feat. Sea Shepherd
This is the 5th installment of Inch By Inch by the young and ruthless Jotel California. Hailing from Berlin and being part of the Warning Crew he's an expert in crispy electro sounds with the special ingredients. Check him out cause this is just the start!
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Magnificent Wolof drum music, performed by an extended griot family over seven consecutive days, in the mystical setting of Lac Rose, outside Dakar.
Doudou Ndiaye Rose — who died in 2015 — is a key drummer in the musical history of the world. He developed a system of five hundred original drumming patterns, ancient and new. Amongst the modern rhythms here is Bench Mi — ‘under the Baobab tree,’ a spot where problems get solved. Also Hibar Yi — ‘passing on information’ — the theme-tune of Senegalese TV national news for decades — and Les Rosettes, the signature rhythm of Senegal’s first ever all-female percussion group, convened by Doudou, and named after his grandmother.
These original compositions sit alongside important traditional rhythms, familiar to every Sabar player, such as Farwu Jar (a courtship game sometimes resulting in a wedding), Ceebu Jin (also the name of the national dish of fish and rice), and Gumbé, often played after a successful harvest.
Recorded in joyful single takes, with no overdubs, mastered by Rashad Becker, the music is deep and thrilling, polyrhythmic to the bone, with a complex, pointillistic intensity at times evoking Jeff Mills in full flight.
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Shinedoe readies her fifth album ‘Freedom Riders’ on her MTM Records imprint with the release of her vinyl-focused ‘Wake Up’ EP, offering a four-track preview into the project while unveiling a selection of diverse electronic productions for home listening through to the dancefloor.
Over two decades, Dutch DJ and producer Chinedum Nwosu, aka Shinedoe, has established her presence as one of house and techno’s most loved talents, while carving a true path to her own vision. Based in Amsterdam and featuring as a key part of the city’s rich and blossoming underground scene, with performances across De Martkantine, Shelter and Thuishaven to international institutions such as Berghain to fabric, her releases on the likes of Rekids, Cocoon, Bpitch Control and her 2021 release ‘The Observer’ on Jeff Mills’ iconic Axis cemented her reputation as one of the scene’s first talents. Having launched her own label MTM Records in 2018, releasing four EPs on the label to date, October signals the arrival of the label’s first album in the form of her ten-track ‘Freedom Riders’ - an expansive and diverse project created in lockdown capturing sonics from across the spectrum - with the LP preceded by Nwosu’s four-track album sampler EP titled ‘Wake Up’.
“Freedom Riders is about living in a world where there is peace, and all our basic needs are fulfilled. Each being having the right to live in peace, be happy and to be. We are all Freedom Riders, some of us get lost and need to get back to the source.” - Shinedoe.
Opening production ‘Wake Up’ is a tension-building journey through metallic textures, warped vocals and eerie interludes, while album title cut ‘Freedom Riders’ fuses hazy atmospherics, rich chords, crisp percussion and sweeping acid lines to offer a late-night ride through smoky territories. On the flip, B1 ‘Peace’ offers an exemplary balance of light and dark with delicate yet vibrant leads guiding murky undertones and sharp percussion throughout, before closing with the hypnotic, off-kilter and mind-altering sonics of ‘Safety First’, traversing soundscapes to showcase and excellently crafted early-morning cut.
Cuts across the album continue this wide-reaching and rich variation, with the likes of ‘Shine’ and ‘Lockdown’ drawing on classic and modern house influences to offer striking additions for the dancefloor, while ‘Floor Action’ and closing track ‘See The Light’ veering into more dubby, paired back territories to offer up a sense of space and tranquillity - with the ten-track project showcasing a carefully crafted album rich in sound design showcasing one of Amsterdam’s finest talents.
DJ FEEDBACK
early support from
Laurent Garnier: Really like PEACE & SAFETY FIRST niiiiiiiiice
Marcel Dettmann: thx
Luke Slater: nice release thanks!
Ame (Innervisions): thanks
Ben Sims: safety first my fave, thx!!
Slam (Soma): Thanx
Chris Liebing (CLR): great vibe
Radio Slave (Rekids): Woah ! "Freedom Riders" is great... and just in time for the weekend ! Thankyou x
Bambounou (50 Weapons / Sound Pellegrino): There's a vibe I like it thanks
Anthony Parasole (The Corner) this is so good
Truncate: Solid cuts!
