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2026 Repress

To enter the world of Sally Townes and Roberta Vandervort is to be swept away into a dimension of unique sound. Embellishments of smoldering jazz funk, seductive soft rock, breezy AOR, and misty folk, all paint a picture of the worlds which they inhabited; from the endless flat expanse of Dallas, the hot and humid bustle of a Bourbon Street night club, to the late night buzz of a Los Angeles studio session.
While Sally Townes and Roberta Vandervort never crossed paths in our reality, their supernatural union on this compilation feels like the meeting of old, yet familiar friends, set in a parallel dimension with lives intertwined. The songs feel like old friends, too — a comforting time capsule of the popular sounds of the era, yet offering something completely new. Bridged by the striking similarities in their musical confidence, vocal conviction, and boundless creativity, both women encapsulate an uncompromising passion for living, loving, and creating on their own terms.

Our brand new Club Sweat compilation series has landed with Vol. 001 - a meticulously curated vinyl EP that captures some of our favourite releases from 2025.

The A-side features Watermät & James Mac’s magnetic Afro House dancefloor-filler ‘Make A Livin’, followed by the legendary Mousse T. with‘Some Kinda Feeling’ and the future-forward collaboration between Don Diablo & Tseba ‘The Devil Works Hard’.

The B-side begins with the beloved Whitesquare remix of Metroplane’s classic anthem ‘Be Where I Am’, before dropping into Sian’s gritty and hypnotic ‘Get Raw’ with Sacha Robotti & JOPLYN, concluding with Gabss’ atmospheric rework of Crooked Colours’ ‘I Can’t Forget You’.

A snapshot of Sweat It Out’s current influence in the global dance scene what a way to kick off 2026!




d B1: Metroplane, Alex Metric, Aeroplane - Be Where I Am (feat. Daniel Wilson) Whitesquare Remix

Four classic US house vocals. Four club-ready remixes. One essential Sub-Urban EP.

Sub-Urban returns with Volume 3 in its much-loved vinyl series, a four-track, vocal-driven house EP built for DJs who want real vocals, real soul and real dancefloor impact.

Featuring iconic voices including Kathleen Murphy, Helen Bruner & Terry Jones and Ceybil Jefferies, this release delivers timeless house songwriting reworked into modern, club-ready cuts by respected underground producers.

This is a no-filler DJ tool, every track works in warm-ups, sunset sessions, peak-time soulful moments and late-night deep floors.

“ It’s like a more psychedelic , organic KLF Chill Out with deep roots and cosmic overtones“ Richard Norris

“ A beautiful trip “ Jem Finer

D.E.N 01 LAND - Composer Danny Hammond
Land is the first in a series of earth inspired sonic journeys , part sound meditation , part immersive psychedelic nature trip. Incorporating field recordings , shack instruments and spoken words from cosmic adventurers .

It originated as an installation at the 14 Hour Technicolor Drone event in Sept 2025 whereby all listeners fell into a deep nature/dream slumber.
For fans of Pauline Olivieros ,Brian Eno , Terry Riley , Don Cherry , Barbara Hepworth , Alice Coltrane , John Betjemin and all other ambient adventurers.

D.E.N
Deep Earth Network is a long term sound project exploring deep-listening , drone and sonic adventure , all inspired by the earth in all its manifestations , land , water , space , consciousness. Initiated by Danny Hammond , D.E.N will present different sonic projects and collaborations from vinyl / audio releases to sonic installations with the aid of The Deep Earth Soundsystem and the Sonic Heads ( S.H ) a collection of sculpted head audio transmitters.

After a decade away from new music, Jill Scott returns with To Whom This May Concern, a soul-stirring body of work rich with texture, rhythm, and emotional truth. Rooted in community, reflection, and sonic exploration, the album weaves melodies, horns, and rhythms into an immersive listening experience that invites audiences to feel deeply, reflect freely, and take exactly what they need.

Following the massive success of Torment, Bidoben returns to Sciahri's Sublunar with a new EP titled Jett, a record that showcases his distinctive and forward-thinking sound design, cementing him as one of the strongest figures of the new generation.

The EP opens with Jett, a powerful and melodic cut marked by Bidoben's unmistakable sonic identity, followed by Voltage C, a refined and minimal piece with a subtle epic touch. The A-side closes with Tormented, a fierce reimagining of the atmosphere that defined Torment, demonstrating the artist's ability to evolve and expand his expressive range.

On the flip, Hypernature sets the tone with captivating grooves and cosmic melodies, leading into Ashley Origami, a solid, floor-oriented tool designed for peak-time tension. The journey concludes with Edges of Normal, the most mystical track of the release, lighter in tone but no less engaging.

