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Lisa Knapp & Gerry Diver - Hinterland

Two of folk’s most fearless innovators, Lisa Knapp and Gerry Diver, join forces for Hinterland—a captivating 9-track journey that reshapes English and Irish traditions into something bold and breathtaking.

Featuring richly layered vocals, wide ranging instruments and powerful storytelling, the album explores themes of nature, history, place and folklore and winds an evocative thread through tradition and contemporary folk. Standout tracks include the atmospheric ‘Hawk & Crow’, the rhythmic ‘Train Song’, and the eerie ballad, ‘Long Lankin’.

Hinterland enchants listeners with a fusion of emotive vocals and intricate instrumentals, delivering a seamless blend of the familiar and the unexpected.

pre-order now07.03.2025

expected to be published on 07.03.2025

25,17 €
CASSELS - TRACKED IN MUD
  • Nine Circles
  • Here Exits Creator
  • And Descends
  • Formaldehyde Time
  • Every Castle's Crumbling King
  • Two Dancing Tongues
  • Indigene
  • Nature Hates A Vacuum

Nach Releases auf Too Pure, God Unknown und Big Scary Monsters erscheint das neue Album des Londoner Brüderpaares Cassels auf Human Worth. Produziert von Alex Petersen (aka Vincent Vocoder Voice) ersetzt das Duo scharfzüngige Charakterskizzen mit einem berauschenden Cocktail aus Philosophie und Körperhorror. Vorbei sind Flirts mit Indie-Rock und Elektro, stattdessen wird eine aufregende Vision dessen präsentiert, was harte Musik sein kann. "Tracked In Mud" ist der Soundtrack zum Leben in den letzten Tagen einer arroganten, technokratischen Höllenlandschaft. Die LP erscheint auf Ecomix-Vinyl in Topausstattung. 10% aller Einnahmen gehen an das gemeinschaftliche Lebensmittelzentrum/Vertriebsnetzwerk The Hornbeam Centre.

pre-order now07.03.2025

expected to be published on 07.03.2025

28,15 €
THE HILLBILLY MOON EXPLOSION - BUY BEG OR STEAL
  • Buy Beg Or Steal
  • Broken Heart
  • She Kicked Me To The Curb
  • Natascia
  • Trouble & Strife
  • My Love For Evermore (with Sparky)
  • Night Of The Living Ted
  • Imagine A World
  • Goin' To Milano
  • Touch Me
  • Rock'n'Roll Girl
  • Chalk Farm Breakdown
  • Enola Gay
  • Non Ho L'Età (LP only)

Emanuela Hutter and Oliver Baroni front this Anglo-Italian masterly, modern rockabilly band, making worldwide waves from their home base of Zurich. Highlights of this 2011 relaunch album Buy Beg or Steal include a rockabilly cover of Enola Gay and their classic hit duet between Demented Are Go"s Sparky and Emanuela: My Love For Evermore. The song"s murder ballad viral video now has over 25,000,000 views. An international cult hit, it has also inspired myriad tattoos, multiple 7" pressings and well over fifty cover versions. The LP version features an exclusive extra track.

pre-order now07.03.2025

expected to be published on 07.03.2025

19,96 €
Anne Briggs - The Time Has Come LP

Green vinyl repress, standard single sleeve printed inner. 'The Time Has Come' is an absolute master class on words and guitar twisting into one another - the poetry goes beyond simple observation into deeply personal and profound lore. A timeless document of sweet and haunting melodies. My favorite record of all time.' Ryley Walker. // "I've never written songs, regularly, because I never considered myself a songwriter. I've only ever really considered myself a ballad singer, which is what is most important to me. The stories... the ancient nature of the situations and the human condition. And obviously, it's changed so much over the centuries that those songs have been sung, but it always retains that essence of something that's universal... to humanity, and I've always wanted to touch that. I think I wanted to understand people; I think I wanted to understand myself. It's a way of finding the truth. I felt I belonged to that music." Anne Briggs // Offering some of her first original compositions, 'The Time Has Come' was a break from tradition in more ways than one for Anne Briggs. Where previous recordings displayed the unaccompanied melodies of her voice, this album - originally released by CBS in 1971 - brings additional instrumentation in the form of guitar and bouzouki. The result is that her vocals are not submerged, but heightened - the plucked strings providing the perfect foil for her crystalline inflection. 'The Time Has Come' is a mix of Anne's own songs alongside some notable covers (Lal Waterson, Steve Ashley, Stan Ellison, Henry McCulloch). All are graced with the quietly self-assured elegance of Anne's playing, with sounds ranging from the breezy 'Clea Caught A Rabbit' to the terrible beauty of 'Wishing Well' - each song typifying the bouzouki or guitar style. To say that Anne was an accomplished picker is to do her something of an disservice - the intricacy of her finger-work rivals - and more often than not eclipses - any number of her contemporaries.

pre-order now07.03.2025

expected to be published on 07.03.2025

27,31 €
Urban Homes - U.F.O.

Urban Homes

U.F.O.

12inchAVM082LP
Altin Village & Mine
07.03.2025

2025 marks the return of Cologne-based electronic outfit Urban Homes with their first new music in over eight years, following an unintentional hiatus driven by side projects, relocations, the pandemic, and the unpredictability of »life.« After over eight years, the duo is back with their first new material: a fresh batch of purely instrumental downtempo and dub-influenced tracks, marked by a somber and atmospheric vibe that distinctly separates this new material from their previous work. Inspired by themes of extraterrestrial life and the paranormal, the four new tracks compiled on the »U.F.O.« EP release were crafted during recording sessions split between Cologne and Berlin before languishing for years on neglected hard drives, finally »ripening« into their current form.

Formed in 2008, Urban Homes initially emerged as a post-punk group, debuting live in 2009. Their first release—a four-track demo tape recorded in late 2010—already hinted at an evolving sound that would soon embrace a more experimental and electronic direction. By 2011, the band swapped their live drums for a drum machine, a shift that would profoundly shape their sound in the years to follow. Over the years, Urban Homes has explored a broad sonic landscape, merging electronic production, rhythm-driven compositions, and experimental song structures. Drawing influences from early house, balearic, disco, dub, avant-garde electronica, and pop, their music continues to defy easy categorization.

In March 2013, the duo released their debut album »Centres«, earning the Pop NRW Prize for Best Newcomers that same year. Their 2016 follow-up, »Jams«, was met with critical acclaim. A love letter to dance music's roots, Jams fused pop sensibilities with open-ended experimentation, built from years of MIDI-driven jam sessions that were painstakingly edited and reconstructed. Both released by Altin Village & Mine, »Jams« was also licensed by the Japanese label Fennely / Moorworks for an exclusive CD edition in 2017. Over the years, Urban Homes supported their releases with numerous tours and festival appearances across Germany and a memorable tour of Japan in 2017.

pre-order now07.03.2025

expected to be published on 07.03.2025

18,07 €
Fernand Vandenbogaerde - Les Années 1967-1984 LP 4x12"

Metaphon is thrilled to present this collection of 14 phenomenal electronic and electro-acoustic works by French composer Fernand Vandenbogaerde, realized between 1967 and 1984.

After his science studies Fernand Vandenbogaerde (1946) studied at the Conservatoire de Roubaix and did various classes and courses with a.o. Jean-Etienne Marie, Olivier Messiaen, Pierre Schaeffer, György Ligeti, Karlheinz Stockhausen and Bruno Maderna. He wrote analytical essays on mathematic music, in particular the work of Iannis Xenakis. Vandenbogaerde taught electro-acoustic music at various institutions and was director at the National School of Music and Dance in Blanc-Mesnil, near Paris. As a composer he wrote works for orchestra, instrumental and chamber ensembles, sometimes in hybrid form including tape and electro-acoustic configurations. He also recorded numerous tape compositions in Bourges, Paris, Ghent and at his home studio. His works have been presented worldwide on various leading festivals and events.

The compositions included in this edition are primarily tape works, meticulously recorded and produced, radical and most of all timbre oriented which makes his compositions focus mainly on sound while other parameters hardly change. In Vandenbogaerde’s own words: “What determines my pieces, at least all the ones in this collection, is that it’s the material that dictates me, that will predetermine the form”. This particular approach distinguishes him quite a bit from many of his contemporaries within the field of electro-acoustic music.