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Home is a powerful concept with an abstract definition. This solo album takes those subjective ideas and unifies them under one roof. Evolving from Jerve’s #dailypiano posts in 2019, ‘The Soundtrack of My Home’ relays thoughts and improvisations that trace his journey from childhood home to adult and now, father. Nurturing a mood or feeling, each song begets a sonorous story of someone close to him, expressed through the language of piano playing.
Jerve makes use of his hands as a human step sequencer, often programming two or more motifs of varying lengths in a polymetric fashion. These melodic patterns and arpeggios evolve at varying rates but grow around clear progressions with standard 8-bar forms.
The first track - ‘Kjetil’ enters with an earnest, gentle and endearing character - like a young river near its source. As with such a river, it will grow to varied sizes throughout the album but must begin as a humble expression from the source. The following titles sketch his interpretations of the people that have made up his home.
There is a theme across the album that unites the songs, so much so that differentiating tracks can at times be difficult. Though, Jerve punctuates this overarching mood with a few distinct structures, as found in tracks ‘Karoline’ (wife), ‘Espen’ (brother) and ‘Sven’ (father). ‘Turid’ (daughter) and ‘Jon Eirik’ (brother) seem less directive and welcome more intrigue, reminiscent of a curious child wandering through the dappled light of a forest.
‘Iben’ (daughter) and ‘Eivor’ (daughter) have a hypnotic, three-pointed melodic structure that leaves the listener suspended; transfixed - while ‘Sussi’ (cat) carries unique momentum and suitably feline autonomy. ‘Mette’ (mother) has a mood of ascending, like that of a child's upward gaze at their maternal carer. Utterly nuanced in structure, Jerve leaves ample space for subjective interpretation and allows the listener to weave their own life into the tones.
As expected from the founder of Dugnad rec - this album signifies a deeply personal sentiment. Sometimes we are forced to confront the music and other times, we are left to wonder. Here, we find a balance and unity that allows little thoughts and worries to drift away, bringing us warmly to rest in the present. The LP edition's bonus track features producer/performer extraordinaire Stian Balducci, drawing a line to the next chapter of piano-based music from Dugnad rec: TOKYO TAPES: PIANO RECYCLE.
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Very limited priEvate press.
The new record by Tropa Macaca brings together two pieces, Animais Sintéticos and Aerossol, which were previously presented in an exhibition context, at gnration in Braga and at PADA in Barreiro, in the years 2022 and 2020, respectively. Both exhibitions, which took the title of the pieces, presented themselves as immersive installations that allied music to Joana da Conceição's paintings and videos. These two exhibitions are different pacts between the audible and the visible, and of both with the world.
Here are the texts that accompanied the exhibitions, as well as links to visual report.
Animais Sintéticos, gnration, Braga, 2022
The exhibition Animais Sintéticos exists like a landscape, the kind we remember
when we are not there, alive, but suspended inside us. Enigmatic for us who created
them, they accompany us, and if we imagine that one day they had a beginning, an
original referent outside of us, the time they have already spent with us forces us to
doubt that this is so. Time has uprooted them, torn them from that place. We look
closer, we reflect, we examine, we meditate, and when, as in a quantum leap, we
originate what becomes there, we believe that it has always been there, that we have
crossed the glass, that we have come close to the mystery. It is a landscape like this
that is offered in this exhibition. One of those that say more about us than about the
world, at a time when we already know what we already felt, that we are not the
world. An exercise in quantum paleontology, where the painting, the music, and the
moving image are echoes of this place we inhabit, between promise and ruin. A
confrontation, in the form of an elegy, in search of reconciliation.
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Kenny Summit revisits Lectroluv’s ‘Dream Drums’ for a brand-new remix package, welcoming fresh interpretations from Joeski, Roberto Rodriguez, Eric Kupper, Lenny RX and Summit himself.
Originally released by Lectroluv, aka Frederick Jorgio, in 1993 and championed by Junior Vasquez before becoming a worldwide anthem across dancefloors across the globe, ‘Dream Drums’ holds a place for many as one of the truly iconic house records from the early 90s. Now almost 30 years on, Good For You boss Kenny Summit presents a carefully curated remix package as he revisits and pays homage to the seminal record. Welcoming fresh interpretations from Freerange regular Roberto Rodriguez, NYC house legend Joeski, Plastik People Recordings boss Marc Cotterell, and his own take alongside longstanding Brooklyn rave staple Lenny RX and Grammy-nominated and multi-platinum-selling recording artist Eric Kupper, the expansive package arrives via his sub-label Afternoon Delight.
