Alice Taylor was a popular session singer who sang background vocals for several local Philly groups including The Delfonics during the height of the Philly Soul boom of the early to mid-1970’s.
In 1974 Alice under the auspice of producer Emanuel ‘Manny’ Campbell Jr and fellow Philadelphian musician/composer Charles R. Bowen entered the famed Sound Room Studios in Upper Dardy PA, to record a session of her own. This session yielded two songs. The more commercial pop soul orientated “(I’m In Love With A) Rock ‘n’ Roll Singin’ Superstar”. A song which took influences from other popular songs of the time that mentioned one’s love for Rock ‘n’ Roll singers and taking road trips to L.A (Los Angeles) in an attempt to cash in. Although the elongated song title may at first be a tad off-putting the recording showcases Alice’s vocal talents to the full and in itself is a very good record. The second song “Sounds Ridiculous” is based around the theme of a girl falling in love with a guy who spends most of his time daydreaming rather than getting a regular 9-5 job. An excellent record that should find favour with 70’s/crossover soul fans alike.
Manny Campbell Jr used some of Philadelphia’s finest musicians on Alice’s session, notably session drummer Earl Young, reputedly the first exponent of the hi-hat cymbal a style of drumming used extensively throughout the disco period. Young had honed his skills during the 1960’s with his band The Volcanos, recording sessions for the Arctic and Harthon Record Labels. The Volcanos later became The Moods before morphing into The Trammps who Young recorded on his Golden Fleece Label with the group recording several further disco hits for Buddah Records prior to their worldwide hit “Disco Inferno” for Atlantic Records. Young’s strumming can be found on many other Philadelphia International, Sal Soul and MFSB recordings. The string and horn arrangements on the session were provided by another MFSB (Mother Father Sister Brother) pool of musician’s member, Don Renaldo.
“I’m In Love With A) Rock ’n’ Roll Superstar/Sounds Ridiculous” came out in November of 1975 as an initial pressing run of 500 copies for promotional use which sadly were not of the best quality with some background noise being present in the introduction on both sides of the single, a possible detrimental factor in the release gaining any significant airplay. It’s was the second and final release on Emandolynn Music’s short lived, Stage-Art label. The first release being another of Manny Campbell’s acts The Nu-Rons & Co “Disco Hustle/Can’t Do Enough Girl” (Stage-Art 1001). Sadly, Alice Taylor passed away sometime during the 1980’s. Soul Junction through its ongoing relationship with Emandolynn Music have taken the opportunity to license these now very sort after Alice Taylor songs, which have been remastered to remove the aforementioned sound problems present on the original release. Which are now presented to you as a 3 track EP which also includes a previously unissued alternative mix of “(I’m In Love With A) Rock ’n’ Roll Singin’ Superstar, a recent master tape discovery.
Buscar:j j mast
Few jazz funk classics have been as iconic as 'Life On Mars' by keyboard legend, songwriter, producer and architect of the 'Philly Sound' Dexter Wansel. First released in 1976 it became an immediate fixture on the dance floor and remains an evergreen to this day with a generation of disco, soul and jazz funkateers.
Now comes an extremely special exclusive release for Record Store Day. This is the first ever remix of the track, all parts taken from the original masters tapes and added to courtesy of remixer Paul Simpson (Paul Simpson Connection, Serious Intention, Adeva etc). Dexter Wansel himself contributes on an exclusive extended mix of 'Theme From The Planets' which includes an extra monologue section with the man himself telling the story of these tracks.
This 12' released on original Philadelphia International Records label artwork through Expansion.
