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Brayan Valenzuela - Mi Pez Murió Anoche

“Mi Pez Murió Anoche” is the first full-length album by Brayan Valenzuela, marking a definitive shift in his sound from the raw, hard-edged techno of his early work toward a more intimate, textured, and emotionally charged form of electronic music. Released on the Detroit Underground label, the album is a deeply personal sonic exploration, inspired by the mutable and emotional energy of Pisces, shaped by fractured rhythms, ethereal melodies, and a sensibility that blends the introspective with the physical.

Throughout the album, Brayan weaves in elements of jungle, breakbeat, and ambient, maintaining an underground aesthetic while embracing a freer, more narrative approach to composition. The intention is clear: to craft a sonic experience that flows from beginning to end, but also includes moments built for the club. “Rav,” for example, stands out with its driving rhythmic structure and raw energy, designed for the dancefloor, while tracks like “All I Need Is Peace” and “Nancy, She Become a Groupie” explore more contemplative and emotional territory.

“Mi Pez Murió Anoche” is a statement of identity. A work where the visceral meets the cerebral, where nostalgia intertwines with rhythm, and where personal reflection opens into collective experience. It’s an album that resists categorization, aimed at discerning listeners and DJs seeking depth without compromising impact. For anyone following the evolution of forward-thinking electronic music, this is a vital release.

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Various - AW001 - Various Artists

Anothr World steps onto the bridge between Paris, the Ruhr Area, and Berlin.

Marking its debut with a vinyl-only release, the label presents a compelling Various Artists compilation that sets the tone for its unique sonic identity.
From France, Berlin-based Casual Treatment and Paris-native Hemka contribute powerful tracks. Representing the Ruhr Area, Rostom and Verschwender bring their own distinctive energy, grounding the release with gritty, hypnotic textures and raw groove.

This first offering is a bold statement of intent - a fusion of cities and sounds.

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Shawn Rudiman - Reality in Quotes 2x12"

Shawn Rudiman returns to Pittsburgh Tracks with his first full length since 2021’s Flow State.

“Reality in Quotes” is a complete statement from beginning to end... in the artist’s own words:

"Our perception, rational thought and intellect are the only way we discern what we even dare call reality. You can use any information you like, but we make our own realities from moment to moment.

Thank you to: my lady for understanding me; Pittsburgh Tracks for the friendship and wanting to release this album; Chase Smith for the great equipment help; Angie Linder / DTM for the live gig help and representation.

Thank you to everyone who has supported this release, and any release I've done over the last 27 years. It's humbling to still be able to make music and to play out.

Reality is the only word in the language that should always be used in quotes."

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Jhobei - Electrosonic EP

British producer Jhobei takes the reins for the next release on Talman Records. As the Bizarre Trax boss and one-third of Felon5, he’s already made waves with standout releases on respected labels like Fuse London and Mood Waves. We’re thrilled to welcome him to the label with four intergalactic funk cuts

collecting

Order now. Collecting orders for repress.

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Last In: 8 months ago
Destin Conrad - Love On Digital

Destin Conrad

Love On Digital

12inchERE1141
EMPIRE
22.08.2025

DESTIN CONRAD, is a sultry R&B singer hailing from Tampa, Florida. A newcomer to the music industry, DESTIN actually got his start on Vine, amassing over 1M followers. Years later he received his first major writing credits on Kehlani's Billboard #2 album, It Was Good Until It Wasn’t. DESTIN’s debut project, COLORWAY, was released in 2021 and has surpassed over 120 million streams. He spent 2022 on the road opening for artists Syd and Kehlani on their respective tours.

DESTIN CONRAD did his first headlining tour in EU and UK in 2023, where he sold out shows in Amsterdam, Paris, and three nights in London. His sophomore project, SATIN, was released November 2022 and has been just as successful as COLORWAY. Fader described his catalog as, "lush, intimate earworms infused with a gentle touch." The following releases, SUBMISSIVE, & SUBMISSIVE2, showcased a new era of growth for DESTIN, landing major features on both projects and embarking on a massive 47 show global tour.

All of this has culminated in the release of DESTIN CONRAD’s debut album, LOVE ON DIGITAL, setting himself up as one of the new promising voices in R&B. Previously released singles include “The Last Time (feat. Teezo Touchdown),” “KISSING IN PUBLIC,” & “DELUSIONAL.”