Another interesting aspect in Vandenbogaerde’s work is the integration of micro tonal scales (conceived by Mexican composer Julian Carrillo), on the compositions 'Modifications III' and the intriguing trilogy 'Drei Nachdenken über Hymnen an die Nacht'. All tracks are previously unreleased except the proto power electronics piece 'Anschlag' which was self-released in 1971 on his own Point Radiant label, as a compilation LP which also included a track by Tristan Murail.

pre-order now07.03.2025

expected to be published on 07.03.2025

60,92 €
BABY ROSE - THROUGH AND THROUGH

Baby Rose makes healing music for the aimless and heartbroken. The Grammy-nominated singer/songwriter and producer's uniquely rich voice naturally lends itself to her powerful, smoke-filled ballads lamenting lost loves and broken futures. "I make music to help myself get through things," she says. The piercing honesty and vulnerability she brings to her lyrics in turn helps others process their feelings and find a place of healing. For Rose, it's a journey that's still ongoing. "If I'm going to leave anything behind, it's going to be getting people back to themselves," she says. "As I get back to myself, it's a constant reset: Remember who you are, remember who you want to be." You can hear the impact of this approach in Baby Rose's upcoming second album, Through and Through. Take the hypnotic "Fight Club." Over the track's simmering baseline and crashing cymbals, she declares, "I don't need no one else to show me the way." She describes the song as a "breaking of the shell. It encourages me to just go for it and not care about what anyone else thinks." Therein lies Baby Rose's strength: a determination to live, love, and create on her own terms. "I'm not just a singer with a unique voice," she says. "I'm somebody that has something to say." In the years since releasing her last album, To Myself, Rose has been painstakingly piecing together its sequel. Started almost immediately after its release, her new body of work finds her in a state of musical and personal transition. It's a subtle merging of new sounds_stirring rock, upbeat r&b, psychedelic funk, pop, and soulful ballads_, all mastered through analog tape to make the music feel warmer and all-encompassing. It's also a journey inward as she battles past fear and self-doubt to finally discover_and love_who she is, where she is. Finishing an album with such peace and firm resolution is a first for Rose, but she makes it clear: She's nowhere near done writing her story. "I think as long as I'm being raw and trying to push past my comfort zone, it will feel rewarding," she says. "I don't want to be the type that doesn't take risks because I'm afraid. I have to trust that as long as the music is honest and innovative, it'll be timeless."

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Last In: 19 months ago
23,49 €
Pale Jay - MY DIRTY DESIRE / DREAMING IN SLOW MOTION

his new 45 from Karma Chief Records showcases two tracks from Pale Jay's latest LP, Bewilderment. The A side, My Dirty Desire is a warbling slow-disco tribute to the introvert. Pale Jay acknowledges that society rewards extroverts, but he embraces his introverted nature and the benefits of solitude. The B side, Dreaming In Slow Motion' has silken falsetto vocals that float on top of a dusty rhythm section driven by a pulsing bass and laid-back drums. Accompanied by a catchy guitar and a grand string arrangement, Pale Jay invites the listener on a soulful trip to the early morning hours floating between dream and reality. Pale Jay's latest opus showcases his remarkable ability to craft sonic tapestries that transport listeners to a world of profound introspection and sonic bliss. This 45 from Karma Chief Records serves as a tantalizing glimpse into the depths of Pale Jay's musical genius, leaving you craving for more. So sit back, relax, and let the ethereal melodies whisk you away on an extraordinary sonic odyssey.

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Last In: 19 months ago
10,50 €
The	Primitives - Let's Go Round Again - Second Wave Singles & Rarities 2011-2025 LP 2x12"

Für Fans von Britpop, Shop Assistants, The Charlatans, C86, Tallulah Gosh, Kinks, frühen Velvet Underground... und
den Primitives!
In den letzten 14 Jahren gab es so viele Veröffentlichungen. Von den vier Songs, aus denen die mittlerweile
legendäre EP von 2011 bestand, „Never Kill A Secret“, bis zu der Single, die wir vor ein paar Wochen beworben
haben, „Sweet Sister Sorrow“. Von dem Song, der auf der Girlsville-Compilation-Kassette herauskam, über die
Singles, die auf dem in Georgia ansässigen Label Happy Happy Birthday To Me (HHBTM) veröffentlicht wurden, bis
hin zur Radiosession der Part Time Punks, die sie selbst auf einer EP veröffentlicht haben (und die auch als GedenkVinylsingle für die 30-Jahr-Jubiläumstour in Japan für ihr Album „Lovely“ herauskam). Und natürlich gibt es unzählige
Singles, Maxis, Vinyls und andere Songs (wie dieses Juwel für das Weihnachtsalbum, das wir 2012 herausgebracht
haben), die bei Elefant Records erschienen sind.

pre-order now06.03.2025

expected to be published on 06.03.2025

41,81 €
Inner Flight - Inner Flight

Pacific Rhythm is honoured to share the debut self-titled EP from Inner Flight, a duo comprised of Cooper Saver and Chris Macintyre. Inner Flight began as a long-distance collaboration during 2020 inspired by rural Canadian landscapes, natural beauty, and a myriad of musical fluencies spanning The Second Summer of Love, Andrew Weatherall, early Factory Records, and the deeper corners of the 4AD catalog.

It has since grown into an introspective and sometimes ecstatic body of work that weʼre elated to share with the world. Elevate your state of being with this idyllic soundscape from two of North Americaʼs finest vibe practitioners.

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Last In: 18 months ago
14,08 €
DANDOLO - TICKET TO RIDE

Dandolo

TICKET TO RIDE

7"-VinylMIR004
Mirella Records
05.03.2025

“Ticket to Ride” marks the solo debut of Dandolo, member of the duo Maurizio & Dandolo. This time, Dandolo wins a lottery ticket and flies solo, away from his Adriatic coast, to Thailand where lust, love and broken hearts await him.

The single’s exotic flavour is highlighted in the B-side, the dub version by Cosmo Dance. The track is a total floorfiller, a DJ essential and dancers’ delight that nods in its production to the Eastern influences of the golden age of Italo Disco.

With “Ticket to Ride” ends the Italo Disco trilogy of Maurizio & Dandolo, started with “Natale in tangenziale” and continued with “Demin”. The track confirms Mirella Records’ commitment to craft exquisite Italo Disco instant classics, with a distinctive and authentic 1980s flavour, which echoes in the cheekiness of the lyrics and themes narrated.

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Last In: 8 months ago
13,87 €
ASA HORVITZ - GHOST

After his father and other close relatives died in a short period, singer, composer and multi-instrumentalist Asa Horvitz wanted a musical language to evoke our metaphysical and tangible experiences with loss. Horvitz and a team of friends assembled a dataset of over 150 texts from throughout history that dealt with grief and fed them through a custom Natural Language Processing AI system. Based on the cryptic text that resulted, they created a music-theatre production which toured in Europe and is presented here as a series of standout recordings from the project’s long genesis. GHOST’s compositions started as vocal improvisations led by Horvitz and bassist/singer-songwriter Carmen Quill, accompanied by Ariadne Randall and Bryan West (processing, synths, viola da gamba, etc). Later, Horvitz’s uncle—esteemed pianist and composer Wayne Horvitz—interpolated additional passages. Recalling (at turns) Robert Ashley’s spoken-word operas, Arthur Russell’s vaporous pop song, medieval music, outre hip-hop, and the undulations of Einstein on the Beach, the music remains soulful despite its partially systematized means of production. GHOST derives its strength from its empathetic perspective, tracking the tidal patterns that underpin our grief without attempting to fabricate their logic.

– Winston Cook Wilson

pre-order now05.03.2025

expected to be published on 05.03.2025

21,81 €
T.P. ORCHESTRE POLY-RYTHMO DE COTONOU BENIN - UNITE AFRICAINE

The second part in the series looking at the works of the Beninoise super group T.P. Orchestre Poly-Rythmo and the compositions of bandleader Clément Melome. The title song, "Unité Africaine" was originally released domestically in 1977 on the LP, "T.P. Orchestre Poly-Rythmo de Cotonou Benin - Melome Clement, Chef d'Orchestre" and celebrates a message of unity across the African nations.

The single focuses on the modern interpretations for which Canopy again enlists the skills of Jose Marquez & Sol Power All-Stars.

Jose Marquez builds around the core elements of "Unité Africaine", deepening the mood with characteristic production prowess. Recruiting precise musicians who add live bass, percussion and synthesizer, Jose delivers an adaptation which effortlessly compliments the original arrangement and feeling with a thoughtfully executed sensibility.

Sol Power All-Stars step up with a sincere rendition of "Unité Africaine". No strangers to the work of Orchestre Poly-Rythmo, (having released a dynamite remix EP of Orchestre Poly-Rythmo on their own imprint "Sol Power Sound"), they were a natural fit for this project. The version presented here is respectful to the original, adding live drums, light disco FX and new arrangements to gently enhance the original composition, adding just the right amount of seasoning to their mix to bring it to a joyful and tasty simmer.

