Buscar:j house

,,Hologramm" is the new EP by Schwefelgelb.

Remix contributions by Nastia Reigel and Norbak make it a 5 track Techno heavyweight.

An intriguing combination of positive, joyful atmosphere and gritty, pushy sound aesthetic spans all over the record. "The Show" and its euphorigenic rising stabs appears like what could be transformed into an Euro Dance anthem easily.
Yet the aware and well curated production holds it firmly in the zone of Techno and House underground. Speaking House, here's "In Mein Glas" - a sportive track with an irresistible bounce foiled by a lackadaisical vocal line, which gives it a comic twist.
As "Fieber" keeps the bounce we're getting a little more aggressive again: a delicate distortion, a dominant bass and a groovy drive. In all these 3 original tracks it's the melange of melodic motives, vocal highlights, crispy production as well as versatile creative details, which creates this specific sound that gets you hooked. It is lightness however wrapped in an Industrial musical language.

That said, the remixes proof how a new energy can be revealed by more minimal re-interpretations. Nastia Reigel, getting hands on "The Show", pushes drums and a fresh rhythmic play of vocal chops into the foreground. A sparse break followed by a powerful drop adds a strong climax. Norbak's approach on "In Mein Glas" takes the melodic motive and embeds it into a dubby space, not giving up on the hard-hitting kick.

"Hologramm" will be released on 140 g colored vinyl and digitally, April 10th, on n-PLEX.

British electronic music pioneers Graham Massey (founding member of Manchester legends 808 State) and Brian Dougans (the mind behind acid house milestone Humanoid and one half of The Future Sound Of London) join forces for their debut collaboration In Place Of Language, released on Belgian label De:tuned.

Both 808 State and Humanoid helped shape the UK's early rave and acid house movement. Here, Massey and Dougans channel that legacy into a beautifully balanced four-track EP that radiates warmth and energy, drawing on more than three decades of experience in electronic music. Inspired by key elements of the '89-91 era while embracing a contemporary edge, the duo merge their distinct sonic identities into a sound that feels both timeless and forward-looking.

In Place Of Language is not a nostalgia trip, but a natural evolution: a meeting point between foundation and future, and a blueprint for a new wave of electronic experimentation!

Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis. A separate digital release will also be available at the usual digital shops. Stay tuned!

Hot Creations Spring 2026 Vinyl Sampler featuring four of the Hottest recent release on Hot Creations.

After a year in which Joe Rolét’s ‘No Hesitating’ on Hot Creations became one of the biggest tracks of 2025 earning a spot in Mixmag’s ‘30 Best Dancefloor Bangers of 2025’, UK favourite Max Dean’s own
interpretation give s whole new energy to the track. Max’s remix reframes it even further for maximum peak-time impact. The bassline is murkier, the cuts sharply, and the overall momentum makes it a powerful weapon for DJs looking to keep crowds moving. Next up is ‘Sweat’, a collaborative drop from in-demand rising talents Locky and Mad.Again, bringing together two distinct voices shaped by London’s underground. ‘Sweat’ is a monster of a track, delivering punchy, driving drums, weighty bass, and tightly coiled grooves designed for peak-time floors, it’s a collaboration that feels rooted, purposeful, and built for the club!

On the flip and L.P Rhythm delivers his 90s-driven house aesthetic with ‘Want Somebody’, leaning into the warmth and swing of the era he draws so much influence from, the production blends crisp percussion, squiggly acid basslines, and soulful vocal flashes into a sharp, club-focused flip of a ’90s house classic - built and re-purposed for packed rooms and late-night energy. Final track ‘Freaks’ from Joshwa, brings a hypnotic blend of infectious vocal chops, punchy percussion, and growling low-end heat built for late-night dancefloors. Another four track banger!

VA – Memories. Untold is a delicate and emotionally rich compilation from TAMIZDAT, capturing the subtle beauty of deep and tech house with a gentle, melancholic twist. Thoughtfully curated for sunset sessions and introspective moments, this four-track vinyl release drifts between ambient textures, melodic phrasing, and dubby undertones—crafted for open-air environments and graceful transitions.