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PRINZ EZO - KURIER

PRINZ EZO

KURIER

12inchTNLP02BLCK
Tech-Nology
22.08.2025

Tech-Nology was launched in 2003 specifically to make records with the artist Bjorn Svin. Bjorn was the first Danish artist who made underground crossover into commercial hit territory via "Mer Strom" - but still keeping respect in the "real" music world for his enthusiasm, non-compromising style, persona, and sweaty live performance skills - his musical understanding and need to explore new directions took the crowd on a personal musical journey from jazz and classical musicians to early electronic pioneers - but always in a tone of his own. Bjorn always felt a need to escape norms, to grow and not to repeat, but investigate and create. The first record on Tech-Nology was born under the alias - El Far: Couples of lonely dancers. "Bjorn is maybe the most talented electronic producer ever in Denmark" and he was celebrated as a wonder kid by the media back in the 90's. An insider with new knowledge of Bjorn told us: "Yeah I think its good music.. It's not for everyone I must add, but it's definitely quality music for those who dig this sound.. sometimes a bit too deep.. which kind of works against it, cause you really need to listen to it.. you cannot just skip through it, cause then you don't really grasp the soul of it.. so this is what makes it more difficult to sell - but if a guy like this was a bigger name he would sell much better.."

We love Bjorn and we agree - We have tried to sell Bjorn and his music for over 2 decades now - But you can't capture Bjorn, you can't own him - he is only making music for himself - and you can get on the ride if you want to, but don't expect all the rides to be fun - sometimes it hurts! Bjorn is difficult to sell, but we don't think Bjorn really would like to sell much better if he had the option to do a more commercial approach to his music - because Bjorn is about not selling out, he's a purist at heart, making music documents for the few. Bjorn is bigger than superficial success and streaming numbers. He made jingles for Nokia, toured and played Roskilde's main stage, the biggest Festival in Denmark, but he still doesn't care... and that is important if you want to make interesting music that last for the future. When Bjorn met Mester Jakobsen, label boss of Tech-Nology, he has been releasing on numerous underground labels, made the jump to a major label, and everything more or less turned out as a big disappointment, so Bjorn presented a completely experimental album to the Tech-Nology label under the moniker Prinz Ezo - The Body Offset. We loved it then - we still love it now - and a truly collectors item and a secret DJ tool.

Today, Bjorn is still breaking all habits and rules, still doing the same thing - just in new ways, but he has gained insight on another level, adding even more nuances and textures to his post-genre compositions.

Welcome to the second album by Prinz Ezo on Tech-Nology: KURIER Why Kurier? Because Bjorn left to explore the Berlin Underground, shortly after the first two releases on Tech-Nology - he left his roots to search for a bigger meaning, a bigger understanding, to compose real mature sounds and understanding his skills, at the point where you understand why you have to cross borders, still incognito, doing smuggler-sounds, always in transit - between cities, between cultures, between worlds, time and space. Not Restless nor rootless, just forever on the move, always discovering new landscapes! But now Bjorn is settling down - accordingly with the music - to find - not inner peace, but to be completely in balance with the music inside of him. Prinz Ezo is raw, narrative, minimalistic electronic storytelling that refuses to freeze. Tension builds and releases - feel the energy and the drama for the last 2 decades if you dare to take the journey?

Almost twenty years after the first Prinz Ezo album, it has now been possible to make the music for those who never arrived.

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Regent - Cratea

Regent

Cratea

12inchMLRVNL006
MALöR Records
22.08.2025

Berlin techno talent Regent channels his signature depth and drive into a new outing for MALoR Records. With each release since his inception in 2020, he demonstrates the versatility of his sound and his ability to convey profound narratives across a spectrum of techno sub styles.

After contributing a standout track to the label's Purveyors Of The Groove Vol. 3 compilation in 2023, he now returns with a highly cerebral yet anthemic and dance floor-destined 5-tracker EP: Cratea.

The A-side kicks off with the EP's standout cut, 'Refiction', a sinister, forward-marching piece laced with spooky, psychedelic vocals and dripping in LFOs and mind-boggling soundscapes.

It's followed by the title track 'Cratea', shaped by steady bleeps and an evolving, echo-drenched synth that bounces erratically from start to finish, driven forward by thick claps and floaty rides.

On the flip, 'Origins' delivers a steady, hypnotic tool built on organic bass sounds, gnarly percussion, and wet vocal chops, peaking with four-to-the-floor claps that are sure to lock in a busy dance floor.

'Null Model' follows with a signature Regent groove, fusing driving 909 drums with a clever interplay of short synth stabs and warped-out voices, resulting in a deeply trippy, almost paranoid atmosphere.

