Back in stock! As hip-hop’s online footprint began rapidly expanding in the early 2010s, acclaimed Los Angeles emcee Blu was a rising star who commanded attention. Just a few years removed from the breakthrough success of Below The Heavens and an appearance on the XXL Freshmen list, the talented wordsmith was navigating the major label system, dropping self-produced mixtapes, and working with artists like The Roots, Miguel, Flying Lotus, 9th Wonder, and more. In 2011, the mysterious album Jesus turned up on Bandcamp, uploaded by an artist calling himself “b.” Soon discovered to be the latest project from Blu, the unpolished but deeply soulful collection quickly made waves on blogs and social media. Just weeks later, Jesus improbably became one of Blu’s first official solo releases, and it remains a lo-fi masterpiece, with mesmerizing production by Alchemist, Madlib, Knxwledge, Hezekiah, and Blu himself. Now, this classic is receiving a long-overdue vinyl reissue, complete with the Jesus-era bonus track “Arrow & The Sparrow” featuring Jimetta Rose.
Search:ji
Die finnische Modern Metal-Band ARCTIS veröffentlicht ihr selbstbetiteltes Debütalbum Arctis über Napalm Records.
ARCTIS ziehen Inspiration aus der mythischen Natur des Nordens und ihren extremen Jahreszeiten, die sie in futuristisches Szenario übertragen. Einen
ebenso großen Spagat machen sie auf der Soundebene, wenn sie Modern Metal gekonnt mit Pop kombinieren und so ein episches und originelles
Klanguniversum erzeugen. Produziert wurde das Debüt von dem mehrfach mit Platin ausgezeichneten Jimmy Westerlund (Sturm und Drang), gemixt
von Stefan Glaumann (Rammstein) und gemastert von dem zweimal Grammy-nominierten Svante Forsbäck (Rammstein).
Mit dieser geballten Expertise als Rückenwind verspricht Arctis die Szene mit frischem Wind aufzuwirbeln, was sie unmittelbar im Anschluss an die
Veröffentlichung auf den Bühnen Europas beweisen werden. Denn ARCTIS haben die Ehre die legendären Metal Cellisten von Apocalyptica auf ihrer
Tour zu begleiten, was ihren Status als Senkrechtstarter unterstreicht.
- Mrs Ladyships And The Cleanerhouse Boys
- June Rabbit
- A Taste Of Honey
- Rupert Tingle, Button Thief
- Can I Have Some Tea?
- Wednesday, On A Hummingbird's Wing
- Good Spring Morning
- I Paint The Pictures
- Chooning Song
- Ben Jimeny The Green Grocer
- Moon Viewing Party
- Tarts And Vicars
- You Know It In Your Heart
- Saturn And Janus
"Mrs. Ladyships and the Cleanerhouse Boys" are your new favorite MOD heart throbs. Is there REALLY a new Merseybeat Revolution? How many times can you really REALLY watch The Blow-Up alone in your room? Why don't you venture out the front door and take a bite of the real thing? The Smashing Times are a mainstay in the indie pop underground. The group mistrals the new modern life perfectly, the sharper world. collaged with 12 string guitar and mallet on the floor tom. 14 tracks 33RPM.
- Silent Night
- Lumberjack Christmas / No One Can Save You From Christmases Past
- Coventry Carol
- The Midnight Clear
- Carol Of St. Benjamin The Bearded One
- Go Nightly Cares
- Barcarola (You Must Be A Christmas Tree)
- Auld Lang Syne
- Christ The Lord Is Born
- Christmas Woman
- Break Forth O Beauteous Heavenly Light
- Happy Family Christmas
- Jingle Bells
- Mysteries Of The Christmas Mist
- Lift Up Your Heads Ya Mighty Gates
- We Wish You A Merry Christmas
- Ah Holy Jesus
- Behold! The Birth Of Man, The Face Of Glory
- Ding-A-Ling-A-Ring-A-Ling
- How Shall I Fitly Greet Tree?
- Mr. Frosty Man
- Make Haste To See The Baby
- Ah Holy Jesus
- Hark! The Herald Angels Sing
- Morning (Sacred Harp)
- Idumea (Sacred Harp)
- Eternal Happiness Or Woe
- Ah Holy Jesus (A Capella)
- I Am Santa's Helper
- Maoz Tzur" (Rock Of Ages)
- Even The Earth Will Perish And The Universe Give Way
- Angels We Have Heard On High
- Do You Hear What I Hear?
- Christmas In The Room
- It Came Upon The Midnight Clear
- Good King Wenceslas
- Alphabet St
- Particle Physics
- Joy To The World
- The Child With The Star On His Head
- Christmas Infinity Voyage
- I'll Be Home For Christmas
- Santa Claus Is Coming To Town
- The Sleigh In The Moon
- Sleigh Ride
- Ave Maria
- X-Mas Spirit Catcher
- Let It Snow! Let It Snow! Let It Snow!