A1. Joshua Pendergrass – The Leopard (Frederick Ansgar Remix) opens the record with an ambient-infused deep house piece—warm, slow-moving, and deeply involving. It invites the listener into a calm, curious, and emotionally attentive state.
A2. Dubsud – Memories (BarBQ Remix) follows with a more upbeat, melodic character. Playful yet refined, it offers a bright continuation of the journey, carrying momentum without losing its emotional depth.
On the flip, B1. Heward, Kirill Matveev – Your Gentle Breath emerges like a breeze—floaty, nuanced, and ideal for that golden-hour moment. It’s an elegant piece full of space, subtlety, and feeling.
B2. Nj Helder – Gazi closes the release with dubby warmth and light breakbeat elements, a soothing yet rhythmically engaging finale—like the last light fading over a distant horizon.

Featuring label mastermind Kirill Matveev, MixCult regulars Heward, Joshua Pendergrass, BarBQ, and Dubsud, the record is further elevated by South African talent Nj Helder, whose presence brings a soulful character to its closing chapter.
Memories. Untold is evocative, chilled, and designed for those who seek emotional connection through sound—a graceful companion for deep listening and open skies.
TAMIZDAT is a division of MixCult Records

Per Hammar joins Craigie Knowes for his label debut ‘Sidewinder’ EP. 4 rolling tracks built to maintain and elevate dancefloor momentum. Per Hammar’s production mastery is distilled into these monstrous club jams with every element tailored to serve the rhythm and keep you moving. This record is varied yet coherent package of house, tech-house and minimal flavour; from the rolling bassline on Sidewinder, the minimal chug of Viper, the euphoric uplift of Afterglow, to the thump and swing of Mono Boy. A record for the DJs and listeners alike.

2026 Repress

Deetron is a venerated veteran who has been crafting sublime house and techno for three decades on a range of influential labels. 2025 brought another busy year for him, with another standout EP on Ilian Tape followed by his latest album which landed via Running Back in October. Back in 2024, he dropped his 'Translate Rhythms' EP on Mutual Rytm's X series and now takes charge of the second release on SHDW's new sub-label Mutual Rytm Raw - following the first 12" 'You And Me', which was a true summer anthem courtesy of KiNK & Raredub.

In its original form, the bright, expressive 'Flow' is a fulsome techno cut that pairs a driving rhythm with sophisticated synths. It sparkles with cosmic energy, while a textured, screwy lead winds through the mix and euphoric female vocals burst out to big emotional reactions. The 'Chord Dub' is a tight, bouncy rework with vamping chords lighting up the drums with real warmth and soul, while the 'Breakbeat Mix' fizzes with rich, old school energy. The dusty breakbeats demand physical reactions, while the pads bring a grand sense of scale and the vocals tug at the heart. All three are classy, effective and offer yet more timeless sounds.

Sorry We Play Vinyl are once again not at all sorry to play vinyl and good, frankly, because what they serve up on wax is always going to be well received. 'EDIT7' kicks off this latest with a tightly worked 90s sample woven into a loopy groove that is going to get crowds into a funky lather. 'EDIT8' follows with retro-slanted raver era breakbeats and opulent synth oozing, the odd bleep and a bubbling bass thrown in for good measure. 'EDIT9' completes a varied EP with some smooth and succulent deep house with a US warmth to it. The soulful vocals are smeared through soft drums and it's a perfect late-night tool.

Copenhagen-based DJ and producer Anastasia Kristensen presents her debut album Bestiarium Sombre, a vivid and cinematic techno work shaped by UK bleep, jungle and dubbed IDM influences. Known for headlining major clubs and festivals worldwide and for releases on Houndstooth, Turbo and Arcola, she now delivers a cohesive long-form statement on Intercept, home to artists such as Tsepo, Coloray, DJ Aya and Ineffekt. The album follows an anthropomorphic concept where each track embodies an animal, creating a distinctive narrative world with strong visual identity. This vinyl edition arrives as a limited transparent yellow marbled pressing housed in full-colour artwork. Designed for both peak-time DJs and collectors, it combines dancefloor impact with strong shelf presence.

