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FJAAK - REMIX01

Fjaak

REMIX01

12inchFJAAKRMX01
Fjaak
23.12.2024

Berlin-based techno duo FJAAK unleashes a series of powerful remixes of their FJAAK THE SYSTEM album from genre icons Kittin & The Hacker, DJ Bone and Mr. G, each adding a unique twist to their signature sound. Kittin and The Hacker dive into 'Mechanic Love' with razor-sharp synths and pulsing beats, transforming it into a hypnotic electroclash-techno hybrid set to ignite dancefloors with dark, futuristic energy. DJ Bone brings his Detroit-rooted minimalism to 'Scratchy', fusing relentless drums with meditative strings to create a stark yet entrancing remix that is both cerebral and body-moving. Rounding off the project, Mr. G delivers two contrasting takes on 'Unity': 'G's Dub', a dub-laden, introspective mix perfect for deep, late-night sets and the 'Time Jack' remix, a peak-time powerhouse with irresistible swing. Together, these remixes redefine FJAAK's originals with innovative flair, bridging intensity and depth across the techno spectrum.

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13,24

Ültimo hace: 11 Meses
Esko - Feniks

Esko

Feniks

12inchVANK2021005VC
CLOUD 9
06.12.2024
  • A1: Absentie
  • A2: Wat Is Wat Feat. Ka, Joeyak
  • A3: Wedstrijd
  • A4: Flamboyant Feat Josylvio, Jonna Fraser
  • A5: Tintelingen Feat. Sevn Alias
  • A6: Platzak Feat. Bigidagoe, Jack, Vic9
  • A7: Tijdsbesef Feat. Cor
  • B1: Jongen Van Bodem
  • B2: Bodemrap
  • B3: Day Ones
  • B4: Breng Mij Terug Feat. Josylvio
  • B5: Definitief Feat. Glennis Grace, Fresku
  • B6: Laatste Sms Feat. Madina
  • B7: Zeggenschap
También disponible

Black Vinyl[28,36 €]


Esko is more than a producer, he is also a versatile writer and artist. Add to that the fact that he is the label owner of Van Klasse and it is clear that Esko has secured a prominent place in the Dutch Urban scene with these successes.

This artist had #1 hits with, among others, 'Ride Or Die' with Josylvio and 'Huts' with The Blockparty, Mouad Locos, JoeyAK, Young Ellens & Chivv. The single 'Hey Girl' together with Josylvio and Hansie conquered Spotify, the counter now stands at more than 48 million streams. His album 'Beats By Esko' took first place in the Dutch Album Top 100, in honor of this release Esko made history with his 'Beats By Esko' 101Barz Mega Session. After a tough period, Esko was ready to go into the studio and make new music purely based on feeling. The result of these sessions is his album 'FENIKS' and this title hits the nail on the head. According to Greek mythology, a phoenix represents rebirth and Esko now also feels reborn. His new music is more mature, more serious and has a message. This can be heard in the singles 'Jongen Van Bodem', 'Breng Mij Terug' and 'Platzak', which were released this year, with more than 9 million streams, which offer an insight into the past period.

By releasing open and honest music, Esko hopes to encourage listeners who are currently experiencing the same thing. This vinyl of the album 'FENIKS' features collaborations with Josylvio, Jonna Fraser, KA, Fresku and Glennis Grace, among others.

Reservar06.12.2024

debe ser publicado en 06.12.2024

28,36
Esko - Feniks

Esko

Feniks

12inchVANK2021005V
CLOUD 9
06.12.2024

Esko is more than a producer, he is also a versatile writer and artist. Add to that the fact that he is the label owner of Van Klasse and it is clear that Esko has secured a prominent place in the Dutch Urban scene with these successes.

This artist had #1 hits with, among others, 'Ride Or Die' with Josylvio and 'Huts' with The Blockparty, Mouad Locos, JoeyAK, Young Ellens & Chivv. The single 'Hey Girl' together with Josylvio and Hansie conquered Spotify, the counter now stands at more than 48 million streams. His album 'Beats By Esko' took first place in the Dutch Album Top 100, in honor of this release Esko made history with his 'Beats By Esko' 101Barz Mega Session. After a tough period, Esko was ready to go into the studio and make new music purely based on feeling. The result of these sessions is his album 'FENIKS' and this title hits the nail on the head. According to Greek mythology, a phoenix represents rebirth and Esko now also feels reborn. His new music is more mature, more serious and has a message. This can be heard in the singles 'Jongen Van Bodem', 'Breng Mij Terug' and 'Platzak', which were released this year, with more than 9 million streams, which offer an insight into the past period.

By releasing open and honest music, Esko hopes to encourage listeners who are currently experiencing the same thing. This vinyl of the album 'FENIKS' features collaborations with Josylvio, Jonna Fraser, KA, Fresku and Glennis Grace, among others.

Reservar06.12.2024

debe ser publicado en 06.12.2024

28,36
DJ MIXER - Headliner R4 4-CHANNEL ROTARY

Introducing the Headliner R4, a 4-channel analog rotary mixer
designed to elevate your DJ experience. Continuing the
tradition of precision, warmth, and affordability, the R4 is
packed with enhanced features and top-notch components,
including genuine ALPS potentiometers, ensuring an unparalleled mixing experience.

