in those early-morning moments when everything locks in.
- A1: Wasted Time
- A2: Two Dolphins
- A3: Love Me Better
- A4: Make It Work
- B1: Honest
- B2: I Don't Feel The Same
- B3: Repos
- B4: Skyline Serenade
- B5: Friends
Papooz & Friends ! is a collaborative album where French duo Papooz gather a constellation of kindred artists, including Molly Lewis, Erlend Øye (Kings of Convenience / Whitest Boy Alive), Arto Lindsay, Oracle Sisters, Sacha Got (La Femme), Zé Ibarra and Hugo Hamlet, to create original songs born from true artistic encounters.
Blending elegant indie pop, modern folk and sun-soaked experimentation, the project unfolds as a collective musical journey celebrating friendship and creative dialogue.
- Black Helicopters
- Oppress Yourself
- Amnesiac
- Love Will Ruin Your Mind
- Ann The Word
- Slip Of Existence
- Free State
- Truth Cult
- Shed The World
- Pray For The Living
- Light For All
“The Repertoire” LP, the debut album from LA based artist Cousin Feo (Death At The Derby) officially comes to vinyl May 10th. The project was originally released in September of last year & is the first installment on his own indie imprint, Alumni Records. The album is entirely produced by the beat making French assassin Keor Meteor & furthermore establishes their connection from Mid City 2 Marseille.
Truly a unique body of work, this personal piece plays like a graphic novel in the form of rhyme, a short film on wax with cinematic word play & story telling fit for a classic film. A 27 minute audio experience, each joint layered into the next, thus creating a collage of moments & life experiences lived by him & his loved ones. It’s like mixing the heralded French film “La Haine” with scenes from “Training Day” & “The Professional” & setting it all in South Central LA.
More known & recognized for his famed footy themed projects like “Provoleta” & “Choripán” & creating “Death At The Derby”, Cousin Feo laces us with a more traditional sounding rap album, stepping outside the 20 yard box & showcasing the skill set extends beyond his niche artistry and sound. Tap in.
Limited edition of 400 hand-numbered copies.
- A1: Midcity 2 Marseille
- A2: Normandie Beach
- A3: Monaco Money
- A4: Guillotine Dreams X Bourgeoise Pigs
- A5: Vermont Veuve
- B1: Paper Mache Players
- B2: Louie Xvi
- B3: Rifles In The Eiffel
- B4: Napoleon Nights
- B5: Champagne Corks
Grey Vinyl[27,69 €]
“The Repertoire” LP, the debut album from LA based artist Cousin Feo (Death At The Derby) officially comes to vinyl May 10th. The project was originally released in September of last year & is the first installment on his own indie imprint, Alumni Records. The album is entirely produced by the beat making French assassin Keor Meteor & furthermore establishes their connection from Mid City 2 Marseille.
Truly a unique body of work, this personal piece plays like a graphic novel in the form of rhyme, a short film on wax with cinematic word play & story telling fit for a classic film. A 27 minute audio experience, each joint layered into the next, thus creating a collage of moments & life experiences lived by him & his loved ones. It’s like mixing the heralded French film “La Haine” with scenes from “Training Day” & “The Professional” & setting it all in South Central LA.
More known & recognized for his famed footy themed projects like “Provoleta” & “Choripán” & creating “Death At The Derby”, Cousin Feo laces us with a more traditional sounding rap album, stepping outside the 20 yard box & showcasing the skill set extends beyond his niche artistry and sound. Tap in.
Limited edition of 400 hand-numbered copies.
Blue Vinyl
After a three year hiatus, the rap trident known as Death At The Derby is back with another full LP, this time entirely produced by Toronto based producer Finn. An 11 track project, “Capitano” is themed behind some of the games most respected & legendary captains to rock the honorary armband.
Inspired by their previous 2020 release “Ballon D’Or”, this latest LP is both the first official drop, yet second installment to their newest series entitled Club & Country. With the third & final season of their celebrates derby series around the way, this record is the next phase in their wave of worldwide work.
Cuts provided by their resident DJ, DJ Dubplates, the project is both a rare & raw blend of potent underground production, cultured sound bites, top flight lyricism & love for the beautiful game. Whether El Salvador, Romania, North Ireland or Argentina, the roster is monster. Centered around a tracklist aligned by the player’s actual jersey numbers, this collection of stars shine bright as any constellation.
