Search:j p energy

Embarking on the next Vargmal chapter with 'Bacchanalia', the new EP from Italian-born, Londonbased producer Andrea Bonalumi, better known as Big Hands. Across three original tracks and a remix by British producer Al Wootton, 'Bacchanalia' moves through hypnotic grooves exuding primal energy and forward momentum, blurring the lines between percussive techno intensity and
subterranean bass vibrations.

Opening with 'Bacchanalia I', Big Hands lays down the foundation with a rhythmic drive where each beat shifts and evolves within a dense, organic framework, capturing the raw energy of live modular electronics. The journey continues as 'Bacchanalia II' shifts focus toward heavier, low-end vibrations, where intricate layers of bass and rhythm interplay in tension-filled dialogue that builds
intensifying energy.

'Bacchanalia III' offers a moment of reflection, pulling back the energy to reveal a more sparse and atmospheric landscape. It's a fitting progression that offers a glimpse into Big Hands' more introspective side, balancing the EP's momentum. Al Wootton's closing remix of 'Bacchanalia I' amplifies the raw percussive energy while adding his signature touch of spaced-out echoes androlling rhythms bringing the release full circle.

Back in December 2016, Jeshi fell asleep whilst driving home from a party at 5am, and he crashed into a park car, only to be woken up by the airbag exploding in his face. This is the inspiration for album two. The new album is a statement of waking up and levelling up from the last period of his life. This is a new era, and full of energy.

SHORT BIOG

Jeshi doesn't run away from fire; he runs with it. The East London artist is on a quest to feel alive in every sense. To him, feeling alive means being present in each experience, no matter how challenging. For Jeshi - who has spent the last few years establishing himself as one of the most exciting voices of his generation - this is what life and art are all about. Chaos, then, is not something to shy away from, but where great ideas are born.
Jeshi's electrifying second album, AIRBAG WOKE ME UP is a collection of moment-capturing songs built to ignite reactions and start conversations. His scene-stealing jaunts to stages worldwide clearly influence its live-wire sound, as Jeshi and his cohorts smash through moods and tempos like kids let loose on funfair dodgems. "I want to make things that have intent and feel like statements," Jeshi declares. His versatile voice is the conductive thread that pulls everything together. "On Universal Credit, my voice was used in one way, whereas on this it's used in ten ways," he notes.
AIRBAG WOKE ME UP is an exploration into what happens when you emerge from tough times, and how they encourage you to view the world a little differently. It's bolder in ambition and built from renewed energy. Chaotic, but in the very best way. "In my head, this is the real arrival chapter," states Jeshi. "The 'I am here, I've arrived' moment."

Four silhouettes levitating above an endless expanse of sand, their movements being captured like stolen from time, that is the cover image of Later.’s sophomore album ‘Golden Bay’. This striking visual sets the tone for an album that delves into profound themes—exploring the sacred, the transformative power of music, and love as a gateway to an inner world. It offers a dreamlike escape into a world governed by instinct, passion, and freedom. ‘Golden Bay’ stands out with its distinctive fusion of electronic-pop, gospel, and rock influences. The prominent use of synthetic sounds intertwined with organic elements creates this warm feeling of being at the heart of Later.’s imagination. Lyrically, the album is infused with a blend of sensuality and raw honesty, retaining the unfiltered emotion that has become a hallmark of Later.’s music.

Quote from the band : “This whole album was built like a trip. After our first album it was hard for us to figure out where we wanted to go musically. We never made as many demos and drafts- almost forty or fifty - for any release before. Then suddenly Paul played a guitar riff and we knew that something had been unlocked in our creative process, like a revelation, it later became our album opener ‘Open the Gates’.

Everything escalated from this first melody and we began seeing the picture of what we wanted sonically: prominent synths creating this levitating feeling, powerful uplifting guitars and lyrics that captured the almost spiritual high we get when creating music. Every time we hit the studio, ‘Golden Bay’ became this sacred space—our escape where we could let go and liberate ourselves. Overall it’s a pop album, but it has this raw energy and carefree spirit that we wanted to preserve throughout the use of live sounds.

Our biggest wish with this album is that the listeners embark on a trip and feel the way we do when we’re in the studio, at 3am, and we don’t want to stop because you have to catch these rare moments when inspiration strikes you, and you become the messenger of something beautiful.”

Straight from the bustling scene of Brussels comes Nous'klaer Audio's latest signing: an effervescent debut album by the young Belgian-Japanese producer, live-performer, pianist and DJ Gaiko. Gaiko (real name Kaito) bursts onto the scene with a nine-track full-length album that highlights the rich and diverse output of this emerging talent. His first offering spans left-field electronics, IDM and DnB, blending intricate drum-programming with lush synths and contemporary, contrasting piano pieces. The long player has been shaped into a push-and-pull dynamic of tempo and mood, a flow of quests that gradually grow into their entirety. From atmospheric textures to tight, propulsive beats, Gaiko builds layers that ripple into each subsequent track. This contrasting yet complementary energy flows from the tender "Millennium" into the unassuming highs of "Setagaya," while the floating electronica of IDM-leaning tracks "Subdued" and "Ever's Lullaby" build up to standout tracks "Martyr" and "Crush." Gaiko's self-titled debut balances euphoria with introspection through an unusually sophisticated playfulness, a rare quality that makes this vivid young artist all the more promising. The 180g vinyl comes in a heavyweight sleeve with artwork by Loe Duval (aka Barwouf) and includes a download card.