Closing the record is 'Stealthless', a stripped-back yet uplifting techno tool, offering moments of synth euphoria and harmony while remaining deliberately restrained and minimal by design.

A versatile release made for different moments in the night, designed to guide dance floors through profound, body-moving journeys.
Best served on powerful sound-systems.

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The Mark-Keys - My Sweet Baby/Heavenly Thing (7")

Dave Hamilton revived ‘My Sweet Baby’ his 1967 release by J T Rhythm on a harmony group from Flint, Michigan called the Mark-Keys. The backing tracks are similar, but the harmonies are softer and it is this version that appeals to the Lowrider scene devotees. The beautiful ballad flip ‘Heavenly Thing’ adds further interest for the collectors and DJs who are so influential nowadays; the high demand has brought about this Repro pressing.

Expédié27.12.2026

L'article est déjà en route pour nous et devrait être expédié de 27.12.2026.

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Scheermann - Viciosa

Scheermann

Viciosa

12inchMR-037
Mutual Rytm
22.08.2025

Berlin's Scheermann debuts on Mutual Rytm with deeply personal EP, 'Viciosa'.

Scheermann is at the heart of the Berlin underground as a DJ/producer, but also working behind the scenes at the Intakt Berlin vinyl pressing plant, where he first met Mutual Rytm founder SHDW. As a resident of the Lorem Ipsum party series, he delivers cultured and compelling grooves, and is also an active member of the Wesertekk collective - supporting and pushing club culture to the forefront in more rural areas. His music comes from a deeply personal place, never chasing hype or headlines, and is usually found at home on his own imprint, SAMMLER. This new EP marks his first appearance away from the label as he unveils a collection of records crafted over five years, with each track representing different moments in his life.

'Viciosa' kicks off with paranoid vocals panning about as swinging, warehouse-ready drums pound heavily below. The gritty synth craft adds plenty of texture as filters build the vibe. 'Placid Sin' is even more intense with unresolved synths tripping you in a loopy state while coarse percussion and cantering drums march on. 'Don't Care' is a rave-ready cut that injects your soul with urgent synth energy over more minimal and moody drums. 'Kano' brings a more elastic rhythm with dubby undercurrents and sleek sonar pulses infusing it with mystery, while 'Reika' is a nimble cut with icy hi hats and curious synth notes layering in late night suspense. First digital bonus 'Resoclap' is a heavyweight swinger with dark, groaning voices, before the second digital bonus 'Mizu' provides a speedy and supple workout for body and mind.

Scheermann 'Viciosa' lands on Mutual Rytm on 22nd August 2025.

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fka boursin - Listless Intertext

fka boursin is a DJ and producer out of Bristol, UK.
Previously known as DJ Boursin, he is recognized for his deep, ambient-infused house music that explores political dimensions of clubs and identity politics.
Welcomed into the Scissor & Thread fold, fka boursin shares two cuts of deep and introspective
electronic music.
The original Listless Intertext is a hazy trip through ambient soundscapes, shuffling rhythms and half-caught conversations, drifting across a 12 minute run time that slowly evolves and shifts with time.
"Listless Intertext is a track centred around the "failed" employment of cheap vocoder software that attempted to process explicit words and phrases across 11 minutes." says fka boursin. "Instead, the vocoder output made any words indecipherable and I was left with thematic vagueness. The final text of the track is simply a submission to its own limitations with some french thrown in."
When label bosses Frank & Tony step up for their Housebeat Dub, they keep the essential mood but introduce a thick, fat groove that works just as well in conveying the mood.
"Our remix is a strictly dancefloor approach," says Frank, "an extended psychedelic beat rework perfect for late night, early morning vibes".

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Fantastic Man - Genesis

A dense and driving club interpretation of the well-loved ethereal classic “Genesis,” reworked into a hypnotic instrumental with plenty of low-end weight and emotional charge.
Built for impact, not nostalgia, it comes in four versions — each tuned with a different tone for different zones of the night. Out on vinyl and digital via Axis of People.

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Neotex - The Mind Is A Series Of Patterns

Grittier than their previous work, they take techno themes we know and love in a decidedly personal direction, emphatically divorced from current tropes. Each song clearly captures a vibe, some of which are recognisable love letters to the genre and several of which are unrecognisable in a
great way. Their first album show how Neotex have been informed by parts of electronic music which formed a strong impression and then chose with clarity of mind to break with those patterns and carve their own path

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The CJP Band - You and Me and the Music (feat. Nolo)

Supa Jams are proud to present. For our, And their debut release, The CJP Band.