- A1: Columbia (Live At Knebworth)
- A2: Acquiesce (Live At Knebworth)
- A3: Supersonic (Live At Knebworth)
- B1: Hello (Live At Knebworth)
- B2: Some Might Say (Live At Knebworth)
- B3: Roll With It (Live At Knebworth)
- B4: Slide Away (Live At Knebworth)
- C1: Morning Glory (Live At Knebworth)
- C2: Round Are Way (Live At Knebworth)
- C3: Cigarettes & Alcohol (Live At Knebworth)
- C4: Whatever (Live At Knebworth)
- D1: Cast No Shadow (Live At Knebworth)
- D2: Wonderwall (Live At Knebworth)
- D3: The Masterplan (Live At Knebworth)
- E1: Don’t Look Back In Anger (Live At Knebworth)
- E2: My Big Mouth (Live At Knebworth)
- E3: It's Gettin' Better (Man!!) (Live At Knebworth)
- F1: Live Forever (Live At Knebworth)
- F2: Champagne Supernova (Live At Knebworth)
- F3: I Am The Walrus (Live At Knebworth)
3LP[43,66 €]
This year marks 25 years since Oasis’ two iconic record breaking live concerts at Knebworth Park in Hertfordshire on the 10th and 11th August 1996. The shows were both the pinnacle of the band’s success and a landmark gathering for a generation of young people. Released alongside the cinema debut of the feature length documentary film of the event, ‘Oasis Knebworth 1996’ is the definitive live recording featuring a setlist packed with stone cold classics album taken from across both nights of the concert, from the opening salvoes of ‘Columbia’ and ‘Acquiesce’, to ‘Champagne Supernova’, ‘Don’t Look Back In Anger’, ‘Live Forever’, an orchestra backed ‘I Am The Walrus’, and ‘Wonderwall’ the first song from the 1990’s to reach over one billion streams on Spotify and universally loved anthem.
Boxset contains:
3 x Vinyl, LP, Album
2 x CD, Album
2 x Cassette, Album
3 x DVD, Multichannel, Stereo
Zak Olsen, the creative force behind the guitar riffs of Australian doom psych band Orb, is set to release his highly
anticipated solo album, Ghost Notes, under his Traffik Island moniker. 12 Esoteric Instrumentals for Ethereal Beings
feels like going on an acid trip through a haunted house, where folk melodies merge seamlessly with jazz rhythms and
psychedelic textures. Creating freakout moments such as the track ‘Pandemoniom!’ featuring Kenny Ambrose-Smith of
King Gizzard and haunting folk horror moments on ‘winds’ Fans of esoteric instrumentals and spooky soundscapes alike
will find much to love in this haunting collection. Frank Maston of Maston captures the essence of Ghost Notes perfectly:
“Olsen has created a monster - channeling Joe Meek, Goblin, and Broadcast in this cursed disc of groovy fugues. Traffik
Island may be alive and well in these tracks, delivering premium melodies with ease, but the undead certainly had their
say. Mixing terrifyingly sick beats with warped organs, sinister synths, and spooky found sounds, this is the horror movie
soundtrack we deserve. An instant Halloween classic.”
Repress! Before he developed into a star composer and arranger, Tom Scott was an ambitious 19 year-old saxophonist looking for his big break in 1967. The opportunity came when legendary jazz label Impulse paired Scott with 9-piece vocal group The California Dreamers and allowed the young musician to take the helm as a band leader, with The Honeysuckle Breeze as the spectacular result. This rare and long out-of-print album features Scott leading a stellar lineup of sessions players—Bill Plummer (sitar), Glen Campbell (guitar) and Carol Kaye (bass) among them—through warm, smooth versions of songs by The Beatles (“She’s Leaving Home”), Donovan (“Mellow Yellow”), Joan Baez (“North”) and Jefferson Airplane (“Today”), which many will recognize from it’s sampling in the Pete Rock & CL Smooth classic “T.R.O.Y.” Resurrected, refurbished and remastered by the talented folks at Get On Down, Scott’s debut record sparkles with a high quality digital audio transfer from the original master tapes and is packaged in a gatefold paste-on case with a dust sleeve and obi strip. Don’t let this “Breeze” pass you by.
Recorded live at The Renaissance in Hollywood, CA on Oct 14 1960, Ben Webster “At the Renaissance” was released on Contemporary Records. Featuring with Saxophonist Webster are Jim Hall (guitar), Jimmy Rowles (piano), Red Mitchell (bass), and Frank Butler (drums). This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a tip-on jacket.