Crafted with four Line inputs, three Phono inputs, and one
Mic input on four stereo channels. Each channel boasts
essential features like gain control with peak LED, a 3-band
isolator EQ, headphone cue selector, generous channel volume
knob, and a filter activation switch, granting DJs precise control
over their sound.

At the heart of the R4 lies the Master channel, equipped with
an analog filter, headphone monitoring, and a comprehensive output control section.

Seamlessly toggle between High Pass / Low Pass Filter modes
with Frequency and Resonance controls to shape your signature sound.

Featuring independent Master and Booth outputs, both
equipped with volume controls and balanced XLR and
unbalanced RCA connectors, the R4 ensures seamless connectivity across various sound systems. Dual LED level meters for the Master output facilitate precise monitoring and
adjustment of audio levels. Additionally, the mixer boasts a
dedicated Record output with unbalanced RCA jacks, and an
additional microphone input with level control located on the
front panel.

The Headliner R4 stands as a testament to precision and
warmth in the DJ realm. Whether spinning house, techno, or
the timeless funk/soul/disco beats, this versatile mixer elevates
your setup, ensuring your mixes stand out with exceptional
quality and control

• Three stereo channels with selectable Line and Phono RCA inputs and one channel with selectable stereo Line and mono Microphone.
• Each channel features Gain control with Peak LED, 3-Band Isolator EQ, Headphones Cue selector with LED, channel
volume control and filter activation switch with LED.
• Master channel features analog filter, headphone monitoring and output control section.
• Analog filter features selectable High Pass / Low Pass Filter modes with Frequency and Resonance controls.
• Genuine ALPS potentiometers.
• Headphone Cue control section features headphones volume control, headphones mix control (Cue/Master), and split
monitor switch.
• High current headphone amplifier with dual 1/4” and 1/8” jacks.
• Independent Master and Booth outputs with volume controls, balanced XLR outputs and unbalanced RCA outputs.
• Additional Record output with unbalanced RCA jacks.
• Dual LED level meters for the Master output.
• Microphone input with level control on front panel.
• Sturdy metal enclosure with stained wood side panels for a classic look
• Modular internal construction for superior audio performance
• External split rail power supply connected via locking Mini XLR connector.
• Push-button power switch on rear panel

Microphone Input
Nominal Input Level: -50dBu
Frequency Response: 20Hz – 20kHz (+/- 0.1dB)
THD + N: 100dB (A-Weighted)
Crosstalk: 100dB
Übersprechen: < -65dB
THD + N: < 0,05%
Kopfhörerausgang
Maximaler Ausgangspegel: 70mA/Kanal in 150Ω
Minimale Lastimpedanz: 32 Ohm/Kanal
Stromversorgung
Typ: Extern mit verriegelbarem Mini-XLR-Stecker
Eingangsspannung: 100-240v ~ 50/60Hz
Ausgangsspannung: +/-15V; 500mA
Spezifikationen:
Abmessungen: 320 x 310 x 106 cm / Gewicht: 3,5 kg

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441,18

Ültimo hace: 17 Meses
Various - This Is The Breaks 1966-1975 (LP)

'This Is The Breaks' ist ein 12-Track-Blick auf die Geschichte des Breaks - und es sind alles für immer großartige Jazz-, Funk- und Soul-Nummern. Ace hat nicht nur Tracks aufgenommen, die im ersten goldenen Zeitalter des Samplings gesampelt wurden, sondern auch Tracks, die von einigen der größten Namen von heute verwendet wurden. Der Vorhang öffnet sich mit Millie Jacksons Version von 'If Loving You Is Wrong I Don't Want To Be Right'. Einer der größten Produzenten des Hip-Hop ist DJ Premier von Gang Starr, dessen Beatpicking beispielhaft ist und dessen Art, wie er diese Beats verwendet. Seinen Einsatz von Joe Simons 'Drowning In The Sea Of Love', das er bearbeitete und manipulierte, um den Hook von Gang Starrs Single 'You Know My Steez' aus dem Jahr 1997 zu bilden. Während die Musik auf dieser Compilation gesampelt wurde, um brillante neue Songs zu komponieren, haben die Originale den Test der Zeit bestanden. Klassisch, schwarzes Vinyl!

Reservar15.11.2024

debe ser publicado en 15.11.2024

22,27
Juggaknots - Re:Release LP 2x12"

Juggaknots

Re:Release LP 2x12"

2x12inchVMP2283LP
VMP
08.11.2024

Originally released as a nine-track LP on Bobbito Garcia’s legendary Fondle 'Em Records in 1996, the Juggaknots’ debut made a massive impact and it remains one of the most revered and groundbreaking releases of the ‘90s independent hip-hop scene.

Ahead of their time, the sibling trio of Breeze Brewin, Queen Herawin and Buddy Slim deftly combine their knack for braggadocio, humor and social commentary with thick, low-end heavy beats for their inaugural effort. It’s an album that helped lay the bedrock for what would become the alternative hip-hop subgenre that thrives today.

Re:Release presents their original debut LP in a whole new light with 11 additional tracks comprising re-mastered music and three bonus mixes. This special edition 2XLP is presented in an alternate cover, gatefold jacket with a six panel insert that contains full album liners, song lyrics, and a forward by Bobbito García a.ka. Kool Bob Love.