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Last In: 18 months ago
14,50 €
Azymuth - Arabutã

Azymuth

Arabutã

7"-VinylJD56
FAR OUT RECORDINGS
03.03.2025

Legendary Brazilian jazz-funk trio Azymuth are set to release "Arabutã" (Daniel Maunick Dub), a vinyl-only 7" single, on December 13, 2024. The limited edition release serves as a captivating preview of the band's highly anticipated new album, set for release in 2025.

"Arabutã," which takes its name from the Tupi Guarani word for the endangered Brazilwood tree, underscores Azymuth’s fusion of timeless Brazilian jazz-funk and cosmic futurism. A symbol of both the value and fragility of Brazil’s natural beauty, Arautã reminds us of the salience of indigenous wisdom to ecological preservation.

In the hands of producer and long-time Azymuth collaborator Daniel Maunick, “Arabutã” is tweaked for a special mid-tempo 7”inch, two part, dancefloor dub mix.

The limited edition 7” single is available to pre-order exclusively from the Far Out Recordings website and Bandcamp ahead of its 13th December 2024 release date, and at shows on Azymuth’s upcoming European tour.

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Last In: 15 months ago
16,60 €
TAPPER ZUKIE - Black Man LP

2022 Repress

Tapper Zukie's 'Black Man' album originally came out in 1978 as a Jamaican only release on Tapper's' Stars imprint. Long deleted it has become a classic in Mr Zukie's vast cannon of musical biscuits and is well overdue this worldwide release for the first time.
Tapper Zukie (b1956. David Sinclair, Kingston, Jamaica) was raised in the rough and tough West Kingston area of Jamaica, between the districts of Trench Town and Greenwich Farm. Living pretty much on the streets from an early age, the youths including the young Tapper had no choice but to fall into the hands of the Political Parties that controlled various ghetto areas of the town. Music seemed like the only way out of a life of crime and gang culture. A path that Tapper Zukie found by the mid 1970's was establishing himself as a named star on the DJ Roots circuit. Back home in Jamaica he was also getting a name for his production work for other local singers such as Prince Allah and the group Knowledge. To release these productions and his own material in Jamaica, Tapper started up his own label called Stars. It's this label that saw the initial release of this album 'Black Man'. A great collection of Tapper tunes such as his biblical cut 'My God Is Real', 'Revolution' and the tile track of this collection 'Black Man' and some work overs of some of his felloe Jamaican Artists like 'Poor Man Problem' a work over of Johnny Clarke's ' Blood Dunza' and also Mr Clarke's Leggo Violence'. 'Yaga Yaga' re working Horace Andy's and Tapper's big hit 'Natty Dread ah She Want'. 'Gather Them' a reworking of Knowledge's tune of the same name with the help from bands like Jah Wisdom and Delroy Fielding. A great collection of tunes and reworkings that we hope will find a wider audience with this release.
For the CD issue of this release we had added Tapper's 'Liberation Struggle', 'Get Ready', 'Prophesy' and 'Fire Bun' tracks from Tapper Zukie's back catalogue that seem to sit well and follow the theme and meanings of the 'Black Man' album.

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Last In: 4 years ago
13,49 €
Los Dexter's De Uchiza - Fiesta en La Jungla
  • A1: Fiesta En La Jungla
  • A2: Fuga En La Selva
  • A3: Tu Partida
  • A4: Agua De Cachilde
  • A5: La Chicharra
  • A6: Dolor Y Pena
  • B1: Izango
  • B2: El Shiringuero
  • B3: A Jenny
  • B4: Linda Tocachina
  • B5: Para Mi Gente
  • B6: Tragedia En Uchiza

Carrying the torch of psychedelic cumbia, with a healthy dose
of surf guitar and Amazonian dancefloor flourishes from Peru
and Brazil alike, Fiesta en la Jungla by Los Dexter’s de Uchiza
is the first release from the newly formed London-label Ritmo
del Barrio. Originally released in 1982, it captures the finest
cumbia being made in Peru at the time, decked out with
frenetic surf-rock guitar riffs, rhythms floating on crisp
cumbia percussion and occasionally punctuated by carimbó
breakdowns native to the Pará region of north-eastern Brazil.
The album is filled with energy, a gem that was always
intended to animate any dancefloor. Peruvian cumbia came to national attention in the late 60s
through the recordings of Juaneco y su Combo, Los Destellos
and Los Wembler’s de Iquitos, but it’s had many revivals, and
Fiesta en la Jungla arrived when the style was going through a
major transition. In 1977, a passenger plane carrying most of
the members of Juaneco y su Combo crashed, killing everyone
on board. In 1980, Los Destellos retired, and Los Wembler’s
released their tenth and final record, they were ready for a
break. This left a big void in Peruvian music. Wasting no time,
Los Dexter’s Emerson Ruiz Mosquera took the opportunity and
gave his band new life, filling the band’s ranks with young and
energetic musicians who were hungry for success. He built the
new band around a solid base of dexterous guitars, a dynamite
rhythm section, and added oodles of percussion and an electric
organ, giving them a powerful psychedelic sound that called
back to the sounds of the original chichamasters, but added a
new sheen. Along with bands like Los Shapis and Los Walkers
de Huánuco, Peruvian cumbia was reborn as chicha in the
1980s, and was now the sound of Peru’s barrios up and down
the country.
Based in the city of Uchiza, on the edges of the Amazon basin,
Los Dexter’s were uniquely located in central Peru, closer to the
largest urban centres of the country than Amazonian outposts
like Pucallpa or Iquitos, and therefore better positioned to
travel to the furthest reaches of the country with ease. In a
sense, Los Dexter’s were a bridge between the Amazon and the
rest of Peru, a bridge over which the sounds of Amazonian
cumbia could travel to the rest of the country on their way to
becoming one of the most ubiquitous elements of Peru’s musical
identity. Fiesta en la Jungla represents Los Dexter’s in their third
iteration. Led by Emerson Ruiz Mosquera, who was just a
young boy in 1970 when his older brother founded the group
with four of his friends, the ensemble by the time of Fiesta en la
Jungla included Orlando Abad on the timbales and lead vocals,
Lucho Bendezú on lead guitar, Javier Quiroz as second
guitarist, Alejandro Almeira on bass, Rufino Bustamante on
keyboard, Ramon Siu on bongos and bells, Ivan Rios on conga,
and Emerson as musical director and composer. Remarkably,
most of the group’s members helped to write at least one
track, Los Dexter’s were a collective endeavour.
Reissued on vinyl for the first time by Ritmo del Barrio, this
record is essential for any collector of Peruvian cumbia.
Showcasing the unique sound of Los Dexter’s, it carries hits
like “Fuga en la Selva” and “El Shiringuero”, which are sure to
set any dancefloor on fire, combined with slower, carimbó-
infused cumbias like “Fiesta en la Jungla,”and “Agua de
Cachilde.” Its closing track, “Tragedia en Uchiza'', is a key
piece of local history and tells of the flooding of the
Chontayacu River in 1982, a mortal tragedy that affected
thousands of people. Despite the subject matter, the album
maintains a joyful vibe throughout, with high energy riffs and
irresistible rhythms, contrasted with terse love ballads, like “A
Jhenny.” It is both a piece of musical history, and a sure-fire
tool for the dance floor.
Los Dexter’s became a fixture of festivals and celebrations in
the provinces of San Martin and Huánuco, and from expanded
across the country, taking Amazonian cumbia from the
Peruvian Amazon, to the heights of the Peruvian sierra, the
coastal plains, and the capital city of Lima.

pre-order now28.02.2025

expected to be published on 28.02.2025

19,96 €
Anenon - Moons Melt Milk Light  LP

2025 Repress
Anenon's tenor saxophone breathes an emotive contemplation on loss, meshed with sustained piano and field recordings. 'Moons Melt Milk Light' is a hyper-personal statement contained in a visceral beauty.

LA native Anenon returns with a highly anticipated new album 'Moons Melt Milk Light' on Tonal Union, bearing his most personal, expressive, and arresting works to date. Anenon is the ongoing solo studio and live project of Brian Allen Simon, whom since 2010 has released multiple albums and EPs to critical acclaim, including the highly revered 'Tongue' (2018) and 'Petrol' (2016).

'Moons Melt Milk Light' is direct, efficient, and unwavering in its immediacy. Anenon departs from the electronics of previous works, and embarks on a reductive, almost entirely acoustic approach consisting of piano, tenor saxophone, bass clarinet, and field recordings. All of the music was improvised with everything recorded as either a first or second take with no edits. Any layering happened fast and in the moment, and yet the sonic architecture of the whole feels both planned and refined.