- A Holly Jolly Christmas
- Christmas Face
- Have Yourself A Merry Little Christmas
- It Came Upon The Midnight Clear
- Up On The Housetop
- Angels We Have Heard On High
- We Need A Little Christmas
- Happy Karma Christmas
- We Three Kings
- Justice Delivers Its Death
- Christmas Unicorn
Feiern Sie die Weihnachtszeit mit der beliebten Weihnachtssammlung von Sufjan Stevens, ,Silver & Gold: Songs for Christmas, Vols. 6-10", die jetzt zum ersten Mal seit ihrer ursprünglichen Veröffentlichung 2012 wieder auf Vinyl im Handel erhältlich ist. Dieses umfangreiche Set enthält fast drei Stunden festliche Musik, darunter 18 Eigenkompositionen und kreative Interpretationen von Weihnachtsklassikern. Die 6-LP-Kollektion (vier Einzel-LPs und eine Doppel-LP) im Schuber zeigt Stevens' einzigartige Herangehensweise an Weihnachtsmusik, die Folk, Indie-Rock und experimentelle Klänge miteinander verbindet. Von intimen Weihnachtsliedern bis hin zu ausgedehnten Orchesterarrangements zeigt ,Silver & Gold" Stevens' künstlerische Vielseitigkeit und seinen kollaborativen Geist, was es zu einer unverzichtbaren Ergänzung jeder Weihnachtsmusiksammlung macht.
- A1: Hope (Feat. Ty Dolla $Ign)
- A2: We Dem Boyz
- A3: Promises
- B1: Kk (Feat. Juicy J & Project Pat)
- B2: House In The Hills (Feat. Curren$Y)
- B3: Ass Drop
- B4: Raw
- C1: Stayin Out All Night
- C2: The Sleaze
- C3: So High (Feat. Ghost Loft)
- C4: Still Down (Feat. Chevy Woods & Ty Dolla $Ign)
- D1: No Gain
- D2: True Colors (Feat. Nicki Minaj)
- D3: We Dem Boyz (Remix) (Feat. Nas, Rick Ross & Schoolboy Q)
- D4: You And Your Friends (Feat. Snoop Dogg, Ty Dolla $Ign)
Ten years ago Wiz Khalifa released his fifth studio album and his third major label release, Blacc Hollywood. The album featuring the lead single "We Dem Boyz" debuted at #1 on the Billboard Top 200. The album was produced by frequent collaborator I.D. Labs with additional production by DJ Mustard, Ghost Loft, Choppa Boi, Jim Jonsin, Fanatik N Zac among others, Out of print on vinyl since it was released, Get On Down is proud to present a limited edition pressing of Blacc Hollywood pressed on Blacc Tattoo Ink-In Clear colored vinyl, packaged in a high gloss gatefold jacket with a 10-year anniversary commemorative OBI limited to 1000 numbered copies
- Die Seltsame Gräfin (Titelmusik)
- Das Rätsel Der Roten Orchidee (Titelmusik)
- Die Tür Mit Den Sieben Schlössern (Titelmusik)
- Requiem For Crooks
- Der Zinker (Titelmusik)
- Walking Dandy
- Das Indische Tuch (Titelmusik)
- Zimmer 13 (Titelmusik)
- Die Gruft Mit Dem Rätselschloß (Titelmusik)
- Der Hexer/Neues Vom Hexer (Titelmusik)
- Theme For Lucy (Titelmusik)
- Aha!