Opening the package, Roberto Rodriguez’s take builds on the original’s iconic vocals and slick drums through sweeping melodies and airy pads to offer a hazy, paired-back interpretation of the production. Next up, Joeski’s remix lays the focus on percussion as he introduces Latin and Afro influences for a euphoric peak-time production set to get crowds moving, while Marc Cotterell delivers a signature blend of garage-led organ chords and two-step arrangements for a vibrant, sun-soaked cut. To close, the trio of Eric Kupper, Lenny RX and Kenny Summit join forces for a special ‘NYC Never Sleeps’ remix, introducing a killer lead line and warping synths to shape things up in style.
Early DJ Support:
Solomun, Claptone and Black Coffee
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Tropical Disco continue to rewrite the disco handbook as they clock up an impressive quarter century of vinyl releases with a sublime Volume 25 of their series.
Featuring four disco cuts laced with jazz, funk, touches of electro and lots of dancefloor swagger it perfectly continues to build and diversify the sound of the series. Getting in on the party are a trio of Italian disco lovers Musta, an artist whose releases regularly set the disco and house charts alight, alongside the highly rated Corrado Alunni and the mysterious Fun Kool both of whom also hail from Italy.
Opening proceedings, and in stellar form, is co-label boss Sartorial whose ‘Hootin N Tootin’ is a real jazz funk gem. Incessant piano riffs, a groove of a bassline which edges towards acidic in places, guitar licks aplenty and choppy drums all combine for a track which could be played anywhere from a jazz inspired pool party to the funkiest of clubs. ‘Hootin N Tootin’ is as musical as it is dance worthy, two very handy traits which will see it survive the ever onwards march of time.
Musta’s ‘El Matador’ meanwhile has a high energy, fun-filled approach to life. It’s a track which very much defies pigeon holing but which comes from the same effusive family of earworms as Samin’s ‘Heater’ and may well prove to be just as big a breakthrough hit if it lands in the right hands over the summer. It’s very much a track with a big mischievous smile on its sun worshiping face.
Corrado Alunni’s ‘Funk Decision (Dub Mix)’ falls very much into the early Soulfuric camp of Soulful house music, a sound which Tropical Disco has regularly flirted with recently with some fantastic results. Divine live sax, guitar loops and ass shakin’ bass all merge perfectly for a very classy six = minutes of shimmering dancefloor groove.
Fun Kool’s ‘Low Tow’ sees out the EP and takes us off on an 80’s inspired electro journey. Stabby synths, subtle cowbell and Vangelis-esque keys all combine for a track which brings Metro Area’s take on the genre immediately to mind. ‘Low Toe’ deserves all the plaudits which undoubtedly come its way, a future classic for sure.
That Tropical Disco keep conjuring up EP’s of this quality is a major cause for celebration in itself. Disco in 2022 is a progressively more and more interesting place to live given the multifarious avenues which it continues to open up and this EP is a perfect example of the depth, diversity and incredible quality of a genre overflowing with passion. We very much hope that the first 25 volumes are only the beginning.
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Chloé Robinson & DJ ADHD still aren’t short on fuel. In fact, they seem to only be boosted further by their own supply. With such a weighty momentum driving forward their newly established identities, only one big question sits adjacent in the saddle: what’s next? It seems that Chloé and Alex already have the answer for today’s daily summon, and for the next Pretty Weird release, it’s a 4-track techno record reiterating the trusted adage of less being more. With an emphasis on space and silence placed intuitively, the first single from the ‘Steamin’ EP finally gets its much anticipated drop - including a killer remix from close friend Four Tet stamped on in classic, inimitable style.
‘Steamin’ is all serrated kicks, 909 drums and tenacious vocals that yell without inhibition, invoking the looseness of a party spiralling unphased into its collective apex.. ‘Redbull’ scales up on the pyrotechnics and rowdy behaviour, taking the sensation of several shots of caffeine and packaging it into a mean, raucous pick-me-up.
