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Label head honcho Jovonn returns to Body N'Deep with the 'I Am Music EP', giving you a taster of what to expect from his forthcoming album due in 2025.

Three quality deep house inspired tracks from NYC's finest!

Electronic music visionary Pye Corner Audio, a master of blending nostalgia with forward-thinking production, has carved out a unique niche in the electronic music landscape. Drawing inspiration from 1970s and 80s synthesizer music, Detroit techno, and cinematic soundtracks, his work often evokes a sense of eerie futurism.

Lapsus Records is proud to present Where Things Are Hollow: No Tomorrow, a comprehensive box set revisiting and expanding his acclaimed Where Things Are Hollow series. This release includes the first two volumes—with Volume 2 featuring an unreleased track—and two additional chapters that further enrich the series’ narrative. Once again, Pye Corner Audio delivers innovative soundscapes, drawing inspiration from ambient techno, cinematic electronica, and experimental slow disco.

The third installment unveils a constellation of entirely new tracks, weaving the ambient, synthwave, and retro-futuristic textures that define Jenkins' work. Meanwhile, Where Things Are Hollow 4 amplifies this narrative, incorporating reinterpretations by some of today’s most visionary artists: Alessandro Cortini, Kaitlyn Aurelia Smith, Lord Of The Isles, and Surgeons Girl, alongside the popular 2020 John Talabot remix of "Resist".

As with previous entries, the visual identity of Where Things Are Hollow: No Tomorrow is a striking collaboration between Basora Studio and renowned illustrator Alex Trochut, offering a visual counterpart to the series' otherworldly audio.

With all tracks remastered for this release, Where Things Are Hollow: No Tomorrow is a testament to Jenkins' enduring influence and creative evolution, cementing Pye Corner Audio as a key figure in modern electronic music.

Passing Currents aims to stand out from the predictable by offering a deeply human touch in its music. This five-tracker backs that up by melding academic expertise with dancefloor intuition and the A-side features txted by Phil Moffa remixed by Yamaha DSP coder okpk after they met during doctoral studies, they flip technical mastery into bass-driven energy while Atrevido' fuses California warmth with analogue electro, Josh Dahlberg's rediscovered 2009 electro gem, 'Ass On The Floor', still bangs and Detroit's Kevin Reynolds delivers hypnotic grooves before Hazmat Live pushes boundaries with a sound rooted in soulful, experimental innovation.

2025 Repress

Sonic shamans Feral and Spekki Webu team up for the third release on Aube Rouge. Straddling the boundaries between IDM and Techno, the duo traces their roots back to the forests of the Mo.Dem Festival, where they performed their debut live set in 2022. "Kentaga" is an invitation to embark on a mental journey infused with tribal rites and lysergic visions.

Always championing forward-thinking projects and sounds, Enzo Siragusa’s FUSE imprint welcomes a special addition to its catalogue as London-based DJ and producer Theo Kottis steps up for his label debut with his ‘Dark At 3PM’ EP. A highly respected figure known for his euphoric productions and magnetic energy behind the decks, Theo’s first appearance on the label marks a fresh moment of synergy, uniting his rich and often nostalgic sound with the signature UK-driven edge of the London imprint.

Known for standout releases on tastemaker labels such as Dekmantel and CWPT – and with performances at iconic venues including Panorama Bar, Lux Fragil and Robert Johnson – Theo brings a decade of craftsmanship into his FUSE debut, diving deep into a world of garage, rave, and bassline, through to cosmic-inspired textures to deliver a vibrant and genre-bending body of work.

Across the EP, Theo presents a kaleidoscope of UK club influences while weaving in his own flair for melody and mood. Opener ‘Dark At 3PM’ kicks things off with warped low-end frequencies and spaced-out atmospherics, merging raw UKG fl avours with celestial flourishes. ‘Forward Motion’ keeps the energy tight and driving with propulsive speed garage rhythms, weighty lows and sharp percussive touches. On the B-side, ‘Glow’ leans into spacey pads and deep, undulating basslines, offering a shimmering mid-release moment. ‘In Search Of’ adds an impactful, introspective dimension with swirling synths, chunky bass, ethereal vocals and breaks-influenced drums, before ‘Strides’ closes the EP on a trip – a deep-diving journey built for late-night sessions.

Following on from the celebrated first instalment, the second part of The Male Body Will Be Next compiles an entourage of daring sonic experiments, composed in response to bell hooks’ landmark book The Will to Change. Prompting artists and musicians to envision cross-gender solidarity, Osàre! Editions founder Elena Colombi presents an enrapturing, narrative album, conceptualised around collective transformation.

Resonating with hooks’ challenge to men to reclaim the sensitivity that patriarchy denies them, the name of the record arises from a photograph by Peter de Potter and Rebecca Salvadori’s film of the same title. In these depictions, naked flesh is exposed, made vulnerable and trembles with emotion as the fragility of masculine bodies are examined through the queer and female oppositional gaze. Transforming this visual language into musical expression, The Male Body Will Be Next swirls with punk vitriol, electrified noise, acid, electro and free-wheeling encounters charged by love, lust and limerence.