- Twisting Monk (Titelmusik)
- Der Bucklige Von Soho (Titelmusik)
- Das Geheimnis Der Weißen Nonne (Titelmusik)
- Der Hund Von Blackwood Castle (Titelmusik)
- The Space Of Today (Titelmusik)
- Sitar Cha-Cha
- Der Gorilla Von Soho (Titelmusik)
- Susan And Jim (Alternate Version)
- Sgt. Pepper's Final Fight
- Der Mann Mit Dem Glasauge (Titelmusik)
- Die Tote Aus Der Themse (Titelmusik)
LIMITED RED VINYL[33,57 €]
Kenner von Richard Swift wissen, dass sein Katalog umfangreich und phantasievoll ist, vollgepackt mit ebenso vielen ausgefeilten, eiskalten Klassikern wie verrückten Ein-Take-Experimenten. Diese Kleinode kommen in allen Formen und Größen, und während das den Eingefleischten nichts ausmacht, ist der Einstieg in die Musik von Swift für den Neuling schwierig: Wo soll man anfangen? Was kommt in die engere Wahl? Wie viele Crooner? Wie viele wilde Lieder? Vor diesem Hintergrund präsentiert Secretly Canadian "4 Hits & A Miss - The Essential Richard Swift", einen bescheidenen Versuch, die siebenundvierzig Minuten und vierzehn Songs zusammenzutragen, die die Uneingeweihten einführen können. Wenn Sie Richard Swift nicht kennen, lassen Sie sich von dem unvergleichlichen Kevin Morby aufklären: "Es gibt einen alten Pfadfindermythos, von dem ich als Kind gehört habe, dass man eine Kapelle bauen kann, wenn man die richtige Person mitten in den Wald setzt, bewaffnet nur mit einem Schweizer Taschenmesser. Wenn ich an diesen Mythos zurückdenke, denke ich an Richard Swift, der, wenn man ihn mitten im Wald mit einem 10-Dollar-Radio-Shack-Mikrofon absetzte, irgendwie ein Studio bauen konnte und in diesem Studio eine Kapelle des Klangs errichtete. Tatsächlich hat er genau das in seinem eigenen National Freedom Studio mitten in den Wäldern von Oregon getan, in einer Stadt namens Cottage Grove, wo er unzählige Stunden seiner eigenen Musik und der anderer Leute aufgenommen hat. Diese Kapellen des Klangs werden - und ich habe es bereits erlebt - kommende Generationen in Ehrfurcht versetzen und inspirieren, so wie es die Steinkapellen im frühen Europa tun. Beide lassen die Menschen verblüfft zurück und fragen sich: Wie konnte etwas so Massives und Schönes mit so minimalen und archaischen Mitteln gebaut werden - und in Richards Fall so schnell? Nach ihrem Tod scheinen die meisten Künstler endgültig zu ruhen, ihre Kataloge ruhen für immer neben ihnen. Aber Richard scheint aus dem Jenseits rastlos zu sein, und die Arbeit, die er hier unten auf der Erde begonnen hat, geht weiter. Sein letztes Album, The Hex, wurde nur wenige Monate nach seinem frühen Tod im Jahr 2018 veröffentlicht, und jetzt haben wir mit 4 Hits and A Miss eine Sammlung seiner beliebtesten Songs sowie einen neuen, noch nie zuvor gehörten Track "Common Law", aufgenommen um 2012. Ob Gelegenheitsfan oder Swift-Purist, 4 Hits & A Miss ist entweder ein perfekter Startpunkt oder ein Ziel für uns eingefleischte Fans, um wieder einmal etwas Neues zu finden, das uns beeindruckt und inspiriert. Wie ein versteckter Raum in seiner bereits beeindruckenden Kapelle gibt es immer etwas Neues von unserem geliebten Freund und Helden, dem verstorbenen großen Richard Swift, zu entdecken." Viel Spaß!
Elvis Costello: King of America & Other Realms umfasst 6 CDs und erforscht das karrierebestimmende
Album von 1986, das von T-Bone Burnett produziert wurde: von den Solo-Demoversionen der Songs auf
King of America bis hin zu den von Memphis und New Orleans inspirierten Aufnahmen und Kollaborationen
der letzten vier Jahrzehnte.
Die Reise durch die Musik wird von Costellos neuem, selbst verfassten 35-seitigen Essay und zahlreichen
seltenen und nie zuvor gesehenen Fotos begleitet. Den Kern der Sammlung bildet CD1, ein neues Remaster
des Albums aus dem Jahr 2024 von den Original-Masterbändern. CD2 versammelt die 1985 aufgenommenen Solo-Demos und enthält nun 6 nie zuvor gehörte Aufnahmen der Red Bus Session. CD3 ist ein nie
gehörtes, von den Mehrspurbändern abgemischtes 17-Song-Konzert, aufgenommen in London, UK am 27.
Januar 1987. Hören Sie Elvis im Konzert, begleitet von James Burton, Jim Keltner, Jerry Scheff, Belmont
Tench & T-Bone Wolk. Das Set schließt mit 3 Compilation-CDs, die Costellos Studioaufnahmen, bisher
unveröffentlichte Demos, Outtakes und Live-Aufnahmen zusammenfassen.
Die mit mehreren GRAMMY Awards ausgezeichnete vierköpfige Band Little Big Town - bestehend aus Karen
Fairchild, Kimberly Schlapman, Phillip Sweet und Jimi Westbrook - veröffentlicht über Capitol Records
Nashville ihr allererstes, karriereübergreifendes Greatest Hits Album. Das Album versammelt mehr als zwei
Jahrzehnte Country-Hits, die die Charts stürmten, auf einem Werk, das von den mit dem GRAMMY Award
ausgezeichneten „Pontoon“, „Boondocks“ und „Better Man“ bis hin zu einflussreichen Hymnen wie „Girl
Crush“ reicht. Das Album zeichnet die unglaubliche Reise des Quartetts von den bescheidenen Anfängen
bis zur Country-Legende nach und ist ,gerade für Uneingeweihte, der beste Weg, die Band kennen zu lernen!