Southern Italy's disco jack-of-all-trades and STAR CREATURE regular GIOVANNI DAMICO returns with "THE PAYBACK EP" 12". DAMICO's ever-evolving sound swerves through bright moments of gospel house, afro-boogie and punky funk, each track having its own fresh flair.

Ten years after the cult debut, Phil Kieran returns under his Le Carousel alias with a dazzling follow-up. The Humans Will Destroy Us blends shoegaze-inspired electronics, lush analogue textures, and dreamy synthscapes into a rich, cinematic journey. A colourful evolution of the underground classic - emotional, timeless, and deeply human.

Sexyrecs 'Third Base' marks a new chapter for the label.

Dutch producer Khas delivers a grounded and more restrained take on techno, built on organic structures, subtle tension and contrasting bleeps that slowly pull you in. It's a toned down approach compared to earlier releases of Sexyrecs, but the groove and sensuality are still very much there.

Berlin duo LYRIC take the remix deep into the details, stretching and reshaping the sounds until they become hypnotic and immersive, adding a darker and more introspective layer to the EP.
Less rush, more control. Still sexy.

Terence Fixmer returns with 4 tracks defined by his unique style. He dives back into a deep, hypnotic, and club-focused sound without losing his trademark energy. 'Blade' brings a cinematic, futuristic vibe, followed by two mind-bending tracks built for the dancefloor. The EP closes with a subtle dub-oriented cut.

Commissar Lag - Absolution EP (Earwiggle)

The 38th Earwiggle release comes from one of our favourites, and a debutant on the label, Serbian studio supremo Commissar Lag. The "Absolution EP" finds Lag delivering his playful vision of techno, dipping into the past while also pointing us to the future, all framed through an exquisite production gleam. Dense, rolling rhythms reminiscent of early '00s Stockholm techno, combined with a catchy repeating vocal sequence (one of Lag's trademark techniques) and rising sirens, result in the monster opening title track "Absolution". "Aim Without Mercy" is another club destroyer - jabbing keys, broken jagged beats, and a series of rising pressure points making it another winner. "The Blessed" meanwhile, shifts the mood from mental to majestic, with interchanging leads and reverb-drenched climaxes marking the big-room peak of the record. Rounding things off is Irish wunderkind Dylan Fogarty, who reimagines "Aim Without Mercy" through a deep and psychedelic lens, layering textural collages over surging, jacking
909s.

High Altitude 002 brings together three rising forces from three different corners of the world. Stckman, Simone Rossari, and Goosebumps represent a new generation of producers with a shared futuristic vision and a highly distinctive musical identity.

The EP features three forward-thinking tracks, each shaped by the unique taste and cultural background of its creator, yet unified by a powerful, modern sound aesthetic. From deep afterhours mornings to the most crucial peak-time moments of the night, High Altitude 002 is designed to fit seamlessly into any part of a DJ set.

A global collaboration, a futuristic attitude, and a fresh perspective on underground dance music — this is High Altitude 002.

With Hyperbola, Laima Adelaide frames speed as a condition of softness rather than impact. The fan- tasy of flying through the air with effortless move- ment forms its emotional core, as tracks move fast, yet nothing collides: rhythms skim the surface, tex- tures hover, and motion unfolds through glide inste- ad of strike. Energy is continuous and diffused, pro- ducing propulsion without aggression, momentum without weight.

The hyperbola operates as both image and method. Sounds trace curved trajectories, drawing close only to diverge again, suspended in a state of gentle tension. Elements never resolve into force, they re- main airborne, elastic, and permeable, as if shaped by an invisible geometry. Across the EP, velocity becomes a tool for lightness, revealing an ethereal space where motion is elegant, friction dissolves, and intensity is carried through grace rather than pressure.

Credits:
Mastering by HWA
Artwork and Graphic Design by Enrico Caldini
Distributed by One Eye Witness

E23 Records second release is where electro has a love triangle with synthwave and Italo. Reality is the original Rorschach,

E23 founding member Mavanov worked diligently on delivering you eight varying tracks perfectly suited for working out on the dance floor and to find nuance and reflection at home or on the go. You will find hints of EBM and Detroit, with notes of cold wave and synthpop. A nostalgic journey into the future delivered on a beautifully crafted 12” limited to 200 copies.

The very special return of Boo Williams on Rush Hour. A trip from the Strictly Jaz Unit member that reflects on the sound that has been and where it's going.

Timeless house music from Chicago that draws heavily on Boo's styles and influences from the past, fusing it into a completely idiosyncratic style that is paying tribute to past yet simultaneously looking to the future. Delving very deep without losing form for the dancefloor. A timeless addition to the vast catalogue of heavy classics by Boo!

Chicago beat mathematician Toddsonic33 flipping it real durty for us...