Self Expression marks the fourth release from Project Indigo and highlights Hame's talent for crafting melancholic house tracks that balance emotion and raw energy. The EP blends atmospheric melodies with thoughtful production, creating a sound that is both introspective and danceable.

Rob Mazurek graces the Keroxen Records waves with a genre defying album of field recordings, modular electronics, trumpet harmonies and spirit call chants.

An unstoppable force since his first recordings in the early 90’s Rob Mazurek has been at the forefront of experimen-tation and adventurous improvised music for most of the last 4 decades. The American composer, cornetist, and visual artist has been developing his own style of improvisational music with a myriad of collaborators, too many to list but amongst them true giants of the 20th and 21st century music cannon like Bill Dixon, Pharoah Sanders, Jeff Parker, Roscoe Mitchell, Yusef Lateef and Naná Vasconcelos amongst many many others.

Nestor’s Nest is yet another addition to Mazurek’s mammoth catalogue of cosmic unity, coming like a spur of the moment whilst staying at Nestor and Pura’s house in Tenerife during the Keroxen Festival edition of 2023. Dead time doesn’t exist for the American cornetist and whilst hanging at the organisers house Mazurek decided to record and interact with his colourful tropical surroundings. Mangos, Papayas and Star Fruits all make an appearance here as does the quietness of an idyllic garden juxtaposed with Mazurek's stormy interferences, unleashing his modular synths and other acoustic paraphernalia into an ecstatic mix of pure celestial energy. As he beautifully states on the albums back cover:

Fruit from the trees of life, Stop All War. Stop the Killing, Open the senses, Breath. Listen . Feel!

Rob Mazurek: Modular Synths, Moog Sub 37, PolyEvolver, Trumpets, Voice, Bells, flutes

Made from field recordings in and around the Keroxen Tanque and the House of Nestor and Pura in Tenerife, Canary Islands.

Final mix at Marfa Experimental Studio, Marfa Texas
Mastered by Daniel Baez
Cover photo by RM

Dive into the cosmic grooves of Nebulous, the 8th album by UK's most enigmatic library music composer, to be released on digital and vinyl in January 2025.

This 9-track odyssey takes The Natural Yogurt Band’s signature sound to an even richer galaxy with keyboardist Huw Rees aka The Oracle, who adds warped organs and electric pianos over gritty drum breaks and electric pulses, echoing the raw energy of space's farthest reaches—ideal for jazz heads seeking a unique listening experience.

Vincent Arthur’s masterpiece LP ‘Esi Vivian’, originally inspired by and named in tribute to his daughter Vivian, was the work of a skilled group of musicians from Africa, The Caribbean and Germany. The record remained relatively unknown for 30 years, apart from a small circle of collectors, until a very well known DJ closing Dekmantel reached the climax of his set with an 'unknown' euphoric afro disco track. Taking to the forums, internet sleuths didn’t stop until it was found that this anthem was ‘Travel With The Music’!

Remastered by the ever patient and talented Frank at The Carvery, SFA002 breathes new life into the 3 standout tracks from Esi Vivian, allowing these timeless sounds to be shared on new dancefloors. It is no understatement that we shared a goosebumps moment in the studio listening to the results, where we both looked at each other and realised how special the music sounds. All three tracks have been elevated whilst staying true to the original and cut at 45rpm for ideal club playback.

‘Travel With The Music’ takes pole position on the A-side, a piece of music perfect in every way. Mixing afro, disco and that euphoric gospel-like chorus, this is the record you want to hear played out with all your friends at once.
Leading the B-side is Afro Disco, a track that always works on the floor, it’s tempo shift injecting a playful energy that leads the party into it’s next stage. Closing out the release, ‘Jubilation’ takes us deeper and in the right dance, is a powerful end-of-the-nighter.

"From the remote reaches of Haparanda, Sweden, Häxkapell presents a black metal masterpiece that resonates with the eternal rhythms of nature and the cyclical dance of life and death.

“Om jordens blod och urgravens grepp” (‘Of earth’s blood and the grave’s grasp’) is a powerful blend of black metal, folk, and atmospheric darkness, interwoven with classical and progressive influences. Traditional instruments such as the violin, viola, willow flute, and hand drum infuse the music with ancient, primal energy. The lyrics, crafted through subconscious writing, serve as a conduit to the mystical and otherworldly.

The album was engineered, produced, and mixed by Oraklet. Drums were recorded at Nordvis Ljudstudio, with the remaining tracks laid down at Studio HMH. Mastering was handled by Tore Stjerna at Necromorbus Studio.

Founded in 2015 in the northernmost part of Scandinavia, Häxkapell is the creation of Oraklet, who embarked on an inward journey to explore the philosophical, spiritual, and mystical aspects of existence. Following the 2016 demo “Om sanningen,” Häxkapell released their debut album, “Eldhymner”, in 2021.