„Greatest Hits’ von Little Big Town erscheint am 1. November auf Vinyl und ist ebenfalls auf CD erhältlich
- Dona Nobis Pacem (Give Us Peace)
- You Couldn't Be Cuter
- Joy To The World
- Here Comes The Sun
- Improvisation On Dona Nobis Pacem (Give Us Peace)
- The Wassail Song / All Through The Night
- A Christmas Jig / Mouth Of The Tobique Reel
- The Wexford Carol
- Panxolina: A Galician Carol
- Improvisation On Dona Nobis Pacem (Give Us Peace)
- Vassourinhas
- Improvisation On Dona Nobis Pacem (Give Us Peace)
- Invitacion Al Danzon
- My One And Only Love
- Familia
- Concordia
- My Favorite Things
- Touch The Hand Of Love
- Kuai Le
- This Little Light Of Mine
- Happy Xmas (War Is Over)
- Dona Nobis Pacem (Give Us Peace)/Auld Lang Syne
Songs of Joy and Peace is a Christmas music album by cellist Yo-Yo Ma, originally released in 2008. The album features collaborations with many other artists, including vocalists Diana Krall & Alison Krauss, James Taylor, Dave Brubeck, Chris Botti a.o. This holiday disc doesn't exclusively stick to traditional Christmas songs, but covers a wide scope of material in a very ambitious manner. Ma opens with a lovely take of the traditional favorite “Dona Nobis Pacem (Give Us Peace)”, playing both the melody and counterpoint via overdubbing. Jazz pianist/vocalist Diana Krall is superb in a swinging rendition of Jerome Kern's unjustly obscure ""You Couldn't Be Cuter"", adding bassist John Clayton. An arrangement of “Joy To The World” features pianist Dave Brubeck and cellist Matt Brubeck (his son). Chris Botti has never sounded better in the warm arrangement of “My Favorite Things”, playing both open and muted trumpet. James Taylor is featured on vocals on the Beatles cover “Here Comes The Sun”. Songs of Joy & Peace is a limited edition of 500 copies on translucent green coloured vinyl.
For fans of The Stray Cats, Brian Setzer, Swing and Big Band! The Brian Setzer Orchestra (sometimes known by its initials BSO) is a swing and jump blues band formed in 1992 by Stray Cats frontman Brian Setzer. In 1994 they released their debut album which was followed up in 1996 with Guitar Slinger. In 1998, for their breakout album The Dirty Boogie, the group covered Louis Prima's "Jump, Jive an' Wail", which originally appeared on Prima's 1957 album The Wildest!. The BSO's follow up single, appearing on the album Vavoom!, was "Gettin' in the Mood." Now get Guitar Slinger from the Brian Setzer Orchestra for the first time on vinyl since 1996. Remastered on 180g vinyl in an amazing limited- edition color. There are only 700 of the Silver Melt. Guitar Slinger is the second release from the Brian Setzer Orchestra and where the band really started to come together. The album leads off with "The House Is Rockin’” and features the Brian Setzer/Joe Strummer (The Clash) penned tracks “Ghost Radio” and “Sammy Davis City”. There are 12 tracks in all, and it clocks in at just over 43 minutes. This is the first in a series of three reissues coming from Deko Entertainment with The Dirty Boogie scheduled to also hit by the end of 2024, with Vavoom! to follow in early 2025
Alternative Jazz. This is a 5 track EP of brand new, previously unreleased material from The Near Jazz Experience (Terry Edwards, Mark Bedford and Simon Charterton). Whilst recording the new album Terry asked pianist Mike Garson (best known for his work with David Bowie, Nine Inch Nails, Smashing Pumpkins) - whom Terry has toured with if he'd like to play on a track. Mike said yes, recorded a stupendous solo for Character Actor at his home studio and sent it over. All in the space of 24 hours! On hearing the piano part NJE bassist Mark Bedford came up with the idea of having the piano mixed with the original track (as intended) but also using it as the basis for a completely new recording with the piano leading rather than complementing the band. Side 1 of the EP has these two very different versions from the same seed. Unidentical twins indeed. Side 2 of the EP contains 4 outliers from the album sessions. These aren't out-takes or unfinished pieces. They simply couldn't find a place for themselves within the album - along the lines of the tunes Tom Waits put together for his Orphans compilation of 2006. They are standalone tunes which have found a home together on this EP because in some way they all have filmic qualities. Side 1 contains 2 takes on Character Actor (the title being a nod to Cracked Actor, a tune on Aladdin Sane, the album that introduced Bowie fans to Mike Garson), and Side 2 has The Loping Four; Projector; MacGuffin and Lockstep, all titles which contain strong cinematic elements, MacGuffin in particular. It was Alfred Hitchcock's favourite word for a red herring in the plot. The musical cast on this release has a remarkable pedigree. The NJE consists of Terry Edwards (solo artist and session player with PJ Harvey, Franz Ferdinand, Siouxsie, Jimi Tenor, Piroshka, Tindersticks etc); Mark Bedford (Madness, Robert Wyatt, Robyn Hitchcock, Nightingales etc); Simon Charterton (The Higsons, Alex Harvey, Zook, Serious Drinking etc). Alongside featured guest Mike Garson there is an appearance by Oliver Cherer (Aircooled, Miki Berenyi Band) on keys and synth. This is an RSD exclusive, 500 copies on black vinyl in full colour sleeve which reflects the filmic quality of the recorded material. No download. The title track will appear on the next Near Jazz Experience studio album. The 4 additional tracks, however, will remain exclusive to Record Store Day.