Punch, gegründet 1969 in Long Island, war eine ambitionierte Hardrock-Band, die mit voller Wucht spielte. Die Band, bestehend aus Dave Stein (Gesang), Ray Kusnier (Gitarre), Tony Giustra (Bass) und Pete Tudda (Schlagzeug), hatte einen Sound, der von Kritikern als ,härter als Hardrock" und ,lauter als laut" beschrieben wurde. Die Musik von Punch hat eine unerbittliche Energie, die durch klagende Gitarrenriffs und einen Gesang, der sich erst schlängelt und dann knurrt, vorangetrieben wird. Während ihrer kurzen dreijährigen Karriere stand Punch mit Illinois Speed Press aus Chicago und Elephant's Memory aus New York auf der Bühne. Sie machten sich schnell einen Namen in der Clubszene von New York, am meisten begeistert war das Publikum aber in Montreal, wo ihre kraftvollen Auftritte echt gut ankamen. Die Band nutzte riesige Lautsprecherhörner, um die Wände zum Wackeln zu bringen, und füllte den Raum mit nur drei Instrumenten, eine Technik, die auch Led Zeppelin und Mountain nutzten. Obwohl Punch nur bis 1972 existierte, wird die Musik der Band mit der Zeit immer lauter und findet eine neue Generation von Fans. Ihr kompromissloser Ansatz hat auch heute noch die gleiche Kraft und erinnert uns daran, wie roher Hardrock klang, bevor Mitte der 1970er Jahre ein ausgefeilterer Sound die Oberhand gewann.

2026 Repress

- Linen Paper, Foil Printed Box Set
- Includes 6 Double LPs + 1 Single LP, 13 Discs In Total
- All LPs Pressed on Coloured Vinyl
-Each Disc is Housed in a Printed Inner with PMS Print, Finished with Spot Gloss Printing. Each Sleeve Features an Abstract of the Original Album’s Artwork
- Also included are a 4 page Insert + Poster

Skintone Edition commemorates the singular talent of this music pioneer with the re-release of all of his albums released via his own Skintone label.
Over a 20 year period Yokota released 30 albums and countless 12s under a variety of aliases, across more than a dozen pre-eminent labels. Yokota received domestic and international acclaim as a house and techno DJ and producer throughout the nineties. Part of the vanguard of the Tokyo scene, his influential release Acid Mt. Fuji inspires techno artists to this day.

In 1998 though, at the height of his success, he established his Skintone imprint, which came to eclipse all of his previous achievements. Skintone shone a light on the diverse new directions in which his creativity had blown, from delicate, cyclical tape-loop meditations to neo-classical compositions. It also gave him the autonomy to combine his visual and music-making practices and, importantly, to create at his own pace. The label was a great success and his experiments proved foundational in the global 00s ambient canon.

Skintone Edition will be available as 2 box sets - the first volume coincides with the 10th anniversary of Yokota’s untimely death and the 30th year of Lo Recordings. All music has been fully re-mastered. This edition is presented with the generous assistance of the Yokota family.
Albums Included:

Magic Thread 1998
Image 1983-1998 [1998]
Sakura [1999]
Grinning Cat [2001]
Will [2001]
The Boy and the Tree [2002]
Laputa [2003]

1/2 of seminal electronic act The Knife, Olof Dreijer will be releasing his debut album 'Loud Bloom' via dh2 this May following years of drip feeding solo music under various aliases and lending his production talents across the scene. The 14 track (double vinyl) album consists of equal parts dancefloor ready bangers (some of which have been previously released) and more still, ambient moments that highlight Olof's versatility as a producer as well as the sounds from around the globe that he takes inspiration from.


In a burst of colour and rhythm that cuts a distinctive path through modern club music, Olof Dreijer crystallises his solo work around a gleaming debut solo album, Loud Bloom, out 8 May via dh2.

Across the album, Dreijer toys with the tension between pure pleasure music and his tireless thirst for the new. You might hear the structure of a Chicago house beat or a classic drum machine hit, but at every turn these tropes are remoulded into dazzling new forms. Taking inspiration from Nigerian author Akwaeke Emezi and their ability to deliver bold, progressive themes and visionary sci-fi through the accessible lens of romantic fiction, Dreijer makes vividly unconventional dance music utterly instinctive and easy to love.