Gently plunking chords signal Pose Diva’s reimagining of lover’s rock before Sissy Fuss smashes in with a heavy-weight instrumental version of their erotic anthem ‘No Restraint’.
Made up of Turkish musician Etkin Çekin and Belarussian songstress Galina Ozeran, God is God delivers a gentle lullaby, while Low End Activist flirts with dark and brooding bass, shattering penetrating frequencies into luminous fragments. Riffing off the 2020 documentary about female early electronica pioneers, Loma Doom crafts a slowly oscillating drone zenith, the ultimate climax. In line with the conceptual underpinning, there are plenty of collaborations – Daytripper’s Riva and Sitar player Tommy Khosla, Lebanonese experimentalist N R and Swiss-French producer John Silvestre (AKA Typhon), as well as Colombi herself and trans author/activist Juno Roche. Within these partnerships, new modalities come alive as mediums, practices and perspectives are ignited and pushed in otherworldly, metamorphic directions.

Building on the subtle beauty of her last album ‘Kassi Valazza Knows Nothing’ (???? The Times, ???? Mojo) ‘Weight Of The Wheel’, the first single off her new album ‘From Newman Street’, evokes feelings of heaviness and confusion with life’s constant cycle. Delivered with what can only be described as exquisite songwriting alongside her unmistakably tender yet warm voice that conjures up thoughts of the likes of Karen Dalton, Joni Mitchell and Sandy Denny with much of the same quiet wisdom.
Kassi Valazza returns with From Newman Street on May 2 via Loose Music. Newman Street refers to the location of a friend's house in Portland where Kassi found shelter and a safe space while navigating change in 2023. Here, she wrote most of the songs for the new record and planned her move to New Orleans, Louisiana. The 10-track set is delivered through a strikingly honest lens as Valazza ponders her willingness to accept change, finding positivity where she can. From Newman Street follows 2023's Kassi Valazza Knows Nothing, which received rave reviews from NPR Music, UNCUT, No Depression, MOJO, The Times, Holler, and more.
‘Weight Of The Wheel’, the first single from the new album, evokes feelings of heaviness and confusion with life’s constant cycle. Delivered with what can only be described as exquisite songwriting alongside her unmistakably tender yet warm voice that conjures up thoughts of the likes of Karen Dalton, Joni Mitchell and Sandy Denny with much of the same quiet wisdom.

The year 2024 rolled out in a restless haze, leaving everything a bit cloudy. In search of vision, we sought the guidance of our shaman—through the steady beat of a drum, a deep transformation began. And bam, just like that, the balance was restored and everything fell into alignment. Tokyo, Paris, Zürich, and Helsinki—each location now linked in a cosmic force field.

Fast forward to May 2025, and we are presented with a lush underground journey. The eleventh Common Labour 12” features the works of Omar Santis, Flabaire, Thomas Wood and pothOles. So buckle up and enjoy the ride into the depths. Odd Jobs Vol.4 is a labour of love – hand-stamped and numbered, limited to 199 copies worldwide.

Multi platinum-selling musician and multi-instrumentalist Jamie Cullum today announces The Pianoman At Christmas - The Complete Edition. Due for release on 19th November via Island Records. The deluxe album completes last year’s critically acclaimed hit album The Pianoman At Christmas Part 1, with its Second Part - featuring 11 covers of classic Christmas songs, as well as two original songs, including lead single ‘Christmas Don’t Let Me Down’, out now.

Drawing from the past and inspired by the present, The Pianoman At Christmas - The Complete Edition sees Jamie team up with London jazz innovators Kansas Smitty’s, as well as composer and producer The Vernon Spring and acclaimed LA-based jazz singer Lady Blackbird to complete a piece of work that is imbued with seasonal sophistication. Alongside his two original tracks, Jamie breathes new life into classics such as ‘Winter Wonderland’, ‘Silent Night’ and ‘Frosty The Snowman’, ranging from ‘Amazing Grace’ to ‘Man With The Bag’ and ‘Sleigh Ride’. The Complete Edition will be released on double CD and double black vinyl formats, alongside a limited run of 180G Heavyweight coloured vinyl in red and gold.

Speaking on the release, Jamie said -

“I had a huge amount of fun creating part two of TPAC. Recorded live, all in the room together - it’s the party after the big show, with friends, drinks and some of the finest musicians on planet earth.”

Released almost a year to the day before The Complete Edition is due out, The Pianoman At Christmas featured 11 original songs played by 57 of Britain’s best musicians, recorded in Abbey Road’s famous Studio 2 and produced by Greg Wells whose The Greatest Showman soundtrack spent 28 weeks at number 1. The album sold over 37,000 copies, spending 6 weeks in the album chart and peaking at number 11. In December Jamie broke the Guinness World Record for the largest music lesson ever, when he held a virtual piano lesson for 2,282 people, teaching them the carol ‘In The Bleak Midwinter’ with special guests Robbie Williams, Sigrid and Dodie.
With 10 million album sales and over 890 million streams to date, Jamie is a celebrated musician the world over with loyal fans in every corner of the globe. With a career spanning over 20 years, his legendary live shows have seen him perform and work alongside artists as diverse as Herbie Hancock, Pharrell Williams, Kendrick Lamar and IDLES - Jamie writing on the latter’s album Ultra Mono. The success of Jamie’s major label breakthrough, Twentysomething in 2003 and its follow up Catching Tales saw him nominated for a BRIT, Grammy and numerous other awards around the world. In 2020 he won an Ivor Novello Award for his track ‘Age of Anxiety’, taken from his acclaimed 9th studio album Taller. In addition to his enduringly successful recording career, Jamie has also established himself as a multi-award winning music broadcaster; his BBC Radio 2 show celebrated its 11th year on air this year.