- 1: Goodbye Jimmy Dean
- 2: Submarine
- 3: Song Of Sixpence
- 4: Platform Boots
- 5: Hot Rod
- 6: Soho Sunday Morning
- 7: Shine On Me
- 8: Elvis 75
- 9: I'm Alright Jack
- 10: Come On Love
- 11: Now What Earthman
- 12: I've Never Been To Mayfair
- 13: Lady Hangover
- 14: Ten Million Ton Headache
- 15: We All Hate Honesty
- 16: Tomorrow
- 17: Stop It
- 18: Hey Mister
- 19: Hello Angels
- 20: Baby It's No Joke
- 21: Never Steal Anything Small
- 22: Viva Boyswonder
Imagine a late-1980s British band who ignored the prevailing chest-beating roots rock and jangly indie, and opted instead for terrace chant pop choruses, lyrical wit and a high-fashion boot-boy image: Queen meets the Sex Pistols. But wait ... the band actually existed and quite possibly invented Britpop. Reviled by the press at the time, Boy Wonder's recently discovered recordings now sound remarkably prescient: Blur's London; the Sladeier side of Oasis; Supergrass' sense of fun; and the arched eyebrow of Pulp. Never previously available, Question Everything is a revelation.
- A1: Dub Takeover
- A2: Nobodies Dub
- A3: A Dub Tribulation
- A4: Liquidator Dub
- A5: African Dub Child ( Part 1)
- A6: None Shall Escape The House Of Dub
- B1: Legalise The Dub
- B2: Satta Massa Dub
- B3: A Bad Way To Dub
- B4: Dub To The Roots
- B5: Zion Gates Of Dub
Sly Dunbar and Robbie Shakespeare or Sly and Robbie as they are affectionately known are the drum and bass backbone of Reggae Music, they have played on, produced, invented, reinvented more records then many of their contemporaries put together.
Sly Dunbar born Lowell Charles Dunbar on 10 May 1952, Kingston, Jamaica, drummed his first session for Mr Lee Perry which included a Jamaican hit ,a track called 'Night Doctor', before moving on to the group Skin, Flesh & Bones who had a residency at Kingston's famous 'Tit for Tat' club. This band would evolve into the Channel One house band The Revolutionaries where Sly named after his fondness of the band Sly and the Family Stone would begin to play alongside a bass player who would become his long standing partner in music, namely one Robbie Shakespeare.
Robbie Shakespeare born 27 September 1953, Kingston, Jamaica, had worked his way through session bands including the legendary Aggrovators before uniting with Sly Dunbar in The Revolutionaries. Both musicians had worked with other respective bass / drum players including such figures as Lloyd Parks bass, Carlton 'Santa' Davis drums, but everything seemed to fall into place when they worked together.
They also both had a quest to push the boundaries of reggae music, which they would do throughout their careers, over many sessions to numerous to mention. But highlights would include the groundbreaking Mighty Diamonds 1976 set 'Right Time' with its fresh rockers rhythms which lead the way in the 1970's. Also their work with the bands Culture and Black Uhuru the later of which they toured extensively with, spreading the reggae vibes across Europe and America. Not to forget to mention their Taxi label / productions which are always inventitive whether its in the reggae field or outside where their playing / production skills are much in demand.