Reservar08.11.2024

debe ser publicado en 08.11.2024

40,29
Conway the Machine - Slant Face Killah LP 2x12"
  • A1: Despertar
  • A2: Mutty (Feat. Stove God Cooks)
  • A3: Give & Give (Feat. Cool & Dre)
  • A4: Milano Nights, Pt. 1
  • B1: Kin Xpress (Feat. Larry June)
  • B2: Meth Back! (Feat. Method Man, Sk Da King & Flee Lord)
  • B3: Ninja Man (Feat. Swizz Beatz)
  • C1: Vertino (Feat. Joey Bada$$)
  • C2: Ten / Rya Interlude (Feat. Key Glock & Rya Maxwell)
  • C3: Dasani
  • C4: Raw! (Feat Tech N9Ne)
  • D1: Surf & Turf (Feat Jay Worthy, T.f, 2 Eleven & Ab-Soul)
  • D2: Karimi
  • D3: The Red Moon In Osaka (Feat Raekwon)

Following his most commercially and critically successful year to date, Conway the Machine returns with his first full length offering of 2024, “Slant Face Killah.” Long teased as the second half of the chart-topping 2023 album, “WON’T HE DO IT,” fans see Conway the Machine embracing his killer instincts on the mic, and doing so with versatility - rapping over the familiar gritty, dark beats fans remember discovering him on during his come up (Milano Nights, Pt. 1) to more unconventional beats, showcasing his ability to adapt and grow (Raw!). With an impressive feature list including Method Man, Raekwon, Joey Bada$$, Larry June, Key Glock, Jay Worthy & more, and production from heavyweight producers such as The Alchemist, Daringer, Conductor Williams, Cardo, Swizz Beatz & more, The Machine illustrates both his reach in today’s rap game, as well as his ability as a tastemaker. Known for consistently delivering quality music for his die-hard fans, The Machine is back to put his stamp on 2024. 2xLP Vinyl, includes Gatefold Jacket.

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21,56

Ültimo hace: 17 Meses
Analog Mutants - Tittyshaker/Mod Edit
También disponible

Marbled[24,79 €]

Marbled plain[18,45 €]


Analog Mutants consist of Phill Most Chill on the vocals, DJ Snafu of Bankrupt Europeans fame on production and the inimitable DJ Grazzhoppa on the cuts.

Vocals: Phill Most Chill

Phill Most Chill grew up in Conecticut half hour away from Boogie Down Bronx and by the late 80s had already established himself in the hip hop scene, having released a very strongly received (and eventually highly collectible fetching amounts in the high three digits) single (On Tempo Jack/ That Girl), the preccedent setting left field Baritone Tiplove releases and writing for the seminal Rap Sheet magazine. The Arcahaelogists' Classics and Soulman's World of Beats tape series and column further established him as an elite beatmaker and sample collector, with highly acclaimed producers seeking him out to purchase records in conventions. The random rap craze brought renewed attention to Phill Most's releases in the late 90s, leading to reissues of On Tempo, the release of previously unissued Baritone Tiplove records, his return with the Lo-Fi EP, and then the highly influential Fast Rap EP on Nobody Buys Records which led to a flurry of funky uptempo releases across the globe again. The interest in Phill Most records over the whole 2010s was rabid, with further releases produced by Bankrupt Europeans, Mr. Fantastic and Chris Read flying off the shelves, and two full length albums produced by 90s stalwarts Paul Nice and DJ Format, as well as the recent Jorun-PMC album being now considered classics in the boom bap scene. Having now signed with Chuck D's Spitslam label, Phill Most continues his journey in stepping all over MC conventions, and these first two Analog Mutants release are a perfect example of this.

Produced by DJ Snafu

DJ Snafu has been part of the Bankrupt Europeans crew since 2004, co-founding Nobody Buys Records in 2012 with the other two Bankrupt Euros members. Huge collector of vinyl from the 50s ad 60s primarily, and with an interest in modular production, FM synthesis and marrying modern techniques with the love of sampling old records, the Analog Mutants project is his first without the Bankrupt Euros crew. Having produced among others for Chill Rob G on his seminal return to music with the classic Tell 'Em on the Chilled Not Frozen EP, Roc Marciano on the Goodfelons label, DITC legend AG on The 21st Day and Chicago legend MC Juice's return to vinyl after 15 years, this is Snafu's first whole album to produce since Rise of Demigodz' debut album The Cornerstone in 2006 (released in 2013). Snafu shows he's honed his skills and developed an even crazier side to his production in the 5 year that passed between the last Bankrupt Euros project and the Analog Mutants album and the first three Analog Mutants singles are a sign of things to come in the post Bankrupt Euros years.

Scratches: DJ Grazzhoppa

DJ Grazzhoppa got infected in 1983 with the hip hop virus, demolishing local DJs and winning the European DMC Championships in 1991, and taking 3rd place in the ITF World Championships in 1998! His unique and immediately recognizable style was first heard on Blade's legendary 12” Clear The Way, and caught so many ears that the list of MCs and producers who queued up to work with him is seemingly endless. From MF Doom, Ruste Juxx, Guilty Simpson and Cage to Necro, Keith Murray, Big Daddy Kane, Kool G Rap and of course the Bankrupt Europeans projects with Phill Most Chill, MC Juice and Chill Rob G! This is a short list of a page of credits spanning over 4 pages long- if you have hip hop records, Grazzhoppa is already in your collection!