"I feel a kinetic and messy honesty that doesn't exist in any of the other music I've ever made. There is also a sense of being settled, of calm. There is no faking it here."

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Last In: 16 months ago
22,27 €
KENICHIRO ISODA - MAJELO'S SLUMBER

『オシレーション・サーキット』で知られる巨匠=磯田健一郎が、Apollon レーベルに残した90'sの傑作群から珠玉の楽曲をチョイス、現代的手法で再録したジャパニーズ・アンビエント/ニューエイジ至高の逸品!

Kenichiro Isoda, known for his work on "Oscilation Circuit - Serie Reflexion 1", has selected some of his best tracks from the Apollon label's 90's masterpieces and re-recorded them with a modern approach to create a superb Japanese ambient/new age album!

In addition to his own performance, he added the performance of saxophone master Masashi Oshiro, as well as his own field recordings of natural sounds.

The result is a collection of four supreme compositions, each with a texture that melts gently into the ears of all who hear it.

Newly remastered for vinyl by Yoshiharu Takeda.

pre-order now28.02.2025

expected to be published on 28.02.2025

38,03 €
RHOMA IRAMA - BEGADANG: SONETA GROUP BEST SONGS 1975-1980

(Limited edition to 500 copies, remastered audio, pressed and printed in Indonesia) The 13 tracks contained in this compilation “Begadang: Soneta Group Best Songs, 1975-1980” are some the most innovative music that came out of Indonesia’s music scene in the 1970s, tunes that has cemented Rhoma Irama’s status as the king of the genre.



Dangdut is the biggest musical genre in Indonesia. Dangdut, onomatopoetic name from the sound of hand drums used in this type of music, is what reggae to Jamaicans, country to Americans or skiffle to mid 20th century British people. And in this genre of dang dut, the name Rhoma Irama looms large. He is until today the undisputable king of dangdut and his role as pioneer of the music is already in the history book. In fact, there's one book documenting the outsized role of Rhoma in establishing dangdut as the father of this music. The book is aptly titled Dangdut Story, written by Pittsburgh University music professor Andrew N. Weintraub.



Among Indonesian fans of dangdut, there’s this one misconceptions that dangdut music is that it is an indigenous art form from Indonesia and that it constitutes an amalgamation of local, traditional music of this Southeast Asian nation, with Malay music being the most prominent feature in the mix.



Dangdut pioneer Rhoma Irama is among the first to reject this assertion. “Dangdut music may have originated in Deli (in North Sumatra) but then got the influences from the West and India”, he said.



Indeed, most of Rhoma’s well-known compositions may have been influenced by Indian tunes but some of his best quality works owed much to the West.



Rhoma had long found home in Western pop music. In the early 1960s, after honing his guitar playing skill, Rhoma set up his first band Gayhand to play the tunes of The Beatles, Paul Anka and Tom Jones. In 1972, Rhoma won best singer title in a Southeast Asia singing competition in Singapore playing Tom Jones “I Who Have Nothing.”



Yet, nothing changed Rhoma’s fortune in the music industry, to a point where he decided to leave pop and switched to playing Orkes Melayu (Malay Orchestra) music, first with Orkes Melayu Purnama and later with Soneta Group.



His career soon took off with Soneta, especially after he introduced what ethnomusicologist William H. Frederick considered as “theatre”, through which Rhoma borrows many elements from stage performances of British and American rock bands. These elements, kitsch and pomp, he liberally adopted and became an inseparable part of dangdut itself; tight pants, long hair, platform shoes, glitter and glamour which would not be out of place in Elton John and David Bowie stage show.



And this is actually the contradiction of Rhoma’s brand of Malay music. “One might legitimately ask how imaginative, not to say bizarre, costuming and dancing with abandon could be related to some of the objectives of Rhoma has set for himself and soneta group”, Frederick wrote on his seminal work on the singer, Rhoma Irama and the Dangdut Style: Aspects of Contemporary Indonesian Popular Culture, published in 1982.



From technical point of view, Rhoma not only replaced the acoustic elements from Melayu Music with electric instruments but also created new synthetic sounds that has never been attempted before in Indonesia’s music industry.



Detractors like to point out how much he was indebted to Deep Purple, but a closer inspection reveals how he in fact had mined his influences even deeper.



Notice how Rhoma reproduced funk, which is all the rage in early 1970s, in the song “Santai” (Relax), this album’s closer or “Credit Title (Instrumentalia)” which opens this Darah Muda (Young Blood) soundtrack. The rubbery bass lines that open both songs can easily find home in any Sly and the Family Stone’s or Isaac Hayes’ tunes from that era. Other highlights of the song is the funky guitar licks and the droning Hammond a la George Clinton that stabs deep in the record groove. In the guitar solo, you can also hear the bark of George Harrison’s licks from “Taxman”.



The 13 tracks contained in this compilation “Begadang: Soneta Group Best Songs, 1975-1980” are some the most innovative music that came out of Indonesia’s music scene in the 1970s, tunes that has cemented Rhoma Irama’s status as the king of the genre. Only 500 copies were pressed for this compilation.

pre-order now28.02.2025

expected to be published on 28.02.2025

21,22 €
The Men - Buyer Beware LP

The Men

Buyer Beware LP

12inch506097839496
Fuzz Club Records
28.02.2025
  • Pony
  • At The Movies
  • Buyer Beware
  • Fire Sermon
  • PO Box 96
  • Charm
  • Black Heart Blue
  • Nothing Wrong
  • Control
  • Dry Cycle
  • The Path
  • Tombstone
  • Get My Soul

„When you gonna stop running?“ fragen The Men in der ersten Zeile von „Pony“, dem ersten Song und der ersten Singleauskopplung aus dem
kommenden Album „Buyer Beware“ des New Yorker Rockquartetts. Machen Sie keinen Fehler - dies ist kein Zeichen einer existenziellen Krise,
sondern eher ein Aufruf zu den Waffen für eine Band, die noch nie lange stillgestanden hat. Nach eigenen Angaben ist „Buyer Beware“ ihr 15. Album
seit ihrem Debüt „We Are The Men“ (2009) und ihr viertes für Fuzz Club.
The Men haben eine Arbeitsmoral, die so altmodisch ist wie ihre Rockwurzeln, doch trotz der Hektik scheinen sie nie in Eile zu sein - ein Widerspruch,
der sich in ihrer Musik auf natürliche Weise auflöst, indem sie die rohe Wut des Punkrock mit der minimalistischen Strenge eines Steve Reich (oder,
außerhalb der Musik, Mark Rothko) in zenartiger Ausgewogenheit in Einklang bringen. "Buyer Beware“ ist die fünfte Zusammenarbeit von The Men
mit dem Tontechniker Travis Harrison (Guided by Voices, Built to Spill), der die Nuancen der Gruppendynamik - Nick Chiericozzi (Gitarre/Gesang),
Kevin Faulkner (Bass), Mark Perro (Gitarre/Gesang) und Rich Samis (Schlagzeug) - sehr gut einfängt. Durch die direkte Aufnahme auf Band fängt
Harrison das rohe, konfrontative Fieber ihrer Bühnenshows ein, ohne dabei ihre introspektiven Untertöne zu opfern. Das Ergebnis ist zweifelsohne ihr
aggressivstes Album seit „Leave Home“ (2011) und ihr psychedelischstes seit „Immaculada“ (2010)

pre-order now28.02.2025

expected to be published on 28.02.2025

29,37 €
Samantha Fox - I Wanna Have Some Fun LP
  • A1: I Wanna Have Some Fun
  • A2: Love House
  • A3: Your House Or My House
  • A4: Next To Me
  • A5: Ready For This Love
  • A6: Confession
  • B1: I Only Wanna Be With You
  • B2: You Started Something
  • B3: One In A Million
  • B4: Walking On Air
  • B5: Hot For You
  • B6: Out Of Our Hands
also available

Picture Disc[29,87 €]


The first-ever vinyl reissue of 1988’s I Wanna Have Some Fun, perennial pop icon and pin-up Samantha Fox’s third album. The only British female solo artist to score three Top Ten hits on both sides of the Atlantic in the 1980s, Samantha made her name as the nation’s favourite Page Three girl before launching an enviable music career.