4 tracks that are part machine yet fully fused with soul, a sound that feels as authentic Chicago as it can get. With 2 featurings from fellow Chicagoan Don's Mark Grusane and Darryn Jones, this is a real deep dive into the jackin' drum sound from the windy city.

WRWTFWW Records is delighted to announce the first-ever vinyl release of Art Form I, the overlooked 1997 compilation from Tokyo’s cult imprint FORM@ RECORDS, now available as a limited edition double LP housed in a heavyweight sleeve as part of the ongoing collaborative series between the Swiss and Japanese labels.
Originally issued only on CD, Art Form I is a fascinating deep dive into the rich and singular world of late ’90s Tokyo electronic music—an inspired collection of timeless IDM, techno, ambient, and electronica experiments. Showcasing a roster of visionary underground artists including fan-favorite Virgo (Landform Code, Remnants), the compilation maps the innovative spirit of the era: emotional machine music, intricate rhythmic architecture, mind-expanding textures, and the soulful heart that serves as the solid foundation of everything FORM@ RECORDS.
Art Form I reminds of the pioneering explorations from Warp’s Artificial Intelligence series, B12, The Black Dog, Ken Ishii, and early Carl Craig, all while maintaining its own distinctive local identity. This long-awaited vinyl edition offers listeners a fully immersive rediscovery of a pivotal moment in underground music.
Following the acclaimed reissues of Virgo’s Landform Code (1998) and Remnants (1999), the simultaneous releases of Art Form I and Art Form 2 (1998) continue the archival collaboration between WRWTFWW Records and FORM@ RECORDS, with a forthcoming vinyl edition of remix collection Re-Form Ver-1.0 (1999) to follow.

WRWTFWW Records is very pleased to announce the first-ever vinyl release of Art Form 2, the seminal 1998 Various Artists compilation from Tokyo’s cult label FORM@ RECORDS, now available as a limited edition double LP housed in a heavyweight sleeve, as part of the ongoing collaborative series between the Swiss and Japanese labels.
Initially available only in CD form, Art Form 2 emerges as a quiet artifact from an exploratory phase in FORM@ RECORDS’ late-1990s trajectory. The compilation drifts through the deeper layers of Tokyo’s electronic underground, where IDM, techno, ambient, and downtempo dissolve into one another within an atmosphere of deliberate experimentation. Both intimate and forward-looking, it preserves a moment in which a local scene, largely unseen, was patiently reshaping the future beyond the reach of prevailing global narratives.
Flowing with carefully sculpted rhythms, immersive sound design, and a subtle sense of machine soul, Art Form 2 reflects the maturity of the FORM@ aesthetic in 1998. The compilation resonates with the spirit of Warp’s Artificial Intelligence era, Carl Craig’s melodic futurism, Ken Ishii’s cerebral techno, B12’s deep electronics, and Ian O’Brien’s emotive touch, while remaining unmistakably rooted in its own local context. Timeless and singular, it stands as a beautifully preserved time capsule of underground electronic music.
Following the vinyl excavations of Virgo’s Landform Code (1998) and Remnants (1999), Art Form 2 continues WRWTFWW Records’ collaboration with FORM@ RECORDS. It is released simultaneously with Art Form I (1997), further expanding this archival series, which will continue with the forthcoming vinyl edition of Re-Form Ver-1.0 (1999).

The blueprint for a night of futuristic dancing in 1985; It resides not in the stars, but in the crystalline echo of Geometry’s synthesizers.

K!pz enters the grid with Geometry, a 12-inch Maxi Single that strips the Italo sound down to its most essential, pulsating core: Pure Shapes and Catchy hooks, filled with musicality.

A1 – Circular: Hypnotic and fluid: a rounded bass sequence and celestial arpeggios that draw you straight to the center of the floor. Tight, gated drums and bright leads deliver the unmistakable Hi-NRG feel.

A2 – Triangular: Sharp and dynamic: angular lead lines guide a bed of arpeggiated bass, punchy synth stabs, and impactful breaks. A precise, energy-building melodic core.

B – Square: Solid and deep: a driving, grounded bassline supported by a slapping Drumulator groove. Dub-like reverbs and a classic lead synths carve out a strong, steady, and foremost euphoric atmosphere.

GEOMETRY imagines the future as envisioned in 1985—a vibrant collision of abstract design and intoxicating pulse.

For more than two decades, Eamon Harkin has helped shape New York’s communal pulse. As a founder of Mister Saturday Night, Mister Sunday, Planetarium, and Nowadays, he’s created and DJed in spaces where dance, listening, and connection blur into something deeper — places where people come together to make sense of the world through sound.

On his new album, The Place Where We Live, Harkin turns that lens inward. Drawing on 25 years as a DJ and curator, he moves between house, techno, and ambient currents with a sense of stillness and searching. The result is a record that feels both physical and introspective — the sound of the dance floor seen through memory.