Reservar28.09.2024

debe ser publicado en 28.09.2024

21,81
Analog Mutants - Tittyshaker/Mod Edit
También disponible

Black[21,81 €]

Marbled plain[18,45 €]


Analog Mutants consist of Phill Most Chill on the vocals, DJ Snafu of Bankrupt Europeans fame on production and the inimitable DJ Grazzhoppa on the cuts.

Vocals: Phill Most Chill

Phill Most Chill grew up in Conecticut half hour away from Boogie Down Bronx and by the late 80s had already established himself in the hip hop scene, having released a very strongly received (and eventually highly collectible fetching amounts in the high three digits) single (On Tempo Jack/ That Girl), the preccedent setting left field Baritone Tiplove releases and writing for the seminal Rap Sheet magazine. The Arcahaelogists' Classics and Soulman's World of Beats tape series and column further established him as an elite beatmaker and sample collector, with highly acclaimed producers seeking him out to purchase records in conventions. The random rap craze brought renewed attention to Phill Most's releases in the late 90s, leading to reissues of On Tempo, the release of previously unissued Baritone Tiplove records, his return with the Lo-Fi EP, and then the highly influential Fast Rap EP on Nobody Buys Records which led to a flurry of funky uptempo releases across the globe again. The interest in Phill Most records over the whole 2010s was rabid, with further releases produced by Bankrupt Europeans, Mr. Fantastic and Chris Read flying off the shelves, and two full length albums produced by 90s stalwarts Paul Nice and DJ Format, as well as the recent Jorun-PMC album being now considered classics in the boom bap scene. Having now signed with Chuck D's Spitslam label, Phill Most continues his journey in stepping all over MC conventions, and these first two Analog Mutants release are a perfect example of this.

Produced by DJ Snafu

DJ Snafu has been part of the Bankrupt Europeans crew since 2004, co-founding Nobody Buys Records in 2012 with the other two Bankrupt Euros members. Huge collector of vinyl from the 50s ad 60s primarily, and with an interest in modular production, FM synthesis and marrying modern techniques with the love of sampling old records, the Analog Mutants project is his first without the Bankrupt Euros crew. Having produced among others for Chill Rob G on his seminal return to music with the classic Tell 'Em on the Chilled Not Frozen EP, Roc Marciano on the Goodfelons label, DITC legend AG on The 21st Day and Chicago legend MC Juice's return to vinyl after 15 years, this is Snafu's first whole album to produce since Rise of Demigodz' debut album The Cornerstone in 2006 (released in 2013). Snafu shows he's honed his skills and developed an even crazier side to his production in the 5 year that passed between the last Bankrupt Euros project and the Analog Mutants album and the first three Analog Mutants singles are a sign of things to come in the post Bankrupt Euros years.

Scratches: DJ Grazzhoppa

DJ Grazzhoppa got infected in 1983 with the hip hop virus, demolishing local DJs and winning the European DMC Championships in 1991, and taking 3rd place in the ITF World Championships in 1998! His unique and immediately recognizable style was first heard on Blade's legendary 12” Clear The Way, and caught so many ears that the list of MCs and producers who queued up to work with him is seemingly endless. From MF Doom, Ruste Juxx, Guilty Simpson and Cage to Necro, Keith Murray, Big Daddy Kane, Kool G Rap and of course the Bankrupt Europeans projects with Phill Most Chill, MC Juice and Chill Rob G! This is a short list of a page of credits spanning over 4 pages long- if you have hip hop records, Grazzhoppa is already in your collection!

Reservar28.09.2024

debe ser publicado en 28.09.2024

24,79
Analog Mutants - Tittyshaker/Mod Edit
También disponible

Black[21,81 €]

Marbled[24,79 €]


Analog Mutants consist of Phill Most Chill on the vocals, DJ Snafu of Bankrupt Europeans fame on production and the inimitable DJ Grazzhoppa on the cuts.

Vocals: Phill Most Chill

Phill Most Chill grew up in Conecticut half hour away from Boogie Down Bronx and by the late 80s had already established himself in the hip hop scene, having released a very strongly received (and eventually highly collectible fetching amounts in the high three digits) single (On Tempo Jack/ That Girl), the preccedent setting left field Baritone Tiplove releases and writing for the seminal Rap Sheet magazine. The Arcahaelogists' Classics and Soulman's World of Beats tape series and column further established him as an elite beatmaker and sample collector, with highly acclaimed producers seeking him out to purchase records in conventions. The random rap craze brought renewed attention to Phill Most's releases in the late 90s, leading to reissues of On Tempo, the release of previously unissued Baritone Tiplove records, his return with the Lo-Fi EP, and then the highly influential Fast Rap EP on Nobody Buys Records which led to a flurry of funky uptempo releases across the globe again. The interest in Phill Most records over the whole 2010s was rabid, with further releases produced by Bankrupt Europeans, Mr. Fantastic and Chris Read flying off the shelves, and two full length albums produced by 90s stalwarts Paul Nice and DJ Format, as well as the recent Jorun-PMC album being now considered classics in the boom bap scene. Having now signed with Chuck D's Spitslam label, Phill Most continues his journey in stepping all over MC conventions, and these first two Analog Mutants release are a perfect example of this.