I Wanna Have Some Fun features Sam’s irresistible Stock/Aitken/Waterman-produced cover of Dusty Springfield’s ‘I Only Wanna Be With You’ (#16 UK, #31 US) the gold-certified, Full Force-helmed title track (#8 US) and the acidinflected club favourite ‘Love House’ (#32 UK). Samantha’s most danceable, transatlantic and eclectic set so far, I Wanna Have Some Fun reached #46 in the UK and #37 in the US, giving her a third consecutive gold certification. Pressed on striking transparent red vinyl with black and yellow splatters to complement the original aesthetic, this edition boasts painstakingly rebuilt artwork and a newly designed inner bag featuring full lyrics.

A strictly limitededition picture disc is also available. I Wanna Have Some Fun is reissued alongside Samantha’s 1986 debut, Touch Me, and her eponymous 1987 sophomore album.

pre-order now28.02.2025

expected to be published on 28.02.2025

27,61 €
Samantha Fox - I Wanna Have Some Fun LP

Samantha Fox

I Wanna Have Some Fun LP

Pict-VinylDEMREC1273PD
Demon Records
28.02.2025

The first-ever vinyl reissue of 1988’s I Wanna Have Some Fun, perennial pop icon and pin-up Samantha Fox’s third album. The only British female solo artist to score three Top Ten hits on both sides of the Atlantic in the 1980s, Samantha made her name as the nation’s favourite Page Three girl before launching an enviable music career.

I Wanna Have Some Fun features Sam’s irresistible Stock/Aitken/Waterman-produced cover of Dusty Springfield’s ‘I Only Wanna Be With You’ (#16 UK, #31 US) the gold-certified, Full Force-helmed title track (#8 US) and the acidinflected club favourite ‘Love House’ (#32 UK). Samantha’s most danceable, transatlantic and eclectic set so far, I Wanna Have Some Fun reached #46 in the UK and #37 in the US, giving her a third consecutive gold certification. Pressed on striking transparent red vinyl with black and yellow splatters to complement the original aesthetic, this edition boasts painstakingly rebuilt artwork and a newly designed inner bag featuring full lyrics.

A strictly limitededition picture disc is also available. I Wanna Have Some Fun is reissued alongside Samantha’s 1986 debut, Touch Me, and her eponymous 1987 sophomore album.

pre-order now28.02.2025

expected to be published on 28.02.2025

29,87 €
OKONSKI - ENTRANCE MUSIC

Okonski

ENTRANCE MUSIC

12inchCLMNLP12063
Colemine Records
28.02.2025

Nach fast zwei Jahren meldet sich Okonski mit „Entrance Music“ zurück - ein Album, auf dem sich das Trio auf dem Höhepunkt seines improvisatorischen Könnens befindet und das Spontane und Meditative zelebriert. Nach dem Debüt „Magnolia“ von 2023 hat der Pianist und Bandleader Steve Okonski seine langjährigen musikalischen Mitstreiter (Durand Jones & The Indications-Bandkollege Aaron Frazer am Schlagzeug und Bassist Michael Isvara „Ish“ Montgomery) für eine weitere Session im Geiste von Künstlern wie The Bad Plus, Gerald Clayton und The Breathing Effect wieder zusammengebracht. Letztendlich ist „Entrance Music“ eine Einladung zu frühen Stunden, in denen die Songs in der Tür verweilen und ihre Anwesenheit ankündigen, bevor sie in die Luft zurückkehren, um sorgfältig in die nächste Runde zu treiben. „Entrance Music“ wurde in einer fünftägigen Session aufgenommen und war eines der ersten Alben, die in Portage Lounge, dem Studio von Terry Cole in Loveland, OH, auf Band gebannt wurden. „Es war ein neues Setup, aber mit Terry hinter den Reglern war es sehr vertraut“, sagt Okonski. „Ich kann nicht genug betonen, wie sehr sich Terry wie ein viertes Mitglied der Band fühlt, wegen des Raums, den er kuratiert, der Energie, die er einbringt, und den Produktionsideen.“ Die Energie und der Sound, die mit dem Colemine-Labelchef am Ruder entstanden sind, sorgen für ein Hörerlebnis, das sich mit den Katalogen von ECM oder Stones Throw messen kann. Während ein Großteil des Debüts auf seine Zeit in New York zurückgeht, fühlt sich „Entrance Music“ „ein bisschen weniger wie ‚auf den Straßen um 2 Uhr morgens‘ und ein bisschen mehr auf der Natur basierend an - ein bisschen mehr ätherisch“, sagt Okonski. „Es ist definitiv das Alter, die Umgebung und die Familie - all das kommt in der Musik durch.“

out of Stock

Order now and we will order the item for you at our supplier.

Last In: 19 months ago
23,49 €
Toro Y Moi - Soul Trash

Toro Y Moi

Soul Trash

12inchCAK179LP
Carpark Records
28.02.2025

Chaz Bear (formerly Bundick) has been immersed in music from a young age, shaped by a household rich with sounds ranging from Michael Jackson and Elvis Costello to The Specials. Growing up biracial in South Carolina, these diverse influences contributed to the unique blend of styles Chaz weaves into his work. Nominated for Best Dance Recording at the 2020 Grammy Awards for his collaboration with Flume on “The Difference”, Chaz’s genre-defying sound has won critical acclaim. His journey began in earnest with early home recordings that showcased his prolific nature, leading to over 10 Toro y Moi albums released independently before signing with Carpark Records in 2009.

Chaz’s debut album under Carpark, Causers of This, was a seminal release that sparked a movement of sample-heavy bedroom recordings. Its success led to early assumptions that he was limited to this sound, but Chaz quickly proved his versatility with 2011’s Underneath the Pine, recorded between tours and featuring entirely live instrumentation. This pivot set a pattern for Chaz’s career: each subsequent release explored new terrain, from the psych rock of What For? to the R&B-influenced Boo Boo, all tied together by his signature production and melodic sensibilities.

Following Boo Boo, 2019’s Outer Peace marked Chaz’s return to the Bay Area after a year in Portland, embodying a celebratory homecoming filled with collaborations and vibrant playfulness. Featuring friends and eclectic references to contemporary hip hop, funk, Eurodance, and ambient textures, Outer Peace was a sharp contrast to the contemplative, isolation-driven Boo Boo and solidified Chaz’s place on the cutting edge of music.

Five days post-release, Chaz teased Soul Trash on Instagram, sharing a cassette titled SOUL TRASH V1 with a Dropbox link, which was later removed. The mixtape was officially released digitally on October 29, 2019, and has since garnered over 39 million streams. This album was also his first collaboration with Elijah Kessler, who later released an album on Chaz’s Company Records. Now available on vinyl for the first time, Soul Trash epitomizes Chaz's experimental spirit, featuring ambient sounds, lo-fi loops, and contributions from Old Grape God, and Caleon Fox. Released alongside more recent projects like Mahal and Hole Erth, Soul Trash bridges his past with his ever-evolving artistry, proving Chaz’s creative well is far from dry.

pre-order now28.02.2025

expected to be published on 28.02.2025

24,33 €
Venamoris - To Cross Or To Burn (LP)
  • A1: Stay With Me
  • A2: In the Shadows
  • A3: Truth
  • A4: Stain of Pain
  • A5: Spiderweb
  • B1: Burnt Paper
  • B2: Holding on to Nothing
  • B3: Animal Magnetism
  • B4: Numb

Das zweite gefühlvolle Dark Pop Album des legendären Schlagzeugers Dave Lombardo und der Singer-Songwriterin Paula Lombardo.

Die Beziehung von Dave und Paula Lombardo ist wie geschaffen für eine romantische Komödie. Man stelle sich vor: Der Mann, der die Messlatte für Heavy-Metal-Schlagzeuger höher gelegt hat, hat ein Rendezvous mit einer schönen Frau, deren musikalischer Hintergrund darin besteht, dass sie in Las Vegas als Backgroundsängerin für bekannte Bands gearbeitet hat und in Nashville als Singer/Songwriterin Fuß fassen wollte. Zum Glück für die Welt hat sich ihr musikalischer Bund in Venamoris manifestiert, deren Ipecac-Debüt To Cross Or To Burn (erscheint am 28. Februar) weit davon entfernt ist, vorgefasste Meinungen zu zerstören, während es fesselnde neue Möglichkeiten aufbaut.