On “Om jordens blod och urgravens grepp”, Häxkapell’s music evolves much like the earth itself: slowly, imperceptibly, yet ever-changing. It reflects the cycle of birth and bereavement, with death and life beginning anew as earthen folk melodies murmur ancient slumbers into dawn. Oraklet channels these profound truths into lyrics and music."

This 30th anniversary reissue of The Clean's second studio LP marks its debut appearance on vinyl in North America.

Modern Rock crackles with spontaneous energy, as if The Clean—namely, Hamish Kilgour, David Kilgour, and Robert Scott—couldn’t help but make music together whenever they were in the same room. Following their 1989 reunion tour and the 1990 release of Vehicle, those opportunities were rare, with Hamish in New York City fronting The Mad Scene, David releasing his first solo album, and Robert recording albums with The Bats at a breakneck pace. Then, for nine days in April 1994, the stars aligned over Dunedin and Modern Rock bloomed into life.

For this reissue, Modern Rock has been remastered from the original tapes by producer and engineer Tex Houston and preserves Hamish Kilgour’s original artwork.

La Sonora Mazuren is the latest addition to the already rich indie-tropical scene out of Bogotá, Colombia. Deeply rooted in the popular sounds and rhythms of South America, the group draws from cumbia, chicha, guaracha, champeta and other styles mostly from Ecuador, Colombia and Peru.

Far from being folklorists or revivalists, La Sonora Mazuren combines synthesizers and electric guitars with accordion and percussion to create a futuristic style indebted to early pioneers such as Polibio Mayorga or Bogota’s own Eblis Alvarez, of Meridian Brothers fame, who also produced their debut album.

The result is a psychedelic feast reminiscent of the golden years of Tropicalia.

Their first album, Bailando con Extraños, got them many accolades in Europe, in France in particular where the band toured in the fall of 23 and again in the summer of 24.

Their follow up album, Magnetismo Animal, was mostly tracked in rural Normandy, during one of their European tours, and completed in Bogotá. Barbès Records (Roots of Chicha, Chicha Libre, Chico Trujillo) will be releasing it in the fall.

Franz Mesmer and his theory of animal magnetism provide the running theme for their new album. A collection of songs linked by the idea of a shared trance-inducing energy, channeled through rhythms and sound experiments. Musical inspiration for the album come from Colombian gaita, vallenato and cumbia, Peruvian huayno and chicha, Ecuadorian Sanjuanitos - a panoply of Afro-Andean traditions filtered through a futuristic vision of dance music that melds percussion-heavy polyrhythms and psychedelic sounds.

Band members are all active on the new tropical Bogotá scene. Keyboardist and accordionist Ivan Medellin and bassist Nicolas Eckardt are members of cult band Romperayo. Percussionists and singers Giovanna Mogollón and Diana

Sanmiguel are also 2/3 of popular trio LA PERLA.

Allumynd emerges from the shadows with a project that feels as though it has been excavated from the farthest reaches of electro history.

Fresh from a summer spent deeply immersed in analog gear, Allumynd's debut album delivers 8 raw and electrifying tracks that capture the essence of an era yet speak boldly to the future. Each track, recorded live, surges with an intense energy and is crafted with both mechanical precision and an emotional undercurrent.

Steeped in the legacy of pioneers like Drexciya and Cybotron, the album pushes forward with an unmistakably modern edge. The result is a sonic journey that captivates, paying homage to the past while redefining what electro can become.

Bronze, Silver & Brass swing in horns blazing with their electrifying second 7" vinyl single on Timmion Records. "Renard's Groove" and "Brass In Motion" expand the musical range that can be distilled from a brass band mixed with guitar and funky drums. You are in for a cinematic ride through funk, soul, and jazz-inspired terrain. On the A-side, "Renard's Groove" delivers fast-paced, library soundtrack style funk. Driven by a tight guitar riff and solid breakbeat drums, this instrumental gem stages a high-speed chase though the grimy alleyways of a nameless 1970s metropolis. Flipping the record reveals the B-side, "Brass In Motion", a mellow mid-tempo instrumental that once again tips its hat towards the golden age of independent jazz funk. While maintaining the funky soundtrack mood, its lyrical chorus and unhurried pacing make "Brass In Motion" a perfect pairing for the frenetic energy of its counterpart. With their second release, Bronze, Silver & Brass continue offering fresh sounds for those who have an ear for uncomplicated funky instrumentals. The digital package of the group's singles comes with a digital only bonus track "Boondocks", that reveals another sweaty street funk workout for getting your dance on.

Club Dream is an exclusive Daydream sideproject dedicated to pumpy uplifting house. The first volume has been crafted by a long time friend and member of the crew, Mbius. The Leipzig based producer delivers three timeless cuts full of energy in a progressive synth laden vibe. The whole is completed by a solid rolling remix from the great Christopher Ledger.

Starting life as the most asked about ‘ID’ in Maur’s DJ sets during the Summer, to now finally being released on Toolroom, this stone-cold classic from 2006 gets an update from Maur. Maintaining much of the original vibe but adding their trademark big room melodic twist with bundles of energy. Already causing a huge stir at club level with Gorgon City, Danny Howard, Adam Beyer and Nicky Romero all providing early support. On the flip is the 2006 original in all its glory.