The title comes from psychoanalyst D.W. Winnicott’s idea of “the place where we live,” the psychic space between the inner and outer world — where play, art, and culture help us build meaning. For Harkin, an Irish immigrant long settled in another land, that idea resonates both philosophically and personally. The Place Where We Live captures the tension and beauty of the pulse of the club and the quiet of reflection — an album about belonging, transition, and the quiet resonance of finding home somewhere in between.

Swiss DJ and producer Audrey Danza returns with Next Stop, her first self-released vinyl EP on her own imprint, Proxima. The four-track release sharpens her sound into a direct, club-focused statement rooted in acid techno.

Each track is carefully engineered for the dancefloor. Driving acidic basslines and distinctive percussion interlock with warped, spacey textures to form forward-moving, high-pressure grooves. Processed vocal fragments punctuate the tracks, heightening tension and momentum. The EP moves through trippy, mental territory, balancing functional DJ tools with off-kilter details and strange sonic flourishes.

Built for movement and momentum, Next Stop works equally well in late-night warehouse settings and peak-time club moments.

Vortex 1 marks the next chapter in the DUB Recordings / Repetitive Rhythm Research series on Clone Records. Aleksi Perala dives deep into his unique sonic universe - unleashing a powerful collection of advanced rhythms. Precision-crafted patterns spiral into a mesmerizing vortex of sound, pulling you into new dimensions of rhythmic exploration. A signature experience from one of electronic musicâ??s most singular and prolific producers, known for the unique Colundi tuning system and a sound that has continually pushed musical boundaries since his early releases on Rephlex. Powerful tools for adventurous DJs and devoted braindancers alike. Clone Exclusive *Limited edition on Silver/Black and Gold/Black Marbled vinyl*

Belgian artist, label boss and DJ, End-jy, glances back at one of his most revered releases to date, the 2003 ‘Red Alert’ EP, originally released on Lupp Records it marked a defining moment, earning widespread support from scene-shaping artists including Carl Cox, Tiësto, Marco Bailey, Dave Clarke and Mark Broom. Long regarded as a personal milestone, the track now returns in renewed form on the artist’s own label as MV08. This forthcoming EP revisits the original with fresh perspective, featuring a powerful remix from Pig&Dan alongside a newly reworked version by Dimitri Andreas and the artist himself, bridging the track’s enduring legacy with a contemporary evolution.

Pig&Dan take the reins first, extracting fragments of the original version of ‘Red Alert’ and reshaping them into a dub tinged, deep techno cut fuelled by circling synth stabs, robust percussion, tension building atmospherics and a driving bottom end. Following on is ‘Red Alert’ (Dimitri Andreas & End-jy 2026 Remix), the pair lay down a deeper, more hypnotic and minimalist interpretation courtesy of crisp, stripped-down drums and oscillating resonant synth flutters underpinned by the original’s dark, dubby aesthetic.

The original version of ‘Red Alert’ opens the flip side, capturing the essence of the underground at the turn of the millennium, the track fuses, gritty stabs with organic percussive elements, hypnotic siren like synths and a subtly evolving feel throughout.

‘Flexibeat’ then concludes the release, a composition that veers into the realms of early Detroit techno and electro via an amalgamation of twitchy synth pops, cinematic strings, saturated 808 drums and murky bass tones.

Already Supported by Jamie Jones, Calao, Amé, Marco Faraone, Timo Maas, Nick Varon, Steve Parry, Just Her, Dax J, Perc, Massimiliano Pagliara, Alex Neri.

Denver Cuss presents her first 7" single release and her debut with UK independent label LRK Records.

'Crossed My Mind' backed with 'You Don't Get It' is out on streaming services on the 30 January, with the 7" out on the 27th February. It follows her 2024 album 'Leaving Me', which was described as "a nostalgic masterpiece" - Sommer Zeit magazine, earning a feature in Rolling Stone Germany, and a series digital singles, which have been played on the Craig Charles Funk & Soul Show on BB6 Music as well as Noble & Heath's Soho Radio show.

Denver is an Irish, London-based musician and producer, who makes classic R&B and Soul-influenced music, having graduated as the prize-winning jazz vocalist from the London College Of Music. She has since stepped into a world of live and session singing, alongside her solo project, delving deep into girl-group harmony, Northern Soul and classic Rhythm and Blues.

For this release, she captures the essence of '60s record-making, working with collaborator/producer PM Warson and engineer Ed Deegan at the all-analogue Gizzard Recording in East London. Backed by some of London's finest young musicians, she cut her vocal live, bypassing the trend for layered productions and imitation, in favour of a direct, live and soulful approach, direct to tape. The result is two of the most authentic '60s Pop/Soul sides you're likely to hear this year

2026 Repress

The long-awaited sequel to Ophidian's cult classic Blackbox (2003) arrives: "Blackbox: Kasamaan" picks up where the original left off, and strays further into the darkness.
Expect Industrial Hardcore and Hard Techno with grinding, distorted kicks, warped percussion, detailed rhythms and intricate sound design, all while being cloaked in haunting, eerie atmospheres.