Natürlich sind die Qualitäten des unermüdlichen Dave Lombardo als Weltklasse-Schlagzeuger bekannt. Aber während er die Blaupause entwarf, die das Thrash-Metal-Schlagzeugspiel definieren sollte, hat er seine Finesse auch auf Solo-Schlagzeug (Rites Of Percussion von 2023, ebenfalls auf Ipecac), Hip-Hop und klassische Musik angewandt, und er hat grenzüberschreitende Aufnahmen und Auftritte mit jedem gemacht, von John Zorns Ensembles bis zu den Punk-Ikonen Misfits und Mr. Bungle. To Cross... ist ein weiterer Meilenstein in seiner bewegten Karriere, in der er seine klanglichen Fähigkeiten um Gitarre, Bass und bemerkenswerte Produktionstechniken erweitert hat. „Das einzige, was mit den vielen Schlagzeugen, die wir zu Hause haben, mithalten kann, sind die vielen Gitarren, die Dave hat“, sagt Paula lachend. „Also spielt er auf diesem Album ziemlich viel Gitarre.“

Paula ist eine wahrhaft dynamische musikalische Kraft mit beeindruckenden stimmlichen Fähigkeiten, Geschick am Klavier und am Synthesizer und einem ausgeprägten Gespür für verführerische Texte, Melodien und Arrangements. Mit 18 war sie Backgroundsängerin in der Enklave des Entertainers Wayne Newton in Las Vegas, wo sie lernte, mit dem Druck umzugehen, wenn man mehrere Auftritte an einem Abend hat und jeden Tag Perfektion verlangt wird. Sie verließ Vegas und ging nach Nashville, um ihre Musikkarriere fortzusetzen, aber, wie sie selbst sagt, „es war einfach nicht das Richtige“.

Der Name Venamoris leitet sich vom lateinischen vena amoris („Liebesader“, die angeblich vom linken Ringfinger zum Herzen verläuft) ab. Die erste öffentliche Aufnahme von Venamoris war „The Gift“, ein Weihnachtslied, das die Lombardos auf Bandcamp veröffentlichten. Kurz darauf erschien ihr Debütalbum "Drown In Emotion", das sich durch Paulas Singer-Songwriter-Vibe auszeichnet, als wäre es 1975 zwischen den Deep Cuts von Carole Kings "Tapestry" und "Heart's Dog And Butterfly" aus dem FM-Radio gezupft worden.

Unter den Special Guests auf dem Album::
Kontrabass - Trevor Dunn von Mr. Bungle (Stay with Me)
Bass - Ra Diaz von Korn (Stain of Pain)
Gitarre - Alex Skolnick von Testament (Stain of Pain, Burnt Paper)
Gitarre - Gary Holt von Slayer (Animal Magnetism)

pre-order now28.02.2025

expected to be published on 28.02.2025

26,68 €
Various - Studio One Showcase 45 LP 2x12"
  • Freddie McGregor - Beat Down Babylon (2.44)
  • Cornel Campbell - No Man's Land (2.54)
  • Judah Eskender Tafari - Danger In Your Eyes (2.54)
  • Tony & Howie - Fun It Up (2.45)
  • Liberation Group - Namibia (3.44)
  • Winston Francis - Love Me Today, Not Tomorrow (2.44)
  • Roland Alphonso - Jah Shakey (2.07)
  • Joe Higgs - Dinah (3.15)
  • Brown Eagle - Natural Living (3.29)
  • Freddie McKay - So Long, Farewell (2.40)
  • Jackie Mittoo - Mixing (2.07)
  • The Heptones - How Can I Leave You (3.11)
  • The Skatalites - Sudden Destruction (2.39)
  • Lone Ranger - Dance A Fe Cork (3.19)
  • Horace Andy - Mamie Blue (3.13)
  • Johnny Osbourne - Run Up Your Mouth (3.10)
  • Bob Marley and The Wailers - One Love (3.00)
  • The Cables - What Am I To Do (4.49)

Soul Jazz Records' Studio One Showcase 45 features a roll call of classic Studio One
reggae legends including Horace Andy, Cornell Campbell, Bob Marley and The
Wailers, Jackie Mittoo, The Heptones, The Skatalites and more – seminal reggae
artists who all launched their careers at the legendary Studio One label.
The album was previously only ever released as a long-deleted limited-edition
seven-inch box set for Record Store Day. This album has now been expanded into a
super double-vinyl album edition as well as first time on CD, with both featuring a
massive eight bonus tracks of wicked Studio One classics and rarities. The album
also comes with newly commissioned sleeve and track notes by Noel Hawks.
Featuring seminal cuts like Bob Marley and The Wailer's original version of 'One
Love', Freddie McGregor's take on the classic 'Beat Down Babylon', Judah Eskender
Tafari's re-version of 'Danger In Your Eyes' plus more from The Skatalites, Lone
Ranger, Johnny Osbourne and more!

pre-order now28.02.2025

expected to be published on 28.02.2025

28,78 €
Free Throw - Those Days Are Gone (10 Year Anniversary ) (LP 2x12")
 
11

Reissue des Debütalbums der Emo-Punker Free Throw aus Nashville, "Those Days Are Gone" aus 2014, das bis heute das beliebteste Album bei den Fans ist. Neue Auflage auf Black Cherry Eco Mix Vinyl, bei dem jedes Exemplar ein Unikat ist.

pre-order now28.02.2025

expected to be published on 28.02.2025

38,61 €
VENTILATEUR - RAGE DE VIVRE LP

Ventilateur

RAGE DE VIVRE LP

12inchWERF261LP
DE W.E.R.F.
28.02.2025

VENTILATEUR is an instrumental project combining sounds from the vivid worlds of contemporary jazz and postpunk. The three-piece band, consisting of Iben Stalpaert on drums, Jasper Hollevoet on bass and Daan Soenens on guitar, uses angular rhythms and flowing melodies to construct compositions that embody both contrast and cohesion. Originally from Bruges, the band currently has Ghent as its homebase.

The trio released its self-titled debut EP on 22 March 2019. VENTILATEUR won awards at Fresh Fish, Red Rock Rally and Burgrock that same year and was one of the laureates of the then brand new Sound Track. Thanks to Sound Track 2020, the band received a residency at Het Entrepot in Bruges and a year of professional coaching from VI.BE and other national players in the music landscape.

In 2020, VENTILATEUR joined forces with young Ghent theatre collective Camping Sunset for the performance Happiness. The band composed the soundtrack for the play and also performed it live during the five-week run of the production. The music was subsequently recorded and released under the title A Soundtrack For Happiness at the Brussels label Sentimental.

In 2022, VENTILATEUR released its first full-length album with W.E.R.F. Records. Hoofdplaat, titled after the village near the manor house that served as its recording location, is the result of a long process of purification. VENTILATEUR presents the essence of their sound, stripped from all ballast.

VENTILATEUR balances on the border between the ‘niche’ world of instrumental jazz and the accessible world of the pop-rock circuit. From this position, the band aims to bring instrumental music to a wider audience. Apart from being purely intrinsically artistic, the trio's ambition is to excite a new audience for cultural participation and specifically the rich genre of jazz. Through their choice of accessibility within the experimental, the band aims to form a bridge between a wider audience and a musical world still too often labelled as ‘niche’. The musicians not only focus on the club and festival circuit, but have already written soundtracks for some short film projects and are also reaching out to the theatre world.

In its early years, VENTILATEUR was mainly known within the Flemish arts landscape on the Bruges-Ghent-Brussels axis. A soundtrack for Happiness and Hoofdplaat introduced VENTILATEUR to a new audience. Songs from the albums got airtime from Radio 1, Klara and other stations, and singles appeared in national playlists. The band’s music was also picked up by VRT, which used the single Nectar during several programs. In 2023, the band scored their biggest gig yet: Ghent Jazz on a podium curated by their label, W.E.R.F. Records.

VENTILATEUR as a project can count on the support of organisations such as W.E.R.F. Records, Cactus Music Centre, Het Entrepot and VI.BE. The band also has close ties with theatre companies such as Camping Sunset, Compagnie Cecilia and Ontroerend Goed and, of course, numerous connections within the Flemish and Brussels music scene.

pre-order now28.02.2025

expected to be published on 28.02.2025

22,48 €
Will Stewart - Moon Winx

Will Stewart

Moon Winx

12inchLPELC622
EARTH LIBRARIES
28.02.2025

As one of the brightest and most prolific new songwriters to emerge from the Birmingham music scene over the past few years, Will Stewart has made a name for himself as both an imaginative storyteller and six string gunslinger whose detailed accounts of life around the Deep South seem to capture the essence of not just the humid, kudzu-covered environs they come out of, but also the creative cultural milieu that makes such narratives possible in the first place. Taking cues from everyone from Big Star and R.E.M., to Phosphorescent and the Drive-By Truckers, and even classic Southern literary figures like Eudora Welty and Barry Hannah, Stewart has managed to carve out a place for himself as a conjurer of time, place and characters— and the stories that swirl around them— in a way that’s simultaneously reflective, empathetic and unapologetic in their presentation.