The third piece of this jigsaw is the mighty Mr Bunny 'Striker' Lee who brought these legends together. Born Edward O'Sullivan Lee 23 August 1941, he must be one of reggae's most underrated producers. Leading the way in the 1970's especially in the dub field and being one of the early exponents of a King Tubby remix ,which would see nearly all his 7'' releases carrying a Tubby reworking on its flip side. Bunny started his musical career in 1962 working for Duke Reid's Treasure Isle label and soon moved into the world of production gaining his first hit in 1967 with 'Musical Field' by Roy Shirley for the WIRL label. The 1970's was a very productive time for Bunny Lee and saw the launch of his LEE'S label which was producing hits in Jamaica. Not having a studio of his own and renting studio time from the existing establishments like Randy's Studio 17 and Channel One he had to have a crack team of session players to carry out this task, fast and efficiently. This happened firstly under the guise of THE AGGROVATORS see The Aggrovators dubbing it studio 1 style JRCD005 and then with the group of musicians THE REVOLUTIONARIES[ see The Revolutionaries at Channel 1 dub plate specials JRCDOO3]. It’s here in the latter of these groups that Bunny matched Sly and Robbie together for the first time and it’s this match made in heaven that these tracks on this release are culled from. Sessions that Bunny Lee produced with Sly and Robbie during this magical 70's period. These rare dubs are taken from the original master tapes, you may have heard the tune before but not these versions. So sit back and enjoy Reggae Musical History in the making....
Die Wahl-New-Yorkerin Yaeji hat sich in den letzten Jahren als Produzentin, Sängerin und DJ mit ihren introspektiven Dance-Floor-Hymnen eine ganz eigene Nische geschaffen. Nach der Veröffentlichung ihrer Debüt-EPs, sowie den Singles "Raingurl" und "Drink I"m Sippin On" in 2017, war sie auf Charli XCXs 2019er Album "Charli" zu hören, remixte Songs für Dua Lipa oder Robyn, kollaborierte mit dem Seouler-Künstler OHHYUK, verkaufte weltweite Headline-Touren aus und eröffnete ihren eigenen Lifestyle Webstore JI-MART. Ihr Sound und ihre Einflüsse sind dabei so vielschichtig wie ihre Herkunft. Geboren im Jahr 1993 in New York reicht ihr Stammbaum von Seoul über Tokyo bis nach Atlanta - Einflüsse die sich in ihrer Musik in Form von koreanischem Indie-Rock und Electronica, 2000er Hip-Hop, sowie Leftfield Bass und Techno wiederfinden. Mit ihrem 2020er Mixtape "WHAT WE DREW“ schärfte Yaeji noch mal ihre Vision als Musikerin, die kreativ losgelöst von Sprachen Genre-Grenzen zu sprengen vermag - kein Wunder, dass sie daraufhin von Pitchfork 2022 zu einer der "25 Artists Shaping the Future of Music" ernannt wurde. Die nahe Zukunft wird sie ebenfalls prägen. Schließlich erscheint am 7. April nun endlich das Debütalbum "With A Hammer" bei XL Recordings. Entstanden innerhalb von zwei Jahren in New York, Seoul und London kurz nach der Veröffentlichung des Mixtapes und während den Lockdowns ist es eine Ode an die Erforschung ihrer selbst, setzte sie sich doch dabei mit ihren eigenen Emotionen auseinander - besonders mit ihrer eigenen, in ihr brodelnden Wut. Während sie textlich zwischen englisch und koreanisch springt, nutzt sie erstmals auch Live-Instrumente, sei es in Form von einem Ensemble an Musikern oder auch zum ersten Mal sie selbst an der Gitarre. "With A Hammer" beinhaltet darüber hinaus auch Features der Produzenten und engen Verbündeten K Wata und Enayet, sowie Gast-Vocals der Londonerin Loraine James und von Nourished by Time aus Baltimore.
Red Laser gets on a kinky tip, where poppers are currency and salacious activities mandatory as label chief Il Bosco grabs us by the nethers and heads for 'The Darkroom EP'.
Inspired by amyl-soaked tales of Euro basement sex club debauchery, and steadily edging its way to a never-ending climax, the EP is a highly charged exercise in x-rated synth-jizz and erotic Manctalo that'll have you quickly believing you're surrounded by massive pulsating dicks on a cocktail of GHB and Mkat.
Maintaining a persistent throb throughout, the EP has us reaching blindly through clouds of pink saturated club smoke, unsure of what our sweat-soaked hands will grasp on to.
Two remixes alongside three originals. Fabrizio Mammarella has the blood rushing to our head quicker than a whiff of Rush Black Label* on his mix of 'Notio Botherdini'. Adding extra acid for a trippier sexperience and urging willing participants to "close your eyes" as he achieves maximum thrust.
Meanwhile local Stretford poppers enthusiast** Bob Swans also has a fumble in the shadows, remixing 'Dark Room' with late late late on in the session in mind - a time of carnal lucidity and primal urges that'd make even Michael Barrymore's peculiar desires look vanilla. It's a sparse and special redux, fluffing us with that latexy bassline and never-ended sfx trails until we're quite literally cumming in your ears.