The common thread throughout the album is the sitar. With this album Nicolas Mortelmans (Condor Gruppe, Leki, Merdan Taplak) builds a bridge between his love for Indian music and his roots in Western genres such as electronic, jazz and rock music.
On April 12, 2024, Nicolas Mortelmans (Condor Gruppe, Leki, Merdan Taplak) will release his long-awaited debut album MÁYÀ on WERF Records!
The common thread throughout the album is the sitar, an instrument that he learned in the traditional way from various sitar masters in India. Since 2017 he has been trained by the world-famous Anoushka Shankar. In every song he tries to approach this unique instrument in a different way.
With this album he builds a bridge between his love for Indian music and his roots in Western genres such as electronic, jazz and rock music. On the album guest musicians from all over the world are playing, such as Ravichandra Kulur from India (Anoushka/Ravi Shankar, John McLaughlin, Aka Moon,..), Benny Bettane (Australia/handpan) & Belgian friends like Roland van Campenhout, Tim Vanhamel and Stef Kamil Carlens.
- A1: Introduction
- A2: Awakening
- A3: To Begin
- A4: Peaceful
- A5: Battle
- A6: The Story Of Thor
- A7: Holiness
- A8: Aqua
- B1: Burning Cave
- B2: Fortress
- B3: Vessel
- B4: Indication
- B5: Stone Place
- B6: Boundless Cliff
- B7: Raging Wind
- B8: Abyss
- C1: Mysterious Green
- C2: Chaos
- C3: Evil Territory
- C4: Water Cave
- C5: The Huge Creature
- C6: Voice From Darkside
- C7: Last Battle
- C8: Triumph
- D1: Encounter
- D2: Requiem
- D3: Concentration
- D4: Fire Ball
- D5: Deep Hole
- D6: Confession
- D7: Ending
- D8: Master Mind
- C9: Item Get!
- C10: Magic Jewel
Celebrate the 30th anniversary of The Story of Thor (also known as Beyond Oasis), the Megadrive's cult action RPG, with its original soundtrack composed by Yûzô Koshiro, available for the very first time on vinyl!
Developed by Ancient (Yûzô Koshiro's studio), The Legend of Thor left its mark on several generations of gamers right from its release in 1994, offering rich gameplay and an enchanting soundtrack, the fruit of meticulous composition work by Yûzô Koshiro. The Story of Thor is recognized as one of the A-RPG classics on Sega's console.
For this newly remastered vinyl Edition, the music was directly recorded from a Megadrive console following a meticulous process to obtain the best sound quality.
The vinyl edition includes 34 tracks on two translucent discs inserted in a gatefold sleeve with an illustrated 12-page booklet.
Marcin ist ein weltweites Phänomen und der Gitarrist der Gen Z. Sein Debütalbum "Dragon in Harmony" ist eine Demonstration seines selbst-entwickelten, atemberaubend virtuosen Stils, Gitarre zu spielen in 14 genre-übergreifenden Titeln. Bei TikTok, Youtube und Instagram begeistert Marcin Millionen Follower mit seinem unnachahmlichen Stil, die Gitarre mit beiden Händen am Griffbrett zu spielen. Er zerlegt Klassiker aus Rock, Hip-Hop oder Klassik in "real time" in ihre Einzelteile und türmt diese zu neuen Gitarren-Arrangements auf, wobei er die Akkorde, Melodien und eine handtrommelartige Percussion gleichzeitig spielt. Ein musikalisches Spektakel als One-Man-Show. Auch Kritiker vom "Rolling Stone", "Billboard", "Premier Guitar" oder "Guitar World" preisen Marcin als "einen der talentiertesten Gitarristen seiner Generation". Mit all seinen Erfahrungen aus den letzten Jahren