For ‘Pax’, Chloé and Alex continue on the stripped back disorder with white-hot conviction through rhythm and textures that find their power through no-frills, unpretentious simplicity. Kieran Hebden steps up for the remix, nodding back in appreciation to the past through the nestling of a sharply redefined ‘Pulse X’ sample alongside his addictive, punchy production all too suited to those can’t-go-home-just-yet stints.
Early support from artists including Four Tet, Peggy Gou, Jamie XX, Floating Points, Ben UFO, Caribou, Skrillex, Mary Anne Hobbs, Bradley Zero, Bonobo, Saoirse, Zenker Brothers, TSHA, HAAi, I. Jordan, Logic1000 and Pearson Sound.
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RIYL: Toro y Moi, Helado Negro, Rosalía, Tame Impala, Cuco.
Follow up to their 2019 breakout ‘Foam,’ of which Pitchfork said “Foam demonstrates that it’s possible to draw from everywhere, without sounding quite like anything else.” Lead to tours supporting Durand Jones & The Indications, Belle & Sebastian, Chicano Batman, Crumb, Innerwave, and festival appearances at Pitchfork Festival Chicago and Primavera Sound LA. ‘Last Spa on Earth’ is wildly unique and creative music, mixing the sounds of Indie, Electronic, Drum & Bass, Reggaeton, Latin Hip Hop, and more to create a sound all to their own. Divino Niño are no strangers to bold reinvention. When Camilo Medina and Javier Forero friends whose bond dates back to their childhoods in Bogotá, Colombia moved to Chicago and recruited guitarist Guillermo Rodriguez to form a band, they were psych-pop outsiders playing live shows with a drum machine. With the addition of drummer Pierce Codina, their 2019 breakthrough and debut LP for Winspear, Foam, solidified their place as local indie rock mainstays. Soon after, multi-instrumentalist Justin Vittori joined to round out their lineup. Once again, with their masterful, unpredictable, and eminently danceable new album, the band has done something radical: They totally upended the way they write songs, eschewing practice room jams for unrelentingly collaborative beats, implied grooves for immersive dance floor heaters, and mellow vibes for frenetic doses of reggaeton, electropop, and trap on their most adventurous and ambitious work to date. Welcome to the Last Spa on Earth. Written and recorded over the past two years, Last Spa on Earth deals in release and catharsis: confronting your darkest moments and coming out better for it. The album artwork, done by Medina, a longstanding visual artist, depicts a dreamy, yet graffiti-tagged spa, void of physical bodies so listeners can envision themselves in this unique environment. It represents the yin and yang approach Divino Niño took while creating the album: the serenity of the spa and the chaos of the party. Ultimately, the band’s desire is to provide healing in the same way one feels after sweating, shivering, stretching, and resting at the spa against the backdrop of the world’s darkness. Last Spa on Earth is the cathartic product of Divino Niño letting go of their musical preconceptions, past traumas, and future anxieties to embrace change, chaos, and each other’s contributions both to these songs and to each other. Track Listing: 01. LSE 02. Nos Soltamos 03. Tu Tonto 04. XO 05. Toy Premiado 06. Ecstasy 07. Drive 08. Miami 09. Mona 10. Especial 11. Papelito 12. I Am Nobody
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For the 7th release Theory Of Swing welcomes the French duo Groove Boys Project to join the catalogue with their “The Manhattan Soul EP “. Lucas and Alexandre are two talented and devoted guys towards the 90’s house sound. In collaboration with some of their mates Rawaï and Dusty Fingers they created this pure NY house 4 tracker EP that respect at full the concept of the label. “Bring back that magic feel “ .
Written and Produced in the Parisian "Studio 937"and Mastered from St. David at "TOW Records Studio".
Order now. Collecting orders for repress.
After debuting on Flippen Disks in 2018 and a follow-up track on Bradley Zero’s Rhythm Section, PTDD is back on Flippen Disks with this debut solo-EP called „Sizipin“.
Melting PTDD’s signature minimalist sound with a welcoming harmonic world in Hoe Je Het Snijdt, taking a wide array of influences from UK-bass and broken beat in Sizipin to HipHop in N Btj Blvn Dnsn or more progressive club sounds in Kajuit, this EP is a clear big step in PTDD’s development as a producer.