1/2 of seminal electronic act The Knife, Olof Dreijer will be releasing his debut album 'Loud Bloom' via dh2 this May following years of drip feeding solo music under various aliases and lending his production talents across the scene. The 14 track (double vinyl) album consists of equal parts dancefloor ready bangers (some of which have been previously released) and more still, ambient moments that highlight Olof's versatility as a producer as well as the sounds from around the globe that he takes inspiration from.


In a burst of colour and rhythm that cuts a distinctive path through modern club music, Olof Dreijer crystallises his solo work around a gleaming debut solo album, Loud Bloom, out 8 May via dh2.

Across the album, Dreijer toys with the tension between pure pleasure music and his tireless thirst for the new. You might hear the structure of a Chicago house beat or a classic drum machine hit, but at every turn these tropes are remoulded into dazzling new forms. Taking inspiration from Nigerian author Akwaeke Emezi and their ability to deliver bold, progressive themes and visionary sci-fi through the accessible lens of romantic fiction, Dreijer makes vividly unconventional dance music utterly instinctive and easy to love.

Aquasonic Vol.1 marks a new chapter for Afalinas, presenting a carefully selected vinyl compilation featuring Ukrainian producer iO (Mulen), Berlin based Tro, Afalinas founder Olekhar, and Chilean artist Existencia Pasajera. Each track reflects a distinct geographical and emotional perspective, united by a shared focus on depth, groove and immersive sound design. From refined deep and juicy tech house and subtle techno structures to psychedelic textures and spacious rhythms, Aquasonic Vol.1 unfolds as a cohesive listening experience shaped by four individual voices.

Lady Jane Beach land on Slacker 85 with their lo-slung label debut, ‘Binman’. A short, sharp shot of minimal rhythm and rhyme, ‘Binman’ is the sound of the enigmatic London-based trio soundtracking their trips around the capital’s outer ringroads seeking adventure, trouble and corrupted drum machines. Blessed with loose, confident production and verses like glue, Slacker boss Seth Troxler doubles down on his support with a beefed-up, roadtested club edit.

An undisputed trailblazer of UK rave, Zed Bias fires up his studio for two contrasting takes on ‘Binman’, each capturing split sides of the soundsystem culture he helped define. Zed’s ‘Weighty Dub’ goes unapologetically raw, transitioning between skippy beats, heavy bass drops and a fusebox melody out of the darkness. From the basement straight through to the beach club, the ‘Nostalgia Mix’ makes good on its promise of misty-eyed reverie, recalling the first-wave of UKG domination with lush strings and steppin’ drums that still sound like a bright future.

From one generation to the next, fast-rising DJ and producer HalfPint is already familiar to dancers of Circoloco's famed Terrace and Garden. His take on ‘Binman’ finds a fresh frequency, converting the rhymes of the original into a precision-tooled tech house groove, primed for the summer season.

Continuing Blueprint's 30th anniversary celebrations, James Ruskin welcomes the return of Oliver Ho, whose relationship with the label is deep-rooted.

Oliver Ho has spent the last 30 years devoting his life to creating some of the most intense and compelling electronic music out there. Debuting his signature raw sound in 1996 on Blueprint Records, he cemented himself in the underground of the '90s UK techno scene. With a plethora of aliases, he has navigated his way through many different genres. From the frenetic tribal sounds of his own Meta imprint, the off the wall house music made as Birdland and Raudive, the grinding industrial of Broken English Club and the heavily textured ambient of his Slow White Fall and Zov Zov projects. While pushing and pulling at the fringes of electronic music, at the very centre has always been the beating heart of hypnotic techno, an art form that is both brutal and bewitching; techno as ritual magic. Oliver's live shows and DJ sets showcase this expression of music as shamanic experience, metallic and relentless, pure and direct.

An integral figure in shaping Blueprint's early sound, Oliver Ho returned in 2016 for their 20th anniversary with the "Burning Heretics EP", which was followed by a remastered reissue of 1999's "Awakening The Sentient". So it's fitting that he's now back for this latest milestone with a new EP, "Our Secret Religion" dropping in May.