hat Marcin sein Album "Dragon in Harmony" konzipiert. Er möchte ein Publikum weit jenseits der Gitarren-Fans erreichen und erklärt selbstbewusst: "Mein Statement an die Gitarrenpuristen ist: Ja, ihr habt recht. Die Gitarre ist tot. Macht weiter so wie bisher. Mein Ziel war es aber schon immer, ein breites Publikum zu begeistern." Zusammen mit Producer Dan Book (Blink-182, Shania Twain, Britney Spears) verbindet Marcin auf "Dragon in Harmony" eine genreübergreifende Sammlung von Originalkompositionen und Covern zu einem harmonischen Ganzen. Songs von Justin Timberlake ("Cry Me A River"), Sade ("Smooth Operator") und Nirvana ("Heart-Shaped Box") fügen sich schlüssig an Kompositionen von Mozart (Requiem), Debussy ("Claire de Lune") oder Miles Davis/Bill Evans ("Nardis"). Der Alternative-Radio-taugliche Titel "When The Light Goes", für den Marcin den Sänger Portugal.The Man (bekannt für seinen Hit "Feel It Still") eingeladen hat, und "Allergies" mit Sängerin Delaney Bailey, bilden weitere stimmige Farbakzente auf dem Album. "Ich wurde im Jahr 2000, dem Jahr des Drachen, geboren und veröffentliche mein Debüt im Jahr 2024, ebenfalls ein Jahr des Drachen. Der Drache ist ein feuriges, mythisches Wesen, ungezähmt und chaotisch. Aber er steht ebenso für Harmonie. In den letzten Jahren habe ich viele unterschiedliche Dinge ausprobiert, die scheinbar nicht zusammenpassen. Mit meinem Album mache ich jetzt eine künstlerische Aussage, die kohärent ist. The dragon is in harmony." erläutert Marcin seine Album-Idee. Mit Ichika Nito ("I Don't Write About Girls") und Tim Henson von der Band Polyphia ("Classical Dragon") sind zwei weitere junge Gitarren-Heroes für jeweils einen Titel als Duett-Partner zu hören.
FOR FANS OF: Soundgarden, Foo Fighters, Queens Of The Stone Age, Silverchair, Black Sabbath
Wie sie selbst zugeben, gab es eine Zeit, in der es unwahrscheinlich schien, dass Torus überhaupt hier stehen würden, um der Welt ihr Debütalbum
vorzustellen. Das ist an sich schon eine überraschende erste Aussage, die aus dem Mund von Frontmann und Band-Mastermind Alfie Glass kommt,
während er und seine Bandkollegen im Wohnzimmer seines Hauses außerhalb von Milton Keynes sitzen. Jeder Schritt, den Torus bisher
unternommen haben, wurde mit Interesse und Beifall bedacht - bereits vor der von der Kritik gelobten Debüt-EP Sail" schwärmten die wichtigsten
Kritiker wie Kerrang! und Classic Rock von ihrer Marke des Null-Bullshit-Hardrocks", der gigantische Riffs und dicke, monströse Grooves" in der
Tradition von Rockgrößen wie Kyuss, Queens Of The Stone Age und Smashing Pumpkins bietet. Wenn Ihnen der Name Alfie Glass noch vertrauter
vorkommt, liegt das wahrscheinlich daran, dass Black Sabbath-Gitarrenlegende Tony Iommi die Fähigkeiten des Sechssaiters in der TV-Talentshow
Guitar Star lobte, als Glass gerade mal 12 Jahre alt war. Torus begann als Ein-Mann-Schlafzimmerprojekt, wurde aber schon bald durch den Bassisten
Harry Quinn (2020) und den Schlagzeuger Jack Orr (Anfang 2022) ergänzt. Trotz ihrer unterschiedlichen musikalischen Hintergründe und Einflüsse, die
von Wüstenrock über psychedelischen Prog bis hin zu Punk reichen, verbindet das Trio der gemeinsame Wunsch, Musik zu machen, die die Köpfe zum
Klingen bringt und die Füße bewegt. "Wir kommen alle aus verschiedenen Ecken, haben aber eine gemeinsame Vision für die Musik, die wir schreiben
wollen", nickt Orr.