2026 Repress

The Armand Van Helden classic ‘I Want Your Soul’ gets a fresh rework from the man himself and an incredible remix from UK star duo Prospa. Their job has been nailed with the original spirit of the record maintained, and with Prospa’s signature euphoric energy and melodics oozing throughout.

Ye (Kanye West) and Ty Dolla $ign‘s 2024 album VULTURES 1 (as the supergroup, ¥$) is Ye‘s first collaborative album since his 2018 album with Kid Cudi, KIDS SEE GHOSTS, and as such, delivers celebratory, reunion-like energy. Bridging R&B, classic soul-sample rap, and the lo-fifi electro stylings of late-era Ye, VULTURES 1 manages to fuse Ye‘s go-to productions methods with Ty Dolla‘s efortlessly smooth vocals. This results in an unpredictable and dynamic listening experience.

To celebrate the debut release on his own label, Hindwood extols the power of intuition, which has served as his guiding force since his childhood.

Fueled by love and a deep connection to the cosmos, he blossomed as an artist, attracting a circle of talented artists into his orbit, such as Brique and Local DJ. This EP is a sonic journey through his inner awareness and the web of cause and effect: an exploration of the invisible threads that bind us all together.

#1 “Guts’ feeling”, is resonating with the heartbeat of the universe and the pulse of ancestral memory, use of tribal sounds and deep bass. Through this track, he conjures a world of duality, where the darkness and the light coexist in perfect equilibrium, revealing the beauty of both.

#2 On “Third eye awakening”, he draws on the primal energy of deep, trance-like, and energetic soundscapes, and weaves a sonic tapestry that transports the listener to a realm of heightened awareness and connection.. The whispers of his soul and the song of the earth, intertwined in a harmonious dialogue that speaks to the deepest part of his being.

#3 Captivated by the mystical powers of Third Eye Awakening, Brique delivers a hypnotic remix. Appropriating the distinctive vocals and pads of the original track, he has fashioned an ode to never-ending nights animated by his own hazy memories of losing oneself on the dance floor. The deep and organic bass combined with the looping and trance-inducing acid will shake listeners to their core.”

#4 The local dj remix finishes the EP with a more atmospheric allure of dub. With a deep, throbbing bassline that anchors the groove local dj sets the pace, inviting movement and dancefloor immersion where elements evolve all along the track and keep the listener engaged from start to finish.

On the Mixbone EP, two tracks from Eric Copeland’s 2017 record Goofballs get reworked by five of leftfield electronic music’s heaviest hitters. The Goofballs LP finds the Black Dice founding member conducting hectic, dancefloor-oriented experiments; The Vinyl Factory called it a “mangled, spangled journey into the fringes of industrial disco and hallucinatory club tackle.” Mixbone capitalizes on this direction with remixes that recontextualize and reshape the propulsive energy of the original songs into wholly different forms.

New York techno powerhouse and Allergy Season boss Physical Therapy contributes two aptly named takes on “Mixer Shredder” – the “Tegel Mix” churns with industrial EBM low-end, and the breakbeat and wubby bassline make the “Gatwick Mix” unmistakably English. NHK yx Koyxen remixes Eric for the second time, with a jittery and woozy electro interpretation of “Neckbone.” Cooper Saver, best known for his Far Away parties in Los Angeles, turns in one of the most unexpected remixes, keeping it 4/4 and creating what sounds like Shep Pettibone making acid house.

Coming off of her 2017 EP on Technicolour/Ninja Tune, Machine Woman decided to remix both tracks. With “Neckbone,” she adds a barely-discernible robotic narrative vocal, allegedly about Ryan Gosling. “Mixer Shredder,” on the other hand, travels from hissy lo-fi techno into something quite tranquil and beautiful. And with previous releases on 1080p, Freakout Cult, and Wania, Vancouver’s LNS channels the melodic electro tones of classic Bleep-era Warp, like a lost track from LFO or Drexciya.

“Danceable” might not be the first word one thinks of when describing Eric Copeland’s solo releases. But in a manner not dissimilar to the way Black Dice shaped the parameters of experimental music, the remixes here expand the limits of what the club can and should look like.