With her debut album Black Acid Soul earning critical praise, Lady Blackbird is a revelatory new talent with music that transcends the jazz scene through which the LA-based artist is rooted. Reflecting influences as varied as Billie Holiday, Gladys Knight, Tina Turner and Chaka Khan, with critics drawing comparisons to Adele, Amy and Celeste, Lady Blackbird’s distinct and beguiling voice is not one to be missed.

UK band Kansas Smitty’s have developed a musical voice wholly unique from what’s happening around them. They are led by band leader and producer Giacomo Smith who's cinematic compositions feature on their releases, most recently 2021's acclaimed Things Happened Here for Berlin based label !K7. In 2015 they launched their own east London venue and bar, of the same name, which became one of the conception points for the current UK jazz boom.

Londoner Sam Beste aka The Vernon Spring is a polymath in music who has production, writing and performance credits as eclectic as Amy Winehouse, Matthew Herbert, Kano, Joy Crookes, Beth Orton, Blood Orange, Gabriels and MF DOOM. Since 2019 he has been making waves with solo project The Vernon Spring, which foregrounds his rare capacity to hold sophistication and simplicity in the same hands through highly intimate muted-piano compositions and improvisations.

One of Europe's most popular alternative / dark wave bands. Lebanon Hanover have over one million monthly listeners on Spotify. Following their first US tour in over a decade, Lebanon Hanover returns with a soul-stirring double A-side single release, marking their first new material since the captivating 2020 album, 'Sci-Fi Sky.' Now, the enigmatic duo of William Maybelline and Larissa Iceglass beckons listeners into unventured sonic domains, intricately weaving folk-driven acoustic dream pop with the vulnerable essence of post-punk in a contemplative exploration of life's ephemeral yet profound nature. Embarking on a Cure-like sonic voyage reminiscent of the 'Head on the Door' and the 'Kiss Me’ era, title track 'Better Than Going Under' manifests as a romantic, sombre daydream. William Maybelline's brooding baritone intertwines with sighing back vocals, narrating an ode to life's fleeting yet boundless vistas. The acoustic strums initiate a folk-driven narrative which, when coupled with a celestial choir, crafts a contemplative soundscape of cautious optimism, reminiscent of Echo and the Bunnymen or The Church.. KYIV: Bearing the name of Ukraine's capital, 'KYIV,' voiced by Larissa Iceglass, delves into a narrative reflective of the sorrow and despair entwined within war-torn regions like Ukraine and beyond. The acoustic guitar and drum machine create a Cocteau Twins' 'Treasure'-esque soundscape, evoking a melancholic yet beautiful auditory journey. Iceglass's voice, transitioning from her husky baritone to a more resigned lament, embodies a poignant reflection on the harsh realities faced by those embroiled in conflict-ridden landscapes.

Esente Records proudly presents its latest vinyl release signed by BRYZ, a refined journey into electronic minimalism. This four-track collection opens with Slippery, a fluid exploration of rhythm and texture. Self Definition dives deep into self-reflective tones, capturing the essence of personal expression. She’s Infinite Bliss brings an ethereal, almost transcendental quality, while Eternal Sheevy leaves a timeless impression that lingers beyond the final beat. Each track embodies the minimal yet profound sound Esente Records champions—crafted for vinyl and designed to resonate on every level

At long last, Q Lazzarus says hello to Dark Entries. Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded “Goodbye Horses” in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. “He liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didn’t really take it seriously.” said Luckey. Demme would have the song “Goodbye Horses” first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into women’s clothing while drowning out his intended victim’s pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. “Goodbye Horses” is the definition of a cult classic, an ethereal tearjerker driven by Garvey’s lush synth work and Luckey’s unmistakably powerful voice. Garvey says, “the song is about transcendence over those who see the world as only earthly and finite.”

Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.

Iconic German producer Stimming takes flight with his new album Friedrich Friedrich is out on April 25th via Stimming Recordings A masterful blend of sonic experimentation and storytelling, Friedrich – the second chapter in Stimming’s trilogy – dives deep into life’s ordinary yet profound moments. Designed to ignite the dance floor while offering a rich, introspective home-listening journey, it showcases the producer’s unparalleled artistry. Stimming’s sound world has always been known for its high-level, cerebral architecture. The artist takes electronic music to a compositional extreme where every sound is imbued with meaning and nothing is left unthought of.

First-ever vinyl pressing of Spillage Village’s Bears Like This Too Much!

After much anticipation, Spillage Village’s most celebrated project Bears Like This Too Much finally lands on vinyl! This exclusive release features the group’s biggest tracks, including the fan-favorite "M.O.M.," pressed on stunning clear vinyl with brown and blue splatter—perfectly reflecting the album’s vibrant, genre-blending energy.

As the crown jewel of the Bears Like This trilogy, this project highlights the collective's creative peak, with dynamic contributions from J.I.D., EarthGang, 6lack, and more. The bold and experimental sound that defines Spillage Village is brought to life on vinyl for the first time, making this a must-have addition to any collection.

Secure your piece of Spillage Village history with this limited-edition splatter vinyl.

2025 LTD repress ! BE FAST !

The main track is a jazzy and trippy journey between minimal House and micro Techno Landscapes.

On the B side you'll find two fantastic dubby tech tracks.

Congratulations guys to this lovely debut for us!