- 1: Mojo Jam (Special Guest Dennis Gruenling)
- 2: Baby Hold Tight
- 3: House Full Of Love
- 4: That Smile (Special Guest Sue Foley)
- 5: The Man I Used To Be
- 6: Faith
- 7: Tooth And Nail (Special Guest Rick Vito)
- 8: Fate Is A Train
- 9: This Road (Special Guest Rick Vito)
- 10: What Has Happened Here?
- 11: Without You (Special Guests John Ginty And Mark Johnson
Peter Karp gehört zu den unverwechselbaren Stimmen der amerikanischen Americana-, Blues- und Roots-Szene. Seine Musik verbindet kraftvolle Emotionen, feines Storytelling und eine tiefe Verwurzelung in den Klangtraditionen des amerikanischen Südens. Aufgewachsen zwischen New Jersey, New York City und Alabama, entwickelte er früh ein Gespür für die Energie urbaner Songkultur ebenso wie für die Ursprünglichkeit des Blues. Künstler wie Robert Johnson, Muddy Waters oder Howlin" Wolf prägten ihn ebenso wie die poetische Kraft von John Prine und die erdige Direktheit von Joe Ely. Karp schreibt Songs, die das Leben so zeigen, wie es ist: ehrlich, rau, humorvoll und voller beobachteter Details. Seine markante Stimme, sein expressives Gitarren- und Pianospiel und sein Gespür für melodische Hooks machen ihn zu einem der respektiertesten Songwriter seines Genres. Kritiker loben seine Fähigkeit, Blues, Folk, R&B und Americana zu einem eigenen, zeitlosen Stil zu verbinden. Peter Karp steht für authentische amerikanische Musik - tiefgründig, mitreißend und voller Charakter. Ein Künstler, der die große Tradition des Songwritings fortführt und gleichzeitig seine ganz eigene Handschrift setzt.
- A1: Dean Martin - You're Nobody Till Somebody Loves You
- A2: Tony Bennett - Rags To Riches
- A3: The Ink Spots - Whispering Grass (Don't Tell The Trees)
- A4: The Shirelles - I Met Him On A Sunday (Aka "Da Doo Ron Ron")
- A5: Robert & Johnny - You're Mine
- A6: Howlin' Wolf - Smokestack Lightning
- A7: The Cramps - The Creature From The Black Leather Lagoon
- B1: Jimmy Smith - Walk On The Wild Side
- B2: Jimpson & Group - The Murderer's Home
- B3: Santo & Johnny - Sleep Walk
- B4: Lonnie Johnson - Tomorrow Night
- B5: Glenn Miller & His Orchestra - Moonlight Serenade
- B6: Muddy Waters - Hoochie Coochie Man
- B7: The Berlin Radio Symphony Orchestra - Radetzky March
- C1: The Harptones - Life Is But A Dream
- C2: Bing Crosby With Victor Young's Orchestra - Just One More Chance
- C3: Charlie Parker - I'll Remember April
- C4: Johnnie Ray - Cry
- C5: Benny Goodman - Moonglow
- C6: Lavern Baker - Tweedlee Dee
- C7: Frankie Carle - I Want A Girl (Just Like The Girl)
- D1: Ray Charles - Come Rain Or Come Shine
- D2: Bo Diddley - Road Runner
- D3: Brenda Lee - I'm Sorry
- D4: The Marvelettes - Please Mr. Postman
- D5: Jackie Gleason - Melancholy Serenade
- D6: The Hot Club Of France With Django Reinhardt & Stéphane Grappelli - What Is This Thing Called Love
- D7: The Danleers - One Summer Night
- Amaliah - No Way Out
- Call Super - I Love Like Your Men
- Chaos In The Cbd - Orange Blank
- Charlie Dark - Foundation And History
- Dreamcastmoe - In And Out
- Isaac Carter - Take U There
- Joe Armon-Jones Maxwell Owin - Se Discoteque
- Kink Feat. Rachel Row - Its Already Here
- Manami - Scramble Clip
- Marcellus Pittman - #Eastsidechampions
- Mr. Redley Transatlantic Era
- Nat Wendell - Tell Me
- Niks - Lilac Skies
- Suze Ijó - Up There
- Yu Su - Flourish
GALA announce Ten Years of GALA – a compilation marking a decade of independent culture
Ten Years of GALA is both an archive and a horizon: a reflection on where GALA has come from, and a signal of what lies ahead.
Founded in 2016 as a one-day gathering in South London, GALA has grown into a global point of reference for dancers, artists and collectives drawn together by a shared commitment to independence, collaboration and underground music culture. Rather than charting success through scale alone, the festival has consistently prioritised integrity, community and musical curiosity – values that underpin this release.