Produced by DJ Snafu

DJ Snafu has been part of the Bankrupt Europeans crew since 2004, co-founding Nobody Buys Records in 2012 with the other two Bankrupt Euros members. Huge collector of vinyl from the 50s ad 60s primarily, and with an interest in modular production, FM synthesis and marrying modern techniques with the love of sampling old records, the Analog Mutants project is his first without the Bankrupt Euros crew. Having produced among others for Chill Rob G on his seminal return to music with the classic Tell 'Em on the Chilled Not Frozen EP, Roc Marciano on the Goodfelons label, DITC legend AG on The 21st Day and Chicago legend MC Juice's return to vinyl after 15 years, this is Snafu's first whole album to produce since Rise of Demigodz' debut album The Cornerstone in 2006 (released in 2013). Snafu shows he's honed his skills and developed an even crazier side to his production in the 5 year that passed between the last Bankrupt Euros project and the Analog Mutants album and the first three Analog Mutants singles are a sign of things to come in the post Bankrupt Euros years.

Scratches: DJ Grazzhoppa

DJ Grazzhoppa got infected in 1983 with the hip hop virus, demolishing local DJs and winning the European DMC Championships in 1991, and taking 3rd place in the ITF World Championships in 1998! His unique and immediately recognizable style was first heard on Blade's legendary 12” Clear The Way, and caught so many ears that the list of MCs and producers who queued up to work with him is seemingly endless. From MF Doom, Ruste Juxx, Guilty Simpson and Cage to Necro, Keith Murray, Big Daddy Kane, Kool G Rap and of course the Bankrupt Europeans projects with Phill Most Chill, MC Juice and Chill Rob G! This is a short list of a page of credits spanning over 4 pages long- if you have hip hop records, Grazzhoppa is already in your collection!

Reservar28.09.2024

debe ser publicado en 28.09.2024

18,45
Surface - Falling In Love / Happy (Love Mix)

Two seminal 12" mixes of a pair of enormous tracks from Surface. Housed in the super-rare and - until now - French-only picture sleeve of the eternal "Falling In Love", we've backed that classic with Be With's favourite deconstructed mix of the swirling electronic soul / synth-driven slow jam "Happy". These sought-after versions have never been paired on the same record before. This fresh Be With edition ensures these legendary tracks now sound, looks and feel as sensational as they deserve to. You know what to do...

American post-disco/R&B trio Surface were a New Jersey vocal group made up of Bernard Jackson, David Townsend and David Conley. The majesty of boogie ballad "Falling In Love" was their first single, released in 1983 on Salsoul Records. The mellow magic of this track is loved the world over; it's a feel-good smooth boogie jam that's forever coveted. The slick, crystal clear beat, the legendary minimoog bassline, the melody, Karen Copeland's superb vocal, the great flute solo (referenced on the cover) all of it is literally perfect and beautifully encapsulates that mid 80s international club vibe. This here is the original Shep Pettibone mix in its entirety - it's the only one you really need.

Flip for the legendary "Love Mix" of 1987 hit single “Happy". You all know the original. At least, you *should* all know it. But the "Love Mix" is a deconstructed, boldly produced mix which is the one the heads have turned to for so long. Yet, in our opinion, its hypnotic groove has flown under the radar for too many years. This killer remix begins with Jackson's spine-tingling isolated vocal, cleverly subverting expectations by actually delivering the first words of the original's second verse "You must be Heaven sent...Sent into my life...And I compliment you baby...Baby" before a heavy 808 drum kicks hard with echoey handclaps. It's super sparse and a dubbed out slow-mo boogie banger like no other. The synth bass, atmospheric synth pads and synthesized flute glide in and out with effortless style and the whole thing is a wonder to behold.

It's a slow jam, for sure, but crafted in the straight up funk tradition, using the digital tools of the day and this sparser than sparse version almost sounds like a precursor to UK Street Soul. A unique combination of undeniable funk, electro beats and an earnest, youthful tenor; it should be slamming out of every jeep forevermore.

Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year. Simply flawless.

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21,22

Ültimo hace: 17 Meses
Ben Pest / Maelstrom - For The Floor Volume 4

Cultivated Electronics Ltd's ''For The Floor'' series features split EPs available on vinyl (only) with Electro tracks aimed strictly at the dance floor, bringing together CE regulars alongside new artists. Previous instalments have presented tracks by DeFeKT, Rico Casazza, Tripeo, Cycloplex, Steve Allman and Alex Jann. Volume 4 now delivers 2 new tracks apiece by Ben Pest and Maelstrom. Bristol's Ben Pest has established notoriety as an exponent of jacking live hardware-based techno and electro with numerous releases on labels including Asking For Trouble, I Love Acid, No Static / Automatic, Orson Records, Don't and more. Here he delivers heavy bass, vocal distortions and tough beats on ''Who Would Have Thought I'd Be'' and the accompanying ''26 Hybrid''. Maelstrom has a history of aliases and side projects, illegal raves thrown in warehouses, fields and basements, but he came into his own under his Maelstrom moniker, releasing music on the likes of RAAR (the label he co- founded with Louisahhh), Cultivated Electronics, Central Processing Unit, Mechatronica, Private Persons and Discos Atonicos.