SEVEN's latest release stands as a proper example of how house and techno complement each other. "Saveur de Monbi" exemplifies SEVEN's commitment to blending classic and modern sounds, delivering an EP that is both timeless and fresh. Available exclusively on Beatport from April 18th, 2025 and on all major platforms and in stores on May 2nd, 2025.

A1 - CRYME x Ben Reymann - WTTD The perfect opening track doesn't exist... "WTTD" stands for "Welcome to the Dancefloor" and sets the tone of this EP. Starting with heavy kicks, syncopated low toms, and hot vocals that ease you into the night, it tells a story about how we can feel and let loose while being on the dancefloor together.

A2 - CRYME x Ben Reymann - Acid Array "Acid Array" is driven by a low-resonant 303 bassline and is supported by ever-evolving atmospheric pads that stretch across the entire track. Simple and sharp hats, along with a powerful clap that cuts through the mix like butter, make up a perfect groove.

B1 - CRYME x Ben Reymann - Midnight Journey "Midnight Journey" is a drum-focused minimalistic track. The reverb-soaked, dreamy pads contrast with the rather rough drums, creating a nostalgic feel that is both sad and happy at the same time.

B2 - CRYME x Ben Reymann - Midnight Journey (Volpe Remix) On the B-side, we are happy to have Argentinian artist Volpe on board with his interpretation of "Midnight Journey." He flipped the track, giving it more drive by adding extra drums and changes in the rhythm structure while keeping the reverb-soaked, dreamy pads from the original. His classic, moody filter sweeps fit perfectly on top.

B3 - CRYME x Ben Reymann - Chordance "Chordance" stands out due to a rather clean mixdown. The playful rhythms of the toms combined with soulful chords as the main element and a big pulsating low end round the EP off with class.

Respected Swedish drummer and composer Dennis Egberth introduces new sextet in his first album with 577 Records.


"If you love the era in which electronic elements began to enter contemporary jazz, you’ll love what Sweden’s Dennis Egberth has been creating. The esteemed drummer/composer introduces us to his hand-chosen ensemble, The Dennis Egberth Dynasty, in the artist’s first album with 577 Records. The self-titled release highlights his creativity, painting a hypnotic soundscape that soothes the soul.

Experimental wizard Dennis Egberth is known for his distinguished approach to experimental music, free improv, and alternative pop, as well as his fascinating skills in blending cosmic composition and chilled ambient and electronic sounds. He presents floating melodies of irresistible bass lines and long, modal buildups that come alive with exploding lyricism. His new record highlights his compositional roots and was inspired by the evolution of electronics in this genre during the late ‘60s and ‘70s.

Egberth fused his talents with those of Fredrik Ljungkvist on tenor sax and clarinet, Niklas Barnö on trumpet, Alexander Zethson on Wurlitzer, Linus Hillborg on electronics, and double bassist Joe Williamson, forming an unforgettable sextet. Together, they’re more like a thriving ecosystem than anything else. Each member brings critical elements from their dynamic roles in the Swedish and European creative music scene and contributes them to the manifestation of a higher wave of sound unlike any other."

Tenor saxaphone and clarinet by Fredrik Ljungkvist.
Trumpet by Niklas Barnö.
Wurlitzer by Alex Zethson.
Electronics by Linus Hillborg.
Double bass by Joe Williamson.
Drums by Dennis Egberth.

Recorded by Niclas Lindström on December 14, 2023 at Atlantis Studio, Stockholm, Sweden.
Mixed by Anders af Klintberg.
Mastering by Kristofer Göransson.
Cover painting by MiHee Kim Magee.
Graphic design by Mark Smith.
All music by Dennis Egberth.

This record was made with support from the Swedish Arts Council.

Hits! Hits! Hits! Number 8 in the value-for-money series on Running Back is here, serving up a dessert spoon for almost every taste. Skatman discovers his inner crooner and shares his feelings with the world—electronic disco poetry of the highest order.
Australia’s high-velocity aristocrat, Baron von Trax, delivers a mirror ball tearjerker of the finest kind: If I Only Knew strikes the golden balance between tried-and-tested Italo tropes, classic disco elements, and their razor-sharp transformation into a zenith of happiness.
In Your Eyes by Janis Zielinski & Sowhy3 continues the journey of heartfelt thingsto-think-about with a pop dance hit from a parallel universe. To round it all off, recurring Running Back artist Morphena delivers a new wavey masterpiece, while Zoé Zoé offers an ode to tangerine-like Berlin School music— complete with a dance beat underneath.
Fancy!

T H E E L E K T R O N I K Z O O
F E S T I VA L J O U R N E Y VA . E P

The new various artists compilation launches with a seismic opener from none other than Gregor Tresher, a true legend whose influence has shaped the sound of techno for decades—"Bonegrinder" is a raw, hypnotic masterstroke. Following is Marco Bailey, our iconic label founder and relentless force in the scene, delivering a bold Electro cut with "Arcane". The journey continues with deep melodic trips from Works of Intent & Voltaire and Tom Hades & Soren Aalberg, gritty Electro from Ian O’Donovan, raw techno heat from Eddie Merced, and ethereal Electronica by Alienna—each artist contributing their unique voice to this powerhouse compilation.

Dompe presents French Collection 2: A journey through funky house, disco house and French house


After the successful first part of his French Collection, Dompe sets new standards with the sequel and brings a breath of fresh air to the house scene. French Collection 2 skillfully combines the pulsating rhythms of funky house, the nostalgic vibes of disco house and the iconic melodies of French house - all with Dompe's unique style.