„Sizipin“, a made-up term for an adaptor that you don’t know the use for anymore, it’s a rather fitting name considering the circumstances of the creation go this EP. A connector for quitting his day-job to focus fully on audio and music work, building his studio in deep pandemic lockdown-Utrecht and most importantly becoming a father. Also features a vocal performance of PTDD’s son Olivier. Can you find it?
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Known for creating enriching house music, Italian Canadian DJ and producer Paolo Rocco is in fine form once again as he makes his first outing on Chris Stussy’s up the stuss imprint.
Delivering a selection of silky, classy, deep, and spaced-out trips his “To The Stars And Beyond” EP is an exemplary showcase of his vast talent in the studio.
The package comes reinforced with a stand-out remix courtesy of mandar member and Vigenere boss Malin Genie.
If you’re after a cosmic journey loaded with classic nuances, look no further.
DJ Support:
Enzo Siragusa (FUSE) Very nice release! Thanks
Janeret (Yoyaku) BOMB! Dope ep!
East End Dubs (Eastenderz) Awesome EP.
Reiss (VBX) Malin remix is so so smooth :)
Toman (No Art / Moscow / LOCUS) chi chi boogie! dikkk thanks
Ben Rau (META / Inkal / FUSE)Nice deep cuts from Paolo To The stars and Chi Chi Boogie are cool for me
Locklead (Slapfunk) Up The Stuss does the trick again :) That Chi Chi boogie bass is killing me! Malin Genie remix will do the trick, what a vibe! Big up Paolo for the strong ep
Archie Hamilton (FUSE / Moscow / Moss. Co) Lovely stuff
Joris Voorn Downloaded, thanx.
Laurent Garnier Super cool music
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Soma proudly presents Functional Designs, the latest collection of nocturnal environments from Deepchord, marking his first full length album release on Soma in 5 years. The enigmatic Detroit based producer once again transports us into his sonic realm via night-walks through numerous cities before being transmuted into aural excellence through field recordings, holographic synth tones, cosmic sounds and the hiss of electric wires. All swimming around in filtered 4/4 beats and subterranean basslines. The album is a perfect example of electroacoustic techno transmitted from undisclosed locations, the amalgamation of swirling tapestries of sound, deeper than night and lifeforms moving around underneath the grid.
The album glistens into existence with the beatless Amber breathing life into the project before the eventide of Darkness Falls offers a beautifully subtle and contemplative atmosphere. The guiding light of Transit Systems continues to offer up melancholy with echoing percussion and drifting soundscapes. The highly processed acoustics of Strangers brings a sense of intrigue to the album's journey as Modell works in the most percussive track so far. Panacast is exotic dub techno at it's finest, with warping and perfectly crafted synth work building gently over the top of sub heavy beats, glued perfectly together by the hiss of the collected found-sounds. In a slight rise in tempo, Cloudsat, makes a journey skyward, collecting mood and feelings from high altitude with its emotive synth work. The reverberating halls of Pressure again work as a testament to Modell's sonic crafting - honing in on specific artefacts from his field recordings, imbuing them with deeper purpose. The perfectly titled Ebb and Flow drifts effortlessly on a tide of evolving, blissful sound waves crashing to shore as each one overlaps the other. Beginning the descent into the final part of the album, you begin your ride across a cosmic plain, lit by the glistening and ethereal Sun. The meditative Memories opens a conduit to other realms as the album closes out with the elysian melodies of Drassanes.
Deepchord once again proves he is a producer like no other. A true sonic sculptor who uses his real world experience to create vast, unparalleled soundscapes that captivate and enthral the listener.
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Melancholia is a made-up medical condition manifested in an incessant moment of reflection. The newest album is a soundtrack to different stages of it and the accompanying feelings. The extremes of those got illustrated by Wojtek Łebski who designed the graphic identity of the album.
"I wrote this music during the last 3 years which for me and to many others were the most bizarre time on the planet we live. Lots of dilemmas, problems, ups and downs, self-doubt and permanent anxiety I transformed into different frequencies of sound. From the very first song, you can hear my fascination with the bass and half-step music scene. Thanks to Mr Envee who mixed the album, it sounds exactly how I imagined - deep and worm. Welcome to the journey." - says the author.