Spanning fifteen tracks, Ten Years of GALA unfolds as a considered journey. It opens with an intimate spoken contribution from Charlie Dark, grounding the compilation firmly in GALA’s home of Peckham before gradually expanding outward into fuller, club-focused terrain. From there, the record moves between moods and tempos, tracing a path from reflective moments into the physical language of the dancefloor.
The compilation brings together longtime friends of the festival alongside newer voices drawn into its orbit in recent years. Each artist contributes a distinct perspective, but collectively the tracks form a coherent portrait – not of a single sound, but of a shared ethos shaped over ten years of gatherings, collaborations and days spent dancing together.
Rather than a retrospective in the conventional sense, Ten Years of GALA functions as a living document. It captures fragments of past editions, scenes and relationships, while remaining firmly oriented toward the future. These are not museum pieces, but records designed to be played, shared and folded back into the spaces from which they came.
Together, the compilation holds a piece of GALA’s first decade – not as a closed chapter, but as a foundation for what comes next.
- 1: I Don't Know Right From Wrong
- 2: Black
- 3: Spymaster
- 4: Let Me Sleep
- 5: Kindness Invites Abuse
- 6: Acid Test
- 7: I Don't Wanna Die In Mt Sleep Tonight
- 8: Army Now
- 9: Color Scheme
- 10: Leave Me Alone
- 11: Blood
- 1: Better Off Dead
- 2: Kill Me Now
- 3: Figure It Out
- 4: Truth
- 5: Whirlpool
- 6: The Road
- 7: Tko
- 8: Whites Of Their Eyes
- 9: Skintite
- 10: Not Today
- 11: After Dinner Crimes
- 12: Computer Love
La Peste war Bostons erste echte Punkband und hat die Lücke zwischen der einflussreichen Proto-Punk-Szene der Stadt in den 1970er Jahren und dem College-Rock und Hardcore-Punk der 1980er und 1990er Jahre gefüllt. Diese Sammlung will die ganze Geschichte von La Peste erzählen und zeigt die unveröffentlichten Studio- und Loft-Aufnahmen der Band zusammen mit den beiden offiziell veröffentlichten Tracks. Diese Tracks stammen aus der Studio-Session, aus der die 7"-Single ,Better Off Dead" (die einzige offizielle Aufnahme der Band) hervorging, aus ihrer Session mit Ric Ocasek von The Cars aus dem Jahr 1978, aus einer Session in den Electro Acoustic Studios aus dem Jahr 1978 und aus 4-Spur-Loft-Aufnahmen, die 1977 von den Bostoner Punks Billy Dafodil und Dave Cola gemacht wurden. ,Wenn du dir ,I Don't Know Right From Wrong" anhörst, wage ich zu behaupten, dass du nicht mehr aufhören kannst, sobald du angefangen hast - stell dir vor, diese Songs wären verfügbar gewesen, als La Peste sie aufgenommen hat. Stell dir vor, die atomaren Songs dieses Trios hätten aus den Plattenläden und Autoradios in ganz Boston, an der gesamten Ostküste und in ganz Amerika gedröhnt. Ich habe kaum Zweifel, dass genau das passiert wäre, wenn diese Musik Ende der 70er Jahre auf Platte erschienen wäre. Stattdessen müssen wir uns damit begnügen, sie jetzt zu hören - und wow, was für ein Trostpreis! Alles auf diesem Album kommt aus den Lautsprechern geflogen, macht Spaß, ist intensiv und so voller kaum zu bändigender Energie, dass man sich fühlt, als hätte man sich gerade Koffein gespritzt. Johnny Angels Beschreibung von La Peste als ,Black Sabbath meets Wire" trifft jetzt voll ins Schwarze: große, fette, dreckige Riffs zu einem umwerfenden Beat. Zwischen Peter Daytons feuriger Gitarre und seinen kehligen Schreien, Mark Andreassons tiefem Bass und Roger Tripps kraftvollen Drums gibt es in ,I Don't Know Right From Wrong" so viel Klanggewalt, dass der Typ in der Maxell-Werbung dagegen wie eingeschlafen wirkt" - Marc Masters
- 1: Room To Breathe
- 2: Not Tough Enough
- 3: Love Beyond
- 4: Wrong All Along
- 5: Eyes Open Wide
- 6: Shake Me
- 7: No Afterglow
- 8: Bridges Are Burned
- 9: Won't Quit On You
- 10: Invading My Space
- 11: In A Heartbeat
Out Loud is the debut solo album from Gary Klebe, guitarist/vocalist of the power-pop band Shoes. Formed in Zion, Illinois in 1974, Shoes was influenced by British Invasion groups of the 1960s and artists like Big Star, Bowie, the Move, Todd Rundgren, Nils Lofgren. The band first gained attention by self-releasing records on their own Black Vinyl Records label before signing to Elektra Records. Albums like Black Vinyl Shoes, Present Tense, and Tongue Twister earned them critical acclaim and cult-favorite status, with songs such as “Too Late,” “Tomorrow Night,” and “Your Imagination” becoming genre touchstones. Shoes’ melodic craftsmanship and independent spirit have made them hugely influential, inspiring generations of power-pop and indie rock bands.