This album is a musical homage to the golden years of 90's house, combined with modern, funky grooves that will conquer any dancefloor. Dompe proves once again that he is a master of the genre, making the perfect connections between driving basslines, smooth funk guitars and catchy vocals. Every track on French Collection 2 is designed to evoke nostalgic memories as well as inspire today's dance-loving generation.


Dompe manages to preserve the spirit of the classic 90's house scene while adding a modern twist. French Collection 2 is a must for all fans of the genre - and for anyone who simply wants to experience the funk and energy of a great house album.

Cosmic frequencies and deep rhythms straight from Vakula's universe. A 13-minute journey backed by dubby grooves and sunlit vibes. Essential wax for the heads. Dropping April 2025 – stay tuned.

Theory Of Swing Records and Club U Nite Records are two 90s house devoted Record Label on the market nowadays. When they decide to combine their music taste and collect a bunch of tracks together this is the result.

Collective Grooves Vol. 1 is a V.A. must have split EP .

A side fully dedicated to label boss of Club U Nite Records’s Mellow Man and his side project “ Black Chunes Productions “ for a real elegant Soulful Piano House groover.

B side sees a collaboration between Theory Of Swing main man St. David and his mate from “No Hype DJ’s” project Wildbox.

This side will take you in the beautiful journey of 90s underground Cutting records / Easy Streets nostalgic sound.

A sonic journey across Tweak's collection tracks that offering a unique blend of rhythm and atmosphere.
"Generations" stands out with its pulsating grooves and hypnotic melodies, fusing electronic precision with an old-school soul. The "Red Rover" (Rework) injects fresh energy, layering tight beats and atmospheric synths for a tension-filled club experience. "Fathorn" dives into darker, tribal territory, driven by deep bass and mesmerizing percussion that evoke a ritualistic intensity. Meanwhile, Raw Deal’s Freedom Time remix of "Fathorn" expands on this mysticism, infusing the track with a freer, more fluid groove that heightens its immersive power.
For this record, Back To Life made a 100% recycled vinyl that reduce waste, minimize environmental impact and support the planet.

Daryl Systems: The Wall Street Investor Turned Synth Maestro_
Daryl Systems, a former Wall Street stockbroker, found his true calling in music after a successful career in finance. Born and raised in the heart of New York City, Daryl made his fortune in the high-stakes world of stocks during the booming 90s. By the mid-90s, he had amassed significant wealth, allowing him to retire early and turn his attention to his lifelong passion: music.
Daryl relocated to Sweden, a country known for its rich history of electronic music, and began amassing a vast collection of vintage synthesizers. Inspired by the analog sounds of 70s and 80s synth music, Daryl became deeply immersed in the world of electronic production, creating lush, nostalgic melodies with a modern edge. His music blends the warmth of classic synths with innovative soundscapes, capturing a sense of retro-futurism.
Daryl's work is rooted in the tradition of vintage synth music, drawing influences from early electronic pioneers, while adding his own contemporary twist. He quickly gained a reputation within the underground scene for his impeccable taste in synthesizers and his ability to weave intricate, atmospheric tracks. His unique background and sound have made him a sought-after producer within the global electronic music community.

Mr. Fantasy: The Latin Italo Lover and Synth Collector
Mr. Fantasy is a true embodiment of the Italo disco movement, with a deep love for the genre and a keen passion for synthesizers. Hailing from Latin origins, Mr. Fantasy’s music is a vibrant tribute to the golden era of 80s Italo disco, blending nostalgic melodies with rich, rhythmic layers. With a particular obsession for collecting vintage synthesizers, Mr. Fantasy's music brings the analog warmth of the past into the present, creating a captivating blend of melodic hooks and captivating synths.
He grew up listening to the Italo disco classics, developing a fascination for the genre's distinctive sound, which he now incorporates into his music. Mr. Fantasy’s tracks are filled with pulsating beats, dreamy synths, and smooth basslines, all influenced by the golden age of Italian disco and electronic music.
His passion for synthesizers is matched only by his dedication to creating the perfect track. By blending his Latin roots with the shimmering sounds of Italo disco and the energy of modern electronic dance music, Mr. Fantasy has carved a niche for himself in the underground electronic scene.

The Collaboration: "Sensazione Elettronica" EP
In a highly anticipated collaboration, Daryl Systems and Mr. Fantasy have teamed up to release a new EP for the Italian record label Maledetta Discoteca. This collaboration brings together their shared love for vintage synthesizers, the Italo disco influence, and a passion for deep, atmospheric electronics.
Sensazione Elettronica features four electrifying tracks that blend retro vibes with fresh, forward-thinking production. Drawing from their unique backgrounds—Daryl's transition from the world of finance to full-time music production, and Mr. Fantasy’s deep connection to Italo disco—they have created a sound that is both nostalgic and innovative.
The EP showcases their mastery of classic synthesizers, with catchy melodies, driving basslines, and smooth, atmospheric textures that transport listeners to a world of neon-lit discos and timeless electronic rhythms. It’s an exhilarating project that marks the beginning of an exciting new chapter in both of their musical journeys.

DJ Support: Jamie Cullum (BBC Radio 2), Huey Morgan (BBC Radio 6), Gilles Peterson (BBC Radio 6), Deb Grant (New Music Fix, BBC Radio 6)

On debut album ‘While I'm Distracted’, London-based New Zealander Arjuna Oakes draws inspiration from contemporary soul and jazz, touches of global folk, electronica, modern classical, and post-rock, with dynamic arrangements and production. ‘While I'm Distracted’ is an album about fighting for your innocence and right to be a vulnerable and honest human. Arjuna’s songwriting explores themes of identity, depression, existentialism, social media, loss of innocence, and finding hope for the future through artistic expression.