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12,56

Ültimo hace: 16 Meses
Black Loops - 7Hills EP

Black Loops

7Hills EP

12inchFR238R
Freerange
23.09.2024

We are delighted to offer a very limited hand-stamped repress of Black Loops’ debut EP, 7 Hills on Freerange

The Italian producer who splits his time between Berlin and his native country has had a solid few years rising through the house music ranks through releases on respected labels such as Shall Not Fade, Pets, Toytonics, Aterral, Gruuv & Neovinyl.

His broad-ranging influences taking in funk, soul, disco and 90’s NY house inform a depth, warmth and musicality to his productions which has seen him in demand DJing around the world and makes him an obvious fit for us here on Freerange.

This EP, produced almost exclusively during an extended tour in Australia opens with title track 7Hills, the area where he stayed and worked on this release. The trademark Black Loops swinging groove, smooth Rhodes stabs/ keys licks courtesy of Nikos Haropoulos and a deep, rolling bassline all come together to form the perfect warm up track - uplifting, understate and with a subtle sense of anticipation.

Next up we have Parisian producer Mad Rey getting stuck into 7Hills for a raw, bumping interpretation which jacks things up a notch taking it into heavier peak-time territory. Mad Rey has been responsible for some brilliant releases on French label D.Ko, Rekids and most recently Mamie’s Records and alongside label mates Flabaire and Paul Cut he has helped reestablish Paris as a hotbed of fresh, musical talent.

Flipping over we have two more Black Loops originals. King Paul takes an old soul vocal sample and works it to great effect over crisp 909 beats and sun-soaked keys whilst a vinyl-only bonus track Linda38 treads a similar path but with a punchier groove and warm pads rounding off this EP in fine style.

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15,34

Ültimo hace: 10 Meses
ZENANA - WITCHES

Zenana

WITCHES

12inchRHRSS37
Rush Hour
12.09.2024

2024 repress

Rush Hour’s RSS series excels in unearthing buried treasure, offering a second chance for artists and releases that have long been overlooked. That’s certainly the case with ‘Witches’, the superb sole single by British 1980s wave trio Zenana.

Originally released on seven-inch by the tiny PRM label in 1986, ‘Witches’ was the product of a sister-brother songwriting team whose music was mostly recorded in the front room of a terraced house in Nanpean, a small industrial village in Cornwall, England’s most south-westerly county. While the single was infectious, impeccably produced and dancefloor-ready, it sold in limited quantities at the time.

Zenana’s story can be traced back to the early 1980s, when singer-songwriter Anita Tedder founded the all-female trio as a vehicle for her musical ambitions. To bring her songs to life, she joined voices with her brother Mike, an early adopter of electronic music who had built a studio – nicknamed MFR, short for ‘Mike’s Front Room’ – in his Cornish home.

Countless Zenana tracks were recorded at ‘MFR’ between 1984 and ’86, with the resultant demo cassette securing the band a management contract, a slew of live bookings, a video shoot and even a television appearance. Buoyed by this underground success, they headed to the remote Sawmills Studio in Cornwall – famously only accessible by boat – to re-record ‘Witches’, a song inspired by local folk tales of witches gathering near Mike’s home.

While this version of ‘Witches’ failed to make an impact at the time, it has become something of a cult classic following its’ rediscovery by crate digger Kiernan Abbott – and subsequent championing by other dusty-fingered DJs including Antal, Skyrager, Trevor Jackson and Luke Una – in early 2023. The buzz inspired Zenana to perform live again for the first time in decades, with the story of their surprise comeback being covered by British media outlets including the BBC and (more surprisingly) the Daily Mail.

Now presented in re-mastered form, ‘Witches’ is a genuinely slept-on gem. Propelled forwards by punchy drum machine beats, a killer synth bassline and fizzing keyboard sounds, the song benefits greatly from strong vocals and an extra-percussive middle eight layered with vocalisations, cosmic spoken word sections and swirling noises.

It comes backed by a brand-new extended ‘spell of love’ courtesy of Bristol duo Bedmo Disco, AKA music journalist Matt Anniss (author of Join The Future: Bleep Techno and the Birth of British Bass Music) and DJ/production partner Gareth Morgan. Anniss is a long-time friend of Mike and Anita Tedder who has fond memories of visiting Mike’s home studio with his family around the time that ‘Witches’ was recorded.

Working from Zenana’s original MFR eight-track recording (tapes of the single version were lost years ago), Anniss and Morgan have turned in the extended ‘dance mix’ the track never had first time around. More atmospheric, clandestine and dancefloor-focused, it offers authentic nods to New York proto-house, mid-80s Shep Pettibone dubs, and the pioneering synth-pop productions and dub mixes of Factory Records regular Martin Rushent.