Future Tones is back... this time with Fdez, label co founder. Four dancefloor killer tracks, and starts with Dr Blowfin, Dark and driving techno house tool. Rolling sub-heavy bassline, tight percussive groove and raw analog synth stabs.

The A2 is for Techcontrol, Stripped and hypnotic. Minimal drum programming layered with evolving analog textures and shadowy vocal fragments.

The other side starts with Sarcofago, Heavy low-end pressure with a punchy groove. Italo-tinged atmospheres and dusty analog sequences create a moody peak-time cut with steady progression.

And B2 is for Zigurat, Killer closer. Deep pulsating bass, restrained percussion and haunting vocal elements floating over warm analog pads. Perfect for late-night transitions and controlled energy shifts.

New vinyl-only 7" series dedicated to razor-sharp edits for true heads sets it off with a cheeky dancehall flip of an unearthed hip-hop gem primed for peak-time shellings. On the flip, a jazzy house workout built for deep-cut selectors. Raw, soulful & built for sound systems.

On the label's latest, Oath are proud to present 'Times', the latest morphological masterclass from Ukrainian producer extrodinaire Vakula, on which his boundless and intuitively captivating sound remains as absorbing as ever.

Drawing deeply from a rich palette of genres such as deep house, ambient, dub techno, and jazz, and feeding in inspirations from natural and philosophical spheres, Vakula's musical ethos has allowed him to continuously explore the inner and outer reaches of his universal soundscape. By feeling things out through hardware, he allows his music to grow organically, blending humanistic tendencies with technological outputs that always bring harmonious musical riches to the surface.
'Times' represents another seismic chapter in his story, one which contains a series of genre-defying blends that twist, turn, and enthrall with their ever-evolving beauty. 'Atmos Time' plays out as the EP opens up, and draws the listener close with a textured melodic chime and spaced out groove.

Floating along on a bed of cosmic ambience, the groove and melodic features cascade as one, drifting further through the layers of time and thought. 'Break Time' ups the urgency ever so slightly, with a similar atmosphere unraveling above an energised broken beat.
'Drum Time' brings in side B, and this one shifts perspective once more. The melodic sways up above merge and blend with the poly-rhythmic undertones, with the jungle-lite broken beat creating an enchanting energy. 'Soul Time' wraps things up, which moves into a distinctly ambient techno sort of realm. Dreamy pads and looping key lines intertwine amongst a captivating sea of mood and tone, as a laid-back beat shimmers underneath with poise and elegance. . A fitting end to a record filled with moments of tonal excellence, ever-shifting melodic feeling and rhythmic sequencing - an experience that forever drifts through the memory, always capturing the imagination….

Mystic Arts brings you two essential cuts from Gary Irwin (The Vendetta Suite / Hell YeahRecordings). Dating back to 1994 and 1995 respectively, both tracks were originally released on David Holmes' Exploding Plastic Inevitable label.

Waveforms In Wonderland is a bubbling, acidic brain-melter - inspired, as Gary recalls,by Richie Hawtin, Conemelt and falling out with a friend at a Primal Scream gig. Diary of aMicrochip moves further off-grid: an unplaceable hybrid where Detroit techno, electro, funk and ambient house intersect. Thirty years on, both tracks remain remarkably intact. Timeless.

Power began as a challenge.

Zachary Fairbrother began Countach to collect the unfinished scraps and fragments from his band GHÖSH, the digital hardcore duo that broke up in 2023. But when Feel The Four, the Philadelphia-based label run by Cristian Adams and Jarrett Dougherty (ex-Screaming Females), asked him for a proper 12”, he saw an opportunity to push the project in an ambitious new direction.

The result is Power - EP, which finds Fairbrother exploring the freedom of longer run-times and varied textures, all while maintaining the post-industrial vision of his previous work. Across 20 minutes, he runs through propulsive acid house, harsh electro, and ‘90s big beat, using 303s and 808s to build an upbeat but haunting record that’s as indebted to the forebearers of those genres as it is to the grim landscapes of Phillip K. Dick and Paul Verhoeven.