Now on his fourth solo LP, over his past three studio efforts Stewart has shown a deft touch for not just engaging character arcs and succinct studies in the human condition, but also a range of musical modes that span everything from quiet dissertations on love and loss, to brash rockers and moody explorations of the complicated nature of modern Southern living. As someone who also wears the hat of a highly sought after sideman who lends his talents to friends and fellow travelers like Birmingham locals The Blips, Terry Ohms and Sarah Lee Langford, there are few sonic spaces that Stewart’s hands haven’t touched in some way.

Stewart’s newest offering sees him poised to deliver his most ambitious project yet, with a 10-track song cycle centered around the iconic, and now defunct, Moon Winx Lodge in Tuscaloosa, AL, and some of the characters and scenarios that have played themselves out there over the years.

pre-order now28.02.2025

expected to be published on 28.02.2025

18,07 €
Martin Luther King - I Had a Dream
  • I'm Climbing a Mountain
  • I Am Happy To Join With You Today
  • Five Score Years Ago
  • Crossroads
  • and So We've Come Here Today
  • It is Obvious Today That America
  • We Have Also Come To This Hallowed
  • It Would Be Fatal For the Nation
  • As We Walk We Must Make a Pledge
  • No, No We Are Not Satisfied
  • I Had a Dream
  • I Still Have a Dream
  • I Have a Dream That One Day
  • I Have a Dream That One Day Down
  • This Will Be the Day
  • Memories of a King

To mark Black History Month and celebrate the 60th anniversary of Martin Luther King’s Nobel Peace Prize, a special edition picture-disc vinyl will be released. This unique, limited-edition record pays tribute to the historic March for Civil Rights with meticulously restored recordings, including the iconic “I Have a Dream” speech and inspiring music. More than just a musical piece, this vinyl serves as a time capsule—a bridge between generations to carry forward the universal message of justice and equality.

pre-order now28.02.2025

expected to be published on 28.02.2025

37,77 €
Parade Ground - The Golden Years (2025 Remaster)

Parade Ground has always been the duo of brothers Jean-Marc and Pierre Pauly from Brussels, Belgium formed in 1981. Taking cues from Post-Punk, Coldwave, Dada and Surrealism, Parade Ground channeled suffering, tension and rage through pulsing synthesizers, skeletal guitar, severe bass and Jean-Marc’s expressive vocals as the most melodic and emotional instrument. The Golden Years is an 11-song, career-spanning collection of Parade Ground’s long out-of-print 7” and 12” singles as well as rare compilation tracks from the pioneers of electronic body music created during 1982-1988.

Parade Ground first appeared on the Nationale Rockmeeting LP in 1982, striking straight to the heart with the passionate plea “I Shut My Eyes.” Later that year the brothers met Daniel B. and Patrick Codenys of Front 242 beginning a collaborative partnership that continues to present day. In 1983 they released their debut 3-song 7” EP Moan On The Sly on the New Dance label, musically a hybrid of Joy Division and Fad Gadget. 1984 brought further explorations into the world of electronic body music with the 3-song Man In A Trance EP and 2 tracks on the live concert compilation Mask Promotion both records released on Front 242's Mask Music label. The following year the single Took Advantage/Moral Support 12” was released incorporating then, state-of-the-art modular synthesizers programmed by Daniel B. and back-up vocals from Flo Sullivan (A Formal Sigh, Shiny Two Shiny). Then in 1987 the brothers collaborated with Colin Newman of British post-punk band Wire, who produced and lent his vocals, guitars and keyboards to two songs ("Moans"/"Action Replay") while Daniel B. produced flipside "Gold Rush" on the Dual Perspective EP that stands alongside 80s anthems from Tears for Fears, Modern English, Echo & The Bunnymen. Finally in 1988 their debut album Cut Up was released on Play It Again Sam Records and featured the singles Strange World and Hollywood. In 1993 the brothers wrote and composed the vocals on two Front 242 albums Up Evil and Off. After 15 years of silence the boys released their second album Rosary in 2007 and continue to write new material and tour with their extensive catalog of dark dance classics. Each LP includes a 6-page press kit with lyrics, discography, photos and liner notes by Daniel B. of Front 242. The history of Belgian electronic music would not be complete without a trip through “The Golden Years” of Parade Ground.

out of Stock

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Last In: 7 months ago
20,59 €
David Grubbs - Whistle from Above
  • Whistle from Above
  • The Snake on Its Tail
  • Hung in the Sky of the Mind
  • Scapegrace
  • Poem Arrives Distorted
  • Later in the Tapestry Room
  • Queen's Side Eye
  • Synchro Fade Pluck Stutter Slip

"Whistle from Above" is David Grubbs" first Drag City release in over a decade and his first-ever instrumental album for the label. The suspiciously youthful Grubbs is four decades into his career, with former bands including Gastr del Sol, Squirrel Bait, and Bastro, along with a wild ride of collaborators including f.e. Bitch Magnet, Codeine, The Red Krayola, Royal Trux, Dirty Three, Will Oldham, The Underflow and The Wingdale Community Singers. "Whistle from Above" is the first solo collection David has released since 2017"s Creep Mission. During the 2020 shutdown, David played what he precisely quantified as "a shit-ton of guitar," more than he could recall playing ever previously. Reinvigorated by this period of enforced woodshedding, he produced a series of new pieces, mostly for guitar, but also a piano composition and an exceptionally eerie bit of musique concrète. Meanwhile, David was reconnecting with the Gastr del Sol archive, as a new collection of old performances was being prepared from extensive archival material. The duo magic of that storied collaboration (released in 2024 as We Have Dozens of Titles) left David hungry to play in this format again - as he had recently with Loren Connors, Alan Courtis, Manuel Mota, and Liam Keenan. These duo experiences showed David the path forward to complete this new solo material. Thus he sought out collaborations with folks he"s called "some of the musicians whom I adore most on the planet" - Rodri Davies, Andrea Belfi, Nikos Veliotis, Nate Wooley, and Cleek Schrey - and their stunning contributions flesh out Grubbs" innate, deeply person brand of minimalism. "Whistle from Above" is a colourful, compulsive set of instrumental pieces in which David and his chosen collaborators interact amid the steady roll of an expansive landscape based in the hypnosis of David"s immediately recognizable guitar style.

pre-order now28.02.2025

expected to be published on 28.02.2025

30,04 €
BLACK SPIDERS - CVRSES

Black Spiders

CVRSES

12inchDRLP25007
Dark Riders
28.02.2025
  • NEVER ENOUGH
  • COOL REAPER
  • SORRY NOT SORRY
  • IDOL HANDS
  • TOM PETTY'S LIPS
  • CASTILE DE LA ROJA (SKIT)
  • DIA DE MUERTOS
  • NO SUPERMAN
  • GO!
  • UP ALL NIGHT
  • CURSES (SKIT)
  • OBEY
  • THE MOFO SAUCE
  • ROTTEN TO THE CORE
  • LIL DEATH (HIDDEN TRACK)

BLACK SPIDERS sind nicht totzukriegen kehren zu Beginn des Jahres 2025 zurück. Die authentischen Rocker aus Sheffield sind mit einem brandneuen Album voller Hochspannungs-Kracher zurück und werden ihr neues Album "Cvrses" veröffentlichen, das zwölf neue Tracks mit genau der Art von mitreißender Rock'n'Roll-Action enthält, die wir alle von Black Spiders erwarten, lieben und fordern. Ihre Absichten sind heute noch dieselben wie in dem Moment, in dem sie 2008 angefangen haben - sei dir selbst treu, ohne Kompromisse. ,Wir hoffen, dass alles gut wird, wenn man sich an diese Formel hält, und mit ein bisschen Glück kann einen das Leben überraschen", sagt Gitarrist Pete Spiby. ,Es ist unser fünftes Album, aus der Sicht von mir und Irwin. Es ist unser bestes. Unsere Absichtserklärung hat sich seit dem ersten Tag nicht geändert. Wieder in den Axis Studios in Doncaster mit Produzent Matt Ellis aufgenommen, ist das neue Album - und das sagen natürlich alle Bands - höchstwahrscheinlich ihr bisher bestes Album. Es destilliert erfolgreich alles, was an Black Spiders einzigartiger Marke der stampfenden Heaviness spannend und lebensbejahend ist. Massive Riffs, massive Hooks, massive Beats. "Cvrses" dampfrockt gleich eine Achterbahnfahrt der Rock-Emotionen mit Balladen, Uptempo und Härte.,Solange der Antrieb im Tank ist, werden wir weitermachen, denn das ist es, was wir tun müssen", sagen Pete und "Cvrses" zu jedem, der versucht, die BLACK SPIDERS aufzuhalten. Farbige Vinyl-LP sowie CD!

pre-order now28.02.2025

expected to be published on 28.02.2025

26,01 €
CITY SAINTS - EXPLOSIV!