Two peak time Disco Soul Funk laced 'Supa™' jams. Ready for the floor, Whilst perfectly encapsulating the labels ethos core.

Disco by extension, Funk for guaranteed dancefloor retention. Music and lyrics for the soul will never not be the intention.

First up 'You and Me and the Music', for the dancers, and DJ's looking for them to 'Lose it' on the floor. This one has it all, Just wait for the strings and 'hat tip' refrain to a legend of the game.

On the flip 'We Can Never Go Back" brings us squarely back to 2025 lyrically. We ALL know 'The systems have changed' and indeed hope that nature will intrinsically "Remain the same".

Nolo asks the same questions clearly forgotten by Jay K in 1993 perhaps? How do we balance our 'Pleasure as an act of defiance in a world that runs on greed'?

In the meantime both tracks deliver the same time honoured essentials for dancing potential - Drum breaks for days, And the night time haze. Bass lines for the loose spined, Lyrical refined for the spiritual of mind. Hotter than the summer dance floors they'll be played on.

300 limited pressing - Hand Stamped Sleeve.

Don't Sleep!

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K'Alexi Shelby - We All Jack Part 1

“We All Jack” marks the first vinyl release from the Heattraxx label — a true celebration of the Chicago house scene. The original track features a powerful Klassik Mix by K'Alexi Shelby, his second release on the label, a living legend of Chicago house who earned critical acclaim with The Ron Hardy Memo and is now back on the label stronger than ever. The record also includes three heavyweight remixes: Sirus Hood, a longtime friend of the label, talented artist and producer, founder of Mood Child, and deeply connected to the Chicago scene — having produced a documentary featuring interviews with some of the most iconic names in house music; The Checkup, label head of Heattraxx, delivers his deep and driving grooves as seen on labels like Kaoz Theory, Snatch! and House Puff; and Joe Smooth, another legendary Chicago pioneer, known for classic acid house sounds and immortalized by the anthem “Promised Land.” A tribute to house heritage, infused with the spirit of the Windy City in every beat.

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Lucy Duncombe & Feronia Wennborg - Joy, Oh I Missed You

Lucy Duncombe and Feronia Wennborg compose a modern symphony for virtual choir on 'Joy, Oh I Missed You', muddling sound poetry with Nuno Canavarro and ‘Systemische'-style machine-damaged surrealism. Like a mashup of Lee Gamble's 'Models', Akira Rabelais' 'Spellewauerynsherde' and Robert Ashley's timeless 'Automatic Writing’ screwed to perfection.

Duncombe and Wennborg have been chewing over ‘Joy, Oh I Missed You’ for four long years, working their process until they were "queasily intimate" with their arsenal of artificial voice tools. Tracing the history of the technology, from voice synthesisers and chatbots to AI voice analysis tools, the duo experiment relentlessly to develop a digital-age response to IRL extended vocal technique - think François Dufrêne, Yoko Ono or Phew. Less interested in replicating human sounds exactly, they instead test how various tools might cough up their own idiosyncratic tics as they stretch and stutter through attempts to mimic their "fleshware" counterparts.

Duncombe's got prior form here, most recently re-synthesising her voice on the brilliantly oily 'Sunset, She Exclaims' 45 for Modern Love, following a stunner for 12th Isle in 2021. Wennborg brings along experience from her tenure as one half of microsound duo soft tissue, whose 2022 LP 'hi leaves' (Students of Decay) was a haptic treasure. These approaches mesh remarkably well on their first collaborative full-length, with Duncombe's eerie bio-electronic incantations providing the ideal foil for Wennborg's carbonated hardware processes. It's not completely clear where the human voice ends and the zeroes and ones begin on 'Your Lips, Covering Your Teeth', as rolling cyborg syllables tumble over OS-startup womps and surprisingly svelte outcroppings of glassy, synthetic glitches. The music is surprisingly mannered, a sonic reflection of the cover, where a mouth is pixellated until only colour swatches remain. Duncombe and Wennborg trace the gradual erosion of their voices, leaning into the chaos as their various tools veer off into unique patterns of failure.

What sounds like a far-off, ghosted folk rendition (we're reminded of the Icelandic laments that Rabelais chewed up on 'Spellewauerynsherde') is offset by gnarled, bitcrushed machine faults and pneumatic lip smacks on the brilliant 'Residue', and on 'Brushed My Hair', the duo massage the voice until it sounds like a flute. Assembling stutters and barks and sighs into a celestial chorus alongside time-stretched moans, they create a levitational atmosphere on 'Smell It', freezing the energy from bizarre pitch steps to configure a zonked vocal ensemble.