Daniele Baldelli
"A pleasant surprise to find in this release various atmospheres and sounds that have always been part of my DJing. It even made me rediscover M’Bamina, whom I used to play back in 1974 at the Tabù Club in Cattolica.
There are afro vibes as well, with Black Line – Myele, which is featured on one of my Cosmic tapes, and Nowhere by the Stratosferic Band recalls a track I used to play at the Baia degli Angeli…
Excellent work!"

Voom Voom Music was an independent Italian record label based in Turin, founded and managed by record producer Ivo Lunardi (Turin, December 6, 1940 – December 9, 2010). A pivotal figure in the Piedmont music scene, Lunardi was active both as a DJ and as the owner of several disco clubs.

The label operated for several years in the latter half of the 1970s, releasing mainly productions connected to the Italian dance and pop scene.
Since 2016, the original master tapes from the Voom Voom Music catalog have been owned by Gianluca Pandullo (I-Robots), a close friend of Ivo and Luca Lunardi. Through his labels Opilec Music and Turin Dancefloor Express, Pandullo oversees their preservation and historical enhancement.

The artistic direction of Voom Voom Music was marked by a distinct sonic identity — eclectic yet visionary. The Turin-based label founded by Ivo Lunardi embraced a sound that blended disco, pop, and rock influences, interwoven with African American grooves in a pioneering, international perspective.

Voom Voom Music was among the first Italian labels to introduce this kind of musical language in the country. A prime example is the Italian edition of the debut album by B.T. Express, Do It ('Til You're Satisfied), released in LP, 8-Track Cartridge, cassette, and 7" single formats.
The label’s productions clearly reflected the influence of black and funk music, as evidenced by the references and inspirations running through its catalogue. The track “Lady Pick-Up”, for instance, includes direct nods to “Do It Good” by KC & The Sunshine Band and Manu Dibango’s iconic “Soul Makossa”, revealing a musically refined and contemporary sensibility.

Among the label’s most representative works is Splash (1977) by the Stratosferic Band, a project conceived by Luigi Venegoni — producer, songwriter, and guitarist of Arti e Mestieri. Venegoni’s artistic journey spanned from progressive rock to space and Italo disco. The album artwork was designed by Piero D’Amore (1944 - 2022), a charismatic and multifaceted figure of Turin’s art scene (one of his works was even acquired by the MoMA in New York).
The record includes a disco reinterpretation of Van Morrison’s classic “Gloria”, and “Splashdown”, a track fusing the disco-rock energy of Rockets and Space. In contrast, “Nowhere” revisits the 1975 single by Hokis Pokis, a soul/disco band from Nassau County (New York), transforming it into a vibrant disco-funk number.

Another significant expression of the label’s catalogue is the afro-rock sound of M’Bamina, an Italo-Congolese group whose rhythmic energy and dialogue between African percussion and Western funk evoke the style of international formations such as Osibisa — themselves linked to a rich artistic history in Italy.

We’re proud to present the latest offering from Promising/Youngster & UF0, on the sublime Deep Techno / IDM imprint out of the UK, Fourier Transform

A lush 4-tracker. Uf0 and Promising/Youngster are the answer to a desire for breakbeats and perfect melodies. Radio plays to come from Damo Bs’ Outer Limits, Marcelo Tavares’ Deep Space, Richard Sens’ DoYouRadio

Uf0 and Promising/Youngster are the answer to a desire for breakbeats and perfect melodies. This is Uf0s’ (Sergio Garcia) second release on the label and when asked who he would like to be paired with, he wasted no time in suggesting fellow electronic musician and Spanish resident – Promising/Youngster (Diego Cardierno). This EP begins with P/Y’s “Random Memories” as tried and tested live by him last year and its big sound simply fills floors and gets feet moving. The second track of his is with a more subtle approach to the dancefloor but the analogue arpeggios and breaks still rock. Uf0 and his opening track “Sashita” uses vocals sparsely to create atmosphere and an epic soundscape. Ending the ep “La Musica Non Riporta De Te” opens with his trademark lush pads which drop into breaks, more well-crafted gentle melodies and of course “Bass”.

Between them both they have appeared on an impressive roster of underground labels - Wave Modulation, Analogica Force, Further Electronix, Adepta Editions, Altered Sense, Withold, Gated. Limited to 200 copies on marbled Eco vinyl, with painted sleeve, a sticker and an insert “Fun in the Sun”, giving you some interesting activities and experiments you can do using the power of the sun. Radio plays to come from Damo Bs’ Outer Limits, Marcelo Tavares’ Deep Space, Richard Sens’ DoYouRadio.