'I'm obsessed with albums,' says Arjuna. 'I've made seven EPs, but needed time to tackle a full length record. I was using the EPs to learn the craft of how to make a great album, much like a director will make short films before they make a feature. I wanted to take the listener on a journey and spark their imagination. Hopefully the album expresses complex emotions, rather than having an intellectual concept. I'd rather ask questions than answer them'.

Across the album, Arjuna performs vocals, piano, keyboards, synths, production, and wrote the string arrangements. He’s joined by Harrison Scholes on bass, Jo Jenkins and Andre Smith on guitar, Sam Notman on drums, Louisa Williamson on saxophone, Nathan Haines on flute, Kate King on french horn, Leah Thomas on clarinet, Hilary Hayes and Emma Colligan on violin, Chris Van Der Zee on viola, Charley Davenport on cello, Zane Hawkins on percussion, James Macewan on trumpet, and additional production by Callum Mower.

Jack Cutter is a songwriter and guitarist based in the San Francisco Bay Area in California. He started with a $5 banjo just after finishing high school. In University, during the late 60's, he performed with bar bands in Buffalo, New York. After completing University and a year as an Aerospace Engineer, he decided that attack helicopters were not really what the world needed and so
he headed off to California in pursuit of music and mystic times.
Fast forward to Fall 2014: Jack is playing his quintessential tune, 'Gift of Our Fathers' in the SF BART subway to an onslaught of morning commuters when he was spotted by 40 Thieves. Eureka! Love at first sight and in the next few months, two of Jack's original acoustic pieces were given the 40 Thieves
treatment.Enter David Sanderson aka David Harks, a singer, songwriter, producer and label curator from the East Sussex region of the UK. 'Having fallen in love with the cosmic boogie (of 40 Thieves classic 'Backward Love') I really felt I would
love nothing more than to write a tune with them. Layne got back in touch with a track he was working on entitled Serpent Strut with Jack Cutter and we worked via email over a few months to brew up that misty soul.' Deep, stony, psychedelic, drawing from the well of Hawkwind, Joni Mitchell, David Crosby, Baffo Banfi and Tolkien-tinged acoustic Led Zep, the proof of
concept is now complete and in the capable and loving hands of Claremont 56.

Marie-Pierre Rixain and David Fenech form an unexpected and captivating duo, pushing the boundaries of alternative music. Together, they embark on an unclassifiable sonic journey, blending industrial downtempo, steady kicks, cold percussion, field recordings, and electric guitar feedback. Their music, often dark, carries flashes of warmth inspired by British dub—like an imaginary collaboration between The Bug and This Heat. At times, it echoes the world of La Perversita by Hector Zazou & Co.



Their debut album, Insane Ghosts, due out in spring 2025 on the Parisian label Hublotone, was recorded in 2024 in the intimate privacy of the bedroom. Mixed by David Fenech, it also benefits from the participation of Alexandre Berly (La Mverte) on the track ‘Toi en Moi’, adding a sub and experimental touch. The mastering was handled by the legendary Noel Summerville, whose sonic signature graces iconic albums by The Clash, My Bloody Valentine, Kraftwerk, Aphex Twin, and Nick Cave and the Bad Seeds.



The album cover features a striking work by French photographer and filmmaker Antoine d’Agata (Magnum Photos). His poetic and abstract image adds another layer to Insane Ghosts, a project already shaping up to be a must-have for fans of introspective, dark and cold music. Like if Lost in Highway from David Lynch had a new soundtrack.

Much More delivering six uncompromising cuts from some of the most forward-thinking names in the scene. This is techno in its purest, most powerful form — raw, hypnotic, and emotionally charged.

From peak-time energy to deep mental journeys, each track hits with purpose. No filler. No compromise. Just Techno at its best.

THE PLAYGROUND invites Aussie beat connoisseur INKSWEL back again for a funky, soul drenched 7 track EP. Catchy with you humming the hooks. "ASTRO SOUL" features COL RED and "EARLY IN THE AM" features MR. FLIP & CALI4NIA. LA stalwart CASERTA delivers a trio of deep chunky remixes to round it out.

180 G. BLACK VINYL WITH LINER NOTES IN CREOLE, FRENCH, ENGLISH

Originally released in 1979, "Spiritual Sound" lives up to its name, a soaring, triumphant album, six tracks of spirit magic from Guadeloupe.

Telluric, intense, terribly alive, the gwoka drums of Guadeloupe carry the identity of a painful and fervent island. Marked forever by the crime of slavery, Guadeloupe's créolité cherishes the ka drums and their natural environment: the low-pitched boula drum with male goatskin, the high-pitched soloist makè drum with female goatskin, the chacha, ti bwa, triangle, calabash and other percussion instruments that surround them, and the voices - the fiery, proud, timbred, urgent voices of the gwoka.



This album is also a legend for its voices: in his then dazzling youth, singer Lukuber Séjor was one of the first gwoka artists to largely feminize the chorus of répondè, who converse with his text delivered in a straight and powerful voice.