LP limited to 500 LP copies. Nina Garcia ’s first solo record widely available via international distribution. Nina has collaborated with artists like Stephen O’Malley, Sophie Agnel, Fred Frith, Antoine Chessex, Louis Schild, Leila Bordreuil, and supported for bands like Sonic Youth, SUNN O))). After a decade of performing concerts under the Mariachi guise, Nina Garcia has finally unveiled her unique approach in Bye Bye Bird, her first album under her name. Bye Bye Bird is her second solo album. With no pretence or demonstration, the album is a captivating blend of chiaroscuro, melodies, and raw emotion. Nina Garcia’s album takes on an almost documentary-like quality by adopting a simple approach to gesture and sound recording. It offers a candid portrayal of a moment, a lack, a state, and a breathtaking energy. With ostinato as her only credo, Nina Garcia’s music is an experiment in freedom, where the peaks answer the abysses, and the power of movement and the emotion of sound serves as her compass. From very short (01:28) to never very long (07:34), the eight tracks that make up this set explore a moment, a space, a mechanism, an intention or a way of doing things. As a common feature of almost all these pieces (all but one, the last), Nina Garcia explores a new technique. She adds to her instrumentation, reduced to the essentials (a guitar, a pedal and an amp), an electromagnetic microphone which, when held in hand, makes it possible to listen in on the exact zones where the vibration of the string creates a sound amid vast spaces of silence. The guitar is unplugged, and the body/instrument relationship changes in dimension. In this series of variations, you can get caught up in masses of noise seen from very, very close up, evocations of melodies in the making, feedback on ridgelines, pulsations that hold their own, modulations weakened by exhaustion and harmonic bursts that hint at better days to come. Neither hopelessly chthonic nor beatifically ethereal, Bye Bye Bird is a sum of musical pieces that make a whole and give voice to echoes of what has been, the presence of what is and the hope of what will be, a record movement in the form of flight and salvation. Since 2015, Nina Garcia has been researching and creating around the electric guitar, halfway between improvised music and noise. On numerous stages in Europe and North America, she has played occasionally with Stephen O’Malley, Sophie Agnel, Fred Frith, Antoine Chessex, Louis Schild or with Luke Stewart and Leila Bordreuil’s Feedback Ensemble, in addition to more regular formations in which she participates, such as the ensemble Le Un, mamiedaragon, Autoreverse (with Arnaud Rivière), duets with trombonist Maria Bertel and percussionist Camille Émaille, and the installation piece De Haut En Bas, De Bas En Haut Et Latéralement (with Christophe Cardoen, Jennifer Caubet, Etienne Foyer, Anna Gaïotti and Romain Simon). “Nina Garcia has been actively moving the art of noise guitar into surprising and intriguing new spaces. She has been at it for some time now, a bit of a secret weapon all the while hiding in plain sight. As I listen to her music and ruminate upon seeing her perform it brings me to a realization which I have with very few musicians: the ego inherent in making art can be transcended through a purity of direct action. At least that’s the feeling I have when experiencing Nina’s music which comes across as serious and radical and wholly engaged in the moment of its creative impulse.

MC Fats was a beloved figure in the drum and bass community, known for his smooth vocals and infectious energy on the mic. With a career spanning over two decades, he collaborated with some of the biggest names in the genre, including DJ Hype, Calibre, Alix Perez, and of course the multi genre chart topping Chase & Status!

Sadly, MC Fats passed away in March 2023, leaving behind a legacy of incredible music and unforgettable performances. But his influence lives on, and his music continues to inspire and uplift fans around the world. One of MC Fats' final releases is a new single called Anytime, in collaboration with Drum and Bass legend and producer partner Cool Hand Flex.

As one of Suburban Base original artist roster we were delighted to welcome them ‘back home’, and Fats was excited to see the reaction and plays the Anytime was already gaining. Having discussed with Flex, his dear friend and long-time collaborator, we together feel that it's appropriate that this release goes ahead as a tribute to our brother.

The track features MC Fats' signature soulful vocals, layered over Flex's classic jungle beats and modern production techniques. The single also includes an incredible remix from up-and-coming producer FreezeUK, adding a stunning version to the package which is already gaining maximum play nationwide.

Anytime is a testament to MC Fats' enduring talent and passion for Drum and Bass music. It's a reminder of the joy and energy he brought to the scene, and a tribute to his unforgettable voice and spirit. As we mourn the loss of MC Fats, we celebrate his incredible legacy and the impact he had on the Drum and Bass community.

His music will live on, inspiring new generations of artists and fans alike. Don't miss your chance to own this essential piece of Drum and Bass history - pre-order your copy of ‘Anytime’ now, and join us in celebrating the life and music of MC Fats.

ANYTIME will be released on vinyl & digital formats April 2023

On his third album as Etelin, Alex Cobb explores the intricacies of separation and belonging using field recordings and electronics, reconfiguring the dividing line between what is artificial and natural in the process. Maintaining a sense of playful reverence and lurking melancholy in its glitchy pastoralism, Patio User Manual hums with a meticulous and singular energy. From the loops and static pulses of "The Chemistry of Cobalt" to the tension and release of "Electrical Sailing," the listener is pulled into a sound world at once ambivalent and radiant, reaching its denouement in the lovely melody that closes the final track, "Picnic at Gas Station Park". Although the album might bring to mind the nuanced and imaginative ambient music published by labels such as Mille Plateaux, Sonig, and Silent Records in the 1990s, it is, in the end, a world of its own and very much of today. The patio as a stage for alienated life, pyrrhic in its isolation, deceptive in its promise of distinction. Orientation as disorientation, often unseen inside the frame but felt in the bones. What is out there, anyway, other than the thing we fear the most?