Limited to 200 copies worldwide!

LIVE FROM MT. FUJI is a stunning new vinyl from visionary drummer and producer Yussef Dayes, capturing live performances of pre-released and new material featuring Minami Kizuki, as well as Yussef's regular collaborators Venna, Rocco Paladino and Elijah Fox. The project offers a rare window into Yussef’s creative world; a meeting of cultures, rhythms, and spirit inspired by the landscapes of Japan.

Worldwide Connexion (JGRVWAX007) is the seventh vinyl release on Junked Groove, bringing together five artists from four countries on one deep house / house record.

Side A opens with BMB SpaceKid, delivering an explosive cut driven by swinging percussion, vocal chops, and a heavy low-end. His beat-making roots are front and center, resulting in an undeniable dancefloor mover. Next up, DFRA & Nick Weaver take things into a more hypnotic territory: jazzy, minimal, and smooth, with flowing harmonies and subtle synth movements that quietly reveal a solid classical foundation behind the music.

On Side B, Detroit’s own Javonntte offers a raw house anthem. Pure groove, timeless energy, and that unmistakable feeling of being locked inside the track from the very first synth line. Closing the record, Junky Palms brings a UK-rooted groove built around classic house chords, layered with psychedelic and slightly tense synths. Cold Manchester air and rave nostalgia drift through the mix.

One record, four countries, five perspectives, one groove.

Ascending Signs Records returns with its second release “Remedies”, a four-track EP from label founder Domenico Niki, featuring a remix by Hieroglyphic Being on the B-side.
The EP delivers and explores an eclectic territory between house and mid-tempo rhythms, blending deep and immersive atmospheres with experimental textures.
It opens with A1 “The very few”, a mid-tempo track built around interwoven synth leads, fat basslines and dirty drums.
Driven by a soaring beat, A2 “Straight to the sky” follows with smooth pads and complex, evolving textures.
On B1, Hieroglyphic Being reshapes “Straight to the sky” through his unmistakable sonic language, pushing the track into more abstract soundscapes.
The EP closes with B2 “Lovewill”, a deep and smooth journey where percussions, synths and a vocal sample come together as an ode to sound and love.

Dreamweavers II sees Mark de Clive-Lowe reunited with Italian rhythm masters Andrea Lombardini and Tommaso Cappellato for the next chapter in their electro-acoustic trio journey.
Recorded at Sotto il Mare Recording Studios in Verona, Italy in summer 2024, the album builds on the cosmic, hypnotic language established on Dreamweavers (2020) while pushing deeper into groove-driven terrain, dancefloor jazz and textural improvisation. Across eight tracks, the trio explore the elastic space between jazz tradition, beat culture, and club-influenced momentum – without samples or looping – relying purely on live interaction, feel and shared intuition.Opening with the Azymuth-inspired “Terra de Luz,” the album immediately signals its global outlook. “Kaze no Michi” follows with late-night Tokyo energy – dancefloor jazz that feels equally at home in jazz clubs or after-hours rooms. Two intentional reinterpretations bridge jazz and beat culture: J Dilla’s “Raise It Up” (from Slum Village – Fantastic Vol. 2) is reimagined with its original groove and bass line as the launch pad, while “The Bass That Don’t Stop” becomes a lush house-jazz tribute to the late Phil Asher, originally co-created by Asher and de Clive-Lowe in 2002 under the moniker musiclovelife.Bassist Andrea Lombardini’s “Pam” brings the album inward – introspective, spacious, and deeply melodic; while “Lucid Dreams” draws on the trio’s shared love of jungle, drum’n’bass and the exploratory spirit of greats like Chick Corea, amplifying the journey with forward motion and harmonic curiosity.Dreamweavers II is a concisely intentional sound narrative: a trio record rooted in jazz lineage, shaped by beat culture and guided by a collective curiosity for texture, rhythm, and movement.

Inner Creatures was the sophomore album from Irish producer and bass player Peter Vogelaar and now some of its key cuts have been remixed. The seasoned Charles Webster flips 'Mindless Youth' into a simmering piece of deep and organic house with wintery melodies that have already been getting support from big names like Black Coffee and Kolsch. As well as his dub, the Get Down Edits crew offer up some lush, gentle disco delights on their rework of 'Stole' and 'Inpulses' brings more layered harmonics and elegant strings before a new edit of 'Fantasy Lines' ends on a warm, cuddly vibe.

Welsh multi-instrumentalist and producer Huw Marc Bennett sinks his hands deep into the soil of South Wales, reimagining traditional melodies from the Morgannwg/Glamorgan region through an earth-toned palette of folk, jazz and psychedelic roots. ‘Heol Las’ is ancient music seen through a modern prism; acoustic textures rubbing up against hypnotic grooves, field-worn stories refracted into new shapes.