And everything here sets new standards. In 1979, Mizik Filamonik - Spiritual Sound proclaimed a spiritual patriotism of ferocious intensity. The album by Lukuber Séjor - whose spelling alone is a battle - sets out to give Guadeloupe the intangible weapons of self-respect and self-knowledge, through a singular practice of traditional music.

The genesis of gwoka music is less straightforward than one might imagine... The drums performed the servile task of accompanying the work of slaves in the fields and during the “corvées” imposed by the administration, before being freely practiced by the common people after the abolition of 1848. At the heart of the conviviality of the Guadeloupeans furthest from the cities - geographically and socially - the gwoka drums come out for carnival, funeral wakes and neighborhood celebrations, but also during strikes, fits of anger and armed vigils of the riots and revolts that have punctuated the island's history. For generations, governors of the colony and then the prefects of the overseas department of Guadeloupe have been viewing the gwoka as a potential for turbulence and a threat to public order.

But as the Beatlesmania, “chanson engagée” and rock revolutions unfolded in Europe, young people turned to the drums of mizik a vié nèg (“bad negro music”, in Creole), which Guadeloupeans had learned to despise by following the “assimilation” process advocated by the school system and most of the political class. At the end of the sixties, in a Guadeloupe mourning the deadly repression of the May 1967 social movement, they played traditional music, refusing to wrap it up in tourist prettiness and madras folk costumes. Instinctively, they played a rough and contemporary gwoka, led by the incendiary Guy Konkèt. This was the era of decisive 45 rpm records such as Robert Loyson's Kann a la richès, which brought to light the fieriest words of union rallies.

At his home in Sainte-Anne, Lukuber Séjor played with flautist Olivier Vamur and his brother Claude Vamur, who cobbled together a drum kit from tin crockery and became, a few years later, the most influential drummer in Kassav'.

These were the years of the Bumidom program, when young Guadeloupeans were encouraged to emigrate to mainland France. At the age of twenty, Lukuber Séjor embarked on the liner Irpinia, disembarking at Le Havre and taking the train to the Gare Saint-Lazare - the route taken by thousands of young West Indians who went on to study or looked for work, all the while trying to maintain a link with their homeland. In this case, it's at the Antony university residence, where Lukuber played the drum and participated in a thousand gwoka updates and aggiornamentos, while exile reinforced the need for a spiritual link with the native land.

In 1978, Guy Konkèt played at the Salle Wagram, a historic event for West Indian music. After serving as répondè - i.e. backing vocalist - on one of his home-recorded albums, Lukuber joined his live band. Little by little, he became one of the key artists on a circuit parallel to French show business. At a student party in Caen, he met a young woman from Martinique who, at the time, was more motivated by her ambitions as a visual artist than by her vocation as a musician. Her name was Jocelyne Béroard and, a few years before she plunged into the Kassav' adventure and became the greatest West Indian singer of her generation, she designed the cover of Lukuber Séjor's LP.

This ambition was obvious and imposed its will. A more or less regular band was formed, with Roger Raspail, Rudy Mompière and Éric Danquin on ka drums, Claude Vamur on ti bwa, Olivier Vamur and Françoise Lancréot on flutes and Annick Noël on keyboards. Lukuber Séjor is set on wanting to extend the gwoka palette to other instruments, as the jazz-rock revolution opens a thousand new doors. Annick Noël will play a wide range of timbres and textures on electric piano and synthesizer. Another novelty: the répondè are two men and two women, Roger Raspail, Olivier Vamur, Françoise Lancréot and Maryann Mathéus ...

Mizik Filamonik - Spiritual Sound is a self-production in which the singer and leader sank all his savings, allowing him no more than a single day in the studio. The first side is more of a musical manifesto, with the first two tracks, Éritage and Penn é plézi, being instrumentals. The third, Son, forcefully celebrates the need for Guadeloupeans to connect with the gwoka. In fact, Jocelyne Béroard's cover shows a tambouyé in the shadow of a cloudy sky, against which a radiant sun is rising and whose light will soon flood the entire landscape. The silhouette and face of this man strongly evoke the immense Vélo, master of the ka, rejected at the time on the fringes of society.

The second side of the LP is surprising. Formally, three tracks are explicitly linked like the three parts of a triptych. Primyé voyaj evokes the appalling tribulation of Africans deported as slaves to Guadeloupe; dézyèm voyaj speaks of the Bumidom program and the economic, political and social forces driving young Guadeloupeans towards the mirage of prosperity in France; twazyèm voyaj closes the cycle with the emigrants' return from Europe after years away from their island...

This gwoka, obsessed with the need to save Guadeloupe spiritually, appeals far beyond the politicized audience. Mizik Filamonik - Spiritual Sound instantly became a classic, although Lukuber Séjor never really made a career for himself as a musician.

After all, the album was released in 1980, with no promotional resources in France or Guadeloupe - and therefore no concerts. The thirty-two-year-old author, composer and performer made his own third trip back to Guadeloupe. He set up a small woodworking business, which he lost in Hurricane Hugo in 1989. His other activity, teaching in a medical-educational institute, became the core of his professional life. He continued to be an active campaigner - a campaigner for the Creole language, a campaigner for the reawakening of identity, a campaigner for special education, a campaigner for a thousand causes that he ignited with his generous and perceptive enthusiasm, such as the defense of breadfruit fries...

The echoes of his 1979 album have not died down. Of course, the use of Penn é plézi as the theme tune for Radio Guadeloupe's funeral notices from 1980 to 1992 kept him in the collective memory, but he continues to sing and compose sporadically, as with his all-female

vocal group Vwapoulouéka... Still convinced that music is a means of liberating the spirit, he continues the journey of a young man eager to deploy the power of Creole music and language.