"Another day of weird weather and screens. What type of perfume did Philip Johnson wear when he designed Glass House? Is it actually possible to flee to the country when you’ve internalized a lifetime of intellectualized urban living? When you buy a DIY patio kit, you get instructions for how best to embed concrete or brick or flagstone into the natural world. The patio will make you enjoy your environment more. It will become yours. You can stand on it and think “this is Mine.” The structuralists talked about the importance of fixed camera position, but didn’t properly interrogate it because to do so would be impossible. It’s hard to believe that it really wasn’t long ago that computer music seemed exciting, novel, even radical. We’re now thoroughly estranged from eating what’s in season. Walking around the woods in southern Ohio in spring, I thought about the curious imperative of the patio, how my kids get excited about picking oyster mushrooms, the dynamics of switched capacitor filters, and how adequacy is tethered to doubt." - AC, May 2024

Inspired by Dua’s own self-discovery, Radical Optimism is an album that taps into the pure joy and happiness of having clarity in situations that once seemed impossible to face. The hard goodbyes and vulnerable beginnings that previously threatened to crush your soul, become milestones as you choose optimism and start to move with grace through the chaos.

Infused with the energy of Dua’s hometown, London, the attitude of the album embodies the rawness, honesty, confidence and freedom of ‘90s Britpop. Radical Optimism transports its listener to a dreamy pop world rich in musicality, lyrically unapologetic and sonically liberating.

The 3x GRAMMY and 7x Brit Award-winning global pop powerhouse worked with a team of core collaborators throughout the project including Caroline Ailin, Danny L. Harle, Tobias Jesso Jr. and Kevin Parker.

The "Birth" remixes breath new life into Madison Willing's debut album, as COIDO, Ehua, Sinistarr, Synkro, and Itoa each add their unique sonic signatures to the project. These reinterpretations expand on the album's emotional depth, infusing it with fresh rhythms, textures, and dynamic energy. By reshaping the original's cinematic qualities, the remixes amplify the contrast between light and dark, further exploring the interplay of beauty and discomfort. The result is a collection that not only complements the original album but also pushes its boundaries, inviting listeners into new worlds of sound.

From the pure Guinean tribal rhythm mixed with a collection of poems by Justo Bolekia, to the purest traditional jazz, to the hip hop & Neo-Soul that so characterizes the 90’s and 00’s. Omar seeks to mix old with modern, mainstream with underground, carnal with mental and the energy to move the skeleton, mix the relics of black music and transport them to 2022, where even today greater injustices continue to be noticed. and social and racial differences.

On this album, Omar Alcaide chooses to trick very varied collaborations, and take the album from the perspective of producer, composer and lead guitarist, even though there are some songs in which he sings. At his side, Juan Arance helps produce, compose and write most of the pieces that make up this album. It has collaborations such as Juanito Makandé; a flying soul, DORA; young promise, daughter of Bimba Bosé, Bubby Lewis; bassist for Snoop Dogg or Stevie Wonder, among others, Aqeelion; rapper and singer from Los Angeles, he shared with Erykah Badu or Dr. Dre in the 90’s.

Immerse yourself in an electrifying fusion of analog textures and experimental soundscapes. This record is a bold, underground exploration where Electro, Techno, and Experimental collide in an uplifting yet distorted sonic journey. Crafted with an unwavering commitment to authenticity, the tracks embody the raw, unpolished energy of analog gear, delivering a gritty, dynamic experience. The artists--Filmmaker, Hanniball III, DJ Nephil, Mule Driver, Porosty, and DJ Sigils--bring their uncompromising vision to the forefront, creating a soundscape that rejects mainstream conventions. This record isn't shaped by market trends or hype; it's a pure expression of underground artistry, designed to break boundaries and let creativity flow untethered. With each track, the listener is invited into a world where the unexpected thrives, and where the only rule is to push the limits of sound.

Jet Set is a collection of 15 carefully crafted guitar-driven songs that prove to be the most diverse and inventive of Los Straitjackets' oeuvre. The album was recorded at The Pow Wow Fun Room studios in Los Angeles with producer and friend Janne Haavisto (of Laika and the Cosmonauts) and includes a few guest appearances by The Basic Cable Horns (from the Conan show) and Finnish actress and musician Irina Bjorklund. Jet Set delivers the high-energy rock and roll instrumental music fans have come to expect from Los Straitjackets. This pressing of Los Straitjackets' long-out-of-print 2012 classic is pressed on orange vinyl and limited to 500 copies.

Yssue brings his signature mix of breaks, dub, techno, and leftfield vibes, shaped by a punk-inspired edge. Human Nature is raw, bold, and full of energy—don’t miss it.

Thank you @yssue_music for this gem.

M.I.T.A. makes his debut on FJAAK's CROWD label with the highly anticipated Night Owl EP, a fresh offering that sees the producer delving deep into his signature sound, blending intricate rhythms, atmospheric textures and hard-hitting beats to create an immersive journey through the nocturnal world. The Night Owl EP unfolds across four meticulously crafted tracks, opening with the title track listeners are plunged into a brooding soundscape characterized by pulsating basslines and haunting melodies, embodying the enigmatic energy of the night. 'Ego Bash' follows, delivering a high-octane groove infused with relentless percussion and electrifying dynamics, a track destined to ignite the dance floor. On the flip side, 'Broadcast Chatter' takes a more experimental route, weaving intricate sonic details and hypnotic loops into a piece that commands attention with its depth and complexity. Rounding out the EP is 'Venus of Intensity', a visceral and emotive closing track that builds to a crescendo of raw power, leaving listeners in awe of M.I.T.A.'s ability to balance intensity with elegance. With Night Owl, M.I.T.A. cements his place as one of the most exciting names in the Italian contemporary electronic scene. This EP not only highlights his skillful production but also his artistic vision - whether experienced in the dark corners of a club or through headphones on a late-night drive, Night Owl promises to leave a lasting impression.