Apologies, that probably was a bit graphic.
*Poppers brand highly endorsed by Red Laser contributor Count Van Delicious
**Red Laser only hypothesizes to said producer’s poppers usage.
- 01: American Idiot
- 02: Jesus Of Suburbia
- I. Jesus Of Suburbia
- Ii. City Of The Damned
- Iii. I Don't Care
- Iv. Dearly Beloved
- V. Tales Of Another Broken Home
- 03: Holiday
- 04: Boulevard Of Broken Dreams
- 05: Are We The Waiting
- 06: St. Jimmy
- 07: Give Me Novacaine
- 08: She's A Rebel
- 09: Extraordinary Girl
- 10: Letterbomb
- 11: Wake Me Up When September Ends
- 12: Homecoming
- I. The Death Of St. Jimmy
- Ii. East 12Th St
- Iii. Nobody Likes You
- Iv. Rock And Roll Girlfriend
- V. We're Coming Home Again
- 13: Whatsername
- 01: American Idiot (Live)
- Ii. City Of The Damned
- Iii. I Don't Care
- Iv. Dearly Beloved
- V. Tales Of Another Broken Home
- 03: Holiday (Live)
- 04: Are We The Waiting (Live)
- 05: St. Jimmy (Live)
- 06: Boulevard Of Broken Dreams (Live)
- 07: Favorite So
- 08: Shoplifter
- 09: Governator
- 10: Too Much Too Soon
- 11: Are The Waiting (Vh1-Storytellers)
- 12: St. Jimmy (Vh1-Storytellers)
- 13: Give Me Novacaine (Vh1-Storytellers)
- 14: Homecoming (Vh1-Storytellers)
- 01: American Idiot
- 02: American Idiot (Alt. Version)
- 03: Jesus Of Suburbia
- 04: Holiday/Blvd. Of Broken Dreams
- 05: Are We We Are/St. Jimmy Opera
- 06: Novacaine
- 07: She's A Rebel
- 08: Radio Baghdad
- 09: Cluster Bomb
- 10: Wake Me Up When September Ends
- 02: Jesus Of Suburbia (Live)
- 11: Homecoming (Nobody Likes You)
- 12: Everyone's Breaking Down
- 13: Just Another Year
- 14: Lowlife
- 15: What's Her Name
- 01: American Idiot (Live)
- 02: Jesus Of Suburbia (Live)
- 03: Holiday (Live
- 04: Boulevard Of Broken Dreams (Live)
- 05: Are We The Waiting (Live)
- 06: St. Jimmy (Live)
- 07: Give Me Novacaine (Live)
- 08: She’s A Rebel (Live)
- 09: Extraordinary Girl (Live)
- 10: Letterbomb (Live)
- 11: Wake Me Up When September Ends (Live)
- 12: Homecoming (Live)
- 13: Whatsername (Live)
- 14: Minority (Live)
- 15: We Are The Champions (Live)
- I. Jesus Of Suburbia
2x12" Vinyls[38,61 €]
Green Day’s seventh studio album American Idiot was released in September 2004 and has since sold over 23 million copies worldwide. The album is a punk rock opera masterpiece that won the Best Rock Album at the 2005 Grammy Awards©. Five hit singles were released from the album: “Boulevard of Broken Dreams”, “Holiday”, “Wake Me Up When September Ends”, “Jesus of Suburbia”, and the title track, “American Idiot”.
Limited Edition Super Deluxe Box Sets (vinyl and CD) will be released on October 25th, 2024, to celebrate the 20th Anniversary of this legendary album.
The CD Super Deluxe contains 4 CDs which feature the original album and also includes 15 unreleased demos, a 15-song 2004 concert from Irving Plaza, NYC (9 songs previously unreleased), and 14 tracks that were released as B-Sides and bonus tracks. The box set is completed with two Blu-rays that feature the film “Heart Like A Hand Grenade”, 35 minutes of Green Day live at the BBC, and a new, unreleased documentary: “20 Years of American Idiot” plus a 48-page book, an enamel pin set, sticker sheet, and cloth patch.