We’re excited to present you Yurk’s First Vinyl album on Chomp! Chomp! This six-track all original music by Yurk, is diverse and rhythm heavy across the electronic genres. Kicking off the album with “Delay Tech,” this 90s-inspired acidic house track is festival-ready with big energy. Then we dive into “Bustin’” - a bouncy Tech House with punchy and multiform tones. Follow by “Sin Control,” warm Jazzy House grooves accompanied by delayed filled Trumpet theme. On the B side, “Cosita” - a hard-hitting Detroit-inspired dub techno composition that treks into 90s territory. Follow by “El Nuevo Jazz”, a playful and dynamic track which combines punchy percussive electro breaks with a high-spirited bassline. To conclude the album - “Satori,” takes us on a spaced-out acid house journey, inspired by the Japanese Buddhist term for awakening, offering a psychedelic and uplifting finale.
Yurk is a dynamic producer and DJ from Puerto Rico, now making waves in Brooklyn's music scene. Blending Latin rhythms with global electronic beats, he has released music with local labels like Mechanical in Queens, NY. As the head of Organized Disorder, Yurk hosts a biweekly radio show, along with an all vinyl monthly Saoco! Party focused on Caribbean and outernational music.
All Tracks written and produced by Yurk. Mixed and mastered by Justin Van Der Volgen. A3 trumpet by Robert PM. B1 vocals by Timo Lee. Album Art by Bráulio Amado. "Dedicated to Erik and my beloved mother Laura, whose spirits guide every note with love and grace.” -Yurk
Robyn Hitchcock is a rock’n’roll surrealist. Born in London on March 3rd, 1953 he describes his songs as “pictures you can listen to”. As much a child of Dali, De Chirico, and JG Ballard as of his 1960s musical heroes, he is a master of the absurd, reveling in the beauty of the unexpected. His first publicly visible band The Soft Boys (1976 - 81) has remained an influential art-rock touchstone for generations of musicians. “I just want to be an obscure cult fringe,” he told the NME in 1978; the NME didn’t believe him, but he’s been true to his ambition. Without ever breaking the surface of pop culture Hitchcock has floated at a tangent to the mainstream for nearly 5 decades. His songs have been performed by REM, The Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead among others. A confirmed outsider, he nonetheless has devoted listeners around the world who attend his concerts, and also tune into the online streaming shows Robyn seasonally does with his wife, the singer Emma Swift. In 1996 he was the subject of Jonathan Demme’s in-concert film, ‘Storefront Hitchcock’. Robyn Hitchcock came of age in the 1960s when he attended Winchester College, an eccentric hothouse boarding school in the south of England. This is the subject of “1967”, which is both a memoir and an album, due for release in June this year. The memoir is a book “1967: How I Got There And Why I Never Left”, describing how the music of Bob Dylan, The Beatles, Jimi Hendrix and others drastically transformed the direction of his life when he left home for this strange new world. The companion record album “1967: Vacations In The Past” is a selection of the (mostly) hit songs of that year, re-recorded acoustically by Robyn with the help of some friends in Cambridge, San Francisco, and Sydney. He is currently preparing new material to release in 2025. “I like to keep busy”, he says: “We have all eternity to not exist”.
Im Kopf eines Vigilanten tobt ein Krieg. A Killer's Confession erzählen ihn laut auf ihrem vierten Album und MNRK Music Group Debütalbum Victim 1.
Die Band um Sänger und Mastermind Waylon Reavis geht über den Punkt ohne Wiederkehr hinaus und kanalisiert die fesselnde Abscheulichkeit
wahrer Verbrechen zu einem Soundtrack aus melodischem Hardrock mit Anflügen von hämmerndem Metal und heimtückischem Industrial. Eine fast
ein Jahrzehnt dauernde Reise führte zu diesem Punkt. Nach drei bahnbrechenden Alben mit Mushroomhead zog sich Waylon von der Musik zurück,
bis sie ihn 2016 wieder einholte. Er tauchte wieder an der Spitze von A Killer's Confession auf und lieferte drei kultige Lieblingsalben: Unbroken
2017, The Indifference of Good Men 2019 und Remember [2021]. Auf dem Weg dorthin verzeichnete die Band zig Millionen Streams und arbeitete
mit jedem zusammen, von Brian "Head" Welch von Korn und Love And Death bis hin zu Chad Gray von Mudvayne und HELLYEAH.2022 ging Waylon
mit seinen Kollegen und Produzenten Dusty Boles [Make Me Famous] und Evan Mckeever [Nine Shrines] ins Studio. Als er diese Vision zum Leben
erweckte, entstand das zehn Tracks umfassende Äquivalent zu "falling down a YouTube rabbit hole of unsolved mysteries". Am Ende erzählt A Killer's
Confession eine Geschichte, von der man sich nicht mehr abwenden kann.