The second album by the Dutch group Our Throne marks the transition between seasons. Moving on from the cold, desolate vibes of their impressive debut, 'Withered and Forgotten', the band now welcomes the autumn with 'Amber and Gold'.

Featuring the recognizable style of "MXM"—who's also behind Cold Body Radiation and An Autumn for Crippled Children—alongside his bandmate “J.,” this follow-up album is a solid recommendation for fans of Atmospheric Black Metal and Blackgaze.

Our Throne taps into nature's raw energy to create a sound that's aggressive yet gentle. In tracks like 'Amber and Gold', it's clear how the band captures a bittersweet feeling, blending melancholy with a touch of hope—a connection that resonates deeply for those willing to immerse themselves.

'Amber and Gold' delivers on what it sets out to do, standing out as a memorable release that showcases the evolving artistry of these musicians. Released by Flowing Downward Records.

Dentelles Records is proud to present its latest vinyl release!

We are excited to share the newest release from Greg All, the founder of Dentelles Records and the visionary behind the celebrated Les Dentelles Electroniques festival. This 2-track EP is a perfect reflection of his passion for music that unites people on the dance floor, offering two tracks that will resonate with house music lovers worldwide.

The first track, Last Night, delivers a powerful Tech House groove that will get you moving from the first beat. With its infectious rhythm and captivating vocal layers, this track is a true crowd-pleaser — full of energy and just the right amount of tension to keep the dance floor alive.

The second track, Tomorrow, shifts gears into the realm of Afro House, offering a rich, percussive journey complemented by an evocative vocal performance. It’s a track that speaks to both body and soul, with a driving energy that builds towards an emotional crescendo, sure to resonate deeply with listeners.

This EP marks another milestone for Dentelles Records, bringing together the unique sounds of Greg All with the infectious spirit of the festival. Whether you’re experiencing it live in the club or streaming it at home, Last Night and Tomorrow will transport you into the heart of the celebration.

Dentelles Records est fier de présenter sa dernière sortie vinyle !
Nous sommes ravis de vous présenter la toute nouvelle sortie de Greg All, fondateur de Dentelles Records et créateur du célèbre festival Les Dentelles Electroniques. Cet EP de deux titres est un parfait reflet de sa passion pour la musique, une musique qui rassemble les gens sur le dancefloor, et offre deux morceaux qui résonneront avec les amateurs de house à travers le monde.

Astro returns with a high-octane collection of tracks, peaking at the dizzy heights of 138 BPM, engineered for late night club moments and steeped in early 00s/90s influences. We were fortunate to have Cape Town's own Biodive for a remix, bringing a driving yet minimal sound, effortlessly captivating listeners.

A1, Subatomic, seizes the spotlight with its relentless, driving energy. It immerses us in a 2001 trance soundscape, featuring sharp synth lines and dynamic vocal chops, while echoing, panned stabs enhance the track's deep, otherworldly ambiance.

River Torque, panning UFO pads from a different dimension, shifting gears with precision. A tunnelling groove locks in, firing us straight into peak-time. Direct, relentless, and built for the highest intensity—this one drives everything forward. No escape, just pure momentum.

A3 sees Astro reconnect with his dub-techno origins, pulling in the deep, atmospheric vibes of his early work. Basic Channel-inspired textures are unmistakable, but here they surge. Reverb-soaked layers cascade over a pumping 909, while razor-sharp hats slice through the fog, propelling the track into a hypnotic, futuristic drive.

Wormhole is your go-to for testing low-end limits—bass-heavy, deep, and undeniable. This might be the most floor-shaking, post-pumping Astro track yet. The rich, undying textures crafted from the Blofeld Waldorf deliver sweeping alien FX, creating a soundscape that feels both immersive and extraterrestrial.

Biodive is one of those rare artists who can take a track to another level, almost transcending into another dimension. This remix embodies a minimal yet fierce Detroit sound—stripped down but powerful, hitting with precision and intensity. It’s the perfect choice to close out the EP, leaving a lasting impression with its raw energy and driving beat.

--The fourth outing on Spray’s Punctuality imprint comes in the form of the much anticipated Ode to Beachball EP by Eoin DJ. The release is a fully realised vision of moods and grooves inspired by Nalin & Kane’s 1997 chart topper ‘Beachball’.

Sparse, organic percussion, simple basslines and lush atmospherics form the bedrock of the EP, placing it firmly at the intersection of starry-eyed euphoria and heads-down club-stomp, lending the tracks a timeless but contemporary feel.

Those with their ears to the ground will know that the title number has been somewhat of a sleeper hit for the past two summers. Ode to Beachall’s understated stabs, rolling bass and transcendental vocals have soundtracked many sunsets and have bore the brunt of numerous failed shazam attempts via spins in mixes by trendsetting auteurs like Job Jobse, Sally C and label head Spray.