Bertrand Dicale

Vinyl Only!

Prepare to embark on a transcendental musical journey with Vick Lavender's latest album, "BEYOND". This release showcases Lavender's unparalleled ability to blend genres and create a rich tapestry of sound that defies boundaries. Teaming up with the talented Justin Dillard, who serves as music director and contributes his skills on organ and keys, Lavender delivers an album that is both innovative and deeply soulful.

From the deep house grooves of "Midnight Hour" and "Overdrive" to the jazzy house vibes of "Beyond" and "Knights", each track on this album is a testament to Lavender's versatility and mastery of his craft. The hip hop tracks "The Project" and "Good Timing" (featuring Big Mel) add a fresh and dynamic element, while the soulful house tracks "Experimental" (featuring Brian 'Smokey' Williams) and "Get Here" (featuring Angel-A) provide a lush, emotive experience.

The album also features contributions from a stellar lineup of musicians, including Simon Sims on bass, Joe McCoy on organ, Jackie Shepard on guitar, and Charles Roland on woodwinds. Special respect is given to Aundre Miller, Vick's mentor, whose influence is felt throughout the album.

"BEYOND" is more than just an album; it's a sonic journey that pushes the boundaries of genre and takes listeners on an unforgettable ride. Whether you're a fan of deep house, hip hop, jazz funk, or soulful house, this album has something for everyone. Don't miss out on this must-have collection from one of the most innovative producers in the game.

Aimer Perdre is a movie by the Guit Brothers and tells the story of Armande Pigeon; the queen of shenanigans. In Brussels, she struggles to make ends meet because she can’t stop gambling on everything, always ending up on the wrong side of luck. When she teams up with Ronnie one night, everything changes – they win it all. And when you hit a winning streak, you have to know when to stop.

For Aimer Perdre, Brooklyn NY native Simon Hanes travelled to Brussels in order to work directly with the directors, synchronizing the editing of the film with the composition of the soundtrack so that both processes would influence each other. Hanes and the Guits spent 3 months working alongside each other almost every day, passing ideas back and forth and allowing the soundtrack to grow organically. The music is an honest representation of Hanes’ experiences over those months, which he spent couch surfing across Brussels, sharing meals and ideas with new friends in broken refrains of French and English – falling asleep at the Cinémathèque, and occasionally breaking into abandoned buildings…but thats a story for another time.

Throughout all this, Simon hired musicians he met in bars, members of the Brussels experimental/artistic community, singers from a choir that was rehearsing in the squat where the Guits built their editing room…All the while sculpting the soundtrack out of these seemingly dissolute elements and constantly blurring the line between the compositional process and his day to day life.

Finally the process culminated in hiring the FAMES string orchestra for ONE SINGLE HOUR (all they could afford) to achieve the full orchestral sound the film’s climax so clearly needed.

The end result, like the film itself, is a reflection of life – a hodgepodge of sounds, colors and ideas that come together to create a beautiful, unique tapestry, sometimes harmonious, other times less so.

Comes with a limited edition flexidisc with a bonus track.

SPR004 – Kvater

The neighborhood vinyl-only gem straight out of Munich.


For our fourth release, we celebrate a dear friendship that has grown over the years through a shared passion for music. Longtime DJ and producer Dexxis joins forces with Niko S., label head of Super Party Records, to light up Studio Alpenblick with a special collaboration.

A1 – 1-2-3 (Radical Party Mix)

Built to catch you off guard, this ’90s trance-infused wild ride will get any floor moving - and maybe even make you rethink some of your life choices.

B1 – Easy Rider

High energy and pure momentum. This one feels like a Harley road trip through the desert, wind in your face and all.

B2 – 4th Floor

Starts off dreamy, housy, and feel-good - but don’t get too comfortable. An acid line creeps in, drilling into your head and reminding you that you’re not dreaming - you’re dancing.

Tartiflux is a versatile mini-LP that weaves together many of Margee’s musical influences—downtempo grooves, 90s disco beats, organic house, and acid breaks—into a unique, eclectic sound. Organic textures guide the overall tone, ensuring that the groove remains at the heart of every track.

On the A side, the title track “Tartiflux” takes listeners on a progressive, groovy, and downtempo journey with deep bass, sizzling pads, and distorted guitar sections. It features a remix by NYC legend Justin Strauss, who adds a punchy, rhythmic flair alongside additional productions by W. Andrew Raposo of Midnight Magic.

The B side presents a dynamic lineup, starting with “Help Myself,” a vocal disco-house anthem with an energetic rhythm, crisp drums, and punchy vocal chops. “Maanside” follows, offering a dreamy and melancholic experience with minimalistic grooves. The EP concludes with “Poomee,” the darkest track featuring breakbeats, deep synths, and an engaging sonic journey through acid patterns and robust basslines.

Repress!

Super Rhythm Trax is excited to present Adonis’ resident DJ, Hannah Holland making her label debut.

These tracks leap out the speakers sounding super fresh and have been doing plenty of damage already featuring heavily in her sets during the last months.

3 larger than life HH productions take the scenic route around Acid, House, Techno and even some early jungle references for the eagle eared spotters amongst you with live percussion from Joy Joseph on the track ‘She’s Giving Cray’.

Jerome Hill also joins the party with an euphorically doom laden remix!