Every track on the album is either drawn directly from, or woven around, archival tunes of the region. Bennett’s approach is reverent yet expansive, pulling history into the present while staying grounded in community, landscape, and lived culture.

Bennett says, “On this record there are versions, interpretations and tunes influenced by cerddoriaeth werin, the folk music of Morgannwg; The place I was born, I was raised in and revisit to feel grounded. The melodies you hear were given, found and invented.”

For fans of post-punk and new wave, some songs aren’t just classics — they’re emotional landmarks. Joy Division’s “Love Will Tear Us Apart” and The Cure’s “A Forest” (both released in 1980) helped define an era, shaping decades of alternative music with their stark honesty, atmosphere, and unmistakable sound. Revisiting them is no small task.

Reimagining them successfully is even rarer. This special, limited 7” release — pressed to just 300 copies — does exactly that, thanks to legendary Dutch electronic producer Maarten van der Vleuten. A joint effort between Maarten’s own Signum Recordings and American chill-out imprint re:discovery records, he brings these two towering songs into new territory through the hands of an artist who understands both history and transformation. On one side, Maarten delivers a striking cover of “Love Will Tear Us Apart,” taking on Ian Curtis’ immortal lyrics himself. Rather than mimicking the original’s desolation, this version reframes the song into something unexpectedly inspirational and equally moving. It’s respectful, deeply personal, and emotional. Flip the record and “A Forest” is reborn as an ambient-electro journey, marking the vocal debut of Melbourne-based Linda Kastanja.
The result is dynamic and powerful, retaining the song’s eerie tension while expanding its atmosphere into something spacious and cinematic. Honoring their legacy while reshaping their form, it offers longtime fans and new listeners a rare opportunity to hear familiar emotions from a completely new perspective. Todocument this release, a music video has been made for “Love Will Tear Us Apart,” directed by Maarten and edited by Tobias Grönvall, aka Unit 21.

Vintage Pleasure Boutique once again dives deep into the vast catalogue of super-productions by Roberto Zanetti, better known as Robyx and Savage. This time, the journey takes us back to 1984, unearthing a true gem created at the suggestion of Marco Bresciani, Italian DJ and producer, and the same creative force involved with Radiorama. Zanetti delivered flawlessly. He transformed the elegant, high-grade British synth-pop original by OMD into a first-class Italo disco weapon, infused with that unmistakable sweet, melodic touch and fat kick that blended perfectly in clubs alongside genre-defining tracks of the era. “Souvenir” by Saxophone quickly became a classic, a staple of the sound and a cornerstone in countless old-school DJ record bags.

Today, original copies are scarce, highly sought after, and often prohibitively expensive on the secondary market. This reissue is both a tribute to long-time fans of the record and a nod to devotees of Robyx’s unmistakable sound. The vinyl also features a special remix of “Souvenir”, sonically aligned with Savage classics such as “Radio,” “Fugitive,” “Only You,” and “Don’t Cry Tonight.”

A true feast for lovers of this timeless Italo disco aesthetic, equal parts nostalgia, elegance and dancefloor power.

Sicilian-born, Amsterdam-based Fran LF returns to Nastia's imprint with three Techno tracks built over a year of studio work, each one telling part of a single story that unfolds across the EP. The narrative moves through different chapters, starting with tracks that shift and transform as they play out, building tension through evolving elements rather than straightforward drops. These are straight-up warehouse cuts - the kind that start one way and shift into something heavier as they unfold. Dubby atmospheres that harden into driving rhythms, basslines that anchor the groove, and synths that evolve throughout.
Closing the record is a remix from Sicilian producer LPV, a close friend and admirer who reworks "Tsufuru Relaxation" with his signature dark, driving approach. He strips it down, adds a relentless bassline, and gives the track a completely different, moody and ethereal energy while respecting what made the original work.
Solid dancefloor techno with enough depth to keep things interesting.

To honour the enduring appeal of a great musical rework, Hell Yeah is launching The Art of Remix. This essential new series collects the best remixes from a range of label favourites. First up is Japanese downtempo master Calm with exclusive, never-before-on-vinyl versions of originals by Cantoma, Aura Safari, DJ Sofa’s Dream Baby Dream, Seahawks, Gallo, Yuichiro Kato and more. The release comes with rich liner notes by the authoritative Dr Rob from Ban Ban Ton Ton, and a second volume from Is It Balearic's Coyote will follow soon.