Bliss Inc’s remix turns up the energy dial with a club-focussed remix of Ode To Beachball, adding extra dynamics to the rhythm and low end, propelling the original into a modern hard-house roller complete with big-room breakdowns and euro-centric stabs, firmly aimed at the dancefloor.

On the flip both Infinite Well and On Lilac Skies stick to the beachball brief- swung bongos and congas, undulating low end and mercurial vocal chops add to the balearic beach techno mood of the entire EP. Both tracks are exemplary practices in dancefloor restraint and are sure to be staples in bags and sticks of discerning DJs for many summers ahead. Another stellar release from Irish atlantean Eoin DJ.

War Head Constriction, a trio that defined an uncompromising afro psych-rock sound, began by playing shows that combined dark proto-metal influences from Black Sabbath and Deep Purple with afro-rhythmic elements. Their raw energy caught the attention of Afrodisia, a progressive record label, which signed them to release a single in 1973: "Graceful Bird" b/w "Shower of Stone." Unfortunately, the record was too experimental for mainstream audiences and quickly faded, leading to the band's breakup. Despite this, they played their biggest show opening for Fela & the Afrika 70 at the National Stadium in Lagos before disbanding. However, the members quickly moved on, continuing to form new groups.

Amenechi recalls jamming with Soga Benson, his cousin Skid, and Ben Bruce at St. Gregory’s, where they wrote and performed together. Benson, who had previously been in rival groups, became close with Amenechi once he joined Greg’s. Benson, a talented guitarist, joined Ofege for their second and third albums in 1975 and 1977. Despite this, his main group, Grotto, had yet to record. That changed when EMI Records, the leading afro-rock label, took interest in Grotto in 1977.

Odion Iruoje, A&R manager at EMI Nigeria, recalls his first encounter with Grotto, noting their cocky attitude and raw material. He sought to help them find an authentic sound, avoiding the typical influences of British rock or groups like Ofege. Iruoje was passionate about youth bands, seeing them as a fresh opportunity to experiment and create something unique. Despite skepticism from EMI Nigeria about the youth market, Iruoje felt confident that Grotto’s originality would shine through.

The Trails label appeared as a natural continuation of the crew’s parties. By joining minds with select producers they aim to showcase pieces that capture their collective vision of electronic music.

On TRAILS001, they bring us their close friend and graphic designer Bogdan Năstase going by the alias DJ Bogdan. As a reflection of the label’s philosophy and taste, the EP presents themes of melancholy, introspection, mystery and hope, all wrapped in a sound aesthetic reminiscent of 2000’s electro-techno with a touch of synth-pop. Shade Detector kicks off the A side with enough energy to entice crowds during those peak hours of the night. Next up comes the title track, Freakshow Parallax, a melancholic piece for the afterhours. Moving on to the B side we find Videofreex. This one’s a creative and flexible tune suitable at any point of the party. We wrap up with Fântâna Carteziană, a wonderfully twisted minimal techno track that pays homage to a lost period of Bucharest’s history.

INHERIT proudly unveils its latest Various Artist compilation, available digitally and on vinyl a powerful showcase of the labels distinct sound and vision. This release embodies INHERITs essence, delivering a curated selection of cutting-edge techno that reflects the energy of techno.

With tracks from Parallx, Ferdinger, Introversion, OFF/GRID, Insolate, Alex Ranzino, Leon Schanzenbach, Echion, Disguised, Daniel Heinrich, FANK, and Isaiah, this compilation highlights each artists unique contribution while painting a cohesive sonic picture that is unmistakably INHERIT. From industrial grit to deep, hypnotic rhythms, the VA captures the spectrum of sounds that define the label.

This release is more than a collection of tracks its a statement of INHERITs dedication to pushing the boundaries of modern techno.

The band’s classic second album, newly reissued on baby blue vinyl and blue & white wave vinyl! As its name suggests, Champ is a triumph – an album of taut catchy anthems that display a vigour and fizz and from the Toronto four piece. Stand out songs include the electronic pop of “Bambi,” the curiously titled duo “Favourite Foods” and “Favourite Colour” and the urgently anthemic “Wait Up (Boots of Danger).” Again Dave Monk’s lyrics are a real highlight with strikingly juxtaposed imagery – “the killer with the coloured kite,” “the national child star in a coat and a scarf, alone in the laundromat.” Ultimately, though it’s the fizz bomb youthful energy of the songs that appeals most

The band’s classic second album, newly reissued on baby blue vinyl and blue & white wave vinyl! As its name suggests, Champ is a triumph – an album of taut catchy anthems that display a vigour and fizz and from the Toronto four piece. Stand out songs include the electronic pop of “Bambi,” the curiously titled duo “Favourite Foods” and “Favourite Colour” and the urgently anthemic “Wait Up (Boots of Danger).” Again Dave Monk’s lyrics are a real highlight with strikingly juxtaposed imagery – “the killer with the coloured kite,” “the national child star in a coat and a scarf, alone in the laundromat.” Ultimately, though it’s the fizz bomb youthful energy of the songs that appeals most