'Joy, Oh I Missed You’ is an album that, like its source material, constantly morphs, testing the boundaries of its concept repeatedly without bubbling over into conceptual goo. In fact, it's remarkably euphonious, even at its most theoretically abrasive; Duncombe and Wennborg wring out uniquely angelic formations through a process of trial and error that packs a surprising, hefty emotional punch.

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Nagat - Eyoun El Alb

Nagat

Eyoun El Alb

12inchWWSLP78
WeWantSounds
19.08.2025

FIRST-EVER VINYL RELEASE OF CULT 1980 CASSETTE-ONLY ALBUM BY EGYPTIAN SINGER NAGAT EL SAGHIRA, CURATED AND ANNOTATED BY DISCO ARABESQUO. INCLUDES PRODUCTION BY EGYPTIAN FUNK LEGEND HANY SHENOUDA

Following the highly-acclaimed "Sharayet El Disco" compilation, Wewantsounds is delighted to team up with Disco Arabesquo for the reissue of Nagat El Seghira's cult 1980 album "Eyoun El Alb"

Originally released only on cassette on the Egyptian label Soutelphan, the album has since become a sought-after classic on the Arabic groove scene and this is the first time it is released on vinyl. Consisting of four tracks, the album features two tracks produced by Hany Shenouda whose group Al Massrieen is a reference on the Arabic disco funk scene.

Remastered for vinyl by Colorsound Studio in Paris, the album features the original cassette artwork plus a two page colour insert featuring liner notes by Disco Arabesquo.

When it comes to Arabic Divas, Oum Kalthoum, Fairuz and Warda usually take the lead in the poll list. But in her native Egypt, singer Nagat Al Saghira comes very close to this triumvirate. Born in Cairo in 1938, Nagat began singing when she was still a child gaining her stage name "El-Saghira" ("the young one") at this occasion as she started giving concerts at the age of seven, pushed by her father, the famed calligrapher Muhamad Hosny (Nagat's half-sister is the renowned actress Soad Hosny).

Nagat quickly rose to fame in the late forties and became an essential part of classic period of Arabic music, interpreting songs by such titans as Mohamed Abdel Wahab, Baligh Hamdy and Kamal Al Taweel. She also sang the works of Syrian poet Nizar Qabbani whom she introduced to a mainstream audience. Nagat started singing shorter songs but then upgraded to longer ones, often performing/recording them live as it was the trend in the 60s and 70s.

One such song is "Eyoun El Alb" ("Eyes of the Heart") which makes up the whole of Side 1 of the original cassette. Written by Mohamed El Mougy and Abd al-Rahman al-Abdouni, Eyoun El Alb is a love song made up of several distinct sections enhancing Nagat's hypnotic singing, accompanied by a percussion-heavy, traditional Egyptian orchestra.

Side 2 is the "diggers" groovier side featuring two floaters,"Bahlam Ma'ak" ("I Dream with You") and "Ana Basha El Bahr" ("I Adore The Sea") produced by cult Egyptian musician and producer Hany Shenouda, whose albums with his group Al Massrieen are highly sought after on the Arabic funk and Disco scene. One Al Massrieen track features on the "Sharayet el Disco" set compiled by Disco Arabesquo who notes that "Hany Shenouda had made waves with his new musical style that weaved in western funk and disco sounds into Egyptian music"

Both tracks feature an infectious slow-burning groove and incorporate funk influences with fat bass and lines of synth and clavinet that adds a funky tone to Nagat's soft singing. The third track "Fakra" ("Do You Remember") brings the best of both world with a syncopated rhythm and arrangements that are slightly more traditional than the Shenouda-produced tracks.

Originally released in Egypt on Cassette in 1980 on the venerable Soutlephan label, the album is now making its vinyl debut on Wewantsounds annotated by Disco Arabesquo and remastered for vinyl by Colorsound Studio in Paris for the joy of Arabic funk and Global beats worldwide.

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Suicide AFTR 7 - Blanked EP

Barcelona-based record label Hot Plates, founded by Nico and Dom of Suicide After 7, is thrilled to present its debut release: a four-track EP distributed by Runas. The record is a dynamic journey through analog textures and genre-blurring rhythms, unified by a shared spirit and sonic identity. Crafted with vintage gear like the TR-808, Juno-106, FM synths, and Prophet, the EP showcases a range of moods and energies:

“Blanked” sets the tone with crisp pads, a subtle Chicago house rhythm, and a blend of futuristic and retro synths. It carries an ominous yet invigorating feel—an understated dancefloor burner that slowly creeps in.