Im Kopf eines Vigilanten tobt ein Krieg. A Killer's Confession erzählen ihn laut auf ihrem vierten Album und MNRK Music Group Debütalbum Victim 1.
Die Band um Sänger und Mastermind Waylon Reavis geht über den Punkt ohne Wiederkehr hinaus und kanalisiert die fesselnde Abscheulichkeit
wahrer Verbrechen zu einem Soundtrack aus melodischem Hardrock mit Anflügen von hämmerndem Metal und heimtückischem Industrial. Eine fast
ein Jahrzehnt dauernde Reise führte zu diesem Punkt. Nach drei bahnbrechenden Alben mit Mushroomhead zog sich Waylon von der Musik zurück,
bis sie ihn 2016 wieder einholte. Er tauchte wieder an der Spitze von A Killer's Confession auf und lieferte drei kultige Lieblingsalben: Unbroken
2017, The Indifference of Good Men 2019 und Remember [2021]. Auf dem Weg dorthin verzeichnete die Band zig Millionen Streams und arbeitete
mit jedem zusammen, von Brian "Head" Welch von Korn und Love And Death bis hin zu Chad Gray von Mudvayne und HELLYEAH.2022 ging Waylon
mit seinen Kollegen und Produzenten Dusty Boles [Make Me Famous] und Evan Mckeever [Nine Shrines] ins Studio. Als er diese Vision zum Leben
erweckte, entstand das zehn Tracks umfassende Äquivalent zu "falling down a YouTube rabbit hole of unsolved mysteries". Am Ende erzählt A Killer's
Confession eine Geschichte, von der man sich nicht mehr abwenden kann.
- A1: Effroyables Jardins (Générique)
- A2: Sabotage
- A3: Arrestation
- A4: Le Trou
- A5: Effroyables Jardins Par Leszek Mozdzer (1Ère Version Piano)
- A6: Métamorphose À L'hôpital
- A7: Une Vie Pour Une Vie
- B1: Effroyables Jardins (Générique 2Éme Variation)
- B2: Reminiscence
- B3: Mariage
- B4: Clown
- B5: Effroyables Jardins (Ge?Ne?Rique De Fin)
- B6: Effroyables Jardins Par Leszek Mozdzer (2Éme Version Piano)
- B7: Effroyables Jardins Par Leszek Mozdzer (3Éme Version Piano)
A Colourful Storm presents Effroyables Jardins, a soundtrack composed by Zbigniew Preisner for Jean Becker's eponymous film. Given limited distribution during its initial release, the soundtrack's lustre has only strengthened and it is now considered a lost gem of contemporary chamber composition. An understated triumph of the oeuvre of Preisner, who closely collaborated with Polish director Krzysztof Kie?lowski and was responsible for the film scores of Dekalog, The Double Life of Véronique and the Three Colours trilogy.
"Krzysztof and Zbigniew really found each other, as they were deeply complementary in their need of emotional expression," reflects actor Juliette Binoche upon her work in Three Colours: Blue. A Colourful Storm cites no other film leaving a greater impact on them than Three Colours: Red. These would be the last films the duo worked on together, before Kieslowski's retirement and untimely death.