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15,92

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Ol' Burger Beats - 74: Out Of Time

Album packaging features 24pt reverse board jackets and illustrated inner board sleeves, with silver printed center labels. All artwork created by acclaimed designer, Håvard Gjelseth. Ol’ Burger Beats’s new opus, 74: Out of Time, is a multifaceted and stunning exploration of sounds and eras. In addition to every track being produced at 74 beats per minute, the album harks back to the year 1974; particularly the music, the records, the activism, the artwork, and the aesthetics. But it’s also incredibly current, as the Out of Time portion of the title very much refers to the present. It promotes a sense of urgency in the face of current affairs such as the COVID-19 pandemic, climate change, as well as contentious politics sweeping across the US and Europe. Beyond those deeply resonating elements to the record, 74: Out of Time is a truly gorgeous representation of hip-hop through the lens of the Norwegian composer, which is undoubtedly his most ambitious undertaking to date. Using 74bpm as his basis, he constructs sublime, jazzy instrumentals that feature some of hip-hop’s finest emcees and vocalists. And to say they all gel perfectly together is an understatement—and it would be underselling OBB’s meticulous approach here. Each song blends seamlessly from one to the next spread across the album’s 17 tracks, with the help from a standout supporting cast that includes Fly Anakin, Awon, Quelle Chris, Pink Siifu, Yungmorpheus, Lojii, billy woods, Tha God Fahim, Vic Spencer and Vuyo, among several others. “An avid record collector, the producer's first release was 2014's High Rhodes which led to comparisons to his heroes such as J Dilla, Madlib and Pete Rock.” Okayafrica // “With music teachers for parents, it was perhaps inevitable that Ole-Birger Neergård would follow their path and become a student of the game.” Passion of the Weiss

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29,83

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Run DMC - Run DMC LP

The impact, influence, and importance of Run-D.M.C.'s self-titled debut – the album that invented hardcore hip-hop and bridged rap, rock, and funk in then-unparalleled ways – cannot be measured. The first full-length record released by Profile Records, the 1984 set permanently changed the sound of music, broadcast streetwise wisdom to every corner of the country, and made the notion of a one-man band a distinct reality. Bolstered by an incendiary blend of staccato deliveries, stark beats, aggressive exchanges, evocative hooks, and socially conscious messages, Run-D.M.C. still hits listeners in the jaw with the same intensity it did nearly 40 years ago when it could be heard booming from ghetto blasters carried around city blocks nationwide.

Sourced from the original master tapes, pressed on MoFi SuperVinyl, and strictly limited to 3,000 numbered copies, Mobile Fidelity's 180g SuperVinyl 33RPM LP is the definitive-sounding version of the groundbreaking work cited by Rolling Stone as the 378th Greatest Album of All Time. This reissue also represents the first time this gold-certified effort has been presented in audiophile quality. Benefitting from the ultra-low noise floor, superb groove definition, and dead-quiet surfaces of SuperVinyl, Run-D.M.C. now plays with a clarity, immediacy, punchiness, and directness worthy of the artistry, urgency, and intellect of the trio's material.

The brilliance of Russell Simmons and Larry Smith's production comes into view as if the music is being broadcast on a giant system in a small club — only more focused, lively, and unlimited. Free of dynamic constraints and fatiguing harshness, this LP invites you to turn up the volume and experience the raw, rough, invigorating songs that changed the look, sound, and feel of hip-hop overnight. Think the trio’s sparse framework of drum machines, tag-team rhymes, keyboard accents, and turntable scratches is stuck in the mid-80s? Spin MoFi’s SuperVinyl LP and gain new appreciation for the music, messages, and production on display on Run-D.M.C.

Recorded in the wake of two successful and pioneering singles, both included on the album, Run-D.M.C. effectively took a sheet of coarse-grit sandpaper to the polish, sheen, and linear presentation of all the hip-hop that preceded it. Stripped to bare-bones foundations, the songs grab your attention and shake you by the collar with a combination of industrial-leaning rhythms, staggered deliveries, dance drama, and hard, minimalist percussion. Then there are the lyrics.

The LP broadcasts a smart mix of boots-on-the-ground reports, uplifting advice, and then-nascent b-boy culture. In one fell swoop, its narratives and music rendered the scene’s proclivity toward glamor and softness passé. Run-D.M.C.’s tough, cool-minded fashion sense showed the trio walked its talk and gave fans — particularly those living in long-ignored urban areas — heroes which with they could identify. Kangol hats, black jeans, leather jackets, Adidas sneaks, and gold chains were the new currency.

In every regard, Run-D.M.C. signifies the birth of modern hip-hop. Never more obviously than on the groundbreaking “Rock Box,” where rap and rock were first fused. As the first hip-hop video to receive regular rotation on MTV, the track eviscerated racial and social boundaries, awakened musicians and listeners to new possibilities, and redefined both popular music and, ultimately, popular culture. As the Roots’ Questlove has stated, it “ knocked down many obstacles, enabling hip-hop to become the new gospel."

Such teaching includes the real-world scripture of “Hard Times,” utopian hopefulness of “Wake Up,” and observational truths of “It’s Like That.” Released as the group’s debut single well before its eponymous album, the latter tune established themes and outlooks Run-D.M.C. would embrace during its career. Namely, the keen awareness of various prejudices, economic ills, and disruptive violence as well as the knowledge that education, self-motivation, and hard work were the ways to escape disadvantages and disillusionment.