“Fish Fry” pushes into darker territory, with an edgy, slightly menacing EBM vibe. Anchored by a gritty FM bass and splashes of sharp percussion, it rolls forward with underground intensity and eerie momentum.

“Orion” shifts the tone into something romantic and nostalgic, channeling classic Italo influences. Soft pads and a hypnotic, pulsing synth create a dreamy, forwardmoving energy that feels both futuristic and wistful.

“Sole Seller” closes the EP with a disco-inspired banger—playful, stripped-back, and built to move. Sparse vocals float above the groove, giving it just the right hint of attitude while keeping it firmly locked in dance territory.

Each track opens a different window into the Hot Plates universe. Together, they form a cohesive, well-rounded EP—diverse in style, but united by that
unmistakable Suicide After 7 essence

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Anthony Pateras - Reise der Schatten

»Reise der Schatten« (»Journey of Shadows«) is the soundtrack to the eponymous debut feature-length animation film by Swiss artist Yves Netzhammer. Composed by Anthony Pateras and released as a stand- alone album through Hallow Ground, the 29 pieces are based on »weird folk melodies ornamented with electro-acoustics to give the film a more fantastical, fairy-tale feeling,« as the composer puts it. His extensive international recording sessions with a slew of guest musicians results in a record imbued with a sense of mystical surrealism, otherworldly and haunting.

»Reise der Schatten« tells the abstracted story of a genderless being coming to terms with its identity and place in a world full of conflicts and systems of control. »The film was made with old animation software that only works on Mac OS 9. So already, we are in a very hermetic, unique space,« says Pateras. Having tried (and failed) to compose something »typically experimental,« he went for long walks in the Australian bushlands and came home with something else: the idea to create a soundtrack that would create »a kind of distance, or perceptual shift, but also a narrative drive and emotional context which is not always clear.«

While recording the album, the tētēma co-founder did not use digitally generated sound, instead workingwith live instrumentation whose sound palette was enriched by the use of feedback, tape delay, analogue synthesizers, and samples from vinyl records. Wanting to work primarily with acoustic instruments suchas the clarinet made Pateras embark on a complicated journey of his own. The initial recording sessions took place in Basel on metallophones that were designed by Domenico Melchiorre’s Lunason company and laid the foundation for everything that came after.

Pateras recorded with musicians such as guitarist Alexander Garsden, viola player Erkki Veltheim, clarinetist Aviva Endean, multi-instrumentalist Justin Marshall and Lizzy Welsh on the viola d’amore among other instruments. He recorded percussion and recorders with Rohan Rebeiro and Natasha Anderson in his hometown of Castlemaine, double bass with Benjamin Ward in Sydney, bass and flutes with Jon Heilbron and Rebecca Lane in Berlin, and electronics in Zürich with Netzhammer. »Reise der Schatten« was thus a literal journey, made with a »big, international electro-acoustic ensemble.«

As a stand-alone album, »Reise der Schatten« opens up a space of its own. Its stylistic diversity makes it atmospherically and emotionally multi-faceted. As its composer notes, »music for screen can be very virtuosic, sophisticated, and variegated!« His own work is a testament to that claim.

ele

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Works of Intent - Our Resting Hearts

“Dance Music That Hurts” — the motto of Work of Intent.
Hurts, because it goes straight to your heart.
There’s no better way to put it.
His productions are rooted in the UK underground,
dripping with both techno and pop sensibilities.
This is “big room” like you’ve never experienced it before—
music you can’t ignore, driven by storytelling and raw emotion.
He’s found a home on labels such as Monkeytown, Turbo, and REKIDS, and continues his relationship with Laurent Garnier’s COD3 QR .
Founder of the clandestine edit factory *Emotional Weaponry*,
he continues to receive support from industry heavyweights.
Former manager of *DAYTIMERS*, the UK-based collective championing
South Asian sounds, stories, and voices,
and a highly sought-after mix engineer for some of the UK’s most exciting prospects.
We’re beyond happy to welcome Roshan Chauhan aka Works Of Intent to the family.
Feels like the beginning of a long, dramatic love story.

Credits:
Written and produced by *Works of Intent*
Distributed by *One Eye Witness*

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