Red Vinyl. Remastered by Bob Weston at Chicago Mastering Studio from the original analog master tapes. "Slint formed in 1986 as an outlet and pastime for four friends from Louisville, Kentucky. Their music was strange, wholly their own, sparse and tight. What immediately set them apart was their economy and precision. Slint were that rare band willing to play just one or two notes at a time and sometimes nothing at all. 1989's "Tweez" LP hints at their genius." - Steve Albini (Melody Maker, 1991). From the original bio: It's almost always muddy in the lousy little shanty town by the river. All the children's toys are old and rusty, even the plastic ones. Jimmy and Mel fashioned their own toy out of a live chicken that they stole. A knot was tied around the bird's feet with a shoe lace. The two boys painted their plaything yellow and silver and swung it around like a lasso, screaming gibberish and laughing the whole time. Mel got so excited that he wet himself. So, Jimmy slugged him square in the eye. About five or eight miles south east of the shanty town all the fellows in SLINT were suffering from headaches, except the drummer, who only got them when the others didn't. SLINT is a band from Louisville, Kentucky. tweez was its first recording.
2024 Reissue
Touching Bass continue to prise open a distinct, exciting lane for themselves as a label home for forward-thinking, soulful music with the incredible debut project from London's Demae (aka Bubblerap and ? of Hawk House) entitled "Life Works Out...Usually" - "Life Works Out...Usually" is a soothing antidote to these turbulent times; a soulful coming-of-age story celebrating black joy, self-empowerment and life learnings centred around an integral two year period of growth and featuring appearances from Fatima (Eglo Records), Joe Armon-Jones, Ego Ella May and Nala Sinephro - all part of our close-knit, London-based musical community. Sonically, it draws a unique line between the grit of inner-city London soul, interstellar Flying Lotus electronic rushes and new-age Dilla-isms mixed with flecks of London's exciting jazz-influenced sounds. Production comes from rising producers like Eun (Ego Ella May, Denzel Himself), Jake Milliner (Slum Village, Yazmin Lacey, Lord Apex), 104.ROG (Liv.e, THEESatisfaction) and Wu-Lu (Ego Ella May). For those not yet accustomed, Demae's work stretches beyond her solo project. She has been a fundamental part of Fatima's touring band as a backing vocalist since the release of her much loved second album And Yet It's All Love. Prior to that, she was one-third of hip-hop adventurists, Hawk House, whose introspective, eclectic style was reshuffling the rule book for UK-based rap, quickly making them one of the UK's most exciting emerging sounds and earning fans from Mac Miller and Ghostpoet to Wretch 32 and Jill Scott.
- A1: Tee Lopes - Call Me The Yotagonist
- A2: Tee Lopes - Bauhaus Breakdown
- A3: Sean Bialo - Hello Macaroon
- A4: Tee Lopes - Jig's Up, Penny
- A5: Sean Bialo - Trick Of The Wrist
- A6: Tee Lopes - Pensive At The Afterparty
- A7: Sean Bialo - Penny In A Pinch
- A8: Tee Lopes - Refracting Feelings
- A9: Sean Bialo - Sleep? No, Throwdown!
- A10: Sean Bialo - Land-Ho Diabolo!
- B1: Tee Lopes - Palling Around
- B2: Tee Lopes & Christian Whitehead - Sparks Of The Cobalt Sands
- B3: Sean Bialo - Scientific Method
- B4: Tee Lopes - Tutto Finisce A Tarallucci E Vino
- B5: Tee Lopes & Christian Whitehead - Sudzsy Swings At The Natural Springs
- B6: Tee Lopes - Strongman
- B7: Tee Lopes - Mano-E-Yo-Yo
- B8: Hunter Bridges - Stargazer
- C1: Tee Lopes - Breakaway
- C2: Tee Lopes - Outside The Eidophusikon
- C3: Tee Lopes - Puppet Pioneer
- C4: Tee Lopes - Balearic Birds
- C5: Tee Lopes & Christian Whitehead - Chromatic Oscillations
- C6: Hunter Bridges - It's A Biguin Now!
- C9: Tee Lopes & Christian Whitehead - Scales Of Justice
- D1: Tee Lopes - Gig's On, Penny
- D2: Tee Lopes & Christian Whitehead - Palace Sneaktime Swing
- D3: Sean Bialo - Triadic Ballet
- D4: Sean Bialo - Cosmic Curtain Call
- D5: Sean Bialo - Wind It Up You
- D6: Tee Lopes - Bop-It Comet
- D7: Tee Lopes - Wax Lyricool
- D8: Tee Lopes - Don't Trick The Sun
- D9: Hunter Bridges & Jameson Sutton - Proxima
- C7: Tee Lopes - Maxims And Misfits
- C8: Sean Bialo - By The Book
Step right up, dear music aficionados! Welcome to the melodic adventure of Penny’s Big Breakaway, the long-awaited kinetic 3D-platformer developed by Evening Star and published by Private Division (Take-Two Interactive).
The composer team behind Sonic Mania, led by Tee Lopes, present a new masterpiece, crafted with love and finesse. This colorful soundtrack features various vibes, from funk to rock with even house and EDM accents. So sit back, and let the groovy waves wash over you.




