Effroyable Jardins marks Preisner's post-Kieslowski era of solo composition, shifting from devotional harmonies into a beautifully restrained style of neo-Romanticism. It is his second soundtrack for Jean Becker, following Francis Ford Coppola's commission for The Secret Garden, the César-winning Élisa, and Edoardo Ponte's Between Strangers. Its leitmotif - a delicate, sparse melody for piano and organ, appears only during the opening sequence and, like Preisner's most powerful soundtracks, takes on a life of its own. Compositions for violin, harp and percussion are interspersed with haunting variations on a theme and a masterful use of silence. His music haunts the grieving Julie in Blue, soundtracks Valentine's epiphany in Red, and evokes the sublimity of moments in everyday life.
Keyboardist/composer Doug Carn was the
biggest star on the legendary Black Jazz Records
label, with four releases to his credit (all reissued
by us at Real Gone Music), and remains a
touchstone for spiritual jazz fans and musicians
alike. But very, very few folks have heard his
debut record, cut for the venerable Savoy label
back in 1969. In fact, it’s so rare that we couldn’t
even find a copy to use for artwork, so, with
Doug’s help, we enlisted his daughter Eroniffa
Ibrahim to create illustrations for our reissue
based on the original cover photos. But you know
what we did find? That’s right…the original master
tapes! So, not only is this the first LP reissue for
The Doug Carn Trio, but it’s an all-analog edition to
boot, pressed at Gotta Groove Records with their
proprietary GrooveCoated stampers to minimize
high-frequency loss with each successive pressing.
And, we’ve added an insert with liner notes by Aaron
Cohen based on an exclusive interview with the man
himself. As for the music, it’s a tight organ trio set
that starts cooking right from the get-go with a groovin’ cover of Gus Cannon’s “Walk
Right In,” which became a folk hit for The Rooftop Singers. Carn’s fluid, forward-thinking
playing anticipates Larry Young’s future keyboard forays, and originals like “Butter from
the Duck” and “Yna Yna’s Delight” presage the compositional prowess he flashed on the
Black Jazz releases (note: that’s Don Hales on guitar, not Gary Starling as credited on the
original record). The opening salvo from a scintillating career, finally available again!
Mit ihrem neuen Album "Feeding The Machine" wollen MORDKAUL die Band mit 10 druckvollen Death Metal Tracks auf eine neue Ebene emporheben!
Um das Beste aus den einzelnen Songs herauszuholen und sie bestmöglich zu präsentieren, wurde "Feeding The Machine" in zwei Phasen aufgenommen. Die erste Hälfte des Albums wurde im Sommer 2022 im Project Zero Studio aufgenommen, die zweite Hälfte im Sommer 2023 in den legendären Galaxy Studios, während das Mixing und Mastering von Dan Swanö durchgeführt wurde.
Während "Dress Code: Blood" stark von den kultigen schwedischen Death-Metal-Bands der 90er Jahre inspiriert war, geht "Feeding The Machine" noch einen Schritt weiter. Mit breiteren Einflüssen von kultigen 90er-Death-Metal-Bands wie Morbid Angel und Death schlägt "Feeding The Machine" noch härter zu und zielt darauf ab, die Band auf ein neues Level zu katapultieren!
tunnel’s first release is here! Lunchbreak in Mitte EP comes from the mind and machines of our friend Pierre Marty : a refreshing take on house music, with 4 classy tunes full of groove and emotion that will perfectly match your summer mood.
For the three of us, each of these tracks holds precious memories. From witnessing Pierre’s inspired and tumultuous creative process, to the first time we heard them loud in his live set at Le Chant des Oiseaux last summer, before we in turn play them in our own sets… They formed the soundtrack to our friendship over the last year in Berlin and rocked the birth of our label, as we met every week for a cosy lunch break in Mitte.
Shipping end of July - follow us on Instagram and subscribe to our Bandcamp page to stay up to date on the official release date.
All tracks written and produced by @pmrty in Berlin Mitte, 2023. Mix and masters by Trigun Audio. Designs by Docket Eddie. Pressed by Objects Manufacturing. Distributed by DNP.
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tunnel is a label based in Berlin and curated by Eltouss & Oscar Faivre.




