- 1: Duck Pond
- 2: Across The Northern Border
- 3: Up The Country
- 4: The Ballad Of A Sometimes Traveller
- 5: Cannon Beach
- 6: Descending Star
- 7: Blue
- 8: Last In Line
- 9: You Make The Call
- 10: Shade Of Love
- 1127: Forever
- 12: Spin Your Wheels
- 1330: 0 Miles
- 14: Rockin' Chair
- 15: Lovely Today
Originally released in 2001, Up The Country is the debut album by The Sixth Great Lake and a quietly revered title within the late-'90s / early-2000s indie scene. Rooted in jangly guitars, melodic songwriting, and a distinctly pastoral sensibility, the album sits at the intersection of indie pop, folk-rock, and classic guitar-driven pop. Although initially released with modest exposure, Up The Country steadily developed a loyal following, earning cult status among fans of understated, melody-focused indie. Its charm lies in its simplicity: clean arrangements, memorable hooks, and an unforced warmth that has allowed the record to age exceptionally well over the past 25 years. This 25th anniversary reissue presents an opportunity to reintroduce an overlooked catalogue gem to today's market, appealing both to original fans and to a new audience drawn to timeless, guitar-led indie records. With renewed interest in archival and heritage releases, Up The Country offers strong long-term catalogue potential beyond initial anniversary demand. A timeless, understated record with strong appeal for fans of melodic, guitar-driven indie.
Black Vinyl[35,50 €]
For the first time ever, Roxette release ‘Baladas En Español’ on vinyl. The relationship between Roxette and Spanish-speaking audiences has been a love story since the early ‘90s and this release celebrates that special relationship. The release is timed with Roxette’s 40th anniversary and their return to South America for live shows in April. The album will be available on vinyl and CD, featuring 4 bonus tracks compared to the original release. The vinyl will be released in both a limited coloured edition and standard black.
Roxette have some exciting plans to celebrate their 40th Anniversary this year, including extensive touring, further anniversary re-releases, video upgrades, contemporary remixes and much more!
Red Vinyl[41,98 €]
For the first time ever, Roxette release ‘Baladas En Español’ on vinyl. The relationship between Roxette and Spanish-speaking audiences has been a love story since the early ‘90s and this release celebrates that special relationship. The release is timed with Roxette’s 40th anniversary and their return to South America for live shows in April. The album will be available on vinyl and CD, featuring 4 bonus tracks compared to the original release. The vinyl will be released in both a limited coloured edition and standard black.
Roxette have some exciting plans to celebrate their 40th Anniversary this year, including extensive touring, further anniversary re-releases, video upgrades, contemporary remixes and much more!
- 1: Let's Rock This Place
- 2: Your Loving Touch
- 3: The Boogie Was King
- 4: Dynamite
- 5: How I Cried
- 6: Can’t Stand Losing You
- 7: Back On The Road
- 8: Love Bug Crawl
- 9: Just Walking In The Rain
- 10: Lonely Weekends
- 11: Remember Me (The Girl In The
- Wood)
- 12: Words Fell Down
- A1: Bloodbath
- A2: Back To The Palace
- A3: Nothing Left
- A4: Schizos (Are Never Alone) Part Iii
- A5: Criteria For A Black Widow
- A6: Punctured
- B1: Loving The Sinner
- B2: Double Dare
- B3: Sonic Homicide
- B4: Mending
Criteria for a Black Widow was a love letter to old-school Annihilator fans. It hit record shops at the precise moment the delirium of the 90s cleared and metal was ready to get heavy again. From the pummeling attack of opener Bloodbath to the classic brawl of Back To The Palace and the album's searing title track – all festooned with Jeff's ability to fuse the finesse of six stringed virtuosity with the auditory effects of a hand grenade – this was more than a return to form; it was the sound of Annihilator coming full circle.




