Remixes have always been at the heart of Hell Yeah's output as a way of reworking classic sounds into different contexts, allowing artists to explore outside their usual remit and also to introduce new talents. Clam has long perfected the art with his famously laidback takes on all sorts of Balearic, house, dub and acid under the Mellow Mellow Acid subtitle. He's remixed many a Japanese legend but also a wealth of artists from across the world, and eight of those reimagined gems balance euphoria with solitude on this first volume.

First, his take on Cantoma's 'Way To The Sun' infuses drones and chimes with bubbly acid. 'Sur Mon Balconett' shimmers with Spanish guitar and sultry sax, ghosts of yesterday still shuffling. 'Banana Trance' jolts with breakbeats while taking a Balearic leap into hedonism. Mininn’s 'Vertigo' drifts dubwise, from monastic chants to operatic bursts. Maho’s 'Bakuhatsu' growls dark and sleazy as acid and riffs collide, 'Abysso' floats with strings and sirens in symphony, 'Blue Surround' lulls before exploding with jazz fire and Kato’s 'Kiss of Life' closes with a cosmic, romantic serenade. Calm's The Art of Remix sets a high standard for a series which will soon turn to Coyote and Scandi-house great Bjorn Torske.

SNOMIR is the collaboration between Mirko Iobbi and Sabatino Matteucci, blending live musicianship with clubfocused electronic production. The A-side features “Air” and “Fire,” two jazz-driven house tracks where expressive sax lines glide over warm, groove-led rhythms. Organic, fluid and built for movement. On the B-side, “Caveman” shifts into deeper dub techno territory. Hypnotic structures, textured low-end and sax riffs woven directly into the sonic fabric.

The accompanying remix pushes the track further inward — stripped back, immersive and late-night focused.

Plura Plura bends Electronica, Breaks and melancholic sensibilities into tracks that feel instantly familiar, like resonating memories from a life you never actually lived. Warm melodies collide with juicy, restless breaks, creating a
sentimental ecstasy that pulls you into the undertow.

Somewhere between comfort and unease, his second album captures a moment where everything seems okay — except it isn’t.

DJ Support: Laurent Garnier, Dennis Cruz, Girls Of The Internet, Horse Meat Disco, Stacey Pullen, Elliot Schooling, Solomun,Marco Carola, Joseph Capriati, The Martinez Brothers, Dam Swindle, Soul Clap, Luke Solomon, Riva Starr, Franky Rizardo, Archie Hamilton, Silvie Loto, Fouk, Austin Ato, Salomé Le Chat, Blackchild, Jean Pierre, Black Loops, Kassian, Seamus Haji, Melvo Baptiste, Rimarkable, Sophie Lloyd

In-demand Amsterdam-based duo Makèz step into new ground with the release of their album ‘Arriving Home Elsewhere’, via ANOTR’s No Art label. A kaleidoscopic project that moves between deep house, cosmic jazz, R&B, broken beat, and club-ready energy, the record is both a declaration of identity and a dissolution of boundaries - proof of the duo’s rare ability to merge worlds without diluting or compromising their true essence.

Where most albums that span electronic realms lean on functionality, ‘Arriving Home Elsewhere’ reaches for something much more expansive. The project is a true hybrid: half shaped for the intimacy of a headphone listen, half designed for the electricity of the dancefloor. together forming a seamless continuum between reflection and release. Tracks like ‘REARRANGE YOURSELF’, ‘BE REAL’, and ‘LOOKS LIKE IT (SPACE TALK)’ are stripped to the core of house music’s driving pulse, made for bigger systems and peak-time release. In contrast, ‘Dreams’, ‘Fruits of the Universe’ (with douniah), and ‘Without The Sun’ (with Oliver Night) explore lush, textured arrangements where live instrumentation and improvisation carry equal weight to rhythm and groove.

Collaboration is at the heart of the LP, with Makèz inviting a constellation of voices who each expand the project’s palette. Ben Westbeech, Liv East, and SANITY bring soulful intensity; 30/70 and dreamcastmoe connect Amsterdam to Melbourne and DC; Cor.Ece and Oliver Night weave delicate threads of emotion; Goya Gumbani and Javonntte guide the production with their vibey, groove-led performances; while Life on Planets reprises his role as a core creative partner, appearing across the album on tracks including the standout ‘BE REAL’ and the previously released ‘ILLUSIONS’ alongside rising Amsterdam talent AVA LAVÁ. Together, these contributions shape an album that feels less like a singular statement and more like a living, breathing ecosystem.

For Makèz, ‘Arriving Home Elsewhere’ is as much about philosophy as it is about music. The title encapsulates a tension central to their art: the feeling of belonging to multiple worlds without ever being confined to one. Jazz, house, soul, and experimental club sounds are not separate influences but parallel languages, and in merging them, the duo has created a record that mirrors the fluidity of contemporary identity and expression. And while it may speak in many voices, the LP tells one clear story - that of Makèz, arriving, again and again, home elsewhere.