Inspired and inspirational, the song reflects the spirit and shrewdness that courses throughout Run-D.M.C. That includes a detailed account of the trio’s not-so secret weapon (“Jam-Master Jay”), purpose statement (“Hollis Crew (Krush-Groove 2)”), and a revolutionary hybrid autobiographical narrative-dis track (“Sucker M.C.’s (Krush-Groove 1)”) widely regarded as one of the best hip-hop songs ever created. The same can be said for every moment on Run-D.M.C.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are virtually indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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80,25

Ültimo hace: 19 Meses
Sidney Charles - Reso Riddim

DJ Support: Sidney Charles Chris Stussy, Archie Hamilton, Toni Varga, Catz 'n dogz, Tough Love, Neverdogs, De La Swing, Marco Carola, REBOOT, Rich NxT, Steve Lawler, Josh Butler, Okain, Ilario Alicante, Joseph Capriati, Leon, Marco Faraone, Riva Starr, Hector Couto, Archie Hamilton

Feel the infectious beats and raw energy of Sidney Charles' latest EP, 'Reso Riddim', which is dropping on his very own Heavy House Society imprint. Renowned for his distinct take on house music, Sidney Charles delivers a powerhouse two tracker that embodies his signature sound and energy for the dancefloor. As a DJ and producer, Sidney Charles has carved out a unique niche in the electronic music scene with what fans affectionately refer to as 'The Sidney Sound.' This signature style is built on heavy low ends, chunky drums, and cavernous low frequencies that connect directly with the body. With tracks like 'House Lessons' and 'Warehouse Romance,' and more recent 'Space Bass' and 'No Way Out,' Sidney established himself as a force to be reckoned with, showcasing his affinity for rough, dirty sounds with a modern twist. 'Reso Riddim' kicks off with the title track, a driving and edgy peak time weapon that boasts a stripped-back groove and an infectious bassline. Breakbeat elements add depth and dimension in the break, creating a track that is guaranteed to get the dancefloor moving and jumping. With its pulsating energy and relentless rhythm, 'Reso Riddim' sets a strong tone for the EP's journey. On 'Rawline 98,' Sidney Charles channels the spirit of the '90s with pumpin' jackin' beats, garage-inspired chords, and an old-school bassline that harkens back to the golden era of house music. The track exudes a bouncing energy and infectious swing that transports clubbers to a bygone era while keeping the dancefloor firmly rooted in the present. The 'Reso Riddim EP,' is also available on Vinyl which will include two extra tracks 'Objection' and 'Charles’ List,' for those who love the feel of wax both in their hands and on the decks

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14,24

Ültimo hace: 9 Meses
Giuliano Sorgini - Occulto

Giuliano Sorgini

Occulto

12inchFLIES47
Four Flies
31.08.2024

Two years after the stunning AFRICA OSCURA, Four Flies Records is back with another gem from Giuliano Sorgini's secret archives, this time one which unearths some of his darkest, eeriest music – that is, pieces he composed in the mid-70s for some of the most infamous, low-budget horror movies ever made in Italy.

This collection brings together a selection of original recordings from those movies, which were directed by "Italian Kings of the B's" Angelo Pannacciò, Salvatore Bugnatelli, Luigi Batzella, and Guido Zurli, with whom the Roman composer worked intensively throughout the 70s. Due to the very low-budget nature of the films, Sorgini recorded the soundtracks entirely on his own, in his Cat & Fox Studio in Rome. He played drums and percussions and added overlapping layers of analogue synths to create a superbly sinister soundscape, thus turning a constraint into an opportunity.

The result is a journey into the mysterious atmospheres of the Italian occult-sounding music of the time, something very close to the dark electronic masterpieces that made Sorgini famous, such as ZOO FOLLE or THE LIVING DEAD AT MANCHESTER MORGUE.

OCCULTO features ten previously unreleased tracks characterized by enigmatic moods, obscure beats and esoteric themes. All tracks are taken from original master tapes that remained buried in the composer's archives for decades.

The LP comes in a deluxe jacket and inner sleeve designed by Luca Barcellona. Also available in digital format with three previously unreleased bonus tracks.

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30,04

Ültimo hace: 5 Años
Shan - Warehouse Vol. 2

Shan

Warehouse Vol. 2

12inchRBSHAN-06
Running Back
16.08.2024

The second part in Shan’s warehouse series delivers more of the same – but that’s definitely a great thing, if the dish has a great taste. Like it’s successful predecessor, the tracks don’t re-invent the wheel, but cater to all the nameless spaces and places that made raving in defiant and derelict places fun. There is house that sounds like techno (Elevate) and vice versa. Seasoned with break beats (89 Swing or the Future Sound of London-esque Euphony) or breaks for love (Uplift My Spirit) and even dub sirens, it is almost impossible not to find something to suit the customer’s environment. The main focus of attention might be the jack of all trades called Phantazia. Wouldn’t have sounded out of place at the entertainment series of the same name, it melts proto hardcore harmonics with Soul II Soul type of strings and immediate call for „the action“. And as we all know, that always speaks louder than words.

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11,72

Ültimo hace: 9 Meses
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