City Saints

EXPLOSIV!

12inchSBLP237
Sunny Bastards
28.02.2025
  • GÖTA ÄLV
  • MAJORNA
  • PÅ G
  • SMAKEN AV BLOD
  • STADEN BRINNER
  • EXPLOSIV
  • E DU GO ELLER
  • BLOD & BLY
  • NITAD
  • KRANARNAS STAD
  • FAN TA ER

Die schwedischen Punkrocker City Saints kündigen die Veröffentlichung ihres mit Spannung erwarteten neuen Studioalbums an: "Explosiv!" ist das sechste Album der Band seit ihrer Gründung 2012 in Göteborg. Seitdem tourte die Band mehrmals durch ganz Europa und erreichte Millionen von Streams. City Saints haben sich einen Namen gemacht für ihre "take no prisoners "-Attitüde immer auf "High Voltage" und ihren eingängigen Refrains. "Explosiv!" ist da keine Ausnahme. Das Album kann als liebevolle Hommage an die Heimatstadt Göteburg der Band verstanden warden. Sowohl in den Texten als auch durch den musikalischen Einfluß der Göteborger Punkszene der späten 70er und frühen 80er Jahre sind die neuen Songs dazu passend wieder in Ihrer Heimatsprache aufgenommen worden. "Explosiv!" beginnt mit einer Überraschung im von Ennio Morricone inspirierten "Göta Älv". Diese stimmungsvolle Nummer ebnet den Weg für eine Reihe von rasanten, hymnischen Songs wie "Majorna" und "På G", bei denen ein Hauch des Ramones-Spirit sofort spürbar ist. Die Liebe der Band zu ausgeprägt verspieltem Down- und Dirty-Rock'n'Roll mit rotzigem Gesang und voller Tempo ist in "Blod & Bly" und "Kranarnas Stad" deutlich zu spüren. Weitere Überraschungen gibt es in Form des Titeltracks, in dem ein wildes Bass-Solo dem Namen "Explosiv!" alle Ehre macht, und des Outros "Fan Ta Er", einem kurzen Live-Cut, der in einer intimen Umgebung nur mit Gesang und Mundharmonika zum treibendem Beat gespielt wird. City Saints haben für das neue Album erneut mit Produzent Chips Kiesbye zusammengearbeitet, der für seine Arbeit mit The Hellacopters und Michael Monroe bekannt ist. Das Ergebnis ist eine natürlich klingende Platte, die an die reduzierten Produktionen aus dem goldenen Zeitalter des Punkrock erinnert. Die Band nutzte Kiesbyes Talent voll aus und konnte zudem den Sänger und Gitarristen von "Sator" bei "Explosiv!" für die Mandoline und Akkordeon zu einem Gastspiel ins Studio einladen. Die LP kommt als Collectors Edition auf 180gr. Vinyl im Gatefolder und neben klassisch schwarzem Vinyl auch in 2 limitierten farbigen Variationen

pre-order now28.02.2025

expected to be published on 28.02.2025

19,96 €
CITY SAINTS - EXPLOSIV!

City Saints

EXPLOSIV!

12inchSBLPS237
Sunny Bastards
28.02.2025

Die schwedischen Punkrocker City Saints kündigen die Veröffentlichung ihres mit Spannung erwarteten neuen Studioalbums an: "Explosiv!" ist das sechste Album der Band seit ihrer Gründung 2012 in Göteborg. Seitdem tourte die Band mehrmals durch ganz Europa und erreichte Millionen von Streams. City Saints haben sich einen Namen gemacht für ihre "take no prisoners "-Attitüde immer auf "High Voltage" und ihren eingängigen Refrains. "Explosiv!" ist da keine Ausnahme. Das Album kann als liebevolle Hommage an die Heimatstadt Göteburg der Band verstanden warden. Sowohl in den Texten als auch durch den musikalischen Einfluß der Göteborger Punkszene der späten 70er und frühen 80er Jahre sind die neuen Songs dazu passend wieder in Ihrer Heimatsprache aufgenommen worden. "Explosiv!" beginnt mit einer Überraschung im von Ennio Morricone inspirierten "Göta Älv". Diese stimmungsvolle Nummer ebnet den Weg für eine Reihe von rasanten, hymnischen Songs wie "Majorna" und "På G", bei denen ein Hauch des Ramones-Spirit sofort spürbar ist. Die Liebe der Band zu ausgeprägt verspieltem Down- und Dirty-Rock'n'Roll mit rotzigem Gesang und voller Tempo ist in "Blod & Bly" und "Kranarnas Stad" deutlich zu spüren. Weitere Überraschungen gibt es in Form des Titeltracks, in dem ein wildes Bass-Solo dem Namen "Explosiv!" alle Ehre macht, und des Outros "Fan Ta Er", einem kurzen Live-Cut, der in einer intimen Umgebung nur mit Gesang und Mundharmonika zum treibendem Beat gespielt wird. City Saints haben für das neue Album erneut mit Produzent Chips Kiesbye zusammengearbeitet, der für seine Arbeit mit The Hellacopters und Michael Monroe bekannt ist. Das Ergebnis ist eine natürlich klingende Platte, die an die reduzierten Produktionen aus dem goldenen Zeitalter des Punkrock erinnert. Die Band nutzte Kiesbyes Talent voll aus und konnte zudem den Sänger und Gitarristen von "Sator" bei "Explosiv!" für die Mandoline und Akkordeon zu einem Gastspiel ins Studio einladen. Die LP kommt als Collectors Edition auf 180gr. Vinyl im Gatefolder und neben klassisch schwarzem Vinyl auch in 2 limitierten farbigen Variationen

pre-order now28.02.2025

expected to be published on 28.02.2025

20,59 €
CITY SAINTS - EXPLOSIV!

City Saints

EXPLOSIV!

12inchSBLPY237
Sunny Bastards
28.02.2025

Die schwedischen Punkrocker City Saints kündigen die Veröffentlichung ihres mit Spannung erwarteten neuen Studioalbums an: "Explosiv!" ist das sechste Album der Band seit ihrer Gründung 2012 in Göteborg. Seitdem tourte die Band mehrmals durch ganz Europa und erreichte Millionen von Streams. City Saints haben sich einen Namen gemacht für ihre "take no prisoners "-Attitüde immer auf "High Voltage" und ihren eingängigen Refrains. "Explosiv!" ist da keine Ausnahme. Das Album kann als liebevolle Hommage an die Heimatstadt Göteburg der Band verstanden warden. Sowohl in den Texten als auch durch den musikalischen Einfluß der Göteborger Punkszene der späten 70er und frühen 80er Jahre sind die neuen Songs dazu passend wieder in Ihrer Heimatsprache aufgenommen worden. "Explosiv!" beginnt mit einer Überraschung im von Ennio Morricone inspirierten "Göta Älv". Diese stimmungsvolle Nummer ebnet den Weg für eine Reihe von rasanten, hymnischen Songs wie "Majorna" und "På G", bei denen ein Hauch des Ramones-Spirit sofort spürbar ist. Die Liebe der Band zu ausgeprägt verspieltem Down- und Dirty-Rock'n'Roll mit rotzigem Gesang und voller Tempo ist in "Blod & Bly" und "Kranarnas Stad" deutlich zu spüren. Weitere Überraschungen gibt es in Form des Titeltracks, in dem ein wildes Bass-Solo dem Namen "Explosiv!" alle Ehre macht, und des Outros "Fan Ta Er", einem kurzen Live-Cut, der in einer intimen Umgebung nur mit Gesang und Mundharmonika zum treibendem Beat gespielt wird. City Saints haben für das neue Album erneut mit Produzent Chips Kiesbye zusammengearbeitet, der für seine Arbeit mit The Hellacopters und Michael Monroe bekannt ist. Das Ergebnis ist eine natürlich klingende Platte, die an die reduzierten Produktionen aus dem goldenen Zeitalter des Punkrock erinnert. Die Band nutzte Kiesbyes Talent voll aus und konnte zudem den Sänger und Gitarristen von "Sator" bei "Explosiv!" für die Mandoline und Akkordeon zu einem Gastspiel ins Studio einladen. Die LP kommt als Collectors Edition auf 180gr. Vinyl im Gatefolder und neben klassisch schwarzem Vinyl auch in 2 limitierten farbigen Variationen

pre-order now28.02.2025

expected to be published on 28.02.2025

21,22 €
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