Teielte is a very important person to U Know Me Records - his debut album was the first one in the history of the label. To honour the album properly, the "Melancholizm" was labelled with the number UKM 100 and it will be released exactly 12 years after the famous debut of Taielte's album "Homeworkz".
The album will be released in two versions - classic black LP and limited colour LP. What's special about the limited edition is that every copy is different and is numbered by hand (100 copies). Also, both versions have different covers designed by Wojtek Łebski
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The first release of the new label Surfaced Trax submerges into deep waters, delivering three sonically rich compositions aimed at late-night peak-times and early-morning sun rising hours.
The 'Liquid Terrain EP' was produced by Parallax Deep and remixed by Christopher Ledger. And while "Liquid" takes the listener through minimalized yet funky arrangements of precise drum programming and steady grooves, "Terrain", on the other hand, explores the in-between palettes of the electro & acid genres with plenty of rhythmic experimentation and wonky modulations.
On the remix duties, the Italian wizard Christopher Ledger works his magic on "Liquid", turning it into a highly textured, deeply atmospheric, slightly acidic breakbeat monster.
Stunning and tonally fitting collage artwork by Joagi.
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Tripmastaz is back on his imprint with Tripmastaz 08 which features three large-scale dancefloor bangers ranging from freaky big-room smashers to dubby warehouse groovers. "Hypno Dre Vox" plays like a homage to the mid 00's big-room tech-house with its ever-rolling and intensely hypnotic sounds, crafted to turn raving minds unexpectedly upside-down. On the flip side, "Really Quick Dub" tones it down a notch for some dubby warmth while keeping the groove irresistibly bouncy, while "Radio Tranz" brings back the late 90's rave feel with sophistication and class. A no-joke, fail-proof EP to pulverize dancefloors.
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Supergrass’ hugely successful third album reached #3 in the UK album Charts and #13 US Billboard Heatseekers Chartin 1999 and has amassed over 300,000 sales in the UK alone since its release.
Released as 1LP black heavyweight vinyl, 1LP neon orange vinyl and 2CD.
This 2022 re-issue has been fully remastered from original sources and includes the hit singles ‘Pumping On Your Stereo’ (UK #11), ‘Moving’ (UK #9), ‘Mary’ (UK #36).
The 2CD is a 4 panel digipack with 16 page booklet featuring rare band photos and new sleeve notes.
By acclaimed journalist Charles Shaar Murray
Disc 1: remastered album, Disc 2: rare / demo tracks, alternate, live versions and 4 new track remixes (2 of which done by John Leckie). Includes several previously unreleased tracks and versions. Tracklist compiled by Supergrass..
Album remastered by original producer John Cornfield, with Supergrass bassist Mick Quinn.
Restored original artwork with newly inspired inner bag artwork from original 90s promo singles. Lovingly crafted by Supergrass.
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It’s a new day – and 2022 marks a very special new chapter for Parisian producer Hugo LX, who delivers his latest sound offering on his freshly founded imprint Doma Music.
A collective adventure, « The Platinum Wave » sees the return of Hugo’s most frequent collaborators – trumpeter Hermon Mehari and guitarist Christopher Johnson, with the addition of pianist Tony Tixier – the four of them connecting, building and weaving their sonic textures over these five sound cuts.
A starting point in the Doma music catalogue, « The Platinum Wave » aims to propose a different sound in dance music, both a continuation of a certain musical legacy and an exploration of today’s boundless possibilities, as much as an intimate soundscape from four artists deeply involved in the Paris creative scene – and most definitely, a first taste of things to come on the label.
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If you like dance music with a left-field approach, then have a listen to this! After 3 years Nick Hanzo comes back on Fortunea Records with a brand-new EP. In this 5 track package he shows you his ‚Candy Places’ with multi-variant flamboyancy.
Starting off with ‚Parallel Universe‘. A sub-bass heavy breaks-tune that dives into a pool of reversed strings, eerie pads and melancholic singing. The journey continues then to the planet ‚Saturn Nate‘. Its surface is a lo-fi funk groove, which carries over smoothly to ‚Spark Light Year‘.
With a little bit more pressure the B-side hits you in the face with ‚Like Glass But Candy‘. A very effective techno-house hybrid that will bring joy on everyones dancefloor. And for the final Nick will tell you ‚A Berry Tale‘ with his monosynthesizers.
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